The origin of the EIFS with drainage goes back to the 1990s. The idea of adding drainage came about due to a rash of water intrusion problems on houses in the southeast. Water had gotten behind the EIFS and ruined the supporting wood structure, causing a flurry of lawsuits and repairs, and sparking the interest of building code officials.

When I do technical seminars about EIFS, one of the most frequent questions is, “Should I use adhesives or mechanical fasteners (screws plus washers), or even both, to attach the foam insulation to the wall?” The answer depends on a number of factors, and sometimes you have no choice about which to use. 

What do skin moisturizer, anti-malarial drugs and diesel fuel all have in common?

Not too many years ago, hydronic floor heating systems were all the rage with the hip-green crowd.

The energy saving contributions of thermal mass are well known but not always implemented in an ideal way.

On Oct. 17, American Industrial Partners announced its definitive agreement to acquire PPG’s U.S. and Canadian architectural coatings business, which generated $2 billion in 2023 revenue.

The funds will go to support the organisations’ work in tackling food poverty

The findings come from Third Sector’s inaugural Charity Employer Index

As a subsidiary of ASSA ABLOY, HID Global follows its policy on minimizing its carbon footprint and helping to stimulate renewable energy markets. HID Global is dedicated to reducing the environmental impact of its operations through continuous concentration on Genuine HID™ products; how they are designed, how they are built, and how they are used.

Sensitive to environmental considerations in the security and video surveillance industry, Panasonic System Networks Company of America, Secaucus, N.J., is taking leadership by offering products manufactured in energy-efficient facilities, using fewer hazardous materials and emitting less CO2, and which also consume less power than previous Panasonic comparable models.

A leading provider of home automation and technology, Vivint is always on the lookout for opportunities to bring additional value to their customers with new offerings to provide more comprehensive home integration solutions.

CBC Flooring’s Salto Exceptional Flooring brand offers Unica, a recycled limestone tile with an impressive 80 percent recycled content.

TOLI's Mature commercial sheet flooring from CBC Flooring offers architects and designers a beautiful and sustainable flooring product for healthcare, university and retail environments.

A non-sag polymer fortified adhesive mortar that mixes with just water and provides an ultra white color that is ideal for installations of translucent tile and stone.

Strategis has outdone itself again with their all new PICASSO Artwood program, a product unlike any other hardwood you have ever seen.

Cooperativa Ceramica d’Imola, North America introduces five new programs under the Imola Ceramica brand known for Italian design and artistry, and spanning multiple segments and formats.

Karndean Design flooring has expanded its premium Art Select Woods collection by adding eleven new skillfully-crafted designs that replicate the beauty of natural timber.

Tile Redinow offers Redi Trench, an incredibly exciting marriage of design and function for the commercial construction sector, in particular for the hospitality industry.

The Reclaimé Collection’s new line extensions offer the visual and charm of a floor constructed from reclaimed, vintage wood in a laminate flooring construction, according to Quick-Step.

One of my few superpowers is that I’m really good at overcomplicating my life. When then future Mrs. D4L and I got engaged last year, we started planning a fall wedding. We started off with small ceremony with just immediate family and close...

Trying to get from SSA to Sao Paulo on Monday. Revenue fares $450. Gol has a ticket bookable with AA, SSA- GRU/CGH-GIG. Separate legs not bookable. We have checked luggage. Can we pick up the luggage in GRU and get lost on the way? Or too...

The Carpet and Rug Institute's (CRI) annual meeting in Dalton, Georgia, highlighted an industry balancing success with new challenges, from global growth to mounting regulations.

Curated by the Oral History Center, Voices for the Environment: A Century of Bay Area Activism charts the evolution of environmental movements in the region through the recorded voices of the activists who shaped them. From tensions over preservation after the 1906 San Francisco earthquake to demands to address the disproportionate burdens of pollution and illness that some communities faced, environmentalism has long been part of the fabric of the Bay Area. Smartphones and headphones are suggested. The Bancroft Library Gallery

From their founding, Historically Black Colleges and Universities (HBCUs) educated as many as 90 percent of Black college students in the United States. Although many are aware of the significance of HBCUs for expanding Black Americans’ educational opportunities, much less attention has been paid to the vital role that they have played in enhancing American democracy. Drawing on six years of mixed-method research that informs The Power of Black Excellence: HBCUs and the Fight for American Democracy, this book talk considers the history of HBCUs and the unique role they have played in shaping American political development since 1837. Moreover, it considers the lessons that HBCUs offer the broader higher educational landscape as we consider the essential role that colleges and universities can play in helping to promote democracy.Deondra Rose is the Kevin D. Gorter Associate Professor at the Sanford School of Public Policy at Duke University, with secondary appointments in the Department of Political Science and the Department of History. Her research focuses on U.S. higher education policy, political behavior, American political development, and the politics of inequality, particularly in relation to gender, race, and socioeconomic status. In addition to her newest book, The Power of Black Excellence: HBCUs and the Fight for American Democracy, Rose is also the author of Citizens by Degree: Higher Education Policy and the Changing Gender Dynamics of American Citizenship, which examines the development of landmark U.S. higher education policies and their impact on the progress that women have made since the mid-twentieth century. A summa cum laude, Phi Beta Kappa graduate of the University of Georgia, Rose received her M.A. and Ph.D. in Government from Cornell University, with a specialization in American politics and public policy.

Curated by the Oral History Center, Voices for the Environment: A Century of Bay Area Activism charts the evolution of environmental movements in the region through the recorded voices of the activists who shaped them. From tensions over preservation after the 1906 San Francisco earthquake to demands to address the disproportionate burdens of pollution and illness that some communities faced, environmentalism has long been part of the fabric of the Bay Area. Smartphones and headphones are suggested. The Bancroft Library Gallery

PBOT leaders say they’ve already addressed many of the auditor’s recommendations. They also say the scale of Portland’s traffic violence crisis is too big for just one bureau to address. by Taylor Griggs

The Portland Bureau of Transportation (PBOT) adopted its Vision Zero Action Plan in December 2016, with the goal of eliminating traffic crash deaths and injuries in the city. But in recent years, Portland has seen its highest numbers of traffic injuries and fatalities in decades. Pedestrians have faced a heightened risk of traffic violence in recent years, and parts of Portland with higher low-income populations and communities of color are also disproportionately impacted. 

The daylight between PBOT’s stated Vision Zero goals and the increase in recent traffic crash deaths prompted scrutiny from the Portland Auditor’s Office. A new report from the Auditor’s Office, released Wednesday, says PBOT “partially completed” safety projects identified in its Vision Zero plan, but notes the bureau doesn’t adequately evaluate the outcomes of the safety projects it completes. 

The Auditor’s Office recommends PBOT create a plan to evaluate its projects “to determine which get the desired outcomes and where Vision Zero efforts are most needed.” The office also asks the bureau to install promised speed cameras to help with traffic safety enforcement and recommends PBOT “revisit its equity methodology to ensure it accounts for smaller scale improvements that could have positive equity impacts.” 

