On August 29th, Pearl Jam's Dark Matter Tour took home field advantage for the first of two nights at Chicago's Wrigley Field.

From my colleague, Rachel Wechsler: The Journal of Dispute Resolution is seeking articles related to labor and employment dispute resolution for its 2024 Writing Competition. The winners will be published in the Winter 2025 Issue of the Journal of Dispute Resolution. Writers should send submissions to umclawjournal@umsystem.edu with the subject line “2024 Writing Competition.” The … Continue reading Journal of Dispute Resolution Writing Competition – September 6 Deadline →

The partnership is also with WarnerMedia.

Rick Wright’s Greenville Triumph have advanced to the United Soccer League [USL] League One play-off semi-finals after beating One Knoxville 2-1 at home yesterday [November 2]. Goals from Evan Lee and a Lyam MacKinnon penalty handed Greenville victory. Greenville will travel to Union Omaha or host Richmond next weekend depending on the outcome of the […]

Rick Wright’s Greenville Triumph lost 2-1 away to Union Omaha in the USL League One play-off semi-finals yesterday [November 9], and one one of the goals scored by Union Omaha was actually scored by Bermudian Zeiko Lewis. A former Saltus Grammar School student, Wright made appearances for the Bermuda and United States national teams. He was appointed […]

Member companies of the Association of Bermuda Insurers and Reinsurers [ABIR] recorded a strong 18% year-over-year increase in premium written in 2023. A spokesperson said, “ABIR’s global underwriting report, released today, comprises data from 25 of 31 member re/insurers for the calendar year 2023. The Group generated gross written premium of over $171 billion, up […]

Dr Ty Douglas performed a song he co-wrote titled ‘Baton in Hand’ in honour of the 1968 Olympic legends Tommie Smith, John Carlos and Harry Edwards at the recent San Francisco Juneteenth Festival and Parade. Dr Douglas, who co-wrote the song with his colleague Dr Wayne Bucknor, was also interviewed and featured on the KBMX […]

Writing a novel may appear to be difficult, but if you follow the basic steps, you can write a novel on your own. Begin by brainstorming and selecting a topic for your novel, then try to construct a story for your novel. Decide on your characters and a point of view, as well as the ... Read more

The post How Do You Write A Novel? first appeared on Storytellers Unplugged.

NEWS – If you’re a Harry Potter fan and also love writing, the new LAMY Harry Potter fountain pens will be a magical addition to your pen collection! These special edition fountain pens combine the charm of Hogwarts with high-quality craftsmanship, making them perfect for jotting down your own stories or doodling your favorite characters. […]

I really love the card game Lost Cities, designed by Reiner Knizia. When my husband Christopher and I were first getting to know each other, we used to meet up at Starbucks sometimes and play games. Lost Cities was one of our frequent picks. It’s a head to head, two player game in which both players are trying to outscore each other by laying down ascending runs of card suits on a small board between the two of them. There’s a theme laid over the mechanism (completing expeditions in the lost world) but it’s basically pasted on and so that is the last we will speak of it. So there we were, newly in love, eyeing each other across the table, smiling and flirting, and doing our best to beat one another at Lost Cities. It was awesome. And now, with the roll & write genre having made an impressive rebound a few years ago (let’s not forget the mechanism has actually been around since the 50s with Yatzee), Knizia has ported his award winning game Lost Cities  into this format, releasing Lost Cities Roll & Write  in 2021. 

You can play the new Lost Cities  with up to 5 players, but in an ode to our romantic beginnings, Christopher and I played it exclusively with one another in successive matches.  The components are compact, lacking the pretty illustrations of the original game, and few in number – the rule book, a scorepad, three pentagonal trapezohedron dice (that’s 10 sided dice for the uninitiated), and three 6 sided custom dice with color suit symbols. Oh, and some pencils. That’s it. We could have played on an even smaller Starbucks table if we had this back in our dating days.

The cards from the original game (wager cards and numbered cards 2 to 10, in five different suits) have been translated into dice roll results. On each turn, one player rolls all the dice and chooses one of the six sided dice to represent the suit and one of the ten sided dice to represent the number. A zero on the number die can represent either zero (mimicking the wager card from the original game which serves as a multiplier for the total score in the selected suit) or ten (mimicking the highest card in each suit).

