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Foster Care System In West Virginia Struggles To Help Children During The Pandemic

Copyright 2020 West Virginia Public Broadcasting. To see more, visit West Virginia Public Broadcasting . ARI SHAPIRO, HOST: The coronavirus shutdown is a major challenge for the nation's child welfare system. Reports of suspected abuse have actually fallen, but care providers say that social distancing restrictions mean even more stress for at-risk kids and families. Emily Corio with West Virginia Public Broadcasting reports. EMILY CORIO, BYLINE: The coronavirus pandemic comes at a time when West Virginia's child welfare system already faces devastating effects from the opioid epidemic. The number of children in state care has swelled in recent years, and the need for foster families has grown. Delvin Johnson is managing as best he can at the Davis Child Emergency Shelter. (SOUNDBITE OF ARCHIVED RECORDING) DELVIN JOHNSON: Do we have any beds for a 13-year-old male? UNIDENTIFIED PERSON: I'm not sure, DJ. Let me go check. CORIO: But the beds have been full since the governor closed




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Easy Life return with double single release "see you later maybe never (demos)"

Creating has become an inevitable response to the Coronavirus related lockdowns. During quarantine, we have seen countless musicians release content early, or better yet, release create content that may never have been created otherwise. Today, Easy Life have released their own addition to quarantine content, a double single release collectively called see you later maybe never (demos).  Opening […]

The post Easy Life return with double single release "see you later maybe never (demos)" appeared first on EARMILK.




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Ellen Krauss reconfigures fear in new single "No Talk"

Sweden's Ellen Krauss fills those small compartments of the heart that have been empty for too long with an indie-pop tonic titled "No Talk," which attempts to rebalance the way the organ operates, how it reacts to fear. "No Talk" is a groovy, super-smooth number that erupts at the choruses with the vibrant vocals of […]

The post Ellen Krauss reconfigures fear in new single "No Talk" appeared first on EARMILK.




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Harry Strange reveals dark-pop single "Turn Away"

Returning with another pop gem, UK artist Harry Strange releases the melancholic dark-pop single "Turn Away." Following the previous EARMILK approved single "Four In The Morning", this new track takes a different approach to songwriting by delving into moodier melodies and sadder lyricism. Submerged in hazy synths and infectious underlying bass grooves, "Turn Away" captures […]

The post Harry Strange reveals dark-pop single "Turn Away" appeared first on EARMILK.




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Charli Adams reaches for something familiar in new single "Superpowers"

A new environment has a way of bringing out something new in us, for American singer-songwriter, Charli Adams, it comes in the form of new single "Superpowers." The acoustic composition puts the indie artist in the familiar position of vulnerability and seclusion that first propelled her from secret shows in her native Alabama to the […]

The post Charli Adams reaches for something familiar in new single "Superpowers" appeared first on EARMILK.




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Macca Wiles' fusion of trap and grunge is "Outlined" in new single [Video]

Rising British rapper, Macca Wiles releases an electrifying new single "Outlined" - a collage of post-'90s grunge rock with modern trap.  Produced by Matt Schwartz (Yungblud, M.O., Massive Attack, Halsey) "Outline" brilliantly fuses the manic alt-rock energy of Nirvana with the trap swagger of Migos. The informal verses guide the listener through a vivid storytelling […]

The post Macca Wiles' fusion of trap and grunge is "Outlined" in new single [Video] appeared first on EARMILK.




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Fremont Deters RV Parking Near Tesla / Single And Sexually Frustrated / New Arrivals

Fremont has been using boulders to block parking near Tesla, and RV residents who call the area their home have had to find another place to go. Then, some singles are missing sex and intimacy during the shutdown. Plus, we continue our "New Arrivals" series with a reading from "Why We Swim" by Berkeley author Bonnie Tsui .




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COVID-19 In Oakland / Teen's Podcast Reveals Peers' Inner Struggles / San Quentin Radio

First, an update on how the City of Oakland is handling the coronavirus pandemic. Then, a teen in Los Gatos creates a space where her peers can safely reveal some of their deepest personal struggles. And, from the Uncuffed team at San Quentin , we’ll hear how a man who grew up in Cambodia and ended up incarcerated in the U.S. Plus, a reading from a Bay Area author for our series " New Arrivals ."




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Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

Exciting new rapper, singer and songwriter BVNK is a musical product of his environment, having been born in Nigeria, raised in the UK, and now residing in North America – his music is a melting pot of lush R&B, heavy-hitting hip hop, and melodic rap/sung, flavoured with indie music sensibilities, with his life experiences across three different continents informing his storytelling and songwriting. After dipping his toes into the waters last year with two mixtapes including fan-favourite ‘Promises’, Bvnk is set to take 2020 by the scruff of its neck, starting with his brand new single titled ‘SITUATIONS’.

Produced by burgeoning LA-based musician and beatsmith Twelve 92, and taken from his forthcoming debut EP titled XX/XX (pronounced 20/20), Bvnk’s ‘Situations’ sees the Denver rapper-singer taking responsibility for failures in his past relationship, as he croons, “I did something to you, I never said sorry to you”, before kicking off his rap verse with, “tell me what I did to make you feel like I was breaking you”. The track is led by dreamy R&B guitar licks, minimalist drum arrangements, groovy melodies, and an infectious bassline, over which Bvnk showcases his dual singing and rapping talents, and undeniable songwriting dexterities.

Speaking about the inspiration behind the ‘Situations’ track, Bvnk says, “In a time where the world is full of one sided stories, and men thinking that taking responsibility is weak for some reason or the other, with women left having to deal with their toxic masculine energy, I wanted to take the truthful route on ‘Situations’. The song is about me looking into the mirror, taking responsibility, and apologising for the hurt I had caused. Amidst it all, ‘two wrongs don’t make a right’ is the perfect quote that explains ‘Situations’, because I’m ultimately asking for a second chance”.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

CONNECT WITH BVNK
Instagram: http://www.instagram.com/bvnk_official
Twitter: http://www.twitter.com/bvnk_official
Facebook: http://www.facebook.com/bvnk_official

The post Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’ appeared first on Singersroom.com.




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Aliza Li Releases New Single ‘Bit a Lemon”

Aliza Li Releases New Single 'Bit a Lemon".

