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Created by design consultancy Morrama and luggage brand Phoenix, Tela serves as a blank canvas for creating your own bespoke luggage.

Criminal Justice and Behavior, Ahead of Print. Community corrections agencies across the United States are adopting racial equity as a priority in their polices, practices, and staff training, though how racial equity can be translated into the routine practices of probation and parole officers has not been widely discussed. This study examines the associations of […]

The post Associations of Racial Equity Training, Policies, and Practices With Routine Supervision Strategies in Community Corrections was curated by information for practice.

Abstract Objectives Higher education students experience elevated levels of suicidal ideation, but often face barriers in accessing support. The Mental Imagery for Suicidality in Students Trial (MISST; ISRCTN13621293; NCT05296538) tested the feasibility and acceptability of a six-session imagery-based approach called Broad-Minded Affective Coping (BMAC). This qualitative evaluation explored the experiences of MISST participants and staff. […]

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Volume 29, Issue 7, October 2024. Read the full article ›

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In this Clever episode, Lisa Donohoe and Brynn Gelbard discuss how Londubh Studio's bold maximalist surface art transforms unique interiors.

Step inside Marianna Tomlenovich’s dream home, where Italian influences and modern design combine to create a grand yet calming retreat.

Metz Carillon, Arboretum Gazebo
Sunday, November 10, 2024, 4 – 5pm

More info: events.iu.edu…

NW Natural talks up its climate strategy, but new legal challenges say the company has spent years lying about the environmental impact of natural gas. by Taylor Griggs

For years, environmental advocates have said NW Natural attempts to obfuscate the negative climate and health impacts of natural gas utilities in order to remain dominant in the market. NW Natural, Oregon’s largest gas utility operation, has responded to such allegations with fierce resistance, promoting its service as more climate-friendly than electric alternatives and talking up plans to go greener in the future. 

But two lawsuits filed against NW Natural earlier this month put a spotlight on its alleged greenwashing practices, arguing the company has knowingly disenfranchised customers and contributed to the climate crisis. The first lawsuit, filed on October 7, adds NW Natural to Multnomah County’s existing legal challenge against several other oil companies for their role in perpetuating the deadly 2021 heat dome event. Just two days later on October 9, two NW Natural customers filed a class action suit against the company for falsely representing a program it says will offset the carbon emissions caused by customers’ natural gas use. 

Many Oregonians rely on gas heat appliances, whether to heat their homes or power their stoves, and nearly all of them have NW Natural as their service provider. NW Natural serves more than two million people across Oregon and southwest Washington, and is the only gas utility company serving Multnomah County. 

Proponents of natural gas say gas utilities are economical, efficient, and reliable in the case of power outages. But scientists and environmental experts say there are major downsides, too. Residential and commercial energy use accounts for about 20 percent of Oregon’s carbon emissions—the second largest category after transportation—and natural gas combustion accounts for a sizable portion of those emissions. Methane leaks from gas appliances also have a major climate impact, with gas stoves in particular emitting planet-warming greenhouse gasses even when they’re not in use. 

And if the environmental harm wasn’t enough, recent studies also show gas stoves are worse for human health than previously thought, with clear connections to carcinogenic pollutants. Long-term exposure to nitrogen dioxide from gas stoves has also been shown to lead to tens of thousands of cases of childhood asthma. 

As experts have sounded the alarm on all the impacts of gas utilities, environmental advocates and lawmakers have ramped up efforts to move Oregonians away from natural gas. The Portland Clean Energy Fund, for example, has invested tens of millions of dollars in deep energy retrofit projects, which will replace fossil fuel-reliant heating and cooling systems with electric systems. The program has invested millions more into building new, energy-efficient housing and commercial buildings. 

In resisting being pushed out of the market, the recent lawsuits say NW Natural has duped customers and pushed false propaganda about natural gas and the environment. 

Environmental advocates hope the legal challenges will have a practical impact on the company’s bottom line and enlighten the public.

