The Academy of Motion Pictures Arts and Sciences better known as Oscars on Wednesday remembered the internationally acclaimed Bollywood actor Irrfan Khan and also condoled his demise.

"A mainstay of Bollywood cinema and incredible talent in films like 'Slumdog Millionaire,' 'Life of Pi' and 'The Namesake,' Irrfan Khan left his imprint on global cinema. An inspiration to millions, he will be greatly missed," tweeted the Academy.

Khan's 'Slumdog Millionaire' is a recipient of the Oscar award in many categories.

The last rites of the 'Life of Pi' actor were performed at the Versova cemetery earlier today.

The internationally renowned actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Irrfan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.

With critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit, Irrfan was regarded as one of the finest actors in Hindi cinema.

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US Ambassador to India, Ken Juster has condoled the demise of Bollywood actor Irrfan Khan who passed away on Wednesday.

"Our heartfelt condolences and prayers go to the family and friends of Irrfan Khan, renowned and respected Indian film actor. He was a true talent in the cinema industry, and his loss will be deeply felt," Juster said in a tweet.

Our heartfelt condolences and prayers go to the family and friends of Irrfan Khan, renowned and respected Indian film actor. He was a true talent in the cinema industry, and his loss will be deeply felt. #RIPIrrfanKhan. pic.twitter.com/OqF4BV2JKf

— Ken Juster (@USAmbIndia) April 29, 2020

The internationally renowned actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Irrfan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.

With critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit, Irrfan was regarded as one of the finest actors in Hindi cinema.

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An actor par excellence with an impressive array of roles under his belt, Bollywood actor Irrfan Khan died yesterday at the age of 53, triggering an outpouring of condolences.

Hailing from Jaipur, the seasoned actor was born in a Muslim nawab family, to Begum Khan and Jagirdar Khan.

While studying for his Master's degree, it was in 1984 that he earned a scholarship to study at the National School of Drama (NSD) in New Delhi.

Following his academic completion, Khan made his way to Mumbai, where he kicked off his career as an actor.

New to the industry, he started acting in numerous television serials, including 'Sara Jahan Hamara', 'Chanakya', 'Star Bestsellers', 'Chandrakanta', and more which went on air on Doordarshan and Star Plus.

He played the role of a psycho serial killer opposite actor Kay Kay Menon in the 1995 TV series 'Darr'.

His portrayal of the famous revolutionary Urdu poet and Marxist political activist of India Makhdoom Mohiuddin in 'Kahkashan' was widely lauded.

Flexible in acting, Khan gave life to varied characters onscreen with ease.

In 1988, the actor made his big-screen debut in the drama film 'Salaam Bombay', though his role was not meaty enough.

By the 90s, the actor made his presence in movies such as 'Ek Doctor Ki Maut' and 'Such a Long Journey,' but they went unnoticed.

It was when London-based director Asif Kapadia gave him the lead in 'The Warrior', that Irrfan took the road of uncertainty to glory.

In 2001, the adventure drama took international film festivals by storm, making Irrfan Khan a known face, world over.

Thereafter, the actor tasted success in his acting career with movies like 'Road to Ladakh,' which received rave reviews at international festivals and 'Maqbool,' an adaptation of Shakespeare's Macbeth.

After his first Bollywood breakthrough in 2005, with him being the lead in 'Rog,' the star was a frequent face in movies, either in the lead role, supporting, or the villain.

It was his performance as a villain in the 2004 released movie 'Haasil' won him the Filmfare Best Villain Award, followed by a Filmfare Best Supporting Actor Award in 2007 for his role in the box-office hit 'Metro.'

His performance in the English-language drama 'The Namesake' was appreciated overseas, which was again closely followed by his appearance in international films 'A Mighty Heart' and 'The Darjeeling Limited'.

The Hollywood recognition did not make him forget his roots - his ties with television. He took over the stage for many television shows as an anchor.

He played a police inspector in the 2008 film 'Slumdog Millionaire', for which he won the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture.

Following the many credits from overseas, in 2012, the actor set the benchmark in the industry with his acting in the widely lauded adventure movie 'Life of Pie.'

After giving his fans few of his best performances in the recent critically acclaimed Bollywood movies 'The Lunchbox', 'Piku and 'Hindi Medium', in March 2018 his acting career slowed down.

