As part of Penn State’s 2020 spring commencement activities, August Pasquale will represent ROTC in the College of the Liberal Arts as its student marshal. Pasquale will graduate with a bachelor of arts degree in political science and a bachelor of science degree in finance.

As part of Penn State’s 2020 spring commencement activities, Lena Becker will represent the Department of Psychology as its student marshal. Becker, a Paterno Fellow and Schreyer Scholar, will graduate with a bachelor of science degree in psychology and a bachelor of arts degree in Spanish.

As part of Penn State’s 2020 spring commencement activities, Leah DeLancey will represent sociology in the College of the Liberal Arts as the department’s student marshal. DeLancey will graduate with bachelor of arts degrees in sociology and political science.

As part of Penn State’s 2020 spring commencement activities, Clara Miller will represent the Department of Women’s, Gender, and Sexuality Studies in the College of the Liberal Arts as its student marshal.

As part of Penn State’s 2020 spring commencement activities, Christopher Abraham will represent the Department of Spanish, Italian, and Portuguese as its student marshal. Abraham, a Paterno Fellow and Schreyer Scholar, will graduate with bachelor of arts degrees in Spanish and English.

Copper Mountain Mesa News, May 8; Jupiter, Saturn and Mars to line up in the early morning hours  Hi-Desert Star

Although they may have been bitter rivals for the majority of the 2010 season, there is a deep respect between McLaren and Red Bull according to Martin Whitmarsh

Volunteers who help the British Grand Prix run smoothly want to get back trackside but questions remain on safety and testing

“We are like one big family,” says Carolyn Doyle of the bond between the marshals of the British Grand Prix. “We are there because we love it and we want to achieve the same thing – that’s what makes it really special.”

Much as it does bring great pleasure to this selfless collective, the sport knows their presence is invaluable. As Silverstone considers hosting two consecutive races behind closed doors in July, the volunteer marshals are having to consider the new realities imposed on Formula One by the coronavirus crisis.

Is there life on Mars? -article by Julia Laplane, OECD

There is little doubt that in OECD countries, the chances for boys and girls to succeed and contribute to society have become more equal over the past century.

The metropolitan region of Aix-Marseille in the south of France needs to tackle its fragmentated governance if it is to return to more inclusive and sustainable economic growth, according to a new OECD report.

Scientists are developing a predictive model to help Nasa anticipate conflicts and communication breakdowns among crew members and head off problems that could make or break the US space agency's future manned mission to Mars. Nasa has formalised plans to send a crewed spacecraft to Mars, a journey that could involve 250 million miles of travel.

Videocon Mobiles has launched its latest 4G smartphone, Cube 3 (V50JL) in India. Priced at Rs 8,490, the smartphone will available across all retail stores.

Although a significant increase, Android Marshmallow still lies below Android Lollipop, and Kitkat on the list. As per the latest distribution numbers, Android Lollipop 5.0 and v5.1 together run on 35% Android devices, followed by Android Kitkat 4.4 with a 27.7% share.

Archives, Room Use Only - TF627.K57 1904

Archives, Room Use Only - HE7797.W55 C65 1951

The X-ray diffraction/X-ray fluorescence instrument CheMin on the Curiosity rover is a shoebox-sized device using transmission geometry and an energy-discriminating CCD detector. The instrument has returned the first X-ray diffraction data for soil and drilled samples from Mars outcrops, revealing a suite of primary basaltic minerals, amorphous components and varied hydrous alteration products including phyllosilicates.

The John Marshall Ju/'hoan Bushman Film and Video Collection, 1950-2000, was among 35 documentary heritage items of exceptional value added to UNESCO’s Memory of the World Register in 2009.

The post John Marshall Ju/’hoan Bushman Film and Video Collection added to UNESCO register appeared first on Smithsonian Insider.

Image right: A sea of dunes, sculpted by the wind into long lines, surrounds the northern polar cap of Mars, covering an area as big […]

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A team of scientists have found that because of this, high summer temperatures have been a strong influence in determining bill size in some birds, particularly species of sparrows that favor salt marshes.

The post It’s no sweat for salt marsh sparrows to beat the heat if they have a larger bill appeared first on Smithsonian Insider.

Recent geologic mapping of the Medusae Fossae Formation on Mars—an intensely eroded deposit near the northern edge of the cratered highlands—has revealed a wider distribution of its western component than was previously recognized.

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New maps of the subsurface of Mars show for the first time buried channels below the surface of the red planet. Mars is considered to […]

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  Tiny spherules pepper a sandy surface in this 3-centimeter (1.2-inch) square view of the Martian surface. The largest one is broken in half and […]

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Geologic mapping is an integral part of exploration and understanding a planetary landscape, because it shows the relationships between geologic units and helps delineate the […]

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Two rovers are active right now on the surface of Mars: Opportunity, which landed in January 2004, and Curiosity, which started exploration in August 2012. […]

The post Sol Man: John Grant is on a road trip across Mars appeared first on Smithsonian Insider.

