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Lauren Marie Dascalopoulos has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Lauren Marie Dascalopoulos serves as a general manager at Hawaiian Airlines




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Lucie J. Bryant Inducted into the Prestigious Marquis Who's Who Biographical Registry

Lucie J. Bryant is recognized for her dedication and expertise in the Maternal Healthcare Industry




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Denise Fuchs, RN, BSN, Inducted into the Prestigious Marquis Who's Who Biographical Registry

Denise Fuchs, RN, BSN, is a transformational life coach with 40 years in the health care and wellness industries




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Steven D. Klein has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Steven D. Klein celebrated for more than 25 years of professional success




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Walter G. Davies has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Walter G. Davies is recognized for his engineering expertise as the owner of A Stranger Chronicle, LLC




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James Andrew Martin has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

James Andrew Martin is recognized for his expertise as the quality assurance lead engineer for the Game Play Network




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Joe Lockhart has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Mr. Joe Lockhart is noted for his success and expertise in go-kart racing and vinyl graphic design




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Jim Remar has been Inducted into the Prestigious Marquis Who's Who Biographical Registry




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Alpana Mittal Tejaswini has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Alpana Mittal Tejaswini is recognized for her expertise as an art curator with Pro Arts JC




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Stewart L. Burgess, PhD, has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Dr. Stewart L. Burgess is lauded for his work with children as an experienced educator, developmental psychologist, and museum director




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Nathan Johnson has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Nathan Johnson brings decades of experience to his role as chief of the Piedmont Police Department




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Stephanie D. Hill Inducted into the Prestigious Marquis Who's Who Biographical Registry

Chief Stephanie Hill aims to enact change in law enforcement and positively impact the lives of those she serves




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Matthew L. Moulton has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Matthew L. Moulton serves as the chief investigator for the Houston County Sheriff's Office




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Maria Cerino has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Maria Cerino is a skilled criminal intelligence analyst at the Delaware County District Attorney's Office




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Shawn Franklin has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Mr. Shawn Franklin serves as associate director of operations for The Granada Theatre




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Janel Nicole has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Janel Nicole is recognized for excellence in the entertainment industry




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Sanjaye Elayattu Inducted into the Prestigious Marquis Who's Who Biographical Registry

Sanjaye Elayattu acknowledged for small business leadership and entrepreneurial success




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Dustan Wagner has been Inducted into the Prestigious Marquis Who's Who Biographical Registry

Dustan Wagner recognized as the owner of Wagner Lumber & Supply




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Infographic: Tobacco Use Among Middle and High School Students—United States, 2011-2015

Infographic showing data regarding middle and high school students and tobacco use.

 

 




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“Pitfalls of Demographic Forecasts of US Elections”

Richard Calvo, Vincent Pons, and Jesse Shapiro write: Many observers have forecast large partisan shifts in the US electorate based on demographic trends. Such forecasts are appealing because demographic trends are often predictable even over long horizons. We backtest demographic … Continue reading




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How Cryptographic 'Secret Sharing' Can Keep Information Safe

One safe, five sons and betrayal: this principle shows how shared knowledge can protect secrets—without having to trust anyone




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WCIRB Webinar to Cover Geographic Differences in Claims

The Workers’ Compensation Insurance Rating Bureau will present the findings from its latest study on the variation of claim characteristics in different parts of California during a Dec. 4 webinar. Since…




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Alien Skin Exposure 4 Photographic Software Review


There is nothing more wonderful than exploring new tools or ways for something you are passionate about.

 
A B&W Infra-Red (IR) processing of a red barn and green fields


What is the Purpose of this Software?
Exposure is an add-on photo-editing application for Adobe Photoshop, Lightroom and Elements that provides almost a complete list of film types, both B&W and Color, for processing for the digital darkroom. I say almost as I didn't count the list of film types in this application and I don't even know all the films that have ever been made, but they sure seem to be all here.
 
