Today will be more explosive than a pyrofuego at a fireworks factory. The trailer is here, and we have massive news! And y’all are so passionate our website went down last night just from the anticipation of the trailer. If it happens again, we’ll be keeping you updated on twitter at @jimbutchernews, so you don’t [...]

NOTE: In our traditional April Fool’s posts, we endeavor to make them credible at the beginning, then crank up the nonsense until the joke becomes obvious. But these days, the idea of knowingly spreading misinformation (even when comically false) sounds exhausting. So here’s our notice ahead of time: This is 100% silliness! Hope it lightens [...]

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About 80 per cent of stars in the Milky Way’s central bulge have relatively close encounters with another star, which can fling off any planets orbiting them

Milo Yawannapissoff and Michelle Malkin have been collaborating, and the results are even more awful than you can probably imagine. They decided to work together to create an “America First” reading list for their followers. Just from their choice of subject you can tell it’s going to be a collection of racists’ greatest hits. Milo […]

Both sides are desperate for a speedy agreement, but there are clear sticking points.

Ministers say they will drive a "hard bargain" but Labour say they must be "wary" of President Trump.

The Irish deputy PM says time is short to reach a trade deal this year, with much still to do.

How are the communities that rely so heavily on the US airbases coping under lockdown?

Two fledglings may have safeguarded the future of the Norfolk Island morepork owl.

Some dairy farmers are throwing away thousands of litres amid supply chain disruption due to coronavirus.

Portugal goalkeeper Bebe speaks with FIFA.com about fatherhood and his successful tournament so far ahead of his nation's crucial semi-final against Argentina at the FIFA Futsal World Cup Colombia 2016. 

The lengthy Coronavirus-virus-caused lockdown has left many sportspersons restless, but Mumbai and India cricketer Dhawal Kulkarni has reason to be happy. Apart from an hour-long training schedule laid out by his Indian Premier League side Mumbai Indians, Dhawal is dedicating the entire day to his infant daughter, Nitara.

"The lockdown has its pros and cons. I've been injured since last December, so I was itching to get on the field. I was looking forward to playing for MI in the IPL, but unfortunately no cricket can take place at this moment. However, I'm fortunate to be able to spend so much time with my daughter. She was born on January 21 and it's great to see her grow.

"I enjoy playing with her, changing her diapers. I would've missed all this if the cricket season was on. Since no outsider is allowed in our housing society, I'm helping my wife [Shraddha] with household chores," Dhawal, who has played 12 ODIs and two T20Is, told mid-day.

"When Nitara wakes up, I take her to the balcony. I just try and be around her as much as possible," he added.

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The entire nation is currently locked down due to the Coronavirus outbreak and the lockdown has now been extended till May 3. However, Salman Khan's father and veteran writer Salim Khan was recently spotted taking a walk on the Bandra Promenade by one of the area's residents. This was reported by Pinkvilla. The resident said, "Initially, we thought maybe it's a one off thing but over the last 3 weeks, we have seen him walk for half an hour every alternate day. He comes by 8.30 am and is around till 9 am."

And talking about the reason behind the same, Khan spoke at length and said, "I have been adviced by the doctors to continue my walks as I have lower back issues. I have been walking for the last 40 years and the doctor has told me if I stop suddenly, it might affect my back more. Moreover, I have the pass issued by the government till April 30, and I am following all the norms possible."

He added, "It is only on medical grounds, that I am allowed to take a walk outside. I am a law-abiding citizen but people tend to pick on us given that we are celebrities. I am not the only one who walks around. There are so many people I see who are strolling with their pets. But no one reports them! Anyway, I am ensuring I take all safety measures and also, I hope everyone else does too."

We hope Salim Khan stays safe and healthy and takes care of himself!

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The whole world is currently locked down and maintaining social distance from their friends and even families. However, Alia Bhatt seems to be feeling very homesick and that's perhaps the reason why she recently visited her parents Mahesh Bhatt and Soni Razdan. And this news was confirmed by the filmmaker himself to Mumbai Mirror.

Talking about it, he said, "We met a few days ago-she lives a few buildings away and it's a protected space. So, she just walked across with mask and gloves on and sat at a distance so she wouldn't endanger her parents. It warms the heart to see her fulfill the social role of a responsible young child and to see your children teach you what you taught them in their childhood."

Alia even shared a throwback picture with her father a few weeks ago and it was indeed a heartwarming one. In case you missed it, have a look right here again:

 

 

 

View this post on Instagram

Stay home &... go through old pictures when you're missing your daddy💗 #throwbackthursday #stayhomestaysafe

A post shared by Alia Bhatt ☀️ (@aliaabhatt) onMar 26, 2020 at 2:32am PDT

On the work front, Mahesh Bhatt returns to direction after 22 years with Sadak 2 that stars Alia, Pooja Bhatt, Sanjay Dutt, Aditya Roy Kapur, and Gulshan Grover. The film is slated to release on July 10!