Part of NW Natural’s public outreach strategy has been its sponsorship of community events, including those hosted by environmentally-minded organizations. In an effort to limit the gas utility’s greenwashing message, environmental advocates want local groups to cut ties with NW Natural, or think twice before accepting a future sponsorship deal. 

“NW Natural has a captive audience that trusts what their natural gas utility is telling them,” Carra Sahler, an attorney and director of Lewis and Clark Law School’s Green Energy Institute, tells the Mercury. “The more we can do to encourage skepticism, the better, and the easier it will be for people to make a switch [to electrify their homes] and to feel good about making that switch.” 

Multnomah County’s amended lawsuit says NW Natural’s carbon and methane emissions have been “a cause of enormous harm” to the county and its residents. But, the lawsuit says, you wouldn’t know that by listening to the gas utility company’s public messaging. 

The county’s lawsuit states NW Natural has emitted at least 72.1 metric tons of CO2 equivalent in the last few decades, but has “deceived the public by claiming its product is safe, clean, and environmentally friendly.” 

The lawsuit provides several examples of the company’s alleged deceitful practices. Some particularly egregious instances include attempts to influence children and the Oregon education system. In 2021, NW Natural offered activity booklets to schools containing colorful drawings and activities for children promoting natural gas. The company also tried to use a front organization to host a training session for teachers about renewable gas, offering a $200 stipend to each teacher who attended. The training was canceled after public backlash. 

The misinformation from NW Natural got so bad, state agencies had to step in.

Earlier this year, NW Natural distributed a newsletter to its customers containing misinformation about Oregon’s Climate Protection Program policy. The newsletter said the climate policy would not reduce greenhouse gas emissions, but would result in a 14 percent rate hike for all NW Natural customers. In response, the Oregon Department of Environmental Quality made a statement disavowing NW Natural’s campaign against the state policy. 

“In summary, NW Natural has routinely misrepresented to the public the climate impacts of extracting, transporting, storing and burning their product while over-estimating the costs of transitioning to renewables or reducing their pollution in an effort to frighten customers and discourage policy makers from using their authority to protect the public,” the Multnomah County lawsuit states. 

Sahler commends the county for including NW Natural in the big oil lawsuit.

“NW Natural is a trusted provider of warmth in homes, part of the local fabric... It’s exciting to see the county taking action—it’s brave to take on one more fossil fuel interest, especially a local one,” she told the Mercury. “Multnomah County's lawsuit appropriately lumps Northwest Natural in with the other big fossil fuel companies that we know are problematic, and it helps people understand what we're dealing with here.” 

David Roy, NW Natural’s director of communications, told the Mercury the company is “disappointed the County is spending resources on litigation instead of on developing effective emission reduction policies that work for County residents and businesses.” 

“We will continue to pursue pathways that allow Oregonians, including low- and moderate-income customers, to have access to two energy systems—electric and gas—for their homes and businesses,” Roy said. “NW Natural will vigorously contest these claims should they come to court. Regarding the Multnomah County action, we believe adding the company to the suit at this later date is an attempt to divert attention from legal and factual flaws in the case.” 

While Multnomah County’s lawsuit hones in on misleading claims and practices, the class action lawsuit specifically targets NW Natural’s Smart Energy program, an additional monthly fee available to customers, ostensibly to offset the carbon emissions associated with their natural gas use. Upon further investigation, however, NW Natural sends this carbon offset surcharge to industrial dairy farms for questionable “manure digesters,” which generate energy from methane-producing livestock waste. 

The complaint says the relationship between “carbon offset” funds, like NW Natural’s Smart Energy program, and the industrial dairies may incentivize the expansion of factory farming and enable further livestock waste production. 

“Independent research demonstrates that, at best, the climate benefits of manure digestion are not well studied and remain unclear,” the lawsuit says. “At worst, emissions reductions are significantly overstated.” 

