As the COVID-19 pandemic complicates that exchange, several artists have found another way to connect. Launching podcasts that sweep the corners of their musical experience, they sound out their voices in fulfilling fashion.

Robin Anderson and Audra Sergel launched their Musicians Dish podcast in September. The show represents both a natural expression of their friendship and an extension of their concerns as freelance artists.

Whether recording on their own or collaborating, Anderson and Sergel nimbly blend elements of pop, jazz and musical theater. Each songwriter's work unites bold humor and deep sentiment — as does their podcast, which is irreverent and informed.

[Lesotho Times] LOCAL musicians can finally celebrate a significant development: their music will now earn royalties from commercial use.

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why should a musician podcast?

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why should a musician podcast?Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Independent artists have long struggled to gain recognition and attract an audience. Without the backing of a major label it can be very difficult for independent artists to obtain radio play time, that is, until now. Podcasting a revolutionary new medium, has opened new distribution channels for independent artists. Podcasting is the process of distributing audio files using the RSS format and has become very popular with the younger generations.

With the use of technology, independent artists have a unique opportunity available, using technology they can significantly expand the exposure of their music.

Why Independent Artists and Musicians Should Podcast

Strokestra, a groundbreaking project between the Royal Philharmonic Orchestra and Hull Integrated Community Stroke Service, is enabling world class musicians to support stroke survivors by ... Read more

The post Watch how strokestra uses musicians to help stroke patients appeared first on CMUSE.

A study conducted by the University of Montreal has revealed that musicians have faster reactions than their non-musical counterparts. The research demonstrated a link between ... Read more

The post Study shows musicians have faster reactions appeared first on CMUSE.

Anipo, a French-based network of musicians, has launched an initiative aimed at cracking down on stolen instruments. Anipo encourages musicians to install a chip on ... Read more

The post Musicians’ network aims to clamp down on instrument thefts appeared first on CMUSE.

You can always count on Craigslist for some highly questionable listings but we all know the free online classifieds site has a reputation for publishing some unusual, ... Read more

The post The 18 Weirdest And Funniest Craigslist Ads For Musicians appeared first on CMUSE.

Washington – Professional musicians have a 4 times greater risk of developing noise-induced hearing loss than the general public, according to a new study conducted by researchers in Germany.

Cincinnati – NIOSH has released guidance to help protect the hearing of musicians and others in the music industry.

Edgar Wright attends the 55th Annual International Cinematographers Guild Publicists Awards at The Beverly Hilton Hotel on March 2, 2018 in Beverly Hills, California.; Credit: Tommaso Boddi/Getty Images

The joke about Sparks — if you’ve even heard of them — is that it’s the best British band to come out of America. That confusion is why Edgar Wright, the director of “Baby Driver” and “Shaun of the Dead,” wanted to make his first documentary about the group, headed by brothers Ron and Russell Mael. Quite simply, Wright was tired of explaining who the band was and why he loves them. His documentary, called “The Sparks Brothers,” premiered at this year’s Sundance Film Festival. John Horn talked with Wright after its January premiere about his personal connection to the band, how he connected with the brother, the editing process of the documentary and more. The film is in theaters now.

With guest host John Horn

Guest: 

Edgar Wright, director of the new documentary “The Sparks Brothers;” he tweets @edgarwright

This content is from Southern California Public Radio. View the original story at SCPR.org.

Jones’s musical legacy—and devotion to his Seattle roots—carries on. by Alexa Peters

In 2017, during a performance from local garage-jazz quartet Industrial Revelation at Upstream Music Festival, I noticed a commotion near the stage as people huddled around the VIP seats. I stood on my toes and looked—Is that Quincy Jones?!

While Jones, the legendary musician, producer, and alumnus of Seattle’s Garfield High School, had given a keynote address earlier in the festival, I didn’t expect to see the mastermind behind Michael Jackson’s Thriller sitting amongst the crowd. But there he was, shaking hands, taking pictures with fans, and even sharing generously with a young musician who asked him about score orchestration. Then, it was my turn to thank him. He grasped my hand and grinned, wrapped in one of his iconic striped scarves.

On Sunday, Jones passed away at his home in Los Angeles. He was 91. Though it’s been many decades since he lived in Seattle, and he was only a resident from 1943 until 1951, Jones continuously nurtured his ties to the city over the course of his life and inspired generations of local musicians.

“Sometimes, in today's musical world, there can be a level of superficiality, and Quincy was the opposite of that,” says Riley Mulherkar, a graduate of Garfield High School and rising jazz trumpeter who released his acclaimed debut record earlier this year. “[He had] mastery of the form at a young age—and then he was able to take that into all sorts of musical situations, and literally change the world.” 