In place of the tableau built up on a central board, each player tracks the progress of wager and number cards they’ve collected for each suit in color coded columns on their individual score sheet. Wager cards have been transformed into little circular boxes to be marked off from a suit column when rolled, while the numbered cards from the original game have expanded to include the number 1 and are recorded as numbers written manually in the square boxes running up each column. Whereas in the original game, only cards higher than the last card played in a suit were permitted to be played on subsequent turns by the same player, in Lost Cities Roll & Write, numbers that are higher than or equal to the last number recorded for a suit may be written into the column after future dice rolls. Expanding beyond the concepts from the original game, Knizia has included artifact icons on select spaces in each column and when those spaces are filled by a player, they may fill in one of the jars in the artifact column. Likewise, he’s included arrow icons on select spaces and when those spaces are filled by a player, they may fill in the next box in one of their suit columns with the number from the previous box in the column – note that it does not have to be the same column in which the arrow was filled.  There’s also a column for filling in dice shapes to represent rolls where a player could not or did not want to use any of the dice results. The latter column is particularly tricky to manage effectively, as it provides a similar point progression as the rest of the columns (negative scores for the first 3 boxes filled and then positive score for the rest) up until the last box in the column. If you color in that box, your score for the dice shapes column drops from 70 to 0. The bonus points awarded in the original game (20 points for laying down at least 8 cards in a suit) have been implemented in Lost Cities Roll & Write  for each column (including the artifact and dice shape columns) as a 20 point bonus to the player who is the first to fill in 7 boxes in the column on the scorepad. The roll & write game ends when either both players have filled in the dice shapes column completely or all eight columns have passed the bonus point marker. In our experience, the completed dice shapes column is a much more common trigger.

I’ve played a ton of roll & write games over the past few years. Some are instant objects of adoration, while others are infuriating piles of poo (I’m looking at you Imperial Settlers R&W). Lost Cities Roll & Write is fantastic; a great addition to the genre. Knizia did an excellent job of translating the feel of the original game into the new mechanism. The iconography is clean and easy to read and the game can be taught and played in less than a half hour. And of course, it takes up very little table real estate, making it perfect for travel or tight spaces (when traveling as a passenger, simply roll the dice into the box cover). If you twisted my arm and forced me to choose between Lost Cities or Lost Cities Roll & Write, I’d be forced to pick the original, but only because of the lovely artwork on the cards and the sentimental value I have attached to the game after my love and I played it in our early days. But who would go around doing such arm twisting? Nobody. Therefore, with a retail price point under $15 for each of these, unless you’re down to your last $15, I recommend you pick up both. Play the card game with someone you love when you have a little more table space. Play the roll & write anywhere, with up to four additional friends. 

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Publisher: Kosmos
Players: 2-5 (We played with 2)
Actual Playing Time (vs the guideline on the box): about 20 minutes per game
Game type: roll & write, dice rolling

Rating:

Rating scale:
OUI: I would play this game again; this game is ok. I probably would not buy this game myself but I would play it with those who own it and if someone gave it to me I would keep it.
OUI OUI: I would play this game again; this game is good. I would buy this game.
OUI OUI OUI: I LOVE THIS GAME. I MUST HAVE THIS GAME.
NON: I would not play this game again. I would return this game or give it away if it was given to me.

Five new National Geographic maps complete coverage of Washington Cascades

Published: Tuesday, September 07, 2010, 3:15 AM
Terry Richard, The Oregonian
Washington's Cacades are covered.

With the release of five new maps this summer by National Geographic, the rugged mountains of Washington are covered from the British Columbia border to Oregon.

The maps are sold under the Trails Illustrated brand.

New titles this year area Mount St. Helens/Mount Adams, Goat Rocks/Norse Peak/William O. Douglas Wilderness Areas, Alpine Lakes Wilderness, Glacier Peak Wilderness and Mount Baker/Boulder River Wilderness Areas.

They go along with several other titles already in print to complete the coverage: North Cascades National Park, Mount Rainier National Park and Columbia River Gorge National Scenic Area.

