Posted by Victoria Strauss for Writer Beware®

On the internet, nobody knows you're a dog. It's a familiar meme...which can be turned around. On the internet, nobody knows you're not a dog.

I can claim, for instance, to be a well-known literary dog...er, agent, and as long as I put a little effort into the subterfuge, and only make the claim to people who are likely to want to hear from someone like who I'm pretending to be, at least a few of my targets will take me at face value.

One of the most common tactics used by scammers is solicitation, by phone and email. To make themselves seem more reputable and attractive, scammers often masquerade as dogs...that is, they try to impersonate real, reputable companies and individuals.

Sometimes the impersonation is just a vague (and therefore unverifiable) claim of industry expertise.


Sometimes it's a claim to be working with reputable companies (the scammer in this case is the little logo on the left):


Sometimes it's a claim to actually be a reputable company. Note the strategic use of the Hachette Book Group logo (the scammer is the supposed partner):


And sometimes the deception is more elaborate. Last week, Donald Maass of the Donald Maass Literary Agency posted this warning:


Don was kind enough to share the solicitations with me. Here's the first. The English is passable, but note the typo. Also note "Jennifer Jackson's" email address, which on a websearch doesn't match anything connected to the real Jennifer Jackson.


Here's the second solicitation, received after the author responded. The grammatical and other errors are much more obvious here, and if that's not enough to prompt caution, the next to last paragraph, with its demand for money, should be:


Techbooks Media, whose domain name was only registered a few weeks ago on January 15, sells a range of junk marketing at insanely inflated prices (for instance, placement in PW Select, which actually costs $149, for $699; or a Kirkus Indie review, which actually costs $575, for $1,699). Putting this together with the blatant deception, the ESL mistakes on the website and in the emails, and inside info from one of my confidential sources, Techbooks Media is certainly another of the Philippines-based marketing scams listed in the sidebar. Accordingly, I've added it.

Some tips for seeing through scams like this:

1. Proceed from a point of skepticism. An unsolicited contact from a real, reputable agent or publisher isn't automatically suspect, but it's rare. Out-of-the-blue contacts are far more likely to be illegitimate. Caution is definitely in order.

2. Mistrust--and verify. Google all the individuals and/or companies that are mentioned (are there complaints? Have they shown up on this blog?) If someone claims to have worked for a major publisher or agency, or a company claims to have placed books with reputable publishers or to have sold film or other subsidiary rights, see if you can verify the claim. If you can't, or if there are no checkable details (such as names or book titles) attached to the claim, be wary.

3. Use your common sense. Anyone can make an occasional typo, but professionals communicate professionally (no reputable agent would send out grammar-challenged emails like the ones from "Jennifer Jackson"). Check the email address and any links--do they match the person or company claiming to be contacting you? (There's nothing to connect Ms. Jackson with anything called Techbooks Media.) If there's a demand for upfront money, be sure it's a service or company that customarily charges such fees (reputable agents and publishers don't).

4. Contact Writer Beware. Always a good default if you aren't sure about an individual or company. We may have heard something, or received complaints, and if we have, we'll let you know.

UPDATE: According to additional documentation I've received, Techbooks Media is also doing business as Chapters Media & Advertising. Payments are made to Chapters, and Chapters' name is on the service agreement that Techbooks victims sign.

ANOTHER UPDATE: Jennifer Jackson (the real one) responds.

A surreal and ghastly experience. Someone has been contacting authors and taking my name (and my agency's name) in vain. Some details of what's been happening (and more): https://t.co/0M2HXf9E9V

— Jennifer Jackson (@arcaedia) February 7, 2020

I've personally been in contact with many of the authors that have reached out to DMLA. They've been generous and understanding. It's just broken my heart to hear them recount having an opportunity like this extended under false pretenses.

— Jennifer Jackson (@arcaedia) February 7, 2020

The more I've heard, the more horrid I've felt. While these authors are the targets, this person is also using me and my agency to exploit their hopes. Part of me feels like a victim too.

