Greece’s former finance minister Yanis Varoufakis and Irish economist David McWilliams on the hope for a global new deal

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David McWilliams: I think it is fair to say that capitalism – in the course of this unprecedented crisis – has been suspended. We are not going back to where we were, to business as usual. The state has come back, and this episode will not be forgotten by the electorate. I don’t know where we are going, but one thing seems clear: we are not going back.

Yanis Varoufakis: I like this phrase: capitalism has been suspended. The last time capitalism was suspended in the west was during the second world war, with the advent of the war economy: a command economy that fixed prices. The war economy marked the transcendence of the standard capitalist model.

The fact that Germany is now in the same pile of shit as the rest of us offers a glimmer of hope

My sense is that the period when you could travel, engage, move, we might have reached the end of that open period.

This is an edited version of a conversation that will appear in A Vision for Europe 2020: Nothing But an Alternative, published this month by Eris.

Her freaky, filthy tracks frequently break the internet – most recently with a guest spot from Beyoncé – but the Houston rapper won’t let the internet break her

• ‘We do what we want, for ourselves’: why it’s a golden age for women in rap

Given that her lyrical prowess has made her one of the hottest rappers in the US, it’s hardly surprising that Megan Thee Stallion is good at anecdotes. We’re talking over Zoom – Megan looking impeccably high-glam, worthy of a Real Housewives reunion – as she regales me with how she ended up recording a remix with her idol.

“I got a call: Beyoncé wants to do a remix to Savage,” she says, shaking her head with disbelief. “And I was like ... what? Shut up. Shut up. You’re lying. Beyoncé don’t want to get on nothing with me. Come on, it’s me! I know I’m Megan Thee Stallion, but dang!”

I can’t be mad at the next girl for wanting to be the best. Why can't we both agree that we bad?

Mark Cousins’ latest encyclopedic romp is a glorious enterprise that unearths footage from some of the greatest film-makers ever – all of them women

A perfect lockdown gift has landed, one which might have sounded daunting in ordinary times: a 14-hour documentary about female directors, which goes live from next week on BFI Player. This glorious enterprise unearths footage from some of the greatest movie-makers of this century and the last – all of them female. At the same time, the BFI is showing 36 of the hundreds of films mentioned, so that viewers can enjoy full immersion over weeks, possibly awarding themselves a degree in, say, The Cinema of the Second Sex afterwards.

Narrated by women including Tilda Swinton and Thandie Newton, Women Make Film – A New Road Movie Through Cinema is the latest encyclopedic romp from the Northern Irish film historian and documentary-maker Mark Cousins, who previously directed the 15-hour television series The Story of Film: An Odyssey, in 2011. The new documentary will be released in palatable chunks over five weeks from 18 May, and aims to open a conversation on the lost legacy of women behind the movie camera.

Related: Angry young women: how radical, female film-makers defined the spirit of '68