The Irish deputy PM says time is short to reach a trade deal this year, with much still to do.
On Earth Day, Richa Chadha made a video encapsulating a few things we can all practice to make a difference to nature. The video was simple and easy to understand for her fans of all ages. Admittedly, she's vegan because of the damage caused to the environment by large scale meat production. Here's hoping everyone can take a cue and learn to make basic changes to their lifestyles, so that the benefits of nature we're enjoying during this lockdown, can extend even when everyone gets back to work.
Richa's minute-long video explains simple tips and tricks to help save earth. It's not always about the larger things, small changes and differences can start at home. Her tips are easy to follow varying from making a small space to grow own basic produce like herbs at home or using recycled bottles of water instead of plastic or even avoid running tap water during brushing or segregating ones home waste or using kitchen scraps as compost for plants.
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Richa says on her social media, "Made a video today for earth day. These things are simple enough even for a 6-year-old but sometimes we tend to forget even the basics that can help contribute. While everyone is busy sharing videos and images of peacocks on roads, dolphins in the sea, clear blue skies. We shouldn't forget that nature is healing and we must not get back to our old ways when the lockdown is relaxed".
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Representational picture
Many people are so busy that they barely have time to eat, let alone pause for a water break, and you may find you often go hours and hours without quenching your thirst. But staying hydrated has real advantages, including helping you maintain your energy and focus so you can operate more efficiently, so it's important to give your drinking habits the attention they deserve. Dr. Manoj Kutteri, Wellness Director at Atmantan Wellness Centre gives some simple ways to make fueling up with fluid throughout the day a little easier
Always carry a water bottle
If you have a bottle within arm’s reach, it's very likely that you'll mindlessly sip from it throughout the day, without having to make a conscious effort. It is important to drink fluids during your workouts, especially if you are exercising outdoors or in a hotter climate. You should carry water with you while exercising. And it is necessary that you drink water in the few hours, leading up to your workout, as well as you need to be drinking water during the workout as well. It is recommended to drink a glass of water every 15 minutes during your exercise session
Have Infused Water
Drink infused water also called fruit-flavored water or fruit-infused water. Fruit-flavored water is a combination of fruits, vegetables, and herbs immersed in cold water. The health benefits of fruit-infused water include flushing toxins from your system, filling you up, so you don't eat much junk food, keeping your organs healthy while you are sweating, etc.
Electrolyte Drinks
Electrolytes are electrically-charged substances found in your blood, urine and other bodily fluids. They are essential to keep a healthy balance within the body and come in different forms, including chlorine, potassium, phosphate, magnesium, calcium and sodium. Sweat releases electrolytes, so in order to replenish them, you must consume foods and drinks that contain electrolytes like coconut water, citrus fruits, salt water, cranberry drink, watermelon juice, cucumber drink, etc.
Fruits and Vegetables
Another tip for staying hydrated in summer is adding fruits and vegetables with high water content to your diet. Strawberries, cucumbers and watermelon contain about 92 percent of water per volume. Other fruits with high water content are cantaloupe with 90 percent, grapefruit with 91 percent, and peaches with 88 percent. Pineapple, cranberries, orange and raspberries contain 87 percent water by weight. Also, vegetables like tomatoes, beetroot, carrots and celery contain water.
Also Read: Top 7 Tips To Keep Your Skin Hydrated And Healthy During Summer
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Things have not been going well for The Simpsons. Aside from the fact that it became America's longest running scripted TV series last month, having clocked 636 episodes. Last November, Hari Kondabulu, in his documentary The Problem With Apu, drew the world's attention to what Apu really was — a problem. The characterisation of this immigrant convenience store owner who had a PhD and eight children was sharply criticised. Describing Hank Azaria's voice of Apu, Kondabulu said it resembled "a white guy doing an impression of a white guy, making fun of my father".
The world took note, but, the creators of the series decided there was no problem with Apu. In a veiled attack on Kondabolu's film, the "Apu problem" is dismissed as a hazard of being "politically incorrect" in the words of Lisa, in an episode titled No Good Read Goes Unpunished. That, followed by The Simpsons' creator Matt Groening saying that people "love to pretend they are offended", it was a slippery slope for Apu and his makers. And while keyboard crusaders continue to express their ire, Indian-American producer Adi Shankar and John Rhodes, co-founder of a Hollywood screenwriting talent-discovery platform, launched a contest inviting writers to rewrite Apu. The winning script shall be pitched to the The Simpsons' makers. Here are three writers who have been on the job.