— Jennifer Jackson (@arcaedia) February 7, 2020

One of these authors told me they were sick of the corruption in publishing. Our whole industry gets hurt by things like this.

— Jennifer Jackson (@arcaedia) February 7, 2020

Offers of rep are exciting - for both authors and agents. It can be heady and wonderful. It's okay to pause. It's okay to ask questions. People who really believe in you will give you time to do that.

— Jennifer Jackson (@arcaedia) February 7, 2020

Bec Plexus “Busy Making Steps” “Busy Making Steps” seems to convulse in harsh, jagged zigzag motions, like the music is having an allergic response to the song’s candid and angst-ridden lyrics. Bec Plexus’ vocal performance is the most straight forward part of the song – theatrical and arch, but within the boundaries of mainstream pop. […]

A 14-year old schoolboy has allegedly committed suicide last night in Nalasopara east by hanging himself with nylon rope. The rope was tied to a pull-up bar situated in the garden premises of the complex he resided in. The deceased had a drawn a picture of a person hanging and had kept it in his bag, which the police also found.
 
The deceased has been identified as Huzaifa Nagori, who lived with his parents, grandparent and two younger sisters in Rashmi residency of Nalasopara east.

 
According to the police sources, last night around 11 pm, he was found hanging with nylon ropes tied to the pull-up bar. People informed to the Tulinj police, who rushed to the spot immediately and after conducting the Panchanama, sent the body for autopsy to a local government hospital.

"During the search, we found a diary in his bag in which a photo of a person hanging by the ceiling fan with a rope was drawn. Numbers written in Urdu and words written in English and Hindi have also been found in the dairy. Who drew the suicide pic and if it was drawn by Huzaifa, then why? Was he involved in some kind of online playing game? The officials are looking each and every possible angle and they are investigating the case accordingly," said a police official from Tulinj police station.
 
"The family is in trauma. They were in shock hence we did not inquire much information from them," he added. Huzaifa was studying in standard VIII in a Nalasopara-based school.

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Scenes from the play 

Stopping by a vada pav stall for a quick, satiating bite on a busy day or tucking into a sev-chutney laden Bombay sandwich, as breakfast at the office is a quintessential Mumbai experience. But who are the people who wake up at the crack of dawn to prep food that they then dish out with assembly line-like precision for the rest of the day? At the rates at which they sell the fare, what counts as profit? And do the exigencies of being on the street eat into it? If these are questions that have crossed your mind, find answers to them at the Mumbai premiere of Stand on the Street, a physical theatre performance spanning four acts that tell the stories of four street vendors from across India.

"Originally, the performance was commissioned for the Serendipity Arts Festival in Goa last year by chef [and the festival's culinary arts curator] Manu Chandra. We had worked on the smell and memory aspects of food earlier, and this time, the idea was to explore taste as the primary sense in the performance," shares director Aruna Ganesh Ram. She adds that the dishes that the vendors sell in the play - jhal muri, a spicy puffed rice preparation from Bengal; sundal, a yellow pea fried snack from Tamil Nadu; momos, a popular street food from Delhi; litti chokha from Bihar; and paan from Varanasi - will also be served to the audience. "Chef Chandra was keen on picking dishes that went beyond the popular items, which is why we don't have pav bhaji or dosa in the play," she says.

"We wanted the audience to eat, listen, and watch these performers behind their masks capture the essence of the country, not in a particular time period but over the last couple of decades. It became a metaphor for the prevailing socio-political conditions in India, but never obviously so," says Chandra.

Chef Manu Chandra

As part of their research, Aruna and her team - consisting of actors Anjana Balaji and Aditya Garg, who play all 10 characters in the play - fanned out across India to meet 250 street food vendors and listen to their stories. "We realised that a vast majority of the vendors had left their hometowns to embrace a new city for life. And they all shared a common dream - they did not want their children to suffer like them," says Aruna.