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Vidyut Jammwal says he and Commando 3 co-star Adah Sharma are best friends. In a Q&A, a fan asked him, "Are you and Adah just friends (sic)?" The actor responded. "Just friends? Not at all... we are courageous, kind, intuitive, focussed, grateful, open-minded, unassuming, considerate, sharing, happy, calm and best friends (sic)." Phew! The two bond over their love for martial arts.

Speaking about his professional journey, the actor has been a part of actioners like Force, the Commando franchise and Junglee. Vidyut Jammwal, who is known for his high-octane stunts on screen, says his next Khuda Hafiz is a hardcore romantic film.

Directed by Faruk Kabir, the romantic-action-thriller co-stars Shivaleeka Oberoi, who recently made her debut in "Yeh Saali Aashiqui", opposite late Amrish Puri's grandson Vardhan Puri.

The film is produced by Kumar Mangat Pathak and Abhishek Pathak and co-produced by Sanjeev Joshi, Aditya Chowksey and Murlidhar Chhatwani. It will be distributed pan-India by Anand Pandit Motion Pictures and Panorama Films.

"Khuda Hafiz is a romantic movie. It's a true story of a man who is madly in love with his wife and gets married in 2009 during the recession. They go abroad and get a job. (The story is about) how this girl gets picked up and how the guy gets her back. It's a hardcore, true romantic movie with a little action," Vidyut told IANS.

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I have watched everything that was pending on my must-watch list over the years," laughs Tahir Raj Bhasin, echoing the sentiment of many who have turned to digital entertainment to escape the lockdown ennui. A movie aficionado, the actor has been making the most of the stay-at-home period by acquainting himself with the works of the masters — from Russian director Andrei Tarkovsky to Oscar-winner Bong Joon-ho."

"My first recommendation would be Shoplifters on Netflix. It's a 2018 Japanese drama by Hirokazu Koreeda that traces the story of a dysfunctional family. It has a slow pace, but the lockdown is the perfect time to widen your horizon when it comes to movie consumption," says Bhasin. For those fascinated by crime thrillers like he is, the actor has a suggestion. "The 2002 HBO series, The Wire, was the first show that I had binged on. It was the first time that film budgets [were commissioned] for long-format storytelling on television, making it a path-breaking series. Being a fan of House of Cards, I revisited Borgen, the Danish political thriller that is said to be the inspiration for the American drama. I also relished the animation series, Love Death + Robots."

A still from Stalker

The movie that left an indelible impact on his mind was Tarkovsky's sci-fi offering, Stalker (1979). "It's available on YouTube. In Stalker, Tarkovsky is talking about an apocalyptic world where there are few human beings around and they have to stay away from each other. I was able to relate to it as it almost mirrors our current situation."

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Chef Cham Hun Chakap plates a portion of chilli chicken. Chilli chicken is one of the spicier dishes that can be traced back to Tangra. But the food of the Kolkata locality is often a lot sweeter than other Indo-Chinese dishes because that’s how the Bengalis prefered it. This can be evidenced in something like honey chilli potato.

Chef Cham Hun Chakap moves around the kitchen with the assurance of a well-set batsman completing a comfortable single down to deep midwicket. He is running the show behind the scenes at a restaurant in an upscale Powai hotel, which is hosting an event called Tangra Festival. The dish that the chef is whipping up for us is chilli chicken, possibly the most ubiquitous item in the culinary spectrum of Indo-Chinese dishes. And he tells us that it was invented in Tangra, the new Chinatown in Kolkata, considered by many to be the Mecca of this particular cuisine.

Tangra does indeed occupy a unique spot in the country’s food-scape. It all goes back to about 100 years ago, when the British — along with Kolkata’s older Chinese community in Tirreti Bazaar — established the area, setting up leather factories there to manufacture boots and other goods for soldiers at the battlefront during World War I. Business picked up further during World War II. But then, the British packed their bags in 1947. So, the Chinese community took over the tanning operations. Their life ambled comfortably along, only to be turned upside down by the Indo-China war of 1962, when many indigenous Chinese people immigrated to safer havens like Canada, Australia and Taiwan. And suddenly, the community in Kolkata found its numbers to have considerably dwindled.

Food to the rescue
What’s worse is that the ones who were left behind, and who had picked up the mantle of the leather business from their predecessors, found themselves on the wrong side of the law after the state government deemed the tanning industry to be an environmental hazard in the mid-’90s. A large number of factories thus faced closure, with some being shifted to the nearby neighbourhood of Bantala. Many of the owners faced overnight financial ruin. So, to get out of the soup they found themselves in, they turned their attention to another business that had been gaining momentum in the area over the ’70s and ’80s — restaurants serving “Chinese” dishes.

“Initially, these restaurants were serving the authentic cuisine of the Chinese mainland. But that did not suit the palate of Kolkata’s Bengalis, who found it to be too bland. So the restaurants were running in losses in the beginning, till their owners decided to alter the recipes, adding Indian herbs and flavours,” chef Cham says, adding that this formed the genesis of what we call Chindian cuisine.

