can Investors can now file class action suits against errant cos By www.thehindu.com Published On :: Mon, 06 Jun 2016 00:00:00 +0530 Full Article Mumbai Capital
can Kanguva cannot be released without depositing ₹20 crore: Madras High Court By www.thehindu.com Published On :: Tue, 12 Nov 2024 19:40:17 +0530 Justices G. Jayachandran and C.V. Karthikeyan pass the order on an application filed by the Official Assignee of the High Court Full Article Tamil Nadu
can Mechanical properties soft hydrogels: assessment by scanning ion-conductance microscopy and atomic force microscopy By pubs.rsc.org Published On :: Soft Matter, 2024, Accepted ManuscriptDOI: 10.1039/D4SM00966E, PaperTatiana Tikhonova, Yuri M. Efremov, Vasilii Kolmogorov, Aleksei Iakovlev, Nikolay Sysoev, Peter S. Timashev, Victor Fadeev, Alexander Tivtikyan, Sergey Salikhov, Petr Gorelkin, Yuri Korchev, Alexandr Erofeev, Evgeny ShirshinThe growing interest in biomimetic hydrogels is due to their successful applications in tissue engineering, 3D cell culturing and drug delivery. Major characteristics of hydrogels include swelling, porosity, degradation rate,...The content of this RSS Feed (c) The Royal Society of Chemistry Full Article
can Can Guava, Chikoo, Papaya Reduce Blood Sugar? By www.rediff.com Published On :: Wed, 08 May 2024 12:15:02 +0530 rediffGURU Komal Jethmalani, a diabetes expert and dietician, has the answer for you. Full Article
can Future Accessibility Guidelines—for People Who Can’t Wait to Read Them By 24ways.org Published On :: Tue, 03 Dec 2019 12:00:00 +0000 Alan Dalton uses this, the International Day of Persons with Disabilities, to look back at where we’ve come from, to evaluate where we are, and to look forward to what’s coming next in the future of accessibility guidelines. Happy United Nations International Day of Persons with Disabilities! The United Nations have chosen “Promoting the participation of persons with disabilities and their leadership: taking action on the 2030 Development Agenda” for this year’s observance. Let’s see how the World Wide Web Consortium (W3C)’s Web Accessibility Initiative (WAI) guidelines of accessibility past, present, and yet-to-come can help us to follow that goal, and make sure that the websites—and everything else!—that we create can include as many potential users as possible. Guidelines of Accessibility Past The W3C published the Web Content Accessibility Guidelines (WCAG) 1.0 on 5th May 1999, when most of us were playing Snake on our Nokia 3210s’ 1.5” monochrome screens…a very long time ago in technology terms. From the start, those guidelines proved enlightening for designers and developers who wanted to avoid excluding users from their websites. For example, we learned how to provide alternatives to audio and images, how to structure information, and how to help users to find the information they needed. However, those guidelines were specific to the web technologies of the time, resulting in limitations such as requiring developers to “use W3C technologies when they are available […]”. Also, those guidelines became outdated; I doubt that you, gentle reader, consult their technical documentation about “directly accessible applets” or “Writing for browsers that do not support FRAME” in your day-to-day work. Guidelines of Accessibility Present The W3C published the Web Content Accessibility Guidelines (WCAG) 2.0 on 11th December 2008, when most of us were admiring the iPhone 3G’s innovative “iPhone OS 2.0” software…a long time ago in technology terms. Unlike WCAG 1, these guidelines also applied to non-W3C technologies, such as PDF and Flash. These guidelines used legalese and future-proofed language, with terms such as “time-based media” and “programmatically determined”, and testable success criteria. This made these guidelines more difficult for designers and developers to grasp, but also enabled the guidelines to make their way into international standards (see EN 301 549 — Accessibility requirements suitable for public procurement of ICT products and services in Europe and ISO/IEC 40500:2012 Information technology — W3C Web Content Accessibility Guidelines (WCAG) 2.0) and even international law (see EU Directive 2016/2102 … on the accessibility of the websites and mobile applications of public sector bodies). More importantly, these guidelines enabled designers and developers to create inclusive websites, at scale. For example, in the past 18 months: Intercom made their web Messenger accessible, achieving Level-AA conformance; Vimeo made accessibility updates to their video player to achieve Level-AA conformance; Stripe designed a new accessible colour system to conform with success criterion 1.4.3 (“Contrast (Minimum)”). The updated Web Content Accessibility Guidelines (WCAG) 2.1 arrived on 5th June last year—almost a 10-year wait for a “.1” update!