The masks, which the actors wear throughout the performance, give it a sense of universality. "After all, this is not the story of one particular character, but of the many street vendors with whom our association is no more than a flitting transaction," she says. What also emerged in the research was the politics of being on the street, from dust and pollution to having to pay bribes, and dealing with the nuisance of barking dogs.

"A momo vendor from Mangalore spoke of the irony of customers, used to eating frozen momos at restaurants, finding the taste of her fresh dumplings, odd," Aruna recalls, adding that the play weaves in the instance of the call for a momo ban that had surfaced in Jammu last year. On the day of the performance, the team is up at 5 am to prepare all five dishes from scratch. "If we have to internalise their stories, we must live their life," Aruna sums up.

From: April 25 to 27, 8 pm (The Cuckoo Club, Bandra West); April 28, 6.30 pm and 29, 8 pm (Piramal Museum of Art, Byculla)
Log on to: bookmyshow.com
Entry: Rs 499

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After the death of three police personnel due to COVID-19, the Mumbai police are telling constables aged above 55 years and those having existing ailments to immediately proceed on leave. The option for the paid leave was made available on Monday and will last till the lockdown.

Accordingly, the police top brass has directed police stations and traffic divisions to give leave to such constables. If a constable still wishes to come to work, he will be allowed to.

Traffic cops are most vulnerable as their work involves highest people-to-people contact

The three deaths in the Mumbai police workforce occurred within 48 hours. Wanting to save the rest of their colleagues who might be especially vulnerable, senior officers have given clear instructions.

"We have given orders to police stations and traffic divisions to give leave to constables aged beyond 55 years. Those having serious health issues have also been advised to take rest," said Param Bir Singh, commissioner of Mumbai police.

A policeman checks a car at Bhendi Bazar. Pic/Ashish Raje

"On Sunday, we asked for information from the headquarters about constables aged between 50 to 52, 52 to 55 and 55 to 58 years and any ailments they might have," said a senior police officer on condition of anonymity.

Health experts have observed that people aged above 50 and having health issues such as diabetes, asthma and heart conditions are more susceptible to the Coronavirus. "Since the beginning of the lockdown, we had asked our senior inspectors and traffic division in-charges to assign desk duties to constables aged above 50 years, with minimal contact with outsiders," said another officer. "Yet we lost three personnel. Hence, we are enforcing the policy further to avoid more fatalities," added the officer.

Deputy Commissioner of Police and spokesperson for Mumbai police, Pranaya Ashok said, "The message is loud and clear — cops aged above 50 should not be posted in hotspots or in containment zones. In fact, they should serve for tasks that involve minimum social contact. Now we are going a step forward by giving constables aged above 55 years the option to go on leave."

"Enforcing law and order is our priority but saving the lives of our men is also our duty. Therefore, we have given such constables the option to stay home April 27 onwards till the end of the lockdown. Traffic cops have the most contact with people, making them the most vulnerable," said a senior officer from the traffic police.

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Soon after reports of Irrfan Khans hospitalisation became public on Tuesday, rumours started doing the rounds in a section of the media claiming that the actor had passed away. An official statement had to be issued on behalf of the actor at around 1am on Wednesday to quash all such extreme rumours.

"It's really disappointing to know that there are extreme assumptions being made about Irrfan's health. While we are truly appreciative that people are concerned, it's disheartening to see some sources spread extreme rumours and creating panic. Irrfan is a strong person and is still fighting the battle. We really request you to not fall for rumours and not partake in these conversations which are fictional. We have always actively clarified and shared updates on his health and we will continue doing so," said the statement, issued on behalf of Irrfan by his spokesperson.

The 53-year-old actor had been admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the intensive care unit (ICU), as reported by IANS in an earlier report on Tuesday.

