Low pay, long hours and a cashless society threaten the viability of making music, as musicians are forced to look for new ways of marketing their bands.

(United States Ninth Circuit) - Reinstated a lawsuit alleging that a movie studio breached its collective-bargaining agreement with musicians who score motion pictures. The musicians' labor union contended that the movie studio breached the labor agreement by having the film Same Kind of Different As Me scored in Slovakia, rather than hiring union musicians in the U.S. and Canada. Finding genuine disputes of material fact, the Ninth Circuit reversed the entry of summary judgment for the movie studio and remanded for further proceedings.

Creators Compete For Chance To Be The #CES2017 Soundtrack And Perform On CES Stage In Las Vegas

Sound Healthcare & Financial Announced The Formation Of A True Group Health Insurance Policy Plan For Musicians And Industry Professionals

Karen Weed's Assam Skies Brings Together Artists, Musicians And Actors From Around The Globe. The Song Is Set To Release On Sept 25.

The word legend gets thrown around a lot, but Little Richard is undoubtedly a legend. He died earlier today at...

The post Rock & Metal Musicians Pay Tribute to Little Richard appeared first on Metal Injection.

Removed From Troubles – Problem Resolved (NOT open for application) Core of Soul Removed From Troubles – Removed From Network (OPEN for application) Finch; Nine Inch Nails

With concerts cancelled and album releases amiss, musicians with mental health issues are struggling with the stress and uncertainty from the COVID-19 pandemic.

Christian Gaser
Oct 8, 2003; 23:9240-9245
BehavioralSystemsCognitive

With gigs off and venues closed, Japanese artists are getting more creative in staging shows for fans staying at home.

LOS ANGELES, CALIF. – "The Distortion of Sound,” a documentary exposing the decline of sound and how technology has changed the way we listen to music, premieres this evening at an invitation-only event at the GRAMMY® Museum in Los Angeles, California. Following tonight’s screening, the documentary will air on “The Distortion of Sound” YouTube channel, DistortionofSound.com, the Sundance Channel the IFC Channel on July 23 at 6 p.m. ET and PT.*

Title: Professional Musicians Face Greater Risk of Hearing Problems
Category: Health News
Created: 5/1/2014 9:35:00 AM
Last Editorial Review: 5/1/2014 12:00:00 AM

With more Australian artists being asked to play for free in the lockdown, many are asking if it might do more harm than good

If live music died in mid March, it’s sure been noisy at the funeral. On platforms old and new, live gigs performed at home have streamed from trickle to tidal wave, breaking over the mobile devices of captive audiences. Global gig guide aggregator Bands In Town has added a livestream dropdown, and a new Australian state has been ceded by Eventfinda and tucked alphabetically between Victoria and Western Australia: the state of “Virtual”.

For fans it’s been fun. We’re loving seeing musicians’ pets and plants and enormous fingers fumbling for the flip screen button and, unless we’ve bought a URL ticket, there’s scandalously little to lose by dropping into, and out of, a show.

April 16, 2020, Toronto: Music Canada welcomes the recent clarification from the Federal Government on the guidelines for eligibility for the Canada Emergency Response Benefit (CERB). Prime Minister Justin Trudeau has responded to concerns around the preliminary rules that excluded people working reduced hours. These needed changes will help support artists and musicians who in […]

The post Music Canada applauds Government of Canada for clarifying CERB guidelines for artists and musicians appeared first on Music Canada.

L.A. Phil players Jonathan and Cathy Karoly find a new way to share music. "It's a privilege to get to play for people who want to listen," Cathy says.

From the impressive Vienna Vegetable Orchestra to hand-carved pipes and whistles in Japan, these creative people know how to find music anywhere, even in the crisper.

Singer’s new documentary about the 1960s Laurel Canyon music scene shows why there is no substitute for creative collaboration

Bob Dylan’s son, the musician and performer Jakob Dylan, has urged young people to get together in person to make music and not to rely on technology, after fronting an elegiac film about how the ageing “giants” of rock gathered together to share ideas and refine their sounds.

Digital files now allow singers and musicians to hear each other across great distances, and even to collaborate on new songs, but it should never replace the habit of playing together, Dylan argues.

Arijit Datta hobbles into The Fatty Bao with a twisted ankle. Sidd Coutto bustles in 10 minutes later. The former's a music composer who's moved away from bands like Agni and Airport towards film and advertising, while the latter is probably the busiest musician in the city's indie circles. They first dive into starters — Crystal Dumpling, Spicy Mushroom Sushi Roll, Dancing Prawns and California Rolls — and then into conversation about their craft.