Illustration/Ravi Jadhav

These dishes, of course, bore as much resemblance to true-blue Chinese food as idli-sambar does to tandoori chicken. Instead of being stir-fried, for instance, most of the preparations were gravy-based. The spice quotient was also so much higher than a Shanghai local would put his chopsticks down to fan his mouth after one bite. Plus, while something like a Peking duck is roasted over a length of time, Tangra food was geared to suit the purposes of the quick-service restaurants there. This automatically also meant that the meat — including the fish items — was almost invariably diced into pieces, instead of being served whole, like some of the dishes in mainland China.

Pan-Indian acceptance
Be that as it may, the cuisine gradually started spreading to other parts of the country. Nelson Wang, a Tangra local who opened SoBo’s China Garden in 1984, is widely credited with having invented chicken Manchurian, a dish which if you say is Chinese, you might also say that the giant panda is India’s national animal. Punjabis also caught on to the trend, developing a brand of Sino-Ludhianvi dishes. And with time, Indo-Chinese food became a mainstay of restaurants in various cities, including Mumbai, where lunch home menus reserve equal space for “Chinese” dishes as they do for stuff like chana masala and aloo matar.

The credit for this goes to the original restaurateurs of Tangra who Indianised their indigenous dishes. But things are no longer hunky-dory in the Kolkata neighbourhood, says Dominic Lee, a fourth-generation Tangra local. “Many of the smaller restaurants are finding it difficult to sustain themselves, with only the bigger eateries, which have space for parking, constantly managing to upgrade themselves because they have the requisite capital,” he tells us, adding that the recent controversy around dubious meat being supposedly sold in the city’s restaurants has led to a further dip in fortunes.

Nonetheless, he continues, the legacy of the cuisine has left a permanent imprint on the history of India’s food. Take chilli chicken, something so popular that it’s travelled all the way from the humble Kolkata locality to the swish Powai hotel where chef Cham is making us his version of it. But when he is done in a matter of mere minutes, he recognises the look of doubt on our face after we have had a taste. “I have to make a blander variety because most of our customers are from the West, and they wouldn’t be able to handle something too spicy,” he explains, revealing how Indo-Chinese cuisine of the Tangra variety is a preserve of only our own countrymen.

Looking for it anywhere else in the world would be like looking for a needle in a haystack, for all practical purposes.

Awesome sauce
A huge contribution that Tangra has had is popularising the concept of chilli sauce. “You will find it in all the kathi roll shops dotted around Kolkata. But before we added it to our food to suit Indian taste buds, people had no clue about it,” says Lee.
Till May 27, 7 pm
To 11.30 pm
AT Emperor's Court, Renaissance Mumbai Convention Centre Hotel, near Chinmayanand Ashram, Powai.
Call 8291165421

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Take a trip to one of the oldest docks in the city. Named after Baghdadi Jewish trader David Sassoon, the 143-year-old Sassoon Dock is the first wet dock constructed in Mumbai. The site is a melting pot of cultures including the Kolis, Banjaras, Tamilians, Kannadigas, and North Indians. Witness fishing activities in the noisy market where you can find people selling rare and popular varieties of fish, crab and oysters.

"Another interesting aspect of the Docks that the walk covers is bits on the smuggling and Bollywood angle there," says Gajanan Khergamker, founder, DraftCraft International.

TILL May 19, 7 am to 8.30 am
MEETING POINT Sassoon Docks Clock Tower, Azad Nagar, Colaba
CALL 9323141593
COST Rs 499 per person

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The civic body just can't seem to get its mid-day meals right. It turned out to be a poisonous Thursday at Bhandup's Sahyadri Vidyamandir, after 16 students and a teacher landed in hospital with complaints of stomach ache and vomiting on eating the dal rice served in the school yesterday. While all are stable now, it has once again raised serious concerns over the meal scheme.

The trigger
Though Sumit Dongarkar's mum packs a tiffin for him every day, he looks forward to the brunch served in school, and Thursday was no different, said his mother Sonali, as he loves dal rice.

The 13-year-old and his friends ate the meal with relish during the recess at 9.50 am, but shortly after, trouble started. At first, a Std VII student began vomiting, but soon, more complained of stomach ache and nausea. After other students began throwing up, the school authorities rushed 16 of them, and a teacher, Vidya Lad, who'd tasted the food as per protocol, to Mulund Agarwal Hospital. Sonali Dongarkar said, "Sumit is doing fine now and is under observation."

Who's responsible?
School authorities said that for the last one and a half year, around 700 students have been eating the meals prepared by Lingeshwar Mahila Bachat Gat. Parents told mid-day that VII-C is the first to receive the food every day, and while 16 from the class of 40 took ill, others remained unaffected. "Everybody is stable now. But this has shaken the kids and our trust. Who will take the responsibility for it?" asked Aruna Poojari, a parent.

Another, Aditi Naik, said, "My son, Krish, had a nasal tube attached for a while. He is okay now, but I am going to tell him not to have the meal again." Several parents complained of being kept in the dark about the incident. "The school finishes at 12.30 am. When I went to receive my daughter, she never came out. Then, a friend of hers told me what had happened. I felt dizzy on finding out, but I rushed to the hospital," said Lalita Shinde.