"Yes it is true that Irrfan Khan is admitted to ICU at Kokilaben in Mumbai because of a colon infection. We would keep everyone updated. He is under doctor's observation. His strength and courage have helped him battle and fight so far and we are sure with his tremendous willpower and prayers of all his well wishers, he will recover soon," said the earlier report issued on behalf of Irrfan by his spokesperson.

The actor has been ailing ever since he was diagnosed with neuroendocrine tumour a while back, and has been under medical attention for the same.

Irrfan is currently mourning the loss of his mother. The actor's mother Saeeda Begum breathed her last on Saturday in Jaipur where she used to stay. However, owing to the ongoing lockdown, the actor could not physically attend his mother's last rites and reportedly paid his last respect through video conferencing.

On the work front, Irrfan Khan was last seen in "Angrezi Medium", last-released Bollywood film before COVID-19 forced complete shutdown of cinema halls. "Angrezi Medium" ran in theatres for just a day before halls all over India were shut down.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Irrfan Khan found success even in the harshest of times. The greatest stories are born out of sheer and scarring rejections and that's what Khan had to go through during his early years in the Hindi film industry. I'm reminded of an interview when he spoke about crying profusely on Raghubir Yadav's shoulders after Nana Patekar was given the role he was playing in Mira Nair's Salaam Bombay. But he knew he wanted a life and career in front of the camera.

Another great thing about success is that it never discriminates. Khan's was an unconventional aura yet very charming. He hailed from Jaipur, stayed at Tonk Road and had dreams of making it in Bollywood. The nation saw him for the first time in the immensely successful serial, Chanakya, and his eyes were so gripping and powerful, the viewers couldn't help but be hooked by his persona. He was here to stay.

His early years in Hindi films may have been unsensational but never once anyone doubted his tenacity as an artist. Even in smaller roles like Kasoor and Footpath, you could see the sincerity and earnestness with which he approached these characters. There was something special about his emotions and gravitas that with the same amount of expressions, he could be both chilling and comical. On one hand, we had a film like Gunaah, where he played an inebriated and innocuous police officer, and on the other hand was a film like Hindi Medium, where he made the audiences laugh and even cry.

He won the National Award for Paan Singh Tomar, a film that was driven by rust and robustness, and so was his performance as the eponymous character. It was only after this that he began to get roles that were not only exciting but also very exhilarating, for him and us, both. In The Lunchbox, he played Saajan, an ageing and ordinary man who falls in love with a woman he has never met, thanks to her delicious food that accidentally lands at his office desk. It was a restrained, real, and rousing performance that will always stay as delicious and fresh as the food he consumed.

Another crackling performance was in Shoojit Sircar's Piku, where he was pretty much stuck between a clumsy father and his cantankerous daughter. His deadpan demeanour always works in favour of the films he's a part of, and Piku was one of them. Call it the magic of the narrative or his own Midas touch that even if a single muscle doesn't move on his face, we know exactly how and what he's feeling. And that's precisely what he aspired for, to be a great artist. He never craved fame.

He once said, "Wanting fame is a disease and one day, I want to be free from this disease." Today, by God's will, he has been set free from all his pain and suffering as he departs, leaving behind tons of memories and superlative films and performances. Rest in peace, Irrfan Khan, until we meet again!

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Actress Rati Agnihotri, who worked with Rishi Kapoor in films like "Tawaif" and "Yeh Hai Jalwa", says the late actor will be greatly missed.

"(It's) A huge loss. (He used to be) So alive. I will miss him a lot. He was a wonderful person. Rest in peace Rishi, " Rati, who currently lives in Poland, told IANS.

Rishi, who died on Thursday in Mumbai after a two-year battle with leukaemia, had featured in several iconic films in his career of over four decades. And in his Bollywood journey, he had been a part of several women-oriented films. "Tawaif", in which Rati has the starring role, is one such film.

In the movie, Dawood (Rishi) accepts Sultana (Rati), a courtesan, as his wife in spite of being in love with an author, Kaynat (Poonam Dhillion).