During a press conference Friday, July 22 at the Smithsonian's National Air and Space Museum, NASA announced that Gale Crater will be the landing site for the Mars Science Laboratory. Scheduled to launch in late 2011 and arrive at Mars in August 2012, the Mars Science Laboratory is a rover that will assess the planet’s “habitability”—if it ever was, or is today, an environment able to support microbial life.

The post Gale Crater to be landing site for NASA’s Mars Science Laboratory appeared first on Smithsonian Insider.

Smithsonian planetary geologists Sharon Purdy and Maria Banks explain how you can take your very own photo of Mars.

The post Scientists Maria Banks and Sharon Purdy explain how to take your own photo of Mars. appeared first on Smithsonian Insider.

Rob Marshall is either the bravest director in Hollywood or the most foolhardy. Three of his five theatrical films — the musicals "Chicago," "Nine" and now "Into the Woods" — don't just invite comparison to the eccentric genius of other artists, they insist on it.

Originally a Bob Fosse stage project, "Chicago" was so imbued with Fosse's vitriolic spirit that even in Marshall's more straightforward hands the movie version felt like the missing piece in a triptych with Fosse's "Cabaret" and "All That Jazz."

"Nine" is the musical created from Fellini's masterpiece "8 1/2."

(Marcello Mastroianni in Fellini's "8 1/2")

Odd enough that someone thought Fellini's intimate but epic fugue on his own creative doubts and sexual fantasies should be adapted by others for Broadway; stranger still to re-import the hybrid back to the screen, in the workmanlike form Marshall gave to it.

And now we have "Into the Woods," a film placing Marshall in the long line of moviemakers defeated by Sondheim's difficult musical brilliance and penchant for challenging material. It's distinguished company, reaching back all the way to "A Hard Day's Night" director Richard Lester's re-invention of "A Funny Thing Happened (On the Way to the Forum)" as a kind of psychedelic Keystone Cops movie, and forward to Tim Burton's more adept but still wrong-headed Murnau-meets-Hammer-Horror approach to "Sweeney Todd."

Even director Hal Prince, the principal theatrical collaborator during Sondheim's most fertile and formative period, made an absolute hash of their shared stage success "A Little Night Music" in a film version later disavowed by both men, and mostly remembered for Elizabeth Taylor's chirpy and discernibly flat rendition of "Send in the Clowns."

Liz singing "Send in the Flat Clowns"

It's just possible that the real problem is that Sondheim's self-reflexive and deconstructive impulse (his musicals are almost always and to varying degrees commentaries on the Musical itself) makes his projects unfit for screen adaptation. In movies, we miss the artifice of the proscenium, the sweat on the actor's brow. But if any of Sondheim's late-period projects held out the hope of a successful movie version it was surely "Into the Woods," a droll recombination of the fairytale form's literary DNA into something like Sondheim's masterpiece "Company," set in a realm of magic beanstalks and slippers made of glass.

The characters are straight out of the Disney pantheon (or "Shrek"): Cinderella meets Rapunzel meets Red Riding Hood meets Jack and his Beanstalk, with a generic Wicked Witch, a couple of not so charming Prince Charmings, plus a peasant couple thrown in. But the issues at stake — marital fidelity, raising children, the fear of aging and death — are complicated, and filled with gray tones which Sondheim and librettist James Lapine masterfully etched across the fairytale's Manichean black and white.

What seemed audacious when Sondheim and Lapine conceived it in 1987 ought to fit comfortably into the era of "Sleepy Hollow" and "Maleficent," but in Marshall's hands, it does not. The good news is that though populated by what old school TV shows used to call a Galaxy of Today's Brightest Stars (Anna Kendrick as an appealingly unglamorous Cinderella; Chris Pine as the nymphomaniac Prince who stalks her; Meryl Streep quite moving in the Wicked Witch role made famous on Broadway by Bernadette Peters) this is mostly a very well-sung movie. There have been controversial excisions and revisions (enabled by Lapine, who is Marshall's screenwriter), but as an introduction to one of Sondheim's more beloved scores, "Into the Woods" makes for a solid musical primer.

WATCH: The "Into the Woods" trailer

But though Marshall has taken a lot of flack for daring to cut out characters (most notably the stage production's Narrator, who served as a kind of Greek Chorus in the original) and for softening plot points (Rapunzel died onstage), the big problem is that Marshall isn't nearly ruthless enough in rethinking "Into the Woods" as an honest-to-God movie. There are many moments (Johnny Depp ending a scene with a stagy howl at the Moon that virtually screams "and... fade out!;" the unseen death of a major character) where Marshall embraces the limitations of stagecraft when something bigger and more cinematic is needed, as if afraid to mar the pedigree of Broadway with Hollywood's debased visual stamp.