The full-color maps are printed on hefty water-proof, tear resistant paper. National Geographic is one of the best mapmakers in the business, so the maps meet the highest standards.

The maps are topographical, but they cover such a large area that the contour interval is 50 feet. This is a little too big for serious off-trail mountain navigation, but National Geographic also sells state map series on CD Roms under the Topo brand with 20-foot contour intervals.

The new printed maps maps are excellent for hiking and driving. They show most of the trails and most of the roadside amenities, in easy-to-read formats.

Your map files may already contain U.S. Forest Service maps of the areas, but these maps often go 15 years or more between updates. The new Nat Geo maps are the best new maps at this time for the areas they cover.

Look for them at stores that sell maps, though getting this many new titles in any particular store may be difficult.

One place that does have them all is the Nature of the Northwest in Portland, at 800 N.E. Oregon St., Suite 965. Phone number is 971-673-2331.

You can also order them from National Geographic. Cover price is $11.95. For more information visit Trails Illustrated Washington maps.

-- Terry Richard

There is a discussion on Linguistics Stack Exchange whether wristwatch in Chinese came from the French: As a native French speaker studying Mandarin Chinese, I couldn't help but notice that the Chinese term for wristwatch, 手表 (hand-show), is quite similar to the French term "une montre" (a "shower"/display). After further inspection, I notice that other […]

[This is a guest post by Denis Mair]      Cai Xutie was a Taiwanese woman who ran a family farm with her husband in a village near Jiayi in central Taiwan. She was a rice farmer and had never attended a public school. After her husband died in middle age, she sold some of the land, […]

I have just had a letter on lovely thick straw-coloured letterhead from the Royal Courts of Justice in which a Rt.Hon.Lord Justice thanks me for my 31 years' service on the bench. 

That's nice, and I shall pass it on to my granddaughters in due course. Both of their parents are solicitors. My impending third grandchild will have two journalists as parents, so that's nice too.

Well, it's been a busy summer writing-wise.  I'm letting a draft of a middle grade sci-fi adventure cure for a bit and also completed a work-for-hire project, and two-and-a-half nonfiction projects. (The half is still in-progress :-)).

Circa 1995.  No hills :-).

After the Cap Tex Tri weather debacle, I reconsidered my original plan to try the Austin Half-Ironman (or Ironman 70.3 as they're calling the things these days).   I'd wanted to do a couple Olympic distance races this summer (the other would've been the Tri Rock Austin Triathlon over Labor Day weekend) to get the kinks out before going for the longer distance.

Unfortunately, the schedule didn't quite work out (and I'm going to be doing some school and bookstore visits in October, prime training time :-)).  Also, this allows me to delay buying a new bike -- my current one is a 1989 Trek that is fine, but riding 50+ miles around the Hill Country, I can see where handlebar shifters would be useful :-).

So I decided to dive back in to the Austin Distance Challenge and take up the Austin Runners Club on the marathon training (which would also help with next year's triathlons).  My goal is a personal best or possibly Boston Marathon qualifying. (With the age-group corrections, BM qualifying has finally caught up with my PB :-)).

The ARC program is based on the Runner's World "Run Less, Run Faster" program, which has you run three days a week and do other cardio work two days a week.  One of the days is a track workout, one is a tempo run and the third is a long run, with pace times based on a one mile time trial we did a couple weeks ago. I have no idea if it will work, but I like it because I want to keep up the biking and running as well.

After the long run

I just completed the first week of the program and didn't actually hit any of my goal times, but I've never actually tried running for time, so at least the effort is interesting.  I ran a trial mile of 7:10, slightly slower than my 6:50 from last spring and a lot slower than my PB of 5:55 (granted, twenty years ago :-)).

From this, the track workout was supposed to be 4x1000 m at 4:09; my times were 4:20; 4:14; 4:15; and 4:22, so not terrible.  The tempo workout was supposed to be 4 miles at a 7:38 pace and my actual pace was 7:46. I figured it would be a challenge to hit those marks but was glad to have been close.  

The long run was supposed to be 11 miles at 8:57, which I though I could do, no problem, since I'd done my half marathons last year at around 8:24.  But with the humidity and heat (in August, hydration tends to be my biggest problem) and having only three hours of sleep (due to small feline mammals), I only did seven miles at a 9:07 pace.