Nicolas Blumm, one of the plaintiffs in the Smart Energy case, tells the Mercury he signed up for the program shortly after becoming a NW Natural customer. Since he didn’t have much of a choice about his gas utility system, he wanted to be as eco-friendly as possible while doing it. 

Blumm said the additional payment for the Smart Energy program was small—last January, he paid about $5 extra on his gas bill—so he didn’t think about it much. But once he realized where the money was going, he felt taken advantage of. 

The Smart Energy lawsuit points out that “corporate claims regarding sustainability and lower climate impact are particularly difficult for consumers to verify” and “climate-conscious consumers are particularly vulnerable to climate-related ‘greenwashing.’” 

“People deserve to have a chance to be honestly informed,” Blumm said. “I don’t think you should have to dig through and make sure every dollar you’re giving NW Natural is going exactly where they say it is. If they say the program is going to make your service carbon neutral, that’s how it should be.” 

In addition to the two lawsuits, NW Natural recently faced a blow from the Oregon Public Utilities Commission (OPUC). Last week, OPUC ordered the company to phase out gas subsidies by 2027. These subsidies are also known as line extension allowances, which gas utility companies including NW Natural charge existing customers in order to pay for expanding natural gas infrastructure to connect new customers to the service. 

Line extension allowances have been criticized by renewable energy advocates as environmentally damaging and economically burdensome for customers. But Roy, the NW Natural communications director, told the Mercury the company is “disappointed with the Commission’s decision,” and believes its subsidy proposal “supports the state’s goals for increased housing and reduced greenhouse gas emissions.” 

Advocates hope the recent news about NW Natural will lead to change in the community’s relationship with the company. While many consumers don’t have a choice about whether or not they can pay NW Natural for their monthly gas utility service, local organizations have more flexibility. NW Natural frequently sponsors or co-sponsors events across the region, ranging from county fairs to the Portland Bureau of Transportation’s (PBOT) annual Sunday Parkways open streets events. At these events, the utility company often sets up a booth to share information about natural gas, which environmental advocates say is often misleading. 

PBOT Communications Director Hannah Schafer told the Mercury the bureau is “aware of the concerns” and hasn’t made sponsorship decisions for the 2025 Sunday Parkways season. 

Sahler, the attorney, told the Mercury, considering the harm burning natural gas has caused to the planet and to human health, she wants to see local leaders draw a line in the sand. 

“Fossil fuel companies are like tobacco companies. You wouldn’t have a tobacco company at [events like Sunday Parkways],” Sahler said. “At some point it has to be unacceptable to support a business that is poisoning us.” 

See how well YOOOooooOOOOu score on this week's Halloooooweeeeeen-themed trivia quiz! (I am a ghost, if you didn't guess.) ???? by Wm. Steven Humphrey

HELLOOOOO, BRAINY HUMAN! It's time once again to put your brainy-brain to the test with this week's edition of POP QUIZ PDX—our weekly, local, sassy-ass trivia quiz. And in this edition, we're testing your knowledge on a variety of HALLOWEEN-related topics including creeeepy Trump statues, ghost cars (and stores!), and Portland's most HAUNTED locales! OoooOOOoooooh! (That is the sound ghosts make, I'm given to understand.) ????

But first, how did you do on our previous, special edition ranked choice quiz? Super good, and I'm confident you are ready to vote if you haven't already! And in case you're wondering, here's how Portlanders ranked who should be our next mayor. (At least we know who should run next time!)

OKAY, TIME FOR A NEW QUIZ! Take this week's quiz below, take our previous pop quizzes here, and come back next week for a brand spankin' new quiz! (Having a tough time answering this quiz? It's probably because you aren't getting Mercury newsletters! HINT! HINT!) Now crank up that cerebellum, because it's time to get BRAINY!