Listen to the song on Spotify: https://open.spotify.com/track/30giEStQMHnB4wiawDuKHH?si=bKr4Kpa9RFGaj8Bx2BNd6g

Aliza Li is an Atlanta based singer-songwriter known for her soulful vibes with blends of Neo-Soul, RnB, and TrapSoul. She recently released her first EP titled "Sometimes I Get High".

IG: @h3yalizali https://www.instagram.com/h3yalizali/
Facebook: https://www.facebook.com/h3yalizali
Spotify Artist page: https://open.spotify.com/artist/0AloD8IYrcnleR7KtfMmwM?si=NWsFsLTTQfuEE6KUyF3aCQ

The post Aliza Li Releases New Single ‘Bit a Lemon” appeared first on Singersroom.com.




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TEENEAR RELEASES COME SEE ME SINGLE

TEENEAR RELEASES NEW "COME SEE ME" SINGLE.

About TEENEAR:

Hailing from Miami, Florida, by way of Jamaica, singer-songwriter Teenear, is already laying the groundwork for a career that bucks the status quo. Inspired by artists ranging from Rihanna to SZA, Kiana Lede, and more, her genre-bending offerings run the gamut from future-pop to experimental R&B and soul. Not only that, they’ve already caught the ear of collaborators like Sage the Gemini, Lil Baby, Fetty Wap, and her labelmate rap veteran Trina, who was featured on the singer’s dancehall inspired “Streetlights” remix in 2016.

From childhood music has been hugely influential in Teenear’s life; she spent much of her time in the church, something that still inspires her approach to songwriting today. “My first memories of singing for people were in my church and that really instilled confidence in me, and it also made me eager to not grow up too fast in my music” the singer said, crediting her close-knit community for her creative development. Not only did she find her voice in the church choir, Teenear also joined the praise dancing team, honing a singing and dancing foundation that would help her transition into her role as the first-ever singer signed to legendary Miami-based record label Slip N’ Slide, home to Miami legends Trick Daddy and Trina,

Encouraged by her parents, who have supported her dream of being an entertainer since her early teens, Teenear launched a YouTube channel in 2013. The channel was meant to show the labels who were already expressing preliminary interest that she was serious about artist development. The young Teenear soon racked up a following performing covers of songs from her favorite artists, and within a year, Teenear’s rendition of Rihanna’s hit single “Stay” had gone viral. With several labels knocking at her door, the Miami native eventually chose Slip N’ Slide, which immediately felt like home. “We’re like a real family,” Teenear explained. “I just knew it was important for me to be somewhere where I felt like people were really looking out for me and Trick and Trina have been amazing mentors,” she continued.

In 2015, the same year she finished high school, the then 18-year-old singer debuted her first single through Slip N’ Slide, “Friday Night”. Featuring rapper Sage the Gemini the uptempo, pop-inflected offering also marked Teenear’s debut as a songwriter, a skill she would continue to refine in 2016’s “Streetlights” as well as “Something Else” and the Fetty Wap featured “Love Me or Leave Me” in 2017.

Last year, Teenear also debuted “Dolla Signs”, a track that she describes as a step in a more grown up direction. “I think a lot of times we hear songs about the guy going out and getting the money and hustling so I wanted to make a song that’s like that from a woman's point of view. I wanted it to kind of get at the idea that even though you can be a boss and all that you still want to get away and have those special moments with someone,” she explained. This year Teenear is set to release her debut EP, which will explore themes of love and relationships with a fresh, more adult set of eyes.

For additional information about Teenear, please visit www.teenear.com or www.slipnsliderecords.com and follow Teenear on Instagram, @Teenearr.

The post TEENEAR RELEASES COME SEE ME SINGLE appeared first on Singersroom.com.




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SWEDISH RISING STAR NÁPOLES UNVEILS NEW SINGLE ‘CIRCULATE’

CHAMPIONED BY BBC 1XTRA, RINSE FM, SPOTIFY, KINGSIZE MAGAZINE, DSTNGR

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

Coming on the back of the success of her debut single ‘Slowzy’, which has been garnering support from the likes of BBC 1Xtra, Rinse FM, Spotify, DSTNGR, Kingsize Magazine, and PUMA, among others, fast-rising Swedish songstress and creative NÁPOLES is excited to release her brand new single titled ‘CIRCULATE’, serving as the second offering from her forthcoming debut EP Slowin It, which is due for release later this summer.

Raised in Stockholm, with Cuban and Russian heritage, Nápoles has always been surrounded by music, but her love affair with music started at the very young age of 8, after her first family visit to Cuba. She grew up on hip-hop, house, dancehall and gospel music, whether it was as a young street- style dancer, or as a 15-year old singer in youth choirs such as Joyful Noise and the Tensta Gospel Choir, which helped her develop her own musical language.

Fast-forward to 2020, and alongside her blossoming music career, Nápoles is also one-third of the popular Swedish-based DJ and creative collective Ladieslovehiphop, with whom she has opened for Beyonce and Jay-Z on their ‘On The Run II’ European tour, collaborated with adidas and PUMA, toured with Sweden’s biggest female rapper Silvana Imam, and collaborated with Red Bull Music to host the Ladieslovehiphop Music Festival, among other accomplishments.

Her new single ‘Circulate’ is produced by fellow Swedish creatives Chapee and Wihib Sulaiman, and co-written by herself and Joe Lefty, and the track sees Nápoles excellently weaving her laidback musical stylings, enchanting vocals, and captivatingly vivid songwriting, together with her lush soul, hip- hop, R&B and jazz sensibilities, to create an undeniably smooth and infectious offering, making the Swedish rising star two for two on homeruns in 2020.

For the ‘Circulate’ visuals, Nápoles has collaborated with fellow Ladieslovehiphop member Namarijana, video director Gustav Andersson, and cinematographer Daniel Edin, to capture a portrait of a night out with Nápoles. The visuals showcase the vibrant energy of a Ladieslovehiphop evening, underpinned by laughter, love and community. Shot in Stockholm, where Nápoles is currently based, the sensual and lively visuals showcase the transcendent feel-good energy and essence, not only of the track, but also of her Ladieslovehiphop movement.

