Pay to win garbage. Not even a chance for anyone who got f****d over by RNG. Total scam!

Hi there everyone.

This is such a challenging time.

Every day we're having to sit and watch in disbelief as people lie to our faces about COVID-19, how bad things are, and what to do about it. We watch in disbelief as nonviolent protesters are arrested and accused of violence — while the police use tear gas, rubber bullets, pepper spray, and batons against them. We watch in disbelief as white women pull guns on Black people after saying the actual words, "White people aren't racist… No one is racist." Our president lies so often, so willfully, childishly, self-centeredly, and so without compunction that FactCheck.org, a nonpartisan advocate for voters that aims to reduce the level of deception and confusion in U.S. politics, has a Donald Trump archive that is 107 pages long. And now I read that we've started executing federal prisoners again — despite what we all know about how flawed our criminal justice system is.

It can be hard to keep on top of how awful everything is.

I wanted to provide a few clarifying links, and recommend a book.

First, if you're feeling overwhelmed by the number of people in denial around you — and the capacity for people to lie to themselves and others about reality — I want you to know that you're not alone. Also, you're not crazy. Also, THERE IS AN OBJECTIVE REALITY. Keep hold of it. And if you don't know what cognitive dissonance is — this might be a good time to learn! A couple links —

• Cognitive dissonance is a huge factor in people, especially white people, denying the existence of structural racism and refusing to acknowledge our own investment in it. For just one example of how this plays out, check out "The psychological phenomenon that blinds Trump supporters to his racism," from the Washington Post a year ago.

• Cognitive dissonance is also playing a huge role these days in the pandemic. Check out "The Role of Cognitive Dissonance in the Pandemic," at The Atlantic.

Cognitive dissonance, when handled badly, is a killer. It makes people inexcusably ignorant, hurtful, and destructive. I find it helpful to learn about it, so at least I know what we're up against — and also so that I can be better equipped to watch for it in myself, because after all, I was socialized into this society too. Maybe you'll also find it helpful, especially now. When you're surrounded by people who are lying to themselves… It can be incredibly disorienting! And distressing, if these are people who profess to care about you. Learn about cognitive dissonance and shine some light through the bullshit around you.

Next, on the not unrelated topic of "The Letter" ("A Letter on Justice and Open Debate," published on July 7 at Harper Magazine and signed by 153 writers, artists, academics, and journalists). I really liked Hannah Giorgis's thoughts about The Letter, over at The Atlantic: "A Deeply Provincial View of Free Speech". Giorgis skewers The Letter's vagueness. She also reminds us of what free speech actually is, and what threats to free speech actually look like. An excerpt: "Any good-faith understanding of principles such as free speech and due process requires acknowledging some basic truths: Facing widespread criticism on Twitter, undergoing an internal workplace review, or having one’s book panned does not, in fact, erode one’s constitutional rights or endanger a liberal society." Yes!

Finally, I'm listening to a really great audiobook: Until We Reckon: Violence, Mass Incarceration, and a Road to Repair, by Danielle Sered. Sered is the director of Common Justice, which is a program in Brooklyn that provides a survivor-focused alternative to incarceration for violent crime. What I love about this book is that while I've been aware that our criminal justice system is broken — and that it's a lie that prisons keep anyone safe — I hadn't realized that there are workable alternatives already in play. Sered presents an alternative to incarceration that creates not just safety, but healing. The program is very survivor-focused. Survivors are deeply involved in decisions about how the people who harmed them are held accountable. And since most people who commit violent crime have also been victims of violent crime, the program helps those who've caused harm to heal too. The book is realistic about why people harm each other, and about how to change the system. It's a good introduction to the growing movement of restorative justice, and reading it makes me hopeful.

A heads up that Sered has a crystal clear grasp of what it's like to have PTSD and is searingly articulate about how it feels to want and need a person who harmed you to accept responsibility for what they did. If you are a survivor — of any kind of harm, not just violence — parts of this book may be gutting. I recommend taking breaks now and then.

Also, if you don't have time to read a book or if you can't access it right now while the libraries are in flux, I can recommend a recent podcast episode on the same topic. It's from the The Ezra Klein Show and it's the episode called: "A former prosecutor's case for prison abolition: Paul Butler on how our criminal justice system is broken — and how to fix it". I learned a LOT about how broken our criminal justice system is from that episode. I noticed that Ezra also has an even newer episode, an interview with sujatha baliga called "The transformative power of restorative justice." I haven't listened to that one yet, but it's on the same topic, so I'm guessing that's also an interesting and informative conversation.

Okay! So those are the things I wanted to share. Hang in there, everybody. I'll be writing another craft lesson blog post soon. Also, in Winterkeep news, I expect to have a cover (or several) to share with you soon! Be well, everyone.

Before I start talking about Victor LaValle's beautiful book, a point of housekeeping: Now that an eon has passed, I've finally updated my praise and awards page for Jane, Unlimited. I have a bad habit of never getting around to this task until it's time to start clearing things out for the new book. The nice thing about it is that I get to revisit a book that's dear to me, years after I've stopped thinking about it. Jane is a book that divides readers for sure. I want to thank everyone who got that book and took it into your hearts and brains. If you don't know about Jane, Unlimited, here's a quick intro: An orphan named Jane arrives at an island mansion owned by a friend, then quickly starts to get the sense that strange things are afoot there. At a certain point, when Jane needs to make a decision, the book breaks off into five different decisions she could make — and each decision takes her into an adventure in a different genre. There's a mystery story, a spy story, a horror story, a sci-fi story, and a fantasy. They're all connected and interwoven; and yes, the multiverse exists :). It's a weird book and I'm very, very proud of it! If you're curious, I'll point you to the NYTBR review, which is concise and generous and does a good job expressing its flavor.


So. Today I want to talk about the craft of using existing, well-known stories to fortify your own story — thus building ready-made narrative magic into your story's foundations.

Reimagining a classic story is, of course, an age-old tradition. There was a time when I read all the King Arthur retellings I could find, though this list shows me that I missed a great many. Some of my all-time favorite books come from this tradition: Tam Lin by Pamela Dean, a retelling of the old Scottish ballad that takes place in a fictional college in Minnesota in the 1970s; Deerskin by Robin McKinley, which I held close to my heart while I was writing Fire and which is based on the Charles Perrault fairy tale Donkeyskin; Ash by Malinda Lo, a lesbian retelling of Cinderella. Every writer who goes down this path has their own take on whatever story they're reimagining, disrupting the familiar in their own unique way so that we can get some objective distance and consider the story again in a new light. One of the best things about stories is the way they all change and grow in meaning and significance with every new story that joins the pantheon.

