The inventive system comprising a memory for storing the ADSR data, a clock controller for selecting the clock pulses, a counter for counting the output of the clock controller, a data switching means for buffering the output data of the memory, a holding means for holding the output of the data switching means, a comparator for comparing the output of the memory with the output of the holding means, and main controller. The main controller inputs a control signal to control the data access time in the memory and the outputs of the switching means and holding means. According to the present invention, the release data are outputted immediately after the putting off of the keyboard signal to produce more accurate ADSR data.

In an electronic musical instrument of the waveshape memory type including at least one waveshape memory for storing and reproducing sample values of a musical sound wave to be generated, the waveshape memory stores the sample values of the complete waveshape of a musical tone with a shaped envelope.

Support devices for a woodwind musical instrument, and methods for making such support devices. A support device includes a strap for hanging from the neck of the user. Attached to the strap is a brace shaped to receive the instrument. This way the instrument is suspended from the neck of the user. Preferably the brace is such that the strap is attached so that no portion of the strap contacts the instrument, when it is so supported.

A pedal assembly for a bass drum or high hat cymbals. A flat base plate has a resilient pedal board clamped to it with the pedal board inclined to receive a foot. A beater stick is connected with the toe end of the pedal board by a linkage that drives the beater stick against a bass drum when the pedal is depressed. The resiliency of the pedal board returns it to its normal position when foot pressure is withdrawn. The material of which the pedal board is constructed has a modulus of elasticity between about one million and about six million. A striker pad limits the depression of the pedal board to limit the force that the beater stick can apply to the drum.

A portable electronic musical device has a keyboard disposed in a housing connected to a strap and a support plate connected thereto for suspension of housing by strap on shoulders of a person while housing is simultaneously supported on waist of person to allow person to easily move from one geographical position to another while playing instrument. Housing is pivotally connected to support plate by at least one member defining an axis around which housing is rotatable to playing of instrument and to facilitate viewing of hands of person and keys of keyboard while user is playing instrument. To further facilitate playing of instrument and visibility of hands and keys housing is curved with keyboard generally aligned therewith.

A tuning device includes a pitch extraction device with which the pitch of an input signal is extracted and a deviation detection device with which the deviation of the pitch that has been extracted by the pitch extraction device from a standard pitch is detected. The deviation that has been detected by the deviation detection device is displayed by an indicator of a mechanical meter. The tuning device also includes an ultrasonic motor that drives the indicator. A controller drives the ultrasonic motor in conformance with the deviation that has been detected by the deviation detection device. The controller, by driving the indicator using the ultrasonic motor, arranges the indicator in the standard position in those cases where the deviation that has been detected by the deviation detection device is zero, and moves the indicator up to a position in the positive direction that corresponds to the deviation in those cases where the deviation is a positive value and moves the indicator up to a position in the negative direction that corresponds to the deviation in those cases where the deviation is a negative value.

A support stand for supporting a stringed instrument having a securing mechanism, a front compression plate having a leg portion, and a back compression plate having a leg portion, where the front compression plate engages the securing mechanism, the back compression plate engages the securing mechanism, and the support stand supports the instrument in a generally upright position when the support stand is placed on a surface.

The invention relates to an electronic musical instrument system (1) for influencing the sound of an electric musical instrument having a housing (2) that has signal ports (14, 18) and a power supply port (15). In order to simplify the individual combination of different audio effects, the housing (2) contains control electronics (6) that have associated slots (4a-4f) for effects modules (19), wherein the slots (4a-4f) are arranged in the housing (2) and each slot (4a-4f) has a multipin connection (5a-5f) for connection to a plug-in effects module (19). The invention additionally relates to a corresponding effects module (19).

An installation structure for an acoustic transducer configured to vibrate a vibrated body in a first direction so as to permit the vibrated body to generate sounds, wherein the acoustic transducer includes: a magnetic-path forming portion that forms a magnetic path; a vibrating unit configured to vibrate in the first direction; and a connecting unit connecting the vibrating unit and the vibrated body to transmit vibration of the vibrating unit to the vibrated body, wherein the magnetic-path forming portion has a through-hole penetrating therethrough in the first direction from a first opening to a second opening, the connecting unit passing through the through-hole, wherein the vibrating unit is disposed on a first-opening side of the magnetic-path forming portion and is fixed to the connecting unit on the first-opening side, and wherein the vibrated body is connected to the connecting unit on a second-opening side of the magnetic-path forming portion.

A musical drum having a hollow shell with at least one opening defined by a circumferential bearing edge, a drumhead, which includes an upper surface consisting of the batter head and a bottom surface, a snare assembly with a plurality of individual wires having opposite end portions, a mounting member affixed to at least one end portion, and means for releasably attaching the snare assembly to the circumferential bearing edge comprising a flexible U-shaped clip in engagement with the circumferential bearing edge in pressure-contact relation. The individual snare wires are disposed in abutment against the bottom surface of the drumhead to cause the wires to vibrate upon the striking of the batter head.

