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Chronic Stress, Volume 8, Issue , January-December 2024. Police officers are frequently faced with chronic and acute stressors, such as excessive workload, organizational stressors and emotionally charged reports. This study aims to examine the relationship between a form of chronic strain (ie, burnout symptoms) and a resource (ie, coping self-efficacy) in a sample of Dutch […]

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From foundry-inspired knobs to playful wall hooks, Viefe's new hardware makes it easy to add the finishing touches to a space.

Auer Hall, Simon Music Center
Sunday, November 10, 2024, 2 – 3:15pm

Peter Ellefson is professor of music in trombone at the Indiana University Jacobs School of Music, where he was previously chair of the Brass Department.

More info: events.iu.edu…

by Wm. Steven Humphrey

If you’re reading this, you probably know the value of the Mercury’s news reporting, arts and culture coverage, event calendar, and the bevy of events we host throughout the year. The work we do helps our city shine, but we can’t do it without your support. If you believe Portland benefits from smart, local journalism and arts coverage, please consider making a small monthly contribution, because without you, there is no us. Thanks for your support!

GOOD MORNING, PORTLAND! ????

Hmmm... let's check the calendar to see if anything interesting is happening this week, and... OH WOW, THE ELECTION IS TOMORROW. If you haven't filled out your ballot yet, allow us to help! Check out the Mercury's Election Issue (in more than 500 spots around town) which comes complete with all our endorsements AND our handy-dandy voter cheat sheet! And despite what some people might say, voting is actually a lot easier than you might think. Now let's think a little about today's NEWS.

IN LOCAL NEWS:

• Let's start with the disappointing Oregonian headline of the day:

Oh, hello... unless I overslept again and missed it, THE ELECTION HASN'T HAPPENED YET, AND THEREFORE HAS NOT BEEN "UPENDED" BY ANYTHING. Despite the inference behind this very poorly worded headline, ranked-choice voting is actually super easy, and having a "sprawling" candidate field simply means that we finally have a far more diverse group of people (not just moneyed white dudes bought and paid for by local business interests) running for office. THAT IS A VERY GOOD THING. So allow me to rewrite this headline: "Ranked-choice voting, healthy and diverse candidate field is great for Portland City Council races and democracy in general." Oh, and you are WELCOME.

Filling out your ballot this weekend? GOOD! Need help? Voila, here's your 100% accurate Mercury Endorsement Cheat Sheet to help you fill out your ballot lickety-split!https://t.co/kKi0W0Yfmd

— Portland Mercury ???? (@portlandmercury) November 2, 2024

• As we know, Portland's attempts to construct and carry out good environmental policies has been hampered by our current city council (who, again, was bought and paid for by local business interests ????). However, that could very well change with a more progressive, people-oriented council, and a significant number of current candidates are promising to change this narrative if they are elected to office on Tuesday. Find out more with this interesting report from our Taylor Griggs.

• A suspect has been arrested in the Halloween shooting at a Vancouver mall which left one person dead and two injured. Vancouver resident Travis L. Ward was taken into custody by police and members of the city's SWAT team after receiving tips from Facebook users. The shooting was allegedly a targeted attack, and the suspect—who was reportedly dressed in black and wearing a clown mask—is scheduled to appear in court today.

When Skye Baskin died, it was initially portrayed as a failure of the Oregon State Hospital. New records reviewed by OPB indicate serious failures in the Douglas County Jail preceded his death.

Jail health care remains terrible in Oregon. https://t.co/Jwm2Z1Ziik

— Ryan Haas (@ryanjhaas) November 4, 2024

• One of Oregon's conservation greats, Bob Sallinger, has died suddenly at the age of 57. Known for leading such longtime environmental groups as Willamette Riverkeeper and Bird Conservation Oregon (BCO), Sallinger was a beloved figure who, according to the board of BCO, "was a pioneer in highlighting the importance of preserving and restoring wildlife habitat in urban areas, and a key player in efforts to conserve iconic Oregon landscapes, including the Elliott Forest, Malheur National Wildlife Refuge, and the Klamath Basin." He will be missed.