Hospital dean Dr Usha Mohprekar said, "All are stable now. We have moved them to the general ward for observation. Prima facie, it looks like food poisoning. An inquiry will be conducted."

Sampling the fare
Principal Narsingh Mane told mid-day, "The staff were prompt in giving required care to the sick children, all from one division. The food had come from Lingeshwar Mahila Bachat Gat, which has been providing it to us for a while now. So, we are not sure what went wrong. Samples of the food have been submitted to authorities for testing."

BMC education officer Mahesh Palkar said, "We have collected raw as well as cooked food samples from the kitchen of the organisation. The kitchen looked neat and tidy; nonetheless, experts will test the samples to end the inquiry conclusively. Until the investigation report is out, we have ordered the organisation to not supply food; its contract with the civic body will be subject to the probe report.

"The organisation provides mid-day meals to 25 other schools in the vicinity. So, while the investigation is on, all these schools will have to make alternative arrangements."

Also read: 25 students fall ill after consuming mid-day meal at Delhi school, hospitalised

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A local court has sentenced a man from Mira Road in the district to one year jail for stalking and ca 16-year-old girl nearly six years ago. Special judge Kavita Shirbhate convicted Yogesh Borade, 33, on Friday and also slapped a fine of Rs 10,000 on him.

He was held guilty under relevant sections of the IPC and the Protection of Children from Sexual Offences (POCSO) Act. The incident had taken place late evening on March 18, 2013.

The girl was walking towards her home, when two persons on a two-wheeler waylaid her, prosecutor Rekha Hiwrale told the court. Borade, who was pillion riding, started troubling and abusing the minor.

Later, he got off the vehicle and started walking alongside her and also mildly pushed her, she said. Based on a complaint, the police had booked the accused and later arrested him.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The English indie scene in Kolkata is rapidly resembling a guitar with broken strings. We had written about a band that had all six members packing their bags for Mumbai from the Bengal capital some months ago. And a gig this weekend features another band, Rejected Cartoons, that's followed the same trajectory.

"The thing about Kolkata is that there is a really tiny circuit of about 20 indie musicians organising gigs themselves. And you get about '8,000 to '10,000 per gig that you have to divide among five or six people. That wasn't feasible because we were at a point in our lives where music wasn't about pocket money anymore. We wanted to make this our living," multi-instrumen­talist Tapasi Bhattacharya tells us, adding that she and keyboardist Rohit Ganesh first moved to Mumbai in October last year to study in a music school, after which guitarists Sankalan Samaddar and Shashank Vishwakarma followed suit to take a plunge in the city's music industry.

The band is currently working on an EP. We gave two of their originals — Bless Me Fair and Lifeline — a listen and found them to have the sort of mellow sound that's suited for a walk down a street lined with cherry blossom trees. The band, curiously, also covers Arabic and Nepali tracks by singers such as Bipul Chhetri. But what we found really encouraging — at least for the future of independent music in India — is the fact that they have their own renditions of songs by their more established peers.

Think about it. Here we have a bunch of musicians in their mid-twenties playing the songs of indie biggies like Parvaaz. What that means is that the younger lot is no longer looking only to the West or Bollywood for cover tracks. Home is where the music is. Except, not literally, in the case of Rejected Cartoons. For, home for them means Kolkata. And we know what the situation in that city is.

ON March 2, 8.30 pm
AT Harkat Studios, bungalow number 75, JP Road, Versova, Andheri West 
LOG ON TO insider.in
Cost Rs 300

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Yesterday, this paper carried a front page report about a Malad resident called Abhijit Mukharji, 25, who was arrested for stalking a 26-year-old woman for eight years. The accused was released on bail five days after the woman lodged a complaint against him. While the court granted bail on strict restrictions, senior officers from the Mumbai Crime Branch have said they will be reviewing the case.

To elaborate, the crime branch arrested Mukharji, who worked for a famous search engine company, on May 3 and remanded in police custody till May 6. This man stalked the woman, hacked into her Tinder account and wiped out all the 'likes' on her account.

While there are restrictions put on the stalker, it is surprising that bail has been granted within five days, for harassment that went on for eight years. The report states that he had even met the woman in Mumbai. Post the meeting, where his conversation rang warning bells for the woman, he started threatening her and warning her not to talk to anybody else because he loved her. She finally filed a complaint.

Let us give stalking the seriousness it deserves. Very often, it is dismissed as casual or harmless. Women who are often told by people that they are imagining there is a stalker. Their fears and concerns are trivialised and they may also be accused to exaggerating the harassment or their discomfort with the stalking.

Making excuses for stalking, like he thought she was someone else, or that he was drunk and did not know he was stalking, are also inexcusable. Online stalking is dangerous and can escalate very quickly to offline situations. Stalking is harassment. It is a crime. It can lead to a dangerous obsession. Treat it with the gravitas it deserves and shut down stalking through severe punishment.