Speaking about the inspiration behind ‘Circulate’, Nápoles says, “the inspiration comes from my everyday life. I wrote ‘Circulate’ at a time when I was thinking about the universe, space and how everything is connected. At night, I would watch ‘Cosmos: A SpaceTime Odyssey’ and read books of that nature, and during the day at work, I would daydream a lot about these themes. I was also figuring myself out as an artist, and the exploration of my sound, combined with all these thoughts, led to the making of ‘Circulate’. I want my music to be fun, smooth and energetic at the same time, and I think that comes across on this song”.

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

CONNECT WITH NÁPOLES
Instagram: http://www.instagram.com/nvpoles
Twitter: http://www.twitter.com/nvpoles
Facebook: http://www.facebook.com/nvpoles

The post SWEDISH RISING STAR NÁPOLES UNVEILS NEW SINGLE ‘CIRCULATE’ appeared first on Singersroom.com.




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MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY

MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Over a lull of dreamy guitars and minimalist beats, her voice instantly enchants and entrances. The track ebbs and flows as her vocals flutter towards a seductive and soulful hook. The soft ballad illuminates the artist’s dynamic range and highlights her natural charisma. Be on the lookout for the premiere of the music video in the near future.

“My Love” sets the stage for the arrival of her new EP, coming soon.

Devyn Adair has quietly established herself as an enchanting presence. In addition to a successful career modeling, the Korean-American chanteuse continues to build a consistent catalog. 2018’s “Maybe” [feat. AD] attracted acclaim from RESPECT Magazine, and The Hype Magazine, which wrote, “Don’t think for a second Dev will be slow up from here!” Last year, she made waves with Filters, garnering looks from RESPECT. Magazine and more.

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Biography:

Devyn Adair is a contemporary R&B singer and songwriter with a voice that is soothing, smooth and soulful. From a young age, Devyn discovered she had a deep rooted passion for being creative, and a strong interest in the arts. Her urge to be involved in the arts led her to Korea to pursue vocal training and dance. Devyn chose to train in Korea, because of their notable artist camps, and because of her Korean heritage. After completing her training in Korea, Devyn made her way back to the states to pursue modeling and also jump started her process of becoming the artist she is today. Her music is sultry, soothing, and versatile due to her variety in both R&B and pop sounds; drawing inspiration from Chris Brown, Jhene Aiko, Ariana Grande, and more.

Follow Devyn on Social Media:

https://www.instagram.com/devynadair/

https://twitter.com/devynadair

https://web.facebook.com/devyn.adair

https://www.youtube.com/channel/UC65heYYee3utJyahMMGRUvA

The post MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY appeared first on Singersroom.com.





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woggle

http://www.musicxray.com/xrays/1319878 JohnC - woggle




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Abstraction and Base Rate Neglect

One thing that happens during a pandemic is that a lot of numbers, percentages, charts, and graphs get tossed around on a daily, even hourly basis. However, all those numbers and graphics are really difficult for us to process. On this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke...




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Episode 0x0E: Open Source Projects and Corporate Entanglement

This episode is a recording of Richard Fontana's talk, Open Source Projects and Corporate Entanglement from the 2011 Linux Collaboration Summit, with some commentary from Bradley and Karen on the talk.

Show Notes:

Segment 0 (00:34)

Segment 1 (03:48)

Segment 2 (48:25)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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Episode 0x1C: Adam Dingle of Yorba

Karen interviews Adam Dingle of Yorba, and Bradley and Karen briefly discuss the interview.

Show Notes:

Segment 0 (00:33)

Segment 1 (02:45)

Segment 2 (41:08)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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Episode 0x35: Oracle vs. Google Copyright Decision

Karen and Bradley discuss the copyright decision in the Oracle vs. Google case.

Show Notes:

Segment 0 (00:33)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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0x44: Oracle v. Google Federal Appeals Court Decision

Bradley and Karen explain why they've been gone for so long, and then discuss the recent Oracle v. Google Federal Appeals Court Decision.

Show Notes:

Segment 0 (00:00:31)

Segment 1 (00:09:37)


Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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0x52: Legal Issues from a Radical Community Angle

Bradley and Karen play and discuss

Stefano Zacchiroli's talk entitled Legal issues from a radical community angle that he gave 12:00 European/Central time on Sunday 2 February 2014 at FOSDEM 2014.

Show Notes:

Segment 0 (00:00:35)

Karen and Bradley introduce the talk.

Segment 1 (00:02:38)

Stefano Zacchiroli's talk entitled Legal issues from a radical community angle . You can watch the video instead of listening to our audio and/or follow along with Zach's slides.

Segment 2 (00:53:17)

  • Please note: Bradley and Karen recorded these comments before the init system coupling referendum completed, which is why Karen and Bradley don't discuss it. However, their comments about the Debian democratic process are highly relevant to the recent vote. Also, Bradley discussed his views on that specific issue as a guest co-host on Linux Outlaws, Episode 368.
  • Bradley and Karen discussed SPI as Debian's fiscal sponsor and used a few terms like grantor/grantee (01:01:20)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).




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270: ‘Talking About Crimes’, With Matthew Yglesias

Very special guest Matthew Yglesias joins the show to talk about Tim Cook cozying up to Trump for tariff relief and more.




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275: ‘Fake Faces’, With Glenn Fleishman

Special guest Glenn Fleishman returns to the show. Topics include iPhone encryption, the privacy implications of widely-available reverse image search for faces, deep-learning-powered algorithmically-generated faces, and Jeopardy’s “Greatest of All Time” tournament.




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Golden Rice: Glenn Davis Stone (Ep. 11)

What is Golden Rice? If you know the answer to that question chances are you have a strong opinion on it. That is because a lot of the rhetoric swirling around Golden Rice is heated, but many times ill informed. Golden Rice is a technology that was developed in the 1990s to try to make...




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Glen Hansard // Gina Chavez (Episode 13, 2015)

In this episode of “This Song” host Elizabeth McQueen sits down with  Glen Hansard  to talk about a song and an extraordinary experience around that song that made him know, for sure, that he would be a musician.  She also talks to Gina Chavez about a genre she heard in Argentina that hit her in the center […]




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This Song: Andrew W.K. // The Star Spangled Banner

Professional Partier Andrew W.K. explores one of the most deeply embedded songs in American culture -- The Star Spangled Banner. As he breaks down how this lyrically archaic a technically difficult song works as a stirring National Anthem, you may realize that you have your own connection to the song.