Looking for fun on election night? Join your friends at Mississippi Studios for the Mercury's official election night watch party—hosted by the hilarious Alex Falcone and Shain Brenden! (And what? IT'S FREE!)https://t.co/OXyBltoyPr

— Portland Mercury ???? (@portlandmercury) November 3, 2024

IN NATIONAL/WORLD NEWS:

• Since that's all anyone can think about at the moment, here's your ELECTION EVE HEADLINE ROUNDUP: "Harris and Trump head to key battleground states for final campaign sprint." "GOP primed to back Trump if he contests election." (And he will.) "North Carolina sees turnout record with more than 4.2M ballots cast at early in-person voting sites." "Trump doesn't rule out banning vaccines if he becomes president." "Pollster Behind Shock Iowa Poll Hits Back at Trump’s Attacks." "Trump says he doesn’t mind someone shooting at journalists at rally." "Ad showing women hiding their vote from their husbands sparks conservative anger." (Hee-hee-hee!)

Univision poll: Latino voters

Harris 64%
Trump 30%

69% said the Puerto Rico garbage remark was "more racist than humorous."

Oct. 29-Nov. 3, MOE +/-5%

— Kyle Griffin (@kylegriffin1) November 4, 2024

This is NORTH CAROLINA the morning before the election. Donald Trump is on stage in 90 mins time at this 7,600 seater stadium and there are NO huge crowds outside and people are still walking in. I have never seen this at a Trump rally in a red state. pic.twitter.com/AXYFP3n7m0

— Phil Lavelle ????????/???? (@phillavelle) November 4, 2024

• The tech union for the New York Times—which helps handle such critical things as, say... oh, I don't know... election coverage—is going on strike today after management (who have reportedly known about this strike deadline for months) failed to come to an agreement with workers.

• A cyclone in the Caribbean is showing signs of developing into (yet another) hurricane this week as storm prepares to cross over Cuba and into the Gulf of Mexico.

I do believe that, despite this, she will win https://t.co/cOU7ZeWAKa

— Chase Mitchell (@ChaseMit) November 3, 2024

• RIP to one of the music industry's most prolific giants, Quincy Jones (who produced the best-selling album of all time, Michael Jackson's Thriller, as well as countless other memorable songs and movie scores) who has died at the age of 91.

• And finally... you and this goat paper towel dispenser share something in common a day before the election:

@henajahan_ #goat ♬ original sound - HenAJaHan_

by Suzette Smith

The Mercury provides its readers with interesting and useful news & culture reporting every single day. If you appreciate that, consider making a small monthly contribution to support our editorial team. If you read something you like, something you don't like but are glad to know about, and/or something you can't find anywhere else consider a one-time tip. It all goes in the same pot and it all goes to the editorial team. Thanks for your support!

Good Morning, Portland! We're still "turning and turning in the widening gyre" over here, and we may be for quite some time.

IN LOCAL NEWS:
• Last night's round of election results arrived without any notable changes in the Portland City Council races. News editor Courtney Vaughn writes: "With Keith Wilson securing the mayor’s seat the day prior, results in City Council districts largely held firm."

• While the national election results have been [understatement incoming] pretty distressing, local races are lined with silver. The Columbian reports Rep. Marie Gluesenkamp Perez has maintained her lead over far-right, perennial challenger Joe Kent. The Oregonian has a good breakdown of the race and history of Gluesenkamp Perez's hard-fought win.

• PCC Automotive Service Technology Program instructor Jay Kuykendall has been named this year's Educator of the Year by the North American Council of Automotive Teachers, Portland Tribune reports. "Kuykendall oversees the auto shop lab and teaches engine performance classes, along with elective courses like Subaru U, electrified vehicles and light-duty diesel."