A stringed musical instrument including a body in which a cutaway is formed, wherein the body includes a back board on which at least one brace is provided so as to extend in a width direction of the back board, and wherein a first brace, which is the closest to the cutaway among the at least one brace, has a dimension in the width direction of the back board smaller than a width of the back board at a position of the back board at which the first brace is fixed, the first brace being fixed to the back board so as to be disposed nearer to one side of the back board than another side thereof on which the cutaway is formed.

A method for converting textual messages to musical messages comprising receiving a text input and receiving a musical input selection. The method includes analyzing the text input to determine text characteristics and analyzing a musical input corresponding to the musical input selection to determine musical characteristics. Based on the text characteristic and the musical characteristic, the method includes correlating the text input with the musical input to generate a synthesizer input, and sending the synthesizer input to a voice synthesizer. The method includes receiving a vocal rendering of the text input from the voice synthesizer and generating a musical message from the vocal rendering and the musical input. The method includes generating a video element based on a video input, incorporating the video element into the musical message, and outputting the musical message including the video element.

A method and system for teaching oneself to learn to play a string instrument and master it by analyzing one's real-time hand/finger movement/technique/form, enabling oneself to progress and correct one's own mistakes simultaneously. In one aspect, a system for learning to play a string instrument is provided that includes a simulation instrument that includes a plurality of strings, wherein at least one of the strings includes at least one-touch sensing sensor thereon in communication with at least one processor to receive a signal from the at least one touch-sensing sensor and determine therefrom when and where on the at least one string a user applies pressure to the at least one string.

An acoustic drum kit including a bass drum, a snare drum and a hi-hat stand, the base drum including two parts that are movable with respect to one another between a spaced-apart position, in which the snare drum is fixed removably to the bass drum and to the hi-hat stand such that the drum kit is in a playing configuration, and a compact position, in which the snare drum and the hi-hat stand are housed inside the bass drum, between the two parts thereof, such that the drum kit is in a storage and transport configuration.

A delay time counter in a DSP cyclically counts a sampling clock from zero to a delay time sampling count and issues a delay time interrupt to a CPU each time the sampling clock count reaches the delay time sampling count. The CPU measures a time difference between each time the DSP issues the delay time interrupt and each time sequence clock interrupts occur a number of times corresponding to the delay time. Then, in order to reduce this time difference, the CPU increases or decreases a maximum count that is set to the sequence clock counter. Therefore, in the next delay process, the shift between the time by which the automatic performance is advanced by the CPU (which is equal to the delay time) and the timing of the delay process executed by the DSP (which is also equal in length to the delay time) will be corrected.

Electronic musical instruments as disclosed, include sensors to digitize and alter the sound using FSR sensors in the mouthpieces and other elements of the instrument to mimic the variations available in analog instruments.

A keyboard with adjustable touch for a musical instrument, each key being a lever divided into front and rear arms, front arm forms on its upper part an operation surface and its lower part interacts with a centering guide, and the rear arm comprises, on its upper part, a counterweight and its lower part interacts with a stop each key comprises a key magnet (KM) mounted on the rear side, facing another magnet (SM) that is mounted on a regulation device which is affixed to the musical instrument chassis, the magnets (KM and SM) are substantially placed face to face, opposed by their equivalent polar faces, the relative position they have to each other is set by the regulation device and generating the effect on the keyboard touch.

Once Were Brothers celebrates the timeless sound of The Band. Here's a quiz for roots music fans. Multiple choice.…

HE’S the former England cricket captain best known for his ability as an all-rounder.

FORGET the fairytale, this is Cinderella for the 21st Century.

IT delivered the promised 'sparkle and shine' in spades.

AFTER more than a quarter of a century of record-breaking arena and stadium tours, Take That have now turned their attention to staging a musical phenomenon.

Described as a funny story of love and redemption, BRIGHT STAR , the Steve Martin, yes that Steve Martin, and Edie Brickell musical is being presented by Tryon Little Theatre. The same musical that's been on Broadway and presented by theatre groups across the nation, now takes the stage in Western N.C. - near the actual location where the story is depicted. TLT lead actors in the show, Hannah Searcy (Alice) and Ryan Holub (Jimmy Rae) were interviewed. Aired originally on Feb. 28, 2020. Showtimes for BRIGHT STAR are as follows: Showtimes Thu Mar 5, 2020 | 7:30PM Fri Mar 6, 2020 | 7:30PM Sat Mar 7, 2020 | 2:30PM Sat Mar 7, 2020 | 7:30PM Sun Mar 8, 2020 | 3:00PM Posted by Host and Producer of The Friday Feature Interview of the Week- Paul Foster, WNCW Senior Producer, News Director, and Morning Edition Regional Host

There are celebrations of Beethoven's 250th birthday all over the world this year, but close to home, Musical Masterworks in Old Lyme is presenting every string quartet by Beethoven in two sets of three evening performances by the Ehnes Quartet beginning on Friday, March 13th. Kate Remington talks with series Artistic Director Edward Aaron about the concerts, which he'll be experiencing from the inside out as the cellist with the Ehnes Quartet.