Rishi had even once shared his happiness to be part of such films.

"Since the olden time whenever there were films made on the idea of women empowerment, I was part of those films, like 'Prem Rog', 'Damini', 'Tawaif', 'Chandni', and many more. I have done many films that reflect the future way of thinking. I have always played my part. I have always helped and encouraged women empowerment," he once said.

"No one can say that I haven't done anything; you can blame other actors who have always done macho films and actions films. I am the one who has supported and made such films I can't think of anyone else who has," Rishi had said.

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Last seen in Welcome to New York (2018), Lara Dutta Bhupathi is back on the scene with the web series, Hundred, which marks her digital debut. "It just fell into place. I wasn't actively looking for anything. I thought it would be interesting to be part of the web culture."

The offer landed in her lap rather suddenly. "Though I have known Ruchi [director Narain] for years, we never spoke about working together. I always wanted to be directed by a woman. I like her work, so, I thought I'd give it a shot when she made the offer." At odds with the roles she has played in Bollywood till date, her character in Hundred was age-appropriate. Dutta's Soumya Shukla is a cop, a part she has never played before. "The experience was educational. I needed to get the body language and nuances on point. I even met a couple of women DCPs to get a better insight."

Digging deep into her character, Dutta says she hasn't explored a role that is as layered as this one. "[She is] ambitious, unapologetic and frustrated, and also faces issues in her marital life. There were so many aspects to her persona that intrigued me." What also drew her to the show was co-star Rinku Rajguru, best remembered for Sairaat (2016). "We are generations apart. I thought we would make for an interesting combo. We come from different worlds."

Shooting for the Hotstar web series in different locations of Mumbai was an eye-opener.

"Despite living in Mumbai for 25 years, I didn't realise how much more there is to the city. I got to see the gritty underbelly as we shot in real locations." Despite hubby, tennis champ Mahesh Bhupathi, being her sounding board, she refers to daughter Saira as her biggest critic. "She is excited to see me on screen, but also keeps critiquing."

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Zoya Akhtar is a pioneer when it comes to thinking outside the box and delivering the best of content. The director has done it once again with the "I for India initative" to help reduce the impacts of Covid-19.

The initiative has been making headlines ever since it was announced with everyone waiting for the event to go live. Spanning over four hours, the Facebook live event saw 85+ celebrities from Bollywood take part in it including international celebrities like Will Smith and Mick Jagger joining in as well along others.

The event saw artists do various performances in the safety of their homes to raise money for GiveIndia.org to support frontline workers fighting the Covid-19 pandemic and also to help people like daily wage workers who have been affect due to the ongoing crisis.

The vision for the concert was three-pronged: to entertain those locked down in their homes. To pay tribute to those who are working on the frontlines. And to raise funds for those who have no work and no home and do not know where their next meal is coming from.

Needless to say, the concert was a huge success and managed to raise substantial amounts of funds that will indeed benefit those in need. The 'I for India' initiative was organised by Zoya Akhtar and Karan Johar.

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In a devastating piece of news, Rishi Kapoor left us for heavenly adobe on Thursday, 30 April at 8:45 am after a two-year battle with leukaemia. His last rites were performed at the Chandanwadi Crematorium in Kalbadevi, Mumbai, near the H.N Reliance hospital where he was admitted. The late actor is survived by his wife Neetu Kapoor, son Ranbir Kapoor and daughter Riddhima Kapoor.

Riddhima, who lives in Delhi, could not make it to the funeral in Mumbai. She has been pouring her heart out by regularly sharing pictures of the late actor and mourning his loss. Recently, Riddhima shared a heartbreaking picture of Rishi with his late mother Krishna Raj. In the picture, Rishi is seen holding his mother's hand as if asking her for a dance. Sharing the picture, she wrote, "Reunited with his most favourite person (sic)".