'I changed his voice'
Shreyas Manohar, 23, screenwriter
Nagpur born Shreyas Manohar moved to the US three years ago. He just graduated from Columbia university in English and Creative writing. He had also been working on spec scripts for diversity TV programs conducted by CBS and NBC, especially The Simpsons and Veep, when he came across this contest. "I couldn't comprehend how a show of this calibre could address the controversy in such a tone-deaf manner," he says. Priyanka Chopra was not the only one asked in high school in the US why wouldn't she speak like Apu. "One of my closest friends once remarked, 'If you could talk normally, would you?' It was hurtful, but, not surprising." Manohar's Apu in Much Apu About Nothing enrolls in an accent workshop being taught by Peter Sellers, the actor who inspired the character of Apu. The trials that the episode takes Apu through lends him a manner of speaking that's not a lazy caricature. "I changed Apu's voice, so that his actual voice, and not just his accent, is heard," he says.
'He could be more useful'
Forest Kirst, 61, flight instructor
A flight instructor by profession, 61-year-old Forest Kirst started watching the show in the early 90s. His students would carve Apu, Bart, Lisa in aluminum and brass. When Kirst learnt about the contest, he wanted to try his hand in creating a new Apu, because he too had certain reservations. Having travelled extensively in India and Pakistan, Apu's accent did not sit well with him. "It's annoying, but comical. It's a product of how the writers of the show remember accents of convenience store employees in LA." Kirst's Apu in Apu Saves Springfield is a hero. "I feel Apu could be a more useful character. In my story, world leaders and spies are on the hunt for Apu, the hacker. My Apu could use his knowledge in computers to reprogram a nuclear reactor. He could block Trump from tweeting thus saving the US from much embarrassment. But, Apu must remain a comedy character, who calmly runs his store while keeping his brilliance a secret." He points out that everyone on the show is a stereotype. "They are bumbling idiots. I hope people don't think Americans are as dumb and fat as depicted on this show."
'He reminded me of my dad'
Herman Dhaliwal, 25, aspiring filmmaker
Born to immigrant parents, Herman Dhaliwal grew up in Charlottesville. His dad, who passed away in 2015, used to own a convenience store. "Seeing any Indian guy on TV who owned a convenience store, was of course going to remind me of my father. I would say, both Apu and my dad were comically overqualified for the job. My father was also bit of a workaholic, and, like Apu, he was friendly but also stubborn," says Dhaliwal who was only four when he started watching the show. "Stereotypes are rooted in truth. When taken at face value, and out of context, they become caricatures. As writers, we need to educate ourselves to be able to create something sensitive and human," he says. His script, titled "The World of Apu", is taken from the third installment of Satyajit Ray's The Apu Trilogy. In this story, Apu is mute. "He has an accident at the store and turns mute. The rest of the story has him figuring how to deal with life after that," Dhaliwal says. Apu is not the only character he has changed. "I also wanted to give his wife Manjula something to do. If representation of South Asian men in American media is bad, South Asian women have it worse." In Dhaliwal's story, Manjula, takes on the reins of the store after Apu's accident. The man instead gets to use his skills as a computer science doctorate.
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Simmba
Director: Rohit Shetty
Actors: Ranveer Singh, Sara Ali Khan, Ashutosh Rana
Rating:
With this film, a super-star is born. Why would one risk this over-statement? Because super-stars in Bollywood, or in the Indian movie context, have remained, for decades, the most apt equivalent to Hollywood super-heroes.
They come with little or no back-story. As in the case of Simmba - being an orphan is good enough. The front-story, as it were, is neatly split between the hero, and the villain, along with a prologue, epilogue, heroine, comedian, extras, and the all-important 'takiya-kalaam' (stock refrain): "Tell me something I don't know!" The motivation, like with super-hero flicks, is rather rudimentary. Saving a girl is as good as repeatedly saving the world!
What matters is how the super-star, by sheer dint of his vigorous personality - where you can't distinguish between the actor and character - carries along an entire movie, and indeed the audience, on his strong shoulders alone.
Once the image is set, the penny drops, and while the going is good, the super-star on screen is good enough to ensure audiences in theatres. And there's got to be a reason why no star ever since the '90s, in a real sense, has been able to convincingly play this part that, I suspect, is the hardest to hit home with, anyway.
Ranveer Singh does just that. And how! Part Govinda, from Raja Babu type pictures in the '90s, part Anil Kapoor from Ram Lakhan in the '80s, but wholly holding his own in a typically Rohit Shetty action-entertainer, Singh adds tremendous credibility to a character that had begun to tire us over time.