Victor LaValle's The Changeling is a modern-day, New York City-based retelling of the old changeling folktale. In the classic version of that tale, fairies steal a human baby and replace it with something else, usually a (creepy) fairy child. In LaValle's retelling, the focus is the emotional journey of the baby's father, Apollo Kagwa, whose wife Emma Valentine starts acting odd after their baby is born. Horror ensues. In the wake of the horror, Apollo must figure out what the heck just happened, and how to move on.

LaValle's take on the changeling story is unique in plenty of ways. For example, the way race and gender factor into the power dynamics. The choice to center the point of view around a father. The extreme horrificness of the violence that occurs. The story's broad-ranging modern-day New York City settings, from a fancy Manhattan restaurant to Apollo's home in Washington Heights to an abandoned island in the East River to upscale suburbs and a forest in Queens. These are the sorts of alterations commonly made by writers retelling old stories: time, location, culture, tone. When we know we're reading a retelling, we expect changes in these categories.

But LaValle does something else too: he infuses this book with many, many stories that aren't the official story he's retelling. The Changeling is a book positively swimming in story. And one of this book's charms is that as a consequence, Apollo spends a lot of the book making mistakes about what story he's in. LaValle uses stories to illuminate, but also to mislead. I think it makes for a really unique approach to characterization.

It also steers Apollo through a character transformation that I find exquisitely touching, for reasons I'll try to explain without spoiling the plot too much.

Apollo Kagwa's father, who disappears before his fourth birthday, is a white man from Syracuse. His mother, Lillian Kagwa, is a Black woman, an immigrant from Uganda, who raises him and who recognizes early on that her son lives and breathes stories. Lillian can't find enough books to satisfy young Apollo. He also has a mind for business. When Lillian discovers that Apollo has been selling his books after reading them, she helps him establish a used bookselling business. In due course, he grows up to be a rare bookseller.

Unquestionably, this is the story of a man who knows all about stories. As a rare bookseller who spends his time digging through rude and racist people's basements looking for valuable treasures, Apollo deals in stories. He seeks stories out, recognizes their value, owns them, sells them. He also builds stories around himself as protection and comfort, often repeating to himself, in moments of anxiety or fear, the mantra, I am the god, Apollo. I am the god, Apollo. And he uses stories to comfort and ground himself — particularly Maurice Sendak's picture book Outside Over There, a changeling tale that Apollo believes his missing father lovingly left for him.

So. Apollo knows stories. And yet, as I said above, as this story plays out, LaValle gives us evidence that Apollo is often wrong about what story he's in. He admires the wrong people in his life as heroes (for example, his father). He misses the incredibly powerful sorcerers right in front of his eyes: his wife Emma; Emma's sister, Kim; Emma's friend, Nichelle; his mother, Lillian. As he moves through the world, he imagines he sees fairy tale traps where there are none, and he misses the huge, important fairy tale turning points, the moments that really matter. The clues are right in front of his face. Sometimes the women in his life even announce them aloud to him, and he still disregards them. Like all of us, the story Apollo tells himself about his own life is flawed and distorted by his own wishes, heartbreaks, assumptions, and biases. Among those biases, by my reading, is the tiniest edge of unconscious condescension to women. Or maybe even that's going too far; maybe it's simply that Apollo fails to see and appreciate the women around him fully. He's a good man. But he doesn't quite get it.

And yet, Apollo's story is one of transformation. Over the course of this book, through a great deal of trial and tribulation, Apollo learns to see what story he's in, who the heroes are, and who has the power to create a safe world for him and his family. And who are these heroes? Ultimately, women. What Apollo learns is that he's in a story in which he needs to see and respect the intelligence, insight, and power of women. Black women, specifically. By my reading, this is a tale of a well-meaning, vulnerable, flawed man learning feminism.

Maybe you can see why I love it?

And I also love how it's done. I love the way this book swirls with stories, and the way both the reader and Apollo are moving along on different paths through the stories, trying to understand which of the stories matter to Apollo's story, and how.

It makes me think in a fresh, new way about how to weave other stories into one's story, whether one's story is a retelling, or just a story with narrative influences. There's no end to the creative approaches to this — but if you're imbuing your own story with other stories, I do think it's a good idea to choose a deliberate approach. There's a danger in trying to use other stories in your story as a shortcut for creating mood and meaning. The author who throws lots of existing stories into a book might create the impression of depth, but you want to make sure it's not just an impression. You don't want to use other stories to obscure an empty hole or a weak foundation in your own story, or make it seem like your story has meaning it doesn't have. I say this as a writer who's familiar with that moment when, after trying to shoehorn a known story into something I'm writing, I realize I'm being lazy. I'm trying to make someone else's work do my work. Or maybe I realize that I simply don't know enough about my own story yet, and I'm using those other stories to obscure that fact from myself.

If you're alluding to another story in your story, there needs to be a reason. Ask yourself, what structural function are these references performing? What manner of tool are they? What do they accomplish? Why have I chosen the stories I've chosen?

There doesn't need to be a profound or complicated answer, but there needs to be an answer. For example, in Rebecca Stead's When You Reach Me, Miranda's favorite book is A Wrinkle in Time, for what turn out to be some pretty straightforward textual reasons. In the space of that book, it ends up being a perfect allusion. In the review of Jane, Unlimited I linked to above, the reviewer notes that it turns out there's a reason Jane wears Doctor Who pajamas. Though I wouldn't call Jane my most straightforward book, there are some pretty straightforward reasons I dressed her in those pajamas! You can have simple or complicated reasons for referring to other stories in your story. It can be a reason that's quiet, subtle, and small. It doesn't have to be groundbreaking. But you have to link those stories to yours in meaningful ways, and you also have to make sure that your own story is the biggest and most relevant story in the book. If you find yourself trying to create depth in an insubstantial story by borrowing someone else's story, then I recommend spending some time focusing on the hard work of your own story.

