Happy Buttsgiving! Regular comics resume tomorrow.

Scientists identify thousands of extreme events, suggesting stark warnings about global heating are already coming to pass

Intolerable bouts of extreme humidity and heat which could threaten human survival are on the rise across the world, suggesting that worst-case scenario warnings about the consequences of global heating are already occurring, a new study has revealed.

Related: One billion people will live in insufferable heat within 50 years – study

It is among the most international of sports, but countries have had to look inwardly in order to restart the action

On Thursday afternoon in Minsk, elite international athletes returned to competition. Two Belarusians kicked tennis off as the world No 11, Aryna Sabalenka, and the No 50, Aliaksandra Sasnovich, took to the court. Even in Belarus, where the country has relentlessly carried on as much of the world around it has come to a halt, the scene underlined the new normal.

The pair humbled themselves to picking up their own balls and their stage was a small indoor hard court lined with one linesman per side and a handful of spectators. After Sabalenka sealed the victory, the two friends were not allowed to embrace. They tapped the other’s racquet and Sabalenka blew a kiss. They laughed.

The US Navy is researching how to use lasers to form plasma into 2D or 3D infrared images of aeroplanes that can distract heat-seeking missiles

A long-standing hypothesis suggests the BCG vaccine also serves to generally enhance the immune system, meaning it could protect against covid-19, and trials are under way to find out

We sometimes speak of the American university, as if it is all one thing, where you’ll attend and be pampered for four years and pop out at graduation to a job and a well-paid career. Corey Robin exposes the inequities of the university system by comparing City University of New York, a massive public university, […]

Ateet
On: Zee5
Director: Tanuj Bhramar
Cast: Rajeev Khandelwal, Priyamani, Sanjay Suri
Rating:  

This is how the premise of the new film on Zee5, Ateet, has been described- 'When Captain Ateet Rana goes missing and is declared dead by the army, his colleague Vishwa Karma steps forward to marry Ateet's wife and take care of his daughter. Things take an unexpected turn when Ateet returns after a decade to reclaim his family.' A majority of the filmmakers would opt to make a sloppy and screechy melodrama out of this, but writer Harsshil R Patel and director Tanuj Bhramar add a supernatural and spooky element to it, making it or intending to make it a chilling watch. It's anything but!

Three talented actors- Rajeev Khandelwal, Priyamani, and Sanjay Suri, struggle with one-note characters. The South Indian actress surprisingly delivers such a cold and charmless performance that not even once you feel any sort of empathy for the lady. A scene that involves all three of them, she angrily states that it doesn't matter whom she chooses between them, but that she can leave both of them for her daughter. It wasn't supposed to be funny, but I was left amused. That's what Ateet is basically, unintentional comedy. In another scene, when she declares she saw her daughter talking to someone unlike a human, Vipin Sharma, who plays an army doctor, quips- "You're talking nonsense." Again, the scene wasn't supposed to be funny, but I cracked a smile this time too!

But it isn't entirely unwatchable, there are moments of shock and surprise, and you may jump on your bed or your sofa or wherever you watch this drama-cum-horror. The scares aren't the kind you normally witness in a Bollywood horror film, yes, there is some display of tacky prosthetic but the director keeps the worst for the last. The execution and editing towards the early portions give the film an eery feel and so does the pace of the narrative. But all hopes go for a toss once the plot has opened all its cards.

Watch the trailer right here:

To worsen what was already beginning to get mediocre and mundane, characters take their own time to communicate and draw long pauses between one dialogue and another to show how intense this drama is supposed to be. It's also upsetting to see an actor like Khandelwal, who made a gripping debut in Aamir, stuck in the same hero-in-horrified mode. He plays an army officer but his heroism is displayed in barely one war scene that's embarrassingly choreographed and ends even more appallingly.

The scene comes when we are close to knowing the truth of these clandestine characters hiding some demonic truths, so who cares about the action set-piece that preceded it? Ateet messes up a delicious plot and makes its central characters appear lost and limp, and this time, I'm not laughing.

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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The Least Of These
U/A: Drama
Dir: Aneesh Daniel
Cast: Sharman Joshi, Stephen Baldwin, Shari Rigby
Ratings: 

Aneesh Daniel's attempt to relook at real-life events that triggered the grisly murder of Graham Stuart Staines - Australian born evangelist/poor leprosy patients' caregiver, living and working in the remote regions of Orissa - is a rather tame experience.

It's obvious the filmmakers were eager to avoid any confrontations with right-wing fanatics, who had a major role to play in triggering the gruesome killing of Staines (Stephen Baldwin) and his two sons. Don't know how much of a spoiler the censor board played in this regard, but needless to say, this is a largely sanitised version of the truth and does a great disservice to the lives lost in the throes of a communal crossfire. Defanged of the court ordained facts, including the name of the convicted killer (Dara Singh) and his right-wing Hindu fundamentalist political affiliations, this film merely plays around with the 'conversion' issue.