For one, given his robust résumé (if you only compare this performance to the anti-hero Alauddin Khilji's in Padmaavat earlier this year), you know he isn't casually reprising a role, given a captive audience (that '90s super-stars had begun to). He puts in as much effort into Simmba as he might into a Bajirao Mastani, say, mastering the Marathi twang (without quite coming across as a parody of Nana Patekar); killing it softly with well-written one-liners; setting the dance floor on
fire; romancing like a dude; doing action, like a proper, desi hero!
You fall for Inspector Sangram Bhalerao (Simmba)-a cartoonish, corrupt cop, who wants to eventually right the society's wrongs-essentially, because, you fall for the stupendous Singh on steroids. Every scene works, because he does; and vice versa. The net result is a movie that, within the same space, seems better than Ajay Devgn's Singham (2011). But for the middling soundtrack, it would've been better than Salman Khan's Dabangg (2010).
Either way, what you won't go looking for is the picture's plot, based on the Telugu potboiler Temper (2015). Because you already know what to expect: Singh as a hero. Sonu Sood as a villain. Villain ke haraami brothers. Hero ki abla nari sister. And the rape, and the revenge drama, that follow.
I'm unsure if one adequately appreciates how hard, bordering on the near impossible, it is to engagingly pull off a masala-melodrama such as this. Shetty knows more than a thing or two about this timeless genre. Yet, this may well be one of his rare movies where the connoisseur and the crackling masses are most likely to seamlessly converge.
As an audience, the only way to know if a film of this sort is working (for you), is when you find yourself (sometimes guiltily, but mostly in a carefree sort of way) smiling, responding, and along with a packed theatre, reacting to shenanigans on screen-whether they entirely make sense or not ain't the point.
The script can be full of holes. You hope your brain isn't. This is how I caught this picture, with folk in the front-benches-whistling, clapping, making loud noises, and then going quiet, during dramatic sequences.
This only brings back strong memories of large single-screen cinemas - on the verge of extinction - with people on both cheap and super-expensive seats, sharing entertainment as a common, tribal experience. That's where you should go for this. As if on cue, to Ajay Devgn walks in as Singham. As does Akshay Kumar, announcing his next film cop-flick with Shetty, Sooryavanshi (2019). You might think this is meant to be a Ranveer starrer piggy-backing on '90s super-stars - inhabiting the same Marvel-like super-hero, cinematic universe. Look at him. I think it was the other way round!
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Kesari
U/A: Drama History
Director: Anurag Singh
Cast: Akshay Kumar, Parineeti Chopra
Rating:
First off, this might well be actor Akshay Kumar's finest performance ever. And this has much to do with an earthy, true-blue, proud Punjabiness that he exudes in his natural persona that translates so seamlessly on to the big screen; him fitting into the get-up like a glove, as Havildar Ishar Singh, a die-hard, hatta-katta soldier with a sharp disc on his huge turban, belonging to what the British deemed the 'martial race'—born to fight and protect, for community, and honour.
And that's tall compliment for a superstar, currently at the brightest phase of his career, who for years since he made his debut was condescendingly dismissed as woodwork—chiefly for the kind of work he starred in, of course.
Kumar, lesser known as Rajiv Bhatia, over the past few years, has upped his game to a point that you can't tell one character of his from the next (his last outing was as the iPhone sensation, Pakshi Rajan, in 2.0), naturally generating curiosity in ways that Aamir Khan has been capable of. Surely there are other contenders too, but hardly as prolific.
That said, you know where this film is coming from: 1897, Battle of Saragarhi, fought between Sikh soldiers under the British, and Afghan/Pashtun tribesmen from North West Frontier Province, or what's now the Khyber Pakhtunkhwa in Pakistan.
What's more important for the viewer to figure/gauge/understand is where this film is going—mainly towards mainstream, mass-belt audiences in Punjab/North, naturally inclined towards manic action films, exhibiting bravado of a community that has enough history to prove for it.
The director is most loved for massive Punjabi hits like Jatt And Juliet, and its sequel. Frankly, Sunny Deol is the only other actor I can think of who could so easily have pulled off this rustic 'gadarness' with gusto. The younger lot doesn't quite cut it in that sense. And Kumar has a cred that precedes his presence. Here he does to Sikh pride through dialogue-heavy, relatively over-the-top, period action-drama, what he attempted in Singh Is Kinng (2008) through comedy, with considerable success.
The key is the story of course. But the downer, the script/screenplay, probably naturally flows from there as well. For how do you spin off an entire feature from what's essentially a merciless, brutal battle between two groups, where the side you're on (the Sikhs) has no stake in the system?