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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Haitham with Shah Rukh Khan on the sets of Dil Hai Hindustani where the two sang SRK’s chartbuster Jabra Fan

When we meet Haitham Mohammed Rafi inside the dimly-lit sets of a popular music reality show, he stands out from those sitting beside him. The white of his traditional dishdasha and the colourful turban — called the massar — make him look like an anomaly. The 23-year-old appears to be closely observing his fellow singer — a girl half his age — who is on stage and singing the famous DDLJ-towel song, 'Mere Khwabon Mein Jo Aaye,' when we raise our hand and call for his attention. There is instant recognition.

"Wallah!" he yells out in Arabic. "How come, you here?" he goes on, in his Middle-Eastern accent.

It has been three years since we first met Haitham. The last time it was in his hometown Muscat, the capital city of the Sultanate of Oman. "I will sing in Bollywood, someday, Inshallah!" he had then rapped, much to the amusement of this correspondent. At the time, we had wished him luck, without mocking his expectations or pointing out the risks.

Last week, when a video of filmmaker Karan Johar sitting in stunned silence after Haitham’s performance of Naina Thag Lenge, went viral on Arab social media, this writer was glad she had kept mum then.

Haitham, an Omani national, has just made it in the final 11 of the first season of music reality show Dil Hai Hindustani. Being an Arab, has only worked in his favour. For the judges, Johar, Badshah, Shalmali Kholgade and Shekhar Ravjiani (of Vishal-Shekhar fame), the first question on their mind was, “Can an Arab sing in Hindi?”

"Okay, maybe!" "But, that good!"

"I have Mohammed Rafi’s blessings," Haitham jokes. Not like, we hadn’t been meaning to ask him the story behind his namesake. Haitham al Balushi takes his middle name, Mohammed Rafi, from his father, who was surprisingly christened by the veteran Hindi singer himself. "Though Omani, my grandfather was a huge fan of Mohammed Rafi," he recounts. “When my father was born, Rafi saab was performing in Bahrain. My grandfather, who was working there, went for the show and managed to have a quick chat with him backstage," he says, adding, “He told Rafi saab, I want you to name my newborn.” The rest, as the Balushi family recalls, is history.

Until seven months ago, Haitham worked as a personal banker with a leading national bank in Muscat. “It was so boring. I hated going to work...it was suffocating," he says. Unable to take it anymore, Haitham put in his papers, and ferociously started looking for opportunities to sing. "I wanted to pursue my passion," he says. We ask him what that is? And, pat comes the reply, "I want to become the first Arab playback singer and composer in Bollywood." Haitham has been harbouring that dream since he was 11.

In Oman, Haitham says, there is no concept of vocal training. "If you're a good singer, you're a good singer." His only source of Bollywood music was audiocassettes and CDs as a child, and later YouTube. "So, when I told my Omani friends that I wanted to become a singer, they laughed. They said, 'You can’t make it big in India…it is so tough'."

On an Indian friend’s advise, he started listening to a lot of ghazals. "I was told that it would help me get my nuances and accent right," he says. His favourite ghazal singers are Jagjit Singh and Rahat Fateh Ali Khan. But, that's how Haitham’s Bollywood dreams first took flight.

In 2012, he became the first Omani to win Muscat Idol, which sees participants mostly from the Indian Diaspora. From there on, due to dearth of a great body of work, Haitham started composing music for Omani TV shows. “But, I realised that I wasn’t enjoying Arabic music. Each time, I sang in Hindi, I was happier,” he says. Of the 500 songs he has composed, 450 were in Hindi. “My mum knew I wasn’t meant for Oman. So, she kept pushing me to try my luck at Indian reality shows,” he says. He tried thrice and failed. The fourth time, he decided to think practically and opted for 'The Voice Ahla Sawt', the Arabic version of the international music show. “Even there, I could not fit in,” he says. This December, after five years of working towards his dream, he got the call. And, that too, from India.

Here, he is still just another contender at the show. But, back home, things have changed for Haitham. After a video of his performance went viral, Omanis in Muscat, who he claims love Hindi cinema, have gone into an overdrive. “I’ve already signed 13 shows in Muscat and Dubai,” he says. “My friends are buying the Indian digital channels, just to watch my show.”

"I think it's a proud moment for my country," Haitham says. Just as we end, he gets his cellphone out, and shows us a photograph of his, clicked with Shah Rukh Khan, where the two are facing each other, striking the latter's signature pose. “India has already opened its arms to me," he gushes.

RD Burman composed for more than 300 films in a career spanning 30 years

This weekend, a group of music enthusiasts is going to deconstruct the thin line between imitation and inspiration at a talk on Hindi film music. The works of RD Burman, Shankar-Jaikishan and OP Nayyar will be discussed at the event.

Shankar-Jaikishan ruled from 1949 to 1986

“Many tried to imitate a sound that worked well with listeners in that period. In fact, film producers would encourage music directors to do so. The music of Laxmikant-Pyarelal and Kalyanji-Anandji was close to the sound created by Shankar-Jaikishan and Burman,” says Ramesh KV, one of the speakers. “If you listen to the orchestration of a song, you will think it belongs to Burman, but it actually is by someone else,” he adds.