'Sepia – blue Finish (modified)' setting with a layer set to 'Lighten' mode (31%) for an Expsure 4 ver. of 'Kodak HIE (Halation moderate)'


One test of software is to see how it feels right out of the box. A lot like taking a performance sports car for a test drive. You may not know everything about it but you know how to drive and turn corners.

I never read the manual first as I believe that a person with reasonable skills on the computer and with digital editing should know how to turn it on and drive around a little. 
 
Exposure 4 did not fail here. It was easy to install and when launched, the layout and buttons were intuitive. The only problem I had was that it was almost 2 hours later when I realized how much I had been playing with the different types of films.





How would I use this Photo-Editing Software?

Exposure 4 has a great repertoire of classic, vintage and just plain old films both in color and B&W. Combined with these types of film selections are the various processing adjustments you might make in a wet darkroom, such as contrast, toning, bleaching, cross-processing, calotype, platinum and much more.

Some of these are obvious as the IR and Platinum and High contrast B&W I have shown above. Even old color films with faded color can provide unique approaches to the photographic images.


Without having access to the original old photograph, an older reproduction could be re-made. This could be cast against another image to create a story of 'then and now' and subject of an interesting photographic book.




In the image above I took 2 photos and I applied old color film technique to the bordered version to create the effect of laying an old photo on a new photo to show a change over time.


How well does it Perform?
Having a 7 processors and 12TB of RAM there should be no speed issues with loading and applying application settings. It was just over a sec to load and less to applying any film setting. The window is originally set up with 3 panels. Large central being the photo being edited. The panel on the right is the main adjustment panel color. See composite below. There is enough functionality to do almost everything you want.


A minor problem with the numbers dialog boxes. When you enter a number it doesn't apply until you click the panel and if you use the Enter key it applies the Exposure 4 application. I would rather have that only happen when I click the OK button.




The panel on the left are all the pre-set film settings which are based on some combination of settings on the right panel. This is great because once you found a style that suits your needs you can then tweak it to best suit the photograph.


I did find that using the color filter produced better color (brighter) for me than using the same color on a layer in Photoshop. It might be the preserve luminosity check box.


With my sample photos the rendering of effects was clean with no noticeable distortions unless of course you cranked the saturation way up.


I like that both side panels can be minimized and it's easy to zoom into a section for better clarity. With a 24” monitor some apps don't allow full screen editing.
I also like how you can save your own presets.



The above image is from one I tested since I had created a B&W version previously. The software did produce versions that I liked as well and maybe even better than the original.



Who is this Software meant for?
For anyone how wants to experience the look of chemical film technology and its variant processes.
Definitely for commercial ad type photographic needs. Here with the press of a button, a vintage effect can be created without much time spent by the user.
For creative types who may want to create story-line or books where the type of photograph is integral to the story experience
For fine-art photographers that require a specific look, as with my image of the tree and bench, that is not easily achieved in Photoshop.
To create new layers that can be set to one of the blend modes. There is a practice to create a B&W version of your image that looks best and then set this to luminosity for your color photo. While I haven’t experimented that much with these I suspect I will find some of the film output useful as a blend mode.




Recommendations
This is a good solid product that provides a wealth of film types and genres. It is easy to use and intuitive.
I would give this software a 4 – 4 ½ rating. The limiting factor would be price for a new user at approx $249. but an upgrade is only $99.
As an investment, I view software the same as a lens. It's a tool to help you meet your needs or goals. Many people find the cost of software somewhat prohibitive and yet see no problem with spending more on a new lens. I love a lens also as there's something about that precision instrument you are holding. But I photo-edit every photo I show to the public. I always want to bring out the very best and convey the feelings and experience I had at the time I took the photograph. The straight out-of-the-camera version doesn’t give me this. It is a mechanical device and not a human.



Definitely do download a trial version and play with it.



