We’ve passed our goal and greenlit one more episode of Multiplex 10: The Web Series, so we’ll get back into production as soon as the Indiegogo campaign ends. But we’re not done yet! We have exactly one stretch goal: for every $2,500 over the base goal, we will produce at least two more minutes of … Continue reading Multiplex 10: The Web Series is FUNDED on Indiegogo!

The floods that submerged one-fifth of Pakistan's territory took more than six months to recede.

One of the most affected regions was the Sindh region, located in the western corner of South Asia. 

At their peak, the floodwaters were up to 20 feet deep. About 20 million people were displaced.

But apparently, people were not the only ones seeking shelter from the devastating floods. 

One of the unexpected side-effects of the flooding has been that millions of spiders climbed up into the trees to escape the rising floodwaters, turning them into futuristic-looking trees cocooned in spiders' webs.

The people living in that area claimed they have never seen this phenomenon before but were glad to discover that those cocooned trees were actually significantly reducing the numbers of mosquitos and thereby, the risk of malaria. 

It is thought that the mosquitoes were getting caught in the spiders' webs which would be one blessing for the people of the area, facing so many other hardships after the floods. 

Check out some of the stunning photos, released by the department of international development.

Eric Bailey shares some thoughts on creating, maintaining and evaluating accessible technology. Adam Silver passes on loads of knowledge about form design. High-quality and customizable Gatsby themes and more. Enjoy.

The post Web Design Weekly #363 appeared first on Web Design Weekly.

Marianne Bellotti passes on some great advice that has stuck with her during the process of becoming a better manager. With Chrome 76, you'll be able to use the new "loading" attribute to lazy-load resources. Robin Weruch explains how to fetch data in React with Hooks and lots more. Enjoy.

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Adam Noffsinger explains how Dropbox Design migrated to Figma. Harry Roberts dives into 'Time to First Byte'. Linzi Berry, Product Design Systems Manager at Lyft, shares the story and core principles of their design system. Enjoy.

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Hui Jing sheds some light into why reading CSS specifications is immensely helpful to build a strong understanding of CSS. A look into how visual elements affect our perception, recognition and memory by interacting with digital products. Philip Walton explains how to bundle modules and lots more. Enjoy!

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Is the internet boring now? Jake Underwood reflects on the years gone by and asks the questions, where did the web’s old personality go? Virginia Start shares a 5-step guide for designing global addresses that she devised during her research for Shopify’s International team. A handy tool that automatically generates splash screen and image assets for your Progressive Web App and lots more.

The post Web Design Weekly #367 appeared first on Web Design Weekly.

Milica Mihajlija covers how browser rendering works and how to navigate DevTools to diagnose animation performance issues. Travis Almand look at how to use intersection observer watches and lots more. Enjoy.

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A look behind the scenes at how Netflix keeps you engaged and addicted. An insight into how Design Ops at Spotify work. A look into moving from Sketch to Figma and lots more. Enjoy.

The post Web Design Weekly #370 appeared first on Web Design Weekly.

Rachel Andrew looks at some common layout patterns that we can’t yet do on the web. All the React Conf 2019 videos are now live. A dive into making Instagram faster and so much more. Enjoy!

The post Web Design Weekly #371 appeared first on Web Design Weekly.

Robin Rendle has some wise words around the difference between a junior and senior front-end developer. Figma posted about gathering the data behind your design systems. The Cloudflare team did a deep dive into how they went about reworking the use of colour within their products and so much more. Enjoy.

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Like 90s hip-hop, The Web We Lost™ retains a near-mystical hold on the hearts and minds of those who were lucky enough to be part of it. Luke Dorny’s recent, lovingly hand-carved redesign of his personal site encompasses several generations of that pioneering creative web. As such, it will repay your curiosity.

The post The Web We Lost: Luke Dorny Redesign appeared first on Zeldman on Web & Interaction Design.

I’ve been working on a pretty large react-router codebase at work. Currently it has around 50~ code splits, which as you can imagine, is a lot of routes. This is going to be a post on the things I’ve learned throughout building out my development / production config and how we are using webpack in production.

###Initial Setup

Before I really dive into how my webpack config is setup and the problems I’ve found, I’ll quickly go over how this app is setup. Currently, there’s one entry point and it looks like this:

import React from 'react'
import { render } from 'react-dom'
import { match, Router, browserHistory } from 'react-router'
import AsyncProps from 'async-props'
import routes from '../routes/index'
/* globals document, window */

const { pathname, search, hash } = window.location
const location = `${pathname}${search}${hash}`

match({ routes, location }, () => {
  render(
    <Router
      render={props => <AsyncProps {...props}/>}
      routes={routes}
      history={browserHistory}
    />,
    document.getElementById('app')
  )
})

It looks like a standard react-router setup, except a couple things are different. For one, there’s way too many routes to have them all in this file, so we are importing the main route object into this file. Second, we are using match on the client side. Without matching first, the client side would try to render before the splits were downloaded causing an error. You can read a little more about match on the client here.