The narrative device employed here is in itself flawed. It's the late 1990's. Journalist Manav Banerjee (Sharman Joshi) moves with his pregnant wife to a small town in Orissa. The editor (Prakash Belawadi) of the New Orissa Daily treats him like a stringer and expects him to coerce stories about forced conversions from the villagers. Manav, who shuns lepers and is clearly biased against Christian groups, would rather do the exposé without being personally involved. But his editor deems it necessary that Manav himself play victim to the conversion hoax to expose the Australian missionary's so-deemed unlawful activity. With his wife delivering prematurely and costs of hospitalisation mounting by the day, Manav is forced to toe the line.

While forgiveness plays an important part in this misrepresented drama, it doesn't have the effect of a great act here. It is depicted so ineffectually that there is little impact on the viewer. The actors are either over-the-top or inconsistent. Joshi overstates his eagerness by repeating phrases like 'I am a journalist' and 'He is a leper'. Scripting by Andrew E Mathews is so slack that his turnaround defies logic. Even Baldwin and Shari Rigby fail to arouse empathy. Technically too, this film is not upto the mark. The direction, editing and cinematography lack distinctive focus. This unaccomplished production doesn't amount to anything!

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The Tashkent Files
U/A; Drama, Mystery, Thriller
Director: Vivek Agnihotri
Cast: Mithun Chakraborty, Naseeruddin Shah, Shweta Basu Prasad, Mandira Bedi, Pallavi Joshi, Rajesh Sharma, Vinay Pathak, Pankaj Tripathi, Vishwa Mohan Badola, Prakash Belawadi, Achint Kaur, Prashant Gupta
Ratings: 

Based on true incidents, director Vivek Agnihotri's Tashkent Files, is a fictionalised film with cinematic liberties. In form, it is a blend between a courtroom drama and an online game with different task levels. In purpose, while seeking answers to the mysterious death of India's second Prime Minister, Lal Bahadur Shastri, who died on January 11, 1966, in Tashkent, it implores you, as a citizen of the nation, to question for, "your right to truth".

The film has a kind of stark simplicity: Apart from a brief set-up and a briefer epilogue, a major portion of the film takes place within the four walls of an inquiry commission which is so akin to a jury room, as nine prominent and responsible citizens headed by politician Shyam Sundar Tripathi (Mithun Chakarobarty) debate on the "common conspiracy theory", that surrounds Shastri's demise.

It is an open fact, and no denying it, that there have been various theories surrounding the mysterious death. The Shyam Sundar Tripathi Commission is set up after the investigative journalist Raagini Phule (Shweta Basu Prasad) is coerced by an anonymous well-wisher cum source, into writing an article that digs into the nation's past.

The well-wisher dishes out nuggets of information via a telephonic conversation which appear like stages of an online game.

Soon, Raagini is also roped into the Commission for being a journalist who has done a lot of investigation on the subject. She propels the narrative and drives home her point based on the Mitrokhin Archive II, which is a collection of handwritten notes made secretly by the Russian KGB defector Vasili Mitrokhin.

Dedicated to the journalists of India, the film, on the face of it appears balanced, but the tone and texture of the narrative definitely appear slanted. Sample this; "Gau bhakt, topi pehnewala baba, kaun the?" This question subtly and surely ignites a sense of underlying brotherhood that forces an ignorant viewer to seek the truth.

And so, on the pretext of speaking the truth, the narrative digs out the bitter and indigestible political history of our country. Also, while smirking at our democracy and our education system, the film makes each one of us feel guilty as it opens a Pandora's Box but shows us nothing that we are not aware of. And the last frame, stating that the facts mentioned in the Mitrokhin Archives have not been proved or verified till date, clearly shows that the plot along with the dialogues, is clever and manipulative.

This is a film where tension comes from personality conflict, dialogue and body language, not action. The drama within the confines of the claustrophobic room appear forced and staged.

On the performance front, the film is Shweta Basu Prasad's canvas. She is effective as the ambitious, yet vulnerable Raagini. She holds her steady against the dynamic Mithun Chakraborty, who gives an equally new and varied dimension to his Shyam Sundar Tripathi.

The duo are aptly supported by an ensemble cast which includes; Pankaj Tripathi as Gangaram Jha, Mandira Bedi as the social activist Indira Joseph Roy, Pallavi Joshi on a wheelchair as the historian Aiysha Ali Shah, Rajesh Sharma as a prominent government contractor Omkar Kashyap, Vishwa Mohan Badola as the aging Justice Kurian Abraham, Prakash Belawadi as the senior bureaucrat GK Anantha Suresh and Prashant Gupta as Vivendra Pratap Singh Rana, all members of the commission.