“These efforts to collect data, analyze, evaluate, and carefully track which safety projects have the most desired outcomes could help move toward Vision Zero’s goal of zero fatal and serious injury traffic crashes,” the audit report states. 

The audit report highlights concerns about the Vision Zero program that many transportation and safe streets activists have raised for years—though the Auditor’s Office didn’t issue as harsh an indictment of PBOT as some critics may want. Earlier this year, when PBOT leaders presented their 2023 Vision Zero report to City Council, some Portland advocates didn’t mince words about their thoughts on the city’s implementation of the program. 

“There is no question that Portland's Vision Zero Program has been an abject failure,” Sarah Risser, a local transportation safety activist, wrote in public testimony to City Council in April. “Given its abysmal track record, it is reasonable to conclude that it will continue to be a failure.”

The Portland Auditor’s Office didn’t mark PBOT’s Vision Zero plan as a failure in its report, and PBOT leaders ultimately agreed with its recommendations, some of which the bureau says it has already implemented on its own. 

PBOT, too, acknowledges that larger structural changes are needed to save lives on the streets. Bureau leaders say they will continue working on their Vision Zero plans, but they hope the city government transition will break down silos and encourage more involvement in solving the problem of traffic violence on Portland’s streets. 

Auditor’s Office Suggests More Evaluation, Qualitative Data Collection Methods 

The year PBOT adopted the Vision Zero plan, 42 people died in traffic crashes on Portland’s streets. In 2019, when the bureau updated the plan to emphasize transportation system safety and focus more on actions within PBOT’s control, 48 people were the victims of traffic violence. In the last three years, more than 60 people have died in traffic crashes in Portland each year, with 69 fatalities in 2023. 

When PBOT leaders presented the 2023 Vision Zero report to City Council earlier this year, they acknowledged the rise in traffic fatalities since the program was adopted. But they said the program is successful in areas PBOT has been able to invest in, and said the bureau’s budget woes have curtailed its progress. The audit report suggests PBOT could get more out of the projects it does complete by improving its evaluation processes, which have historically been lacking. 

“Without systemic evaluation of safety outcomes, the Bureau is missing the opportunity to create more alignment between the work they do on safety projects and the overall goal of Vision Zero,” the report states. “A more systematic approach would allow trends to be identified and analyzed to better understand the outcomes of completed projects, and which may need to be altered or dropped. As traffic deaths continue to increase it is vital that the Bureau consistently evaluate completed safety projects so they can see which are working best at shifting the trend towards the intended goal of zero traffic deaths and serious injuries.” 

The second major recommendation the audit report suggests is that PBOT “do more to enforce speed limits” by following through on its promise to install more speed cameras throughout the city. Despite research showing the effectiveness of enforcement cameras as a way to reduce speeds and increase traffic safety—without involving the police—PBOT has been slow to install them. The bureau has blamed its camera vendor for the lag in speed camera implementation, but says it now has 37 cameras in operation or construction, and current contracted cameras will be online early next year. (By March 2023, PBOT had only installed nine cameras in the prior eight years.) 

The report also states despite PBOT’s attempt to prioritize and fund safety projects equitably—based on both crash data and neighborhood demographics—it may be missing “smaller safety projects with possible equitable outcomes” if they aren’t located on high-crash corridors. The Auditor’s Office recommends PBOT use more qualitative data to determine the projects it carries out. 

In response to the auditor’s recommendations, Public Works Service Area Deputy City Administrator Priya Dhanapal and PBOT Director Millicent Williams said while they “largely agree with the recommendations in the audit,” it’s a bit outdated. Last year, PBOT issued a Vision Zero Action Plan update for 2024 and 2025, which addresses many of the issues outlined in the audit report. 

“Our current Vision Zero Action Plan includes priorities directly tied to evaluation, delivery of the camera program and speed management as well as equity objectives,” Dhanapal and Williams wrote. “The audit was conducted on work and commitments outlined 3-5 years ago and work that took place during the peak of the COVID-19 pandemic.” 

Dhanapal and Williams also said PBOT needs help from other city bureaus to solve the crisis of traffic violence. 

“Eliminating traffic deaths and serious injuries in Portland is possible [and] PBOT can lead the way,” Dhanapal and Williams wrote in a letter responding to the auditor’s report. “However, Portland will not reach Vision Zero with street design alone…. A societal commitment to meet basic human needs and implement strategies to change current conditions are necessary to reach many of our shared goals, including Vision Zero. These changes require leadership, investment, and commitment from partners beyond PBOT.”

PBOT leaders say they hope that collaboration and commitment will be easier due to the upcoming changes in Portland’s government. 

“Eliminating traffic deaths and serious injuries is a City commitment and goal, but as a City we have focused the discussion on what PBOT does to change streets,” Dhanapal and Williams wrote. “We believe the City transition provides an opportunity to reengage City bureaus in Portland’s Vision Zero commitment and integrate the Safe System approach to traffic safety as a comprehensive prevention strategy to save lives.” 

The newspaper asserts that Ranked Choice Voting "cratered" voter engagement. That's bullshit. by Wm. Steven Humphrey

Starting in January 2025, Portland will have the most diverse, and politically balanced City Council in the history of our city. Full stop.

The reason why we’re able to celebrate this indisputable fact is thanks to charter reform and ranked choice voting, which allowed citizens from every demographic and Portland neighborhood the opportunity to serve their city (and the rest of us to vote for them). 

But despite those two objectively correct statements, local media continues to platform the dishonest cynics who have been fighting charter reform and ranked choice voting from the beginning. The Oregonian, who loves writing intellectually dishonest headlines like this, really outdid themselves with this recent post-election article: Portland’s ranked-choice debut causes voter engagement to crater; 1 in 5 who cast ballots chose no one for City Council. 

Let’s break it down, shall we? Using the word “crater” to describe Portland’s voter engagement, and attempting to lay the blame on the doorstep of ranked choice voting, is not only an unethical choice, it’s factually incorrect. While overall voter turnout wasn’t what it was in 2020 (79%), Portland engagement still reached 74.5%—that’s still three-quarters of our total population. Does that sound like overall engagement “cratered” to you?

 And perhaps it’s true that one-out-of-five voters chose not to rank any candidates for City Council and mayor—though, as a reasonable person, I might wait until that number got a little bit higher before labeling it as “cratering.” And yes, it is absolutely correct that a historically large group of candidates ran for City Council this year, which probably stunned some voters who aren’t used to doing a lot of research. BUT! And let me say this loud and proud so everyone in the back can hear it: Having a lot of candidates who love their community and want to serve it is A VERY GOOD THING. (And it’s even better for democracy.) And while we can definitely do more as a city to make sure minority and low-income communities have the information they need in future races, according to the Oregonian’s own numbers, four out of five Portlanders successfully filled out their ballots without their brains exploding. So actually, I’d call that a big win. 