Along with it, she also shared a throwback picture of Rishi with Neetu Kapoor during their wedding celebrations. In the black-and-white picture, Rishi is seen in a suit, while Neetu has donned a heavy sari with bridal jewellery.

Riddhima had to attend her father's final rites via video call as she was denied permission to fly due to lockdown. She had to travel by road in a car after securing a movement pass. Riddhima took to her Instagram and poured her heart out through multiple Instagram stories.

Riddhima shared a couple of photos on her Instagram story, which will bring tears to your eyes. In the pictures, we can see Rishi, Neetu and Riddhima in their happier times. "I miss you already. Come back na papa". "Wish I could be there to say goodbye to you papa," she wrote.

On Monday, Ranbir Kapoor and Neetu attended his prayer meet. Riddhima also arrived with her daughter Samara Sahni to be with her family. Later, Ranbir, Neetu, accompanied by Alia Bhatt and Ayan Mukerji, visited the Banganga Tank to immerse the late actor's ashes.

Rishi Kapoor had been battling cancer since 2018 and had spent a year in New York seeking treatment for the same. He breathed his last at age 67. The actor left behind millions of memories for all his fans and Cinema lovers that can never be forgotten. With a career of over five decades and tons of blockbusters and classics, we shall make sure he's always alive and among us!

You will be missed Chintuji!!

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She may have dressed up the biggest Bollywood names in her unique designs but nothing has given Masaba Gupta as much joy as making face masks for frontline warriors. She has created a line of non-surgical reusable masks, Maskaba, for police personnel in appreciation for working tirelessly for the well-being of citizens during the pandemic. The rest can shop from the Maskaba collection, online. For every mask sold, the designer will donate one to charity. We like.

The designer has dished out an initiative called Maskaba in the most stylish manner. While the pandemic has brought all operations at House of Masaba at a halt, the designer and actress is keeping her business ship afloat in these testing times quite creatively.

Sharing details of the same on Instagram, Masaba also stated that while executing this idea all hygiene and safety standards are being kept in mind. These stylish masks are being made from fabric that was meant for garments, and are washable and reusable. A team of three workers who are staying at the same production facility are making these masks.

Apart from this, Masaba is also posting motivational content on her Instagram handle. 

Masaba also shared a collage of the women working for House of Masaba. In the picture, nine women can be seen standing with placards that reads: We're all in this together. Let's flatten the curve. Although Masaba didn't feature in the post, she captioned it: Some of the incredible women at House of Masaba - reminding us that the only way to stick together right now...is to stay apart.

 

 

 

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Some of the incredible women at @houseofmasaba - reminding us that the only way to stick together right now...is to stay apart. ðŸ¤ÂðŸ¤ÂðŸ¤Â #flattenthecurve #masaba #quarantine

A post shared by Mufasa✨🌙 (@masabagupta) onMar 24, 2020 at 6:52am PDT

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Shashank Vyas is not a social media addict. He says he chose not to make his personal life public by posting pictures or tweeting private details. "All this time I have been accused of not being on social media by my fans. I don't take social media seriously. It is a fun thing and I only use it to reach out to my fans, that too once in a month," said the young actor.

"One has a choice of being on it or not being on it. I choose not to make my personal life public by posting pictures or tweeting private details. It is an individual choice at the end of the day. Posting everything online and then complaining of invasion of privacy is a hypocritical thing to do," he added.

He feels that just like having a million followers won't affect his craft, similarly having fewer followers won't affect his "dream, my health, and my craft". "Through social media, one only wants to seek social validation or adulation to feel good about themselves. In other words, it is all illusionary space. The key to happiness is in my pocket and not in someone else's hand," he said.

Meanwhile, Shashank said that he has always tried to concentrate on his work and agrees that there might not be too many great roles out there. "Any seasoned actor who in the real sense is passionate about acting, will not pick up a role casually. There is a huge scarcity of good writers. Right now, only supernatural shows are getting made, which does not offer much to an actor in terms of creative satisfaction," he said.