And if, in the process, you find yourself jettisoning some of the references to that other story, or even abandoning that other story altogether? That's fine too. One of my current works in progress started out as something of a Peter Pan retelling. It's now come so far from that point that the only remaining allusion is a couple of names — that I'm probably going to change, because the book doesn't need them anymore. That book needed to grow the way it did. J. M. Barrie's book was my path in; my story needed to start with his, then diverge. Another example: Earlier in this post, when I explained that Jane, Unlimited is about an orphan named Jane who comes to a mysterious house, maybe you thought of Jane Eyre. In early drafts of that book, I kept trying to work in versions of actual scenes from Jane Eyre. For example, I tried hard to find a place for a scene paralleling the one where Jane almost gets run over by Mr. Rochester in the dark. Eventually, I let all that go. At a certain point, the needs of my story became a lot more important than strengthening allusions to Jane Eyre (or Rebecca, or Winnie the Pooh, or any of the other texts that Jane, Unlimited references). I found a balance with all the allusions — or I hope I did, the reader is free to disagree! — and tried hard to focus on my story, my versions, my point. I think Jane still swims with those other stories, hopefully in ways that create depth, and part of getting to that point was letting some of it go. Often it doesn't take much to invoke a story that's part of our cultural consciousness.

To demonstrate that often it doesn't take much, let's return to The Changeling. I want to show an example of what I've explained about how this book uses stories to elucidate Apollo's failure to recognize his own story. I'll focus on one scene that I think encapsulates the skill with which LaValle layers story over story over story — to tell Apollo's story about misreading his own story. It's also wonderfully written, so that'll be fun to talk about too :).

The scene I'm going to look at takes place over the course of Chapters 11 and 12. The setting is a fancy New York restaurant that evokes a fairy tale aura. If you want to read along, you'll find this scene on pages 41 through 51 in the 2017 Spiegel & Grau hardcover edition. Point of view shifts in this book, but these two chapters are told from Apollo's point of view.

First, some context: in the scene after this scene, Emma Valentine gives birth to their child. (That's an incredible scene too! It happens in a stopped A train on its way to Washington Heights!) This means that the scene I'm about to talk about is Apollo's last chance to understand his own story before everything changes. As I think you know by now, he fails. He barrels into  parenthood still unable to see what's in front of his eyes, and the consequences are catastrophic.

But first, he has dinner at a restaurant! Or rather, he doesn't have dinner, because the items on the menu are terrifyingly expensive, so he just fills up on bread — but we'll get to that.

Let's start with the opening of Chapter 11. We're on Duane Street, a fancy street in lower Manhattan. Apollo has just been digging through the old, abandoned books of some rude people in Queens. Now he's meeting Emma and Emma's friend Nichelle for dinner at Bouley, which is a real New York restaurant. Or rather, it used to be; it closed in 2017, the year this book was published.

Here's how the chapter starts: "Entering Bouley Restaurant felt like stepping inside a gingerbread house. .... when he opened the door and stepped into the foyer, he found himself surrounded by apples. Shelves had been built into the wall, running as high as the ceiling; rows of fresh red apples and their scent enveloped him. The door to Duane Street shut behind him, and Apollo felt as if he'd stumbled into a small cottage off an overgrown path in a dark wood" (41).

(By the way, if this room sounds too playful, magical, or wonderful to be true — here's an article that includes a photo of Bouley's apple entrance: "What's David Bouley Going to Do With all Those Apples When He Closes His Flagship Restaurant?")

So. With these opening lines, LaValle accomplishes two things: (1) he fixes a real-life restaurant firmly in the world of fairy tale. And (2) he signals to us what story Apollo thinks he's in. Because we all know that when Hansel and Gretel step into a cottage off an overgrown path in a dark wood with walls made of gingerbread, cake, and candies, things do not go well for them.

I don't want to take any of the fairy tale references in this book too literally or drag them out too far. Though LaValle can be pretty explicit sometimes about what he's referencing, his touch remains light, and I don't want to beat it to death. But as I said before, Apollo doesn't eat anything but bread during this dinner. He tells himself it's because he's afraid of the bill, but we also know that on some unconscious level, he thinks he's inside the story of Hansel and Gretel. And if you're inside that story, you know damn well that it's not safe to eat the food! Of course, as it turns out, Apollo could eat anything he wants safely, because Nichelle is paying for the dinner. Apollo's wrong: his story isn't Hansel and Gretel.

This is a pretty straightforward example of how this skilled writer uses a conscious and deliberate reference to a widely-known story that then shows us that Apollo is a little bit lost inside all the stories of his life. Also, as settings go, this description of the foyer of Bouley is evocative and beautiful. The sentences of this book are eminently readable. It's something I noticed again and again: despite a fair amount of description, my eyes never glazed over and I never struggled to picture what was being described to me. LaValle doesn't use flowery language or waste words. He tells you what it looks like and he tells you how Apollo experiences it. And he attaches it to story spaces we already know, spaces that are part of our cultural language of stories, so it feels familiar and right. For me, at this point in the book, it was enjoyable to be a little bit lost with Apollo, because the language was so lush and the setting so fairy-tale familiar; because I myself, sitting outside the story, could go eat something if I got hungry, without worrying about evil witches; and also because I had some grounding that Apollo doesn't have. Apollo doesn't know that his own book is called The Changeling. He's just trying to survive each new story, whatever it turns out to be, as he steps into it.

LaValle does a good job creating sympathy in the reader for Apollo's mistakes and confusions. Consider Apollo's experience as he moves further into Bouley: "The dining room's vaulted ceilings had been laid with eighteen-karat gold leaf sheets, and on top of that a twelve-karat white gold varnish, so the ceiling seemed as supple as suede. The floors were Burgundy stone, overlaid by Persian rugs. If the foyer felt like a woodland cottage and the waiting area a haunted parlor, the dining room became an ancient castle's great hall.….Apollo felt as if he was trekking through realms rather than rooms. If there had been men in full armor posted as sentries, it wouldn't have surprised him. And in fact, when the maître d' reached the right table, there was a queen waiting there. Emma Valentine, too pregnant to stand" (42).

This is one of the dangers of being a story man: If your entire life is steeped in story, you're going to see those stories everywhere. Surely that makes it confusing to isolate which story is yours?

On the other hand, Apollo totally notices that Emma is a queen — but then he dismisses it. This is another danger of a life steeped in story: you make associations and assume that they're metaphors. Emma isn't like a queen. She is a queen — or if not a queen, some other category of extremely powerful and important woman. Maybe one of Apollo's problems is that he's so steeped in story that he can't get hold of what's real? Or maybe he believes in magic within the context of a story, but he doesn't believe in magic in real life? Or maybe he lives too much inside stories, and needs to wake up and live his real life?

This is what good layering does. It leaves the reader with lots of fascinating and fun questions!