Based on limited data, I like the program because it's not just about racking up mileage, which was getting a bit old. Also, the track workouts are not far from where I live :-). 

Anyway, I'm looking forward to the challenge of a new marathon best time, at the 2017 Austin Marathon!

Setting my PB on a wintry spring day

    



 

What started as Bernie Sanders writing an innocent thank you note to his field staff on a white board turned into memers filling it in with hotter takes and less savory messages. Seriously, people should know better at this point than to post images on the internet of people with white boards. It's just asking for bad news.

Chipotle’s new chief executive is Scott Boatwright, a familiar face and name, given that he’s served as the interim CEO since August following former CEO Brian Niccol’s surprise decision to lead a turnaround at Starbucks. And while Boatwright, 52, will get a significant pay boost in his new…

Written communication skills can vary because no reader or writer is the same. Usually having a solid outline to work with when getting started is first and foremost. Doing the research and understanding what you are writing for is a must do task as well. As from experience it is much easier to write about […]

Spoilers, obv. Let’s just dive in, eh? Jamie’s Cover One of the interesting things about comics is the solicitation process. As such, a sub-section of the fandom will be aware of a cover before it comes out (or the month before it comes out if it’s a comic which puts a NEXT MONTH cover in […]

Spoilers, obv. This felt like a big issue to us. I mean, in a literal sense it was a big issue. We normally are 20 pages of art (plus cheats). This is 23 pages of art, due to me completely fucking up and writing a 22 page script extremely early, thinking I’d go back to […]

Spoilers, obv. The specials have been quite the time, having several ways to stress everyone the hell out. The amount of work that goes into a special is far more than any single script can justify in cold commercial terms. It’s lucky that I’m only choosing periods that I’m interested in researching to death. I […]

Might be best to shut up for a bit.

read more

By Sara Truuvert

Sweaty palms, shaking limbs, and the distinct possibility of puking. Am I describing riding a rollercoaster or having a crush in middle school? These two thrill rides collide in Jake Maia Arlow's MG debut Almost Flying.

The novel follows thirteen-year-old Dalia, who has planned the perfect summer: finally ride a rollercoaster and make a new best friend. But when Dalia's dad announces he is engaged and expects Dalia to bond with her soon-to-be stepsister, Alexa, Dalia thinks her summer plans are shot. Luckily, Alexa agrees to take Dalia and Rani, a new girl from Dalia's swim team, on an amusement park road trip. What should be a smooth week takes a turn when Dalia realizes she might have more-than-friend feelings for Rani. Almost Flying launched on June 8th, 2021 with Dial Books and is widely available to order.

Jake Maia Arlow is a writer, podcast producer (listen to her work on shows like NPR's Invisibilia), bagel connoisseur, and co-writer of a musical about a gay demon competing in a reality TV show. You can find out more about Jake on her website, Twitter, and YouTube channel. Watch for her YA debut, How To Excavate A Heart launching from HarperTeen in 2022.

Q. A huge congratulations on your MG debut! Your protagonist Dalia is thirteen, which is such a weird, wild, sometimes(?) wonderful age. Did that time in your own life influence this story?

A. Thank you so much! That time in my own life absolutely influenced this story—mostly in that I was a complete weirdo in middle school. And while I wasn’t brave enough or self-aware enough to understand my own early queer feelings, I was so deeply idiosyncratic that I could write 1,000 middle grade novels and never touch on all of my bizarre behavior. For example: I wore mismatched toe socks to school every. Single. Day. 

Q. I love how unique Dalia is—for starters, she absolutely loves watching rollercoaster POVs (but would rather keep this hobby to herself!). Would you speak a bit about developing Dalia’s character?

A. Developing her character was one of the most exciting parts of the writing process, because it involved watching a ton of rollercoaster POV videos! Part of my process included taking notes on different POV videos in Dalia’s voice—some of those early free-writes even made it into the novel in various forms. It’s hard for me to start writing before I know a character’s voice, but Dalia’s came very naturally to me. She’s an anxious queer Jew from Long Island … just like me haha!

Q. Dalia has to navigate some complicated feelings she develops for her friend Rani. Did you map out the trajectory of their relationship before you began writing? Or was it more a matter of seeing where your writing took you?