—and added 17 new success criteria to help bring the guidelines up to date. Those new criteria focused on people using mobile devices and touchscreens, people with low vision, and people with cognitive and learning disabilities. (If you need to get up to speed with these guidelines, take 36 minutes to read “Web Content Accessibility Guidelines—for People Who Haven’t Read Them” and Web Content Accessibility Guidelines 2.1—for People Who Haven’t Read the Update.) Guidelines of Accessibility Yet to Come So, what’s next? Well, the W3C hope to release another minor update (WCAG 2.2) in November 2020. However, they also have a Task Force working on produce major new guidelines with wider scope (more people, more technologies) and fewer limitations (easier to understand, easier to use) in November 2022. These next guidelines will have a different name, because they will cover more than “Web” and “Content”. Andrew Kirkpatrick (Adobe’s Head of Accessibility) named the Task Force “Silver” (because the initials of “Accessibility Guidelines” form the symbol of the silver element). The Silver Task Force want the next major accessibility guidelines to: take account of more disabilities; apply to more technologies than just the web, including virtual reality, augmented reality, voice assistants, and more; consider all the technologies that people use, including authoring tools, browsers, media players, assistive technologies (including screen readers and screen magnifiers), application software, and operating systems. That’s quite a challenge, and so the more people who can help, the better. The Silver Task Force wanted an alternative to W3C’s Working Groups, which are made up of employees of organisations who are members of the W3C, and invited experts. So, they created a Silver Community Group to allow everyone to contribute towards this crucial work. If you want to join right now, for free, just create a W3C account. Like all good designers, the Silver Task Force and Silver Community Group began by researching. They examined the problems that people have had when using, conforming to, and maintaining the existing accessibility guidelines, and then summarised that research. From there, the Silver Community Group drafted ambitious design principles and requirements. You can read about what the Silver Community Group are currently working on, and decide whether you would like to get involved now, or at a later stage. Emphasise expertise over empathy Remember that today’s theme is “Promoting the participation of persons with disabilities and their leadership: taking action on the 2030 Development Agenda”. (The United Nations’ 2030 Development Agenda is outside the scope of this article, but if you’re looking to be inspired, read Alessia Aquaro’s article on Public Digital’s blog about how digital government can contribute to the UN’s Sustainable Development Goals.) In line with this theme, if you don’t have a disability and you want to contribute to the Silver Community Group, resist the temptation to try to empathise with people with disabilities. Instead, take 21 minutes during this festive season to enjoy the brilliant Liz Jackson explaining how empathy reifies disability stigmas, and follow her advice. Choose the right route I think we can expect the next Accessibility Guidelines to make their way into international standards and international law, just like their predecessors. We can also expect successful companies to apply them at scale. If you contribute to developing those guidelines, you can help to make sure that as many people as possible will be able to access digital information and services, in an era when that access will be crucial to every aspect of people’s lives. As Cennydd Bowles explained in “Building Better Worlds”, “There is no such thing as the future. There are instead a near-infinity of potential futures. The road as-yet-untravelled stretches before us in abundant directions. We get to choose the route. There is no fate but what we make.” About the author Alan Dalton worked for Ireland’s National Disability Authority for 9½ years, mostly as Accessibility Development Advisor. That involved working closely with public sector bodies to make websites, services, and information more accessible to all users, including users with disabilities. Before that, he was a consultant and trainer for Software Paths Ltd. in Dublin. In his spare time, he maintains StrongPasswordGenerator.com to help people stay safe online, tweets, and takes photos. More articles by Alan Full Article Code accessibility