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This Song: Jungle

On this episode, Josh Lloyd-Watson and Tom McFarland of British electronic pop outfit Jungle, tell us about the Jai Paul's "Jasmine," and how it helped their band get comfortable with sonic experimentation.




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Dr. Glenda Glover

This week on In Black America, producer and host John L. Hanson, Jr. speaks with Dr. Glenda Glover, President of Tennessee State University and International President of Alpha Kappa Alpha University, Inc., the oldest Greek letter organization established by African American college-educated women.




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Glen Crawley (Ep. 3, 2020)

This week, In Black America producer and host John L. Hanson, Jr. speaks with Glen Crawley, co-owner, with Kenny Garth, of ATX Hello Tours, a rare African American-owned helicopter tour service, located in Pflugerville, a suburb of Austin, Texas.




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Google Accommodates Search History Buffs

Don't take this personally, but Google wants your Web search history.




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Iglesia Católica suspende 19 sacerdotes por presuntos actos de abuso sexual




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Google Florida 2.0 Algorithm Update: Early Observations

It has been a while since Google has had a major algorithm update.

They recently announced one which began on the 12th of March.

What changed?

It appears multiple things did.

When Google rolled out the original version of Penguin on April 24, 2012 (primarily focused on link spam) they also rolled out an update to an on-page spam classifier for misdirection.

And, over time, it was quite common for Panda & Penguin updates to be sandwiched together.

If you were Google & had the ability to look under the hood to see why things changed, you would probably want to obfuscate any major update by changing multiple things at once to make reverse engineering the change much harder.

Anyone who operates a single website (& lacks the ability to look under the hood) will have almost no clue about what changed or how to adjust with the algorithms.

In the most recent algorithm update some sites which were penalized in prior "quality" updates have recovered.

Though many of those recoveries are only partial.

Many SEO blogs will publish articles about how they cracked the code on the latest update by publishing charts like the first one without publishing that second chart showing the broader context.

The first penalty any website receives might be the first of a series of penalties.

If Google smokes your site & it does not cause a PR incident & nobody really cares that you are gone, then there is a very good chance things will go from bad to worse to worser to worsterest, technically speaking.

“In this age, in this country, public sentiment is everything. With it, nothing can fail; against it, nothing can succeed. Whoever molds public sentiment goes deeper than he who enacts statutes, or pronounces judicial decisions.” - Abraham Lincoln

Absent effort & investment to evolve FASTER than the broader web, sites which are hit with one penalty will often further accumulate other penalties. It is like compound interest working in reverse - a pile of algorithmic debt which must be dug out of before the bleeding stops.

Further, many recoveries may be nothing more than a fleeting invitation to false hope. To pour more resources into a site that is struggling in an apparent death loop.

The above site which had its first positive algorithmic response in a couple years achieved that in part by heavily de-monetizing. After the algorithm updates already demonetized the website over 90%, what harm was there in removing 90% of what remained to see how it would react? So now it will get more traffic (at least for a while) but then what exactly is the traffic worth to a site that has no revenue engine tied to it?

That is ultimately the hard part. Obtaining a stable stream of traffic while monetizing at a decent yield, without the monetizing efforts leading to the traffic disappearing.

A buddy who owns the above site was working on link cleanup & content improvement on & off for about a half year with no results. Each month was a little worse than the prior month. It was only after I told him to remove the aggressive ads a few months back that he likely had any chance of seeing any sort of traffic recovery. Now he at least has a pulse of traffic & can look into lighter touch means of monetization.

If a site is consistently penalized then the problem might not be an algorithmic false positive, but rather the business model of the site.

The more something looks like eHow the more fickle Google's algorithmic with receive it.

Google does not like websites that sit at the end of the value chain & extract profits without having to bear far greater risk & expense earlier into the cycle.

Thin rewrites, largely speaking, don't add value to the ecosystem. Doorway pages don't either. And something that was propped up by a bunch of keyword-rich low-quality links is (in most cases) probably genuinely lacking in some other aspect.

Generally speaking, Google would like themselves to be the entity at the end of the value chain extracting excess profits from markets.

This is the purpose of the knowledge graph & featured snippets. To allow the results to answer the most basic queries without third party publishers getting anything. The knowledge graph serve as a floating vertical that eat an increasing share of the value chain & force publishers to move higher up the funnel & publish more differentiated content.

As Google adds features to the search results (flight price trends, a hotel booking service on the day AirBNB announced they acquired HotelTonight, ecommerce product purchase on Google, shoppable image ads just ahead of the Pinterest IPO, etc.) it forces other players in the value chain to consolidate (Expedia owns Orbitz, Travelocity, Hotwire & a bunch of other sites) or add greater value to remain a differentiated & sought after destination (travel review site TripAdvisor was crushed by the shift to mobile & the inability to monetize mobile traffic, so they eventually had to shift away from being exclusively a reviews site to offer event & hotel booking features to remain relevant).

It is never easy changing a successful & profitable business model, but it is even harder to intentionally reduce revenues further or spend aggressively to improve quality AFTER income has fallen 50% or more.

Some people do the opposite & make up for a revenue shortfall by publishing more lower end content at an ever faster rate and/or increasing ad load. Either of which typically makes their user engagement metrics worse while making their site less differentiated & more likely to receive additional bonus penalties to drive traffic even lower.

In some ways I think the ability for a site to survive & remain though a penalty is itself a quality signal for Google.

Some sites which are overly reliant on search & have no external sources of traffic are ultimately sites which tried to behave too similarly to the monopoly that ultimately displaced them. And over time the tech monopolies are growing more powerful as the ecosystem around them burns down:

If you had to choose a date for when the internet died, it would be in the year 2014. Before then, traffic to websites came from many sources, and the web was a lively ecosystem. But beginning in 2014, more than half of all traffic began coming from just two sources: Facebook and Google. Today, over 70 percent of traffic is dominated by those two platforms.

Businesses which have sustainable profit margins & slack (in terms of management time & resources to deploy) can better cope with algorithmic changes & change with the market.