Niels Henriksen



Disclaimer: Other than receiving a copy of the software to review, I did not or will not receive any remunerations, gifts or any considerations from this review from the company, its agents or any of its distributors





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Any Fans of the Photographic Artwork of Niels Henriksen


That is certainty a self serving title and its fraught with many definitions of term 'fans' but it is also a chance for me to understand something about my readership.
This blog is just a few members shy of 1200 subscribers. I'm very grateful that so many find the photographs and articles enjoyable. There are also those who arrive by way of search engines, but from this total group I wonder how many committed fans of my photography I have.


Taken in San Miguel de Allende

I take many photographs, photo-edit them and then display these on the web just like millions of others do. But as a photographer the biggest pleasure is actually seeing the photo printed on photographic paper and how the texture and tone of the paper support the artistic vision.
But out of the entire collection of photographs I capture per year, only about 5 -10 actually have that extra quality or uniqueness that compels me to print large, frame and mount on a wall for display.

These fine-art photographs, as I describe them, go through a process of printing them on heavy mate papers (approx 300gsm). Depending on the detail and tonal qualities of the photograph I will print smaller versions (8”x10') on a series from 4-8 different papers to determine which paper best suits the image. After several weeks of just looking at them in different light settings I will select a paper for the final version.






In this image I combined 2 photographs to make the composite above as I wanted the boy to appear that he was searching for his princess.


Each of these fine-art prints are printed in a small edition series, currently 5, and then titled, numbered and signed and then made available for sale either through my Art web site ' Niels Henriksen Artworks' and through galleries.

As part of my marketing strategy, periodically (approx 18months), I increase my prices to reflect the larger, albeit still small, demand for my photographic prints.

Prior to this increase in November, I am offering to readers of 'My Camera World' a 25% discount on the current price for a period of 7 days after print is posted on this blog.

Guarantee
All prints purchased from me come with an unconditional full refund guarantee.  If you don't like it for any reason you get a full refund.
This makes purchasing a print from me completely risk free.
Each print comes with with a Certificate of Provenance. See example below






Over the next 2 weeks I will post an article about each of these prints that articulate my vision and story behind the photographs.

I hope that some of you will see a photograph that you enjoy and will sequentially purchase.  I think it's  important as a photographer and artist that we also collect other artists work and if not mine then someones else's. I am starting to have a decent collection of artworks already and will continue to collect new pieces every year.

By collecting several pieces I can then rotate them on the walls in my house and experience the same joy as when they were first hung.

Niels Henriksen




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In victory for public health, federal appeals court upholds FDA’s graphic cigarette warnings

WASHINGTON, D.C. – In a major victory for public health, a three-judge panel of the U.S. Court of Appeals for the Fifth Circuit has unanimously upheld graphic  health warnings on cigarette packs and advertising required under a 2020 FDA rule. This...




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Signage & Information graphics

There are several books about signage systems and environmental graphic design available. Andreas Uebele wrote the book Signage systems & Information graphics and this is one of the best and most extensive books about signage available

Signage systems & Information Graphics

The 336 counting pages book has a hard cover and is 28,5 x 24 cm. The pages read well and quickly you can find what you are looking for by the index. The text layout and choose of typography fits well and reads great, designed in a grid way (similar to how signage is designed).

Andreas Uebele is a well known designer with the design identity agency in Germany “Büro Uebele”. They have managed to design many signage & information graphics projects in the last years, from airports, offices, library and more. The author describes the following elements of signage design:

  • Signage design, typography and how to choose a typeface
  • Production, planning and sign management
  • Projects from sign designs from all over the world
  • Extensive drawings and photos from sign projects

Typography & Signage

A key factor in signage design & information graphics is the choose of typography, with the choose of typeface you are able to make or break a design and its functionality. In the book is explained how to choose a typeface and what characteristics a certain typeface needs to have in order to be used in signage systems.

Uebele mentions different typefaces that they used in projects and explains the differences between the mentioned typefaces. A good introduction into choosing a typeface for signage & information graphics. Further on in the introduction the book goes deeper into designing for signage and which methods to use in order to achieve an effective signage & wayfinding system. With various examples and drawings you quickly read how and what to design.