• Beloved local coffee chain Jim and Patty's Coffee announced earlier this week that it will close its remaining two locations, in Beaverton and in Portland, on November 11. "Thank you all from the bottom of our hearts for your support..." owner Patty Roberts wrote. "Now I will need to find a job. If anyone has any ideas for an old lady who has been off the job market for over 40 years, let me know!" ???? For more backstory, check out this Mercury piece about the struggling coffee shops from October.

• There was once a time in Portland when one could easily—well, depending on connection issues—rent a cheery little blue and white hybrid car to drive. The little smart cars were great for unforgiving rain showers and surprisingly solid in the snow. Car2Go merged with Reachnow in 2018, then tanked in 2019. In 2021, Free2Move announced it would drop a "fleet of 200 Jeep Renegades" for Portland consumers to rent, but the cumbersome cars departed once more in 2023. This week MSN reposted that story from 2023, so some people have been letting us know about it. Sorry about MSN, and this all happened last year. Still fun to revisit this tweet:

so let me get this straight

car2go joins sharenow, while reachnow becomes reachnow pic.twitter.com/gJi7R6YZ8e

— Cabel Sasser (@cabel) March 4, 2019

• Politicians are politicians, but I find Sen. Jeff Merkley's vibe calming:

          View this post on Instagram                      

A post shared by Senator Jeff Merkley (@senjeffmerkley)

• Every week, the Mercury gives out free tickets to local shows and this week we've got sweet tix for Reverend Horton Heat, Des Demonas, Karina Rykman and moooore—check'm out and win with our Free Ticket Thursday giveaway!

IN NATIONAL / INTERNATIONAL NEWS:
• I can't immediately find who said this, but I think it's a valid concern: As we watch the transition back to a Trump administration presidency, the cabinet appointments are probably going to feel like being repeatedly punched in the face. President-elect Donald Trump named Florida strategist Susie Wiles as his White House chief of staff on Thursday. Wiles has run his political operation for nearly four years, making her one of the few people to survive at his side for any length of time. What's Wiles deal? Nepo baby. Ronald Reagan campaign staffer. Wiles has been credited with putting Rick Scott in Florida's governor’s office. Associated Press has a nice, long profile on her this morning. Is she going to tear the tampon machine out of the White House bathroom again? We're watching.

• A Biden administration initiative known as “Keeping Families Together” was struck down by a Texas-based US District judge yesterday; Judge J. Campbell Barker argued that the Biden administration had overstepped its authority with its attempt to lessen barriers to citizenship for undocumented immigrants married to US citizens.

• Soccer fans did violence again, but this time it might be motivated by cultural and political friction. NPR reports that "leading political figures in the Netherlands have condemned the violence that followed a match between a Dutch team Ajax and Tel Aviv's Maccabi. According to NPR, "Dutch police said 62 people have been arrested following several clashes." Amsterdam mayor Femke Halsema described local men seeking out Israeli fans on scooters. Dutch police chief Peter Holla said fans of Tel Aviv Maccabi had "set a Palestinian flag on fire in the city and attacked a taxi." Dutch authorities have banned demonstrations through the weekend.

• Happy Martian New Year... soon! In Scientific American Phil Plait writes: "Why would anyone pick November 12 as New Year’s Day for Mars? And why does our official reckoning of Martian time set the eons-old Red Planet only in its 38th year? The answer involves a combination of natural cycles and the human need to impose order via somewhat arbitrary timekeeping—pretty much like on Earth."

• And now we part—wishing a fine weekend to my naysayers and hatchet men in the fight against violence.

Ahead of the hardcore band's sold out show at Revolution Hall, Johnny Whitney and Jordan Blilie tell us what the group's intense, abstract song lyrics really mean. by Suzette Smith

Like any fan of Seattle hardcore band the Blood Brothers, I have found myself at a show, pressed up against a wall of people, shouting the wrong lyrics to their songs. For instance, on their hit "USA NAILS" there's a hook where you think you're singing a cheer-style "one, one, and two!" but the lyrics are actually: "These pigs locked me up to see what color I'd rot into!"

