In WW2, the British made destroying German dams a key strategic target in order to kneecap the German industrial effort. To accomplish this, they needed a special plane to deliver the payload: the Lancaster Bomber.

Boston’s iconic lighthouse, the Boston Light, is managed by a single person: Sally Snowman. She is the 70th keeper of the lighthouse since it was built over 300 years ago.

Hungry for an answer? Host, Eric Schulze, dishes one up in less than a minute.

Mathew Brady is known for his Civil War photography and groundbreaking work in the field. Read more about the Civil War at http://www.smithsonianmag.com/history-archaeology/Civil-War-History.html.

From the inventor's New Jersey film studio, the delight of cats doing things on film was discovered early in 1894

The figurative painter talks about the artistic process, his education and his influences.

Watch how the artist directs his team so when a photograph is taken, Bolin is completely camouflaged by his surroundings

The team at the Ol Pejeta Conservancy needs to transport Kinani, a blind male elephant, to a 4,000-acre compound where he'll be able to roam freely without disturbing other wildlife. Weighing in at nearly eight tons, it'll take careful maneuvering and custom equipment to bring the animal to his new sanctuary.

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Atlantic staff writer Frank Foer interviews Damion Thomas about athletes moving from a position of apathy to engagement

Marc Edwards and Leeanne Walters | Smithsonian Magazine’s 2016 American Ingenuity Award Winners for Social Progress The duo joined forces to protect tens of thousands of people during the disastrous water crisis in Flint, Michigan. Walters, a Flint resident, grew suspicious when her tap water changed color and her family suffered odd maladies. Officials insisted that the problems were limited to her household, but she refused to accept that answer and sought out Edwards, a Virginia Tech civil engineering professor and a veteran of municipal water wars. Combining political action and scientific credibility, the testing initiative undertaken by Walters and Edwards showed that the city’s water supply was contaminated with toxic chemicals—an explosive finding that finally forced state and local officials to address the dangers. Read more about their work: http://smithmag.co/D4dIHy | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Autodesk vice president Brian Mathews talks with the NASA science communicator about the search for life on other planets and why it’s important

The Chicago White Sox were heavy favorites going into the 1919 World Series. But they were defeated by the Cincinnati Reds - and it soon became clear that the game was rigged

The Artemis program represents the pinnacle of NASA's mind-boggling technological capabilities. Learn about the groundbreaking achievements and breathtaking lunar landscapes that await us in this new era of space exploration. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

It's been helping humans in myriad ways for over a million years, our host Eric Schulze has more

He is (K)enough… or is he? With filmmaker Greta Gerwig's Barbie breaking box-office records—and devoting much of its story to Ken's existential crisis—we wondered if there's any more to Barbie's perennial plus-one. Journalist and lifelong Barbie fan Emily Tamkin talks us through Ken’s development, or lack thereof, over the decades. Read Emily’s “A Cultural History of Barbie,” and Chris’s brief Ken history “Not Your Average Beau,” here (https://www.smithsonianmag.com/arts-culture/cultural-history-barbie-180982115/) or in the June 2023 issue of Smithsonian. Emily is the author of The Influence of Soros: Politics, Power, and the Struggle for an Open Society and Bad Jews: A History of American Jewish Politics and Identities. Learn more about Emily and her work here (https://www.emilytamkin.com/) , or subscribe to her Substack newsletter (https://emilyctamkin.substack.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Garrison Brothers use local ingredients and antique machinery to create the smooth spirit

Henry Ford spent the majority of the war as a pacifist. By 1917, however, his state-of-the-art assembly line was churning out vital engine parts to feed the war machine.

From the Americas to Europe then back again, there's more to the potato than meets the eyes.

Silent film footage taken in 1909 by Thomas Edison at Mark Twain's estate

Julie Montagu, the American-born Viscountess Hinchingbrooke, is meeting up with an expert on 18th century dance. Her aim is to learn about the dances performed in that era.

Sarah Parcak | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for History This tech-savvy researcher of our past uses satellites and other remote-sensing tools to discover and explore stunning new evidence of lost cultures—including, just this year, another possible Viking site in North America. In addition, she has located an astonishing number of ancient Egyptian remains—thousands of settlements, lost tombs and hidden pyramids. A Yale- and Cambridge-trained Egyptologist and archaeologist, Parcak is a professor of anthropology at the University of Alabama at Birmingham, where she serves as founding director of the Laboratory for Global Observation. Read more about Parcak’s work: http://smithmag.co/ZuwTGP | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

Lola, a Lagotto Romagnolo trained to sniff out and dig up black truffles in her native Washington, is ready for a challenge: to find truffles out of season on a hot day where their distinctive odor dissipates really quickly. Video courtesy of Smithsonian Channel.

The shy and timid Tasmanian devil gained its reputation for fierceness in part from its ferocious-looking yawn when cornered or frightened

More on 3D scanning: http://j.mp/JM43KD Specialists are using new technology to unravel a mystery in the Smithsonian collections.

In the 19th century, there was a watermill almost every mile of the river, such was the huge demand for flour and bread. Today, Eastnor castle’s own mill is still operational–an important piece of local history.

Tensions intensified between Cuba and the United States in October 1962 as they appear destined to plunge the planet in global war

The 12,000 year old skeleton of a teenage girl was found in Hoyo Negro, an underwater cave system on the Yucatan Peninsula.