Sign Design

The book explains how to use proper color systems and how to place them into a environment to create a good working signage system. The author explains why they have chosen the color combination, typography and size of the airport signage project described in the book.

A great insight in learning more about signage design. Further on there are more projects described and explained with extensive photo material and the actual production drawings. By the drawings you can get a good view of how the signage systems are designed and produced.

Signage projects from other designers

In the book are also described many other projects from different designers and design agencies than Buro Uebele, for instance Schiphol designed by Bureau Mijksenaar. There are various images and concept drawings aswel as the detailed information about typography, color use and more. By adding more information from other designers makes this book a must have reference guide into graphic design and signage systems. You get a clear insight of signage projects which control people in various fields of visual communication and showing them the way.

Information

  • Publisher: Thames & Hudson (October 29, 2007)
  • Language: English
  • ISBN-10: 0500513791 and ISBN-13: 978-0500513798
  • Hardcover: 336 pages

Buy Signage Systems and Information Graphics

This extensive signage graphics book is available at amazon.

Buy at Amazon




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How to add typographic fonts to WordPress block themes

The easy and compliant way that every theme developer should know.




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What Is Psychographic Segmentation and How Can It Boost Engagement?

Any kind of marketing approach that gives you a deeper insight into your customers has the potential to help you make stronger connections with them. Psychographic segmentation is a perfect example. Unlike demographic or behavioral segmentation, it goes into depth about what makes your customers tick, which means you can better understand how to reach...

The post What Is Psychographic Segmentation and How Can It Boost Engagement? appeared first on noupe.




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Vector Wings: Art & Graphics For Free Download

Discover free, high-quality vector wings for your creative projects. Download royalty-free designs, from tribal wings to angel outlines. Elevate your tattoo ...




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Bootstrap Hornbook Interactive Infographic

As per scientists around 90% of all information we perceive comes through our eyes. The visual side always has been quite important for humanity, we can see it from the culture of writings and visual art having very long history. The other suitable feature is laconism. We can experience the lack of time for finding […]




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Holographic technology’s transition from science fiction to reality

In science fiction literature and films, holography has received much attention. These tales frequently depict holograms as entertainment, communication tools, or live creatures. Their depiction in these sources is typically far more sophisticated than what is now technologically feasible. Holography is beginning to play a more significant part in current communications and technologies as technology […]




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Graphic Hunters: Pushing the Boundaries of Sports Visual Identity

Graphic Hunters: Pushing the Boundaries of Sports Visual Identity

abduzeedo

Explore how Graphic Hunters’ visual identity redefines sports branding through innovative design inspired by fashion and art.

Graphic Hunters, a Dutch studio dedicated to sports branding, isn’t playing by the typical design rulebook. Instead, their newly crafted visual identity steps outside the confines of traditional sports aesthetics, introducing elements drawn from fashion and high design. The result is a high-impact, versatile identity that positions Graphic Hunters as a creative club worth joining—whether as a client or a collaborator.

A New Playbook for Sports Branding

At the heart of Graphic Hunters’ approach is the idea that the sports industry deserves a more refined and exclusive visual experience. This belief is woven into every part of their branding, which Monga Design and Vogau led with a clear vision. The goal was to create a system that balances functionality with creative exploration, breaking conventions while still delivering practical, adaptable solutions for various applications.

This innovative take on visual identity isn’t just about aesthetics; it’s a strategy aimed at redefining the brand’s place in the market. Graphic Hunters has always described itself as a team hungry for new challenges, and now, their brand identity reflects that spirit. The new look aims to make the studio stand out in the sports arena and beyond, appealing to clients and team members who value originality and impact.

Graphic Hunters’ identity combines familiar elements from the sports world—like motion and heat—with unexpected treatments. The design team drew inspiration from fashion and abstract art to create a visual language that transcends typical sports branding. This cross-pollination of ideas manifests in several core elements:

1. Typographic Experimentation: Instead of relying on traditional sports typefaces, the team played with a variety of fonts that feel bold and contemporary. Typography serves as both structure and disruption, bringing energy to each layout.

