Botones para compartir de AddThis Compartir en Facebook Compartir en Twitter Compartir por correo electrónico Compartir para imprimir DALLAS y ARLINGTON, 23 de abril del 2020 — Debido a que la ciencia que emerge en torno al COVID-19...

Lately, The hype of GDPR was on high around May 25, 2018 but due to its complication and in depth detail, it was not easy for everyone to understand and get prepare for this new policy for European countries. In very simple words, GDPR stands for General...

The post Better Late Than Never To Make Your WordPress GDPR Compliant – 21 Plugins You Might Need To Know appeared first on SmashingApps.com.

WooCommerce 4.0 is here! Read all about the new, streamlined dashboard, time-saving store management tools, and enhanced reporting and analytics.

The post WooCommerce 4.0: Better, More Efficient Store Management appeared first on WooCommerce.

IRENE ELIZABETH SCHINDLER
Marengo


Irene Elizabeth Schindler, 90, of Marengo, passed away Wednesday, May 6, 2020, at the Rose Haven Nursing Home in Marengo. Funeral services will be held at 2:30 p.m. Saturday, May 9, at St. John's Lutheran Church in Marengo, with Pastor Andrew Gray officiating. Burial will be in the Marengo Cemetery in Marengo. A memorial fund has been established. Kloster Funeral Home, Marengo, is assisting the family with arrangements.
Irene is survived by three nephews, Kevin (Pam) Dye of Cedar Rapids, John (Andi) Schindler of Marion and Bill Schindler of Cedar Rapids; two nieces, Deanne (Todd) Mumm of Parnell and Vera Dye of Williamsburg; a cousin, Will Klotz of Gibson; many great, and great, great-nieces and -nephews; and a sister-in-law, W. Irene Schindler of Marengo.
She was preceded in death by her parents; three brothers, Delmar, Calvin and Milver Schindler; and a sister, Shirley Dye.
Irene was born Jan. 10, 1930, in Marengo, the daughter of Charles and Katie (Klotz) Schindler. She graduated from Marengo High School in 1952. Irene worked at Collins Radio in Cedar Rapids from September 1952, until she retired in 1989 on the circuit board assembly line. She was a lifelong member of St. John's Lutheran Church and was a part of the quilting group. Irene enjoyed watching pro wrestling, going bowling, gardening baking, and was an Iowa Hawkeyes fan. She loved spending time with family and friends.
Online condolences may be left at www.klosterfuneralhome.com.

ELIZABETH "BETTY" A. ZOBAC
Cedar Rapids


Betty A. Zobac, passed away unexpectedly on Tuesday, May 5, 2020, at the Dennis & Donna Oldorf Hospice House of Mercy. She was 92.
Betty was born in Cedar Rapids, Iowa, on Oct. 29,
1927. She was the beloved
and only child to Francis
and Mary (Cahill) Sullivan. Betty attended grade school
at Immaculate Conception Catholic School in Cedar Rapids. Then carried on her education at St. Patrick's High School where she graduated in 1946.
It wasn't long after when Betty married the love of her life; Frank Zobac, in August 1947, at the Immaculate Catholic Church in Cedar Rapids. To this union four children were born. Betty and Frank were married for 69 years. Frank passed away on Dec. 15, 2016.
Betty was very proud of her ancestry and Irish heritage. Betty and Frank actually got engaged on St. Patrick's Day 1947. She loved celebrating her culture every year on St. Patrick's Day by cooking corned beef and cabbage for her entire family.
Betty and Frank were a well-liked and social couple. They developed many friendships throughout their years and were always ready to have fun. The two loved to go out on the town dancing. They would often take a weekend trip to Chicago at the Allerton Hotel on Michigan Avenue. While there they would enjoy Broadway style shows, concerts or even a Cubs game. Later in life Betty and Frank would have season tickets to Iowa Hawkeyes football games. They rarely missed a bowl game during the Hayden Fry era. Neither did they miss a Friday night card group, any bingo game in town or an evening of Frank singing karaoke to Betty.
After having four young children, Betty worked the night shift in the pediatric department of Mercy Hospital for three years. Her endless energy and work ethic were remarkable. Betty also was a true fashionista and carried that passion over into her next career. From Killian's to Armstrong's then Coach House Fashions; she worked in retail women's clothing for over 15 years. While still maintaining her voguish taste, Betty's greatest accomplishment of her career began in 1961. As the backbone of the family business; Betty successfully ran the company as general manager of Frank Zobac Construction Co. Frank Zobac Construction Co. was in business for over 60 years.
Betty was the matriarch of her family. Betty loved to cook for and with her family. Like her taste for fashion, she was ahead of her time when it came to preparing meals for her family. Betty's culinary creativity led to many delicious and sometimes interesting meals. Rarely following a recipe; she inspired many. Her children, grandchildren and great-grandchildren have carried on her passion for cooking to this day. What Betty started in her little kitchen back in 1947 will be passed down throughout her family for generations. Betty also had an extraordinary love for dachshunds. Whether on the couch or in Hy-Vee, it was rare to see Betty not carrying one of her many spoiled dachshunds.
Betty's memory will continue to live on through her four children, Susan (Dennis) Draker of Marion, Mark (Connie) Zobac of Vinton, Kathy (Doug) Klinger of Marion and Debra Zobac of Marion; eight grandchildren, Amy (Clint) Houdek, Jeff (Diana) Draker, Barrett (Kiley) Scorpil, James (Christina) Zobac, Christopher Goodrow, Staci (John) Willems, Traci (Jeff) Chisholm and Michelle Ramirez; and her 16 great-grandchildren.
A memorial service will be held at a date to be determined. In lieu of flowers, donations may be made to Dennis and Donna Oldorf Hospice House in memoriam of Frank and Betty Zobac. Please mail to: Susan Draker 2845 Hunters Ridge Rd. Marion, IA 52302.
Please leave a message or tribute to Betty's family on our web page, www.cedarmemorial.com, under Obituaries.
"Rest in Peace, Mom"