Create your own user feedback survey

Did you enjoy that? Take our past Pop Quizzes HERE!

by Wm. Steven Humphrey

GOOD MORNING, SUNDAY! It's the perfect time to catch up on some of the great reporting and stories the Mercury churned out this week! (PRO TIP: If you despise being "the last to know," then be one of the first to know by signing up for Mercury newsletters! All the latest stories shipped directly to your email's in-box... and then... YOUR HEAD.)

• Lawsuits Allege Deceit and Greenwashing by Oregon’s Largest Gas Utility

Advocates hope two lawsuits filed this month against gas utility NW Natural lead to change. The lawsuits say NW Natural has lied to customers and shared greenwashing propaganda, including spreading misinformation about a state climate policy.

• POP QUIZ PDX!

It's the spooooky HALLOWEEN edition of your fave weekly trivia quiz! This week: creepy Trump statues, ghost cars, and Portland's most HAUNTED locales! OoooOOOoooooh! (That's our imitation of a ghost, btw. ????) See how well YOU score!

• The Mercury's November 2024 VOTER CHEAT SHEET!

Filling out your ballot this weekend? GOOD! Need help? Voila, here's your 100% accurate Mercury Endorsement Cheat Sheet to help you fill out your ballot lickety-split!

• How Portland Became a Roller Derby Mecca

Twenty years ago, Portland's first modern roller derby league emerged. It's now the largest derby league in the world. Now, the four-time global champion Rose City Rollers will compete for another title win this weekend at the Veterans Memorial Coliseum.

• Could the James Beard Public Market Rise From the Corpse of Corporate Failure?

Long envisioned as Portland's version of Seattle's Pike Place, the James Bear Public Market would also provide an answer to downtown’s dearth of fresh produce.

• What to Expect From Portland’s New Government

Good news: Portland is getting a (much needed) new form of city government in January. But what exactly is changing for our elected officials? And, perhaps more importantly, how will all of this impact you?

• THE TRASH REPORT

If you're looking for the trashiest gossip from this election season, then you've found the right garbage can. ???? ????

• TICKET ALERT

Get those tickets now for the shows you don't want to miss, including Tyler, The Creator, country pop princess Kelsea Ballerini, and Berlin-based pianist, composer, and producer Nils Frahm!

• Infinite Life: A Play About Pain That Hurts So Good

Third Rail Repertory kicks off its 2024-25 season with a work by contemporary theater star Annie Baker. Never before have six actors worked their respective chaise lounges with such verve.

• Don't Miss the Mercury's ELECTION NIGHT WATCH PARTY!

Looking for fun on election night? Join your friends at Mississippi Studios for the Mercury's official election night watch party—hosted by the hilarious Alex Falcone and Shain Brenden! (And what? IT'S FREE!)

WOW, THAT IS A LOT OF GOOD READIN'. I hope you didn't have any other plans this weekend! Dig in, and remember: Producing all this hard work costs moolah—so please consider contributing to the Mercury to keep it all coming! Thanks!

Get your advice lickety-split with the latest edition of Savage Love quickies! by Dan Savage 1. This debate is raging again, Dan, and we need you to issue a ruling: Do straight women belong in gay bars? Some (straight women, gay bars), not all (straight women, gay bars). 2. Why do men keep ghosting me after sex? I’m a 25-year-old woman. No clue. You could’ve had a string of bad luck — and fucked a dozen (or more) shitty guys in a row — or it could be something you’re doing wrong. Even if you don’t think you’re doing anything wrong, once you’ve noticed a pattern of behavior and/or results that makes you unhappy, it’s a good idea to make some changes. Try meeting different kinds of guys in different kinds of ways, try slowing your roll/hole, etc., and take time along the way to engage in constructive introspection and make further changes/course corrections, as needed. 3. How do I stop people from falling in…

[ Read more ]

See her Tuesday in Portland at Jack London Revue. by Dave Segal

Recording for Flying Lotus's Brainfeeder label, Salami Rose Joe Louis (Lindsay Olsen) has blazed a distinctive trail in that fertile sector of California's underground where electronic music and jazz converge. On early releases by this multi-instrumentalist and producer—such as 2019's Zdenka 2080—Olsen sings in a hushed, dulcet manner over sparse, melodious electronic music that wears its jazz inflections gracefully. Faint echoes of '90s and '00s introspective, minimalist IDM (intelligent dance music, if you don't know) acts such as Múm insinuate themselves, too. It's ultimately dream pop, but not in the cloying way manifested by the genre's try-hards.