Next, we are using Ryan Florence’s awesome async-props library for loading data into components. It allows me to load data from an api before the server renders components. It will pass the data down to the client for the client-side render, and then data will load as you navigate to new pages automatically.

###Routes

Our main routes file looks like this:

export default {
  component: 'div',
  path: '/',
  indexRoute: require('./index'),
  childRoutes: [
    require('./login'),
    require('./account'),
    ...
  ]
}

There’s a lot more require’s in our app of course. And these are nested pretty deep. The files referenced in the root file have more child routes, and those use require.ensure which you can read about in the webpack docs on code splitting. It tells webpack to make a new bundle, and then load that bundle when require.ensure is called on the client. Here’s an example:

if(typeof require.ensure !== "function") require.ensure = function(d, c) { c(require) }

module.exports = {
  path: 'account',
  getComponent(location, cb) {
    require.ensure([], (require) => {
      cb(null, require('../../views/master/index.jsx'))
    })
  },
  childRoutes: [
    require('./settings'),
  ]
}

There’s a few things going on here. First, we have a function at the top that will polyfill require.ensure. Why? Well, on this project we are server rendering our whole site as well, which I would rather not do, but due to the type of site we are building: we have to. The next thing is the relative require path. I’m using this awesome babel resolver plugin along with webpack’s resolve paths so that I can import files like this:

import Header from '../../master/header'
//becomes
import Header from 'master/header'

Why do I have to use a babel plugin AND webpack’s resolve feature? Once again, doing a server rendered app, the code is ran on the server and also through webpack. In this particular app, I haven’t had time to experiment with webpacking the server. Anyways, if I didn’t use the babel plugin, errors would be thrown on the server, but webpack would work fine. This is one of the common things I have ran into while building this app.

Realizing some things need to be done slightly different on the server or client. You may still be wondering why I am referencing the component as a relative path in the above route example, and that’s because the babel plugin I’m using only works with import and not require. My route objects are the one place that I have these “nasty” looking paths.

##Webpack

I was prompted to make this article after tweeting this out:

webpack splits vs AggressiveMergingPlugin({minSizeReduce: 1.0}) pic.twitter.com/b6kxHEqNcO

— ReactJS News (@ReactJSNews) March 10, 2016

A couple people wanted a better explanation as to what’s happening here. When I was first building my production webpack config, even after using all of these plugins:

new webpack.optimize.CommonsChunkPlugin('vendor', 'vendor.js'),
new webpack.optimize.OccurenceOrderPlugin(),
new webpack.optimize.DedupePlugin(),
new webpack.optimize.UglifyJsPlugin({
  compress: { warnings: false },
  comments: false,
  sourceMap: false,
  mangle: true,
  minimize: true
}),

My bundle looked like this:

That’s pretty huge if you think about it. And I’m not talking about the amount of bundles. I’m talking about the file size. After searching everywhere for a solution to get the bundle size down further, I found webpack’s AggressiveMergingPlugin. This thing is a life saver. As you may have seen from the tweet, the output turns into this:

Just having the main, vendor, and one other bundle brings the whole site under 1MB. I’m using the plugin to only merge files if the size reduction is more than 50%, which is the default.

People talk about code splitting in webpack and think it’s really amazing to load the JS for the page you’re on and nothing more. It sounds great. The problem is that the file size is immensely bigger. If someone more familiar with webpack has a better idea as to why this is, I’d like a better explanation. It isn’t feasable to keep the splits instead of merging them. This site is pretty large, with a lot of routes as you can tell from the screenshots. Codesplitting without merging would cause way more waiting on the client side every time you navigate to a new page. Even if the JS was heavily cached, the first time you hit these pages it will have to load a 300kb bundle for some of them.

##Caching

That takes us to caching. We are about a month away from publicly launching this site, so we haven’t setup the workflow for pushing updates through a cdn, but that will be the end result. For now, in my webpack config, my output object looks like this:

output: {
  path: __dirname + '/public/assets/js/[hash]/',
  filename: '[name].js',
  chunkFilename: '[id].js',
  publicPath: '/assets/js/[hash]/'
},

This is in the production config of course. This way I can cache the files and when I update the code, the hash will change and the browser won’t be caching the old code. I pass in the hash as an env variable at runtime to that the server has the correct path to the assets folder.

##Problems

There were a few big problems I came across while building out a server rendered app with dynamic routes. The first was page titles. How am I supposed to have the right title on the client and on the initial server render? Thankfully, Ryan has yet another solution. react-title-component solves this perfectly.