Naseeruddin Shah as the master brain politician PKR Natrajan and Vinay Pathak with a scarred visage as Mukhtar, the person who helps Shweta unearth the mystery in Tashkent, have their moments of onscreen glory.

Mounted with ace production values, the visuals of the film do not boast of any cinematic brilliance. The songs with the lyrics, "saare jahan se achcha" and "sach jalta hain" are lost in the narrative.

Overall, with aggressive pacing, the film is well-researched and potent in nature. But with the timing of its release and the undertones in its messaging, this film appears to be a propaganda film that neither ignites any patriotic fervour nor journalistic appeal.

Also Read: Vivek Agnihotri's The Tashkent Files lands in legal trouble

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A 3D printing startup in Mumbai has been accused of not fulfilling its part of the deal in a crowdfunded project initiated by a Delhi-based content creator to provide equipment to frontline health workers.

In March, Kusha Kapila contacted Boson Machines (BM) to provide 3D printed face shields for medical personnel at an initially agreed price of R150, by raising Rs 900,000 on Ketto.

With an industry standard yet to emerge, there were a lot of debates between Kapila and BM over the price and the number of masks to be made for raised amount."We then settled on R19 lakh for 18,000 masks," said Kapila. "Even this meant that a shield would cost Rs 105, which was still higher than the price of other 3D printers. The price was again reduced to Rs 75, before they finally agreed to R60. At the same time, the fundraising goal was also increased to Rs 21 lakh. They already had orders and capacity for 14,500 masks and we wanted to help as much as we could."

Kapila’s tweet tagging Aaditya Thackeray where she called out Boson

Boson was paid around Rs 13 lakh for the 14,500 face shields, and the remaining money was with Ketto, to be paid after the second batch of shields were dispatched.

The story gets muddled at this point, with Kapila taking to Twitter on May 1, accusing the company of not honouring its commitment and claiming even Rs 60 per mask was steep.

"After many enquiries, and [BM co-founders and brothers] Arjun and Parth Panchal's consistent unavailability, they finally sent a cost breakdown that I forwarded to various industry experts for verification."

In another tweet, Kapila alleged BM charged more than market price. Both Kapila and Ketto also claim that BM had been evading their questions.

"As of today, suppliers charge anywhere between Rs 35 and Rs 50 for a shield of the same quality," Kapila told mid-day. "This suggests that BM is trying to profit off this fundraiser. Profiting off a pandemic is shameful and anti-national. For instance, the cost of the plastic frame is quoted as R80 and they could only justify Rs 27. That's a difference of Rs 53. Further, the visor cost is quoted as Rs 30, but we found out that a sheet costs Rs 8. The tally says BM has delivered 10,700 pieces but we don't know if this has actually happened. As of today, Boson owes [me and Ketto] Rs 6,76,000," Kapila said.

By this, Kapila means BM has to return her and Ketto R6,76,000 from the initial Rs 13 lakh paid, as per her calculations. "The last time I spoke to them, which is when we reached a price of Rs 60, they agreed to return the money but later said their CA would get in touch and have ghosted me since," said Kapila.

Parth Panchal. Pic/Facebook, Arjun Panchal. Pic/Twitter

BM claims it has already delivered 10,700 face shields to 19 hospitals and other institutions across the country, including Mumbai's Sion Hospital, Kasturba Hospital, KEM Hospital, Wadia Hospitals—and even the BMC.

In an email to mid-day, BM refers to Ketto Online Ventures Private Limited as the buyer, and not Kapila. "We are unaware of the role of Ms Kusha Kapila with the buyer, M/s Ketto Online Ventures Private Limited, and whether she is authorised to represent the company in commercial matters," it said.

BM also alleged Ketto owes them an outstanding R1,31,063 from the orders that they had already fulfilled.

"We have seen the statement put out by Boson and our legal team is taking necessary steps," said Varun Sheth, of ketto.org.

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Gaganjeet Bhullar, who was tied 3rd last week in the Queens Cup, moved into contention once again with a superb six-under 66, which carried him to 14-under at the Sarawak Championship here yesterday. Bhullar was three behind the leader Paul Peterson of the US who posted a bogey-free three-under-par 69 to hold a narrow one-shot lead over countryman John Catlin in the third round.

Bhullar had rounds of 68-68 on first two days and is now in prime position to make a charge for his first win this season and the ninth on Asian Tour in his career. Bhullar had seven birdies, four on front nine and three on back nine against just one solitary bogey on Par-3 eighth. Among other Indians, Himmat Rai (68-67-70) was tied 11th and Ajeetesh Sandhu (68-71-67) was tied 16th. S Chikkarangappa (70-67-70) was tied 19th, while Khalin Joshi (68-70-71) and Honey Baisoya (71-69-69) were tied 31st.