A. I knew that Dalia had a crush on Rani from the very beginning, but it took me a few rounds of edits to realize that Rani also had a crush on Dalia from the start. Dalia overthinks everything, and even though Rani gives her some pretty clear signals, she doesn’t pick up on them. It was really more of a discovery writing process than I thought it would be!

Q. Do you have any writing routines or rituals that help you get into a good workflow?

A. Oooh, I love this question! I always have rain sounds playing in the background, regardless of whether or not it’s actually raining outside. Other than that, I do the pomodoro method (25 minutes of writing with a five minute break) and I try to have a friend around so I can bounce ideas off of them! 

Q. You have a helpful (and funny) post on your website about the process of getting your agent, which, understandably, involved a fair amount of nerves and panic. What would you say to an author who feels daunted by the idea of starting this process?

A. I’m thrilled that someone has read that! My advice is always to be over prepared. I am almost chronically over prepared because of my anxiety, but in this case it served me well. Listen to podcasts, read sample query letters, read the acknowledgements of your favorite books. There are so many incredible resources that you never have to go through this alone. 

Q. Do you have any advice for young writers?

A. YES! So many people like to say “read,” which is awesome advice, and you should absolutely do that, but my other piece of advice is to WRITE! Write in a journal, write your earth-shattering novel idea on a Google Doc and share it with friends, write recipes, write spells. Write anything and everything. At the very least, you’ll have something to look back on. 

Q. Finally, I understand that both you and Dalia are bagel connoisseurs. I must know, what separates a great bagel from a good bagel?

A. This is the greatest question I’ve ever been asked. First of all, if a bagel isn’t boiled, it’s not a real bagel— it’s just a piece of bread with a hole in the center. But other than that, a great bagel is freshly made, a little warm on the inside; it’s chewy on the outside and soft on the inside. And, most importantly, a great bagel is one that you eat with friends and family. 

------------------------------------------------------------------

Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

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Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

 

Just read (and loved) a fun reimagining of the classic fairytale Goldilocks and the Three Bears: GOLDIBOOKS AND THE WEE BEAR, written by Troy Wilson and illustrated by Edwardian Taylor, published earlier this year by Running Press Kids.

Here is Troy Wilson's advice for young writers:

"My advice? Write badly. Badly, badly, badly. Include words and ideas that shouldn't be there. Leave out words and ideas that should be there. Put things in the wrong order. Have your protagonist act wildly out of character. Why? Because that is what your favorite author does.

"You don't see your favorite author's horrible first drafts. Or horrible second drafts. Or horrible third drafts. For that matter, you don't see their attempted books that never, ever turned out at all. (Some things are just dead ends, even for your favorite author.) No, you only see their final, super-duper-polished work, after they got lots and lots of great feedback.

"Everyone starts with bad writing. Every single writer, every single time - no matter how long they've been doing it. You can't avoid your own bad writing. You can't go around it or over it or under it. You have to go through it. Just get it onto the page or screen. You can always fix it later. Except if you let the bad writing - or the fear of bad writing - stop you from writing. Because you can't fix what isn't there."

Thanks, Troy! 

Related links:

Publisher page about Goldibooks and the Wee Bear

More about Troy Wilson at TroyStory.ca, Twitter and Facebook.

More about Edwardian Taylor at EdwardianTaylor.com, Twitter and Instagram.

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Find more advice for young writers and illustrators from children's book creators.

 

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...). Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order. 

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram. 

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains. 

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life. 

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be. 

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio. 

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javi not invite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine. 

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!) 

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant, Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start with this short Ira Glass video. Or this brilliant reflection on writing advice Chuck Wendig just wrote.

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

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Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

Brian McLachlan is a cartoonist who's worked for Nickelodeon, The Nib and the New Yorker. He writes the monthly comic Spruce Street Squad for Owl Magazine. His book, Draw Out The Story: 10 Secrets to Creating Your Own Comics is an ILA-nonfiction award winner. Each Tuesday he hosts a group of artists in a PG-13 game of Dungeons & Dragons where they live draw what happens in game on Twitch, called Magical Marker ( MM ). You can find Brian at his website, on Twitter, and Instagram.