"Giants in the Sky," Jack's coming-of-age number, where he describes finding manhood in the sexual and physical dangers available above the clouds in the Giant's Castle, is a showstopper onstage, where we're willing to accept rhetoric in place of physical immediacy. Onscreen, it's simply frustrating for a character to suddenly appear and tell us he's just had the adventure of a lifetime, and that it's too bad we missed it.

The Woods themselves — both character and symbol onstage, a kind of living maze representing moral confusion — are lush here and geographically nondescript, like a particularly plush unit set, done up in a generic Lloyd Webber-meets-Disney house style.

Perhaps most unfortunately of all, Marshall seems constitutionally incapable of conveying the pervasive satiric impulse at the heart of the Sondheim/Lapine original, which could have been called "What Happens After Happily Ever After." Without ironic distancing, the film's second half, where the characters betray each other in decidedly contemporary sexual and self-interested terms, plays as non-sequitur.

It's possible to imagine a more idiosyncratic movie director who both understands and embraces the arsenal of cinematic effects available through editing, camera movement and design transforming "Into the Woods" into a rousing cinematic triumph — the young Terry Gilliam comes to mind. But Hollywood doesn't really embrace its daring cranks and visionaries very often, as Gilliam's difficult career demonstrates. Whenever possible, today's studios like to import genius at a safe remove, and then hand it off to a reliable journeyman who won't make waves or piss off the suits. The limitations of that approach are visible in every scene of "Into the Woods," and perhaps they explain its failure best of all. It's one thing not to be up to the task of adapting a work of odd brilliance. It's something else again to not even take it on.

This content is from Southern California Public Radio. View the original story at SCPR.org.

Saltmarsh restoration can contribute to a range of ecosystem services but, according to new research, the effectiveness depends on previous land use. To optimise restoration, more research is needed on the effects of previous land disturbance on the delivery of ecosystem services and the relationships between physical, biogeochemical and ecological processes.

Scientists from the Universities of Bristol and Málaga have proposed that the long extinct marsupial lion hunted in a very unique way - by using its teeth to hold prey before dispatching them with its huge claws.

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The fossil remains of a new tiny species of marsupial lion which prowled the lush rainforests of northern Australia about 18 million years ago have been unearthed in the Riversleigh World Heritage Area of remote north-western Queensland.

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Conserving salt marshes helps protect our coasts, according to research which shows that they stabilise shorelines and protect them from damage by incoming waves. Their benefits are particularly significant in light of the destruction caused by storms and flooding, which are likely to increase under climate change.

In a freewheeling discussion with ETCIO, Miao Song, Global CIO & Global VP of MARS group emphasized this different Covid-19 challenge which is new for CIOs to tackle and difficult too.

In an interview with ETCIO, Miao Song, Global CIO & Global VP of MARS, talks about the IT & Digital odyssey of the company in tackling the Covid-19 crisis.

In a freewheeling discussion with ETCIO, Miao Song, Global CIO & Global VP of MARS group emphasized this different Covid-19 challenge which is new for CIOs to tackle and difficult too.

In an interview with ETCIO, Miao Song, Global CIO & Global VP of MARS, talks about the IT & Digital odyssey of the company in tackling the Covid-19 crisis.

Differences in the way wetland plants accumulate pollutants are helping researchers understand how vegetation can be used to help restore contaminated marshes. In a study by Belgian researchers, certain plants, including bulrushes, were identified as being potentially useful for locking away metal contaminants below the surface, thereby helping to reduce spread of these pollutants through food chains and to the wider environment.

The effects of antibiotic contamination may be attenuated by the common reed, new research shows. The study found that the common reed (Phragmites australis), sourced from a temperate estuary with brackish water, had capacity for the bioremediation of the veterinary antibiotic enrofloxacin (ENR). The authors suggest that salt-marsh plants and their associated micro-organisms could be a valuable asset in the recovery of contaminated estuary environments.

Two chubby marsupial species that would literally die for sex (albeit 14-hour sessions) have been discovered in Australia.

Video: How climate change is impacting freshwater and saltwater marshes.

Hungry purple marsh crabs threaten Cape Cod salt marshes by eating crucial cordgrass.

Nuclear fusion could one day propel rockets that allow humans to go to Mars and back in 30 days

Teen sets ambitious goal to be the first astronaut on Mars, and she's harnessing the power of social media to make it happen.

The crest-tailed mulgara was once a common sight in New South Wales deserts before other predators edged it out of the habitat.

While the Mars Curiosity rover sports state-of-the-art equipment, much of that machinery is bound to its body by a simple network of knots.