The full panel includes R Balaji, Shankar Iyer, Archisman Mozumder and Subramanian Iyer.

On: April 15, 7.30 pm
At: Pitaara – The Art Box, Yashwant Nagar, Goregaon (W).
Call: 9820393001
Entry: Rs 250

Milan Talkies
U/A: Drama romance
Dir: Tigmanshu Dhulia
Cast: Ali Fazal, Shraddha Srinath
Ratings: 

This film is so inherently inconsistent, uneven in its storytelling that you feel like rooting for it still, simply because of the scattered set-pieces full of humour and insights/mannerisms of a small town, north India that you encounter once in a while.

It's almost like spotting diamond among the roughs - whether that be the local uncle breaking into nostalgic songs after a few pegs of whisky, or the street goon, wannabe Vidhayak (legislator) - both being the same - desperate to test his skills as a Hindi film star.

We're referring to Uttar Pradesh in particular, and Allahabad (now Prayagraaj) to be more specific - effectively a land of bakchods (blabber-mouths), with tonnes of tashan (exhibition of bravado) dictating mofussil male lives.

I know this isn't as true anymore, but another aspect that has geographically remained common to Indian towns is the cinema hall (or talkies) as the all-important landmark (there are usually two or three max in a district), where both the rich and the poor, predominantly young, but also the old, merge for their movie entertainment, and other accoutrements that naturally surround it.

Check out the trailer here:

Milan Talkies, that the film is named after, is one such adda/theatre in Allahabad where a young dude spends most of his time in the projection room, aspiring to become a Mumbai filmmaker when he isn't shooting low-budget films with neighbourhood talents himself. One assumed this would be some sort of a version of Giuseppe Tornatore's Italian classic Cinema Paradiso (1988) - ultimate tribute to the movies.

Hell, no. This is a full-on, wannabe-classic romantic story about that boy, and the girl with an authoritarian dad, and the fact that they can't get together - even as the film doesn't care to explain exactly why. And the two are happy to elope - not once, but several times in a row, and oh my god, 'will they, won't they,' just go on, and frickin' on.

The film is directed by Allahabad boy Tigmanshu Dhulia (Paan Singh Tomar, Saheb Biwi Aur Gangster), who whether he likes it or not is probably better known for the dialogue, "Jab tak Hindustan mein saneema hai, log c****iye bante rahenge," that he delivered as an actor in Anurag Kashyap's iconic Gangs Of Wasseypur (2012). Such is how crisp dialogues (like tag-lines in ads) work on us anyway.

Whether this film itself is part-autobiographical or not, Dhulia got noticed as a filmmaker with his debut Haasil (2003) - at the time a rare, robust insider's account of his home-town, and campus politics in a north Indian small-town. Over the years, that script (or the premise, if you may) has been milked so much to death, that it's turned into a tiring genre of its own.

Ali Fazal (similarly seen as a UP ruffian in the Amazon Prime series, Mirzapur) plays the protagonist here - a role that I'm told has been through several replacements (Imran Khan, Shahid Kapoor, etc) in the past. Although at some portions he sounds/behaves a lot like Dhulia himself, Fazal is competent to the core (no doubt). As is the female lead (Shraddha Srinath), making her Hindi film debut.

The film itself though does little to the genre, besides deliberately revisit some old-world Bollywood cliches. Maybe there's some subversion (that I'm unable to see). Maybe a full-blown, big-screen romance hinges much on the scale, for effective suspension of belief, which is sadly missing. Either way, one suspects, much of this movie pretty much remains in the filmmaker's imagination/head. Rest of it, quite honestly, gave me a bit of a headache.

Also Read: Sonu Nigam's soulful voice in Shart from Milan Talkies will tug at your heartstrings

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Central Railway and Western Railway joined hands to ensure a two-year-old child in Telangana received camel milk — a mandatory medical requirement needed urgently. In a 28-hour-long operation, the two zones of the Indian Railways coordinated to deliver the item in Secunderabad from Falna in Rajasthan.

On April 25, the nodal officer of Falna on WR contacted us and told us that they needed to send a parcel of camel milk to Secunderabad urgently for a medicinal requirement and sought details of the trains on the route, said Jitendra Mishra, chief commercial inspector, Mumbai Division, CR.

"I checked the schedule of parcel trains and immediately informed him that if they will send the item to Mumbai via 00902 Ludhiana-Bandra Terminus parcel train, then we could be promptly load it on 00111 CSMT-Secunderabad train leaving Mumbai CSMT on April 26 at 3.30pm," he said.

Mishra then coordinated with him and booked a consignment to Bandra Terminus first and then via CSMT to Secunderabad. "We live-tracked the consignment with the help of Mumbai Central (WR) control staff and officers. As soon as the consignment reached Bandra Terminus, a transport was arranged to take it to the CSMT parcel office from where it was loaded onboard the Secunderabad-bound parcel train," he added.

