Sridevi's amazing dedication, Ranveer Singh's Scarface, Ranbir-Alia on nepotism and more in Sukanya Verma's emotionally charged Super Filmi week.

If anyone thinks that the Golden Globes are insignificant, the Hollywood studios are out to prove them wrong.

'To me,' says Aseem Chhabra, 'the Golden Globes hold the most meaning as one gets to see stars celebrating, getting emotional, letting their guard down and showing us their regular human side.'

'I'll remember you as the face of joy for ever.' Sukanya Verma remembers the iconic Sridevi.

'The very fact that she survived her migration to Bollywood, where many young lives have been sacrificed or abandoned to the streets, bears testimony to her grit, determination and good fortune,' says Ambassador T P Sreenivasan.

'The way the winners react and the speeches they deliver.''That is where the fun happens, when the actors and other winners let down their guard, challenge the system, talk about issues that should matter to us,' says Aseem Chhabra.

'There's no love for the song or Madhuri, no consideration for what it meant to an entire generation and zero respect for its iconic choreography,' says Sukanya Verma.

The Looming Tower reveals the bitter CIA-FBI turf battles that led to the worst terrorist attack in America's history.

The problem is not that more people are not watching more TV, but that they are not finding anything of interest on Hindi television, says Vanita Kohli-Khandekar.

'It is nice to know I am remembered even now,' Lataji tells Subhash K Jha.

No, no, it has nothing to do with Salman...

Sonali's unrelenting spirit, Jai's unacceptable loss, Ijaazat's timeless melancholy, Neetu Singh's zing and not enough Sacred Games dominates Sukanya Verma's Super-Filmi Week.

'Nawaz, who plays my husband, doesn't look at women when he has sex with them.''He never kisses them.''That moment when I am in front of him is decisive,' the New Wave actress tells Subhash K Jha.

'I want to tell the singers of our country that they should not be another Rafi, Kishore, Lata, Asha or Mukesh,' Latajiji tells Subhash K Jha.'Be yourself. Learn dedication to the craft from us, but do not imitate us.'

'That only a certain Mumbai story -- look at Salaam Bombay and Slumdog Millionaire for other examples -- gets made when an international audience is as much a target as the desi viewer, should invoke questions of representation,' notes Vikram Johri.

'I greet all my friends, Hindu or Muslim, with "Jai Shri Ram".'

'While censorship of any sort is anathema to the creative spirit, political correctness has become more and more the norm rather than the exception,' notes Uttaran Das Gupta.

'It started as a kind of joke. Now I think it has gone far enough.'

'We have worked hard to make a big epic homage to a man, scholar and politician, who is misunderstood.'

Why were two of 2018's critically panned films awarded?! exclaims Aseem Chhabra.

'This is a movie made with this gaze fixed on its immediate well-wishers, while at the same time it squints hard looking for those swaying back and forth on the fence,' notes Rohit Sathish Nair.

The 91st Annual Academy Awards was anything but boring, feels Aseem Chhabra.

What is it like to be a woman in a male-dominated profession like a police officer, asks Adrija Shukla.

'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.

The recently released poster Mental Hai Kya is like an abuse aimed at those who are fighting a disorder that demands support and social understanding, says Tarun Vijay, the former BJP MP.

'When so many noted universities -- including the likes of Harvard and the University of California -- are spending their resources on studying the world of GoT, it is fun to assess whether this fictional universe conforms with the laws of our real universe,' says Kumar Abhishek.

'By ruffling dignified feathers, and by polarising its audience, Kabir Singh has put movies and art back into our public discourse,' says Sreehari Nair.

Jaspal Bhatti's feel for the grime, the confusions, and the madness in our system was so complete that he could take on every kind of woman or man God ever gave to the institutions of India, feels Sreehari Nair.

Quentin Tarantino, declares Sreehari Nair, will be remembered as someone who made just two great movies, and who then brought misery upon himself.

'Many thought it was the end for me,' Lataji told Subhash K Jha.'I just couldn't sing!'

Aseem Chhabra imagines a time, 20 years from now, when movie-watching in theatres will be long gone, thanks to the coronavirus, and pens a letter to his grandchild, explaining the magic of the cinema hall.

'All my hard work will be forgotten.'

On this recording of period music, the Cross Violin, Kirckman Harpsichord, Keene Spinet, Broadwood Pianoforte and three flutes are played just as they were in colonial times.

Since the first organized Christmas celebration drew visitors to Colonial Williamsburg in 1936, nothing quite matches the beauty, imagination, excitement, pageantry, sights, smells, sounds, and grandeur of the Christmas season in Colonial Williamsburg.

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

Richard Schuman interprets the character of Patrick Henry for The Colonial Williamsburg Foundation. He re-creates Patrick Henry's powerful speech.

Hear the words that were catalyst to the Revolution, read by Bill Barker, Colonial Williamsburg's Thomas Jefferson.

In October 2010, the hosts of Backstory visited Colonial Williamsburg's Kimball Theatre to perform a live show.