The next was, how do I hit an api, wait for the response on server render, load new data on route changes, and of course, do this at the component level. As I mentioned before, async-props solves this problem too. It will give you route info so that you can make requests based on things in the url.

The next problem is one that I haven’t fully solved. Webpack is getting really slow. It takes around 20 seconds on a maxed out macbook 15” to build code in production. On the server, it takes more like a minute! If I’m in development mode, it takes around 10 seconds to make the initial build, and sometimes it lags on building the splits on code change. If anyone has insight into this I would love to hear it.

This one goes along with the webpack one, and it is reloading the server. I haven’t tried to webpack the server but I hear doing so works great for this. I don’t think it would fix the problem with webpack being slow though, and in fact it would probably make it even slower.

##Folder structure

I almost forgot to throw this one in here! I’m really happy with the structure of this project. I have a views folder that has all of the same folders and file names as the routes folder. It makes it really easy to find things. These also correspond with the URL to the page. /account/settings will be in views/account/settings.jsx and routes/account/settings.js. The same is true for my tests folder.

##Conclusion

I hope this gave you a good glimpse at how webpack and react router work at a larger scale than you see most blog posts cover. If you have any questions or things that you would like me to talk about that I haven’t already, please leave a comment below and I will update this post! I’m sure that I forgot a few problems and tips writing this. I was thinking this would be a short post but it blew up on me!

Amid this lockdown, a lot of people have been quarantined together and they are either sharing their cooking videos, workout videos, or Instagram chats. Sunny Leone and Daniel Weber have gone a step ahead and done something different. The wife is in revenge mode and the husband needs help. At least her latest Instagram video suggests so.

In the video, we could see a shirtless Weber and he could be seen holding a number of placards that only indicated how desperately he wanted our help. His placards read- "Help me! She is driving me crazy. She sleeps all day, her cooking sucks, she"s so lazy, she lives in pyjamas, she takes selfies all day."

Have a look at the video right here:

 

 

 

View this post on Instagram

Hmmm...just saw this! Tomorrow I will show you what @dirrty99 is really doing all day! REVENGE!! It’s on!

A post shared by Sunny Leone (@sunnyleone) onApr 19, 2020 at 12:06pm PDT

Now, all we have to do is wait and see how does she extract her revenge on her husband! The actress is also having a lot of fun during this lockdown and she keeps uploading her fun videos that her fans are clearly enjoying. We are now waiting for the next one!

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Representational picture

San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Illustration/Uday Mohite

So, dear reader, I don't know about you, but I'm a little confused about certain big words that fly around these days. I don't mean words like say, 'farrago' or 'webaqoof' or 'rodomontade' or 'snollygoster' that his eminence Shashi Tharoor has made famous. I mean we know that 'webaqoof' means — it's someone who has no clue how social media works.  Most of you, my X-ennial readers, will identify with this malady — What's an X-ennial, you ask?! Nahin nahin, it not a prequel to the X-men series or the next instalment of 'Avengers Infinity Wars' (that's subject for another column).
Anyway, to get back to the subject at hand — big words. Do you know, for example, what 'Debdumbfoolery' or 'Biplabpolarism' mean — it's the art of talking utter nonsense, making outrageous statements with shameless ignorance and confidence on a public platform.

Like, say, I said something really foolish like, "Modern day internet existed during the times of the Mahabharata" or "Narad Muni was like Google" or, something even more preposterous, like "Darwin's theory was scientifically wrong and shouldn't be a part of college curriculum". You get it, dear reader. This is also called 'Satyapalfootinmunh'.

So it's like — "Hey, that Jigesh thinks no end of himself, always giving these biplabtripupistic fundas."

What else? Let's look at some other big words that made me reach for the thesaurus. How about 'Pappupasshogayalitis' — this tongue twister is the art of dynastic entitlement, when the entitled has no clue what he's doing or saying. So let's say two employees are b***hing about a third, "Really pissed off with my job. Can't get a promotion, that Akash is the boss's son, real pappupasshogaya dufus, but, kya karega, baap ka raj na!"
Dear reader, there's 'Rayaduplessis' — any idea what this means? Okay, it means, 'you finally do well at something in a particular position and a South African annoyingly takes your place to fulfill a quota.

