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With approvals from 33 states, these on-demand code classes are available for 50% off for a limited time. Register by April 26th to take advantage of this special offer.

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—
A few more days left to get 50% off my custom Lightroom presets! Link in profile. (at Toronto, Ontario)

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This week, you'll hear about the 2020 Pacific Musical Competition, whose finalists perform at the Live Finals and Winners Showcase, which will be held on March 8, 2020 in the Main Hall at the Herbst Theatre in San Francisco from 10am to 7pm. For over a century, the Pacific Musical Society & Foundation has nurtured the growth of gifted musicians by awarding merit-based scholarships to promising students in the Bay Area and surrounding regions. Each year they hold a competition for instrumentalists, pianists, vocalists, chamber groups, and composers in various age categories. --- A talk with two-time Grammy Award-winning violinist Mads Tolling , about his upcoming show at Yoshi’s in Oakland (510 Embarcadero West), together with his Mads Men (Colin Hogan on keys, Daniel Lucca Parenti on bass and Eric Garland on drums). Featured guest artists are vocalists Kim Nalley and Kenny Washington. ---- From the Left Coast Chamber Ensemble , a talk with flutist Stacey Pelinka and artistic

Bradley and Karen discuss types of copyleft generally and introduce the basics of license compatibility and -or-later clauses.

Show Notes:

Segment 0 (00:38)

• This show discusses copyleft and basic issues of license compatibility (04:09)
• Karen mentioned an episode of the old Software Freedom Law Show, Episode 0x08, where Bradley and Karen discussed selecting a FLOSS license and what the various options are. (04:45)
• license compatibility 06:28
• Bradley incorrectly said that the original Emacs license didn't have the word General in it. However, the other explanations appear to be correct. There's a useful history page that someone wrote about the history of GPL. It appears the non-general GNU copylefts existed from 1984-1988. (06:57)
• Karen noted that the Library GPL was renamed to the Lesser GPL which happened in 1999. (09:30)
• Bradley mentioned that when he and RMS worked on the GNU Classpath Exception, Bradley suggested it be called the Least GPL. (10:38)
• GPL doesn't have a choice of law clause. If another copyleft does, it surely is incompatible with the GPL. (14:17)
• AGPLv3 § 13 and GPLv3 § 13 explicitly make themselves compatibility with each other, which Bradley calls compatibility by fiat. (15:40)
• Karen mentioned that the Mozilla Public License § 13 has a section about multiple licensed code (16:50).
• Bradley mentioned that Mozilla Firefox uses a combinatorial license: (GPL|LGPL|MPL), which is a disjunctive tri-license. (19:00).
• Bradley mentioned that the old Software Freedom Law Show Episode 0x17 discussed compatibility of permissively licensed software and copylefted software. (20:22)
• Apache Software License 2.0 was likely the first FLOSS license to have an explicit patent licensing provision (23:40)
• Bradley and Karen discussed the fact that -only vs. -or-later are options with the GPL, while they are not with other copylefts, such as CC-By-SA. (30:11)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley play and discuss John Sullivan's talk entitled Is Copyleft Being Framed? from the FOSDEM 2012 Legal and Policy Issues DevRoom.

Show Notes:

Segment 0 (00:34)

• Dave Neary wrote an article based on his FOSDEM talk, and we're trying our best to fix the audio and have a FaiFCast of his talk, but it may not be salvagable.

Segment 1 (06:35)

• Follow along with John's slides from his FOSDEM talk.

Segment 1 (37:23)

• John referenced the source Black Duck numbers for which there is no methodology posted (38:30)
• Bradley mentioned Chris DiBona's keynote at OSCON 2010. (39:14)
• John mentioned the FLOSS Mole project in his talk. (42:50)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, copyleft-next: an Introduction by Richard Fontana given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:37)

Bradley and Karen introduce the talk.

Segment 1 (05:37)

The slides Fontana's talk on copyleft-next are available.

Segment 2 (01:06:51)

• Bradley mentioned the issue of Noam Chomsky's points on concision (01:13:23).
• Bradley mentioned the anti-GPL keynote by Tom Preseton-Werner of Github at OSCON 2013. (01:14:53)
• Bradley and Karen discussed the Harvey Birdman Rule. (1:27:45)
• Bradey mentioned a comment he posted about CHR-governed policy meetings. (01:29:00)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Copyleft vs. Permissive vs. Contributor License Agreements: A Veteran’s Perspective by Simo Sorce given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:00:38)

Bradley and Karen introduce Simo's talk.

Segment 1 (00:03:02)

The slides from Simo's talk are available, if you want to follow along

Segment 2 (00:59:50)

• Bradley menitoned his blog post about CLA's on Conservancy's website. (01:00:10)

Segment 3 (01:10:22)

Bradley and Karen are still trying to decide what to do about the FOSDEM 2014 talks.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss what plagiarism is (or isn't) and how it interacts with copyleft licenses.