Mishra's role was not over here. He then called up the Chief Parcel Supervisor and Commercial Inspector at Secunderabad and explained the importance of the parcel that would be arriving there by 5.30 am on April 27.

Shivaji Sutar, CR's chief public relations officer, said, "The transportation of essential camel milk was based on coordination among parcel staff and the officers. The consignment reached from Falna to Secunderabad within approximately 28 hours."

WR's chief PRO Ravinder Bhakar said that special teams in every division of the IR are taking care of the medical emergencies as well as the essential transportation during this global health crisis.

Sowmya also thanked the Railways for delivering the parcel meant for her child in such a short time.

CR extends another help
Jitendra Mishra intervened again on Monday to help get a crucial medicine for a heart patient delivered to Chiplun from Vikhroli. "We collected the parcel from his son's residence at Vikhroli and booked it onboard Okha-Ernakulam Parcel Express. As the train doesn't halt at Chiplun, I contacted the staff at Konkan Railway and requested a halt to drop the parcel, which was then handed over to Chiplun Station Master," he said.

28
No. of hours it took the railways to get the milk to the child

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Despite a nationwide lockdown, people continue to step out for morning and evening walks in Aarey Milk Colony. Moreover, there have been instances of locals venturing into the forest area surrounding the VIP guest house, which is known for wildlife activity.

Taking note of this, the Thane Forest Department has written to Aarey police station requesting action against those found flouting the lockdown rules.

The volunteers monitoring leopard activity in Aarey informed the Thane Forest Department about locals venturing into the forest area. A volunteer told mid-day, "I learned from my sources that many people, including some morning and evening walkers and Adarsh Nagar slum pocket residents, venture into the forest surrounding the VIP guest House, which is even frequently visited by wild animals. This information has been passed on to the forest department."

Sources also said that residents of Adarsh Nagar slums regularly roam around the VIP guest house in groups, flouting social distancing norms.

Range Forest Officer (RFO), Santosh Kank said, "People are expected to stay indoors and maintain social distancing but volunteers, who have been doing camera trapping exercises to monitor leopard activity saw people roaming in the area surrounding the VIP guest House hillock. The area has seen leopard activity in the last few days and to prevent any man-animal conflict, people should not venture into the woods. We have already informed the Aarey police station through a letter and we expect them to take action against the violators."

Illegal encroachment taking place in Aarey

The boundary encroachers built surrounding a huge portion of land in Unit 13

A nature lover from Aarey has alleged that people have been trying to encroach Aarey Milk Colony Unit – 13 by axing trees and constructing boundaries around a huge chunk of land. Elijah Emmanuel, a teacher at the kindergarten for slum children, told mid-day, "For the last two-three weeks, I have seen people cutting down trees and building boundaries in Unit 13. During the monsoon, hutments will be constructed as no one comes to check. When I objected, they threatened me and my family. Today, more than 50 people from the area came to my house and abused and threatened me with harm. But the people from Aarey CEO office came and demolished the boundaries. I have registered a complaint with the local police station and hope they take necessary action against those threatening me."

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A fire broke out at near Ganesh talkies in Lalbaug on Saturday evening.

Fire fighters rushed to the spot and extinguished the fire using three fire jets. So far no casualties have been reported and the cause of fire is yet to be ascertained

The fire was confined to electric wiring, electric installation, wooden furniture, steel furniture, Ganesh idol making fibre frames, raw material, oil, washing machine, clothes, chairs, Ganesh idols, wooden base, scrap material, mattress, cement sheet and tarpuline sheet etc. 

Zyada se zyada kya hoga? Mar hi jaunga na chalte chalte? (What's the worse that could happen? I'll die, right?) These disturbing words of a physically challenged migrant walking home to UP from Thane sum up the mood of hundreds like him trudging home. With no clarity from the government, the migrants continue to risk their lives on highways.

Hundreds of the migrant workers continue to walk to Uttar Pradesh and even Nagpur. As it is difficult to walk in the scorching heat, most rest during the day and walk at nights on highways. They poured their hearts out to mid-day.

A majority of the migrants work as labourers on at under-construction sites in MMR. They said they were leaving Mumbai as they had no access to food and essential items at their workplaces. At least 1,000 men, women and children were seen walking along the Mumbai-Agra highway between the Thane-Kalyan junctions.

Most of the migrants will walk over 1,600 km to UP. Pic/Ranjeet Jadhav

'Procedure not explained'
Some people expressed anger against the state and Central governments, alleging they were not taking the plight of migrants seriously, and this was happening because the authorities on the local level weren't cooperative. They alleged that local authorities were not explaining relevant procedures. Many have filled forms, taken medical certificates and got these and other papers stamped by the police to board the transport provided but say they are not being clearly told what is next.

Kisan Pawar who is heading back to his village near Nagpur with his wife, daughter and son, said they barely have any money left. "Staying in Thane with no job or money will be more burdening. So we started on the 800-km-long journey on foot," said Pawar. At night they rested at Kalyan phata for few hours. Most migrants have been resting or sleeping on the side of the highway.