Oscar winners Damien Chazelle and Justin Hurwitz are expected to take part in the 'Lionsgate Live! A Night at the Movies' event that will benefit the Will Rogers Motion Picture Pioneers Foundation.

The 'Killing Eve' actress and the 'Spectre' actor have reportedly landed major roles in the upcoming big-screen adaptation of the classic stage show inspired by Roald Dahl's book.

New York Sounds: The Week In Free Jazz, No Wave Funk-Disco, Jewish Cantorial Experimentation & Alternative Hip Hop

Local heroes to appear in acclaimed production.

Fans queue around the block to be the first to see The Book of Mormon.

This week on Open Air, KALW’s radio magazine for the Bay Area performing arts, host David Latulippe talks with Rinabeth Apostol (pictured, right) and Ryan Drummond (left), who are the lead actors in the San Francisco Playhouse production of Groundhog Day the Musical , which runs through January 18, 2020 at SF Playhouse (450 Post Street) in San Francisco.

This week on Open Air, KALW’s weekly radio magazine for the Bay Area performing arts, host David Latulippe talks with actors Lorenzo Pugliese and Daria Pilar Redus (pictured), who play the parts of SpongeBob SquarePants and his squirrel girlfriend Sandy Cheeks, in The SpongeBob Musical , which is in town through February 16.

This week on Open Air, KALW’s radio magazine for the Bay Area performing arts, host David Latulippe talks with composer, singer-songwriter, actor, author, activist, international rock star, and 17-time Grammy Award-winner Sting (pictured, center), who is in town to star in his own new musical, The Last Ship , playing at the Golden Gate Theatre (1 Taylor St.) in San Francisco, through March 22.

This week, you'll hear about the 2020 Pacific Musical Competition, whose finalists perform at the Live Finals and Winners Showcase, which will be held on March 8, 2020 in the Main Hall at the Herbst Theatre in San Francisco from 10am to 7pm. For over a century, the Pacific Musical Society & Foundation has nurtured the growth of gifted musicians by awarding merit-based scholarships to promising students in the Bay Area and surrounding regions. Each year they hold a competition for instrumentalists, pianists, vocalists, chamber groups, and composers in various age categories. --- A talk with two-time Grammy Award-winning violinist Mads Tolling , about his upcoming show at Yoshi’s in Oakland (510 Embarcadero West), together with his Mads Men (Colin Hogan on keys, Daniel Lucca Parenti on bass and Eric Garland on drums). Featured guest artists are vocalists Kim Nalley and Kenny Washington. ---- From the Left Coast Chamber Ensemble , a talk with flutist Stacey Pelinka and artistic

This week on Open Air, KALW’s radio magazine for the Bay Area Performing Arts in Times of Corona, host David Latulippe talks, appropriately socially distant, with Eric Zivian and Tanya Tomkins (pictured), directors of Valley of the Moon Music Festival (VMMF), about how they are coping with the current crisis.

It's a rarified way of making music - the ultra-minimal monome grid and norns open music platform. But what is it really about? We turn to reviewer Andreas Roman to find out.

The post monome’s alternative musical world: a hands-on creative expedition with norns and grid appeared first on CDM Create Digital Music.

BØRNS talk about Electric Light Orchestra's “Turn To Stone,” Jeff Lynn’s writing style, guilty pleasures and how he approaches the songwriting process. Then Carrie Fussell from Austin’s own Calliope Musicals talks about “Tightrope” and gushes about the entire ELO album “A New World Record. Finally Calliope Musical's co-founder and drummer Josh Bickley explains how the lyrics of a very non drum centric Blind Melon song won over his very drum centric heart.

When Maple Valley's Zan Fiskum appears on “The Voice” Monday night, she'll be continuing a growing tradition started by Grammy Award-winning singer-songwriter Brandi Carlile, and continued by wunderkind musician Benicio Bryant.

When Maple Valley's Zan Fiskum appears on “The Voice” Monday night, she'll be continuing a growing tradition started by Grammy Award-winning singer-songwriter Brandi Carlile, and continued by wunderkind musician Benicio Bryant.