They're minor soldiers. Their bravado is deliriously captivating, yes. You can see it. You can feel it. But the battle can't be the whole film. Well it is already half of it, with scenes leading up to the big moment essentially checking off boxes for issues that the film wants to perfunctorily highlight: caste, religion, colonialism, slavery. What you seek is simply what you get; no more, no less.
At the heart of this pic is the fact that 21 soldiers of a Sikh regiment held fort, carried on what was self-admittedly a suicide mission, against an army of over 10,000 tribesmen attacking them one fine day. Could this be a case-study on tactical warfare? How else did the Sikhs survive even more than a second? Or were the Afghans/Pashtun soldiers completely daft to suffer huge casualties still? Was there unlimited ammo at Saragarhi, or was the opposing side marching in with seriously primitive weapons?
The statistics are staggering. This explains why this film has been made and can be loved for that moment in military records alone. And which is why there is already a movie on the same episode on Netflix (with Mukul Dev; haven't seen yet), and another one that director Rajkumar Santoshi is currently shooting still.
Maybe there's more to the battle. Or maybe this in-your-face, goose-bumpy ride—heartwarming, because its history; and hysterical, because it's that kinda movie—is just the best one can do. Well, either way, this works alright.
Also read: Sikhs dress up in saffron hues to watch Akshay Kumar-starrer Kesari
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Every girl dreams of her very own moment in the spotlight, where all eyes stay on her. With the party season around the corner the pressure to look nothing but the best, is real but this season worry no more. Lakmé beauty expert Donald Simrock and TIGI Educator Audrey D'Souza share some of the simplest yet best kept party beauty secrets that will make sure, this December you are the life of the party.
1. Let your eyes do the talking:
Preparation: Start by moisturizing and nourishing your skin
Eye: Dab a subtle shade of eyeshadow from the Illuminate Royal Persia palette, and then use the Kohl to smudge the corner of the eye to give a smokey effect.
Pout that lip: Use a nice nude matte on the lip
Hair: Cleanse your hair with a volumizing shampoo and conditioner for that extra dose of moisture and protein to the hair. Add a dollop of smoothening serum for that silky-smooth finish on semi dry hair. Using a curler, take even horizontal sections of hair and wrap these sections around the tong. Once the hair is hot, remove the curler and leave it for a bit to cool. Continue this process over until you have completed the entire head then the curls lightly to get those perfect soft curls. Finish off by adding a hairspray to keep them in place.
2. The girl next door look:
Preparation: Moisturize your skin.
Eye: A winged eye is always in style.
Get Cheeky: A hint of colour from a blush never goes wrong.
Pout that lip: Use the same lip and cheek tint for this as well.
Hair: Shampoo and condition your hair with a moisturizing shampoo and conditioner, and towel dry. Use a brush to smooth strands. Gather your hair right below the crown of your head, smoothing the front and sides as you brush your hair back. Apply smoothening serum to reduce frizz and add texture. Still holding your hair with your right hand, apply a quarter-size amount of hair gel onto your fingertips, and then spread it all over your hair, starting a half of an inch back from your hairline to give it that wanted sheen. Spritz on some hairspray, which will provide an extra hold. Secure your ponytail with a bungee. After your ponytail is secure, take a section of hair from underneath it and wrap it around the bungee with bobby pins, for a chic, pulled-together look.
5. Play it simple:
Preparation: Give your skin an effortless glow by finding yourself the perfect shade.
Eye: Try the shimmer bronze from the shine line collection and get the metallic effect on the lids, don't forget the flutter secrets mascara to up the glam quotient.
Pout that lip: Try a gorgeous bold shade.
Hair: Spray some volumizing hair mousse on damp hair from root to end. This will help pump up the volume. Blast dry using a wide paddle brush. Curl your hair with a curling iron, working one-inch section. Make sure you leave about one or two inches of the ends untouched for a more natural feel. Tie your hair into buns and let them stay so for about 30 mins. Open them up and spot spray with hair spray to keep those waves in place
In 2016, Bollywood got a stellar performer in the form of Zaira Wasim, thanks to Nitesh Tiwari's Dangal. And with Secret Superstar and The Sky Is Pink, she proved to be a force to reckon with at a tender age. But she quit acting as she felt it was a hindrance to her religion. Despite mixed reactions, she stood by her decision and people respected her for that. However, despite quitting Bollywood, Zaira manages to grab attention through her social media posts.
Recently, she posted a statement on her social media account on how trolls can affect people and traumatise them for the rest of their lives. She also asked people for empathy. "We remain so unaware of the power of our words, an utter them without giving them an ounce of thought, little it is that we realise that our actions, words and stupid jokes impact people and influence their beliefs about their own esteem and integrity. Imagine somebody out there genuinely believes he's a loser just because of you, because of a joke, a meme, a comment you made just to look cool or funny in-front of your followers, but not everyone's born with a thick skin, not everyone can withstand the harsh criticism," she wrote.