The other two Indians who made the cut were Aman Raj (74) at tied 44th and Jeev Milkha Singh (73) at tied 53rd. Rashid Khan (75) was tied 63, while Viraj Madappa, Chiragh Kumar and M Dharma missed the cut. Bhullar said, "I hit the ball really good. I hit all the fairways and missed only three greens. Overall it was a good day in terms of ball striking. I got off to a good start with two birdies and that gave me a lot of boost and confidence.

"I'm happy to be in this position. I've been striking the ball really good in the last four months. The trick is all mental now. If I'm able to do the same thing in the last few days, I will be happy with my game." "Golf is a funny sport and anything is possible. Everybody is giving their 100 percent and so am I. I'll go out there and do my best. Game wise, I'm feeling really confident and I've been converting a lot of good scores and giving myself a lot of opportunities."

Bhullar opened with birdie-birdie and then had three pars. He followed up with birdies on sixth and seventh and dropped his only shot on eighth. On the back nine, he birdied on the 10th, 12th and 17th. Peterson, who won his first Asian Tour title in January, fired three birdies on his homeward nine to hold on to his lead for the third straight day on 17-under-par 199 at the Damai Golf and Country Club.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

New York: Fathers tend to be more attentive and responsive to the needs of their toddler daughters than of their sons, finds a brain study that shows a toddler's gender influences the brain responses as well as the behaviour of fathers.

The findings showed that fathers of toddler daughters sang more often and spoke more openly about emotions, including sadness, whereas those with toddler sons engaged in more rough-and-tumble play.

"If the child cries out or asks for dad, fathers of daughters responded more than did fathers of sons," said lead researcher Jennifer Mascaro, Assistant Professor at Emory University.

Further, girls' fathers used more analytical language (words like all, below and much) which has been linked to future academic success, while with boys it was more achievement-related language (words such as proud, win and top).

This may be possibly because fathers are more accepting of girls' feelings than boys', the researchers said in the paper published in the journal Behavioral Neuroscience.

In addition, brain scans revealed that fathers of daughters had greater responses to their daughters' happy facial expressions in areas of the brain important for visual processing, reward, emotion regulation, and face processing than fathers of sons.

"The gender-biased paternal behaviour need not imply ill intentions on the part of fathers. These biases may be unconscious, or may actually reflect deliberate and altruistically motivated efforts to shape children's behaviour in line with social expectations of adult gender roles that fathers feel may benefit their children," added James Rilling anthropologist at Emory.

For the study, the team used data from 52 fathers of toddlers (30 girls, 22 boys), who agreed to clip a small handheld computer onto their belts and wear it for one weekday and one weekend day.

With the lockdown in place, the theatre business has been shut completely. This has led to a substantial increase in content consumption through digital streaming platforms. Several web series makers are speeding up post-production work to release their shows during the lockdown. 

While releasing shows during lockdown sounds good, director Ali Abbas Zafar is in no hurry to finish the post-production of his show. Ali Abbas Zafar is currently working on a political drama tentatively titled Dilli. Talking to a tabloid he said that he would rather revel in the satisfaction of a series well made than join the rat race. He said that people have been asking them on social media to release the show, but they do not wish to rush the process.  The series was supposed to release in the last quarter of 2020 and they intend on sticking to it. 

The Saif Ali Khan starrer is currently in the post-production stage. Zafar said that if the show was ready they might have released it now. He said that when it comes to developing an offering for the global audience the post-production is a long drawn process. He said that once the project is delivered, it has to be dubbed in nine languages and the post-production takes three to four months. 

The show will be aired on Amazon Prime videos and the makers have already started working on season 2. Amazon Prime green signalled the second season after watching the rushes of season 1. 

ALSO READ: EXCLUSIVE: Ali Abbas Zafar confirms teaming up with Katrina Kaif for superhero flick

YouTubers in the PUBG Mobile scene in India. Godnixon mostaly famous for his tips & tricks videos where he shows various unique ways in which you can make the best possible use of the area/buildings be it bridges, squad houses, triple storey builds, warehouses and so on. With over 845K subscribers on YouTube and around 60+ million views on his YouTube channel, he is one of the mainstream content creators out there for PUBG Mobile.

Amazed by the quality of content available on his channel, Fnatic India has decided to take GodNixon overboard as their content creator. Is this a move to help the Fnatic PUBG squad perform better than their performance right now with some help from one of the best content creators out there? Or is it just that they want to take a step forward in a positive direction so as to create more opportunities for budding content creators out there?

GodNixon is one of the figureheads of the Indian PUBG Mobile community and was chosen as the country representative for India during PMCO in 2019. In the announcement video, he revealed that at the moment he is stuck in a hotel in Bangalore as the entire country is under lock down and he can’t get back home. As a result, he hasn’t been able to release content as regularly as he would like to. However, he did mention that we can expect a variety of content from both him and Fnatic in the near future.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever