I’m coming to the party late—last weekend, for the first but not the last time, I watched Manish Acharya’s comedy, Loins of Punjab Presents. Behan____, what a film! 

I will not rehearse the synopsis or plot, partly because of the lateness of the hour, but also because it is available here. Instead, let me note quickly that the comedy keeps ticking, and the attention to detail in all matters, from the plot to the casting, makes this film a pleasure to watch.

Let me use one scene to make a point about where the film is coming from. Ishitta Sharma, playing a demure, Gujju girl called Preeti Patel, is one of the competitors in the Desi Idol competition in New Jersey. We have watched her sing beautifully, and we have watched her stay silent, eyes downcast, as her family-members make fools of themselves. But there’s a moment later in the film, when an older, wily competitor, played with classy ease by Shabana Azmi, tries to manipulate her. And suddenly, in the blink of an eye, Preeti Patel turns upon the Shabana character. It’s as if she always had a dagger hiding in her hand.

When I saw that, I thought that there was a similar strength in the movie I was watching. It’s all laughs but it has a quicksilver intelligence within. It is a declaration of independence by the desi diaspora—and what is great is that it celebrates this freedom by mocking, and loving, almost everything in sight.

Rave Out © 2007 IndiaUncut.com. All rights reserved.
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I loved Nina Paley’s brilliant animated film Sita Sings the Blues. If you’re reading this, stop right now—and watch the film here.

Paley has set the story of the Ramayana to the 1920s jazz vocals of Annette Hanshaw. The epic tale is interwoven with Paley’s account of her husband’s move to India from where he dumps her by e-mail. The Ramayana is presented with the tagline: “The Greatest Break-Up Story Ever Told.”

All of this should make us curious. But there are other reasons for admiring this film:

The film returns us to the message that is made clear by every village-performance of the Ramlila: the epics are for everyone. Also, there is no authoritative narration of an epic. This film is aided by three shadow puppets who, drawing upon memory and unabashedly incomplete knowledge, boldly go where only pundits and philosophers have gone before. The result is a rendition of the epic that is gloriously a part of the everyday.

This idea is taken even further. Paley says that the work came from a shared culture, and it is to a shared culture that it must return: she has put the film on Creative Commons—viewers are invited to distribute, copy, remix the film.

Of course, such art drives the purists and fundamentalists crazy. On the Channel 13 website, “Durgadevi” and “Shridhar” rant about the evil done to Hinduism. It is as if Paley had lit her tail (tale!) and set our houses on fire!

Rave Out © 2007 IndiaUncut.com. All rights reserved.
India Uncut * The IU Blog * Rave Out * Extrowords * Workoutable * Linkastic

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