She also reacted to how negative comments, trolls, memes and jokes can severely impact the mental well being and self-esteem of a person. "Imagine somebody out there genuinely believes he's a loser just because of you, because of a joke, a meme, a comment you made just to look cool or funny in-front of your followers, but not everyone's born with a thick skin, not everyone can withstand the harsh criticism," she said.
The Secret Superstar actress added, "Some are more vulnerable that others and become easily overwhelmed and disappointed in themselves, your words could be a reason for someone's heart to shatter, for someone to cry all night long. It can damage and traumatise someone beyond where language can reach and could scar someone for the rest of their lives. We refuse to even countenance the idea that some just have to struggle much more to reach minimum expectations."
Read her full statement here:
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Earlier too, the actress had put out a statement and asked us not to praise her since all these appreciations are dangerous for her Iman.
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The reticent Bobby Deol is hogging the limelight due to the poem, Chand roz ki baat hai yaaron, which he has recited in a music video. Written by Sanjay Masoomm, it appreciates the efforts of the Corona warriors.
The actor shares, "I was taken in by its simplicity. It resonated with me. It makes me happy to be associated with this positivity, and I appreciate the way this situation has made us all join hands and come together."
According to a report in IANS, Bobby Deol shared, "It makes me very happy to be associated with this positivity, and I appreciate the way this situation has made us all join hands and come together. Who knew that social distancing could bring people together, with all of us checking up on one another and being there for people emotionally, if not in person."
Sanjay Masoomm said, "When I wrote the lines, I wanted someone whose voice will add weight to them. I have worked with Bobby Deol in several films and I know he's not only got a powerful voice but also a heart of gold. He's a very emotional man and his voice will help this ode reach out to more people. Bobby has read it out wonderfully with all the feeling and emotions."
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Marriages in Tinsel Town have faced ups and downs, some have survived the toughest and harshest of times, a lot have ended, unfortunately. The latest marriage that has ended is that of Chahatt Khanna's sister Simran Khanna and Bharat Dudani. Speaking to SpotBoyE, she confirmed the news, "Yes, Bharat and I have divorced."
She added, "No animosity between us." When asked about the custody of their child, the actress said, "Well, Bharat has Vineet's custody. But I meet Vineet frequently. As I said, Bharat and I went separate ways but hold no grudges."
This is indeed a sad and shocking piece of news for all her fans and they are surely likely to be heartbroken. Just like a lot of other couples that continued their amicable relationship post their separation, we hope the same happens with these two.
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Singer Jessica Simpson was having a relaxing moment when she almost got hit in the face by son's baseball. Jessica is enjoying the quality family time as she quarantines amid the growing coronavirus pandemic.
But it's not all perfect moments for the Texas native as she isolates with her husband and three kids. She posted a photo of her in a bikini on Instagram as her son Ace hit a baseball that nearly collided with her face, reports dailymail.co.uk.
The 39-year-old is seen basking in the sun while floating on a mat. The baseball splashing next to her head is also visible. She wrote: "Attempted gettin' some sun and my son smacked a homerun from the driveway that almost nailed me in the face. Proof is in the splash. Needless to say, I got off the mat."
Simpson shares son Ace Knute and daughters Maxwell Drew and Birdie Mae with husband Eric Johnson.