And that’s my problem with this poorly headlined article: The main thesis seems to be that just because one-in-five Portland voters chose not to cast votes in two races, this is somehow the fault of ranked choice voting. That’s bullshit. And here’s why: Let’s imagine ranked choice voting never existed, and Portlanders were still choosing just a single candidate for every office. Thanks to the general ineptitude of the current City Council—which inspired so many people to run against them—a huge number of candidates would’ve still been on that ballot. And if that had occurred, voters would have been confronted with the exact same conundrum.

Oh, and if you do happen to dip into the O’s article, here’s a little media studies trick: While most news outlets claim objectivity as their guiding star, if you want to spot potential bias, head to the final paragraph of just about any article, and see who gets the last word. In the case of this Oregonian story, the last word was given to a failed conservative Council candidate, Bob Weinstein, who freely admits he was never in favor of charter reform in the first place, and issued this damning indictment of ranked choice voting: “It’s very anti-democratic, to me, to have a result like this.”

I’m curious: Which of the following results is the most “anti-democratic”? Was it three-quarters of the population voting? Was it the large number of candidates who, after 100 years of being shut out of elections, were finally given a chance to fairly compete? Was it the actual result, which was getting (as mentioned before) the most diverse and politically balanced City Council we’ve had in the history of our city? Or was it “anti-democratic” simply because he lost?

Unfortunately, we’ll probably be reading a lot more thoughtless headlines and hearing a lot more anti-Charter Reform language from Portland’s conservative business class. Frankly, the old system worked GREAT for them, giving the wealthy an outsized voice and control over policy in City Hall. And even though the new council will have conservative voices who will fight valiantly to ensure the rich continue getting richer, that’s not good enough for those who want absolute power. In short, if you like what conservatives did to Measure 110, keep an eye out on what they’re planning to do to Charter Reform.

For the rest of us, there’s an old saying: “Progress, not perfection.” We’re sorry to break the hearts of the Oregonian headline writers and the bad actors who have dominated Portland politics for over a century, but new, vital forms of government—like any new plan or system that regular folks like you put into action every single day—will NEVER be perfect from the start, and need time and grace in order to operate at top proficiency. That said, if one-in-five voters refusing to choose a candidate in two races is the worst thing to happen in an election where we make sweeping changes for the very first time? I’d say democracy continues to be in pretty good shape. 

But that’s just my opinion—from deep in the “crater.”

After 20 years, Oregon's largest anime convention is still volunteer-led and bursting with enthusiastic energy. by Corbin Smith

More than twelve thousand fans descended on Portland last weekend to celebrate 20 years of Kumoricon, Oregon’s largest convention for appreciators of anime and the content world that surrounds it.

From Friday through Sunday attendees competed in video game tournaments, stood in as chess pieces in human-sized games, browsed the works of hundreds of artists and vendors in a massive market, and even waited in line to meet the person who voiced Shamir in Fire Emblem: Three Houses. But primarily, they wore cosplay, looked at cosplay, repaired cosplay, and plotted future cosplays. 

Compared to other conventions, like a big sports trading card convention I attended earlier this year, Kumoricon carries a softer, cheerier vibe. The fest is still proudly volunteer-run, despite its longevity and steady growth. While that trading card event was driven by the thrill of the exchange—the dream of something exploding in value—Kumoricon seems driven by the thrill of giving and receiving cosplay costume compliments.

You see the exchange often: cosplayers stopping others to say, “I love that, amazing job.” The complimented might mention something about the character or the other person's costume. It’s quick; everyone keeps walking on, but with a new little miniature bond sitting in their back pocket—forged from a pop culture connection and some light kindness. It’s all very earnest, and enthusiastic; a gentler world for gentler people. 

We photographed some cosplayers in attendance, and they told us why they attend conventions and a little about what goes into their costuming.

Jay is dressed as an original character, a Chinese moon moth named Uei. photo corbin smith

Jay showed off a cosplay of an original character—a Chinese moon moth named Uei—saying, "moon moths are from Asia and southwest China, so I tried to base her on an ancient Hanfu style. I bought a traditional Hanfu skirt from a reputable source called NewMoonDance. I’ve been cosplaying for fifteen years, and I’ve never been able to make anything that is my own. I made the top, handmade the wings, and painted them myself."

“Being in a con space when I was 13 was very supportive," Jay continued. "Everybody was always hyping each other up; there were silly little dances everywhere. It’s where I met my current fiancee, and all of my long standing friends. Cons were where you found your people."

Wesley as Lelouch from Code Geass. photo by corbin smith

Dressed as Lelouch Lamperouge from anime show Code Geass, Wesley expressed a love for Lamperouge's character arc—"going from a morally gray character, to pure evil, but for the good of good things. He’s just interesting. And also, I love big cape." Asked about the cape, Wesley clarified, "I love how it gets caught on things."

Hannah as Theodore from the rodent-led pop band 'Alvin and the Chipmunks.' Photo by corbin smith

Hannah's choice to dress as Theodore—of the virtual band Alvin and the Chipmunks—was based on the character being "fun and silly… we just munk around.” The costume's large black contacts are from Uniqso. "These are actually the mini-sclera, I’m afraid of the big normal sclera that covers your entire eye... I’ve seen them get stuck, so you can’t get your nail under there to pull them out."

Bonnie dressed as Anya from the indie horror game ‘Mouthwashing.’ photo by corbin smith Niko Suits dressed as Xie lian from 'Heaven’s Official Blessing.' photo by corbin smith

Niko Suits competes at the Master level of cosplay competition because they are actually a professional costumer, working in theater. "Pretty much anything—opera, ballet,” they explained. "If you’ve been [to a local show] in the last three years,  I’ve probably worked on it.”

Suits' mother encouraged them to take up sewing when they were young. “I have ADHD, so my mom was like, 'You need to have a hobby that is cheap and can keep you kind of quiet and sat for a bit," they recalled. "When I was 10, I was looking up Fullmetal Alchemist, and I found the cosplayer Reika—she’s kind of The Cosplayer. I found her, and I was like ‘YOU CAN DRESS UP LIKE THEM?' and it went from there.”

Tyler as Wirt from 'Over the Garden Wall.' photo by corbin smith

Tyler busked, tooting out videos game melodies and other popular tunes on a wireless electronic wind instrument, for all three days of the con. The activity worked well with cosplaying Wirt from Cartoon Network's Over the Garden Wall, who plays clarinet on the show. "I’m pleasantly surprised by how kind people have been," Tyler said. "I’ve been to Kumoricon the last five years, and I always see musicians out here play. So I finally decided to do it, and I’m glad I did. I’ve made over two hundred dollars so far."

April as Pumpkin Gal from 'Over the Garden Wall.' Photo by corbin Smith

The pumpkin head on April's costume—Pumpkin Gal from Over the Garden Wall—was much lighter than it looked, as it was crafted with an expanding foam, instead of papier-mché. April explained: “It's got a hard hat to hold it all together, cardboard on the inside to make the frame, and you just cover all the holes, spray it on, shave it, and boom."