Sen: How do you switch seamlessly from making indie music to more commercial projects?
Datta: It's not a switch really. I think that for me and for Sidd also, wherever there is a mode of expression, we just go there and do our thing.
Coutto: Yeah, true. For commercial concerts, you just go up there and rock 'n' roll, dude. It's just a two-hour gig, where you're hanging with your buddies on stage and partying away.
Datta: It would be different when it comes to writing songs, which we both do, because if you have to mould yourself according to the audience, that's what you might call a switch.

Sidd Coutto (left) and Arijit Datta share a laugh at The Fatty Bao in Bandra. Pics/Pradeep Dhivar

Sen (to Datta): So when you were composing for the movie Filmistaan, did you have to keep the audience in mind?
Coutto (answering for both): See, performing is one thing and composing is another. When you're writing for films, you have to be clear that it's the director's baby. You are facilitating his vision. Yes, it's your baby at one level, but you're not both the mummy and the daddy.
Datta: The good part about Filmistaan was that the director let me interpret the film my own way. So I never had to break away from my own self, because the music came naturally to me. Plus, the movie had no market pressure as such, so I didn't really have a brief.
Coutto: ...Which by the way isn't the norm, so [singing to the tune of a Daft Punk Song] you got lucky.
Datta: Yeah, and for me, I think very cinematically. Even with my band's songs, if I just change the arrangements a bit, they can be in a film.
Coutto: Also, when most people come to you for work now, they come for what you make. It's not like the old days when it was like, 'Aisa banaa aur waisa banaa.' So you don't have to switch so much, since they want you for you.
Datta: I think there are newer minds. There are newer storytellers with a different language altogether, who go in search of newer sounds, voices and composers.

Sen: So it's not the era of Jatin-Lalit and Anand-Milind anymore?
Datta: No. But they also had their own sound. At that time, Jatin-Lalit were the kings, ya. Of course, they didn't move with the times.
Coutto: Or, the times moved away from them. But they did try. Infact, [Anand-Milind's] Qayamat Se Qayamat Tak is my favourite Hindi film album of all time.

Datta: Yeah, it's my favourite too. It was a complete album. Even the least-remembered song [sings a bar from Kaahe Sataye], even that I remember! So yeah, they did their time; they brought in their sound and gave us memorable tunes. But then our tastes started changing. MTV, Channel V and VH1 came in, and the world suddenly became bigger.

The mains, Asparagus Bacon Fried Rice and Exotic Mushroom Ramen, arrive. This is followed by moments of silence interspersed with appreciative sounds such as 'mmmm'.
Sen: What are some of your favourite places to eat at in Mumbai?
Coutto: Over the past couple of years, I've discovered that Social actually has awesome food. They have a vast variety of things, with small dishes included. Did you know that they have something on the menu called Staff Khaana? It's exactly what their staff eats and it's great, dude. But I don't end up ordering it as much because there are so many more things I like. But they have removed bheja from the menu, and I love bheja.
Datta: I can never have bheja, man.
Sen: So if you go to Bangkok you're never going to try cockroaches and locusts?
Datta: Never. I can't go in that direction. I know that people are adventurous with their food and everything. But I can't do that.
Coutto: For me, when it comes to food, I let my nose guide the way. Otherwise, I have no restrictions.
Datta: I love going to this place called National. It's a dhaba that a Sardar owns and it's been running since 1952, near Bandra Talao. It serves pure food, you know, the sort with less oil — makki roti with butter on top, rajma, bhindi — and you can even have their water and nothing will happen to you.
Coutto [Putting his fork down and rubbing his tummy]: Yeah, I'll go there with you sometime. But right now, I think I'll go home and play some slow blues songs.

Ojas Adhiya, Nandini Shankar and Abhishek Borkar are poised to strike a chord with young urban listeners in Mumbai

For most youngsters, unfamiliar with Hindustani classical music, 'serious', 'formal' and 'boring' are popular adjectives used to define the genre. For as long as we can remember, Hindustani classical, that has given the world several legends, has been performed in sprawling auditoriums — there's not just discipline in the music, but in the attire and in environment as a whole. How would it be then, to see classical being performed in casuals? Turns out, that's not an outrageous thought anymore. First Edition Arts, a Mumbai-based performing arts company is poised to topple status quo with the sole aim of gathering more young, urban listeners. Under a musical series called Come Together, three young Hindustani classical musicians, will slip into casuals and perform for an audience gathered at Cafe Zoe. Starting June 10, this will be a regular series, one in every quarter. While the setting is all-new, the music won't take the fusion route. The first series will feature Abhishek Borkar on the sarod, Nandini Shankar on the violin and Ojas Adhiya on the tabla. The trio will present an instrumental concert in both solo and duet sets.