Okay, here's another killer — 'Trumpjong-un' — cool, huh? So any guesses? Okay, it has multiple meanings —

1. An ancient Oriental board game
2. When two mentally unstable people meet and each one
cannot believe they've met their match
3. An American Nuclear Bomb made in North Korea
How about this one — Cosbynski. I'll give you a hint — it has to do with 'molestation' — okay, I won't give it away — email me your answers and you get a free Woody Allen movie DVD as a prize.
And finally there's 'Indranirritatausaurus' — so I'll let you decide what this word means.
Choose between —
1. A member of the pre-historic animal family
2. An issue that annoyingly goes on and on well past its interest value date
3. A story with more deceit,
betrayal and murder than all the seasons of Game of Thrones (GoT) put together
This word is also referred to as 'boradom'.
I'm off, dear reader, see you 'Banuvasarahdimanche'. Huh? What does that mean? It's so simple.
It's a word coined by Messrs Modi and Macron.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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Chef Saransh Goila and TV personality Mini Mathur at Silver Beach Cafe, Juhu. Pics/Pradeep Dhivar

The glass walls overlooking a quiet street at Silver Beach Café are misty. Chef Saransh Goila is early and orders a plate of Eggs Benedict, Beetroot Cous Cous Salad and a glass each of orange and carrot juice, choices that TV host Mini Mathur is happy with when she walks in. "The last time we met we were both drunk," Mathur says animatedly. Both TV stars are currently hosting digital food shows. Goila has married his two loves — fitness and food — for his Facebook show Run to Eat (Singapore). Mathur has been cooking with Bollywood stars for her show The Mini Truck. One is a trained chef and the other a home cook, but when they speak, their love for rich traditional food takes over.

Sabhnani: How did an erstwhile vegetarian chef move to selling butter chicken?
Goila: In Delhi, my vegetarian family was tired of eating sweet paneer. So I smoked the gravy for them. That's how I came up with it. My friends in Mumbai loved it. We are actually Goels, my great-grandfather changed it to 'Goila'. When I was opening Goila Butter Chicken, my dad got calls asking him, 'Can't he just call it Saransh's Butter Chicken?' Once I graduated, I realised you cannot be a chef who is vegetarian.
Mathur: Mera butter chicken khaake dekho, hum bhi Dilliwalle hai! I am a Kayasth married to a Hyderabadi. Both the families are very proud of traditional recipes. I hate bastardised versions of food — if someone gave me Szechuan dosa, I'd spit on them! Every Diwali, I pickle six kilos of aloo or chana for achaar. I will make some for you and you can give me butter chicken instead.

Sabhnani: Your new shows are shot internationally, though…
Mathur: My next show, Mini Me, is about a bad**s mum travelling with her seven-year-old. We went to 15 cities across six countries in Europe in 25 days. It was originally shot for digital viewing, but a channel picked it up.
Goila: Run to Eat (Singapore) was originally supposed to be shot in India, but I didn't get support from the state tourism boards.

Sabhnani: You must have collected many stories while shooting.
Goila: Once, on an uphill trek in Himachal, we saw a tree full of apples. As soon as I plucked one, I slipped. I quickly grabbed a branch or I would have rolled down the hill. Things you do for apples and shots!
Mathur: Sunny Leone is such a cool woman. When she shot for my show, she said things like, 'Now let's grind.' I had to control my crew.

Sabhnani: Was the shift to digital platforms a natural progression?
Mathur: Digital is the future. The problem is figuring out how to monetise it.
Goila: Every time I enter a house party, there is a group of people watching something on their phones. My mom wants a Chromecast!
Mathur: People are waking up to the fact that watching TV at an appointed time is not necessary.

Eggs Benedict, Beetroot Cous Cous Salad and juices arrive
Goila: My plate looks beautiful! They have made an effort.
Mathur: Do you always shoot your food before you eat? The whole thing of 'let's tuck in yaar' is not happening any more.

Sabhnani: The impact of social media is huge...
Goila: People explore social media, and not colleges, for learning, which is fine. But one out of 100 people succeeds that way.
Mathur: I mostly find positivity on Instagram and YouTube. Twitter is a different universe.
Goila: Sometimes you have to choose to ignore it [trolls]. It's also driven by brands and PR.
Mathur: Today, you can backslap a star online and say, 'Hey, I don't like your moustache!'

Sabhnani: Do looks matter?
Goila: I am not the best-looking chef in the country. I generally believe in fitness (I used weigh 93kg). You can't judge a chef by his belly, though.
Mathur: If you are good-looking, it can't harm you.

Sabhnani: Dilliwallah's take on Mumbai's food?
Mathur: I love Maharashtra's coastal cuisine. Mumbai should give up on chaat; vada pav is your thing. The Mughlai scene is better in the north.
Goila: The international cuisine spread is better in Mumbai.
Mathur: Eat food at the place where it comes from. Don't go asking for vada pavs in Delhi.

Be it the Yin or the Yang, the good or the bad, there are always two sides to the same coin. The same goes for our existence today. Showcasing the contrasting realities of modern society, Amazon Prime Video's upcoming original Paatal Lok will surely raise your hair with its captivating portrayal of the many shades of humanity.