Read more at http://www.smithsonianmag.com/arts-culture/Arcimboldos-Feast-for-the-Eyes.html The Hapsburg Dynasty's court painter's unique style of portraiture, using fruits, vegetables and animals to compose his faces -- has fascinated artists and the general public for centuries.

Daring anglers hook sharks from the cabin of a huge airship in Fisher Island

Despite the fact that it’s over 5,000 years old, Maeshowe, Orkney's answer to Stonehenge, is in amazing shape. But why did Neolithic Britons go to such great lengths to build it?

A clip from the father of video art's 1969 piece

What did analysts find in the recon photographs from the Cuban Missile Crisis? http://j.mp/RwFMbj Former CIA analyst Dino Brugioni was one of the first to spot missiles in Cuba in October 1962.

Soaring over Utah, it's easy to imagine that you've left Earth and have stepped onto another planet.

On September 2, 1935, Florida was hit by the most intense hurricane ever recorded—a category 5. Despite early warnings by the weather authorities, a calamitous loss of life shocked the nation

Two lionfish in Papua New Guinea swim gracefully

Members of the National Museum of American Historys jazz program discuss the legacy of jazz in the United States

Merry "Corky" White, author of Coffee Life in Japan, traces the history of coffee culture in the United States

Put your hands together for our host, Eric Schulze, as he dives into history to answer your questions.

David Burnett on His Experience Jumping Out of a Plane With D-Day Vets

Our host, Eric Schulze, explains how science is tackling this puzzling question from space.

When Mount Vesuvius erupted in 79 C.E., it covered the ancient cities of Pompeii and Herculaneum under tons of ash. Millennia later, in the mid-18th century, archeologists began to unearth the city, including its famed libraries, but the scrolls they found were too fragile to be unrolled and read; their contents were thought to be lost forever. Only now, thanks to the advent of artificial intelligence and machine learning, scholars of the ancient world have partnered with computer programmers to unlock the contents of these priceless documents. In this episode of “There’s More to That,” science journalist and Smithsonian contributor Jo Marchant tells us about the yearslong campaign to read these scrolls. And Youssef Nader—one of the three winners of last year’s “Vesuvius Challenge” to make these clumps of vulcanized ash readable—tells us how he and his teammates achieved their historic breakthrough. Read Smithsonian’s coverage of the Vesuvius Challenge and the Herculaneum scrolls here (https://www.smithsonianmag.com/smart-news/three-students-decipher-first-passages-2000-year-old-scroll-burned-vesuvius-eruption-180983738/) , here (https://www.smithsonianmag.com/history/buried-ash-vesuvius-scrolls-are-being-read-new-xray-technique-180969358/) , and here (https://www.smithsonianmag.com/history/archaeologoists-only-just-beginning-reveal-secrets-hidden-ancient-manuscripts-180967455/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

As a part of a television broadcast, world travelers Hal and Halla Linker toured the Afghan countryside in 1973, years before the Soviets invaded and the Taliban took control of the Buddhist site

The American Ingenuity Award winner is using geographic information systems to map history's most iconic landscapes

Lonnie Bunch, the director of the National Museum of African American History and Culture, discusses the Martin Luther King, Jr. memorial, one of America's greatest monuments.

In 1896, Thomas Edison set off to a remote Canadian district near the Alaska border, with cameras in tow. He succeeded in capturing fascinating images of the prospectors brought in by the Gold Rush.

This traveling exhibit reveals the mystery behind some of the women that helped shape this country's social and cultural landscape

Photographer Drew Gardner has a passion for history. His long-term project, “The Descendants,” (https://www.drewgardner.com/descendants)  wherein he recreates famous portraits of historical figures featuring their direct offspring, is his most visible expression of this interest. But like a lot of people who study history, Gardner has in recent years begun to contemplate more deeply the question of whose stories have been judged worthy of preservation, and whose have been allowed to fade into obscurity. That was how he decided to shift his specific focus to locating and photographing Black American descendants of Civil War veterans. You can take a look at Gardner’s photographs and read magazine editor Jennie Rothenberg Gritz’s exploration of their meaning here (https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/) . On the latest episode of the Smithsonian podcast “There’s More to That,” (https://www.smithsonianmag.com/podcast)  I speak with Janisse Flowers and her 9-year-son, Neikoye, who are descended from the Civil War drummer boy David Miles Moore Jr. After some reflection, Janisse and her husband decided to grant Gardner’s request to photograph Neikoye dressed in a replica of Moore’s Union Army uniform. Both Janisse and Neikoye share their surprise over how this experience made them more conscious of their heritage. I’m also joined by Gardner himself, who describes the challenges—and, he hopes, the potential benefits—of asking Black Americans to revisit one of the most painful chapters of America’s history by (almost) literally stepping into their ancestors’ shoes. You can learn more about Drew and his work at his website (https://www.drewgardner.com/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

From its unique appearance to its habitat and behavior, here's everything you need to know about this mysterious deep-sea creature. Dive into the world of the blobfish and discover why it has become an iconic symbol of marine life. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald Graphic Designer: Kevin Schoenblum

Curator Larry Bird takes you inside the history of the Bradford dollhouse