Elee as Gyokuyō from 'The Apothecary Diaries.' Photo by Corbin Smith

“I actually learned to sew before I got into cosplay," Elee recalled. "My friends were like: Hey, you wanna come to this con, you wanna dress like silly little guys? And I was like, heck yes! It’s so fun to plan your outfits, spend all this time making your cosplay, and making everything for your outfit. Everyone is very excited to see what character you chose, and you have a fun time seeing what everyone else dressed up as—it’s just a very fun and positive experience."

Adrian as Isabelle from 'Animal Crossing.' Photo by corbin smith

Goblin as Maomao, also from 'The Apothecary Diaries.' Photo by Corbin Smith

Goblin is part of a cosplay collective called Too Broke for Cosplay, with fellow crafters Elee and Adrian, and credits Elee with teaching them to sew. At first, Goblin just did "tasks [Elee] didn’t like, like seam-ripping." Now they're working with furniture or upholstery fabrics on a heavy-duty Singer sewing machine. "When I hand make stuff, it lasts WAY longer than stuff I would buy online," they said. "There’s stuff I bought online that dies within one use and it cost $50-$70 dollars. This is my fourth time wearing this costume; I’ve only added to it, and it’s stayed as good."

Four examples of music that take a decidedly
different spin on the holidays. by Corbin Smith

Over the years, the recording industry has managed to create Christmas music for every mood. Thousands of sad piano takes on "The Christmas Song" (Chestnuts Roasting Over an Open Fire), the pure pop joy of Mariah Carey belting out “All I want for Christmas is you,” the simple, light brain damage you get from a loud, irritating version of “Sleigh Ride.” But what about when you are in a VERY particular mood? When the season has transported you into one of life’s bizarre gutters, left you in such a particular place where you need a very particular sort of Christmas music to haul you out of it? For you, for this, I offer this guide to Christmas music for truly any mood. 

••••

For when you and your fellow teenage orphans—residents of a foster home owned by kindly old women in deep with the bank— just pulled off the Christmas Eve heist of the century to pay her mortgage and are tipping back a big ol’ glass of hot cider while looking over Portland: Bob Dylan, Christmas in the Heart

A few years back, Bob Dylan, our truest and most loving uncle, made a Christmas album. Surface analysis: it’s weird he did that. Deeper analysis: it’s not actually weird, because Bob admires folk music and the Great American Songbook, and Christmas music is a canon built from both. Even deeper analysis: it’s still pretty weird, because it’s weird to listen to Bob Dylan unleashing his signature late career Warm Croak on Christmas songs you’ve been inundated with your entire life.

But when you get past the sheer novelty of King Gravel intoning “Have Yourself a Merry Little Christmas,” a song made famous by Judy Garland, you remember that, oh yeah, Bob Dylan is one of history’s greatest musicians, and offers a wealth of feeling, warmth and energy—even (especially) when he’s pursuing a strange muse. His “Must Be Santa,” anchored by a loud accordion and augmented by a rechristening of the reindeer as post-war presidents, is pure jalopy shit—a sound of the Christmas gathering flying apart at the seams as candy-ridden children roam through the hallway and shove each other into toilets. “I’ll Be Home for Christmas,” is a standard ‘50s pop music take, lifted into something transcendent by Bob’s presence behind the microphone. “Winter Wonderland” and “Christmas Island” presents an alternate world Dylan, one more into vibing and tipping back, as opposed to an artist with an endless appetite for work and startling discipline.

The best song on here is Bob’s version of “Do You Hear What I Hear.” He is, after all, an old wise man now, wandering through deserts, handing out gifts. His intonation on “A child, a child/Sleeping in the night/He will bring us goodness and light,” is struck through with a warmth and sincerity that you don’t associate with Trickster Bob. Is it a performance of awe, trying to capture a world that still had some sense of the divine? Is it a true wonder in the potential of the child, a hope for the future? Is it just a straightforward exaltation of Christ himself? You can never really know with Bob, of course, but it stirs.

••••

Courtesy Hallmark

For when your company—an international logistics concern—sent you on a last minute overseas business trip over Christmas, and you stroll the streets alone and alienated on Christmas Eve, until you walk into a fancy cocktail bar and lock eyes with another disaffected expat at the bar: Duke Ellington, The Nutcracker Suite

Did you know that Duke isn’t his real name? You see, when Duke Ellington was a child, everyone who lived in his neighborhood thought he seemed like minor royalty, and just started calling him Duke as a result. That was how smooth this man was, folks. But it would not have meant much if the Duke was not also a world historic musical genius. A bandleader, composer, a thinker, whose work brought a formal precision and imagination to jazz that changed the enterprise forever, transmuting it from an outgrowth of blues into the great American musical form.

One of the ways that Duke built this new form was taking forays into classical music, breaking apart or injecting the classical canon with improvisation and swing time, or likewise, taking the forms of classical music and overlaying them with original compositions informed by his lifetime as an orchestra leader working in a jazz idiom. In Duke’s hands, genre distinctions, of dance music or concert music, become wobbly, fall off the boat, drown in the ocean of his genius, and are reborn into an object of pure American greatness. 

In 1960, Duke, riding a popular revival as newfangled bebop artists codified his importance in their own development, worked with Billy Strayhorn—his longtime arranging partner—to break apart Tchaikovsky’s Nutcracker suite, perhaps the most famous piece of dance music ever composed, and reforge it into this album, which takes Pytor’s famous melodies and remakes them into nine swing numbers. 

“The Dance of The Sugar Plum Fairy,” all ethereal glockenspiels in the ballet, becomes “Sugar Rum Cherry,” a terribly horny reforging that asks a question that would not occur to you otherwise: What if I kind of want to fuck the Sugar Plum Fairy? “The Nutcracker March” is now “Peanut Brittle Brigade,” a New Orleans parade of nutcracker men. “Chinoiserie,” the Duke’s version of “The Chinese Dance,” loosens up the source material to the point where it sounds like something someone might actually dance to as opposed to the Tchaikovsky original, bloodless to the point of making its subject seem alien.

••••

Courtesy Sony Legacy

For when you’re driving home from your family’s yearly Christmas gathering—which was good, for the most part, but your Aunt Shelly got WAY too blitzed on eggnog and hot toddies and vomm’d in the backyard: Wynton Marsalis, Crescent City Christmas Card

There’s a lot to know about Wynton Marsalis, the trumpeter, band leader, and academic, who has long represented a kind of traditionalist approach to jazz performance and composition that can maybe seem a little square. And while I personally don’t know a lot about Marsalis, I do know about this album, a suite of Christmas standards he released in 1989. A lot of it is fairly standard jazz takes on Christmas classics: a trumpet playing a slightly off-kilter rendition of “Winter Wonderland,” a brassy vocal take on “Sleigh Ride,” “Carol of the Bells” with the forward momentum of the death chant replaced by laconic swing music jamming, and “Jingle Bells,” with a li’l woodblock that brings horse evocations to the party. 

