In the ever-evolving landscape of pop music, the announcement that a band is going “on hiatus” often doesn’t bode well for its future…

No description available.

This item belongs to: audio/opensource_audio.

This item has files of the following types: Metadata

Have you ever heard a radio announcer say, "That was (song) from the movie (title)," and you thought, "Wow, I've always loved that song, but I never knew it was from a movie." It may well have been from a movie you never saw or never even heard of because it wasn't all that great. Plenty of film productions commission songs specifically for the film, and even more find appropriate but unreleased songs to use that are then released in conjunction with the film. That leaves us with a lot of songs that became hits from movies that flopped so badly we don't even remember them -or maybe the film is just too old.  

Back in 2014, you couldn't escape the Pharrell song "Happy." It was the biggest song of the year, won two Grammys, and we posted about it quite bit. Yet few people recall that is was written for the 2013 movie Despicable Me 2. The movie was honestly a hit, but it was aimed at children. Even more obscure is the origin of the song "Unchained Melody," which was a big hit for the Righteous Brothers in 1965 and you might associate it with the 1990 film Ghost. However, it was written for the 1955 prison movie Unchained, and that's how it got its title.

Some of your favorite songs may have been spawned by a movie you've never seen. Read up on 21 of those songs, with videos, at Cracked.

By Amanda Mannen Published: November 13th, 2024

President Shavkat Mirziyoyev has introduced some reforms since coming to power after the 2016 death of dictator Islam Karimov, but rights groups say the country remains deeply authoritarian

The band has been steadily at work writing new songs for what we are calling a mini-album. We plan on releasing a mini-album of 3 songs by June. This mini-album will be part 1 of 4. We will be releasing each mini-album as digital downloads and then release a cd upon completion of all 4 […]

Fr. John Whiteford explains the purpose and importance of the Hymns of Ascent. Psalm 119 is featured.

From clerical-collar-wearing altar boys, to postpartum Paschal choir directors, to (apparently) Alice Cooper and KISS attending the Paschal Matins ... Fr. Joseph's seen it all. And you've never heard the Good News till you've heard it read in German, with a Japanese twist, and a Southern accent.

From clerical collar-wearing altar boys to (apparently) Alice Cooper and KISS attending the Paschal Matins -- Oh, and you've never heard the Good News till you've heard it read in German, with a Japanese twist and a Southern accent. (In this "blast from the past," Fr. Joseph even describes how to get one's choir-directing wife to "do her job" only 48 hours after giving birth!)

Ladies and gentlemen, prepare yourself, it’s almost that time; time to cue your favorite theme song for the upcoming Lenten Fast! Perhaps the theme song from Star Wars? Or maybe we could sing a fasting song, during this election year, to the tune of "Hail to the Chief?" Then again, there’s always the Beverly Hillbillies ...

Bobby Maddex interviews Sylvia Leontaritis, the author of the new AFP book Songs of Praise: A Psalter Devotional for Orthodox Women.

On another live pop-up edition of Ex Libris, Bobby Maddex interviews Sylvia Leontaritis, author of the blog Adventures of an Orthodox Mom and the new AFP book Songs of Praise: A Psalter Devotional for Orthodox Women

Today our comment and review media lurch from Hot Takes to History without pausing for a moment to get a sense of what actually happened. The concept of the One Year Later Review was that we might be able to get a better understanding of what mattered and what effects it had with a little […]

Michael Smith’s fraudulent activities cheated them out of millions, and it’s now time for him to “face the music”

April sixth through eighth of this year marked the beginning and bitter-sweet ending of yet another All About Worship “Kingdom Songs” retreat. Another group of talented writers passionately chasing their calling filed in and out of life-giving workshops with seasoned “pro-writers” like James Tealy (songwriting professor at Belmont University and writer of “Light of the World” recorded by Kari Jobe), co-writes with peers and pros like Krissy Nordhoff (writer of “Your Great Name” recorded by Natalie Grant) and Michael Farren (lead singer of Pocket Full of Rocks, writer of “Let It Rain” recorded by Michael W. Smith and number #1 Lauren Daigle cut “Trust In You”), worship sessions, Q&As, song critiques, and so many more activities featured in the packed schedule of education and encouragement.