With 2023's Akousmatikous and this year's collab with Flanafi, Sarah, SRJL's rhythms get jazzier and the instrumentation fuller, with help from Soccer96 and Miguel Atwood-Ferguson, among others. The songs are more kinetic while the vocals retain their breathy, Julee Cruise-like sweetness. The music's levitational feel and smooth propulsion belie lyrics about catastrophic ecological degradation and the dangers of propaganda/disinformation. Enchanting listeners through understatement and mutedly sparkling tones, Olsen offers the most pleasant dystopian sci-fi soundtracks extant. At Jack London Revue she'll be joined by guitarist Flanafi, bassist Tone Whitfield, and drummer Luke Titus—most of whom played on the exceptional new Salami Live at 2131 North Kacey Street EP.

<a href="https://salamirosejoelouismusic.bandcamp.com/album/salami-live-at-2131-north-kacey-street">Salami Live at 2131 North Kacey Street by Salami Rose Joe Louis featuring Flanafi, Tone Whitfield, Nazir Ebo</a>

Soul'd Out Presents Salami Rose Joe Louis at Jack London Revue, 529 SW 4th, Tues Nov 13, 8 pm, tables for 4-6 persons available from $140-$210, tickets here, 21+ w/ Omari Jazz

A federal judge has ruled that a Louisiana law requiring the display of the Ten Commandments in public school classrooms is unconstitutional.

Israel's airlines are generating a windfall as international carriers cancel or limit flights due to security concerns. Flying in or out of Israel has become a logistical challenge since the war in Gaza erupted.

Originally broadcast on April 27, 2012

Tonight, with "Riding The T," we continue WGBH News' weeklong focus on the Massachusetts Bay Transit Authority. Our discussion explores the significance of the MBTA in communities of color. Later in the show, our conversation digs deep into the deluge of racist tweets from Bruins fans towards Joel Ward, the black player from the Washington Capitals who scored the winning goal, thus ending the Bruins march towards the Stanley Cup.

In conversation:
- Latoyia Edwards, anchor, New England Cable News
- Kim McLarin, assistant professor of creative writing, Emerson College
- Phillip Martin, senior reporter, 89.7 WGBH Radio
- Marvin Venay, co-founder of Think Politics and Executive Director of the Massachusetts Black and Latino Legislative Caucus

Peter Tork, who studied at Carleton College in Northfield and later rose to teen-idol fame in 1966 playing the lovably clueless bass guitarist in the made-for-television rock band The Monkees, has died. He was 77.

Dick Dale, whose pounding, blaringly loud power-chord instrumentals on songs like "Miserlou" and "Let's Go Trippin'" earned him the title "King of the Surf Guitar," has died at age 81.

Prince's former bodyguard answered questions from attorneys for seven hours as part of a wrongful death lawsuit filed by relatives of the late rock star.

At an arraignment in Cook County, Ill. court on Thursday morning, the embattled R&B singer entered a not guilty plea on 11 felony charges.

French artist JR gave a wonderfully detailed tour of the L’Observatoire Suite he designed for the Venice Simplon Orient Express.

Here's what it's like to fly with Bob Collins in a plane he built.