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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever
Our long-drawn independence struggle saga is filled with innumerable stories of bravery and valour. Sadly, a few of them have been lost in the pages of history or only have local awareness. Uyyalawada Narasimha Reddy is one such great man who is credited to have fought a decisive battle a decade before the great 1857 rebellion. Ram Charan takes up the challenge of making a film on this figure, titled SYE RAA NARASIMHA REDDY, and it features his father, megastar Chiranjeevi. The presence of actors from other industries and that it releases in Hindi and other versions make SYE RAA NARASIMHA REDDY a pan-India film in the truest sense. So does SYE RAA NARASIMHA REDDY manage to entertain and stir up the viewers? Or does it fail to impress? Let’s analyse. <img class="aligncenter size-full wp-image-1025279" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/10/Syeraa-Narasimha-Reddy-10.jpg" alt="" width="720" height="450" /> SYE RAA NARASIMHA REDDY is the story of India's first chapter of freedom struggle. The year is 1857. The soldiers of Rani Lakshmibai (Anushka Shetty) are wondering whether a handful of them will be able to fight the huge British army. In order to motivate them, the Queen narrates the story of the brave Narasimha Reddy (Chiranjeevi) who revolted against the British a decade before the 1857 revolt. The story then goes in flashback mode. Narasimha Reddy is a ruler of a part of the territory in South India called Rayalaseema. He is a part of a polygar which consists of several other rulers like Avuku Raju (Sudeep), Basi Reddy (Ravi Kishan) etc. All these kings get pension from the British and are expected to be submissive to the Crown. Narasimha Reddy however is in disagreement with this arrangement and is finding a way out to free his kingdom from the clutches of the British. The region faces drought and to appease the rain gods, Narasimha Reddy's learned mentor Guru Gosayi Venkanna (Amitabh Bachchan) asks for a <em>yagna</em> to be conducted. Narasimha is shocked as he learns that the last time a similar yagna took place was in his childhood and that time, he was married off to Siddhamma (Nayanthara). But the married couple was kept apart as there was a <em>'dosh'</em> in their union and they could reunite only after another <em>yagna</em>. Narasimha Reddy is devastated at first as he loves Lakshmi (Tamannaah Bhatia). With a heavy heart, Narasimha Reddy leaves Lakshmi and advises her to use her dancing talent for the greater good. He then accepts Siddhamma and begins his married life. Despite the drought, the British officer Jackson (Oscar Skagerberg) asks for tax from farmers. He even mocks them and once while he’s doing so, Narasimha Reddy arrives and teaches him a lesson. An angry Jackson enters a village ceremony and eliminates 5 farmers and a child. Narasimha Reddy is so angry that he enters the British settlement, attacks the soldiers and then beheads Jackson. The other rulers of the polygar refuse to help him at first but then join Narasimha Reddy in challenging the mighty British Empire. What happens next forms the rest of the story. Paruchuri Brothers's story is excellent and makes for a grand, patriotic film. They have obviously fictionalized a lot of developments in the plot but it has been done very well. Surender Reddy's screenplay is confusing in the beginning as too many characters get introduced and it might seem difficult to understand who is exactly related to whom. But in the later sequences, the script is quite effective and packs a punch. Manoj Muntashir and Jitender Pawar's dialogues are sharp although some of them are over the top. Surender Reddy's direction is quite massy and simple. Most of the important scenes are well executed and leave a lasting impression. He stirs up the viewer’s emotions beautifully. One can’t help but hate the British for their atrocities and one can’t help but root for Narasimha Reddy for his acts. On the flipside, the initial portions are strictly average. The film moves too fast, since it’s already too long at 171 minutes and hence, a few scenes don’t make the desired impact. There’s also a déjà vu of BAAHUBALI, the Hollywood flick 300 and even surprisingly THE AVENGERS and this was avoidable in many places. SYE RAA NARASIMHA REDDY’s initial portions are not very impressive. The proceedings are neither great nor terrible – it’s somewhere in between. The first 30-40 minutes are spent in introducing the characters, the setting, location etc. The entry of Siddhama makes for a great twist in the tale. But a few developments are difficult to digest at this point. Sidhamma remembers her marriage, which took place in the childhood, without fail but Narasimha Reddy doesn’t even know he’s married! However, the film really picks up in the scene where Jackson arrives at a farmland and mocks a farmer. The manner in which Narasimha Reddy gives a monologue and challenges Jackson is clapworthy. The intermission sequence however is even better and the audiences in single screen cinemas will go crazy at this point. The second half too has some great moments though they could never reach the level of the aforementioned sequences of first half. It also gets a bit too long. But it keeps one engaged. The finale is powerful and the film ends on a rocking note. <span style="text-decoration: underline;">Ram Charan REVEALS Why He Has Not Acted In Sye Raa Narsimha Reddy | Chiranjeevi | Big B</span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/celeb-interviews/ram-charan-reveals-why-he-has-not-acted-in-sye-raa-narsimha-reddy-chiranjeevi-big-b-2/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> SYE RAA NARASIMHA REDDY has a great ensemble cast but the film belongs to Chiranjeevi. No two doubts on that! He owns the film with his performance and style. It’s also commendable to see him doing action at this age so well. His stardom is intact and that adds a lot to his character and to the film at large. Sudeep is quite good as the