can Four Ways Design Systems Can Promote Accessibility – and What They Can’t Do By 24ways.org Published On :: Mon, 23 Dec 2019 12:00:00 +0000 Amy Hupe prepares a four bird roast of tasty treats so we can learn how the needs of many different types of users can be served through careful implementation of components within a design system. Design systems help us to make our products consistent, and to make sure we’re creating them in the most efficient way possible. They also help us to ensure our products are designed and built to a high quality; that they’re not only consistent in appearance, and efficiently-built, but that they are good. And good design means accessible design. 1 in 5 people in the UK have a long term illness, impairment or disability – and many more have a temporary disability. Designing accessible services is incredibly important from an ethical, reputational and commercial standpoint. For EU government websites and apps, accessibility is also a legal requirement. With that in mind, I’ll explain the four main ways I think we can use design systems to promote accessible design within an organisation, and what design systems can’t do. 1. Bake it in Design systems typically provide guidance and examples to aid the design process, showing what best practice looks like. Many design systems also encompass code that teams can use to take these elements into production. This gives us an opportunity to build good design into the foundations of our products, not just in terms of how they look, but also how they work. For everyone. Let me give an example. The GOV.UK Design System contains a component called the Summary list. It’s used in a few different contexts on GOV.UK, to summarise information. It’s often used at the end of a long or complex form, to let users check their answers before they send them, like this: Users can review the information and, if they’ve entered something incorrectly, they can go back and edit their answer by clicking the “Change” link on the right-hand side. This works well if you can see the change link, because you can see which information it corresponds to. In the top row, for example, I can see that the link is giving me the option to change the name I’ve entered because I can see the name label, and the name I put in is next to it. However, if you’re using a screen reader, this link – and all the others – will just say “change”, and it becomes harder to tell what you’re selecting. So to help with this, the GOV.UK Design System team added some visually-hidden text to the code in the example, to make the link more descriptive. Sighted users won’t see this text, but when a screen reader reads out the link, it’ll say “change name”. This makes the component more accessible, and helps it to satisfy a Web Content Accessibility Guidelines (WCAG 2.1) success criterion for links which says we must “provide link text that identifies the purpose of the link without needing additional context”. By building our components with inclusion in mind, we can make it easier to make products accessible, before anyone’s even had to think about it. And that’s a great starting point. But that doesn’t mean we don’t have to think about it – we definitely do. And a design system can help with that too. 2. Explain it Having worked as the GOV.UK Design System’s content designer for the best part of 3 years, I’m somewhat biased about this, but I think that the most valuable aspect of a design system is its documentation. (Here’s a shameless plug for my patterns Day talk on design system documentation earlier this year, if you want to know more about that.) When it comes to accessibility, written documentation lets us guide good practice in a way that code and examples alone can’t. By carefully documenting implementation rules for each component, we have an opportunity to distribute accessible design principles throughout a design system. This means design system users encounter them not just once, but repeatedly and frequently, in various contexts, which helps to build awareness over time. For instance, WCAG 2.1 warns against using colour as “the only visual means of conveying information, calling an action, prompting a response or distinguishing a visual element”. This is a general principle to follow, but design system documentation lets us explain how this relates to specific components. Take the GOV.UK Design System’s warning buttons. These are used for actions with serious, often destructive consequences that can’t easily be undone – like permanently deleting an account. The example doesn’t tell you this, but the guidance explains that you shouldn’t rely on the red colour of warning buttons to communicate that the button performs a serious action, since not all users will be able to see the colour or understand what it signifies. Instead, it says, “make sure the context and button text makes clear what will happen if the user selects it”. In this way, the colour is used as an enhancement for people who can interpret it, but it’s not necessary in order to understand it. Making the code in our examples and component packages as accessible as possible by default is really important, but written documentation like this lets us be much more explicit about how to design accessible services. 