Over the past half decade or so there have been multiple changes that drastically shifted the online publishing landscape:

  • the shift to mobile, which both offers publishers lower ad yields while making the central ad networks more ad heavy in a way that reduces traffic to third party sites
  • the rise of the knowledge graph & featured snippets which often mean publishers remain uncompensated for their work
  • higher ad loads which also lower organic reach (on both search & social channels)
  • the rise of programmatic advertising, which further gutted display ad CPMs
  • the rise of ad blockers
  • increasing algorithmic uncertainty & a higher barrier to entry

Each one of the above could take a double digit percent out of a site's revenues, particularly if a site was reliant on display ads. Add them together and a website which was not even algorithmically penalized could still see a 60%+ decline in revenues. Mix in a penalty and that decline can chop a zero or two off the total revenues.

Businesses with lower margins can try to offset declines with increased ad spending, but that only works if you are not in a market with 2 & 20 VC fueled competition:

Startups spend almost 40 cents of every VC dollar on Google, Facebook, and Amazon. We don’t necessarily know which channels they will choose or the particularities of how they will spend money on user acquisition, but we do know more or less what’s going to happen. Advertising spend in tech has become an arms race: fresh tactics go stale in months, and customer acquisition costs keep rising. In a world where only one company thinks this way, or where one business is executing at a level above everyone else - like Facebook in its time - this tactic is extremely effective. However, when everyone is acting this way, the industry collectively becomes an accelerating treadmill. Ad impressions and click-throughs get bid up to outrageous prices by startups flush with venture money, and prospective users demand more and more subsidized products to gain their initial attention. The dynamics we’ve entered is, in many ways, creating a dangerous, high stakes Ponzi scheme.

And sometimes the platform claws back a second or third bite of the apple. Amazon.com charges merchants for fulfillment, warehousing, transaction based fees, etc. And they've pushed hard into launching hundreds of private label brands which pollute the interface & force brands to buy ads even on their own branded keyword terms.

They've recently jumped the shark by adding a bonus feature where even when a brand paid Amazon to send traffic to their listing, Amazon would insert a spam popover offering a cheaper private label branded product:

Amazon.com tested a pop-up feature on its app that in some instances pitched its private-label goods on rivals’ product pages, an experiment that shows the e-commerce giant’s aggressiveness in hawking lower-priced products including its own house brands. The recent experiment, conducted in Amazon’s mobile app, went a step further than the display ads that commonly appear within search results and product pages. This test pushed pop-up windows that took over much of a product page, forcing customers to either click through to the lower-cost Amazon products or dismiss them before continuing to shop. ... When a customer using Amazon’s mobile app searched for “AAA batteries,” for example, the first link was a sponsored listing from Energizer Holdings Inc. After clicking on the listing, a pop-up window appeared, offering less expensive AmazonBasics AAA batteries."

Buying those Amazon ads was quite literally subsidizing a direct competitor pushing you into irrelevance.

And while Amazon is destroying brand equity, AWS is doing investor relations matchmaking for startups. Anything to keep the current bubble going ahead of the Uber IPO that will likely mark the top in the stock market.

As the market caps of big tech companies climb they need to be more predatious to grow into the valuations & retain employees with stock options at an ever-increasing strike price.

They've created bubbles in their own backyards where each raise requires another. Teachers either drive hours to work or live in houses subsidized by loans from the tech monopolies that get a piece of the upside (provided they can keep their own bubbles inflated).

"It is an uncommon arrangement — employer as landlord — that is starting to catch on elsewhere as school employees say they cannot afford to live comfortably in regions awash in tech dollars. ... Holly Gonzalez, 34, a kindergarten teacher in East San Jose, and her husband, Daniel, a school district I.T. specialist, were able to buy a three-bedroom apartment for $610,000 this summer with help from their parents and from Landed. When they sell the home, they will owe Landed 25 percent of any gain in its value. The company is financed partly by the Chan Zuckerberg Initiative, Mark Zuckerberg’s charitable arm."

The above sort of dynamics have some claiming peak California:

The cycle further benefits from the Alchian-Allen effect: agglomerating industries have higher productivity, which raises the cost of living and prices out other industries, raising concentration over time. ... Since startups raise the variance within whatever industry they’re started in, the natural constituency for them is someone who doesn’t have capital deployed in the industry. If you’re an asset owner, you want low volatility. ... Historically, startups have created a constant supply of volatility for tech companies; the next generation is always cannibalizing the previous one. So chip companies in the 1970s created the PC companies of the 80s, but PC companies sourced cheaper and cheaper chips, commoditizing the product until Intel managed to fight back. Meanwhile, the OS turned PCs into a commodity, then search engines and social media turned the OS into a commodity, and presumably this process will continue indefinitely. ... As long as higher rents raise the cost of starting a pre-revenue company, fewer people will join them, so more people will join established companies, where they’ll earn market salaries and continue to push up rents. And one of the things they’ll do there is optimize ad loads, which places another tax on startups. More dangerously, this is an incremental tax on growth rather than a fixed tax on headcount, so it puts pressure on out-year valuations, not just upfront cash flow.

If you live hundreds of miles away the tech companies may have no impact on your rental or purchase price, but you can't really control the algorithms or the ecosystem.

All you can really control is your mindset & ensuring you have optionality baked into your business model.

  • If you are debt-levered you have little to no optionality. Savings give you optionality. Savings allow you to run at a loss for a period of time while also investing in improving your site and perhaps having a few other sites in other markets.
  • If you operate a single website that is heavily reliant on a third party for distribution then you have little to no optionality. If you have multiple projects that enables you to shift your attention toward working on whatever is going up and to the right while letting anything that is failing pass time without becoming overly reliant on something you can't change. This is why it often makes sense for a brand merchant to operate their own ecommerce website even if 90% of their sales come from Amazon. It gives you optionality should the tech monopoly become abusive or otherwise harm you (even if the intent was benign rather than outright misanthropic).

As the update ensues Google will collect more data with how users interact with the result set & determine how to weight different signals, along with re-scoring sites that recovered based on the new engagement data.

Recently a Bing engineer named Frédéric Dubut described how they score relevancy signals used in updates

As early as 2005, we used neural networks to power our search engine and you can still find rare pictures of Satya Nadella, VP of Search and Advertising at the time, showcasing our web ranking advances. ... The “training” process of a machine learning model is generally iterative (and all automated). At each step, the model is tweaking the weight of each feature in the direction where it expects to decrease the error the most. After each step, the algorithm remeasures the rating of all the SERPs (based on the known URL/query pair ratings) to evaluate how it’s doing. Rinse and repeat.