For some, m aple sugaring is a perennial ritual, painstakingly completed as we usher out the bitter wisps of winter, and embrace balmier, brighter days of early spring. And whether you’re producing maple syrup with just a few buckets, or if you’ve expanded operations with a full-blown sugar shack … you know this much to be true: 1) S ugaring is an art 2) Sugaring is a science 3) And a great excuse to be outdoors, with family and friends. This week on Something Wild, we check in with novice maple-sugar farmer Phil Brown, Director of Land Management for New Hampshire Audubon, to discuss the unexpected joys of maple season. Most maple seasons last about 4 to 6 weeks, and b ecause sugaring is so dependent on the weather—we never know just how long optimal conditions will last. B y optimal conditions, we’re talking daytime temperatures that reach into the 40’s and overnight lows that land in the 20’s. This “goldilocks zone” is juuust right for maple sap runs, because temperature fluctuation

Since the start of the #MeToo movement, many accused abusers have filed defamation charges against their accusers in retaliation, advocates say. Law professor Victoria Burke wants to change that.

The new Louisiana requirement that the Ten Commandments be displayed in every public classroom by Jan. 1 was temporarily blocked Tuesday. The judge said the law is "unconstitutional on its face."

Nurses say they need more protective equipment; Asian owned businesses have been especially hard hit

Striking machinists voted to reject an agreement that would have boosted wages by 35 percent. It’s another blow for Boeing, which reported a $6 billion quarterly loss on Wednesday.

Four residents of a central Minnesota mobile home park are suing its owner, claiming a faulty sewer system caused sewage to back up into their homes. The suit also claims the park’s owners installed inaccurate water meters that wildly overcalculated the amount of water residents used, and deceived them into signing new leases with stricter terms.

A Washington D.C. based company announced it will build a $5 billion sustainable fuels production facility in Moorhead. The plant is expected to create 650 jobs and be operational by 2030.

A British man has been found guilty of sexual assault and other crimes for tricking a pregnant woman into drinking a liquid that contained abortion drugs to induce a miscarriage, unbeknownst to the victim.

Peanut the squirrel’s seizure and euthanization by New York officials has sparked blowback from President Donald Trump’s running mate and various public figures, with the deceased pet now serving as the inspiration for a new law intended to improve animal rights. 

Pastor John-Paul Miller is expected to appear in a Myrtle Beach court Thursday for a bond hearing after he was arrested and charged a day earlier with third-degree assault months after the suicide of his wife, Mica Miller.

Victoria Sinis used to recruit women to sell their bodies on OnlyFans, but the strange fetish requests and pornographic content led her to question her career, an inner conviction that ultimately led her to Christ.

Former Southern Baptist Convention President Johnny Hunt and the SBC are scheduled to meet next year as part of his lawsuit against the denomination over allegations of defamation and invasion of privacy.

A federal judge has temporarily blocked a recently passed Louisiana law that would require public school classrooms to display the Ten Commandments.

Suzannah Clark (Harvard University) Title and description TBA A reception will follow.

Pheaross Graham (Stanford) Title and description TBA A reception will follow.

Jennifer Iverson (University of Chicago) Title and description TBA A reception will follow.

Gavin Steingo (Princeton University) Title and description TBA A reception will follow.

Pasolini, World Music, and the Demise of the Film ComposerWhile somewhat neglected in the English-language literature on film music, Pasolini’s daring use of pre-existing music in his early films—most notably Bach’s sacred music and Vivaldi—marked a watershed in the history of the subject. It also places him alongside such figures as Godard and Kubrick (among others) in an ideal pantheon of mavericks who broke away with the traditional division of labor that underpinned the creation of film soundtracks. Pasolini’s decision to hire Morricone for the music for The Hawks and the Sparrows(1966) could have signaled a change in direction. In fact, following that first collaboration, the relationship between Pasolini and Morricone soon turned into something of an embarrassment for the composer. By the early 1970s, Morricone’s role was to merely arrange already-existing repertoires “scavenged” on various recordings by the omnivorous and ever up-to-date poet/director. Pasolini’s gleeful embrace of reproduced music calls to mind André Malraux’s “museum without walls” and his celebration of the library as both a cabinet of curiosities and workshop. Focusing on Medea(1969) and the so-called “Trilogy of Life,” this talk examines Morricone’s work as mediated and indeed guided by Pasolini the consumer, curator and ultimately producer—for Arabian Nights(1974)—of recordings.Short BioGiorgio BiancorossoGiorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema(Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion(Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration(Routledge, forthcoming).Biancorosso is Professor of Music and inaugural director of the Society of Fellows at The University of Hong Kong. He is currently 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C.