2. Photographic Treatments: The identity includes photographs that have been creatively manipulated, breaking up the grid and adding an element of surprise. This technique turns static images into dynamic design features, echoing the constant motion of sports.

3. Grid System and Stickers: To keep the brand’s applications cohesive yet flexible, a structured grid underpins the design. However, this is cleverly offset by playful elements like stickers and graphical interventions, which keep the brand feeling fresh and exciting.

One of the biggest challenges was making the visual system adaptable yet creatively open. Sports branding often leans into themes of power and motion, but Graphic Hunters wanted to do more. The result is a brand that’s equally at home on a team jersey or a digital campaign, seamlessly moving between refined, impactful moments and bold, playful expressions. This adaptability speaks to the studio’s ethos of being a “creative club,” where everyone is encouraged to push the boundaries.

Another essential aspect was research. The design team explored references beyond the sports realm, looking at high fashion and experimental graphic design. This broader inspiration palette allowed Graphic Hunters to create something genuinely unique for the industry. The identity’s experimental typography and abstract motifs capture the feeling of heat and energy—core elements of sports—while grounding them in a sophisticated design language.

Elevating Sports Design Beyond the Field

By combining these unexpected references with a strong foundation of sports elements, Graphic Hunters has crafted a visual identity that is both striking and functional. It stands as a testament to the idea that sports design can be more than bold fonts and action shots. It can be a narrative of innovation and exclusivity, appealing to an audience that appreciates both the adrenaline of sports and the sophistication of high design.

Graphic Hunters’ reimagined branding proves that sports-focused design can be just as experimental and refined as any high-fashion brand. It’s a visual identity that elevates the sports studio into a space where design meets performance, art meets action, and innovation becomes the new norm. As the brand continues to grow, this identity will serve as a powerful statement of their ambition: to bring high-impact, original design to the world of sports, one project at a time.

Branding and visual identity artifacts

Credits

  • Authors: Monga DesignVogau and Clint Studio
  • Visual identity: Monga Design (Mateus Yuzo, Michel Refatti) and Vogau (Carlos Eduardo Marin, Gabriela Colebrusco Peres)
  • Motion: Clint Studio (Bruno Vitalino, Danilo Coelho, Gustavo Brazzalle, Lucas José Galego, Luciano Burger




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The Best CorelDRAW Graphics Suite Discounts: Get 10 to 50% Off (2024)

Save money (10-50%) on CorelDRAW software with these top discounts, sales & deals. See the best CorelDRAW discounts & special offers on Graphics Suite & more.




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50+ Christmas Gift Ideas ???? for Graphic Designers & Creatives

Christmas time is full of joy & stress trying to find the right gift. See our list of the best Christmas gift ideas for designers and be festive!




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27+ (Secrets) on How To Create An Awesome Viral Infographic in 2023

So you want to make an awesome infographic, but you aren’t sure where to start. Capsicum Mediaworks has 27 (Secrets) on How To Create An Awesome Viral Infographic in 2023.

This is definitely and example of “Do what I say, not what I do”.

There’s some fantastic information here! Ironically, this is NOT a great infographic. Saving a bunch of text as a JPG file does not make a good infographic. This infographic design goes against some of their own best advice! More visuals, less text. Make it big, not gigantic. Highlight/focus on the important points.

We all know that beautiful infographics are much more interesting as compared to long, plain text. It is the basic human tendency to associate more with anything that explains the same point with more visual appeal and less jargon.

Which is why infographics have become such a big deal.

The pictorial representation of the data, colorful backgrounds, short, to-the-point text, and easy to understand themes, are just some of the reasons why infographics have surpassed other digital marketing strategies in terms of popularity. And they are definitely here to stay.

So if you haven't jumped on this bandwagon yet, it's high time you do!