One of the more compelling insights to come from the Joe Rogan interview with Elon Musk is this idea that humanity is actively creating “giant cybernetic collectives.” Through our participation in social media platforms and on the internet in general, we are assimilating knowledge and building connections at a rate that vastly exceeds everything that […]

Dazed Media a interrogé les créatifs et leur a demandé d’imaginer des affiches répondant aux changements provoqués par la pandémie et appelant à un avenir meilleur. Dans le cadre de cette campagne #AloneTogether, plusieurs artistes et designers célèbres ont contribué, tels que Vivienne Westwood, Christopher Kane ou encore la créatrice de mode Katharine Hamnett. Ces […]

CEDAR RAPIDS — Like other members of the United States House, the “new normal” for Rep. Dave Loebsack involves a lot of time on the phone and in video conferences.

Although the Senate returned to Washington this past week, the House may not return to the Capitol until mid-May. As representatives work from their districts, many face the same challenges as their constituents who are working from home via various phone and video meeting platforms.

“They’re clunky, difficult, frustrating at times,” the 2nd District Democrat said after a 90-minute Energy and Commerce Committee teleconference meeting, “but we can get a lot of things done that way without necessarily going into Washington. It’s not the same by any means ... but I think we can get a lot of our work done that we have to get done even though were not there.”

If there’s an upside to the telecommuting downside, it’s that the poor connections, dropped calls and sometimes spotty internet signals highlight an issue Loebsack has been working on — Congress and the country need better broadband connectivity. A member of the Communications and Technology subcommittee of the Energy and Commerce Committee, which has jurisdiction over telecommunications issues, Loebsack also serves as a co-chair of the Rural Broadband Caucus.

In one meeting, Loebsack said, a fellow committee member was unable to ask questions because the Wi-Fi signal at his home outside of a southwestern city was so poor.

“So I think we’re going to make some progress” convincing congressional colleagues of the need to connect all Americans to reliable and affordable broadband internet, Loebsack said.

“In times like these, when families are at home, millions of K-12 students do not have access to the high-speed internet needed to take classes and complete their assignments online,” he said in an announcement with House Majority Whip James Clyburn and others of a House Democratic plan to connect all Americans to high-speed internet.

When the transmission of COVID-19 slows, the need for high-speed internet connectivity will remain as well as the need for Congress to provide incentives for internet service providers to close the “broadband gap” by extending service to the las mile in rural areas and eliminate what he called “internet deserts” that exist in cities.

The plan calls for an investment of $80 billion over five years for internet infrastructure and another $5 billion over five years for low-interest financing of projects.

With more reliable connectivity, Congress could consider remote voting at times like this when members don’t want to gather in Washington. House Speaker Nancy Pelosi has been cool to the idea, but Loebsack thinks members are “more open” to voting remotely.

“But we have to make sure that it’s completely secure, that the system can’t get hacked, and that votes are recorded properly,” he said.

Remote voting may be a may be a generational issue, “but I think this is doable.”

“I’m not making that prediction, but I would not be shocked if we move in that direction, especially the longer this (isolation) goes on,” Loebsack said.

Comments: (319) 398-8375; james.lynch@thegazette.com

Bricks are better black. ◾️ (at Toronto, Ontario)

Lots of users have asked us about more customization and control over the sound of our audio algorithms in the past, so today, we have introduced some advanced algorithm parameters for our singletrack version in a private beta program!

• Leveler Presets are basically complete new leveling algorithms
• Maximum Loudness Range (LRA) Target to control the strength of our Leveler
• Maximum True Peak Level
• Better Hum and Noise Reduction Controls

UPDATE Nov. 2018:
We released a complete rework of the Adaptive Leveler parameters and the description here is not valid anymore!
Please see Auphonic Adaptive Leveler Customization (Beta Update)!

Please join our private beta program and let us know how you use these new features or if you need even more control!

Leveler Presets

Our Adaptive Leveler corrects level differences between speakers, between music and speech and will also apply dynamic range compression to achieve a balanced overall loudness. If you don't know about the Leveler yet, take a look at our Audio Examples.

Leveler presets are basically complete new leveling algorithms, which we have been working on in the past few months:
Our current Leveler tries to normalize all speakers to the same loudness. However, in some cases, you might want more or less loudness differences (dynamic range / loudness range) between the speakers and music segments, or more or less compression, etc.
For these use cases, we have developed additional Leveler Presets and the parameter Maximum Loudness Range.

Preset Medium:

This is our current leveling algorithm as demonstrated in the Audio Examples.

Preset Hard:

The hard preset reacts faster and applies more gain and compression compared to the medium preset. It is built for recordings with extreme loudness differences, for example very quiet questions from the audience in a lecture recording, extremely soft and loud voices within one audio track, etc.

Preset Soft:

This preset reacts slower, applies less gain and compression compared to the medium preset. Use it if you want to keep more loudness differences (dynamic narration), if you want your voices to sound "less compressed/processed", for dynamic music (concert/classical recordings), background music, etc.

Preset Softer:

Like soft, but softer :)

Preset Speech Medium, Music Soft:

Uses the medium preset in speech segments and the soft preset in music segments. It is built for music live recordings or dynamic music mixes, where you want to amplify all speakers but keep the loudness differences within and between music segments.

Preset Medium, No Compressor:

Like the medium preset, but only (mid-term) leveling and no (short-term) compression is applied. This preset is optimal if you just use a Maximum Loudness Range Target and want to avoid any additional compression as much as possible.

Maximum Loudness Range (LRA) Target

The loudness range (LRA) indicates the variation of loudness over the course of a program and is measured in LU (loudness units) - for more details see Loudness Measurement and Normalization or EBU Tech 3342.