But some of it is insane—insane in a way that makes you wonder what Wynton is trying to get out. Take this album’s version of “Silent Night”: a standard female vocal, trilling and ethereal, but set to a backdrop of woozy, uncertain horns, that give the thing a vaguely creepy vibe. What does it mean to set a hymn of the infant Christ in front of trumpets that suggest a danger lurking on the horizon? Is it an evocation of Herod’s men in the field, looking for the child so he may butcher any competition for his spot at the top of Israel’s local government? Is it broadcasting uncertainty about the future of this child’s life, over the fanaticism he would come to embrace, the horror of his violent death? Is it a way of juxtaposing the sentimental story of Jesus’ birth with the world of unease and terror that would form in his wake? 

Why would someone make a version of “Little Drummer Boy” that seems to intentionally bury the drums in the mix? Trumpeter’s jealousy? What does a laid back swing version of “We Three Kings” mean? That the kings were cool? Were they cool? I have never thought about it, really. By insisting that he press as much jazz shit as possible into these standards, Wynton runs up against the idea of these things as content about Christmas and into the idea of them as forms.

••••

Courtesy CD Baby

For when she took the kids home after their mandatory Christmas Eve visit and you have wandered out into the cold night, purchased a six pack of Rolling Rock and a bottle of Mad Dog, and—two brewskies and five sips of fortified in—you plop down in the arched, gothic-style doorway of a neighborhood church, and just sit there, sipping and watching the rain come in, wondering when and how it all went so wrong: Benjamin Britten, Ceremony of Carols

20th Century British Composer Benjamin Britten was a sad man who made beautiful music. Ceremony of Carols is a song cycle for boys choir and solo harp, written on a boat coming back to England during the middle of World War II, when U-Boats were scouring the ocean, looking to send boats full of British guys plunging into the icy ocean. It takes a bunch of old Christmas and Baby Jesus related poems in various languages, sets them to music, and goes at it hard as hell. It’s beautiful, it’s faintly sad, it’s everything you need for a Christmas where the disappointments of the year fight against the idea of a wee babe, born in a barn, bringing hope into the world. NOT FOR LIGHT LISTENING, but essential for any soul slipping into darkness. 

A roundup of the best holiday sweets and snacks for your festivities. by Martha Daghlian

Throughout centuries of human civilization, people have sought out ways to combat the darkness and cold temperatures of winter: from ancient temples that aligned with the rising solstice sun to the ceremonial burning of symbolic fir trees, we have devised many strategies to brighten up the longest season. But perhaps the best solution to the winter doldrums is to have a little treat? Cultures all around the world have invented their own special cookies, cakes, and sweets to be enjoyed at this time of year, and we’ve rounded up some of our faves that are available right here in Portland!

Fancy Cake Thinks it’s a Tree

Arguably the most iconic of Christmas desserts, the bûche de noël (or yule log) predates current “is it cake” fads by well over a century. Traditionally made with light sponge cake rolled around a rich filling and adorned with cute meringue mushrooms, this whimsical faux tree echoes the ancient Celtic tradition of burning a ceremonial log at Winter Solstice and really amps up the classic holiday aesthetic. Don’t have a spare 57 hours and a background in French pastry? Let the professionals at Pix Patisserie take care of all your bûche needs with one of their glossy high concept stumps, available to order through December. Pix Patisserie, 2225 E Burnside, pixpatisserie.com

Baklava URCU ATALAY TANKUT / GETTY IMAGES

Baklava Just Like
Grandma Used to Make

Within the Armenian-American side of my family, baklava—a buttery, syrupy nut-and-phyllo pastry popular across the Mediterranean, Central/West Asian, and North African regions—is a mandatory holiday treat. I grew up on my grandmother’s recipe, which calls for walnuts only (no pistachios, thank you), an entire pound of clarified butter, NO cinnamon (how dare you even suggest it!), and a sneaky splash of bourbon, presumably a modern twist added by grandma. But TBH, I haven’t met a baklava I didn’t love, and there are a few particularly strong ready-made contenders here in Portland: World Foods Market, with locations in the Pearl and on Barbur Boulevard, makes a few varieties of baklava and similar pastries, all of which are exquisite (even with pistachios). 

Sophisticated Citrus

It’s a serendipitous fact that winter is not only a season for feasting on rich foods, it’s also the time of year when bright, refreshing citrus is at its peak. Who doesn’t love a bowl of oranges at a holiday party? In addition to enjoying fresh citrus fruit straight up (my favorite is the dekopon or sumo mandarin), there are all sorts of fancy things you can make with the help of our zesty friends: fresh grapefruit mimosas, traditional pomander balls (that’s when you poke a ton of little holes in an orange and shove a whole dried clove in each one, creating a spicy little air freshener that also kind of looks like a medieval weapon as it slowly dries up throughout the winter), hot toddies with tons of lemon. If you really want to impress your friends, try making your own candied citrus peel—it’s like a grown up version of those fruit slice gummy candies! 

Candied Citrus Peel

Cut the peel from a bunch of citrus fruits (make sure not to include any of the white part!) into strips. Blanch them three times (that means placing them in a saucepan, covering with water, and boiling for five minutes, then you’ll drain and boil them for five more minutes in fresh water, then do the same thing one more time). Then, cover them with a 1:1 mixture of water and granulated sugar. Bring to a boil, then simmer for 40-60 minutes over low heat. They should become soft and a little translucent at the edges. Drain and place on a drying rack until cool (put some foil or parchment underneath to catch any drips). Once they are dry, you can toss them in sugar for a sparkly and crunchy coating.

Candied citrus peel makes a super classy garnish for fancy desserts, and can also be used in cake and muffin recipes. Or just snack on them in between all the cookies for a “healthy” treat—it’s fruit, isn’t it??