mysterious and badass ruler and would be liked by audiences. Tamannaah Bhatia has a supporting role but she springs a surprise in the second half. Watch out! Nayanthara gets a very raw deal and the only scene where she leaves a mark is when she confesses her love for Narasimha Reddy. Vijay Sethupathi (Raja Paandi) has a late entry but is entertaining. Jagapathi Babu (Veera Reddy) creates an impact in the pre climax. Oscar Skagerberg is excellent as the villain and would be remembered, though he’s there only in the first half. Ravi Kishan and Mukesh Rishi act well but their voices are dubbed by someone else, which makes their performance a little awkward. Lakshmi Gopalaswamy (Narasimha Reddy’s mother) is passable. Lastly, Amitabh Bachchan is smashing in the special appearance while Anushka Shetty as always is impressive. Amit Trivedi's music is nothing great but works in the film. <em>'Jaago Narsimha Jaago Re'</em>, played in the beginning, fails to make a mark. <em>'Sandal Meraa Mann'</em> isn’t memorable either. <em>'Sye Raa'</em> comes at an excellent juncture and very well shot. <em>'Saansein Teri Desh Hai'</em> is played in the end credits but doesn’t have the period feel. Julius Packiam's background score is way better and adds to the drama and exhilaration. Ratnavelu's cinematography is top-notch and goes on another level in the battle and action scenes. Rajeevan's production design is quite grand as well as authentic. Greg Powell, Lee Whittaker, Ram-Laxman and A Vijay's action is one of the highpoints of the film. It’s gory at times but done well overall. Anju Modi, Sushmita Konidela and Utthara Menon's costumes are regal. Sreekar Prasad’s editing is quite fast-paced and even reckless at places, which could have been avoided. On the whole, SYE RAA NARASIMHA REDDY is a great patriotic saga and a visual spectacle that leaves a tremendous mark thanks to its plot, Chiranjeevi’s performance and massy execution. At the box office, it has the potential to succeed.
Wimbledon champion Simona Halep, 28, is pretty shocked to see a global lockdown due to the Coronavirus pandemic. "Not even in my worst nightmares could I think that the globe can stop in such a way. For me, it's a shock because I'm pretty young and haven't gone through too many tough times. This is something that belongs to a fantastic realm. They have stopped travelling, flight in order to avoid affecting our health and well-being. Maybe it's the best interdiction," Simona, 28, told Romanian TV show Garantat 100%.
The former World No. 1, who is currently in isolation at her Bucharest home, is taking "maximum care" to avoid contracting the virus, fearing it could affect her lungs.
"In the beginning, I had this fear but then analysed the situation and figured out that if you protect yourself, everything will be OK but I'm afraid for those with health issues. I fear this virus because even if we are healthy and have good immunity–we may resist it–but it [the virus] will leave us with a serious lung affection. That's why I have decided to take maximum care of myself. That's why I have decided to take maximum care of myself," added Simona.
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Rafael Nadal said on Sunday that he was "very pessimistic" over a full resumption of the professional tennis circuit which has been halted by the coronavirus pandemic. "From my point of view, I'm very pessimistic that the circuit can resume a normal activity," said the world number two in a virtual chat origanized by the Spanish Federation of Tennis (RFET) involving the team that won last year's Davis Cup.
"In tennis, you need to travel every week, stay in hotels, go to different countries," Nadal said. "Even if it we play without an audience, to organise any event you need a lot of people involved, which cannot be ignored. At an international level I see a serious problem." Nadal said he hoped that restrictions can be relaxed gradually, but added that he was aware that the global health situation is serious. "We have had a very tough month and a half, with many irreparable losses as well as others that are less important that will still bring great suffering to society, I hope only for a few months, at the economic level," he said.
"Many people are going to lose their jobs." "These are sad moments when you see so many people dying," he said. Nadal had already told Spanish radio that he thought it would be "difficult" to stage one of the majors "in the short or medium term." Nadal has been working with his friend Pau Gasol, the Spanish basketball player, to raise funds in the fight the coronavirus. Along with other leading tennis players such as Roger Federer and Novak Djokovic, Nadal is one of the promoters of a plan to create a fund to help low-ranked players who are suffering financially.
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Former Pakistan speedster Shoaib Akhtar made a stunning claim, saying he would have taken Wasim Akrams life if the latter made an approach regarding match-fixing.
"I was watching few matches of the 1990s and I was amazed to see how Wasim Akram got Pakistan through impossible situations with his brilliant bowling," Cricket Pakistan quoted Akhtar as saying during a television show.
"I will say it very clearly that if Wasim Akram had asked me to do match-fixing, I would have destroyed him or even kill him. But he never said such a thing to me," he added.
The Rawalpindi Express also thanked Akram for supporting him during the early days of his cricketing career.
"I played with him for seven to eight years and I can quote many instances where he gave me cover by taking the responsibility of picking up the top-order wickets while leaving the tail-enders for me," said the 44-year-old.
"He even let me bowl from my preferred bowling even though he had a lot more wickets that I did," he added. Akhtar represented Pakistan in 46 Tests, 163 ODIs and 15 T20Is in which he scalped 178, 247 and 19 wickets respectively. Akram, on the other hand, played 104 Tests and 356 ODIs in which he bagged 414 and 502 wickets respectively.