Show Notes:

Segment 0 (00:00:37)

• Please donate to to send Dan to a conference. There's a progress bar on faif.us now.
• You can also donate to support Software Freedom Conservancy, where Bradley and Karen work, by becoming a supporter.
• Karen mentioned her blog post about the supporter program. (00:08:30)
• Bradley mentioned his blog post about the supporter program as well. (00:09:30)

Segment 1 (00:16:16)

• Bradley and Karen pick up on a topic original discussed in Segment 1 of FaiF 0x02. (00:16:50)
• Bradley discussed the Laurie Stearns' article from the California Law Review, entitled Copy Wrong: Plagiarism, Process, Property, and the Law (00:23:50)
• Bradley mentioned The GNOME Foundation Copyright Assignment Guidelines that he co-authored. (00:28:05)
• Bradley mentioned the Doris Kearns Goodwin Plagiarism controversy, and how it would have been simply redressed if the material she reused had been copylefted. (00:29:26)
• Karen mentioned that Flickr made different policies for CC-BY-SA'd works when selling printed versions. (32:30)
• Bradley mentioned that even software freedom advocates just comply with the copyleft licenses and don't work collaboratively, particularly during hostile forks, using Conservancy's Kallithea project as an example. (00:35:25)
• Bradley reiterated a point he made in FaiF 0x08, where he discussed that Linus Torvalds switched to GPL for Linux because he realized non-commercial restrictions weren't appropriate. (00:37:50)
• Bradley mentioned the hostile fork of GCC called egcs. The H-Online years later wrote a long article that discussed the egcs fork egcs fork. (00:39:46)
• Bradley mentioned that plagiarism is ultimately about attribution, and modern DVCS systems makes attribution easy and renders plagiarism impossible (if DVCS logs are accurate). (00:44:15)
• Bradley mentioned that he continually has learned the lesson that if you let your employer keep copyright, you lose everything you had when you switch employers (if the work isn't copylefted). (00:47:00)
• Bradley discussed the methods of attribution required in GPLv3. (00:50:05)
• Bradley mentioned that copyright notices are the primary method of attribution in copyleft licenses, and even non-copyleft ones too. (00:53:19)
• Karen discussed the attribution requirements in text of CC-BY-SA 4.0. (00:53:49)
• Bradley wants to do a whole FaiF show about how CC-BY-SA may not be a true copyleft since it has no source code requirement (00:54:40)
• Bradley mentioned the “fake name” that film directors use when they wish to disavow a work they aren't happy with. The name is, in fact, Alan Smithee, and indeed the 1984 film Dune lists Smithee as a director even though David Lynch is known publicly to be the director. (00:58:40)
• Bradley mentioned the unfair accusations against Red Hat when they stopped publishing their internal Linux Git repository and instead released a more standard ChangeLog. (01:05:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen interview their own producer, Dan Lynch, on site at Copyleft Conf 2019.

Show Notes:

Segment 0 (00:46)

• Karen now teaches teaches a course at Columbia University. (03:40)
• In addition to being the producer of Free as in Freedom, Dan Lynch was the host of Rat Hole Radio, the co-host of Linux Outlaws, and currently co-hosts Hollywood Outlaws. (04:30)

Segment 1 (5:19)

• Dan helps co-organize Oggcamp which is having its tenth-anniversary event on Saturday 19 October 2019. (08:00)
• Bradley mentioned the phrase from IT Crowd quote: Did you see that ludicrous display last night? (11:08)
• Dan talked about The Manchester Ship Canal. (13:16)
• Dan promoted Hollywood Outlaws where he and his co-host Fab talk about Bosch. (23:18)
• Dan promoted his own podcast about comics called Tales of the Unattested. (23:27)
• Dan Lynch has a personal website, which has his blog. (23:55)
• Bradley referenced the phrase You are no Jack Kennedy which was stated by Bentsen on Wednesday 5 October 1988 during the VP debate between Quayle and Bentsen for the 1988 USA Presidential campaign. Details and background of this are explained by NBC in this story. (26:30)

Segment 2 (28:23)

Bradley and Karen briefly dissect the interview with Dan.

Segment 3 (32:22)

Karen and Bradley mention that they'll discuss the Linux Foundation initiative, “Community Bridge” in the next episode. If you want a preview Bradley and Karen's thoughts, you can read their blog post about Linux Foundation's “Community Bridge” initiative.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen enjoy and discuss Molly De Blanc's keynote at the first annual CopyleftConf, entitled The Margins of Software Freedom, followed by an exclusive interview with Molly!

Show Notes:

Segment 0 (00:37)

• Bradley mentioned (without the title) the film, When a Stranger Calls, which is indeed a real movie, not a TV movie, and was from the late 1970s — although Bradley saw it on TV sometime in the 1980s. (02:15)

Segment 1 (04:11)

A recording of Molly De Blanc's keynote at the first annual (2019) CopyleftConf, entitled entitled The Margins of Software Freedom. Slides for Molly's talk are available on her gitlab account.

Segment 2 (20:11)

Bradley and Karen talk about the keynote and set up the interview.

Segment 3 (23:56)

Extended interview with Molly from on site at CopyleftConf 2019!

Segment 4 (34:06)

• Bradley and Karen discuss what ideas Molly's interview got them thinking about.
• Bradley wrote a blog post about Delta's anti-union marketing. (40:50)
• Molly De Blanc is now an employee at the GNOME Foundation and President of the Open Source Initiative (52:53)

---

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).



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The salary figures are finally in for one of the Seahawks' most notable free agent additions of the year -- linebacker/rush end Bruce Irvin -- and it turned out to be a bit higher than had been speculated.