Max Abner and Dahlia Nayar, Ph.D. candidates in performance studies, will present their in-progress dissertation research.Max Abner is a PhD candidate, musician, and curator who hails from Louisville, KY, has deep roots in Chicago, and is currently based in Oakland. Working from an anti-colonial settler positionality, he draws together discourses from sound studies, Indigenous studies, and critical theory to approach what he calls settler sound, a concept that accounts for the ways in which contested relations to colonized land play out in aural aesthetics. His dissertation attends to settler sound in the Bay Area experimental music/sound art scene. He has essays set for publication in Revealing Posthuman Encounters in Performance (Routledge) and Power in Listening: The Sound Out! Reader (NYU Press), his recorded curations can be heard on his music label Pontac Publications, and his live performance curations can be experienced at Beauty Supply Arts in Oakland. Dahlia Nayar’s project studies embodied manifestations of Quiet in multiple mediums of minoritarian performance. Her study curates a constellation of contemporary artists working in dance, theater, sound, and visual art with an attention to how Quiet emerges through bodies in relation to layered contexts and multiple subjectivities. She proposes that, as a minoritarian aesthetic, Quiet activates an ephemeral commons through resonance and attunement that allows expansive possibilities of relationality. Prior to her doctoral studies, Dahlia toured nationally and internationally as a choreographer, performer, and multimedia artist. She is a recipient of the Jacob Javits Fellowship, Massachusetts Cultural Council Fellowship in Choreography, and the National Dance Project Touring Award.

dj sniff (Takuro Mizuta Lippit) Composition Colloquium (CNMAT) – Nov. 22Title of your talkParallel Traces - Records that stoped the war, trained the ear, and gave birth to turntablismshort abstractFor this occasion, I will talk about how my practice in turntablism and free improvisation led to the creation of my latest works that deal with historical narratives manifested through vinyl records and their playback devices. Namely, I will talk about Parallel Traces of the Jewel Voice (2022) and The Inverted Listening of Explosive Enemy Aircraft Sounds (2023) which both examine the critical roles that phonograph records played during WWⅡ Japan and its colonized territories, and Transformer (2023) - a sound installation that is constructed by reinterpreting stories about Grandmaster Flash’s early experiments with sound technology.short biodj sniff (Takuro Mizuta Lippit) is a musician and curator in the field of experimental electronic arts and improvised music. His work builds upon a distinct practice that combines DJing, instrument design, and free improvisation. Over the years, he has collaborated with artists such as: Evan Parker, Otomo Yoshihide, Tarek Atoui, Senyawa and many others. He holds a B.A. from Keio University Department of Aesthetics and Science of Arts, M.P.S. from NYU Interactive Telecommunications Program, and Ph.D. from De Montfort University Faculty of Computing, Engineering and Media. Alongside his artistic work, he has held positions at various institutions such as Artistic Director of STEIM – Studio for Electro-Instrumental Music Amsterdam (2007-2012), Visiting Assistant Professor at City University of Hong Kong School of Creative Media (2012-17), and Associate Professor at Kyoto Seika University (2020 - 2022). Currently based in Los Angeles, he is the Co-Director of Asian Meeting Festival (AMF) - an international music festival that brings together experimental musicians from Asia since 2005, instructor at Shared Campus Summer Schools led by Zurich University of the Arts, and a part-time lecturer at Kyoto Seika and Tokyo University of the Arts Graduate School of Global Arts.

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

In one of the last public addresses Dr. Adrian Rogers delivered before his untimely demise at the age of 74, he warned pastors of the mortal threat presented to their ministries by the sins of lust and pride.