Jones was born on March 14, 1933, in Chicago. After a tumultuous early childhood with his mother, who had schizophrenia, Jones’s father, Quincy Jones Sr., moved Jones and his brother to Bremerton, Washington. When he was 12, Jones began playing trumpet at Bremerton’s Coontz Junior High. 

In 1947, after Jones’s father remarried, he moved his sons, his new wife, and her three children, to Seattle. Jones started at Garfield High School and quickly met fellow student Charlie Taylor, who played saxophone.

Taylor was one of the sons of Evelyn Bundy, a trailblazing Seattle jazzwoman who formed one of the city’s first jazz bands in the 1920s. At Garfield, Taylor was ready to put together his own group. He invited Jones to become a member of his band, and Jones agreed, joining a cast of elite musicians at Garfield including Oscar Holden Jr. and Grace Holden, two children of pianist and Seattle jazz scene patriarch Oscar Holden.

After their first few gigs as the Charlie Taylor Band, Bumps Blackwell, a bandleader, songwriter, arranger, and record producer (who would go on to mentor Ray Charles, Ernestine Anderson, and Sam Cooke, among others), offered to manage them as the Bumps Blackwell Junior Band.

As Paul de Barros notes in his book Jackson Street After Hours: The Roots of Jazz in Seattle, the Bumps Blackwell Junior Band was a “focal point” in people’s memories of Jackson Street, which was home to a bustling jazz scene in the years around World War II until 1960. 

The time in the band was influential for Jones, too. Jones got to perform frequently, including opening for Nat King Cole at Civic Auditorium, and the group allowed him to befriend other notable musicians who worked on Jackson Street at the time, like Ray Charles or “R.C.”, who first taught Jones about arranging.

Jones left Seattle in 1951 to attend Berklee School of Music. He soon dropped out to tour with Lionel Hampton’s orchestra and eventually form his own band. From there, Jones’s career is one milestone after another. 

Some highlights from Jones’s career include working as musical director, arranger, and trumpeter in trumpeter Dizzy Gillespie’s band, becoming the first African American vice president at Mercury Records in 1964, composing film scores for dozens of films, composing for iconic TV shows including Roots, and serving as producer and arranger for top-tier talent including, of course, Michael Jackson. 

Jones also founded Quincy Jones Productions, an all-encompassing media and artist management company that helped jumpstart the careers of artists like Jacob Collier.

With all his accomplishments and fame, Seattle organizations have bestowed Jones with various honors, including Lifetime Achievement Awards from both the Northwest African American Museum and the Seattle International Film Festival. Likewise, Jones kept up his connection to the Emerald City, often supporting the local music scene and returning home for visits. 

As far back as 1959, when Jones was hired to form his own band, he hired musicians from Seattle he admired, including pianist Patti Bown, trumpeter Floyd Standifer, and one of his lifelong friends, bassist Buddy Catlett. 

Upon Catlett’s death in 2014, Jones tributed his “brother and bandmate” on Facebook, calling him “one of the greatest bass players to ever take the stage. From Charlie Taylor's and Bumps Blackwell's bands when we were starting out in Seattle to my Free and Easy tour of Europe, we traveled the world playing the music we love.”

Jones has stayed especially linked with Garfield High School. In 2008, when Garfield High School decided to name their freshly renovated performing arts center after Jones, he flew in for the dedication ceremony. As recently as last year, Jones donated $50,000 to Seattle’s Washington Middle School, which feeds into Garfield High School, to help keep their jazz program alive. 

“Today, I had the pleasure of visiting my old school in Seattle, Garfield High, and man did it bring back some memories!!,” Jones wrote in a 2017 Facebook post. “I can't believe it’s been 70 years since I walked these halls as a student...Moving to Seattle forever changed me for the better...and finding music here showed me that I could be more than a statistic...”

Mulherkar, like Jones, found music at Garfield High School, where Jones is now embedded into the lore of the school.

In 2009, as a high school junior playing trumpet in Garfield’s jazz band, Mulherkar had the chance to meet and work with Jones when the legendary producer came into their rehearsal. He conducted the students in a couple songs, including a swingin’ Jones original and one of Mulherkar’s favorites called “Stockholm Sweetnin’.”

“It was hard to even wrap our minds around, because there's Quincy Jones, the celebrity,” said Mulherkar. “It felt so special to have this personal connection to the man, as a Garfield student, as a trumpet player, and [as] someone who wanted to make my life in the music.”

Mulherkar, who now lives in New York, still finds it special that the beginnings of his career were so touched by the icon.

“As a jazz musician from Seattle who went to Garfield… I love that he was able to make such a tremendous impact starting from a place that, for me, is so relatable,” said Mulherkar.

Through Garfield students like Mulherkar, and the countless other artists Jones mentored as a producer and music executive, Jones’s musical legacy—and devotion to his Seattle roots—carries on. 