He had been on a year-long break after being diagnosed with a neuroendocrine tumour for which he was undergoing treatment in London.

However, the actor always stayed connected with his followers through social media, where he also thanked everyone for the love, wishes, and prayers that were bestowed on him.

Last year, on September 14, the actor returned to Mumbai after a 'successful surgery' and wrapping up his last film 'Angrezi Medium' in London.

Three days ago, on April 25, he lost his mother, who passed away due to age-related illness at the age of 95.

Khan is survived by wife Sutapa Sikdar who's also an NSD graduate and sons Babil and Ayan.

Prime Minister Narendra Modi, Home Minister Amit Shah, several Union Ministers, politicians and members of the Bollywood and Hollywood industries have extended heartfelt condolences on Irrfan's death.

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Oscar-winning actress Natalie Portman has sent her love to the near and dear ones of Irrfan Khan, who died on Wednesday in Mumbai. Remembering Irrfan, Portman took to Instagram to share a photo of herself with the actor. In the photo, she is in a white bridal wear and is held by Irrfan, who is in a black and white suit with a hat. "Sending love to Irrfan Khan's loved ones today," she captioned the snap.

The two had featured together in Mira Nair's segment of "New York, I Love You", a 2008 American romantic comedy-drama anthology film.

Ever since the news of Irrfan's demise came out on Wednesday, celebrities from Bollywood as well as Hollywood where he was the face of India, have been pouring in.

Earlier, Hollywood star Angelina Jolie had also expressed her condolences, in a message shared with IANS.

"I had the privilege of working with Irrfan Khan on the set of 'A Mighty Heart'. He stood out for his generosity as an artist, which made it a pleasure to work in any scene with him. I remember the intensity of his commitment, and equally his smile. I send my condolences and my sympathy to his family, his friends, and all admirers of his work, in India and around the world," Jolie said in her message.

"A Mighty Heart", is a 2007 drama directed by Michael Winterbottom based on the 2003 memoir of the same name by Mariane Pearl. The film accounts the aftermath of the kidnapping of Marianne's journalist husband Daniel Pearl in Pakistan, and his subsequent beheading by the kidnappers.

Jolie played Marianne Pearl while Irrfan impressed Karachi police chief Zeeshan Kazmi, in a well-written role.

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After mourning the demise of the late veteran actor Rishi Kapoor, WWE champion and Hollywood actor John Cena has now taken to social media to pay homage to Irrfan Khan, who too passed away.

Remembering Irrfan, Cena posted a picture of the former from his famous movie Life of Pi. Reacting to the post, several users thanked Cena for paying tribute to Irrfan.

"You care for the Indian people ..love you Cena," a social media follower commented. Have a look right here:

 

 

 

View this post on Instagram

A post shared by John Cena (@johncena) onMay 2, 2020 at 4:40am PDT

Irrfan breathed his last on April 29 at the age of 54. He was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection earlier this week. However, he succumbed to his ailment.

This is not the first time that Cena has posted a picture of an Indian celebrity. His account also includes pictures of the likes of the batting legend Sachin Tendulkar, actress Shilpa Shetty and Bigg Boss 13 contestant Asim Riaz.

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A cooperative sugar mill in Kolhapur district of Maharashtra has taken the lead in producing fuel-grade ethanol directly from sugarcane juice in the state, a senior official said on Thursday. The Centre had in July last year allowed sugar mills to manufacture ethanol directly from sugarcane juice or an intermediate product called B-molasses.

The decision was taken to help mills divert cane juice for ethanol manufacturing during surplus years. Maharashtra sugar commissionerate's joint director Sanjay Bhosale told PTI that Kolhapur's Tatyasaheb Kore Warana Sahakari Sakhar Karkhana Ltd is the only cooperative sugar mill in the state which has started making ethanol from sugarcane juice.

Traditionally, in India ethanol is made from 'C-Heavy' molasses, but in July last year, the government gave permission to make ethanol from sugarcane juice and 'B-Heavy' molasses or B-grade molasses, he said.

"A miller can do a minimum modification in the equipment to make ethanol from B-Heavy molasses. But in case of ethanol from sugarcane juice, the mill would have to go for changes in the machinery. That is why no sugar mill was ready to go into that direction, but Warana has shown the courage," Bhosale said.

The fuel grade ethanol that is produced directly from cane juice is fetching Rs 59 per litre. This is going to be beneficial for the sugar industry that is facing crisis of excess stock of sugar, Warana co-operative group chairman and former minister Vinay Kore said.

The Kolhapur-based sugar mill is producing 70,000 litres of ethanol per day, another factory official said. The government allowed fuel-grade ethanol production from sugarcane juice with an aim to increase the earnings of sugar mills and help them in making full and timely payments to farmers.

Cane-based ethanol can be produced in three different ways directly from cane juice, from B-grade and C-grade molasses. Molasses is a viscous product obtained from raw sugar during the refining process.

Maharashtra is one of the leading sugarcane producing states. Sugar mills in the country were incurring losses as prices fell below the production cost on account of record output as against the annual domestic demand.

A 26-year-old IT professional from a reputed firm here allegedly hanged himself after naming two colleagues in his suicide note, police said on Friday. Chetan Jayale, who was working in Hinjawadi IT Park, hanged himself at his rented accommodation on Wednesday, an official said.

"We have recovered a suicide note in which he has named two of his senior managers and alleged that he was subjected to mental harassment by them and that is why he was taking this step," a Chaturshringi police station official said.

"On Wednesday, while his room mates went to work, Jayale, who had taken an off from office, remained at home. He then hanged himself," he said. A case has been registered against the two persons named in Jayale's suicide note, he added. "While one official is in UK, the other is working here," he added.

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Three people have been arrested for allegedly raping a woman at a school in Batoda in Rajasthan's Sawai Madhopur district.

"A complaint was registered by the woman herself on April 24. Her medical examination has been done and accused persons have been arrested," police said.

Further investigation is underway.

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Pappu Tiwari and his dysfunctional family have got by comfortably till now by selling his properties. Now, with only one ancestral property remaining and a financial crunch lingering on his head, Pappu is thinking of selling this ancestral land for a best possible price. But since this thought popped in his head, his late mother has started haunting him in his dreams. Unable to find a connection, one day on a visit to his family Pandit ji, Pappu is told that he has a yog of hidden treasure in his horoscope. Now realizing what his late mother ‘Amma ji’ was trying to communicate to him, the whole family is ecstatic on the news. Lured by the prospects of becoming a millionaire, Pappu rejects all the offers he was getting for the property. To add to the good times, Pandit Ji brings a marriage proposition for his daughter Goldie with Kani’s son (Rakesh). Kani is the new richy-rich of the city, who has recently turned to politics. Kani throws Pappu’s life in a tizzy by dropping the dowry bomb. Pappu agrees to everything, as he believes his sacrifices will be returned when it is his turn to demand a dowry for his son. An unfortunate incident leads Pappu and Family to believe that Amma ji’s spirit has possessed Goldie in order to help them out find the hidden treasure in the ancestral property. With the date of marriage approaching, creditors lining up, real estate price going down and no hint of hidden treasure to fulfil the dowry demand, the eccentric family in this hour of adversity gets the true lesson of life as to what is the ultimate treasure they always had but never realized.

Sunil Bhateja (Manu Rishi Chadha) is separated from his wife, Billoo (Mahie Gill) and the two are considering divorce. Their two children, Sunny (Shardul Rana) and Sweety (Archita Sharma), live with Sunil and his mother, Darshan Kaur (Dolly Ahluwalia), who has been comatose for 30 years now. When his mother comes out of coma, Sunil and his family members struggle to make things appear as if they are still living 30 years in the past, so that the mother does not get a shock of losing out 3 decades. In order to make everything look authentic, Sunil starts dressing up as a school boy and starts treating his wife Billoo as his close friend. They continue to do this while struggling to get a divorce. When Darshan Kaur wakes up from the coma, she remembers Doordarshan serials which she used to watch. Her family then struggle to recreate the same. What happens in their life next is what forms the rest of the story.

Bhanupriya played by Rautela, an Indian college going conservative girl decides to lose her virginity. she thinks it should be the easiest thing in today’s world however, all her attempts go in vain and as a soothsayer predicts, it is an impossible task that won't happen ever in her life. What happens after that and whether she succeeds in her mission or not form the whole narrative of the film.

After a two-year-long battle with cancer, veteran actor Rishi Kapoor recently breathed his last. He, accompanied by wife Neetu Kapoor, spent nearly a year in New York, being treated. Kapoor enjoyed unmatched love and respect from the industry and the list of people who visited him during his stay at NYC is rather long. From Shah Rukh Khan, Aamir Khan, Karan Johar to Priyanka Chopra, Deepika Padukone, Vicky Kaushal and many more, stars, as and when they were in the city, would catch up with the late actor and we would keep coming across happy pictures on Neetu Singh's Instagram.

While crawling the internet, we came across this photo of Abhishek Bachchan, Aishwarya Rai Bachchan and daughter Aaradhya Bachchan, posing with Rishi and Neetu, son Ranbir Kapoor, beau Alia Bhatt and Ranbir's sister Riddhima Kapoor Sahni. We remmeber Abhishek and family dining with the Kapoors at New York, and for those who recollect, Alia would also fly off whenever she could, and also celebrated her Christmas there, with Ranbir and family.

Rishi Kapoor, who reportedly had a relapse of cancer, was admitted to Mumbai's Sir HN Reliance Foundation hospital, and took his last breath on 30th April.

On May 1, Shirish Kunder's directorial Mrs Serial Killer was released on Netflix. The film is co-produced by Farah Khan. While Jacqueline Fernandez, Manoj Bajpayee and Mohit Raina play the lead roles, the film also marks the debut of Zayn Khan, who is the daughter of Mansoor Khan and niece of Aamir Khan.

On Thursday, Farah Khan took to her Instagram handle to share a picture with Zayn Khan. Sharing the picture she also revealed how life came a full circle for her with Zayn's debut in her film. "In 1992 her father, Mansur khan gave me a break as choreographer in #jojeetawohisikandar .. 28 yrs later his daughter @zaynmarie makes her debut n wins hearts in our film , #mrsserialkiller.. life has a way of coming full circle," she wrote.

 

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In 1992 her father, Mansur khan gave me a break as choreographer in #jojeetawohisikandar .. 28 yrs later his daughter @zaynmarie makes her debut n wins hearts in our film , #mrsserialkiller.. life has a way of coming full circle ♥️

A post shared by Farah Khan Kunder (@farahkhankunder) on May 7, 2020 at 4:00am PDT

Mrs Serial Killer is the story of a renowned gynaecologist who is accused of murdering five unmarried pregnant girls. All the evidence is against him due to which his bail is rejected. With no other option in hand, the gynaecologist’s wife decides to commit a copycat crime to prove his innocence. While Manoj Bajpayee plays the gynaecologist, Jacqueline Fernandez plays the dutiful better half. Mohit Raina essays the role of the cop. As for Zayn Marie Khan, she plays Anushka, who is selected by Jacqueline’s character Sona as her target.

ALSO READ: 16 Years Of Main Hoon Na: “Farah Khan is the only director who feels I could be a very COOL action hero” – Shah Rukh Khan

Veteran actor Rishi Kapoor breathed his last on April 30 after his prolonged battle with leukemia. The Kapoor family, friends, and fans continue to remember him on social media.

On Thursday, his niece Kareena Kapoor Khan shared a throwback picture of him with her parents, Randhir and Babita Kapoor. The black and white photo features legendary musician Rahul Dev Burman (RD Burman). She captioned her picture, "Irreplaceable" with a heart emoji.

 

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Irreplaceable ❤️

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) on May 6, 2020 at 10:44pm PDT

Neetu Kapoor left a heart emoji in the comments section.

Rishi Kapoor was diagnosed with leukemia in 2018. He went to New York for his treatment and returned to India in September 2019. He passed away at the age of 67 in Mumbai.

ALSO READ: Throwback: When Rishi Kapoor and Neetu Kapoor dined with Abhishek Bachchan and family in New York

With the entire nation coming to a standstill by the pandemic, there are professionals whose livelihood has been dearly affected. In a distressing situation like this, Hrithik Roshan has stepped forward again to help duty officers who are working non-stop. The actor delivered hand sanitizers to the Mumbai Police.

Mumbai Police, on Thursday, tweeted, “Thank you @iHrithik for this thoughtful gesture of delivering hand sanitisers for Mumbai Police personnel on duty. We are grateful for your contribution towards safeguarding the health and safety of our frontline warriors. #MumbaiPoliceFoundation.”

Hrithik expressed his gratitude towards the officials. “My gratitude to our police forces, who have taken our safety in their hands. Stay safe. My love & respect to all in the line of duty,” he on Friday morning.

My gratitude to our police forces, who have taken our safety in their hands. Stay safe. My love & respect to all in the line of duty ???????? https://t.co/aaE75HAjG0

— Hrithik Roshan (@iHrithik) May 8, 2020

Earlier, Hrithik Roshan extended support by arranging for N95 and FFP3 masks for the BMC workers and caretakers and also facilitated over 1.2 lakh nutritious cooked meals for the needy. He has also financially supported the paparazzi of Bollywood who are facing the brunt of the lockdown.

ALSO READ: Hrithik Roshan, Anushka Sharma, Varun Dhawan and other Bollywood celebrities react to Vizag Gas leak

Sanjay Mishra starrer Kaamyaab hit the screens on 6th March 2020. The film captured the journey of the character actors. Recently, The Alchemist author Paulo Coehlo praised the film and his performance.

Taking to Twitter, he said, “The producers thank you in the very 1st frame, @iamsrk. I am doing the same. 2 days ago a great Brazilian actor, Flavio Migliaccio, committed suicide, leaving a note on how the industry treats their artists. This movie, labeled as “comedy”, is in fact the tragedy of Art.”

Shah Rukh Khan was quick to respond to his tweet. As the presenter of the film, he said, “Saw the film when it was doing Festival rounds and it touched a chord with the whole team at @RedChilliesEnt Am so moved you appreciate. It’s a sad truth that character actors get forgotten. Look after yourself my friend and be safe & healthy.”

Sanjay Mishra recently spoke to a daily and said that when the emotions of a film connect, language is not the issue. He said that though neither he nor his mother have read Paulo’s books, he told her that he is a well-known author. She said to Sanjay that his father would be proud of him. He said that he received congratulatory messages from his father’s civil services colleagues too.

As Paulo mentioned how a Brazilian actor committed suicide, Sanjay revealed that many of his friends are currently jobless due to lockdown. He said that those who have jobs could lose it one day but some of them didn’t even have it to begin with. He further said this goes for the senior artistes who get written off irrespective of their contribution to the cinema. Sanjay Mishra said that an actor is also society’s responsibility.

The story revolves around how a character actor after his retirement is all set to make a record of 500 films and continue his hustle. Sanjay Mishra and Deepak Dobriyal starred n the film as Mishra had undergone a prosthetics transformation for every character shown on-screen.

Kaamyaab had its world premiere at the Busan International Film Festival followed by screenings at Festival du film d'Asie du Sud Paris, New York City South Asian Film Festival, Indian Film Festival of Melbourne, Shanghai International Film Festival, as well as the MAMI Mumbai Film Festival.

ALSO READ: Author Paulo Coelho appreciates Shah Rukh Khan for Kaamyaab; actor reveals why he produced it

Spanish drama Money Heist aka Le Casa De Papel on Netflix has quickly become of the most-watched shows on the streaming giant. From El Profesor to Tokio, fans absolutely love the characters. Bollywood Hungama recently shared the dream cast if Bollywood adapted it as a film.

During a recent interaction with Behindwoods, Money Heist director Alex Rodrigo was asked who would he select from the list of the Indian actors for the Indian version. Alex chose South superstar Thalapathy Vijay for the role of El Profesor whereas he said Shah Rukh Khan would be best suited for Berlin's role. He further said Ajith Kumar could play Bogota, Ranveer Singh as Denver. He wanted Mahesh Babu and Suriya to take on the roles Tamayo and Suarez. Thalapathy Vijay's fans trended 'Money Heist' in India on Thursday night on Twitter.

Created by Álex Pina, Money Heist aka Le Casa De Papel stars Álvaro Morte as The Professor, Itziar Ituño as Raquel, Úrsula Corberó as Tokyo, Miguel Herrán as Rio, Jaime Lorente Lopez as Denver, Alba Flores as Nairobi, Darko Peric as Helsinki, Esther Acebo as Monica, Hovik Keuchkerian, Rodrigo de la Serna, and Pedro Alonso as Berlin.