"Many fantastic actors say no owing to the lack of good scripts. A script has to be so compelling that you hear it once and you know you would like to be a part of it. If the role is well-written on paper then an actor has to be physically and mentally present and everything will turn out good. The part where an actor is not convinced is the logic bit. The audience today is spoilt for choice with the vast amount of shows to choose from and they will not accept just about anything. The content has to be compelling," added the "Balika Vadhu" actor.

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Karan Tacker was famously linked with Ek Hazaaron Mein Meri Behna Hai co-star and on-screen wife Krystle D'Souza, but neither actor made their relationship official. However, the audience always knew that they were together and also rooted for the couple.

In a recent interview with ETimes, Karan Tacker opened about why the couple parted ways. And it wasn't because of personal difference, as Tacker claims. He told the website, "Krystle and I never said that we separated because of personal differences. However, I wouldn't get into further details on this." Tacker also shared that he's not in touch with Krystle any more.

When asked if Karan, given the chance, would work with Krystle again, he said, "I don't really look at who's working with me for the project. As I said, I look into a script. If the script appeals to me, everybody else comes with the project. I don't really have a problem."

Recently, during an Instagram live chat, Karan Tacker was asked if he has kept in touch with his exes during the lockdown. Karan replied that since all his exes are his good friends, he's been checking up with all of them. Reacting to this, Karan Johar started pulling Karan Tacker's leg, asking him if he was sure that he messaged every single person? To this Tacker laughed and said, "Not every single person… but you know what I mean."

On the work front, Karan Tacker was recently seen in Neeraj Pandey's Special Ops on Hotstar. Karan was seen in the role of an undercover agent in the action thriller series. Special Ops also features Kay Kay Menon, Divya Dutta, Vinay Pathak, Muzammil Ibrahim, Vipul Gupta, Sajjad Delafrooz, Parmeet Sethi, Gautami Kapoor, Sana Khan, Sharad Kelkar, and KP Mukherjee.

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A total of 64 police personnel in Maharashtra have been found coronavirus positive till now, the state police said here on Wednesday. According to Maharashtra Police, "12 police officers and 52 policemen have been found coronavirus positive in the state till now."

As per the data, 62,987 cases have been registered under Section 188 of IPC for violating lockdown from March 22 till April 22. The number of persons found by police violating quarantine measures is 595. "477 accused have been arrested in cases of assault on policemen. The total number of incidents on assault on police are 134.

13,869 people have been arrested since March 22 till 4 am today for violation during coronavirus lockdown, the police said. A total of 44,135 vehicles have been seized.

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In a shocking development that sparked fears of local transmission, 41 persons residing in a single building in Kapashera in south-west Delhi have tested positive.

"One woman had tested positive on April 18. She was immediately shifted to a hospital. But considering the density of people housed in the building's small rooms and common toilets, we contained the area for public good," south-west Delhi's District Magistrate Rahul Singh said on Saturday.

The incident was reported in Theke Wali Gali near the DC office in Kapashera. As per the guidelines, a containment zone is created if at least three positive cases are reported in a particular area. "Samples of all residents of the building were collected and sent to National Institute of Biologicals, Noida. Of the test reports of 67 persons made available on Saturday, 40 tested positive," official sources said.

"The samples were collected on April 20 and 21 but due to closure of inter-state borders and high pendency with NIB, the results were delayed by around 10 days," the officer added.

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Three people have been arrested for allegedly raping a woman at a school in Batoda in Rajasthan's Sawai Madhopur district.

"A complaint was registered by the woman herself on April 24. Her medical examination has been done and accused persons have been arrested," police said.

Further investigation is underway.