By the way, Emma has her favorite stories too — and LaValle's choices for her illuminate her character to anyone who's paying attention. The most important movie from Emma's childhood, which she watched repeatedly in her hometown library in Virginia, is a Brazilian movie called Quilombo, "the only movie in the entire library that had black people on the cover. Of course I wanted to watch it!" (28). It's a movie about the slave uprisings in Brazil, and it "shows tons of Portuguese people getting killed by those slaves" (28). At dinner, Nichelle brings it up: "This girl tried to get me to watch a movie about a slave uprising when I was busy trying to figure out how to marry that boy out of New Edition" (47). While Apollo is worrying about eating the food, LaValle reminds us that Emma is engaged in matters of disruption to major power structures. Ding ding ding! Pay attention, Apollo!

But Apollo is too hungry and anxious to pay attention. The dinner progresses as dinners do. Apollo, not knowing that Nichelle is buying, becomes more and more horrified as Nichelle and Emma order delicacy after delicacy. Nichelle gets roaring drunk. Emma, who rarely sleeps anymore, is drifting, half-asleep in her seat. "Apollo, meanwhile, had ingested nothing but tapwater and the restaurant bread. While the bread tasted magnificent, it wasn't enough. By dessert, Apollo and Emma had low batteries, but Nichelle seemed wired to a generator" (46).

Near the end of the dinner, Emma leaves the table to find the bathroom. She's thirty-eight weeks pregnant and "That flan wants to come back up," she says quietly (47). When she leaves, Nichelle, like any good soothsayer in any good folktale, takes the opportunity to try to tell Apollo what matters.

First, she tells Apollo that "There's a nude photo of your wife in an art gallery in Amsterdam." Then she explains that before Emma married Apollo, Emma went to Brazil, where "she had a few adventures" (48). In particular, "Emma met this Dutch photographer down there in Brazil" (49).

Nichelle goes on to explain that one day while the photographer was taking photos in an abandoned factory, he needed to pee, so he left Emma alone with the equipment. And she decided to take a picture of herself, setting up the shot with a timer. "She makes the shot in front of a wall that's been half torn down so you can see she's standing inside a man-made building that's gone to the dogs, but over her right shoulder you can see the forest that surrounds this factory. Two worlds at once. Crumbling civilization and an explosion of the natural world. / "Emma walks into the shot, and just before the shutter clicks, she pulls off her dress and takes that photo nude!"

What's the photo like? How does Emma look? "Wiry and fierce, naked and unashamed. She's looking into that camera lens like she can see you, whoever you are, wherever you are. She looks like a fucking sorceress, Apollo. It was one of the most beautiful things I've ever seen" (50).

So, here's Nichelle, telling Apollo what he's glancingly considered before in a fond, condescending sort of way: Emma is a sorceress. Nichelle is saying this to Apollo in simple, straightforward words: Emma is a sorceress, with a great capacity for adventure.

What is Apollo doing during this conversation?

He's sitting there thinking to himself, "Dutch photographer? / Dutch fucking photographer?" (49)

And when he finally speaks, what does he say?

"'And the Dutch guy?' Apollo asked. 'What was his name?'" (59)

This moment is, of course, the stuff of everyday real life and the stuff of fairy tales. Jealousy and possessiveness, leading to a character's blunder or misbehavior. In fairy tales, we see jealousy as an archetype — like the queen who decides to destroy the young woman who's usurped her position as the fairest of them all. In Apollo's life, it comes across as fairly typical and annoying sexism.

Nichelle's response to this question contains everything. Everything this book is about; everything that leads to catastrophe, and ultimately to Apollo's growth and transformation: "Nichelle watched him quietly for seconds. She narrowed her eyes when she spoke. 'I'm trying to tell you something important, and you are focused on bullshit'" (50).

For just a moment, Apollo gets it. He falls "back into his chair as if Nichelle had kicked him" (51). He tells her he's ready, he's finally listening.

And then the maître d' appears, sprinting across the restaurant, shouting for Apollo, because the baby is coming. Which means that everything is about to change, and it's too late.

Apollo's failures in this scene are familiar and understandable, even when they're annoying. He's hungry, distracted, and worried about his wife who's probably vomiting flan in the bathroom. Also, Nichelle is completely, obnoxiously drunk, so why should Apollo recognize the power or truth of her words? Maybe I should clarify that at this point in the book, I didn't appreciate that Emma was a legit sorceress either. We haven't learned the stakes yet, and we don't know how much we're going to be needing a sorceress later. But more to the point, most of this book is from Apollo's point of view, and right now Apollo is hungry, distracted, and worried. There are more important things to worry about, or so he thinks. And I care about him. Even though as the reader, I'm better positioned than he is to recognize his mistakes, I'm right there with him.

This all comes down to LaValle's skilled balancing of story and character. So much comes across in this one scene, and there are so many other equally rich scenes. If you like to sit in that place where spinning stories come together, you should read this book.

I'll close my study of The Changeling by adding this: I know enough from my own experience as a writer to suspect that while LaValle was writing this book, he wasn't always certain what story he was writing either. As we write, our story keeps surprising us, interrupting us, frustrating us and sending us off in the wrong direction. But not only did he find his own story (and Apollo's too), but he did a beautiful job weaving all the other stories in.

If you're writing something that alludes to other stories, I hope you'll find LaValle's use of classic stories exciting, rather than intimidating. When you ask yourself, Why this story?, it's an opportunity to figure out how far along you are in establishing your own story. If you don't have an answer yet, maybe you need to be focusing less on the classic story and more on your own story. If you have a few answers, but you're completely overwhelmed and not sure how many references you should make or where anything is going — take a moment to congratulate yourself, because that sounds to me like progress. When you're in the middle of writing something, there's always a sense of overwhelm and confusion about how well you're balancing things. You have a few potential answers? Great! Soldier on, and after a while, check in again. What's your story now?

And that's that. I hope you've enjoyed my post about the balance of story in Victor LaValle's The Changeling!

Reading like a writer.

A number of friends and mental health professionals helped me with this post. You know who you are. Thank you.

To the student for whom school is a safer place, but now you’re stuck at home in a toxic environment during the pandemic,

I see you. You’re not invisible. In fact, a lot of people see you and are thinking about you. I can’t tell you how many of my friends and colleagues have brought you up in the past few months, and expressed worry for what you're going through. Hang in there.

When schools started sending students home in March and April, I thought of you immediately. I waited with you to see if schools might open again in a few weeks, but of course that didn't happen. I waited with you hoping this country would get its shit together and start prioritizing realistic approaches to containing the pandemic, so that you'd be able to go back to school in the fall. And now it's clear that many of you won't be able to do that. It's also possible that those of you who can go back won't be able to stay there for long, though I continue to hope it won't play out that way. I, and a lot of people, wish you didn't have this uncertainty pressing down on you right now.