The energetic screamo group was active from 1997-2007, during which time they released five critically-acclaimed albums, completed several European tours, and even played a set on Jimmy Kimmel Live, overcoming the reservations of the show's freaked-out producers. Perhaps the best indicator of their success is the fact that their US reunion tour—which hits Portland on November 12—is completely sold out.

Ever ones to cut the bullshit, Blood Brothers don't have a new record; they're playing the fucking hits. Still, the tour is timed with Epitaph's anniversary reissue of one of their biggest albums Crimes (2004) on vinyl.

When we sat down to talk to Johnny Whitney, who fronts the band with fellow singer/screamer/guttural whisperer Jordan Blilie, he noted that plenty of lyrics websites list incorrect verses for Blood Brothers songs. "It's hilarious how wrong some of them are," Whitney said. "The lyrics on Spotify are not even close to what I'm actually saying. Just buy the fucking CD, and look it up. Come on, people."

We spoke with Whitney and Blilie separately, over sprawling phone calls that we have organized into this piece. For clarity, we're listing their responses together, as we seek to get into the nitty gritty of this group's  danceable, screaming-nightmare material.

Blood Brothers in San Francisco, on the first night of their reunion tour. They were incredible. Photo by Suzette Smith Jordan Blilie (left) and Morgan Henderson (right) Suzette Smith

Foremost, Whitney and Blilie both began by gushing about the other three members of their band: frenetic drummer Mark Gajadhar, vigorous guitarist Cody Votolato, and ultra-versatile bassist Morgan Henderson, who is currently best known as a member of Fleet Foxes.

Related: Multi-instrumentalist/Ultramarathoner Morgan Henderson Is Busier Than You

"I cannot fucking believe that I got to work with these guys," Whitney says. "I just took all those things for granted at the time. Everybody was, and still is, coming from totally different places [musically], but there was always something really special about all of us together that was there from the moment that we started."

PORTLAND MERCURY: Johnny, I've always gotten the impression that you're the major force behind the lyrics.

JOHNNY WHITNEY: I came up with the majority of the lyrics, but it certainly was collaborative between Jordan and I. I would freewrite as much as I could, to have material to draw from, and going back to those notebooks kept things as free and fresh and not contrived as possible. The drawback of that approach is the lyrics are very abstract and hard to parse direct meaning from, but that's also kind of the point. I found myself writing about the absence of answers, or the absence of concrete truths that you can hold onto.

A lot of times, my process would center around coming up with a cool idea: a song name or some common refrain that we would want to work into a song, like "Burn Piano Island, Burn." Something that has a hook or conveys an image or feeling. Then we would reverse engineer the lyrics from that.

JORDAN BLILIE: I would absolutely say that I felt like Johnny was the driver, and for good reason. He's really good. When you see someone who is in a flow state, you do your best to accentuate and collaborate, to help mold and shape and add your pieces. It was always stuff that I was really excited to dig into. It was just that rich and that vibrant. The challenge for me was what can I add to it, you know? It always pushed me to try and come up with the most creatively-inspired stuff that I could.

You two have such an engaging stage style. People would call it sassy, but that has always felt like a description from people who have never been to a play and can't recognize theater. Do either of you have a background in theater arts?

WHITNEY: I wanted to be a child actor—I actually auditioned for that movie Blank Check (1994). Actually, a year after Jordan and I met, we were both in a Jr. High production of Alice in Wonderland. He was the Mad Hatter, and I was the Mock Turtle.

BLILIE: Why would you say that? [Laughs]

Jordan Blilie (left) and Johnny Whitney (right) Suzette Smith Jordan Blilie screams on the tour's first night in San Francisco. Suzette Smith

"USA NAILS" was such a hit, and it involved a phone number everyone could scream. How did that come to be?