Here are five reasons that will make you want to watch the upcoming gripping show –

1. An invigorating crime-thriller

Paatal Lok is swiftly establishing a fanbase even before the release of the show. From audiences going gaga about the intriguing posters, the excitement ahead of the show's release is infectious. The show, with its gripping narrative, is all set to throw new light on the four pillars of democracy. Making for a compelling watch, viewers are set to be left in awe as they see shades of morality in the country that seems more dark than bright.

2. See the dark side of humanity get darker

Talk about a show that will shake your very core and make you question everything that you believed was right or wrong. Realising that there's always more to what meets the eye, Paatal Lok will show us how every individual has two sides to their personality. And yes, rest assured of watching a story that at no point shies away from the relentless violence displayed by ruthless mortals. Certainly, a show not for the faint-hearted, the many shades to Paatal Lok will keep one hooked to the mysteries that unravel in this inescapable hell on earth.

3. Commentary on modern-day society

Apart from being a mysterious series on the lawless and merciless, Paatal Lok's nuanced plot seems to be a scathing commentary on modern-day society. Drawing parallels with the ancient concepts of the Tri-Lok - Swarg Lok (heaven), Dharti Lok (earth), Paatal Lok (netherworld), it paints a realistic picture of the ruthless class divide that prevails today in Indian society.

4. Yet another masterpiece from the makers of NH10, Udta Punjab

If the concept didn't intrigue you yet, watch the series for the creator and co-writer Sudip Sharma. In its first-ever association with Clean Slate Films, Amazon Prime Video's Paatal Lok is a much-anticipated series from the masterminds behind the startling films NH10 and Udta Punjab. With audiences raving about the show, Paatal Lok has already won a fan in Varun Dhawan. Having been blown away by the show's poster and teaser, the actor recently took to social media to acknowledge Anushka Sharma and said that he's immensely proud of this 'Producer Saab'.

5. A critically acclaimed cast that will blow your mind

Paatal Lok will be a fabulous collaboration of brilliant critically acclaimed actors such as Jaideep Ahlawat, Neeraj Kabi, Gul Panag, Swastika Mukherjee, Abhishek Banerjee among others. With the series riding on the back of a powerful and intriguing plot, the show's ensemble cast with their impeccable acting prowess is set to deliver one hell of a memorable performance.

Paatal Lok will stream on Amazon Prime Video on May 15, 2020.

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Welcome aboard! But before you read this one, let us be clear that the next few paragraphs are filled with nothing but spoilers. If you are nerd enough to gorge on all the sci-fiction shows the web throws at you, you've landed on the perfect page. Amazon Prime Video released a good sci-fi show, that has a hint of comedy and a dash of romance and drama, on May 1, 2020, and we couldn't help but binge on this one.

Black Mirror, the popular Netflix show, which gave us some good dark and gritty content to watch out for, has kind of an uncanny resemblance to this show. How, you ask? An episode on Black Mirror showed an alternate world where people who die can move to a place named San Junipero, and live an afterlife on their own terms. Watching Upload, you'll surely be reminded of that episode.

Here we have four reasons that make Upload a good watch:

A futuristic approach

As the lockdown extends, and so does our watch-list (of course, it is a never-ending one), we have got you the scoop on one more show, and this time, it is a futuristic approach towards the afterlife of a human. In the new show Upload, our loved ones or us, 'upload' our memories and special moments on a database, which will help you to experience everything, just like a living person. Even the seven sins of a human -  pride, greed, wrath, envy, lust, gluttony, and sloth, have been shown by the great brains who work on the artificial intelligence of this 'afterlife heaven'.

A life, after life

Okay, so the essence of this entire show lies in the afterlife of people who have decided to 'upload' themselves, and live a kingsize life in a virtual world. This manmade heaven is no less than a fairyland, where everything is just happy and the way we want it. But, the only glitch in this virtual world is the bugs and the viruses. Just like our real-world has problems, the digital world created beyond the horizon by some great nerdy minds have to face multiple technical difficulties.

Watch the trailer of Upload here:

A gamer's show

The show Upload starts with a brat Nathan Brown (Robbie Amell), who is deeply in love with his girlfriend Ingrid (Allegra Edwards). The duo sees their future together, but Nathan's death faults Ingrid's plan. To keep him forever, she uploads his memory and avatar in an afterlife - Horizen - and what comes next is AI personified! Video game lovers will connect with this show for real. The only difference is one doesn't have to sit with a joystick to select the next move.

A reimagined heaven

Upload shares a materialistic world which many people mistake for life and realise it once everything is gone for real. Nathan experiences the same thing when he meets his angel, Nora (Andy Allo), given by Horizen, to guide him. She not only becomes his 'guiding angel' but also helps him solve the mystery behind his sudden death caused due to a technical glitch in his auto-driven car. What comes next is kind of predictable.

The entire struggle to maintain a lifestyle in the afterlife will make you cringe about the world's perception of leading a good life, and also an afterlife. This show will actually make you think about what went wrong with these people.