The parameter Max Loudness Range controls how much leveling is applied:
volume changes of our Adaptive Leveler will be restricted so that the loudness range of the output file is below the selected value.
High loudness range values will result in very dynamic output files, low loudness range values in compressed output audio. If the LRA value of your input file is already below the maximum loudness range value, no leveling at all will be applied.

It is also important which Leveler Preset you select, for example, if you use the soft(er) preset, it won't be possible to achieve very low loudness range targets.

Also, the Max Loudness Range parameter is not such a precise target value as the Loudness Target. The LRA of your output file might be off a few LU, as it is not reasonable to reach the exact target value.

Use Cases: The Maximum LRA parameter allows you to control the strength of our leveling algorithms, in combination with the parameter Leveler Preset. This might be used for automatic mixdowns with different LRA values for different target platforms (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Maximum True Peak Level

This parameter sets the maximum allowed true peak level of the processed output file, which is controlled by the True Peak Limiter after our Global Loudness Normalization algorithms.

If set to Auto (which is the current default), a reasonable value according to the selected loudness target is used: -1dBTP for 23 LUFS (EBU R128) and higher, -2dBTP for -24 LUFS (ATSC A/85) and lower loudness targets.

The maximum true peak level parameter is already available in our desktop program.

Better Hum and Noise Reduction Controls

Hum Base Frequency:

Set the hum base frequency to 50Hz or 60Hz (if you know it), or use Auto to automatically detect the hum base frequency in each speech region.

Hum Reduction Amount:

Maximum hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides how much hum reduction is necessary in each speech region. Set it to a custom value (> 0), if you prefer more hum reduction or want to bypass our classifier. Use Disable Dehum to disable hum reduction and use our noise reduction algorithms only.

Behavior of noise and hum reduction parameter combinations:

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

y6KCBI4yo0 ksIFEsmI1y BDZec2a21V i4XRGLlVm2 0UDxuS0vbu aaBxi35sKN aaiDSZUbmY bu8lPF80Ih eMsSl6Sf8K DaWpsUnyjo
2YM00m8zDW wh7K2pPmSa jCX7mMy2OJ ZGvvhzCpTF HI0lmGhjVO eXqVhN6QLU t4BH0tYcxY LMjQREVuOx emIogTCAth 0OTPNB7Coz
VIFY8STj2f eKzRSWzOyv 40cMMKKCMN oBruOxBkqS YGgPem6Ne7 BaaFG9I1xZ iSC0aNXoLn ZaS4TykKIa l32bTSBbAx xXWraxS40J
zGtwRJeAKy mVsx489P5k 6SZM5HjkxS QmzdFYOIpf 500AHHtEFA 7Kvk6JRU66 z7ATzwado6 4QEtpzeKzC c9qt9Z1YXx pGSrDzbEED
MP3JUTdnlf PDm2MOLJIG 3uDietVFSL 1i7jZX0Y9e zPkSgmAqqP 5OhcmHIZUP E0vNsPxZ4s FzTIyZIG2r 5EywA0M7r5 FMhpcFkVN5
oRLbRGcRmI 2LTh8GlN7h Cjw6Z3cveP fayCewjE55 GbkyX89Lxu 4LpGZGZGgc iQV7CXYwkH pGLyQPgaha e3lhKDRUMs Skrei1tKIa

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

In late August, we launched the private beta program of our advanced audio algorithm parameters. After feedback by our users and many new experiments, we are proud to release a complete rework of the Adaptive Leveler parameters:

In the previous version, we based our Adaptive Leveler parameters on the Loudness Range descriptor (LRA), which is included in the EBU R128 specification.
Although it worked, it turned out that it is very difficult to set a loudness range target for diverse audio content, which does include speech, background sounds, music parts, etc. The results were not predictable and it was hard to find good target values.
Therefore we developed our own algorithm to measure the dynamic range of audio signals, which works similarly for speech, music and other audio content.

The following advanced parameters for our Adaptive Leveler allow you to customize which parts of the audio should be leveled (foreground, all, speech, music, etc.), how much they should be leveled (dynamic range), and how much micro-dynamics compression should be applied.

To try out the new algorithms, please join our private beta program and let us know your feedback!

Leveler Preset

The Leveler Preset defines which parts of the audio should be adjusted by our Adaptive Leveler:

• Default Leveler:
  Our classic, default leveling algorithm as demonstrated in the Leveler Audio Examples. Use it if you are unsure.
• Foreground Only Leveler:
  This preset reacts slower and levels foreground parts only. Use it if you have background speech or background music, which should not be amplified.
• Fast Leveler:
  A preset which reacts much faster. It is built for recordings with fast and extreme loudness differences, for example, to amplify very quiet questions from the audience in a lecture recording, to balance fast-changing soft and loud voices within one audio track, etc.
• Amplify Everything:
  Amplify as much as possible. Similar to the Fast Leveler, but also amplifies non-speech background sounds like noise.

Leveler Dynamic Range

Our default Leveler tries to normalize all speakers to a similar loudness so that a consumer in a car or subway doesn't feel the need to reach for the volume control.
However, in other environments (living room, cinema, etc.) or in dynamic recordings, you might want more level differences (Dynamic Range, Loudness Range / LRA) between speakers and within music segments.

The parameter Dynamic Range controls how much leveling is applied: Higher values result in more dynamic output audio files (less leveling). If you want to increase the dynamic range by 3dB (or LU), just increase the Dynamic Range parameter by 3dB.
We also like to call this Loudness Comfort Zone: above a maximum and below a minimum possible level (the comfort zone), no leveling is applied. So if your input file already has a small dynamic range (is within the comfort zone), our leveler will be just bypassed.