WHITNEY: The name and the "1-900-USA-NAILS" comes from the chain nail salon, but we reverse-engineered it into a song about somebody using their one phone call from the county jail to call a phone sex line. It's the idea of loneliness, disaffection, and parasocial relationships with things that exist solely for their own profit or gain.

And yet it's also danceable. There are these moments live where you have an audience of people shaking their asses and shouting "to see what color I'd rot into!" Did you start with that idea and work backwards, or just jam it into that moment of the song?

WHITNEY: At that time, the band would all sit together in a room and have a kind of song tribunal about how each part should go. Then, at some point, we'd have a semi -finished version and [Jordan and I] would just try to fit lyrics to the songs. Especially on Burn, Piano Island, Burn. Some of those songs needed an editor so bad, right? I wouldn't change a thing about it, but looking back, there are parts where it sounds like everybody's playing a different song at the same time, but it kind of works, right? And for the lyrics, sometimes we just had to make it work.

That wasn't the first time Jordan whispered his lyrics in a guttural tone, but it's one of the more emblematic, right? How did that start?

BLILIE: By necessity—I don't have much of a range, you know? I have this weird baritone. Very early on we were drawing from crust punk, where you just have two voices screaming. And we didn't put a whole lot of thought into even what the other person was doing. But then, as we continued to develop, the stuff became more complex, and there was more room for different sorts of shadings of what we could do vocally. So it was just finding out: What is it I can do other than scream at the top of my lungs?

WHITNEY: Jordan's part at the end just works right? He was very inspired by Jarvis Cocker.

BLILIE: Yeah, you can trace that right back to Pulp. If you listen to any Pulp song, there's gonna be some whispery storytelling, with the compression cranked up so you can kind of hear every lick of the lips.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/burn-piano-island-burn">Burn, Piano Island, Burn by The Blood Brothers</a>

BLILIE: Some of my favorite moments of writing with Johnny are the ones that we would where we would crack each other up.

Can you give an example?

BLILIE: Every lyric of "Guitarmy." We really got a kick out of the idea of opening our major label debut with the words, "do you remember us?" Because of the audacity, the absurdity of it.

So you guys all started this band when you were in your teens.

BLILIE: Yeah, we started when we were like, 15-16.

Are there any lyrics that have not aged well, in your opinion?

BLILIE: I'm sure they're the ones that we're not playing. [Laughs.] This question reminds me of something one of my professors said. It was my first class at UCLA, Queer Lit from Walt Whitman to Stonewall. In class discussions my fellow classmates would critique writing from the 1800s for not satisfying certain criteria, and our professor would say: You cannot look at the text backwards. You have to look at it forwards. You can't apply current day criteria to something that was written when that criteria didn't even exist. You have to engage with it in the context of when it was written. I don't think anything we wrote is in a canon warranting that level of examination, but it's useful nonetheless. It's a way for me to remind myself that I was 20, and I had the tools of a 20-year-old. It helps me to not beat myself up too much about it.

WHITNEY: There's a story behind this. When we were doing the song "Camouflage, Camouflage" on Young Machetes, Jordan and I were going back and forth on the lyrics. He was like, "Yeah, I'm great with all this." But he put a line through one verse, where I say: "All the girls in Montreal are smashing skateboards in the street." And I was just like: Fuck you, dude. I'm gonna keep this in. But he was right, because it sounds stupid, and it's like, really horny and makes me want to light my skin on fire. So I'm changing it to something else, probably something different every night.

Johnny Whitney (left) holds a crowd member's hand for support. Suzette Smith The crowd supports Johnny Whitney while he sings. Suzette Smith 

I wonder about imagery in Blood Brothers' songs that seems to be responding to beauty standards at the time. Like, in "Ambulance, Ambulance" you've got this blistering segue to the chorus: "What is love? / What is scam? / What is sun? / What is tan?"