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Sunny Leone pulled a prank on her husband Daniel Weber by making him believe that she had accidentally chopped off her finger. Sunny took to Instagram to share the video of the same. In the video, she cries out for help, shouting out to her husband that she has chopped off her. Daniel comes in running and panics and runs around as he tries to figure out how he can help.

However, when Sunny draws his attention towards the phone, he understands that he was being recorded all the while, and this was just a prank.

 

 

 

View this post on Instagram

Yes this is really happening!!! Lol epic #prank on @dirrty99 😂😂😜 . . 🚨Statutory Warning: No finger was hurt in making of this video. It’s a rotten banana

A post shared by Sunny Leone (@sunnyleone) onMay 3, 2020 at 5:17am PDT

Just before the prank, Sunny had shared another video talking about the funny scene:

 

 

 

View this post on Instagram

This ain’t no cooking video!!!! Haha @dirrty99 got pranked and served!!

A post shared by Sunny Leone (@sunnyleone) onMay 3, 2020 at 2:23am PDT

When Sunny asks Daniel how much he enjoyed the prank, he said: "Generally, I am a pretty serious person in life. That is just my personality. I actually don't even like pranks that much. I don't even like pranks on other people and I definitely don't like pranks on me. So, if you want me to rate your prank, I think it's a zero because I hated that it was done on me."

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Karan Wahi turned to his rapper buddies for help to play a DJ in the web series, Hundred. His quirky character, Mad-E, arrives from Haryana to make it big in Mumbai's music industry. He also doubles up as a police informer. Wahi did a lot of prep to figure out his character's body language on the Hotstar show. Rapper Raftaar also helped him. "I sat down with Raftaar paaji and took several inputs as I was working with him on a reality show at that time," says Wahi. "But the stuff he wrote was way too good for a DJ rapper like Mad-E," he points out."

It seems actors today are finding different and unique ways to get into the skin of their characters and will not leave any stone unturned to do justice to their roles. The web-series has been getting a good response from the viewers so far and that has surely elated Karan.

Taking to his Instagram account, he shared a video from the same and in case you haven't seen it yet, it will help you know the character and its crux. Have a look right here:

 

 

 

View this post on Instagram

Thankyou I’ll remember u for LIFE...🤗🤗🤗🤗 Talking the talk to walking the walk. Meet me, @karanwahi ➡️ Manohar Dahiya a.k.a. Rapper Mad-E, in Hotstar specials presents #Hundred! All episodes streaming now only @DisneyplusHSVIP . . . #HotstarSpecialsHundred #DoKhilaadiProblemBhaari #ManoharDahiya #Mad-E @ruchinarain @itstahershabbir @ashutoshunlimited

A post shared by Karan Wahi 💜 (@karanwahi) onMay 3, 2020 at 8:31am PDT

Watch Hundred if you haven't so far, the actor may impress you with his performance!

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With the lockdown having put the brakes on his plans of filming Bhoot Police, director Pavan Kripalani has gone back to the writing desk. The filmmaker, who had given Bollywood one of its few psychological thrillers with Phobia (2016), is giving finishing touches to the sequel. However, keeping the current scenario in mind, Kripalani has decided to develop it as a web-film.

"The current situation has changed the way the entertainment business functions. I am guessing that over the next one year, smaller films will [benefit] by having a direct-to-web release. So, Phobia 2 will most likely release directly online," he explains.

Pavan Kripalani

Close on the heels of the Radhika Apte starrer hitting the screens, it was heard that a male protagonist would take centre-stage in the second instalment. However, the director has had a change of heart. "I had written a male-centric story, but now, I [am pursuing] a different idea with a female lead."

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Superstar Mahesh Babu is one of the most critically acclaimed actors of the southern film industry and cherishes a humongous fan following throughout India. His social media is popular to spread messages that support certain social causes. The actor and his fans are known to storm social media with their social campaigns.

Recently, Mahesh Babu took to his social media to share a post about wiping away fake news and gossip websites that often spread misinformation and lies about celebrities.

These blogs or gossip websites leech off the actor's popularity and spread misinformation about them to gain views on their respective pages. It is crucial that these websites and rumors be put to a stop so that they can stop spreading fake rumors. Mahesh Babu shared the post on social media under the tag of "#KillFakeNews" against misinformation being spread with the caption.

Have a look at his tweet right here:

I stand by you brother @TheDeverakonda #KillFakeNews #KillGossipWebsites https://t.co/mk5enwj5Pm pic.twitter.com/ESYodVIQbw

— Mahesh Babu (@urstrulyMahesh) May 4, 2020

It's highly commendable someone has finally spoken against these lies and false news!

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If you're wondering what to watch next while being bored during Lockdown 3.0, fret not, we've got just the thing for you. Shah Rukh Khan is all geared up to present his next web series as a producer on Netflix India. The show is titled Betaal, and its teaser on Instagram is giving us the creeps!