Example Use Cases:
Higher dynamic range values should be used if you want to keep more loudness differences in dynamic narration or dynamic music recordings (live concert/classical).
It is also possible to utilize this parameter to generate automatic mixdowns with different loudness range (LRA) values for different target environments (very compressed ones like mobile devices or Alexa, very dynamic ones like home cinema, etc.).

Compressor

Controls Micro-Dynamics Compression:
The compressor reduces the volume of short and loud spikes like "p", "t" or laughter ( short-term dynamics) and also shapes the sound of your voice (it will sound more or less "processed").
The Leveler, on the other hand, adjusts mid-term level differences, as done by a sound engineer, using the faders of an audio mixer, so that a listener doesn't have to adjust the playback volume all the time.
For more details please see Loudness Normalization and Compression of Podcasts and Speech Audio.

• Auto:
  The compressor setting depends on the selected Leveler Preset. Medium compression is used in Foreground Only and Default Leveler presets, Hard compression in our Fast Leveler and Amplify Everything presets.
• Soft:
  Uses less compression.
• Medium:
  Our default setting.
• Hard:
  More compression, especially tries to compress short and extreme level overshoots. Use this preset if you want your voice to sound very processed, our if you have extreme and fast-changing level differences.
• Off:
  No short-term dynamics compression is used at all, only mid-term leveling. Switch off the compressor if you just want to adjust the loudness range without any additional micro-dynamics compression.

Separate Music/Speech Parameters

Use the switch Separate MusicSpeech Parameters (top right), to see separate Adaptive Leveler parameters for music and speech segments, to control all leveling details separately for speech and music parts:

For dialog intelligibility improvements in films and TV, it is important that the speech/dialog level and loudness range is not too soft compared to the overall programme level and loudness range. This parameter allows you to use more leveling in speech parts while keeping music and FX elements less processed.
Note: Speech, music and overall loudness and loudness range of your production are also displayed in our Audio Processing Statistics!

Example Use Case:
Music live recordings or dynamic music mixes, where you want to amplify all speakers (speech dynamic range should be small) but keep the dynamic range within and between music segments (music dynamic range should be high).
Dialog intelligibility improvements for films and TV, without effecting music and FX elements.

Other Advanced Audio Algorithm Parameters

We also offer advanced audio parameters for our Noise, Hum Reduction and Global Loudness Normalization algorithms:

For more details, please see the Advanced Audio Algorithms Documentation.

Want to know more?

If you want to know more details about our advanced algorithm parameters (especially the leveler parameters), please listen to the following podcast interview with Chris Curran (Podcast Engineering School):
Auphonic’s New Advanced Features, with Georg Holzmann – PES 108

Advanced Parameters Private Beta and Feedback

At the moment the advanced algorithm parameters are for beta users only. This is to allow us to get user feedback, so we can change the parameters to suit user needs.
Please let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

jbwCVpLYrl 6zmLqq8o3z RXYIUbC6al QDmIZLuPKa JIrnGRZBgl SWQOWeZOBD ISeBCA9gTy w5FdsyhZVI qWAvANQ5mC twOjdHrit3
KwnL2Le6jB 63SE2V54KK G32AULFyaM 3H0CLYAwLU mp1GFNVZHr swzvEBRCVa rLcNJHUNZT CGGbL0O4q1 5o5dUjruJ9 hAggWBpGvj
ykJ57cFQSe 0OHAD2u1Dx RG4wSYTLbf UcsSYI78Md Xedr3NPCgK mI8gd7eDvO 0Au4gpUDJB mYLkvKYz1C ukrKoW5hoy S34sraR0BU
J2tlV0yNwX QwNdnStYD3 Zho9oZR2e9 jHdjgUq420 51zLbV09p4 c0cth0abCf 3iVBKHVKXU BK4kTbDQzt uTBEkMnSPv tg6cJtsMrZ
BdB8gFyhRg wBsLHg90GG EYwxVUZJGp HLQ72b65uH NNd415ktFS JIm2eTkxMX EV2C5RAUXI a3iwbxWjKj X1AT7DCD7V y0AFIrWo5l

If you have an invitation code, you can enter it here to activate the advanced audio algorithm parameters:
Auphonic Algorithm Parameters Private Beta Activation

Last weekend, at the Subscribe10 conference, we released Advanced Audio Algorithm Parameters for Multitrack Productions:

We launched our advanced audio algorithm parameters for Singletrack Productions last year. Now these settings (and more) are available for Multitrack Algorithms as well, which gives you detailed control for each track of your production.

• Fore/Background Settings: keep your music/clip tracks unchanged and set a custom background gain
• Multitrack Leveler Parameters: control the stereo panorama, leveling algorithm, dynamic range and compression
• Better Hum and Noise Reduction Controls for each track
• Maximum True Peak Level setting for the final mixdown
• Full API Support

Please join our private beta program and let us know how you use these new features or if you need even more control!

Fore/Background Settings

The parameter Fore/Background controls whether a track should be in foreground, in background, ducked, or unchanged, which is especially important for music or clip tracks.
For more details, please see Automatic Ducking, Foreground and Background Tracks .

Unchanged (Foreground):

We sometimes received complaints from users, which produced very complex music or clip tracks, that Auphonic changes the levels too hard.
If you set the parameter Fore/Background to the new option Unchanged (Foreground), Level relations within this track won’t be changed at all. It will be added to the final mixdown so that foreground/solo parts of this track will be as loud as (foreground) speech from other tracks.

Background Level:

It is now possible to set the level of background segments/tracks (compared to foreground segments) in background and ducking tracks. By default, background and ducking segments are 18dB softer than foreground segments.

Leveler Parameters

Similar to our Singletrack Advanced Leveler Parameters (see this previous blog post), we also released leveling parameters for Multitrack Productions now.
The following advanced parameters for our Multitrack Adaptive Leveler can be set for each track and allow you to customize which parts of the audio should be leveled, how much they should be leveled, how much dynamic range compression should be applied and to set the stereo panorama (balance):

Leveler Preset:

Select the Speech or Music Leveler for this track.
If set to Automatic (default), a classifier will decide if this is a music or speech track.