Writers come from every corner of the country, the world even, to spend a weekend equipping themselves with tools and knowledge to cultivate their calling to write what the body of Christ needs to hear, to better capture the heart of God through song. The end of every conference is genuinely a bitter-sweet moment, traditionally marked with a prayer by the staff over the writers to strengthen, encourage, and protect them as they set out to pursue their gifts. The bitterness is found in having to say goodbye to newfound friends, fellow writers who share your struggles, your triumphs, your worries, and your unique joys. But the sweet is in knowing that right now, there are empowered songwriters with renewed confidence, sharpened skills, and rejuvenated spirits conquering fears and fighting for songs that will change this world and bring about the kingdom of God. The desire of All About Worship in putting on this event is fulfilled in writers taking what they gain from this conference and bringing new life into their homes and congregations (some even literally, congratulations Rezwana!). Dustin Smith (staff writer at Integrity Music, author of “Miracles” recorded by Jesus Culture) has been known to say on more than one occasion that, in writing songs for the Kingdom, we “put words on the lips of the most powerful force on earth - the church”, and as they settle back into their homes with new contacts, revitalized hearts, Skype co-writes brewing, and minds creating, they pick up their weapons and prepare to do just that.

“God is using music and praise to Him as weapons to tear down strongholds and I am in awe of how He goes about it all. His voice is ringing clear and the air is trembling with His spirit” – Rezwana Derbyshire, Kingdom Songs attendee.

To be able to continue an ancient practice of crafting songs to lift up to the one true God is an awesome, in the truest sense of an underappreciated word, responsibility and privilege. Kingdom Songs and the entire staff and crew are proud and humbled by the opportunity to come alongside songwriters, link arms with them, and walk out this journey together.

From the ancient psalmists, in every language, from edge to edge of this earth, the people of the most high God will praise His name. Because if we do not cry out, the rocks will. 

For thousands of younger Gen Xers and older Millennials who were raised in the church, much of our maturing as worshippers is marked by the poetic lyrics and fluid vocals of the duo known as Shane & Shane. I personally remember having Be Near on repeat during a difficult season of transition in my personal life. And I don’t know about you, but just about every guy in my high school youth group could be found working their double strum on acoustic guitar at any given moment.

But it wasn’t just their original songs that sunk deep into the hearts of their listeners. Barnard and Everett also have this uncanny ability to take songs recorded years earlier or made popular by big names such as Hillsong or Passion and make them fresh and accessible to our generation of worshippers. 

They are capitalizing on this significant gift through their latest ministry effort called The Worship Initiative (TWI). I recently got the chance to talk with Shane Barnard at length and hear more about their journey through ministry, how they juggle it all, and their hopes for the future. Hopefully you’ll find the perspective and insight he offered up as encouraging as I did.

When I asked him to share the story of how the vision of The Worship Initiative came to be, he jumped right into an impassioned explanation. They had been doing the touring, writing, and recording thing for years and gotten to experience worship from and with just about every kind of stage, venue, and demographic. As they got to know hundreds of worship leaders from everywhere you can think of, they began to see a gaping hole . . . that being the understanding of the true weight of the calling of the worship leader.

A scripture that they’d read hundreds of times and even used as a sort of mantra throughout their ministry also played an enormous role in their starting TWI. Colossians 3:16 says,

“Let the message of Christ dwell among you richly as you teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts.”

One day a word jumped off their pages in a way that opened their eyes afresh – THROUGH. These times of worship they were leading on a regular basis were not just a means to an end. They actually serve as one of the primary ways the Church conveys the message of Jesus to raise up a generation of Christ followers who can change the world. Yet somehow, this position has gotten watered down to nothing more than a song leader in most church settings. They suddenly felt a whole new level of responsibility.

So the two set out to discover a way to pour into worship leaders around the world, both spiritually and practically. They started by taking a more personal look at their own gifts and bents. Barnard says about Everett, “I can’t think of a better salesman or evangelist . . . He’s just loud, funny, always cutting up, and can win anybody over to do anything . . . and unleashing that in an overseer role and our relational PR person has been awesome to watch. I think God dumped the PR side and evangelist side of Shane so hard into him that I think we still have yet to see what God is going to do in that regard.” Whereas for Barnard, his skill in songwriting and producing contends with just about anyone you could name. Over the last 20 years of ministering together, they’ve learned to “embrace who God has made [them] and not be disappointed in that anymore but just know that this is how God has made [them].” They’ve worked incredibly hard to figure out how to balance all of the overlap between their personal and professional lives, which is inevitable when you’ve worked so closely together for that long. “You would think we would have some kind of system after 20 years, but we are getting better. I would say that a few words come to mind . . . simplifying, strategizing, doing things on purpose. These are the things that have kind of been a banner over our lives the last two or three years.”