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Astad Deboo explores the space at Studio Tamaasha in his show. Pics/Ritam Banerjee

"When you sit inches away from the performer, there could be an initial moment of awkwardness. But then it gets exciting, and a strong bond forms between the audience and the artiste. There is no getting away here," says acclaimed theatre director Sunil Shanbag about the dynamics of performing in an intimate space like Studio Tamaasha, which he founded in April last year.

This Saturday, the viewer-performer relationship will acquire a new dimension as ace dancer-choreographer Astad Deboo takes the stage at Studio Tamaasha to present a solo performance, Liminal: Below the Edge, specially designed for the Versova venue. "Sunil and I go back nearly 40 years. When I saw the space, I found it exciting and it called out to me. I do a lot of site-specific work, but this is the first time I am in such a compact space," says Deboo about the collaboration, adding that the performance deals with the turmoil, unrest and uncertainty we are experiencing today. The music has been composed by Michael Brook, Paul Giger and the late U Srinivas, The venue has a T-shaped stage with the audience seated on either side. Deboo's performance has been created to explore three different parts of the space. "A lot of work that I do is very controlled. If I am raising a leg, the viewer [in an intimate set-up] can see the movement vividly. It's an experience for the audience to see the performer up close," shares Deboo.

Shanbag believes that there is a certain openness to the way the studio can be used. But with Deboo, it was a different experience. "Astad is a master at using spaces. A lot of what one has learnt about space has been from watching him in the past. It felt perfectly natural to ask him if he would like to do something here. And he has the ability to make you see your own space differently."

Sunil Shanbag

How do they view the recent surge in the number of alternative performance spaces in Mumbai? "It is good to see that these spaces have sprung up. I find Sitara Studio in Parel interesting, too," says Deboo, who feels that intimate venues lend themselves well to previews of works in progress. Back from South America, where he and his company were invited to perform at the 25th anniversary celebrations of the festival of the Arts in Santiago, Chile, Deboo is creating a show suited for the Tao Art Gallery space in Worli.

Shanbag calls the development exciting. "It's adding to the richness of the cultural landscape of the city. But it's also a good time to point out that this is all created by the performing arts community, with no support of any kind," he says. "It's an amazing spirit. You go out there, find spaces, and make them performance-ready. Something good has to come out of this."

ON: February 10, 7.30 pm
AT: Studio Tamaasha, Bungalow No 76, Aram Nagar, Versova,
LOG ON TO: bookmyshow.com
ENTRY: Rs 354

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Washington D.C.: Many people are often torn about reaching their personal goals at any given cost. However, turns out, such goal conflict is associated with the symptoms of psychological distress, according to a new study conducted by the University of Exeter. A survey of more than 200 young adults investigated two forms of motivational conflict.

These were inter-goal conflict (when pursuing one goal makes it difficult to pursue another) and ambivalence (conflicting feelings about particular goals).

The results showed that each of these forms of goal conflict was independently associated with anxious and depressive symptoms, but did not predict worsening of symptoms over one month.

"People with poorer mental health are more likely to report that their personal goals hinder one another," said researcher Nick Moberly.

"Such conflict between goals may be more manageable if it is conscious. However, ambivalence may indicate a clash between a goal and a higher-order value that lies outside awareness. Attention to these deeper motivational conflicts may be an important step towards resolving them and relieving distress", continued Moberly.

Professor Joanne Dickson said, "We know that striving for goals that are important to us gives life meaning and purpose and promotes wellbeing. However, when these goals generate conflict they can contribute to psychological distress."

Inter-goal conflict occurs either because the objectives are incompatible or because pursuit of both goals draws upon a limited resource, such as time or money.

For example, a person's goal to spend more time with their family may conflict with their goal to get promoted at work.

Ambivalence is thought to reflect a deeper motivational conflict of which the person is unaware.

For example, a person may feel ambivalent about initiating an intimate relationship because this challenges a more abstract goal of independence.

The young adults in the study were aged 18-35, with an average age of 20. The findings from the study are published in the journal Personality and Individual Differences.

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