Dynamic Range:

The parameter Dynamic Range controls how much leveling is applied: Higher values result in more dynamic output audio files (less leveling). If you want to increase the dynamic range by 3dB (or LU), just increase the Dynamic Range parameter by 3dB.
For more details, please see Multitrack Leveler Parameters.

Compressor:

Select a preset for Micro-Dynamics Compression: Auto, Soft, Medium, Hard or Off.
The Compressor adjusts short-term dynamics, whereas the Leveler adjusts mid-term level differences.
For more details, please see Multitrack Leveler Parameters.

Stereo Panorama (Balance):

Change the stereo panorama (balance for stereo input files) of the current track.
Possible values: L100, L75, L50, L25, Center, R25, R50, R75 and R100.

If you understand German and want to know more about our Advanced Leveler Parameters and audio dynamics in general, watch our talk at the Subscribe10 conference:
Video: Audio Lautheit und Dynamik.

Better Hum and Noise Reduction Controls

Noise Reduction Amount:

Maximum noise and hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides if and how much noise reduction is necessary (to avoid artifacts). Set to a custom (non-Auto) value if you prefer more noise reduction or want to bypass our classifier.

Hum Base Frequency:

Set the hum base frequency to 50Hz or 60Hz (if you know it), or use Auto to automatically detect the hum base frequency in each speech region.

Hum Reduction Amount:

Maximum hum reduction amount in dB, higher values remove more noise.
In Auto mode, a classifier decides how much hum reduction is necessary in each speech region. Set it to a custom value (> 0), if you prefer more hum reduction or want to bypass our classifier. Use Disable Dehum to disable hum reduction and use our noise reduction algorithms only.

Behavior of noise and hum reduction parameter combinations:

Maximum True Peak Level

In the Master Algorithm Settings of your multitrack production, you can set the maximum allowed true peak level of the processed output file, which is controlled by the True Peak Limiter after our Loudness Normalization algorithms.

If set to Auto (which is the current default), a reasonable value according to the selected loudness target is used: -1dBTP for 23 LUFS (EBU R128) and higher, -2dBTP for -24 LUFS (ATSC A/85) and lower loudness targets.

Full API Support

All advanced algorithm parameters, for Singletrack and Multitrack Productions, are available in our API as well, which allows you to integrate them into your scripts, external workflows and third-party applications.

Join the Beta and Send Feedback

Please join our beta and let us know your case studies, if you need any other algorithm parameters or if you have any questions!

Here are some private beta invitation codes:

8tZPc3T9pH VAvO8VsDg9 0TwKXBW4Ni kjXJMivtZ1 J9APmAAYjT Zwm6HabuFw HNK5gF8FR5 Do1MPHUyPW CTk45VbV4t xYOzDkEnWP
9XE4dZ0FxD 0Sl3PxDRho uSoRQxmKPx TCI62OjEYu 6EQaPYs7v4 reIJVOwIr8 7hPJqZmWfw kti3m5KbNE GoM2nF0AcN xHCbDC37O5
6PabLBRm9P j2SoI8peiY olQ2vsmnfV fqfxX4mWLO OozsiA8DWo weJw0PXDky VTnOfOiL6l B6HRr6gil0 so0AvM1Ryy NpPYsInFqm
oFeQPLwG0k HmCOkyaX9R G7DR5Sc9Kv MeQLSUCkge xCSvPTrTgl jyQKG3BWWA HCzWRxSrgW xP15hYKEDl 241gK62TrO Q56DHjT3r4
9TqWVZHZLE aWFMSWcuX8 x6FR5OTL43 Xf6tRpyP4S tDGbOUngU0 5BkOF2I264 cccHS0KveO dT29cF75gG 2ySWlYp1kp iJWPhpAimF

If you have an invitation code, you can enter it here to activate the Multitrack Advanced Audio Algorithm Parameters:
Auphonic Algorithm Parameters Private Beta Activation

This Friday I attended the first day of She’s Geeky here in Seattle. It was my first experience of the Unconference Format and I had no idea what to expect, but ended up having a GREAT TIME. Discussions that I joined in on throughout the day included subjects such as Impostor Syndrome, Diversity Groups, Side- […]

Status sebagai agen Sbobet Casino terbaik yang diperoleh sebuah bandar judi online tidak didapatkan dengan mudah. Bandar tersebut harus memenuhi beberapa kriteria tertentu untuk menyandang status ini. Semua kriteria ini wajib dimiliki. Jika ada kurang satu saja, maka bandar tersebut tidak layak menyandang status yang terbaik, bahkan untuk menyebut diri mereka sendiri. Memang apa saja …

More "Status Agen Casino Sbobet Resmi Bagi Bettor"

The post Status Agen Casino Sbobet Resmi Bagi Bettor appeared first on Situs Agen Judi Live Casino Online Indonesia Terpercaya.

Belum pernah bermain judi sbobet online? Tenang saja, saya akan memberikan ulasan tentang bagaimana caranya untuk menjadi salah satu member di judi casino terpercaya. Untuk penjelasan yang lebih lengkap lagi, silahkan simak ulasan yang ada di bawah ini. Situs judi sbobet online memang menjadi favorit bagi para pemain saat ini. Ada banyak sekali orang yang …

More "Cara Bergabung Bersama Judi Casino Sbobet Terpercaya"

The post Cara Bergabung Bersama Judi Casino Sbobet Terpercaya appeared first on Situs Agen Judi Live Casino Online Indonesia Terpercaya.