Hang in there!

Here are some tools from my own PTSD toolbox that might help. Some are more immediately helpful, some are stopgaps and temporary coping mechanisms. Some might spark ideas for you:

When possible, create distance from the toxicity. In my own experience, sometimes the smallest amount of distance can help. If you can safely go for a walk now and then, do it. If there's a physical spot where you can be alone sometimes, find it. If you can spend time online with friends, or even socially-distanced time outside, do it. Are you caring for siblings in some way? Is there some way in which you've been placed in the position of caring for your own parents? If so, that's a lot. If you ever have the opportunity to take some time to care for no one but yourself, I hope you won't begrudge yourself that. You deserve care as much as anyone else.

For some of you, maybe there's even some other home where you could live (if only temporarily), like the house of a safe relative or family friend. Have you considered whether that might be the case for you? Give it some serious thought. This is important, though: Before making any major decisions or drastic changes, talk it through with a trusted adult. If you don't have a trusted adult, talk it through with a youth crisis line (see below). Your safety is the most important thing, and setting off an internal family drama may not be worth it and may even be dangerous. Also, you don't want to move yourself into a situation that's just as harmful, or even more so. This leads me to the next step.

Reach out to people who can support you. This might be friends, other family members, teachers, therapists or counselors, anyone in your life who actually sees and cares who you are and what you need when they look at you. Reaching out to trustworthy supports might give you a place to vent some steam and get some validation, and it might also lead to some practical help. Don't be afraid to consider professional organizations and helplines too. The first two organizations below are geared to helping kids and teens in danger of physical and sexual violence, but according to my professional source, they'd likely help if the threat is emotional too. The third organization is open to helping with any kind of crisis:

Safe Place
https://www.nationalsafeplace.org/
Here's a link to find a Safe Place site near you.
Or, to use TXT 4 HELP, text the word “safe” and your current location (city/state/zip) to 4HELP (44357). Within seconds, you will receive a message with the closest Safe Place site and phone number for the local youth agency. You will also have the option to text interactively with a professional for more help.

SafeHouse Center
https://www.safehousecenter.org/friends-family/children-youth-services/ 
https://www.safehousecenter.org/
They have a National HelpLine, available 24/7, at 734-995-5444 (English and Spanish). Advocates and volunteers can answer questions, give support, and provide information and referrals.

Crisis Text Line
https://www.crisistextline.org/
Text HOME to 741741 from anywhere in the United States, anytime. Crisis Text Line is there for any crisis. A live, trained Crisis Counselor receives the text and responds, all from their secure online platform. In the UK, text HOME to 85258. In Ireland, text HOME to 50808.

Note that while these are (inter)national organizations, there are a lot of local organizations as well. Do a little poking around and see what might be available to you, or ask someone you trust to do so.

Journal. This one definitely isn't for everyone, but if it's something you can do safely and if it appeals to you, give writing a try. It can be immensely clarifying — and can help with plans and goals — to write what you're going through and how it feels. I have a journal now, and years of journals stashed somewhere or other, and I'll probably never look at them again… I don't know that I've ever once gone back to look at something I've journaled. But I 100% know it helps me feel understood while I'm doing it, which is what matters.

Do creative projects. Again, this one isn't for everyone, but my larger point is this: If you can find an outlet for your distress, and most especially, a way to express it, so that there can be some way you're telling the truth of your experience to the world rather than bottling it up — it can help. It can allow you to take back your ownership of yourself and your experience, and it can give you power against the lies to which other people are subjecting you. I would venture to say that everything I write is some version of this. (But you don't have to write a book! I also knit, sew, draw, do collage, take pictures, or even get pleasure out of arranging items symbolically in my house. You get to decide what creativity is, and what helps you feel better!)

Find an anthem. This is also in the category of self-expression and connection. Find artists who seem to get what you're going through, and spend time with them. (Of course it doesn't have to be musicians. A book, or a character in a TV show, can do the same thing!) Some of my anthems over the years: "Girl" by Tori Amos. "Oh Father" by Madonna (the link opens a YouTube video).  "No More Drama" by Mary J. Blige. "Cold As It Gets" by Patty Griffin.

Trust your sense of things — while having compassion for your self-doubt. If you live in a toxic home, there's a good chance that the toxicity around you includes other people's denial of the fact that it's a toxic home. Trust your own unhappiness, anxiety, avoidance, self-loathing, fear. Trust your sense that all is not okay. This self-trust can be challenging no matter what kind of abuse you're experiencing — but I want to give a special shout-out to people experiencing emotional abuse. It can be especially hard to believe your environment is toxic if the damage is "merely" emotional. In fact, it can be hard to metabolize a word like "abuse" when the abuse is "merely" emotional. Surely no one's abusing me? Surely this is just regular life, not abuse?

It's okay if that word doesn't feel right to you. You get to decide what words apply. But trust the panicked feeling you have, the one that's driving you to want to escape. Trust your gut. Something is wrong, whatever you want to call it. A person in your situation deserves help and relief, just like anyone else.

At the same time, this is important: Depending on your situation, you may not be able to do much with your gut realizations at the moment. And if there's not a lot you can do to fix your situation right now, there might be limits to how helpful it is to realize how bad your situation is. So, also have compassion for the ways you end up doubting yourself. It's normal and okay to doubt yourself; it's not a weakness. Your self-doubt may even be a temporary survival mechanism, working hard to keep you safe and get you through this, which is important. Your self-trust, in the meantime, will outlive this situation and be a source of healing someday.

If you can, hold onto your sense of humor. This might not be possible, depending on your situation. But if it is, it can be another release. Example: I once went through a stretch of time during which I had relentlessly recurring dreams that I was moving to a new home that wasn’t emotionally safe for me. When I say relentlessly recurring, I mean that I had some version of this dream every single night for three months. Every single night for three months. Except for one night! One night during this stretch, I had a dream that I was moving to a new home and it was perfect. It had an elegant dining room, fancy staircases, a lounge — it was noticeably bigger and fancier than any of the other homes in any of the other dreams I'd had — and I belonged there, I could be myself there, I was emotionally safe there. I was so, so happy. So were all the other people who apparently lived in this home, because it seem to be sort of like… a gigantic, perfect hotel? It wasn’t until I woke up from this dream that I recognized this “hotel.” We were on the Titanic.

I'm sorry, but that's hilarious. Thank you, unconscious, for cracking me up. If there's anything right now that cracks you up… Hold onto it.

Hang on. Someday you'll be able to build your own life. You will. For now, whenever you can, do get whatever help you can. You deserve it.