WHITNEY: That's a double meaning. Because it's like tan—like suntan—but also tan is a blah color, right? It's like the color of a dentist's office wall. If you think of the idea of love being something that could feel on-fire, passionate, the color of a dentist's office wall is the opposite. Although, tanning does come into play in a lot of our lyrics. I've noticed as well.

Or on "Beautiful Horses" the lyrics are "gallop into your romance novels / dance atop heavy pectorals."

BLILIE: I think we were seeing an increasingly vapid culture, and we were trying to dig into that—dig into: What does it do to someone when they're bombarded by these sorts of images and messages? There was a lot of that in that writing; I can't say specifically with "Beautiful Horses," but I think "Trash Flavored Trash," would probably fit under that umbrella.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/crimes-bonus-track-version">Crimes (Bonus Track Version) by The Blood Brothers</a>

In "Rats and Rats and Rats for Candy" there's an ongoing narrative of rats living inside a woman. It's like a play. There are characters. And the rats eventually chew out of her and try to find a new body to live in. I wondered if that was also about beauty standards or body dysmorphia?

WHITNEY: That song, it's about that, but it's also about manipulation, right? Not to get too personal, but I grew up with somebody who weaponized being sick—faked being sick—for their entire life in order to manipulate people and extract something they needed out of them. The character in that song is kind of a victim, but like a siren at the same time. They're trying to lure somebody in.

Is that person the rats, or are they Candy?

WHITNEY: The rats are in Candy. I mean, it's both.

What about "The Shame?" Your group resonates so much with "everything is gonna be just awful / when we're around" that you're putting it on t-shirts 20 years later. What does it mean?

WHITNEY: The whole premise of that song is having to sell yourself—how to commoditize yourself. It's about how you function in a capitalist society. You sink or swim by your ability to market yourself, make yourself desirable—whether it be in relationships, job market, blah blah blah. I've always been repulsed by that and was especially at the time we wrote it, which was in Venice Beach, while we were recording Burn, Piano Island, Burn. It was the longest time I'd ever been in LA, and that's the epicenter of being a self-salesman. That line encapsulates the feeling of being sold something. And you're in a position where, in order to survive, you have to be your own salesman.

Salesmen show up in other songs, like "The Salesman, Denver Max." That's another one that almost feels like a short story.

WHITNEY: I initially cribbed the idea for that song's lyrics from the Joyce Carol Oates short story, "Where Are You Going? Where Have You Been?" It follows a narrative of a very dangerous, predatory man in the process of stalking and kidnapping somebody. “Denver Max” was a huge, uncomfortable gamble for me, because I wrote the entire song on my acoustic guitar, recorded it to a 4-track, and then played it for the guys—totally expecting them to hate it. It was really daunting to try to contribute as a songwriter; Cody, Morgan, and Mark are such talented musicians. I think they may have hated it; I don't really remember how we ended up recording it. It was nobody's favorite thing, but we just tracked it, and it sounded great and worked.

Have you read anything by playwright Caryl Churchill?

WHITNEY: Never heard of her.

"Live at the Apocalypse Cabaret" has a lyric in it that reminds me of her play Far Away, which has a scene of milliners making hats for people to wear at a public execution, so I always felt a symmetry there, because of the lyrics "the cross-eyed map of the afterlife is knitting tiny neck ties." 

WHITNEY: I'm going to be super honest, the songs that I'm the most familiar with the lyrics of, at this very moment, are songs that were going to be playing, because I've been rehearsing them. But I do remember, with that song, we were trying to be funny without being silly. Like, a cross-eyed map is a map that makes no sense, where you don't know where you're going. Knitting tiny neckties are noose ties. It's like dressing yourself up for death, right? It's trying to dress up something that's really heinous and horrible and incomprehensible, and also trying to navigate that, through a map that makes no sense.

At this moment you have cracked my understanding of a play you haven't even read. But I digress, I've read that "Celebrator" was a direct response to Toby Keith's "Courtesy of the Red, White and Blue."