For a long time, all the different aspects of their lives were spread out all over the DFW area of Texas. Their studio was far south, much of their steady worship leading opportunities were at a church in the heart of Dallas, and they were living a good jump from either of those. So they are in the process of bringing all of those components closer together so that doing life with the families, church community, and ministry partners is easier. Taking this step has made it easier to grow their efforts with The Worship Initiative more rapidly.

So what is The Worship Initiative and what does it look like for someone to participate or take advantage of these resources?

Basically, an individual can pay a yearly fee and access a list of over 150 (and constantly growing) worship songs that each have multiple tutorial videos and charts accompanying them. These videos break down how to play the songs in different keys, on different instruments, and with varying skill levels. A worship leader on staff at a church can also pay an annual group fee, based on the number of people, for his team to be able to access everything as well. There are also craft training videos for everything from the different instruments and vocals to tech/production and using the number system. If that’s not enough, the site has an entire section dedicated to heart training, where they break down all the different spiritual and practical components for worship leading with the likes of John Piper and Ben Stuart. There are even creative devotionals to accompany every song on the different TWI records. TheWorshipInitiative.com truly is a wealth of knowledge and wisdom for anyone looking to grow as a leader or team member, and there are still exciting things to come. Shane shared a bit about what’s ahead for TWI. “Our next phase of The Worship Initiative is to create what we’re calling learning paths. Some people love to be given a world of information to explore on their own. But most people would really love to be told what to do to get from point A to point B. We will take our existing content and add to it and give them a year long path to stick to and see measurable growth in both skill and leadership.”

Given the length of time and the platform they’ve had over these last two decades, I asked Shane how he feels his perspective of worship both personally and within the Church has evolved over the years.

“I think worship, and even the idea of worship, has come a long way, in a good way. I think we’ve seen a pretty good uptick on understanding the Romans 12:1 life of worship. I often think back to a time when I was leading worship in a basement or college dorm room for several years, and it was always the oddest songs ever.” He recalled singing, with hands lifted, Make It Right by Kenny Marks (and yes, I might’ve gotten a solid 30 second serenade over the phone . . . it’s fine!) and other obscure songs that really had no purpose or meaning to the one worshipping. Yet, what we see all throughout the Psalms is “this gut-wrenching, very honest, it is okay to pour out your heart to the one who cares for you mentality. . . and that language is okay.” He remembered hearing the words to Breathe for the first time, where it says “I’m desperate for you,” and thinking “is this okay to have this kind of language in front of people? But yes, it is okay even in a congregation or corporately to say ‘I am thirsty for You in a dry land where there is no water.’ In fact that can be really helpful to the person sitting next to you. That can be us ‘singing spiritual hymns and songs to one another’, just that opening up of the heart and the embracing of singing those honest songs and using them to allow ‘the message of Christ to dwell among us richly.’”

Learn more about The Worship Initiative, as well as Shane & Shane, at www.theworshipinitiative.com. Here at All About Worship, we believe in what these guys are doing and the ministry they are fostering. We can’t wait to partner with them in the future as God continues opening those doors.

Michael King and Michael Farren continue the discussion on the main focus areas for All About Worship - Power of His Presence, Power of His People, and the Power of a Sound.  King catches up with Farren in the middle of the KINGDOM SONGS BOOT CAMP and there are some amazing takeaways.

“Stop leading songs and start pastoring people” - Michael Farren.

Not sure you’ll remember the right rate for giving CPR compressions? Shake it off, calm down and turn on some Taylor Swift.

Nearing 80, the solo artist has a new album out. Decades after she brought a gospel score to the civil rights movement with The Staple Singers, she remains hopeful in her enduring mission for change.

[Culture] :
A U.S. music magazine has picked “Ditto” by the K-pop girl group NewJeans as one of the top songs of the 2020s. According to the group’s agency, ADOR, Thursday, the song ranked 23rd on Paste magazine’s “100 Best Songs of the 2020s So Far.” According to the U.S. magazine, no K-pop group has ...

[more...]