3. Lead by example In our design systems’ documentation, we’re telling people what good design looks like, so it’s really important that we practice what we preach. Design systems are usually for members of staff, rather than members of the public. But if we want to build an inclusive workplace, we need to hold them to the same standards and ensure they’re accessible to everyone who might need to use them – today and in the future. One of the ways we did this in my team, was by making sure the GOV.UK Design System supports users who need to customise the colours they use to browse the web. There are a range of different user needs for changing colours on the web. People who are sensitive to light, for instance, might find a white background too bright. And some users with dyslexia find certain colours easier to read than others. My colleague, Nick Colley, wrote about the work we did to ensure GOV.UK Design System’s components will work when users change colours on GOV.UK. To ensure we weren’t introducing barriers to our colleagues, we also made it possible to customise colours in the GOV.UK Design System website itself. Building this flexibility into our design system helps to support our colleagues who need it, but it also shows others that we’re committed to inclusion and removing barriers. 4. Teach it The examples I’ve drawn on here have mostly focused on design system documentation and tooling, but design systems are much bigger than that. In the fortuitously-timed “There is No Design System”, Jina reminds us that tooling is just one of the ways we systematise design: …it’s a lot of people-focused work: Reviewing. Advising. Organizing. Coordinating. Triaging. Educating. Supporting.” To make a design system successful, we can’t just build a set of components and hope they work. We have to actively help people find it, use it and contribute to it. That means we have to go out and talk about it. We have to support people in learning to use it and help new teams adopt it. These engagement activities and collaborative processes that sit around it can help to promote awareness of the why, not just the what. At GDS, we ran workshops on accessibility in the design system, getting people to browse various web pages using visual impairment simulation glasses to understand how visually impaired users might experience our content. By working closely with our systems’ users and contributors like this, we have an opportunity to bring them along on the journey of making something accessible. We can help them to test out their code and content and understand how they’ll work on different platforms, and how they might need to be adjusted to make sure they’re accessible. We can teach them what accessibility means in practice. These kinds of activities are invaluable in helping to promote accessible design thinking. And these kinds of lessons – when taught well – are disseminated as colleagues share knowledge with their teams, departments and the wider industry. What design systems can’t do Our industry’s excitement about design systems shows no signs of abating, and I’m excited about the opportunities it affords us to make accessible design the default, not an edge case. But I want to finish on a word about their limitations. While a design system can help to promote awareness of the need to be accessible, and how to design products and services that are, a design system can’t make an organisation fundamentally care about accessibility. Even with the help of a thoughtfully created design system, it’s still possible to make really inaccessible products if you’re not actively working to remove barriers. I feel lucky to have worked somewhere that prioritises accessibility. Thanks to the work of some really brilliant people, it’s just part of the fabric at GDS. (For more on that work and those brilliant people, I can’t think of a better place to start than my colleague Ollie Byford’s talk on inclusive forms.) I’m far from being an accessibility expert, but I can write about this because I’ve worked in an organisation where it’s always a central consideration. This shouldn’t be something to feel lucky about. It should be the default, but sadly we’re not there yet. Not even close. Earlier this year, Domino’s pizza was successfully sued by a blind customer after he was unable to order food on their website or mobile app, despite using screen-reading software. And in a recent study carried out by disability equality charity, Scope, 50% of respondents said that they had given up on buying a product because the website, app or in-store machine had accessibility issues. Legally, reputationally and most importantly, morally, we all have a duty to do better. To make sure our products and services are accessible to everyone. We can use design systems to help us on that journey, but they’re just one part of our toolkit. In the end, it’s about committing to the cause – doing the work to make things accessible. Because accessible design is good design. About the author Amy is a content specialist and design systems advocate who’s spent the last 3 years working as a Senior Content Designer at the Government Digital Service. In that time, she’s led the content strategy for the GOV.UK Design System, including a straightforward and inclusive approach to documentation. In January, Amy will continue her work in this space, in her new role as Product Manager for Babylon Health’s design system, DNA. More articles by Amy Full Article Process style-guides