Rajesh Pawar, 28, a resident of Gondia district in Maharashtra worked as a labourer at a construction site in Thane. Since work stopped and he has no money left, he and his wife have started walking with their two-year-old daughter. An emotional Rajesh said, "I pray that such difficult times don't befall anyone. No one really cares about the poor and that's why we have no other option but to walk. We don't even have money to buy tickets and food. We hope to reach our village because the safety of my daughter is very important."

'I would have died anyway'
A man with a deformed foot who did not wish to be named, will be walking over 1,600 km to reach his village in UP. "Aise bhi mar jaate kyon ki khaane ke liye kuch nahi hai. Us se behtar hai jahan tak chal saku wahan tak jaun, is umeed se ke ghar pohochunga. Jyada se jyada kya hoga? Mar hi jaunga na chalte chalte? (I would have died anyway because I wasn't getting any food. It's better that I walk as far as I can in the hope that I will reach home. What's the worst that could happen? I'll die, right?)," he said.

Suhel Ahmed and Irshad Khan who worked at a construction site in Thane, had approached local authorities to know about the procedure to go back home. But they claimed they weren't given clarity about when they would be allowed to go back, so they left for Uttar Pradesh on foot.

'No co-ordination'
Irshad Khan told mid-day, "We waited in Thane all this time because the government had told us it would make arrangements at the right time for migrants to go home. But there seems to be lack of coordination between the Centre and state. For the past two days, we ran from pillar to post getting medical certificates and filling forms but there was no clarity on what next. We have a few hundred rupees and before that too gets over, we want to reach home. God knows when we will reach."

The chairperson of an NGO says the government must instill confidence in migrants. Jalpesh Mehta, chairperson, Empower Foundation, said, "Walking on the highway for kilometres is a risky affair and may also see migrants die due to hunger or exertion and not because of COVID-19. We have worked with government authorities and police in Maharashtra and Gujarat to provide food to the migrants and the support on the ground from authorities has been excellent. The living conditions of the migrants and support from their employers is indeed very poor, but the need of the hour is instillation of confidence in the migrants by the government on the ground that they will be taken care of and there are planned exits — trains and buses to help them reach back home safely."

1,000
No. of people seen walking along Mumbai-Agra highway

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Migrant workers continue to suffer amid the lockdown. In the latest incident, hundreds of labourers, who had set out for home on foot, were lathi-charged by police at Kashimira on Thursday. Police chased them away towards the city, and now they have nowhere to go.

Over 250 daily-wagers were headed towards Gujarat when they were stopped by the police on the Mumbai-Ahmedabad highway near Ghodbunder Road junction. As police rained lathis on them, many ran down the bridge and crossed to the other side. Others ran to hide behind vehicles. A mid-day team witnessed the baton charge that took place on the north-bound Versova bridge on the highway. With no food and to transportation back home, the workers had decided to walk hundreds of kilometres to reach home.

'Don't know where to go'

"Dhobi ke kutte wali haalat ho gayi hai humari… na ghar ke rahe na ghaat ke... kidhar jayein samajh nahin aata (We don't know where to go anymore)," said Baliram Choudhary, who left his rented house at Dahisar East on Thursday to walk home to Maharajganj in UP.

Police lathi charge workers near Ghodbunder Road junction on Thursday

"I filled the form five days ago to take a train home. But I have not received any response. I got a test done for COVID-19 and my report came back negative. I lost my patience and decided to walk home," he added.

"We are stuck at this tri-junction for three hours because the police are not allowing us to cross Versova bridge," said Choudhary, accompanied by his two friends Naushad Ahmed and Sahban Hussain. "We are all tailors and lived together in the rented room. Now, even if we decide to go back, the landlord won't take us back suspecting we may have contracted COVID-19," said Ahmed. "We are now jobless as well as homeless. Police are beating us up and not allowing us to go to our hometowns," said Hussain.

Gita was headed to Nalasopara with her two kids, spouse and a relative

Among the hundreds was Gita, who was headed to Nalasopara with her two kids, husband and a relative. They worked at a construction site before the lockdown. She had planned to go to her relative's place at Nalasopara and then arrange a transportation to UP. "Why are cops chasing us away and beating us? What is our fault?" asked her relative Mukesh.

Youth looted by auto driver

A youth Umesh Paswan had boarded an autorickshaw from Bhayandar for Nalasopara, but the driver and his two friends allegedly snatched his phone and Rs 50 cash. "A few minutes after I took the auto, the driver stopped midway and his two friends came, slapped me and snatched my mobile phone and the cash," said Paswan, who did not file a complaint fearing the police would book him for violating the stay-at-home order. He then decided to walk to Nalasopara where his brother stays.

However, the police have refuted the allegations of lathi charge. "I was present there on Versova bridge and they [migrant workers] were not lathi charged," said Assistant Commissioner of Police Sanjay Kumar, Thane Rural.

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