Sticky Sweets for Lunar New Year

Lunar New Year may still be a little ways off, but I’m already planning what I’ll bring to the annual party our friends throw to celebrate this traditional East Asian holiday. A lot of the foods associated with Lunar New Year celebrations symbolize some specific kind of luck that one might hope to attract in the coming months. Noodles, dumplings, fish, and citrus all connect in some way to ideas including longevity, wealth, and unity. But in my humble opinion, treats featuring sticky rice are the star of the show. This time around, I plan to visit Li Min Bakery at 81st and SE Division, and Shop Halo Halo on 50th and SE Woodstock, for traditional nian gao (sticky rice cakes) and moon cakes filled with sweet bean paste. Lin Min’s Bakery & Bistro, 8615 SE Division; Shop Halo Halo, 4981 SE Woodstock, STE 2, shophalohalo.com

Rugelach Nataly Hanin / Getty Images

Rad Rugelach

My first encounter with rugelach was at an elementary-school friend’s house, where her mom taught us to make this classic holiday cookie, originally dreamed up hundreds of years ago by Jewish bakers in Poland. Wait, is it a cookie? Or is it a pastry? You know what, I don’t care… all I know is it comes in lots of different flavors (Apricot! Raspberry! Chocolate!) and its twisty little crescent-moon shape really spices up a cookie plate. Like many delicious wintertime snacks, they do take a bit of effort to make at home, so if you’re short on time you might want to check out Henry Higgins Bagels, which contrary to their name, also serves up rugelach, babka, and challah on the regular. Henry Higgins Boiled Bagels, multiple locations, hhboiledbagels.com

Scandinavian-Style Snacks

If this list of festive treats still isn’t enough for you, mark your calendars for the 40th annual Scan Fair! This massive event, hosted by Nordic Northwest at the Oregon Convention Center December 7 and 8, is inspired by traditional Scandinavian Christmas markets. Think traditional singing and dancing, cozy knitwear, and tons of delicious sweets, snacks, and drinks–basically a massive party to brighten up the dark wintertime with some serious hygge. My most trusted Scandinavian treat advisor suggests loading up on Æbleskiver (little round pancakes, often served with lingonberry jam), pickled herring, and glögg (spiced wine punch). Scan Fair runs Dec. 7-8 at the Oregon Convention Center, 777 NE MLK Jr, get your tickets and find more info at nordicnorthwest.org/scanfair 

The best traditional events—and how they can be improved.
You’re welcome. by Wm. Steven Humphrey

When it comes to holiday traditions, Portland is horny as all get-out.

We love cramming as much festivity into our festivities as possible—regardless of how tiresome or long-in-the-tooth those annual events have become. What follows is a critical examination of Portland’s most time-honored holiday events, and my recommendations on how they can be improved. (Don’t remember asking me for my opinion? Trust me, it’s never necessary… I have so many! In fact, when it comes to opinions, many people think I’m “full of it.” And there’s a lot more where those came from, so let’s read some now!)

PEACOCK LANE eliza sohn

Description: Peacock Lane is a four-block stretch in Southeast Portland between Stark and Belmont, where many of the home owners go to great lengths to cram every inch of their property with lights and other Jesus and Santa-themed ephemera. During the holiday season the street is jam-packed with thousands of looky-loos on foot and in cars.

The problem: I don’t get it. I mean, I get why the residents do it… you can tell they’ve worked their collective asses off constructing these front lawn art installations, and some (for example, the Grinch house) are goddamn masterpieces. But it’s like if the Portland Art Museum was suddenly filled with thousands of people—including their dogs, snot-nosed kids, and wildly inappropriate double strollers—half of whom are either stoned out of their gourds or 10 seconds away from a rage-fueled meltdown. In short, there are… Too. Many. People!

The solution: A zip line. It’s a well accepted fact that zip lines improve most situations. Sure, they’re useful for getting from one side of a canyon to another, or traversing a tree canopy in Guatemala, but they can be just as useful in an urban environment! Las Vegas is famous for having a zip line that goes from one end of the historic Fremont Street to the other, and it’s a FANTASTIC way to see the sights quickly, efficiently, and to let your vomit rain down upon spandex-wearing moms who did not get the memo that it’s FUCKING RUDE to bring their double strollers to a place where thousands of people are trying to walk. Also if you happen to be high—and SO MANY OF YOU ARE—riding a zip line is AH-MAY-ZING, and will stop you from blocking the sidewalk whenever you slip into an extended Christmas light-induced trance. Trust me, install a zip line over Peacock Lane, charge $15 a ride, and the city’s budget will be funded for lifetimes.

Peacock Lane, between SE Stark & Belmont, Dec 15-31, car-free nights Dec 15 & 16, 6 pm-11 pm, free, keep your fucking double strollers at home

WINTER WONDERLAND:
HOLIDAY LIGHTS AT PORTLAND INTERNATIONAL RACEWAY Sunshine division

Description: Roughly two miles of racetrack decorated with various illuminated and animated holiday figures, including reindeer, snowboarding Santas, dinosaurs, all 12 days of Christmas, a lone menorah, and much more.

The problem: Well, the most obvious problem is that you can’t race. You creep around the track behind a long line of vehicles at around 10 mph—but actually that’s kind of nice, because you seriously do not want to miss the animated dinosaurs. All in all, it’s great… it just needs a couple more levels of excitement, which leads me to….

The solution: First, you could pay teenagers to dress up like the Terminator, wrap them in holiday lights, and have them chase the cars on foot. (I doubt you’d even have to pay them.) OR you could do what I’ve done every season for the past 10 years, which is LET YOUR CHILDREN DRIVE THE CAR! The moment I pay admission and enter the track, I say, “Okay… who’s driving?” The first five minutes are taken up by backseat fistfights to see who gets to drive first. Once that’s decided, they hop behind the steering wheel. Obviously if their feet can’t reach the pedals, you should let them sit in your lap—but under NO CIRCUMSTANCES do you EVER touch the steering wheel… because where’s the fun in that? They have to learn to drive somehow, and if that means occasionally careening off the track and into one of the 10 lords a’leaping (for his life), then so be it. The best part? There’s not a cop in sight. That’s a true “winter wonderland!”

Portland International Raceway, 1940 N Victory Blvd, Nov 29-Dec 31, Mon-Thurs 5 pm-10 pm, Fri-Sun 4:30 pm-11 pm, $49 per carload

THE 33rd ANNUAL TUBA
CHRISTMAS CONCERT K. Marie

Description: More than 200 tubas take to Pioneer Square to play an array of oompah-rific Christmas songs.

The problem: There is not a single problem with this.

The solution: Look, hearing 200 tubas blaring “Sleigh Ride” across the city is hard to beat. But anything can be improved, right? For example, what if all these tubas were playing “Holly Jolly Christmas,” when suddenly, marching up Sixth Avenue were 200 people playing Christmas songs on what’s known as the tuba’s natural enemy… the saxophone? Ooooooh, tuba players HATE saxophonists, and for good reason. They tend to be morally repugnant individuals who throw their dog’s poop bags into your recycling bin, and regularly destroy any decent song with their ceaseless and unasked-for squawking (take David Bowie’s “Young Americans” for example). Anyway, the 200 saxophonists would call the 200 tubaists into the street for a “Christmas song smack-down” to settle once and for all which is the superior instrument. (We all know it’s the tuba, but there’s no convincing these detestable saxophoneys.) The winners would continue the Pioneer Square concert, as the losers marched to the Morrison Bridge to throw their instruments into the murky depths of the Willamette—never to play again! It’s called “raising the stakes”—and there’s simply not enough of that at Christmas time.

Tuba Christmas Concert, Pioneer Courthouse Square, Sat Dec 21, 1:30 pm, free

THE HOLIDAY EXPRESS Anthony keo / oregon rail heritage center

Description: The Holiday Express is a vintage (TOOT! TOOOOOOT!) 1912 Polson #2 steam locomotive that transports kids and families from the Oregon Rail Heritage Center—porn for train nerds—and along the Willamette River for roughly a couple miles until returning to its starting point. Each train car is heated and decorated in lights and holiday finery, and… at some point… Santa shows up!