That same process is ongoing with Google now & in the coming weeks there'll be the next phase of the current update.

So far it looks like some quality-based re-scoring was done & some sites which were overly reliant on anchor text got clipped. On the back end of the update there'll be another quality-based re-scoring, but the sites that were hit for excessive manipulation of anchor text via link building efforts will likely remain penalized for a good chunk of time.

Update: It appears a major reverberation of this update occurred on April 7th. From early analysis, Google is mixing in showing results for related midtail concepts on a core industry search term & they are also in some cases pushing more aggressively on doing internal site-level searches to rank a more relevant internal page for a query where they homepage might have ranked in the past.




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China Still Censoring Google, Now Globally

Google Gets Out of China

In March of 2010 Google announced they would no longer censor their search results for China:

earlier today we stopped censoring our search services—Google Search, Google News, and Google Images—on Google.cn. Users visiting Google.cn are now being redirected to Google.com.hk, where we are offering uncensored search in simplified Chinese, specifically designed for users in mainland China and delivered via our servers in Hong Kong.

While the move was pitched as altruistic, it came only after the state put their thumb on the scales to promote domestic competitor Baidu in part by periodically blocking Google search from working.

The Value of Leaving China

By leaving China on their own accord, Google controlled the narrative for investors. They didn't "lose" a market, they chose to not operate in a market.

If you are destined to lose due to political interference, you may as well look principled in the process. The idea of staying the course (being highly compromised while also losing) would have lowered Google's leverage (over publishers and governments) as well as their brand value elsewhere.

Think of how long Google has kept the EU at bay in terms of their anti-competitive practices in search.

Countries like France and Australia are just now beginning to require payment to publishers from Google.

In spite of being in fifth place with about 2% search marketshare in China, one could easily argue that today Google is *still* being censored by China, except now it is global.

Official != Legitimate

Whenever there is a crisis Google has the ability to adjust their news algorithms (and rankings on other sources like YouTube) to prefer authoritative sources. If China lies but gives a direct quote that is an official response which can be reported in the media. Speculating, on the other hand, is not news, and thus is not likely to be done at scale on official sources.

The WHO parroted the official line of the Chinese Communist Party for months before sending in a team to begin investigating the virus which was quietly spreading globally in the background. This is evil (or, more charitably, ill-informed) their advice was:

Tedros said there was no need for measures that “unnecessarily interfere with international travel and trade,” and he specifically said that stopping flights and restricting Chinese travel abroad was “counter-productive” to fighting the global spread of the virus.

Evidence is Backward Looking

Promoting "consistent, evidence-based" risk control is utterly stupid because the evidence that you are dead only appears after you die.

It is not a game of 50/50 chance.

One outcome is death. And at the other end of the spectrum you spent $15 needlessly on a facemask.

How lowly must you view the value of a human life to determine a $15 spend on risk mitigation is reckless behavior?

Don't exceed the global standards based on China's misinformation. OR ELSE!!!

Evidence is backward looking even if the sources are not lying scum. When lying is vital to maintaining political power many people die while waiting on the true.

Can anyone who followed official anti-warnings get a refund on their death?

Better luck next life?

Evidence

While China's CCP was lying to the world, the WHO shared appreciation for their commitment to sharing info.

Not Just China

Health officials the world over were guilty of the same sort of "evidence-based" stupidity.

Here is a video from February of NYC health commissioner Dr. Oxiris Barbot advising people to go out and take the subway and live their lives, noting that city preparedness is high, their personal risk is low, and casual contact was not a large risk.

You can see the stupidity in the circular logic here: "we also know that if it were likely to be transmitted casually we would be seeing a lot more cases."

Yes we would!
Or soon would be.
And did.

Time shift that statement a couple months and lawmakers are asking her to be fired.

May you enjoy a happy Lunar New Year:

“We are very clear: We wish New Yorkers a Happy Lunar New Year and we encourage people to spend time with their families and go about their celebration,” Dr. Barbot said.

Later, as evidence emerged, we learn from serological studies that around 24.7% of people in New York City & 14.9% of New York state had antibodies for the coronavirus that causes COVID-19.

If you are a poor minority you are more likely to die as you have less of a cushion to do things like taking time off work and AVOID TAKING THE SUBWAY.

Thank you Dr. Oxiris Barbot!

"New York politicians are seeking answers on how to handle the growing number of corpses left by the coronavirus pandemic, after dozens of bodies were discovered decomposing in rental trucks outside a Brooklyn funeral home."
- Ben Chapman, WSJ

Even the New York Times warned against quarantines, virtually guaranteeing the city would get one.

And for a cherry on top of the stupidity cake, New York City only closed their subway system during off hours from 1AM to 5AM for daily cleanings on April 30th, *AFTER* months of letting the virus spread across the city & many blog posts like this one were published. A quarter of their population had to contract the virus before cleaning the subway regularly seemed like a good idea.

We should always in all cases everywhere blindly trust the experts:

just last year, the National Institute for Allergy and Infectious Diseases, the organization led by Dr. Fauci, funded scientists at the Wuhan Institute of Virology and other institutions for work on gain-of-function research on bat coronaviruses . ... Many scientists have criticized gain of function research, which involves manipulating viruses in the lab to explore their potential for infecting humans, because it creates a risk of starting a pandemic from accidental release.

Protecting Yourself from Dr. Oxiris Barbot & the CCP

How many billions of dollars do people spend buying lotto tickets?

A high-quality facemask was a $15 lotto ticket that might save you from death. But buying one was ill-informed & xenophic & antisocial and and and.

Back in January I saw a video on Twitter of a guy walking down the street in Wuhan and then just fall over and die. Upon seeing that, I quickly ordered facemasks for my wife, our babysitter, my wife's parents, my mom, and my siblings.

My mom thought I was crazy for spending hundreds buying so many masks, but it was a fairly simple calculation. Whatever China was saying was hot garbage as they were literally welding apartment complexes shut.

Ongoing Disinformation Campaign

The CCP accosted doctors who warned of the pending pandemic, locked down millions of people, and held internal briefs about human to human transmission was happening while lying externally about it. China then pushed some garbage about how the US Army created the coronavirus which caused COVID-19, then they both claimed it was racist to state the disease came from China while also claiming it originated in Italy.

That's the CCP - literally zero shame.