The OTT platform shared a clip on its Instagram account and wrote, "They look psyched! Almost as psyched as we are. #Betaal coming soon!"

 

 

 

View this post on Instagram

They look psyched! Almost as psyched as we are. #Betaal coming soon!

A post shared by Netflix India (@netflix_in) onMay 4, 2020 at 11:03pm PDT

Betaal is an international collaboration between Netflix, Red Chillies entertainment, Blum House (makers of Paranormal Activity, Insidious) and SK Global (behind Crazy Rich Asians and Delhi Crime).

Betaal is a horror-thriller written and co-directed by Patrick Graham, who has previously directed Ghoul starring Radhika Apte, and also co-written Leila starring Huma Qureshi. Both shows were widely accepted by the audience.

Betaal has been shot extensively in India, especially in Mumbai, Lonavala and Khandala. The series, which revolves around traditional Indian folklore, will definitely be outstanding in terms of the horror content with some incredible VFX and prosthetics work.

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Representational Image

We have been married for 10 years, and while most people say time depletes sexual chemistry in a couple, ours has been an active and healthy sex life. Perhaps, because early on we decided that we'd try out new things. This includes making sex a part of our daily lives and trying different positions.

Both, my husband and I are 34 years old. He runs a business; I am into design. We belong to conservative Marwari families, but what happens in the confines of our home is our business.

It was last year that my husband discussed a website: Adult Friend Finder. I think he discovered it while watching porn. He told me: "This is what people are doing these days". 'This' was couples performing live sex acts in front of an online audience. My husband wanted us to give it a shot. I was obviously apprehensive. It felt weird that someone would be watching our intimate moments. But, he insisted. He said since we were husband and wife, it would be fine. If anything, it would add excitement to our lovemaking. Within a month I agreed to give it a shot.

Going online was simple enough. On the site, my husband created a profile. All he was asked was his age. No other details needed. Not even an email ID or my age. Once this is done, you can add friends to your list. Friends here doesn't mean real-life friends, but other handles from the site that you allow to watch you as audience. It's quite like Facebook with one difference - this is a sex site.

We logged in and created our own handle. We had two options - either we could go live publicly [anyone who logs in to the site can watch] or invite our friends on the site to watch. Once you are done [performing the act], the live video disappears from the site. Since ours was a private handle, people would have to request us to allow them to watch us. It was our prerogative who got the permission.

I was clear that I didn't want any Indians watching. Neither did I want to watch any Indians. And even though I hid my face by only shooting at certain angles, I was more comfortable with people who showed their faces in the videos - I only allowed those people who went live themselves to see our videos. So, most of those who watched us were white men and women - single or couples. There are obviously more men online but women are aplenty too.

When we went live, I made sure that there was nothing visible of my home or of our personalities in the frame. So, the corners we picked to shoot from were always blank corners in the house. The webcam was also angled such that our faces could not be seen, and the lighting was slightly low. We watched a few videos and we made ours follow the same pattern.

Not everybody has sex during these videos, some just indulge in foreplay. So, we would start by sitting on the couch, talking and having wine. Sometimes, we would just indulge in foreplay with our clothes on. That's it. Sometimes, the clothes came off and we had intercourse. But, never did our faces show. That was my major concern.

During our first video, we just made out while watching a movie. It wasn't an awkward experience. If anything, I was really happy after the first time, because I got positive reactions from everyone who watched the video.

My initial apprehension melted soon, and I found myself having fun. People comment as you go about having sex and most comments were about how hot, sexy and beautiful I was. The exotic, Indian thing really attracts the white. I couldn't believe some of the comments - one of them said I was the sexiest woman he had seen. It served as validation.

My husband also enjoyed the attention I got. Unlike other Indian men, who tell you to button up and don't like it if another man looks at you, my husband was happy with all the attention I was getting. And, along with me, him. He would tell me, "They all want you, but I have you." At any time that we'd go alive, around 1,000 people would be watching. We used to go online once a week.

Soon, however, the charm started to wear off, especially when comments like "Do you want to share your wife?" started coming in. I would spend all day remembering what had been said. Disgust crept in; that I had allowed so many eyes on me. I told my husband that I didn't want to do this anymore. He was irritated.

There were arguments because he was keen we continue. After seven months, I decided there was no way I was going back to doing this. He kept resisting it, but then accepted my decision.

Now we don't fight over this anymore, and still have an active sex life.

I'd say that if people are inspired to do this, they should do it sensibly. We were married so we weren't afraid blackmail or lewd comments. But if you aren't, you should watch out; you could fall into a trap. There are many people who message obscene comments and it's not easy to ignore them.