Siapa yang tidak mengenal dengan casino sbobet online? Tentu saja hampir semua orang mengenal permainan-permainan casino. Nah, jika kamu belum mengenal mengenai permainan casino, terutama tentang live casino, tidak usah bingung. Pada artikel yang ada di bawah ini akan menjelaskan tentang permainan live casino. Casino berkembang begitu pesat dan memiliki daya tarik yang sangat kuat …

More "Permainan Situs Sbobet Casino Live Paling Populer"

The post Permainan Situs Sbobet Casino Live Paling Populer appeared first on Situs Agen Judi Live Casino Online Indonesia Terpercaya.

Customer service as we know it has changed. Today’s customers won’t necessarily call a contact center when they need help. […]

The post Best WordPress Live Chat Plugins for Better Customer Support appeared first on WPHacks.

Sometimes interesting things happen on Twitter. Last week Scott Jehl proposed ASPIRE as an acronym for the practices we should follow as web designers and developers. From the resulting blog post: Great websites should aspire to be: Accessible to folks with varying cognitive and physical abilities and disabilities Secure and reliable for storing, manipulating, and transferring information Performant on average devices […]

The post ASPIRE: An Acronym for Better Web Practice appeared first on MOR10.

Cinematic Street Photography by Victor Cambet

A couple of mysterious sharks have caught the fancy of the town. Maybe it's the cabin fever finally setting in, or perhaps this is what happens when you go too long without washing your mask, but Bethelites are going wild for two people in inflatable shark suits who pop up randomly around town.

Brace yourself for a TRULY powerful episode with the bestselling author and creative genius, Elizabeth Gilbert. Although best known for her memoir Eat, Pray, Love–which went on to sell over 12 million copies and became a film staring Julia Roberts—she’s also one of Time Magazine’s 100 most influential people in the world… The whole world. Spend some time with her in your ears on today’s podcast and you’ll know why in under a minute…   In this episode, we cover How Liz considers mental health her full time job, and writing / being a professional creator is a hobby.  How the only way out of pain is through honesty. Liz shares her experiences working through the loss of her partner to cancer. The things we won’t even admit to ourselves will cause us pain, even to the point of mental and physical breakdown Her latest INCREDIBLE novel called City of Girls (…a “delicious novel of glamour, sex, and adventure, about a young woman discovering that you don’t have to be a good girl to be a good person”) Why mercy is the foundation to any creative endeavor. How creativity and writing can be a tool to slow the mind during hard times. And […]

The post Elizabeth Gilbert: The Art of Being Yourself appeared first on Chase Jarvis Photography.

Even though I’m an extrovert, I have a feeling the future favors the introvert. Beth Comstock was at the CreativeLive studios in Seattle and I could not help but snag her for a quick moment to pick her brain on one of the most popular topics on my channel — navigating an extroverted world as an introvert. As a self-described introvert, Beth knows what it’s like to find elevate your strengths and have the courage to defend your creative ideas. Beth was named one of the most powerful women in business. After leaving a 27 year career at GE as their Chief Marketing Officer and Vice Chair, she decided to got a completely different direction to focus on new areas such as writing, art, exploration, and discovery. In this episode, Beth shares her advice to embrace your nature, and bring those strengths to any client, team, or situation. Enjoy! If you dig the show, please give a shout out to Beth on social and let her know. ???? FOLLOW BETH: twitter | instagram | website Listen to the Podcast  Subscribe   This podcast is brought to you by CreativeLive. CreativeLive is the world’s largest hub for online creative education in […]

The post The Introvert Advantage with Beth Comstock appeared first on Chase Jarvis Photography.

Prolific is a crowd-sourcing platform for running studies. In contrast to the widely-used Mechanical Turk, it’s specific to studies, has a much better interface, pricing that’s fair to participants, and useful filters to find the right people for your study. Amazon's Mechanical Turk is used for many empirical studies published in the visualization literature, but […]

In this paper we study the following set[A={p(n)+2^nd mod 1: ngeq 1}subset [0.1],] where $p$ is a polynomial with at least one irrational coefficient on non constant terms, $d$ is any real number and for $ain [0,infty)$, $a mod 1$ is the fractional part of $a$. By a Bernoulli decomposition method, we show that the closure of $A$ must have full Hausdorff dimension.

We prove an inequality between the sum of the Betti numbers of a complex projective manifold and its total curvature, and we characterize the complex projective manifolds whose total curvature is minimal. These results extend the classical theorems of Chern and Lashof to complex projective space.

A reaction-diffusion model was developed describing the spread of the COVID-19 virus considering the mean daily movement of susceptible, exposed and asymptomatic individuals. The model was calibrated using data on the confirmed infection and death from France as well as their initial spatial distribution. First, the system of partial differential equations is studied, then the basic reproduction number, R0 is derived. Second, numerical simulations, based on a combination of level-set and finite differences, shown the spatial spread of COVID-19 from March 16 to June 16. Finally, scenarios of unlockdown are compared according to variation of distancing, or partially spatial lockdown.

Several nonlinear model reduction techniques are compared for the three cases of the non-parallel version of the Kuramoto-Sivashinsky equation, the transient regime of flow past a cylinder at $Re=100$ and fully developed flow past a cylinder at the same Reynolds number. The linear terms of the governing equations are reduced by Galerkin projection onto a POD basis of the flow state, while the reduced nonlinear convection terms are obtained either by a Galerkin projection onto the same state basis, by a Galerkin projection onto a POD basis representing the nonlinearities or by applying the Discrete Empirical Interpolation Method (DEIM) to a POD basis of the nonlinearities. The quality of the reduced order models is assessed as to their stability, accuracy and robustness, and appropriate quantitative measures are introduced and compared. In particular, the properties of the reduced linear terms are compared to those of the full-scale terms, and the structure of the nonlinear quadratic terms is analyzed as to the conservation of kinetic energy. It is shown that all three reduction techniques provide excellent and similar results for the cases of the Kuramoto-Sivashinsky equation and the limit-cycle cylinder flow. For the case of the transient regime of flow past a cylinder, only the pure Galerkin techniques are successful, while the DEIM technique produces reduced-order models that diverge in finite time.