Synopsis of COMPLETE THE QUEST: THE POISONOUS LIBRARY (Imprint/Macmillan):

Save your kingdom in this interactive role-playing adventure, which reads like a graphic novel but also plays like a game! It’s perfect for fans of all ages who are interested in the exciting world of fantasy gaming.

Q. How did you come up with the idea for Complete The Quest?

Complete the Quest in a brand new mix of role playing game (RPG) and comic. It started as an experiment to see what would happen if I took a Dungeons & Dragons or Chose Your Own Adventure multi-path story and made it into a comic. How would the gameplay change by putting it into a visual space? For me, it was a literal game changer, turning the CYOA anxiety of multiple choices, into a laid-out, laid-back invitation to check all paths for your favourite way forward. It also encourages people to come up with their own, better solution if they want. While I always give the reader a clear path forward, I invite them to forge their own. It's a great introduction to co-operative storytelling.

Q. What was your writing/illustration process?

I draw a scene much faster than I can write about it. A picture's worth a thousand words and all that. So I draw my scripts in rough, laying out out the word balloons, figuring out how much space I need, how the page turns feel, etc. This was especially important for this comic gamebook which also filled with maps for the reader to navigate. We needed to see if the pathing was clear. Creating the tutorial was the most time intensive part, trying to make the most elegant, clear way to ease the reader into how the game part functions. I think we nailed it. I hear from parents who don't play RPGs that they were worried about the reading a gamebook, but they quickly "got it".

Q. What advice do you have for young writers and illustrators?

Advice is hard to give because everyone's different. Some people need to hear "finish what you start" and some need to hear "stop working on that thing, it's good enough". So my advice is to train your inner advice-giver and follow it. What is it about the way you work that you've been putting off improving, but could do right now? Because you know what type of story or art you're making, and if you're trying to make an apple, the best advice in making a banana isn't going to help. And the best advice in making an apple right-handed isn't going to help you if you're left-handed. Not all advice is for you, it's a skill to figure out what part is for you to take right now, later, or never.

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Also see my other Inkygirl interviews with book creators and advice for young writers and illustrators from book creators.

Show notes for Episode #2: Subscribe to the Internet Musician Podcast with iTunes: In this episode, I present “Music Tools for the Indie Artist”, a topic that I recently presented to a local songwriting group.  Specifically, I present the tools and process I use to capture and preserve those moments of musical inspiration–no matter whether they strike […]

For the first day of NaBloPoMo (National Blog Posting Month), I want to start with something difficult, and the reason why I’m participating in this monthly challenge.

I’ve lost all affection for my writing voice, and I don’t entirely know why.

These days, it’s challenging for me to get excited about writing anything personal. Everything I post, aside from ink swatches, makes me cringe, even simple replies to others' posts. When I started writing online, it was so easy to share any little moss-bulb of detail, despite lacking confidence in my voice or purpose. It was enough to noodle in public; I had a stage (my website) and tap-tap-tapping its microphone didn’t make me feel immediately self-conscious.

A few years ago, I pushed — harder than I’ve pushed for many things in my life — for the “community” aspect of Micro.blog to be more than a shared timeline. I wanted it to be something I could lean back softly into, both an audience and support group, comprised of people who shared the same penchant for collecting and amplifying small treasures of moments.

The people exist (and they are wonderful, I read what they share with delight) but the community? I know now that what I was asking for doesn’t exist online in the same way it did, but I didn’t know that yet. I kept pushing and pushing, until one day I just … stopped. Everything I said seemed to repulse people instead of drawing them closer. It was easier to find what I needed and wanted in the friendships I was slowly and intentionally building offline than it was for me to do that online. And that was a first for me. Much of my life, up to that point, had been spent focusing on connecting online.

Because much of my life, up to that point, had been lived online.

I don’t really want to go back to living so much online. But sometimes I’m nostalgic for the feeling of being understood through my writing, shades of myself that I don’t know how to represent except through words.

It’s supremely cringey even to post this, but I’m going to push through in the hopes there’s some self-acceptance on the other side of it. I’m not ready to stop writing altogether. In some ways, I feel like I’ve barely begun.

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.