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India pacer Mohammed Shami on Tuesday revealed what role Zaheer Khan and Wasim Akram have played in shaping his bowling career. Shami also revealed that growing up he used to look up to Sachin Tendulkar, Virender Sehwag, Zaheer, and Akram.
The pacer was doing an Instagram Live session with batsman Manoj Tiwary. "When we were growing up, we used to witness that India and Pakistan used to be the most intense matches. Sachin Tendulkar is a great of the game and I looked up at him when I was growing up. The best pair was of Virender Sehwag and Sachin. When it comes to batting, I used to look up to Sehwag and Sachin," Shami said during the Instagram Live session.
"When it comes to bowling, I used to look at Zaheer Khan. When India and Pakistan faced off against each other, I also used to like Wasim Akram. Both Zaheer and Akram were left-arm bowlers," he added.
Shami had a stint with Kolkata Knight Riders and as a result, he got the chance to learn from Wasim Akram as the former Pakistan bowler used to be the bowling coach of KKR.
The Indian pacer also had a chance to learn from Zaheer as the duo enjoyed a stint together at IPL franchise Delhi Capitals.
"When I came to KKR, I realised the skill and value associated with cricket. I watched Wasim Akram all my life on television, but with KKR, I had the chance to learn from him. For the initial days, I was not even able to talk to him.
"Wasim Bhai came up to me then, and he initiated the conversation with me and he started telling me things about bowling. He read me very fast, he realised what I am all about, I learnt a lot from him. If you have someone experienced close to you, then you should not shy away and try to learn maximum things as well," Shami said.
"Zaheer Bhai and I did not play much together, but whenever I got the chance to talk to him, he was very helpful. I spent time with him during IPL stint with Delhi Capitals, Zaheer Bhai is very experienced, I just wanted to learn how to go about bowling with the new ball," he added.
Shami was last seen in action during the two-match Test series against New Zealand. The pacer would have been in action for the Kings XI Punjab if the IPL had started on March 29.
However, the tournament has been postponed indefinitely due to the coronavirus pandemic.
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Wasim Akram has claimed that "some people" still use his name to "promote" themselves, a reference to ex-opener Aamir Sohail who has blamed the pace great for Pakistan not winning the World Cup since 1992. "Whenever I hear these negative things about myself I feel very sad that it has been 17 years since I retired but even today they are some people using my name to promote themselves," Akram said on a web show. Wasim said even he could say a lot of negative things about others but refrained from doing so.
"I can also make negative comments about these people but what purpose will it serve. That is why I keep quiet. I just think about the respect and love I have earned from the people over the years and even 17 years after retirement," he said. Sohail, who is also a former Pakistan captain, has claimed that Akram's job as captain in the 1996 and 19999 World Cup and as a senor player in the 2003 edition was to ensure that Pakistan never repeated their 1992 title-winning feat.
"It's very simple. Put the 1992 World Cup to one side and talk about the 1996 World Cup. In 1995, Ramiz Raja was captain. Saleem Malik was the captain before that, he was very successful and if he could have spent one more year as captain then Wasim would not have been leading the side," Sohail was quoted as saying by Dawn. "If you look at what happened till 2003, there was this persistence before every World Cup to remove the captain and put Wasim Akram in that role...Look, the biggest contribution by Wasim Akram for Pakistan cricket was making sure Pakistan does not win a World Cup after 92," he added.
Former Pakistan pacer Ata ur Rehman and former PCB chiefs, Khalid Mahmood and Lt General (retd) Tauqir Zia, have also mentioned Akram's name while discussing the match-fixing allegations of the 90s and the Justice Malik Qayyum report.
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PwC India has called for simplification of India's goods and services tax regime, in a report to mark 200 days since the regime entered into force.
Meeting on May 4, 2018, India's GST Council approved plans to simplify GST filing obligations.
The Swiss Government has said that from January 31, individuals and legal entitles domiciled in Germany will be able to use an online Swiss application to request a refund of Swiss withholding tax.
Highlights: Staying indoors during COVID-19 lockdown can wreak havoc on your child's mental health Keeping
The International Chamber of Commerce has warned that micro-, small-, and medium-sized businesses' growth prospects are being stymied by complex indirect tax regimes. It has released an issues brief that is intended to contribute towards international reform talks being led by the World Trade Organization.
The Swiss Government has said that from January 31, individuals and legal entitles domiciled in Germany will be able to use an online Swiss application to request a refund of Swiss withholding tax.