NewJeans’ hit “Super Shy’ has earned a spot in Pitchfork’s list of the best songs of the decade. It was the only K-pop track to be featured on Pitchfork’s list of...

[more...]

The season one finale of 'Soul-Bridge with Toby Evans' has finally arrived, showcasing a feature-length episode over a year in the making, also marking the debut of two original songs with a unique twist.

American Windsong Music is proud to release Dallen Fox's second EP, "Silly Songs & Lullabies".The multifaceted talent is back with a sequel to his musical journey that promises to touch the hearts of children everywhere.

If you have never heard singer, songwriter, multi-instrumentalist, arranger, and producer Ken Lehnig's music this album will make you a fan.

Stream "Malibu" by Bekka Dowland and get a sneak peek of the "Malibu" music video filmed in Cape Coral and Fort Meyers, Florida!

Rising Music Powerhouse is back with another reggae hit!

HAPPY EARTH DAY! Enjoy these Earth Day Songs for Kids

From Hikaru Utada to imase, these tracks showcase the versatility found within Japanese pop music.

Learn more about sponsor message choices: podcastchoices.com/adchoices

NPR Privacy Policy

The alternative rock pioneers perform an exclusive set ahead of the release of their latest album.

Learn more about sponsor message choices: podcastchoices.com/adchoices

NPR Privacy Policy

Songs Of The Seas by Dan Medina is a(n) Limited Edition. The Edition is Limited to Limited Edition of 150 pcs

Songs Of The Seas AP by Dan Medina is a(n) Limited Edition. The Edition is Limited to Artist Proof of 15 pcs

HE SONGSTRESS by Frank Morrison is a(n) Limited Edition. The Edition is Limited to Limited Edition Of 20 pcs

THE SONGSTRESS by Frank Morrison is a(n) Limited Edition. The Edition is Limited to Limited Edition Of 5 pcs

Before I begin, I wish that I could give you some sort of formula for transcribing guitar parts from songs, but I really can't because its done on intuition and from focus. Plus, I have no idea what song or what type of music you may be interested in tackling.

However, I am well aware that many guitar players, both young and old are out right intimidated by the thought of, or word of "transcribing".

As someone who continues to do it to this day, I have learned quite a bit about doing so, and have been proven time and time again that there are tricks that can aid you. I will do my best to help you, but first, why should a guitar player learn to transcribe music?

First, in my opinion, the ultimate goal of any musician should be to find their own voice, and throwing away the tabs and buckling down will unlock the whole world for you. Everything that I teach by way of videos, article lessons, or even rants was born from trying to figure it out on my own. I can't even begin to emphasize this, and words cannot describe.

Second - even if you simply wish to play pre-written songs for the rest of your life, learning them the old fashioned way makes things like soloing, and improvising a total synch. If someone puts you on the spot in front of a bunch of people and you are expected to learn a song right then and there, as that person is playing it, it will be no problem anymore.

So now we begin...

STEP ONE

The first thing is where DO you begin? most people could listen to one note, and they can't picture where its at, and so they assume that its going to be anywhere, and yet it is in one
specific place as expected.

If you do the math, you've got 6 strings, and on a full 24 fret guitar, 2 octaves per string. Let's take a random note. Say G#. On the low E string alone there will be 2 G#'s - remember, two
octaves per string. Now you've got 6 strings - 2 x 6 = 12. So you've got 12 of each note on the guitar - pretty cool.

Even if your guitar doesn't have 24 frets, thinking like this makes playing so much easier.

Now, let's imagine the fretboard as being divided into 4 sections.

We'll say that from frets 0 to 6 are section 1, 6 - 12 are section 2, 12 - 18 are section 3, and 18 - 24 are section 4.

There is a HUGE difference in pitch when a note like G# is played in section 1, 2, 3, or 4. Its the same note, but the sharpness grows as you move on up the neck. By the way, we're not just sectioning off one string, we're handling all of them.

I don't expect you to get it right away, but playing around with this mindset could very well mean that you will be able to go to the correct area of the fretboard, even if you don't have
perfect pitch and know what note it is that you are trying to find.

STEP TWO

Since man does not sport monstrous hands, nor 13 fingers on each hand, you can pretty much assume that the next set of notes will be in close proximity to the one that you first found. The first note by the way gets it started. In my opinion, if you can find the very first note of a guitar solo or melody, you can crack the code for the entire thing.