BLILIE: That pumped up patriotism felt gross when taken in context with the images and much of the information that we were seeing come out of Iraq and Afghanistan.

Is that why there are so many mentions of amputated limbs on Crimes?

BLILIE: The bulk of Crimes was trying to engage with war so that's where you get a lot of that grizzly imagery.

Related: The Blood Brothers Set Expectations Ablaze at Last Night’s Surprise Black Lodge Show

Well, personally, it's so nice that you're touring right now. Blood Brothers are great for when you need to scream, but you can't. You can scream along to the Blood Brothers in your head, or out loud at a show.

BLILIE: I'm glad that we could be of service, in that regard. It's hard for me not to go into a really bleak mindset when I look at our current political landscape. I find myself equal parts enraged and terrified. And there are times when I have to just close all news down. I guess it is a good time to get up and scream.

The Blood Brothers play Revolution Hall, 1300 SE Stark, Tues Nov 12, 8 pm, SOLD OUT, all ages.

The host shares some final thoughts before the close of the show.

Bangladesh defies the stereotypes. It was born in poverty but has risen up the income ladder and is a model of health progress. Will the current political upheaval take a toll on its impressive achievements?

Global pandemic treaty negotiators are hashing out cooperation plans this week and considering rushing the process out of fear that the Trump administration would pull the U.S. out of negotiations.

Trump makes unconventional picks for top administration positions, a jury awards $42 million to three Iraqi men imprisoned in Abu Ghraib and world leaders are meeting to fight climate change at COP29.

Trump has made some unconventional and surprising choices when it comes to his foreign policy and defense team, like his plan to nominate Fox News host Pete Hegseth to be secretary of defense.

In acknowledgment of Women’s History Month Basic Black presents a Women’s Roundtable. This special presentation will be a conversation on the issues and concerns of women of color coming out of the political landscape in this presidential election year. In addition to the wealth income gap and health care reform, we’ll dig deep on issues such as reproductive rights, women of color in political life, and setting the "women's agenda.'"

Our panel this week:

Callie Crossley, host and executive editor, The Callie Crossley Show
Anita Hill, Professor of Social Policy, Law and Women's Studies, Brandeis University
Lani Guinier, Bennett Boskey Professor of Law, Harvard Law School
Sen. Sonia Chang-Diaz (MA-2nd Suffolk)
Kim McLarin, Assistant Professor of Writing, Literature and Publishing, Emerson College

Monday March 19th, Professor Anita Hill co-hosts "Disrupting The Script: Raising To Legal Consciousness Sexual Assaults On Black Women." Click on the image to learn more.

November has started off wetter than usual, with several weather systems moving through since the Halloween rain and snow event. Despite the much needed rainfall, we continue to see precipitation deficits since early September.

In op-ed, Prof. Harold Pollack discusses ways Jeff Bezos could spend his fortune

Prof. W.J.T. Mitchell writes book on cultural depictions of dinosaurs

Prof. Raghuram Rajan discusses outcomes for emerging markets in Asia

A Chilean firefighter captured amazing yet terrifying POV footage of a highly destructive house fire on his GoPro.

Investigators say they believe a Wisconsin kayaker missing since mid-August faked his death before fleeing to Europe. 

NewsCut was born from an idea that started with a hurricane. We knew he'd be great -- as long as no one called him a blogger.

Here's what it's like to fly with Bob Collins in a plane he built.

Collins vowed to not write a goodbye post. We're not sure if's staying true to that, so here comes old friend Tom Weber "to sing a little on behalf of a friend who’s made immeasurable contributions to MPR and Minnesota."

Since the start of the #MeToo movement, many accused abusers have filed defamation charges against their accusers in retaliation, advocates say. Law professor Victoria Burke wants to change that.

Donald Trump is naming longtime adviser Stephen Miller, an immigration hard-liner, to be the deputy chief of policy in his new administration. The announcement was first reported by CNN on Monday.