Found on Capsicum Mediaworks.




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10th Anniversary of the Cool Infographics Book (Part 1)

Ten years ago today, the Cool Infographics book was released on October 28, 2013. I frequently lament that it’s nice to have written a book, but the actual process of writing a book was pretty difficult.

I never set out to write a book. Wiley publishing approached me in 2011, and convinced me to turn the talk I was presenting at conferences into the outline for a new book. I had started my infographics design company, InfoNewt, in 2010, and was giving almost monthly presentations about my process to design, publish and promote infographics. Turns out that the talk outline did lend itself nicely to the structure of what became the Cool Infographics chapters.

Looking back, there were a number of unique challenges that I had to solve while putting together the book, and some were also new issues for Wiley.

Permissions to include infographics

I didn’t design most of the infographics I included in the book, because this wasn’t a book of self promotion. My goal was to share the best designs from the world of infographics as examples, and that meant including designs from some of the best designers in the world.

Here was my challenge. Most infographics are meant to be shared and reposted as much as possible online. “Going viral” was the ultimate achievement of an infographic. However, legally reprinting an infographic in a book required the explicit, signed permission of each infographic’s copyright holder. I ended up including over 100 infographic examples in the book, which was a lot of negotiation and legwork.

For every design I included, I had to track down the designer or publishing company, and get them to sign an official permission form that allowed me to include their design. I wasn’t able to include many of the designs I wanted to share because either I couldn’t track down the original designer, or they refused to sign the permission form.

Infographics are large

The online infographics that I was writing about were much larger that what could effectively be shown on the 7.3 x 9.2 inch pages of the book. They had to be reduced to fit on the pages, which made the text in many of them unreadable when sized to the book’s pages. Wiley didn’t want to publish a larger format book, so I had to come up with another idea.

My solution was that every design I included, also included a link to view the original infographic online. The downside was that readers can’t click a link in a printed book. That meant they would have to manually type in the URL, and many of the links were really long and complicated addresses. So, I created over 100 shortened links for the book, using my hosting platform from the coolinfographics.com website.

For example:

Link in the book: Coolinfographics.com/Figure-5-19

Forwards to the long original URL: http://create.mcgraw-hill.com/wordpress-mu/connectblog/files/2012/03/McGraw-Hill-Connect-Handout-WHITE-Small.jpg

See what I mean? No one was ever going to try to type in that long URL.

I also created an index web page for all of the Figures that had clickable links for every design in the book that is available to see online: coolinfographics.com/figures

Making the book navigation visual

Infographics is a very visual topic. Not only do readers want to see the visual examples of every concept I discuss in the book, but I wanted the book itself to be visual too. This took some negotiating with Wiley to make happen. Every chapter has its own color, and I included that color on every page in a small tab that prints all the way to what is called the “fore edge” of the page. This makes the color visible at the edges of the pages even when the book is closed. These tabs are staggered down the page to provide an easy navigation to find the color you see in the Table of Contents.

Marketing was my job

It turns out that most book publishing companies are very focused on publishing, printing and distributing a book, but not so much on marketing them once they get printed. Once a book is published they move on to publishing the next book, and the majority of promoting my book fell to me. This was something I didn’t expect. I am constantly teaching people that designing and publishing an infographic isn’t enough, and you have to promote it too. I wrote a whole chapter about in the Cool Infographics book! Similarly, I expected a big book publisher to be good at the promotion process for books. I was wrong. They printed a beautiful color book and got it into Amazon and onto the shelves at bookstores like Barnes & Noble, but that’s where their effort mostly ended.

Most of the promotion for the book has come from me. Whether it was one of my talks, a guest appearance on a podcast, an article that mentioned the book (like this one) or someone using Google to search for infographics and finding the Cool Infographics website.

Where to go from here?

The book has done really well for 10 years, and sales continue. The concepts I wrote about in the book are all just as relevant now, as they were 10 years ago. However, some of the example designs are out-of-date, and some of the design tools aren’t around anymore.

Where do you think we should from here? As readers of the Cool Infographics website and book, what would you like to see as ongoing content exploring the design, publishing and promotion of infographics? Videos, workshops, articles, tutorials, online courses, etc. Post a question, comment, or idea and let me know how Cool Infographics can be relevant to you in the future.

I’d love to hear from you. Either post a comment below or send me a note through the CONTACT page.




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Respiratory Tract Infections: Get the facts (infographic)

Respiratory tract infections (RTIs) are one of the major public health concerns around the world, and public health officials agree that accurate test




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Georgia’s Restrictive Covenants Act Does Not Require That Restrictive Covenants Contain Express Geographic Restriction

In June 2023, the Georgia Court of Appeals held in North American Senior Benefits, LLC v. Wimmer that an employee non-solicitation covenant must contain an express geographic limitation to be enforceable.




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ETSI Encrypted Traffic Integration group extends term to work on cryptographic and key management models

ETSI Encrypted Traffic Integration group extends term to work on cryptographic and key management models

Sophia Antipolis, 2 August 2022

ETSI has recently extended the term of its Industry Specification Group Encrypted Traffic Integration (ISG ETI) for a two-year period through to mid-2024 to work on specific cryptographic and key management models.

Read More...




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Graphic Designer II

Job Summary  The International Food Policy Research Institute (IFPRI) seeks a highly motivated Graphic Designer II to join our Communications and Public Affairs team. This position is a one-year, renewable appointment, based in its New Delhi office, India and report to the Manager for Creative Solutions, who is based in Washington, DC. The Graphic Designer will produce high-quality and professional visual communication products to promote IFPRI's research to a diverse range of target audiences and through multiple channels. The successful candidate will be an enthusiastic, creative, and team-oriented individual with experience designing and delivering compelling visual communication outputs in a dynamic environment.  Interested candidates should submit a resume, cover letter, and a portfolio demonstrating their graphic design work. The portfolio should include a variety of projects showcasing skills in typography, layout, creativity, and use of design software (Adobe InDesign, Illustrator, Photoshop, and Canva) and include. links to digital portfolios or PDF attachments. Applications without a portfolio will not be considered. Interested applicants must have work authorization to work in India. Essential Duties:  Specific duties and responsibilities include but are not limited to: Design both print and digital visual communication products: Develop multiple design concepts and carry them through to final delivery, including but not limited to conference banners, brochures, data visualizations, flyers, posters, presentations, research reports, and websites. Layout print publications: Design and layout policy papers and reports while assisting in the creation of flexible InDesign templates. Create engaging digital content: Design visual content for the IFPRI website, interactive applications, social media, and email campaigns. Apply design principles: Utilize knowledge of layout, color theory, typography, and iconography to execute a wide variety of graphic design projects for both print and digital media. Provide branding guidance: Insure IFPRI products adhere to a consistent visual style and uphold professional standards, providing branding guidance to staff as needed. Brand design: Develop and execute creative concepts for branding, including logos, typography, color palettes, and overall visual identity. Innovate in interactive design: Lead initiatives on using innovative methods of interactive design to communicate research findings to both new and established audiences. Web Design: Develop visual design for IFPRI’s main website and microsites, ensure adherence to style guidelines. Coordinate printing: Manage the printing process of IFPRI publications and materials with local and international vendors. Collaborate effectively: Work collaboratively across the institution to ensure the timely delivery of high-quality design deliverables. Monitor and educate on digital trends: Stay updated on current digital trends, technologies, and industry standards, and educate both the team and IFPRI staff on best practices. Required Qualifications:  Bachelor's Degree in Art Design, Fine arts, Communications, Marketing or related field plus five years of relevant professional experience or Master’s plus three years in related field. Experience in graphic design, producing high-quality artwork, illustrations, and other graphics for communication purposes, including websites. Proven graphic design experience with a strong portfolio demonstrating excellent typography, layout, and creativity. Extensive experience with Adobe InDesign, Illustrator, and Photoshop. Basic knowledge/understanding of DTP software like Corel Draw.  Proficiency in using Canva for creating and managing visual content. In-depth knowledge and understanding of social media and web platforms, with demonstrated experience generating engaging content. Familiarity with designing within PowerPoint and MS Word. Ability to work quickly to meet tight deadlines and handle multiple projects simultaneously. Outstanding organizational and planning skills, with exceptional attention to detail. Strong interpersonal and collaboration skills; proven ability to be flexible in a team-oriented environment with diverse groups of people. Physical Demand & Work environment: Employee will sit in an upright position for a long period of time.  Employee will lift between 0-10 pounds.  Employee is required to have close visual acuity to perform activities such as: data preparation, web-scraping, preparing, and analyzing data and figure s; dashboard; viewing computer terminal; extensive coding.  




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The Black Panther Party : a graphic novel history / David F. Walker ; art, colors, and letters by Marcus Kwame Anderson.

"Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the Party, as well as their cultural and political influence and enduring legacy." -- Page [2] of cover.




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Five nights at Freddy's. [2], The twisted ones : the graphic novel / by Scott Cawthon and Kira Breed-Wrisley ; adapted by Christopher Hastings ; illustrated by Claudia Aguirre ; colors by Laurie Smith and Eva de la Cruz.

"It's been a year since the horrific events at Freddy Fazbear's Pizza, and Charlie is just trying to move on. Even with the excitement of a new school and a fresh start, she's still haunted by nightmares of a masked murderer and four gruesome animatronic puppets. Charlie thinks her ordeal is over, but when a series of bodies are discovered near her school bearing wounds that are disturbingly familiar she finds herself drawn back into the world of her father's frightening creations. Something twisted is hunting Charlie, and this time if it finds her, it's not letting her go." -- Publisher's description.




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Catwoman. Soulstealer : the graphic novel / based on the novel written by Sarah J. Maas ; adapted by Louise Simonson ; illustrated by Samantha Dodge with Carl Potts and Brett Ryans ; colors by Shari Chankhamma ; letters by Saida Temofonte.

Selina Kyle returns to Gotham City as new socialite Holly Vanderhees, but she needs to outsmart rival Batwing to rise to the top of the city's criminal underbelly.




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Michigan Computer Graphics - General Meeting (November 13, 2024 6:00pm)

Event Begins: Wednesday, November 13, 2024 6:00pm
Location: Electrical Engineering and Computer Science Building
Organized By: Michigan Computer Graphics


At Michigan Computer Graphics (MCG), our goal is to offer all interested campus members a unique platform to explore, learn, discuss, and engage with the various disciplines of computer graphics (CG). You'll have the opportunity to collaborate on exciting projects, develop creative skills, and expand your network within the industry and beyond.

This is MCG's weekly general meeting. Join us for a variety of content and events, including introductory presentations, hands-on projects, and guest speakers!

https://michigancg.org/




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Infographic: 6 Deadly Facts About Indoor Air Quality

While exterior pollutants, such as smog and CO, may receive more attention, IAQ within a home can have serious effects on our physical and mental health, as well.




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Infographic: A Look at Proper Humidity

IAQ-conscious homeowners might be interested to know how humidification can preserve not only their health but the health of their home, too.




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Infographic: Live Chat Stats

Live chat can have a huge impact on your customer satisfaction rate.




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Infographic: Report - 1 in 4 US Commercial Service Contractors Are Implementing AI

67% of contractors see digital transformation as important to their success.




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Infographic: HVAC Satellite Office

Each service vehicle is a technician's roaming office. It can be a source of added expense and risk, or it can be managed with resourse like GPS and data-based solutions for the safest and most profitable use. Here's a bird's-eye view of what one fleet management software company sees in its customers.




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Infographic: Right Turns: Mapping Fleet Safety

Azuga studied 3.6 million driver behavior datasets from its GPS fleet tracking devices over the first five months of 2019.