The problem: Mmmmm… other than Santa showing up, it’s kinda boring? (Unless you’re a train nerd, but you’re going to be too busy asking endless, arcane locomotive questions to the conductor—whose soul will leave their body—to be concerned about Santa.)

The solution: Can we PLEASE get a gang of cowboys on horses to rob this muthafukkin’ TRAIN?? Bear with me, and picture it: The holiday train is chugga-chugga-choo-chooin’ and toot-toot-tootin’ down the track without a care in the world… UNTIL. 

Out of the Oaks Bottom wetlands come a gang of ruthless, horse-riding villains who gallop down the bike path before hopping on the train, kicking the door open, and barking, “Git yer hands up, varmints!” Screams ring out from the train car as some passengers faint, and a couple of foolhardy “heroes” get a pistol butt to the noggin for their trouble. The bandits steal wallets, watches, necklaces, and other precious family heirlooms, cackling maniacally… UNTIL. 

A loud bump is heard on the roof, and seconds later, a window smashes as SANTA CLAUS comes bursting into the car! Slowly rising to his feet, Santa strikes a pose and says, “Looks like somebody’s getting added to the naughty list!” And with a mighty swing of his red bag, Santa bowls over three of the villains, delivers a sharp uppercut to another, and sends a fifth tumbling off the train with a vicious kick to the scrabble bag… UNTIL.

The ringleader grabs a crying child, puts a six-shooter to its little head, and growls, “One more step, Santy Claus, and I’ll send this li’l pecker-wood to the pearly gates!” A pause, as everyone in the train car holds their breath, tears streaming down the child’s face, and where the only sound is the repetitive clack-clack-clack of the train’s wheels. 

Slowly, Santa drops his bag, and says, “Well, Desperado Dan”—a stupid name for a stupid criminal—”I guess this is my last… STOP!” Santa yanks the “stop requested” cord hanging from the window, sending the train screeching to an ear-piercing halt, as Desperado Dan stumbles and falls, dropping both child and pistol. Santa quickly pulls the kid to safety, and with a devastating right hook, sends the villain into a coma, from which he will never awaken. The children and adults cheer as Santa throws the unconscious body from the train before turning to ask, “Now who here has a hankerin’ for a candy cane?” The train’s occupants rejoice, and for the first time since the debut of the Holiday Express, it was a train ride—and a Christmas—to remember.

Holiday Express, Oregon Rail Heritage Center, 2250 SE Water, Nov 29-January 4, various times, $25-$105, tickets and info 

Ford is idling production of its F-150 Lightning, the latest in a series of announcements signaling a slower-than-expected transition to electric vehicles. What are other automakers planning?

NPR's Steve Inskeep talks with Republican strategist Scott Jennings about Republican leadership in in the U.S. Senate and House.

States run by Democrats are making preparations to oppose and fend off Trump administration polices — especially on immigration.

NPR's Michel Martin speaks with Penn State labor and employment relations professor Paul Clark about blue-collar voters and their decision to back President-elect Trump in this election.

Robert F. Kennedy Jr. says President-elect Trump wants "measurable impacts" toward ending chronic disease within two years. About 60% of Americans suffer from at least one chronic disease.

Aldis Hodge stars as the latest on-screen version of James Patterson's sharp police detective.

Rebroadcast September 26, 2014 It's been almost two months since 18 year old Michael Brown was shot and killed by Ferguson, MO police officer Darren Wilson, but the reverberations surrounding his death continue. Brown's death was the fourth last summer in as many weeks in which an African American man was killed by law enforcement. In a special conversation this week, Basic Black goes beyond the headlines to explore the racial, historical, and cultural underpinnings of the relationship of law enforcement to communities of color and the meaning of protest in a post-civil rights movement era.

Panelists:
- Callie Crossley, Host, Under The Radar With Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH News
- Frank Rudy Cooper, Professor of Law, Suffolk University Law School
- Marcela Garcia, Regular Contributor to The Boston Globe, Editorial and Op-Ed Pages
- Peniel Joseph, Professor of History, Tufts University

Photo: A man is moved by a line of police as authorities disperse a protest in Ferguson, Mo. early Wednesday, Aug. 20, 2014. On Saturday, Aug. 9, 2014, a white police officer fatally shot Michael Brown, an unarmed black teenager, in the St. Louis suburb. (AP Photo/Charlie Riedel)

October 3, 2014 This week on Basic Black: an editorial cartoon about Secret Service lapses creates a firestorm and we look at Eric Holder's legacy in civil rights law and racial justice. From special programs such as the death of Nelson Mandela and a deep dive into the causes of the racial eruption in Ferguson, MO, to an exploration of the rapid rise of black immigration in Massachusetts or the use of the n-word in major league locker rooms, Basic Black conversations respond in the moment to events in politics, culture, art, and community. Panelists:
- Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH Radio
- Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College
- Michael Jeffries, Associate Professor of American Studies, Wellesley College

October 10, 2014 This week on Basic Black: perceptions and realities on two fronts. First, we take a look at Ebola and race. With the death of Thomas Duncan attention has focused even more closely on his initial and subsequent contact with Texas Health Presbyterian Hospital in Dallas; although Mr. Duncan received round-the-clock care once admitted to the hospital, his case has raised questions about the relationship of communities of color, the poor, and the uninsured to the US health care system. Also, the ACLU of Massachusetts released a report charging the Boston Police Department with racial bias, a charge the Department vigorously rejects, pointing to advances made in the last few years under the leadership of Commissioner William Evans. But beyond the report, which only uses data from 2007-2010, how should we look at Boston's policing of communities of color in the context of the national conversation that sprung from events in Ferguson?

Panelists: - Latoyia Edwards, Anchor, New England Cable News - Kim McLarin, Assistant Professor of Writing, Emerson College - Phillip Martin, Senior Reporter, WGBH News - Peniel Joseph, Professor of History, Tufts University - Yawu Miller, Senior Editor, Bay State Banner
Photo: Licensed clinician Roseda Marshall, of Liberia, disrobes after a simulated training session on Monday, Oct. 6, 2014, in Anniston, Ala. (AP Photo/Brynn Anderson)

October 17, 2014 Democrat Martha Coakley and Republican Charlie Baker are in a dead heat in the Massachusetts governor's race. The margin of error in the polls for both candidates is slim, but can voters in communities of color fill the margin with a victory, sending one of them to the governor's office? Are the campaigns of the independent candidates resonating with black, Latino, or Asian voters? This week on Basic Black, we look at how the candidates for governor are delivering their message to communities of color in the race to the finish line on November 4. Panelists:
- Latoyia Edwards, Anchor, New England Cable News
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Marcela Garcia, Regular Contributor to the Boston Globe's Editorial and Op-Ed Pages
- Paul Watanabe, Director of the Institute for Asian American Studies, UMass, Boston

Originally broadcast October 24, 2014 In the aftermath of his arrest protesting the killing of Michael Brown, a young black man shot to death by a white police officer, Cornel West sits down for a conversation with Callie Crossley about his new book Black Prophetic Fire, an examination of the lives of historic African American icons and how their courage to speak truth to power still resonates with contemporary activism from the events in Ferguson, MO to taking a stand against the policies of the Obama Administration. Panelists: - Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH Radio - Kim McLarin, Assistant Professor of Writing, Emerson College - Peniel Joseph, Professor of History, Tufts University - Phillip Martin, Senior Reporter, WGBH News
Photo credit: Meredith Nierman, WGBH.