can Can’t rain on your style parade By www.thehindu.com Published On :: Fri, 12 Aug 2016 16:12:56 +0530 Don’t let the grey skies dampen your style. Add a dose of colour to your outfits, slip into those jelly shoes, open that kitschy umbrella and you’re good to go, writes RANJANI RAJENDRA Full Article Metroplus
can This Chennai-based startup customises your sneakers so you can put your personality on them By www.thehindu.com Published On :: Fri, 07 Apr 2023 16:52:36 +0530 Pastels, bling, or bold colours, whatever be your taste, K-kix, a sneaker customisation platform from Chennai can do it for you Full Article Life & Style
can Stretch if you can By www.thehindu.com Published On :: Mon, 20 Jun 2016 18:00:48 +0530 Moonlight yoga, yoga with sticks, chair yoga… take your pick from this deluge of novel offerings on this World Yoga Day. SHAILAJA TRIPATHI takes a stock Full Article Metroplus
can Editorial. Gold duty cut can help exporters and consumers if cost savings are passed on By www.thehindubusinessline.com Published On :: Thu, 25 Jul 2024 22:07:36 +0530 The customs duty cut on gold, silver and platinum will certainly bring down production costs in this thin-margin industry, helping Indian exports gain competitive edge in the global market Full Article Editorial
can Editorial. TRAI rules can ring in better telecom service quality By www.thehindubusinessline.com Published On :: Sun, 11 Aug 2024 20:50:28 +0530 The changes promise a better user experience, with faster load times for web pages and smoother live streams Full Article Editorial
can Editorial. Agri Stack can be transformative, but implementation will be a challenge By www.thehindubusinessline.com Published On :: Wed, 11 Sep 2024 21:24:25 +0530 Land records remain contested, despite over 90 per cent digitisation. Concerns over data theft and cyber fraud cannot be disregarded Full Article Editorial
can Editorial. Monetary policy can’t quell stubborn food inflation By www.thehindubusinessline.com Published On :: Wed, 16 Oct 2024 20:45:56 +0530 Monetary policy cannot do very much to control food inflation, given that it is caused by supply bottlenecks rather than increase in demand Full Article Editorial
can Editorial. Satcom can complement telecom services in remote areas By www.thehindubusinessline.com Published On :: Fri, 18 Oct 2024 21:02:58 +0530 Tech advancements have made it possible for satcom players to offer seamless broadband connectivity directly to the users’ smartphones, bypassing traditional cell towers Full Article Editorial
can Govt can waive off GST on health cover, step up focus on insurance penetration: FGII CEO Anup Rau By www.thehindubusinessline.com Published On :: Fri, 25 Oct 2024 18:21:31 +0530 Removing GST on health insurance would make it more affordable, driving higher penetration and reducing the government’s burden Full Article Money & Banking
can YES Bank Q2 Results: PAT more than doubles on stable income; CEO says can be ‘right time’ to acquire MFI By www.thehindubusinessline.com Published On :: Sat, 26 Oct 2024 19:58:23 +0530 YES Bank targets 17-18% deposit growth, loan growth of 13-14% in FY25; CEO Prashant Kumar says this can be the ‘right time’ to acquire an MFI Full Article Money & Banking
can Tamilnad Mercantile Bank posts ₹303 cr net profit in Q2 By www.thehindubusinessline.com Published On :: Mon, 28 Oct 2024 20:17:03 +0530 Net interest income grew by 12 per cent to ₹596 crore, up from ₹533 crore a year earlier Full Article Money & Banking
can Canara Bank beats estimate, reports 11% growth in net profit to ₹4,014 crore in Q2FY24 By www.thehindubusinessline.com Published On :: Tue, 29 Oct 2024 17:43:17 +0530 Global deposits were ₹13,47,347 crore, up by 9.34 percent, while gross advances reached ₹10,11,997 crore growing by 9.53% Full Article Money & Banking
can Don’t see tapering of deposit rates in near term, Canara Bank MD says By www.thehindubusinessline.com Published On :: Sat, 02 Nov 2024 09:13:24 +0530 Bank prepared for Canara Robeco listing in Q4 Full Article Money & Banking
can Ashes of Doom / directed by: Grant Munro, Don Arioli ; produced by: Robert Verrall, Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2008 Full Article
can The Circle / directed by: Mort Ransen ; produced by: John Kemeny ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2020 Full Article
can Monkey on the Back / directed by: Julian Biggs ; produced by: Grant McLean ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2016 Full Article
can Eye Witness No. 74 / directed by: Jack Long, William Davidson ; produced by: Jack Olsen, Nicholas Balla ; production agency: National Film Board of Canada (Ottawa) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2024 Full Article
can Beyond Kicks / directed by: Gary Toole ; produced by: Michael McKennirey, George Pearson ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2021 Full Article