Catch them young
"When younger musicians try to strike a rapport with young listeners they take the fusion route. We are saying, you don't have to. This music is so exciting on its own, that the young can be hooked," says Devina Dutt, director, First Edition Arts. Six months ago, they had organised something similar at antiSOCIAL at Khar as an experiment, and they were sold out. "We weren't sure of what to expect. But it was a success." That gave them the impetus to take the idea on a larger scale. "The first two sets will be the sarod and tabla. In the third set, Abhishek will invite Nandini to jam with them on stage. The concert will span a little over an hour — not the standard two-and-a-half-hour performance. Young people haven't even heard classical music and they have discarded it. All we are trying to do, is give them a sense of how exciting and rigorous it is. But, in a short dose," Dutt says.

Abhishek Borkar

The protocols will be relaxed too. The bar will be open before and after the concert, and for 20 minutes during the interval. Food and drink services will be terminated during the performance, but, once served, guests can continue with their meal at their tables. "There was no sense in locating it in a space like this and sticking to the rigidity. But, at the same time the character of the music does require attention, it's not the kind that you can hear in the background," she adds.

Break the rules
Ever since the posters of the concert went out, a lot of Shankar's friends and followers on social media have shown interest. The posters, with their vibrant colours and friendly fonts, could well be mistaken for one for a standup gig. "Any new genre is an acquired taste. Over the last couple of years, I have noticed an increase in my young audience. Young listeners are always looking for something new and because most of them have not heard classical music, it is novel to them. If they are exposed to it, they will enjoy it," says the eighth generation violinist. The set-up, she believes, needs to change because "it is important that it appeals to you at first go. That's why the colourful posters. We need to speak the language they understand," adds the 25-year-old. After the concert, the audience can interact with the artists as well. "The milieu becomes more relatable, it's like hanging out with friends. That becomes easier when the age groups are similar. We want to connect on a personal level. In fact, that's the bit I am really looking forward to," adds Shankar.

Nandini Shankar

Tabla ace Adhiya would love to do a Q & A with the audience as well. "That way we can reach out to them and explain what classical music is all about. If they know a few things, they can enjoy it more. And it will all be done in an informal manner," says the 30-year-old who made it to the Limca Book of World Records as the youngest tabla player at the age of 4. Borkar points out that traditionally, Hindustani classical has always been somewhat "intimidating".

"It can appear too proper, rigid and posh, with its sherwanis and bandhgalas. Sometimes I feel even the artists themselves enjoy this air of exclusivity that further distances them from the audience," says the 25-year-old sarod player, adding that he was thrilled about the prospect of performing in casuals. "That's what I wear when I practice or record in a studio. So, why not at a concert? We are even thinking of getting some people to sit on stage if possible," he adds.

Distraction not a concern
The trio believes that the music will be enough to keep people from getting distracted. "It's a new thing for them too, to experience this kind of music in the given setup. And if someone is quietly eating and drinking at their table, that should not bother me. In the olden days, there would be baithaks in people's homes, where classical concerts would be performed. It's the same concept," Adhiya says. Spontaneity will be the key on D-day; the artists will reach the venue, gauge the crowd and accordingly choose the raagas. Borkar says, "I love getting people interested in an instrument they have not seen or heard before. The idea is that if they don't come to our concerts, why don't we go where they hang out? And just because it's unusual that doesn't mean it's wrong."

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BBC One's One World: Together at Home featured performances from the likes of Elton John, John Legend, Ellie Goulding and Little Mix - with stars performing from their homes.

The list of highest paid female entertainers in the music industry for 2019 has been released by Forbes, and the results pack some surprises. Taylor Swift led the way by over $100 million.

Actor-politician Kamal Haasan has been trapped in a controversy yet again, and this time it's related to poet-composer Sri Thyagaraja. He commented that Sri Thyagaraja was 'begging in praise of Lord Rama'. Well, this comment has affected many.

Conductor and organist Kent Tritle explains all that goes into being a professional conductor. From the concepts of legato, marcato, fortissimo, and more, Kent breaks down what exactly his hand movements mean when leading a group of musicians. Filmed at the Cathedral of St. John the Divine, featuring Kent Tritle, Director of Cathedral Music and Organist, Cathedral of St. John the Divine.

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