We identify the structure of the lexicographically least word avoiding 5/4-powers on the alphabet of nonnegative integers. Specifically, we show that this word has the form $p au(varphi(z) varphi^2(z) cdots)$ where $p, z$ are finite words, $varphi$ is a 6-uniform morphism, and $ au$ is a coding. This description yields a recurrence for the $i$th letter, which we use to prove that the sequence of letters is 6-regular with rank 188. More generally, we prove $k$-regularity for a sequence satisfying a recurrence of the same type.

Node.js 14 is available now. We wanted to get more context and details about the state of Node, and why developers should care about Node.js 14. We talked with Bethany Griggs, Node.js Technical Steering Committee member and Open-source Engineer at IBM, to find out more. 

Bethany has been a Node Core Collaborator for over two years. She contributes to the open-source Node.js runtime and is a member of the Node.js Release Working Group where she is involved with auditing commits for the long-term support (LTS) release lines and the creation of releases. 

The Cannabis Issue So many of us are stuck inside right now, and that lack of socializing means we're all probably going a little bit stir crazy.…

For parents of budding artists and creative types, it can often seem like the arts get short shrift in the K-12 curricula, especially at a time when STEM — short for science, technology, engineering and math — is the buzzword in education and the most visible casualties of school budget cuts are librarians and music teachers.…

A modeling framework for evaluating the impact of weather conditions on farming and harvest operations applies real-time, field-level weather data and forecasts of meteorological and climatological conditions together with user-provided and/or observed feedback of a present state of a harvest-related condition to agronomic models and to generate a plurality of harvest advisory outputs for precision agriculture. A harvest advisory model simulates and predicts the impacts of this weather information and user-provided and/or observed feedback in one or more physical, empirical, or artificial intelligence models of precision agriculture to analyze crops, plants, soils, and resulting agricultural commodities, and provides harvest advisory outputs to a diagnostic support tool for users to enhance farming and harvest decision-making, whether by providing pre-, post-, or in situ-harvest operations and crop analyzes.

Described herein are compounds and compositions that modulate the activity of beta-lactamases. In some embodiments, the compounds described herein inhibit beta-lactamase. In certain embodiments, the compounds described herein are useful in the treatment of bacterial infections.

A virtual machine (VM) migration from a source virtual machine monitor (VMM) to a destination VMM on a computer system. Each of the VMMs includes virtualization software, and one or more VMs are executed in each of the VMMs. The virtualization software allocates hardware resources in a form of virtual resources for the concurrent execution of one or more VMs and the virtualization software. A portion of a memory of the hardware resources includes hardware memory segments. A first portion of the memory segments is assigned to a source logical partition and a second portion is assigned to a destination logical partition. The source VMM operates in the source logical partition and the destination VMM operates in the destination logical partition. The first portion of the memory segments is mapped into a source VMM memory, and the second portion of the memory segments is mapped into a destination VMM memory.

A bus interconnect interfaces a host system to a radio frequency (RF) generator that is coupled to a plasma chamber. The bus interconnect includes a first set of host ports, which are used to provide a power component setting and a frequency component setting to the RF generator. The ports of the first set of host ports are used to receive distinct variables that change over time. The bus interconnect further includes a second set of generator ports used to send a power read back value and a frequency read back value to the host system. The bus interconnect includes a sampler circuit integrated with the host system. The sampler circuit is configured to sample signals at the ports of the first set at selected clock edges to capture operating state data of the plasma chamber and the RF generator.

A bridge includes a Peripheral Component Interconnect Express interface supporting at least two lanes, an Extensible Host Controller Interface, and a Universal Serial Bus 3.0 root hub. The Peripheral Component Interconnect Express interface is used for coupling to a host. Each lane of the at least two lanes provides a highest data transmission speed. The Extensible Host Controller Interface is coupled to the Peripheral Component Interconnect Express interface for storing data transmitted by the Peripheral Component Interconnect Express interface. The Universal Serial Bus 3.0 root hub includes a first controller and a second controller. The first controller and the second controller are used for controlling data transmission of four ports, and a highest data transmission speed provided by each port of the four ports is not more than the highest data transmission speed provided by the lane.

Various embodiments include apparatuses, stacked devices and methods of forming dice stacks on an interface die. In one such apparatus, a dice stack includes at least a first die and a second die, and conductive paths coupling the first die and the second die to the common control die. In some embodiments, the conductive paths may be arranged to connect with circuitry on alternating dice of the stack. In other embodiments, a plurality of dice stacks may be arranged on a single interface die, and some or all of the dice may have interleaving conductive paths.

A usage allocation of a hardware resource to each of a number of workloads over time is determined using a demand model. The usage allocation of the resource includes a current and past actual usage allocation of the resource, a future projected usage allocation of the resource, and current and past actual usage of the resource. A capacity allocation of the resource is determined using a capacity model. The capacity allocation of the resource includes a current and past capacity and a future projected capacity of the resource. Whether a gap exists between the usage allocation and the capacity allocation is determined using a mapping model. Where the gap exists between the usage allocation of the resource and the capacity allocation of the resource, a user is presented with options determined using the mapping model and selectable by the user to implement a remediation strategy to close the gap.

The disclosure provides a method for passing a parameter between processors. The method comprises the following steps: in a source program of a slave processor, directly introducing a static configuration parameter to be passed; obtaining a relative address of the static configuration parameter when converting the source program of the slave processor into a target program of the slave processor; and configuring directly, by a master processor, a parameter value of the static configuration parameter in the target program of the slave processor according to the obtained relative address of the static configuration parameter. The disclosure also provides a system for passing a parameter between processors. The system has no need to use external hardware such as a dual-port Random Access Memory (RAM) and a register, thus, the requirement of parameter transmission on the external hardware is reduced, and further the area and static power consumption of a chip are reduced. The disclosure reduces the cycle delay of the slave processor in accessing the dual-port RAM and the register, thereby effectively reducing the dynamic power consumption of the chip, improving the processing capability of the slave processor and enhancing the effective performance of the slave processor.