I blogged here before about things disappearing in my house — kitchen utensils, corkscrews, keys, etc. (See “Pixie Problems, or Working Things Out with the ‘Cousins’ (1)” and Part 2, Part 3, and Part 4.) Things have been better since then. … Continue reading →

Register for our "Writing Seminar Research Clinic" to be held in the Firestone Library Tea Room on Sunday November 17 between 2:00 p.m. and 8:00 p.m. Consult with Writing Center Fellows and Librarians to move your Research Paper to the next level while munching on movie theater style popcorn, cookies, and sipping caffeinated beverages! Please register for a time slot here: 2:00pm-2:30pm 2:30pm-3:00pm 3:00pm-3:30pm 3:30pm-4:00pm 4:00pm-4:30pm 4:30pm-5:00pm 5:00pm-5:30pm 5:30pm-6:00pm 6:00pm-6:30pm 6:30pm-7:00pm 7:00pm-7:30pm 7:30pm-8:00pm If you need research help and none of these time slots work for you, feel free to sign up for a consultation with your seminar librarian.

Wicked – the 20-year-old – smash hit on Broadway turns the story of the "Wizard of Oz" on its head.

Now, the story of Elfaba the Wicked Witch of the West, Glinda the Good Witch, and the Wizard himself is making the shift from stage to screen.

The director bringing the Broadway hit to screens across the country is Jon M. Chu, the director of the blockbuster Crazy Rich Asians.

The movie version of Wicked is in many ways the culmination of Chu's own story as a person of color. Chu always wanted to be a filmmaker. Chu says his life experience and career lead him to tell the story of a person of color in a new way.

For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org.

Email us at considerthis@npr.org.

Do you want more website visitors and customers? Of course you do! Then you need to learn how...

The post How to Write an Effective Call to Action appeared first on Ignition Media.

Arsenal forward Alessia Russo unlocks her phone to reveal her go-to songs, poetry skills and the football idol she chats to on social media.

Teachers can assess young students’ literacy skills and knowledge by encouraging them to produce books based on animal facts.

This article is by Emma Lammers.

Author’s note: neurodivergent is term used to refer to people whose neurological functions differ from the norm because of an innate or acquired condition. Examples of these conditions include autism, learning disabilities, mood disorders, traumatic brain injuries, and more. People who do not have any neurodivergent conditions are considered neurotypical.

To the delight of many readers, more characters in fantasy literature reflect aspects of real-world people than ever before. Today’s heroes can be people of colour, people of any gender or sexual identity, people of nearly any age. Writers are answering the call for more diversity in their work, and oftentimes they do it well, portraying realistic, nuanced characters from marginalized communities.

Some people, however, aren’t as likely to see themselves accurately reflected in the pages of a fantasy story. I’ve searched long and hard to find literary characters who experience autism, anxiety, and sensory processing disorder as I do, and very few of these characters show up in fantasy – a detriment to my favourite genre. Villainous characters are often portrayed as neurodivergent because writers think that this will make them scarier, and you will encounter the occasional hero with post-traumatic stress disorder, but  these depictions tend to lack accuracy, diversity, and consideration for the people who actually have the conditions used in the story.

Continue reading Writing Neurodivergent Characters in Fantasy at Mythic Scribes.

NEW YORK, Nov. 1, 2024 — NANO Nuclear Energy Inc. has announced the October 29, 2024 closing of the sale of an additional 317,646 shares of its common stock at […]

The post NANO Nuclear Energy Raises Over $40M from Recent Underwritten Follow-On Offering appeared first on HPCwire.

Oprah.com http://www.oprah.com/shiftyourlife/strategies-for-getting-unstuck/all Harvard Business Review How Perfectionists Can Get Out of Their Own Way GOOD Magazine Full article archive Mind Body Green 3 Tips To Stop Taking Criticism So Personally  

The post Highlights of My Writing from Around The Web appeared first on Dr Alice Boyes.

Cursive writing is experiencing a resurgence of sorts in North Carolina elementary schools thanks to a state law that was passed in 2013.

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Two British artists travel to Pittsburgh for their second installment of their "Mysterious Letters" art project.

The American Ingenuity Award winner is using geographic information systems to map history's most iconic landscapes