Sixty young musicians to demonstrate music’s power to unite with performance at European Parliament.

Troubled Musicians: Bands/Groups (Not open for application) The following fanlistings are scheduled for removal on November 14, 2024. If your fanlisting is listed below, please fix the problem/send in a finished form and reply to the troubles email! Pending Removal – Overdue SR-71; Wallflowers, The

Upcoming Musicians: Bands/Groups D’espairsRay; Kagrra,; Loona; Rentrer en Soi; Rise Against; tripleS Finished Musicians: Bands/Groups SR-71; Wallflowers, The Moved Musicians: Bands/Groups No moved forms have been received since the last update. Closed Musicians: Bands/Groups (Open for application) No closed forms have been received since the last update. Overdue Musicians: Bands/Groups No overdue fanlistings. Overdue: Temporary […]

Sammy Wong, 8, of Waterloo has been playing the violin since he was 5 years old. He has been rehearsing for an upcoming concert with the musicians of the K-W Symphony on Saturday night at the Registry Theatre in Kitchener. The show, titled Prodigio del Violino:An Evening with Sammy Wong, will feature the music of Mozart and Vivaldi.

Famous people who die at age 27, such as Janis Joplin, Jimi Hendrix and Amy Winehouse, get even more famous because of the mythology surrounding that number—an example of how modern folklore emerges

Rajiv Menon talks about how ragas and legends of Carnatic music have inspired him as a filmmaker. Renuka Suryanarayan writes.

Amid lockdown crisis, Guwahati NGO lends helping hand to musicians  Northeast Now

Earlier this year, Toronto-based indie label Royal Mountain Records (PUP, Mac DeMarco, Alvvays, U.S. Girls) created a first-of-its-kind fund to support its artists’ mental health. Each act on the label now has access to $1,500 each – completely confidential and non-recoupable – to use on mental health wellness and addiction treatment.

The label is run by Hollerado frontman Menno Versteeg, who joins us this week to talk about the fund’s creation and, more generally, mental health in the music community. Menno is open and honest about how his own history as a touring musician inspired the fund, and why labels, managers, agents, and others who earn their living off of musicians need to do more to support artists’ well-being.

And since Hollerado just released their final album and will soon embark on their last tour, we also fit in a quick chat about the band.

For our feature interview, Mike catches up with Ben Rayner (22:40), the long-time music writer and critic at the Toronto Star. He’s easily one of the best music writers in Canada and it’s obvious that his love of music, and writing about it, is as strong as ever. As local newspapers disappear and even the big newspapers like the Globe & Mail and National Post diminish their arts coverage and move music journalists into other beats, Ben is among the last of a dying breed. Mike and Ben chat about changing nature of music journalism in Canada and the decline of music coverage in newspapers and then get into what impact this could have on artists and the country’s music industry.

But before we chat with Ben, we also meet up with Charlie Wall-Andrews (2:48), the executive director of the SOCAN Foundation. Charlie fills us in all the various grants and programs that the SOCAN Foundation has available to artists. Then she and Mike discuss the concept of corporate social responsibility, which is an area of particular expertise for Charlie, and how it applies to the music industry. www.socanfoundation.ca.

Should you sign that contract? Can you remix or cover any song you want? What’s a split sheet? Chances are you’ve encountered a few tough questions related to music law, and if you haven’t yet, trust us. You will.

On this week's podcast, Canadian music lawyer Byron Pascoe of Edwards PC Creative Law walks us through general music law FAQs that will empower you to make good decisions. We also cover common music law agreements - from producer to management agreements - and related negotiation strategies and red flags.

Whether you're just launching your career or scaling the summit to the top of the industry, you're sure to pick up some helpful tips.

This episode is adapted from a recent music business webinar from Canadian Musician and NWC Webinars. To sign up for free webinars and access recordings of all of our previous sessions, visit www.nwcwebinars.com.

When Karen Allen told us about her book for musicians about the live streaming platform Twitch, she said: “I’ve been working in digital music for 20 years and have never seen anything so effective for artists.” That certainly piqued our interest.

Lo and behold, there is a growing and prospering community of musicians on Twitch using the platform to engage new fans, turn casual fans into super fans, and make some good money doing it. Allen, a veteran of the digital music industry and author of Twitch for Musicians, joins us on today's show to explain Twitch’s evolution and how indie musicians can utilize it to great effect.

This episode is sponsored by Bandzoogle. Try it free for 30 days and use the promo code “CMPOD” to get 15% off the first year of any subscription. https://bandzoogle.com/?pc=cmpod

http://canadianmusician.com

Actor-politician Kamal Haasan has been trapped in a controversy yet again, and this time it's related to poet-composer Sri Thyagaraja. He commented that Sri Thyagaraja was 'begging in praise of Lord Rama'. Well, this comment has affected many.