You should put a LOT of emphasis on that very first note and remember where its at, because if you get lost - this is your starting point again.

The next question to ask yourself is, are the next notes higher or lower, and how much so?

Let's say that you've come to the conclusion that the next note is lower. Even if you have to do half steps, or one fret at a time to find that next note - do it. Once you find the next note, again - lock it in. Go back and play those 2 notes over and over again. We'll worry about the mechanics
of how the notes are played/expressed later.

Even for me, if I encounter a song that's pretty fast and hard to keep up with I will tend to have trouble, but you and me both have a secret weapon. The pause button on our computer or CD player. where ever you are at in the song, hit the pause button immediately after the part that's got you hung up. Don't let those other sounds interfere and throw you off. One block at a time.

Though this process might seem confusing now, if you take my advice of breaking it down, over time it will tend to happen on auto pilot. Hope this helps - best of luck.

It's not easy, but you really can sing in Elvish if you try!

Liturgy, Hymns & Songs of the Assyrian Church of the East

As the 40th anniversary of Expo ’74 approaches, we’ve been poring through over old photos, memorabelia and news coverage from the time. We’ll have more in print in the coming weeks, but print just can’t capture one amazing part of Expo — the music…

The blues is more than just a genre—it’s the heartbeat of modern music, steeped in raw emotion and history. From its humble origins in the Mississippi Delta to electrifying stages worldwide, the blues has shaped rock, soul, and countless other genres, leaving a legacy that resonates across generations. In this article, we dive into the […]

The post 15 Best Blues Songs of All Time first appeared on Singersroom.com.

Psychedelic rock is more than just a genre; it’s an experience—a kaleidoscopic journey that pushes the boundaries of sound, perception, and imagination. Born in the 1960s, this mind-bending fusion of rock, surrealism, and experimentation became the soundtrack to a cultural revolution, forever altering the landscape of modern music. With its swirling guitars, hypnotic rhythms, and […]

The post 15 Best Psychedelic Rock Songs of All Time first appeared on Singersroom.com.

Opera has captivated audiences for centuries with its grand emotions, sweeping melodies, and powerful stories. From heart-wrenching arias that make your soul ache to triumphant anthems that leave you breathless, opera songs have a unique ability to touch the deepest parts of our human experience. Whether you’re new to the world of opera or a […]

The post 15 Best Opera Songs of All Time first appeared on Singersroom.com.

Motown isn’t just a record label—it’s a cultural movement. From its humble beginnings in Detroit, Michigan, Motown transformed the world of music, giving us some of the most iconic, soulful, and timeless songs ever recorded. With its signature blend of pop, soul, and R&B, the Motown sound broke down racial barriers, bringing people of all […]

The post 15 Best Motown Songs of All Time first appeared on Singersroom.com.

Instrumental music has a unique power—it transcends language, unlocking emotions, memories, and atmospheres through pure sound. Whether it’s the thrilling pulse of a rock guitar, the sweeping elegance of an orchestral arrangement, or the rhythmic groove of a jazz ensemble, instrumental tracks have always been able to captivate listeners without uttering a single word. In […]

The post 15 Best Instrumental Music Songs of All Time first appeared on Singersroom.com.

Latin music has taken the world by storm, captivating listeners with its irresistible rhythms, passionate lyrics, and infectious energy. From sultry ballads to high-octane party anthems, the Latin music scene has produced some of the most iconic and timeless tracks in history. Whether it’s the rhythmic pulse of reggaeton, the sensual sway of salsa, or […]

The post 15 Best Latin Songs of All Time first appeared on Singersroom.com.

Love songs have a magical way of capturing the most intimate emotions, making us relive unforgettable moments of passion, longing, and devotion. From the heart-wrenching ballads that make us reach for the tissues, to the uplifting anthems that celebrate the euphoria of love, these timeless tracks have soundtracked countless relationships and romantic milestones. Whether you’re […]

The post 15 Best Love Songs of All Time first appeared on Singersroom.com.

When it comes to planning a wedding, one of the most important details is the music that will accompany the most memorable moments of the day. Whether it’s the bride’s grand entrance, the newlyweds’ first dance, or that special song playing as you walk down the aisle, the right music can make these moments unforgettable. […]

The post 15 Best Wedding Songs of All Time first appeared on Singersroom.com.