You can be against the jackbooted CCP while not hating Chinese people. I would rather be wrongly called a racist and not die of coronavirus than virtue signal my way to death via Italy's "Hug a Chinese" day.

As a general rule of thumb, life is more important than the feelz.

My wife took a DNA test and a big part of her ethnic background is Chinese. When she and I are in the Philippines many people think she is a foreigner. When I was walking with my wife in Hong Kong years ago a local street vender started talking to her in Chinese thinking she was a local. And there's nobody in the world I love more than her, but that does not mean she or I are planning a trip to Wuhan anytime soon or wanted to end up as statistics as a side effect of virtue signaling.

To this day China is using their ability to purchase foreign debts & infrastructure across weaker European countries to push the EU to understate the culpability of the CCP:

"Bowing to heavy pressure from Beijing, European Union officials softened their criticism of China this week in a report documenting how governments push disinformation about the coronavirus pandemic, according to documents, emails and interviews. Worried about the repercussions, European officials first delayed and then rewrote the document in ways that diluted the focus on China, a vital trading partner ... China moved quickly to block the document’s release, and the European Union pulled back. The report had been on the verge of publication, until senior officials ordered revisions to soften the language."

Maintaining The Illusion of Stability

The doom scenario for China would be one where the disease spread widely across their society while not directly impacting other economies. Currencies float and trade can eventually be re-routed if supply chains are unreliable. If a place where repeated coronavirus outbreaks happen has massive hidden debts in their shadow economy the propped up currency peg would likely fall as those debts go bad and their economy crashes. Hot money has been rushing out of China for years: their companies buying foreign companies, individuals buying foreign real estate, short domain names, Bitcoin, life insurance policies, etc.

China already faced sharp food price inflation last year as African Swine Flu killed a lot of their herd. When people can't afford to eat they are more likely to push for political change. Hyperinflation is the reciprocal of political stability. Maintaining a stable food supply is a core requirement of staying in power.

Masks might make no difference, but if I spend a fraction of a percent of my income protecting my immediate and extended family even slightly then that is a good investment.

What is the price of a single needless death?

That is the calculation one should use when adopting simple & cheap life changes that can protect their families and society as a whole.

The mainstream media not only downplayed Covid-19 to pitch Trump as xenophobic & neurotic, but after the most important story they got entirely wrong was revealed as the disaster it was, they also warned about the wrong people hoarding much needed supplies.

If people would have rushed to buy masks in January it would have sent the market signal to make more. Virtue signaling was considered more important than life.

Instead of any attempts at truth we got communist-fed false assurances to provide the illusion of stability. Lives lack value when compared against maintaining political power:

In 1989, when Chinese citizens raised a Goddess of Democracy on Tiananmen Square, some pinned their hopes on the People’s Liberation Army: Surely the people’s army would never fire on the people. In fact, PLA soldiers proved quite adept at firing on the people. And to this day Beijing refuses to come clean about how many it killed at Tiananmen.
...
Communism has always been far more about Lenin than Marx—that is, about getting and holding power, rather than any economic arrangement. And it’s extraordinary how consistent the lies and violence have been across time and geography, given the many different flavors of communism.

Fake News About Fake News

As China was lying to the world, setting hundreds of thousands of people up for death & destroying the global economy, we suggested the problem was not lies from the CCP or the disease that spread globally in part due to their lies, but rather we should fight "fake news"

The rise of “fake news” - including misinformation and inaccurate advice on social media - could make disease outbreaks such as the COVID-19 coronavirus epidemic currently spreading in China worse, according to research published on Friday.

The WHO shills for the CCP:

The lengths to which the WHO went to sacrifice its scientific- and health-related mission for political considerations relating to China were at times both absurd and trivial. For example, in the Coronavirus Q&A that was first posted to its website, the WHO maintained multiple versions. The original English language version of the Q&A counseled that there were four common myths about preventing or curing a COVID-19 infection: smoking, wearing multiple masks, taking antibiotics, and traditional herbal remedies. The original Chinese version omitted ‘traditional herbal remedies’ as a myth. Then the WHO took down ‘traditional herbal remedies’ in both languages. Politics over health. Politics over science. At even the smallest, silliest level.

As the WHO praises the CCP we learn fake news is anything which counters the WHO.

And to protect people globally and fight sources of fake news Google is working with ... the WHO:

WHO is also battling misinformation, working with Google to ensure that people get facts from the U.N. health agency first when they search for information about the virus. Social media platforms such as Twitter, Facebook, Tencent and TikTok have also taken steps to limit the spread of misinformation and rumors about the outbreak.

YouTube is also removing medically substantiated content about coronavirus.

Now that the coronavirus is widespread the idea of keeping the economy perpetually shut down with healthy people quarantined is idiotic & runs counter to science. Those who shelter in place have less exposure to viruses and bacteria from their surrounding environment, which over time leads to weakened immune systems. Add to that all sorts of other issues like: doctors and nurses furloughed while hospitals are idled awaiting a pandemic that never came to most places, economic incentives to misclassify deaths as COVID-19 while ignoring other issues, missing routine treatments that would have diagnosed other health issues that are going undiagnosed for months, loss of job, loss of income, loss of purpose/meaning/ability to provide for family, depression, raging alcoholism, increased domestic violence globally & increased divorce rates in China.

Doctors Dan Erickson and Artin Massihi expressed concerns about many of the above types of issues (video interview & presentation here) and were swiftly shot down as YouTube pulled the video.

Even the China Uncensored video about the CCP's coverup has a COVID-19 learn more banner redirecting attention back to official sources if you watch the video on YouTube.

Now there are some horrible and ridiculous official statements being made & a whole bunch of crazies spreading "eat aquarium cleaner, protect yourself from COVID-19." I even read a story about a guy who committed suicide because he feared he had COVID-19. All that stuff is horrible, but any and all attempts to defuse those horrible issues & clean them up should come with a note about how the CCP lied broadly, extensively, and is to not be trusted in any way, shape or form.

The AP report continues...

Chinese officials are increasingly speaking out.

And so should we! At least while we still can:

Where possible, China wants to criminalize any speech … any social media … that does not follow the official party line. Where it’s not possible to criminalize that speech, China wants to ban it through the cooperative censorship of global tech and media platforms. Where it’s not possible to ban that speech, China wants to shame it into the shadows by getting us to reject it as “fake news”.