October 31, 2014
In remembering the legacy of former Mayor Thomas Menino, State Senator Linda Dorcena Forry remarked, "He didn't just focus on downtown, it was also our neighborhoods." This week on Basic Black, we look back at the city's longest serving Mayor and the huge imprint he left on Boston's neighborhoods and communities of color. Panelists: - Latoyia Edwards, Anchor, NECN - Charles Yancey, Boston City Council, District 4 - Yawu Miller, Senior Editor, Bay State Banner - Phillip Martin, Senior Reporter, WGBH News

On the ground and in the street…

Charlie Baker beat the highly touted Democratic ground game to win the Massachusetts Governor’s race. What does his victory mean for communities of color? And later in the show, the viral video that to date has gotten over 30 million views: men catcalling a woman while she's performing the simple act of walking through the streets of New York City. We’ll talk about what it shows, and why it has sparked a heated debate about street harassment, race, and sexism. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Peniel Joseph, Professor of History, Tufts University
- Phillip Martin, Senior Reporter, WGBH News
- Akilah Johnson, Reporter, The Boston Globe
(Image: Screenshot from the video by Hollaback!)

November 14, 2014 Identity is an ever evolving, some would say elusive concept in American culture: Grammy award-winning artist Pharrell declares himself part of the “new black” generation… The US Army only last week eliminated “Negro” as a racial designation… “More Hispanics declaring themselves white” was a New York Times headline in May… and Asian American and Pacific Islander students at Harvard recently held a forum to bring their issues to the forefront. This week on Basic Black we look at the common thread through these and other stories identity, and what it means on a personal level and the global landscape. Panelists: - Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News - Kim McLarin, Assistant Professor of Writing, Emerson College -Peniel Joseph, Professor of History, Tufts University - Phillip Martin, Senior Reporter, WGBH News - Julio Varela, journalist and founder, Latino Rebels (Photo: Pharrell/Jonathan Short - Invision- Associated Press, 2014.)

November 21, 2014 This week on Basic Black: President Obama has thrown down the gauntlet to his detractors on immigration reform in the form of an executive action. Who does it impact and does this signal the beginning of a battle with Congress? Later in the show, the unmaking of an icon, as up to 13 women have come forward with accusations of sexual assault against comedian Bill Cosby.

Panelists: - Latoyia Edwards, anchor, NECN - Phillip Martin, senior reporter, WGBH News - Kim McLarin, cultural commentator and Assistant Professor of Writing, Emerson College - Michael Jeffries, Associate Professor of American Studies, Wellesley College - Julio Varela, journalist and founder, Latino Rebels
Photo: President Obama delivers an address on immigration reform from the East Room of the White House, November 20, 2014. (Official White House photo by Pete Souza.)

December 5, 2014 December 1st marked the 59th anniversary of Rosa Parks refusing to give up her seat on the bus to a white passenger, setting in motion the Montgomery Bus Boycott and the emerging modern civil rights movement. We observe this anniversary amidst a wave of protests: online, on the streets, and in the marketplace… actions in response to the deaths of several African American men and boys at the hands of law enforcement. This week on Basic Black, we consider the changing face and force of future social justice movements.

Panelists:
- Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News
- Kim McLarin, Assistant Professor of Writing, Emerson College
- Phillip Martin, Senior Reporter, WGBH News
- Peniel Joseph, Professor of History, Tufts University
- Pamela Lightsey, Associate Dean for Community Life and Lifelong Learning, Boston University School of Theology
Students and community members hold their hands up on campus at Boston University in Boston, Monday, Dec. 1, 2014 to show solidarity with protesters in Ferguson, Mo. (AP Photo/Elise Amendola)

December 5, 2014
December 1st marked the 59th anniversary of Rosa Parks refusing to give up her seat on the bus to a white passenger, setting in motion the Montgomery Bus Boycott and the emerging modern civil rights movement. We observe this anniversary amidst a wave of protests: online, on the streets, and in the marketplace… actions in response to the deaths of several African American men and boys at the hands of law enforcement. This week on Basic Black, we consider the changing face and force of future social justice movements.?? Panelists:? - Callie Crossley, Host, Under the Radar with Callie Crossley, WGBH News ?- Kim McLarin, Assistant Professor of Writing, Emerson College ?- Phillip Martin, Senior Reporter, WGBH News ?- Peniel Joseph, Professor of History, Tufts University? - Pamela Lightsey, Associate Dean for Community Life and Lifelong Learning, Boston University School of Theology?
Photo: Students and community members hold their hands up on campus at Boston University in Boston, Monday, Dec. 1, 2014 to show solidarity with protesters in Ferguson, Mo. (AP Photo/Elise Amendola)

December 19, 2014
As we head into the festivities of the holiday season, we talk about the good, the bad, and the ugly of soul food. We’re joined by Frederick Douglass Opie, author of Hog and Hominy: Soul Food from Africa to America. Later in the show, as the #BlackLivesMatter protests continue, we pause to consider what’s next for the movement and what happens after the die-ins, the shut-downs, and the walk-outs. Panelists: - Callie Crossley, host, Under the Radar with Callie Crossley, WGBH News - Peniel Joseph, Professor of History, Tufts University - Kim McLarin, Assistant Professor of Writing, Literature, and Publishing, Emerson College - Frederick Douglass Opie, Professor of History and Foodways, Babson College

January 9, 2015 This week Charlie Baker was sworn in as the 72nd governor of Massachusetts, with promises of bipartisanship and a renewed economic growth agenda for the Commonwealth’s urban communities. Later in the show we remember Senator Edward Brooke who died last week at the age of 95. Panelists:
- Callie Crossley, Host, Under The Radar with Callie Crossley, WGBH News
- Phillip Martin, Senior Reporter, WGBH News
- Darnell Williams, President and CEO, Urban League of Eastern Massachusetts
- Judge Joyce London Alexander Ford, formerly US District Court, Massachusetts
- Robert Fortes, Founder and President, The Fortes Group

Massachusetts Republican Gov. Charlie Baker, center, acknowledges applause after taking the oath of office, Thursday, Jan. 8, 2015, in the House Chamber of the Statehouse, in Boston. Mass. (AP Photo/Steven Senne)