Veteran actress Shabana Azmi recently met with an unfortunate accident on the Mumbai-Pune Expressway and was rushed to MGM Hospital, Panvel. She was later shifted to the Kokilaben hospital in Mumbai for further treatment.  Her husband, veteran lyricist Javed Akhtar, was also there in the vehicle but escaped unhurt.

In an interview with Film Companion Akhtar revealed what were his first thoughts when he saw his wife at the car crash scene. He said, "Who could think we would have such a calamity. The accident that Shabana went through was really deadly. We were in the other car, she was sleeping in the car behind us and when this accident occurred and we went back, the first thought was "Is she alive?' Because the whole car was crushed, had become a heap of junk. Somehow we took her out, she was unconscious with blood all over her face and it was only from the nose. There were no wounds but the whole body has taken such a whiplash, that it will take a little time to be totally normal."

The 69-year-old actor suffered head injuries when her car met with an accident on the Mumbai-Pune Expressway on January 18. She was later shifted to the Kokilaben hospital in Mumbai for further treatment. Shabana Azmi was heading towards Pune from Mumbai. The accident took place near Kharagpur on the Mumbai-Pune Expressway. The car in which Shabana Azmi and Javed Akhtar were present was hit by a truck on the expressway. While she was in the hospital, Bollywood celebrities like Farhan Akhtar, Zoya Akhtar, Shibani Dandekar, Anil Kapoor, Tabu, Satish Kaushik paid a visit to the actress at the hospital.

She was discharged from the hospital after a few days. "Thank you all for your prayers and wishes for my recovery. I'm back home now," Azmi wrote on Twitter alongside a post-recovery photo of herself.

Thank you all for your prayers and wishes for my https://t.co/A21IxD7Usd back home now Thank you #Tina Ambani and Kokilaben Ambani hospital for the sterling care provided by the doctors team and the nursing staff. Im indebted and grateful🙏 pic.twitter.com/6a1PWsGKnn

— Azmi Shabana (@AzmiShabana) February 1, 2020

"Thank you #Tina Ambani and Kokilaben Ambani hospital for the sterling care provided by the doctors team and the nursing staff. Im indebted and grateful," she added.

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April 29, 2020, is going to be one of the darkest days for all Irrfan Khan fans and Hindi cinema. His untimely demise has shaken one and all, especially the people from the fraternity who worked with him and knew him as a person and not just an actor. The actor was undergoing treatment for Neuroendocrine cancer and was admitted at Mumbai's Kokilaben Dhirubhai Ambani Hospital due to a colon infection. The actor's last rites were performed on the same day in the presence of his family, close relatives and friends. Irrfan is survived by his wife Sutapa and sons, Babil and Ayaan.

Soon after news of Irrfan's death broke on the internet, social media was flooded with messages from fans and celebrities expressing their grief. Filmmaker Anees Bazmee mourned his death by sharing a throwback picture with Irrfan from the sets of their film ‘Thank You’. The picture shows Anees explaining a scene to Irrfan. Sharing the picture, he wrote, "I still can't believe he is no more with us, my heart sinks thinking about it. We have lost one of this generation's greatest actor. To work with @irrfank was a magical and special privilege. #FlashbackFriday (sic)".

 

 

 

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I still can't believe he is no more with us, my heart sinks thinking about it. We have lost one of this generation's greatest actor. To work with Irrfan was a magical and special privilege. #FlashbackFriday

A post shared by Anees Bazmee (@aneesbazmee) onMay 7, 2020 at 10:00pm PDT

On April 28, the Piku actor was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection and was in the Intensive Care Unit. In 2018, Irrfan was diagnosed with neuroendocrine tumour and was undergoing treatment for the same.

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Kashmiri filmmaker Rahat Kazmi is best known for his film Mantostaan

When Rahat Kazmi first shared the idea of making a film on Lihaaf with Tannishtha Chatterjee and Sonal Sehgal, they asked him if he would really dare to do such a thing. After all, Lihaaf has been fodder for controversy ever since Ismat Chughtai wrote it. It has been an uphill road for this Kashmiri filmmaker, who is best known for his film Mantostaan, that was based on four short stories by Saadat Hassan Manto. Kazmi's Lihaaf, that recently unveiled its first look at the Cannes Film Festival, has the world's attention now, especially, since Marc Baschet, Academy Award-winning producer came on board. Things are looking much more grand than Kazmi had imagined a year ago.

"I read Lihaaf for the first time as a teenager. I have always been drawn towards Urdu literature, having grown up in Kashmir. Stories of Chughtai and Manto are always fascinating. When you read them at a young age, they seem obscene, but as you grow older, you know better. My friends and I experienced something similar too. And I would keep going back to Lihaaf," says the 36-year-old. Having read it in English, Kazmi hunted down the Urdu version too, which was not easy given the controversy surrounding it. After it was published in 1942 in Urdu literary journal Adab-i-Latif, Chughtai had to defend herself in Lahore Court having being charged with obscenity. Kazmi's film, in fact, starts at the point where the police comes to Chughtai's house in [then] Bombay to summon her.

A still from the film

"The film has two parallel tracks — that of Lihaaf, the story, and that of the trial which is the outcome of the story. It's interesting that the story itself is a true account. Ismat's family confirmed to me that she indeed knew a begum on whom the story was based. And later, a grown up Ismat met her when she had remarried, and had children too," Kazmi says. It was not easy for him to convince Chughtai's family to grant him permission to make the film. "It's difficult for them to trust anyone. I met her daughter Sabrina and her grandson, Ashish Sawhny. When they got to know about Mantostaan, and the recognition it got internationally, they saw in me someone they could trust," he says.

In the film, Chatterjee plays Chughtai while Sehgal, Begum Jaan. Interestlingly, Baschet wanted to associate with the film after he saw the first cut. Until then, it was an independent production shot in three months. Lihaaf, Kazmi stresses, is not as much about homosexuality as it is about alternate sexuality. "This is a common misconception. Begum Jaan falls for her masseuse Rabbo only after she fails to find love in her husband. It's more about love and the need for physical affection." The visuals are a mix of risqué and suggestive. "The best thing about Chughtai and Manto is that they don't judge their characters. I have tried to do the same," he says. Now, as the film prepares for a world premiere — the choice is between Toronto and Venice — we ask Kazmi if he's concerned about reactions on home ground. "For me, it was cathartic to make it. As far as controversies are concerned, let's cross that bridge when we come to it," he says.

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