And if you don’t see that the United States is about two minutes behind China in doing the same damn thing, then you’re just not paying attention.

And while the WHO has tech companies censor "fake news" the CCP releases puppet theatre cartoons about the coronavirus which has killed hundreds of thousands of people.

Yes that video is real. And yes, they really are that scummy.

The puppet theatre video makes no mention of police going after doctors for mentioning the virus, Taiwan reporting the virus to the WHO, the WHO ignoring Taiwan, internal briefings to Xi while the public was left in the dark, or any of the other disconnects between inside and outside voices.

Anything that diminishes the power and prestige of the CCP is worse than death:

The biggest threat facing the U.S. is not the new virus, but rather right-wing populists who are intent on creating trouble with their strain of political virus.

The above statement only serves to confirm the following:

Communism has always been far more about Lenin than Marx—that is, about getting and holding power, rather than any economic arrangement. And it’s extraordinary how consistent the lies and violence have been across time and geography, given the many different flavors of communism.




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Google makes Stadia gaming service free


The $130 entry fee is being waived indefinitely, as interest in playing video games surges during the coronavirus pandemic.




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Google affiliate scraps plan for Toronto smart city project


Among other things, the development planned to have heated streets to melt ice and snow on contact, as well as sensors that would monitor traffic and protect pedestrians.




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Real-estate world wracked by coronavirus impacts as corporate giants, mom-and-pop firms struggle to pay rent


Zumiez withholds rent for 718 stores. Small restaurants bargain with landlords. Deals to buy properties are called off. The ripple effects of the coronavirus crisis are shaking the commercial real-estate industry.




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Stranglers keyboardist Dave Greenfield dies with COVID-19


LONDON (AP) — Dave Greenfield, the keyboard player with British punk band The Stranglers and who penned the music to their biggest hit, Golden Brown, has died after testing positive for coronavirus. He was 71. The band’s official website announced that Greenfield died on Sunday after contracting the virus following a stay in a hospital […]




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Buju Banton calls new single with John Legend ‘special’


LOS ANGELES (AP) — It’s been over a decade since reggae king Buju Banton and R&B star John Legend collaborated on a song, and the Grammy winners have reunited for a new track. Banton and Legend released the easygoing love song “Memories” on Friday. It is the first single from Banton’s upcoming album “Upside Down,” […]




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One-and-none: Why Washington has struggled to make the NCAA tournament with star freshmen


No team has been worse with one-and-done players than UW, which has had the most of any school without reaching the NCAA tournament with one on the team.




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Google’s growth slows as pandemic infests advertising market


BERKELEY, Calif. (AP) — Google reported its weakest revenue growth in nearly five years as the pandemic-driven recession began to shrivel its advertising sales in the first quarter. The January-March earnings for Google parent Alphabet offer a first look at how the digital ad market has fared amid widespread orders requiring consumers to stay at […]




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Solar, wind energy struggle as coronavirus takes toll


NEW YORK (AP) — The U.S. renewable energy industry is reeling from the new coronavirus pandemic, which has delayed construction, put thousands of skilled laborers out of work and sowed doubts about solar and wind projects on the drawing board. In locked-down California, some local agencies that issue permits for new work closed temporarily, and […]




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Carson Wentz embracing Eagles’ decision to draft Jalen Hurts


The Philadelphia Eagles’ decision to draft Jalen Hurts in the second round has been one of the most intensely debated NFL topics over the past 10 days. Carson Wentz isn’t questioning it. “I’m excited to add him to the team,” Wentz said Monday. “I know how important the quarterback position is and how important the […]




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Google Says Most Of Its Employees Will Likely Work Remotely Through End of Year

The tech giant announces it is extending its previous work-from-home plans for most of its staff and will begin reopening offices this summer.




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STRAUSS, R.: Symphonic Poems (Frankfurt Opera and Museum Orchestra, Weigle) (6-CD Box Set) (OC033)




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JAMES, H.: Beast in the Jungle (The) (Unabridged) (NA0416)

Bachelor John Marcher is haunted by the premonition that something terrible lies in store for him, like a ‘beast in the jungle’ lying in wait. So he spends his life in idleness, unable to carry out his dreams or desires, while his friend May Bartram, curious to see how this spectacular fate will manifest, helps watch out for the arrival of the beast. The two develop a strong platonic relationship, stoked by this mystery, and gradually the best years of their life roll by, unfulfilled—lost to John’s dread and fear of the unknown. Written soon after The Wings of the Dove, The Beast in the Jungle is a haunting story of crippling obsession and a life unlived.




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Guitar Recital: Egholm, Jonas - BERGNER, Y.L. / CHRISTENSEN, J.J. / FRANDSEN, J. / GLERUP, R. / HEGAARD, L. / HOLMEN, J. / NIELSEN, M. (Educate-S) (8.226615)




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SIERRA, R.: Cantares / Loíza / Triple Concierto (Trío Arbós, Cornell University Chorus and Glee Club, Xalapa Symphony, Marcelletti) (8.559876)

Roberto Sierra’s refined compositional voice is subtly combined with contemporary musical techniques and his Puerto Rican heritage in the three works recorded here. Cantares, commissioned by the Cornell University Chorus and Glee Club to celebrate the university’s sesquicentennial anniversary, evokes ancient Peruvian, Aztec and Afro Caribbean voices lost in time. The virtuoso Triple Concierto transforms the popular Caribbean rhythms of salsa, bolero and merengue into complex contemporary expressions, while the polyrhythmic layers of Loíza conjure a Puerto Rican town known for its strong African traditions.




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Scale single sign-on with App ID for your Node.js cloud apps

In this tutorial, you will learn about implementing scalable Node.js applications when you are using the App ID service. This IBM Cloud service allows you to add authentication to your mobile and web apps and protect your APIs and back-ends running on IBM Cloud. App ID provides authentication with email/password through a scalable user registry or you can add social login, so that users can sign in with their Facebook or Google credentials. With App ID, you can also host user profile info that you can use to build engaging experiences.




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Paramore star’s struggle for solo sanity

Every day has the potential to be a perfect storm for Hayley Williams.




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Emma Wiggle to bring birthday joy to isolated kids

There is no doubt that COVID-19 has crippled the entertainment industry however for The Wiggles, they’ve been surprised to learn they’ve never been more popular.