I hope something on this list is helpful. If nothing else, remember that I, and so many other people, are thinking about you and pulling for you. There are even people who've dedicated their lives to looking out for you; reach out to them. We know there's light at the end of your tunnel, so hang in there. You're not invisible. We see you!

Love,
Kristin

Hi, all. Waiting is hard. So here are some pretty pics to distract you. 

Friday was the day I'd scheduled to take some time off, go for nice walk, and get some pictures of the fall foliage.

In typical 2020 fashion, it didn't go quite as planned… 

So I went with it.

Everything is great.

Here are some scenes...

...of October...

... in Massachusetts...

...just for you.

Now for some pictures of inside things. I don't know about you, but this is a pretty stressful time for me, and I'm using every tool in my toolbox to stay healthy and well. One of those is — always — writing, and hardly anything gives me greater comfort than having fun with my writing tools.

I've explained before that I write by hand. Then, when I've written a sufficient amount that I start to worry about the house burning down, I transcribe my writing into a Word document, using voice recognition software. If you're curious about the kind of notebooks I've written in previously and what my writing used to look like — and if you're a writer who wants a reminder of how normal it is for writing to be hard — go check out my old post, Pictures of a Book Being Made. 

In recent years, I have some new tools.

Writing by hand has always been my way, even before I developed a disability that makes typing prohibitively painful. I'm left-handed, but not too long ago, after doing some realistic thinking about how much pain I work through on a daily basis, I began to teach myself to write right-handed, so that I can increase the likelihood I'll be able to write forever. 

Now, after much practice, I alternate between hands pretty regularly as I work. The right-handed writing is slower and messier, and my hand gets tired faster. But it's fine.

I've also started using smaller, lighter notebooks. This is partly to save my hands, and partly because the most recent books I've been writing feel different, and have been asking me for new supplies.

In particular, they're asking me for smaller, lighter, less intimidating notebooks — and stickers. :o)

I've been hunting for stickers that feel like my books. Stickers that match my characters, my plot, the feelings that imbue my story. Then, as I write, I plop the stickers onto the page… And it helps. It gives me ideas; it slows me down, so that my writing is more thoughtful; it gives me joy. 

The two stickers on the left are the work of Katie at BearandFoxCo. The sticker on the right is the work of Audrey Miller at CloudCatArts.

I'll share some pictures of my stickers… And include, with some of them, samples of my right-handed writing, so you can see what I mean about that. Anytime you see handwriting, that's my right-handed work. And anytime you see a sticker created by an individual/independent artist, I have gotten permission to share it.

Here goes.

Made by Katie Harmon at PinkPolish Design.

Made by Katie Harmon at PinkPolish Design.

Made by Katie Harmon at PinkPolish Design.

Made by Katie Harmon at PinkPolish Design.

This is an image from a cityscape washi tape, superimposed over some pale-blue sky washi stickers I can no longer find a link to.

Made by Katie Harmon at PinkPolish Design. (I colored her right eye red!)

I got a whole series of ship pictures on Etsy, but alas, they no longer seem to be available.

I found these butterfly/moth washi stickers on Etsy.

There's one more artist whose work I wanted to share, but I didn't get permission from her in time. Her Etsy shop is on a short break at the moment, but keep the shop of Helen Ahpornsiri in mind; she creates animals using pressed flowers and plants, and the results are beautiful.

And that's my distraction for today.

Everyone, give yourself a break over the next few days and then however long this takes. Try not to check the news compulsively; wear masks to protect the vulnerable; forgive yourself for being stressed out. And hang in there.

♥♥♥

Hi everyone,

I’m deep into revising the next Graceling Realm book (starring Hava), which is why I haven’t been here on the blog. It’s also why over on Twitter, mostly I’ve just been tweeting pictures of candles. I am Very Absorbed. Also, we moved to a new apartment last month. Also life. Also the pandemic and self-care. I hope you’re doing well.

Gareth Hinds’s adaptation of the Graceling graphic novel comes out in November! He's been tweeting some lovely stuff on Twitter, and Graceling: the Graphic Novel is now available for pre-order wherever books are sold. Including at your local indie.

I’ll be back when there’s more news and/or when I have a minute for blogging, whichever comes first.  Until then, leaving you with a few of my recent candles…

 

Hi again folks. Just announcing some upcoming events for the release of Gareth Hinds' graphic novel adaptation of Graceling:

Today, Gareth Hinds's beautiful graphic novel adaptation of Graceling hits stores. Join us for an event! Here's a link to all your options.

Here are four AI voice models from Google Arts & Culture that offer a new way to experience and engage with art, history and culture.

Introducing enhanced agency tools and new curation capabilities for managing workflows, forecasting and direct deals with publishers.

Google Play announces the 10 indie games studios receiving a share of $2 million and hands-on support as a part of the Indie Games Fund 2024.

Google is committed to make benefits of AI more accessible and inclusive for everyone in the Middle East and North Africa.

Renowned singer Chappell Roan has stirred discussions among her fans after she commented on Billboard’s post that stated that she has parted ways with her management team and manager, Nick Bobetsky. She recently made headlines after her name was inducted into the list of candidates who are nominated in the big categories of next year’s […]

The post Why Fans Think Chappell Roan Has Fired Her Manager Nick Bobetsky appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Are you curious to learn if there is a release date for American Sports Story Episode 11 or if the series has ended? The intriguing first season has captivated viewers with the dramatic tale of Aaron Hernandez, the former NFL player turned convict. Fans are keen to find out if more episodes or a Part […]

The post Is There an American Sports Story Episode 11 Release Date or Part 2? appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Kevin Federline is a popular disk jockey, dancer, and actor, arguably best known for his first marriage to pop star Britney Spears. As a dancer, he has worked with the likes of Michael Jackson, Justin Timberlake, and Pink. He also appeared alongside Spears on a reality TV series called Britney and Kevin: Chaotic. But, Federline […]

The post Who Is Kevin Federline’s Wife? Victoria Prince’s Job & Relationship History appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Компания Microsoft опубликовала обновление дистрибутива Azure Linux 3.0.20241101, продолжающее развитие сформированной в августе стабильной ветки 3.0. Дистрибутив развивается в качестве универсальной базовой платформы для Linux-окружений, используемых в облачной инфраструктуре, edge-системах и различных сервисах Microsoft. Собственные наработки проекта распространяются под лицензией MIT. Сборки пакетов формируются для архитектур aarch64 и x86_64. Размер установочного образа 751 МБ.