An aspect of the present invention identifies differences between source codes (e.g. of different versions of a software), when each source code is organized using incorporated files. In one embodiment, in response to receiving identifiers of a first and second source codes (each source code being organized as a corresponding set of code files), listings of the instructions in the first and second source codes are constructed. Each listing is constructed, for example, by replacing each incorporate statement in the source code with instructions stored in a corresponding one of code files. The differences between the first and second source codes are then found by comparing the constructed listings of instructions.

A method (700, 800) and apparatus (100, 200) processes audio frames to transition between different codecs. The method can include producing (720), using a first coding method, a first frame of coded output audio samples by coding a first audio frame in a sequence of frames. The method can include forming (730) an overlap-add portion of the first frame using the first coding method. The method can include generating (740) a combination first frame of coded audio samples based on combining the first frame of coded output audio samples with the overlap-add portion of the first frame. The method can include initializing (760) a state of a second coding method based on the combination first frame of coded audio samples. The method can include constructing (770) an output signal based on the initialized state of the second coding method.

User interfaces for displaying relationships between cells in a grid. In one example embodiment, a user interface includes a grid including rows and columns and a plurality of cells each having a specific position in the grid. A first one of the cells is related to a second one of the cells. The grid is configured to display, upon selection of the first cell or second cell, a visual representation of the relationship between the first cell and the second cell.

Methods and devices for minimizing and maximizing displayed output associated with applications are provided. More particularly, an application presented as two or more pages in a portrait mode can be minimized to present one of the two or more pages following a minimization operation. The page that continues to be displayed can comprise a primary or preferred page, while the page that is dismissed can comprise a secondary or ancillary page. With respect to a maximization operation received with respect to a page of an application results in the display of an additional page associated with that application. Maximization can include controlling the respective screens on which first and second pages of the maximized application are displayed.

Described herein are systems and methods for enabling a collaborative remote desktop environment. The system includes a computing device and a first application instance that has an application state associated therewith. The first application instance includes, or is associated with, a current state component and application data/data files. The system further includes an application launcher that is used to instantiate a second application instance operating either on the same or on a different computing device. The second application instance similarly has an application state associated therewith and is associated with the application launcher. Upon receiving a request from the second user to interact with the first application instance, the application state and the application data/data files are communicated to the application launcher, and the application launcher instantiates the second application instance so that its state is substantially identical to that of the first application instance.

An apparatus for measuring a time interval between a start signal edge and a stop signal edge provides a stable clock signal as input to a delay line formed by a series of similar logic gates. The output signal of the last gate of the series is phase locked to the clock signal by adjusting a bias signal controlling the switching speed of all gates. The clock signal and the output signal of each gate form a set of phase distributed periodic timing signals applied to a start time measurement unit (TMU) and a similar stop TMU. The start TMU counts edges of one of the timing signals occurring between an edge of an arming signal and the start signal edge and generates output data representing a time delay between the arming signal and the start signal edge. The data represents the start delay as a whole and fractional number of clock signal periods by conveying the counter output and by indicating which of the timing signals had an edge most closely following the start signal edge. The stop TMU similarly produces output data indicating a whole an fractional number of clock cycles occurring between the arming signal and the stop signal edge. The delay represented by the start TMU output data is subtracted from the delay represented by the stop TMU output data to determine the interval between the start and stop signal edges.

An abstraction for storage class memory is provided that hides the details of the implementation of storage class memory from a program, and provides a standard channel programming interface for performing certain actions, such as controlling movement of data between main storage and storage class memory or managing storage class memory.

The invention discloses a method for producing 30-halogenated betulinic acid. Betulin is used as a raw material and selectively oxidized and halogenated to generate 30-betulinic acid, and the selected oxidation and halogenation agent has high selectivity and does not affect C-3 hydroxyl or carbon-carbon double bonds. Oxidation and halogenation are completed in one step, so the process route is short, the treatment method is simple, and the product is purified easily.

An improved implantable pulse generator (IPG) containing improved telemetry circuitry is disclosed. The IPG includes charging and telemetry coils within the IPG case, which increases their mutual inductance and potential to interfere with each other; particularly problematic is interference to the telemetry coil caused by the charging coil. To combat this, improved telemetry circuitry includes decoupling circuitry for decoupling the charging coil during periods of telemetry between the IPG and an external controller. Such decoupling circuitry can comprise use of pre-existing LSK circuitry during telemetry, or new discrete circuitry dedicated to decoupling. The decoupling circuitry is designed to prevent or at least reduce induced current flowing through the charging coil during data telemetry. The decoupling circuitry can be controlled by the microcontroller in the IPG, or can automatically decouple the charging coil at appropriate times to mitigate an induced current without instruction from the microcontroller.

Systems for spacing and transferring objects between operative stations are provided. Such systems can be used with ovens for preforms for plastic material, in blowing or stretch-blowing machines and for other applications in the packaging field. Such systems provide spacing and transferring of objects advancing in procession on transport elements, from a minimum pitch to a preset pitch larger than said minimum pitch, and for transferring said spaced objects to handling elements.

The present invention is applied to a frequency converter used for a receiver. The frequency converter according to the present invention includes an LO signal generator (11) that generates an LO signal and outputs the LO signal; and a mixer (10) that multiplies a received signal that has been band-limited to a usable bandwidth of said receiver by the LO signal so as to convert the frequency of the received signal and outputs the resultant signal. Said LO signal generator is capable of varying a phase resolution.