Canadian musicians have lots to offer the world in terms of exciting and fresh music. I would like to offer a few suggestions in various categories, you'll discover like I did that Canada has more to offer than a few tasty brews.

Charity ambassador and musician Cormac Neeson said: "The line up is as strong as you could ever hope for in the real world and every artist is born and bred right here in NI."

MUSICIANS ON CALL has expanded its Music Pharmacy program, which brings the "healing power of music" to patients in hospitals across the country, sponsored by AMAZON MUSIC and BOSE. … more

Celebrities: They're just like us! Along with everyone else, famous people are self-isolating at home, and some of them have taken to social media to alleviate the stress of the outside world. We don't need to tell you that events everywhere are canceled, so a few big-time musicians are putting on personal concerts for their fans and followers, and a lot of them — save for that cringe-inducing, star-studded cover of "Imagine" that was going around yesterday — are actually pretty good.…

Ask any working musician why they play live, why they lug their equipment to and from bars and restaurants and wine-tasting rooms week after week, and they'll point to the same nebulous thing: It's the connection with an audience.…

You might not know it from the fancy attire they wear on stage at the Fox Theater, but for the musicians in the Spokane Symphony, it's a part-time gig. It's a prestigious gig, to be sure, but like most artists, for the musicians, it's just one piece of a puzzle full of hustle they have to solve to make a living.…

Thanks to Michael Greene of Boone, NC - a virtual dinner concert series, online, was organized as a way to help raise money for local restaurants, servers, and musicians in the Boone area that have been unable to work due to the mandatory closures of businesses because of the Coronavirus. This includes a Go Fund Me page set up to donate a little extra in the case someone can. Maybe this virtual idea spreads all over as a way to say thank you to someone for serving and entertaining all of us in the past. You can find them on Facebook @BooneRelief Posted by Host and Producer of The Friday Feature Interview of the Week, Paul Foster- WNCW Senior Producer, News Director, and Morning Edition Regional Host

Sixty young musicians to demonstrate music’s power to unite with performance at European Parliament.

The Rockford Area Convention and Visitor's Bureau (RACVB) wants you to stay home and write songs. "Stay Home Songs" is a community song writing contest that is open to all ages and all types of musicians. There is no fee to enter and all genres of music are welcome. Musicians who live in Winnebago County and may enter one original song that is less than three minutes long. Nick Povalitis is the vice president of marketing and sports development for the RACVB. He believes this contest creates an engaging way for people to stay together during Governor J.B. Pritzker's stay-at-home order. "We want to do our part to tell stories and connect people," Povalitis said. "Musicians are some of our best creators and there are a lot of talented musicians within Winnebago County and the Rockford region." This includes the contest judges. Jodi Beach, Vince Chiarelli, Duntai Mathews, Miles Nielsen, and Antonio Ramirez will select the winning songwriter. The winner will receive a $200 gift card to a

These five oldies but goodies from the On Second Thought archive cover topics from rocket science to recipe books. Check out these stories to start your week out with some good news. What are some of your favorite On Second Thought segments? Leave us a message on our Facebook group or our Twitter page . 1) “ From Ma Rainey To Otis Redding, The Musical Roots That Gave Georgia Its Sound ” Last September, we were joined by musical scholars, Joycelyn Wilson, Lance Ledbetter, and Jamie Weatherford to discuss the history of music in Georgia. From Outkast to James Brown, and from Brenda Lee to Jason Aldean, Georgia has produced some of the most respected minds in blues, country, soul, rock, and dozens of other genres. 2) “ Primatologist Frans De Waal Explores What Humans Can Learn From Animal Emotions ” April 2019 saw Atlanta-based author and primatologist Frans de Waal discuss his book Mama’s Last Hug: Animal Emotions . His work explores how primates and other animals experience emotions

Now, More Than Ever, Musicians Need Your Support. These are extraordinary times yet one thing is certain… music connects communities. Due to this pandemic, understandably, all live performances have been cancelled until further notice. Yet, it's these very performances that provide the musicians income...

Pacific Northwest Ballet, after canceling two programs and closing both branches of its school due to the coronavirus pandemic, stands to lose approximately $3 million through the end of April

Like many other arts organization in the country, Seattle Symphony Orchestra (SSO) has instituted temporary layoffs, leaving a 58-person staff from its usual roster of 250 employees.

Amid plans for a five-star hotel for Canberra's centre, some of the city's biggest music success stories plot to save its nightlife, claiming currently unenforced noise limits could kick into effect and threaten venues when the hotel starts hosting guests.

The Holland family have hosted thousands of dinner parties in a bus parked in the driveways of complete strangers. It is their way of keeping one foot in urban life while living off the grid.