My latest short story is out in The Magazine of Fantasy & Science Fiction. When I first started writing short stories, back in the 90s, F&SF was one of the ‘big three’ that I really wanted to get a story in to cross off my bucket list. The big three were Asimov’s, F&SF, and Analog. […]

I had the honor of being the Guest of Honor at the science fiction convention Capricon in Chicago just a little over a week ago...

We speak with former Ohio state senator and Bernie Sanders presidential campaign staffer Nina Turner about how the 2024 election has left her and many voters “frustrated” and “exhausted.” While she is not endorsing a candidate, she denounces the white supremacist rhetoric of the Trump campaign, which she notes is “as American as apple pie.” Turner pushes back on comparisons of the Trump movement to the rise of Nazi Germany, which she argues threaten to whitewash the United States’ own anti-democratic history. “The unfulfilled promises of this country, the undealt-with anti-Blackness and other types of racism and bigotry have not been dealt with sufficiently,” she explains. “It is us, and we need to deal with it and not push it off on some other nation.”

We speak with The Nation's John Nichols in Wisconsin, where Kamala Harris and Donald Trump are spending a lot of their time in the closing days of the election in a tight battle for the state's 10 Electoral College votes. Nichols also discusses the battle for the Senate, with key races in Wisconsin and Nebraska; how New York races could tip control of the House to Democrats; and why Kamala Harris needs to expand her message beyond the threat of Trump’s authoritarianism. “At the doors, people want to talk about economics,” says Nichols.

As voters across the United States head to the polls, we speak with New York Times writer Jim Rutenberg about how Donald Trump may try to preemptively declare victory and challenge election results. The former president has ramped up claims Democrats are “a bunch of cheats” and preemptively cast doubt on a win by Vice President Kamala Harris, following a similar playbook as 2020 when he baselessly claimed the election was stolen. Rutenberg spoke to pro-Trump election officials in battleground states of Arizona, Georgia, Nevada and Pennsylvania who say they are ready to refuse to certify local election results as part of a wide-ranging effort to throw the system into disarray. Rutenberg says after the failed insurrection of January 6, 2021, many in Trump’s orbit had a clear goal for 2024: “We have to go local.” He also discusses the Electoral Count Reform Act of 2022 that makes it harder to stop the final certification of results.

“This is a collapse of the Democratic Party.” Consumer advocate, corporate critic and former presidential candidate Ralph Nader comments on the reelection of Donald Trump and the failures of the Democratic challenge against him. Despite attempts by left-wing segments of the Democratic base to shift the party’s messaging toward populist, anti-corporate and progressive policies, says Nader, Democrats “didn’t listen.” Under Trump, continues Nader, “We’re in for huge turmoil.”

When Donald Trump reenters the White House, he will be met with a newly Republican-controlled Senate, consolidating power in the hands of a party now dominated by supporters of Trump. We take a look at the results of down-ballot races for the Senate and House, and the possibilities for congressional opposition to Trump’s agenda with John Nichols, The Nation’s national affairs correspondent. Nichols notes that losing Democratic Senate candidates missed opportunities to highlight working-class voters and economic issues, likely to their detriment.

In the Arab American-majority city of Dearborn, Michigan, Donald Trump beat Kamala Harris by over six percentage points, with third-party candidate Jill Stein capturing nearly one-fifth of the vote. During the primary elections, a majority of Democratic voters in Dearborn selected “uncommitted” over then-presumptive nominee Joe Biden, citing disapproval of the president’s handling of Israel’s aggression in the Middle East. “Uncommitted” voters continued to press the Harris campaign to shift its Israel policy as the election went on, but were routinely ignored. Democrats “made a calculation that they did not need Arab American, Muslim American and Palestinian American voters,” says Palestinian American organizer Linda Sarsour, who was in Dearborn on election night. We speak to Sarsour about the Harris campaign’s failure to secure the support of a previously key part of the Democratic base. “We are going to be in big trouble, and I blame that solely on the Democratic Party and one of the worst campaigns I have seen in my 23 years in organizing.”

Shortly after Donald Trump was announced as the winner of the U.S. presidential election, Israeli Prime Minister Benjamin Netanyahu took to social media to enthusiastically congratulate him. Meanwhile, the Israeli military continued its violent assault on Gaza, killing multiple Palestinians in strikes on apartment buildings and homes. We speak to Palestinian American journalist Rami Khouri about what we know of Trump’s pro-Israel policies and how Trump beat Kamala Harris for the presidency. “Trump out-dramatized Harris, and that’s how he won,” he says.

Top U.N. officials are again warning that the entire Palestinian population in north Gaza is “at imminent risk of dying from disease, famine and violence.” At least 1,800 Palestinians have been killed, many of them children, since October, when Israel imposed a draconian siege and began an intensified campaign of ethnic cleansing on northern Gaza. Jan Egeland of the Norwegian Refugee Council recently spent several days in Gaza. He describes what he saw as “devastation beyond belief,” as Palestinians face “the most intense and most indiscriminate bombardment anywhere in the world in recent memory,” coupled with the utter depletion of aid. Egeland pleads for the United States, the largest supplier of military funding and equipment to Israel, to condition its weapons to Israel, enforce the provision of aid and commit to ending Israel’s assault. “It’s not in Israel’s interest to destroy its neighborhood in Gaza and in Lebanon. It will create new generations of hatred,” Egeland says.

The FBI is investigating a spate of racist text messages targeting Black Americans in the wake of Donald Trump’s election victory last week. The texts were reported in states including Alabama, North Carolina, Pennsylvania and Virginia, addressing recipients as young as 13 by name and telling them they were “selected to pick cotton at the nearest plantation” and other messages referencing slavery. For more, we speak with Robert Greene II, a history professor at Claflin University, South Carolina’s first and oldest historically Black university in Orangeburg, where many students were targeted. “Initially when I heard about the texts, I thought it was a bit of a hoax, but … it quickly became clear that this wasn’t just a Claflin problem, it was a national issue, as well,” says Greene. We also speak with Wisdom Cole, senior national director of advocacy for the NAACP, who says “this is only the beginning,” with a second Trump administration expected to attack civil rights and embolden hate groups.

American Coup: Wilmington 1898 premieres tonight on PBS and investigates the only successful insurrection conducted against a U.S. government, when self-described white supremacist residents stoked fears of “Negro Rule” and carried out a deadly massacre in Wilmington, North Carolina. Their aim was to destroy Black political and economic power and overthrow the city’s democratically elected, Reconstruction-era multiracial government, paving the way for the implementation of Jim Crow law just two years later. We feature excerpts from the documentary and speak to co-director Yoruba Richen, who explains how the insurrection was planned and carried out, and how the filmmakers worked to track down the descendants of both perpetrators and victims, whose voices are featured in the film.