can Still Longshots / directed by: David Finch, Maureen Marovitch ; produced by: Dan Emery, David Finch, Germaine Ying Gee Wong, Sally Bochner, Ravida Din ; production agencies: Picture This Productions (Montreal), National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2018 Full Article
can Bevel Up - Drugs, Users and Outreach Nursing / directed by: Nettie Wild ; produced by: Fiona Gold, Juanita Maginley, Betsy Carson, Nettie Wild, Svend-Erik Eriksen, Rina Fraticelli ; production agencies: National Film Board of Canada (Montreal), British Co By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2016 Full Article
can The Moccasin Game / directed by: Frank Corcoran ; produced by: Dennis Sawyer ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2019 Full Article
can Turnaround : A Story of Recovery / directed by: Moira Simpson ; produced by: Jennifer Torrance, Moira Simpson, John Taylor, Kathleen Shannon ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2017 Full Article
can The Agony of Jimmy Quinlan / directed by: George Mihalka, George Williams ; produced by: Robert Duncan, Janice Brown, Andy Thomson, Peter Katadotis ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2008 Full Article
can An Easy Pill to Swallow / directed by: Robert Lang ; produced by: Tom Daly, Arthur Hammond ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2013 Full Article
can Poundmaker's Lodge : A Healing Place / directed by: Alanis Obomsawin ; produced by: Andy Thomson, Alanis Obomsawin, Marrin Canell, Robert Verrall ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2013 Full Article
can If Only ... / directed by: Marc Aubry ; produced by: Robert Forget ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2021 Full Article
can My Little Underground / directed by: Élise Simard ; produced by: David Verrall, Roddy McManus, Michael Fukushima ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2012 Full Article
can Donna's Story / directed by: Doug Cuthand ; produced by: Graydon McCrea, Jerry Krepakevich ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2011 Full Article
can For John / directed by: Dale Montour ; produced by: Alanis Obomsawin, Sally Bochner ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2018 Full Article
can Kamitshikaut / directed by: Shaushiss Fontaine ; produced by: Manon Barbeau ; production agencies: National Film Board of Canada (Montreal), Corporation Wapikoni mobile (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2023 Full Article
can Alone in the Abyss / directed by: Claudie Ottawa ; produced by: Manon Barbeau, Patricia Bergeron, Manon Barbeau, Yves Bisaillon, Ravida Din ; production agencies: Corporation Wapikoni mobile (Montreal), National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2018 Full Article
can Pieces of a Dream : A Story of Gambling / directed by: Michelle Wong ; produced by: Bonnie Thompson, Jerry Krepakevich, Graydon McCrea ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2019 Full Article
can The Drag / directed by: Carlos Marchiori ; produced by: Wolf Koenig, Robert Verrall ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2014 Full Article
can King Size / directed by: Kaj Pindal ; produced by: Robert Verrall, Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2013 Full Article
can At Home : A Model Person / directed by: Lynne Stopkewich ; produced by: Yves J. Ma, Tracey Friesen ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2012 Full Article
can At Home : The Wound Inside / directed by: Darryl Nepinak ; produced by: Brendon Sawatzky, Alicia Smith, David Christensen ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2012 Full Article
can In the Center Ring / directed by: Lynn Smith ; produced by: Wolf Koenig, Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2015 Full Article
can Happy Birthday / directed by: Lynn Smith ; produced by: Wolf Koenig, Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2015 Full Article
can Purple Hat / directed by: Lynn Smith ; produced by: Wolf Koenig, Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2013 Full Article
can Volcano / directed by: Kaj Pindal ; produced by: Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2023 Full Article
can Fringe Benefits / directed by: Kaj Pindal ; produced by: Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2023 Full Article
can Funeral / directed by: Kaj Pindal ; produced by: Wolf Koenig ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2023 Full Article
can Nutrition / directed by: Bretislav Pojar, Don Arioli, Grant Munro ; produced by: Robert Verrall ; production agency: National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2024 Full Article
can Reflections on Practice : People in Context / directed by: Nettie Wild ; production agencies: British Columbia Centre for Disease Control. Street Nurse Program (Vancouver), National Film Board of Canada (Montreal) By darius.uleth.ca Published On :: Montreal : National Film Board of Canada, 2019 Full Article