Also, do not see it as a long-term hobby. Do it for a bit if you like, and get out, or you can get addicted. Use it to get the spark back into your sex life, but don't overdo it.

(As told to Aastha Atray Banan)

With the lockdown in place, the theatre business has been shut completely. This has led to a substantial increase in content consumption through digital streaming platforms. Several web series makers are speeding up post-production work to release their shows during the lockdown. 

While releasing shows during lockdown sounds good, director Ali Abbas Zafar is in no hurry to finish the post-production of his show. Ali Abbas Zafar is currently working on a political drama tentatively titled Dilli. Talking to a tabloid he said that he would rather revel in the satisfaction of a series well made than join the rat race. He said that people have been asking them on social media to release the show, but they do not wish to rush the process.  The series was supposed to release in the last quarter of 2020 and they intend on sticking to it. 

The Saif Ali Khan starrer is currently in the post-production stage. Zafar said that if the show was ready they might have released it now. He said that when it comes to developing an offering for the global audience the post-production is a long drawn process. He said that once the project is delivered, it has to be dubbed in nine languages and the post-production takes three to four months. 

The show will be aired on Amazon Prime videos and the makers have already started working on season 2. Amazon Prime green signalled the second season after watching the rushes of season 1. 

ALSO READ: EXCLUSIVE: Ali Abbas Zafar confirms teaming up with Katrina Kaif for superhero flick

Google Duo has added a family mode feature which lets its users get a more personalised experience by using AR effects and options to doodle.

During a webcast on June 11, the OECD provided a technical update on its work to develop new, modernized international tax rules for the digitalized economy.

The UK tax agency has announced that it has scheduled two new webinars to support the construction industry to come to terms with the new VAT reverse charge being introduced on building and construction services from October 1.

The OECD has scheduled a new Tax Talks webcast to update stakeholders on its work on the reform of international tax rules for the digitalized economy.

To better understand the risk factors and the effects of drought in the region, IWMI conducted a survey of 400 commercial fruit farms in Jordan, one the most water-scarce countries in the world.

Water-related natural disasters are major impediments to human security and sustainable socioeconomic development. Climate change has made extreme weather events more severe by altering their frequency, timing, intensity and duration.

Take a look at the satellite map below. That vast swathe of orange and red across northwestern India and Pakistan depicts crops that have ripened in the last couple of weeks.

Water-related natural disasters are major impediments to human security and sustainable socioeconomic development. Climate change has made extreme weather events more severe by altering their frequency, timing, intensity and duration.

Take a look at the satellite map below. That vast swathe of orange and red across northwestern India and Pakistan depicts crops that have ripened in the last couple of weeks.

We encountered an attack that conceals RevCode WebMonitor RAT by abusing Zoom installers.

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Through the new experience, the users looking for haircuts can pair with models who have a soon or barbershop experience.

Entire Tollywood has come in support of Vijay Deverakonda and have said that an action plan is needed immediately to stop gossip websites.

Senior members of the OECD's Centre for Tax Policy and Administration (CTPA) commented on the launch of the 2015 OECD/G20 BEPS reports.

You are invited to join a webinar on 9 June at 15h00 with OECD experts to discuss the Multilateral Convention to Implement Tax Treaty Related Measures to Prevent BEPS (MLI). This online event follows the signing ceremony which took place in Paris on 7 June where over 65 countries and jurisdictions signed the multilateral instrument. Participants will have the opportunity to ask questions during the webinar.

As part of the Inclusive Framework’s work relating to the tax challenges arising from the digitalisation of the economy, the OECD has been carrying out an economic analysis and impact assessment of the Pillar 1 and Pillar 2 proposals. Please join a live webcast with experts from the OECD to learn more about this work, which will include a presentation of preliminary results on the revenue and investment effects of the proposals.

Based on the OECD-UNODC-World Bank Anti-Corruption Ethics and Compliance Handbook, this webcast organised by KPMG offered an opportunity for attendees to learn about and understand the value of anti-corruption and ethics compliance best practices and how to use them to enhance their programmes.

Life expectancy, air quality, safety and other indicators of well-being can vary dramatically within countries, depending on which region you live in. Looking beyond national averages is vital to get an accurate picture of quality of life and to guide local government policy.

Webinar presenting OECD’s and UNEP’s Compendium of Best Practices in Green Public Procurement

The gig economy is changing how labour is taxed, affecting employers, workers and public finances. This is why.

Senior software engineer says he quit after firings over coronavirus safety protests

Hundreds of millions of people turn to the web each day to seek answers to medical concerns. But the information they share is far from secret. Madhumita Murgia, the FT's European technology correspondent, has been looking into what happens to the personal health information we share with these websites, and she tells India Ross what she discovered..

Contributors: India Ross, tech creative producer, and Madhumita Murgia, European technology correspondent. Producer: Fiona Symon

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