Read A Big Spicy Mayo No No

Customer: "I need your help! I'm looking for [brand] of spicy mayo!"
Me: "It can be found on aisle nine, top shelf in the middle."
Customer: "I know! I was just there! The label said it should be there, but it's not! You haven't put them where they should be!"

Read A Big Spicy Mayo No No

The AAR, Tamil Nadu in the case of M/s. CMA CGM Global Business Services (India) (P.) Ltd., In Re [Order No. 15/ARA/2024 dated July 15, 2024] ruled that an Assessee is eligible to avail input services in respect of leasing/ renting/ hiring of motor vehicles of motor vehicles to provide transportatio

The AAAR, Tamil Nadu in the case of M/s Faiveley Transport Rail Technologies India (P.) Ltd., In Re [A.R. Appeal No. 03/2024 AAAR dated July 10, 2024] upheld the ruling passed by AAR Tamil Nadu wherein it was ruled that GST would be applicable on Car facility extended to employees when the amount of

The AAR Maharashtra, in the case of M/s. The Nisarga Consultancy, In Re [Order No. GST-ARA-21 of 2023-24/2024-25/B-55 dated July 31, 2024] ruled that no tax will be leviable on work allotted by Maharashtra Jeevan Pradhikar ("MJP") as per of Jal Jeevan Mission ("JJM") which is a mission of Government

The Hon'ble Madras High Court in the case of M/s S.R.S. Construction v. The State Tax Officer (Data Analytics) [Writ Petition (MD) Nos. 16214 & 16276 of 2024 dated July 19, 2024] set aside the orders which have been signed by the same officer in dual capacity, holding that such orders are liable to

The Hon'ble Delhi High Court in the case of M/s Sanjay Sales India v. Principal Commissioner of Department of Trade and Taxes, Government of NCT, Delhi [Writ Petition (Civil) No. 10234 of 2024 dated July 26, 2024] held that the application for the cancellation of the GST registration cannot be denie

In this digital world where staying connected is like breathing, we often rely on public charging stations to keep our devices juiced up. But hold your horses! While these stations might seem like a lifesaver, especially in busy places like airports,

Smart home technology is no longer a luxury reserved for the affluent. With advancements in technology, affordable smart home devices are now within reach for tech enthusiasts in India. These gadgets offer convenience and efficiency without straining your budget. Smart lighting

Amazon is developing smart eyeglasses aimed at enhancing the efficiency of its delivery drivers during the final stage of package deliveries. These glasses, still under development, will feature a small screen to provide turn-by-turn navigation. This innovation is intended to guide

The merger between Reliance Jio's Viacom18 and Star India Private Limited is set to transform India's streaming landscape. This collaboration will introduce a new OTT platform, likely named Jio Star, combining JioCinema and Disney+ Hotstar. The domain jiostar.com is live, hinting

Imagine, if you will: an entire wargame, with strategic depth and intriguing possibilities . . . and the rules fit on one page.

If you're a long-time fan of Steve Jackson Games (or you saw the Daily Illuminator post from a couple of weeks ago), you know where we're going with this. One-Page Bulge – originally released in 1980 – did exactly what its title suggests, with Steve Jackson flexing his inimitable game-design skills to deliver a Battle of the Bulge wargame where the rules fit on one sheet of 8.5" × 11" double-sided paper.

This classic game is back with a new edition: One-Page Bulge Second Edition – in time for the 80th anniversary of the pivotal battle itself!

Thanks to Kickstarter (and fans like you), this updated version funded in 40 minutes! In honor of that success, we're providing a few more details about what makes it worth checking out.

One-Page Bulge Second Edition is being updated by Steve Jackson and wargame designer Dana Lombardy – two Hall of Fame designers working together to bring this classic game to a modern era. Find their behind-the-scenes insight about the new version on YouTube!

Some highlights of this edition include:

• New Random Event cards, with exciting events to represent unexpected battlefield surprises.
• A full-color mounted map.
• High-quality components, with two styles of counter sets to choose from (or get them both!).

An illustrated historical guide is also part of this project, bringing this landmark moment to life.

Suitable for solo gaming or two players, One-Page Bulge Second Edition is history in the making. But hurry! The Kickstarter ends in 10 days, on November 14!

– Steven Marsh

Warehouse 23 News: So Real, And Yet So Not

Not everything that's impossible is magical; sometimes it's just really impractical. GURPS Fantasy-Tech 1: The Edge of Reality is an assortment of pre-modern tech that never existed (probably), but might have, or was believed to exist, or was close to working but didn't. Grab a gun-sword, peruse Leonardo da Vinci's sketches, and download the impossible today from Warehouse 23!

We have taken registration number in central excise and want to pay service tax demand , however the code for that service is not available on the site then whether other duties code can be used or new registration is required??

Sir,
We are regularly generating E Invoice and IRN no also generated against each invoice. But due to some technical problem in our ERP system, IRN is generated against against some invoices , GSTR-1 return has been duly filed. Then how can i generate IRN no against such invoices.

If assessee had agriculture income in inheritance, then such agriculture land converted into non-agriculture land i.e. commercial land and make his sub plots and sale to others, so what is treatment of such income arise on sale whether capital gain applicable in such case or consider in PGBP, if considered in PGBP, then how to provide effect in that i.e. Treat as direct income under Trading account or treat as indirect income in P&L Account?

Focus of the meeting was business performance, upgrading digital technology services, and fostering business growth in activities allied to agriculture and micro and small industry...

The Income Tax Department has intensified scrutiny on dubious tax refund claims for the assessment years 2021-22 and 2022-23, issuing notices to multiple taxpayers across the country. ...

The Goods and Services Tax (GST) portal's recently launched Invoice Management System (IMS) is set to significantly decrease the number of notices issued over Input Tax Credit (ITC) discrepancies...

Ready to welcome a steady incoming flow of conference attendees, introduce the world to a host of new industry innovations and provide a full lineup of fun events all week long, ProMat 2023 opened its doors to the world at 10 a.m. CST this morning.

Four finalists were chosen as the most innovative products in each of their respective categories: Best New Innovation, Best Innovation of an Existing Product, and Best IT Innovation based on concept, value, and impact.

DSV said that the objective of these acquisitions are three-fold: to augment its position within the semiconductor industry; align with its new Phoenix-Mesa Gateway Airport operations; and support its growing cross-border services into Latin America. It added that these acquisitions are expected to be made official next month.