ALSO READ: From Shah Rukh Khan to Alia Bhatt, here’s the dream cast of Money Heist if remade in Bollywood

Amongst all the tears that are being shed over the deaths of Irrfan Khan and Rishi Kapoor, one presence has been sorely missed. Dimple Kapadia, Rishi’s first heroine in Bobby and his very very close friend has kept out of the tearful tamasha. According to a very close friend of the actress, Dimple has no words to describe her loss. “Chintu was not just her first co-star, they grew up together,” says a close friend of the actress, adding that she is still in a state of denial.

Says the friend, “Dimple has seen a lot of people close to her die. Her own sister Simple Kapadia died painfully of cancer. But this one has hit her really hard. Chintu (Rishi Kapoor) and she remained close over the years. She knew she could lean on him for any problem. He was just a phone call away.”

Interestingly, Dimple also has an ‘Irrfan’ connection. She played his love interest in one of Irrfan’s first films Drishti. Irrfan had told me once how nervous he was when he had to get intimate on screen with a big star like Dimple Kapadia. To this Dimple gave a classic reply, “Sab jhooth. I didn’t notice any nervousness.” Ironically, Dimple was also a part of his last film Angrezi Medium.

Also Read: When Rishi Kapoor, Kamal Haasan and Ramesh Sippy crushed on Dimple Kapadia

If there is one actor in our film industry who speaks his mind as frankly as Rishi Kapoor it is Naseeruddin Shah. The actor-extraordinaire is not likely to gush over an actor just because he is no more.

Says Naseer, “Rishi Kapoor's youthful films, I have to say, didn't grab me and I don't think I saw any apart from Bobby, and Dimple had a lot to do with people liking Bobby! So I can't really comment on the early part of his career.”

However Naseer admires the emotional truthfulness Rishi brought to his performances. “Apart from being very truthful emotionally he was always vibrant and energetic in films like Amar Akbar Anthony and Karz.”

And Naseer loved the way Rishi embraced his growing years. “It was great to see him maturing with age and beginning to take risks and getting the kind of parts where he could extend himself. I particularly liked him in Kapoor & Sons.”

As for Irrfan, Naseer is unconditionally appreciative of his fellow-actor’s talent. Says Naseer, “Irrfan I consider an unusual talent, a unique actor and a greatly caring human being. Apart from them both dying young the really tragic thing is both had a great deal to look forward to in their lives and their work but as the poet Robert Burns said, the best laid plans of mice and men often go askew.”

Also Read: Off The Record: Farhan Akhtar breaks down Zindagi Na Milegi Dobara’s scene when he meets Naseeruddin Shah for the first time

Kartik Aaryan’s last performance was with Sara Ali Khan in Love Aaj Kal and it was his best performance so far. He got to explore a lot of new aspects of himself as an actor when he played the characters of Veer and Raghu in the Imtiaz Ali’s directorial. The actor took to his Instagram to write a heartfelt note of gratitude to the director and thanked him for all his support so far.

He posted the picture with the caption, “When you first dream of being in films, you act in front of the mirror and nail it every time, and the world of movies seems magical. 
Then you get a movie. You see the camera and are unnerved. It’s bigger than the suitcase you brought to Mumbai. The bright lights seem to be scolding you for not landing on a one inch tape mark and wasting everyones time. The first few years become about trying not to look nervous. 
Then you get an Imtiaz Ali movie. The moment he narrates the story, you are pulled into a dream. I don’t even remember seeing the camera on his set, he‘d always be standing wherever I looked after cut. He was never at the monitor, he was by my side. The lights on Imtiaz Ali’s set help you find those tape marks.

I have never experienced the kind of love and appreciation I have got for my performance in Love Aaj Kal, and that too from some of my favourite filmmakers and people I most respect in the industry. How ironic that the making of this film felt most effortless! It would scare me to think of doing two characters in one movie. And here, I didn’t even realise how smoothly I was being transitioned between #Veer and #Raghu . For an actor, there is no better environment than being In front of that mirror. Imtiaz Ali takes you there. This is the reason why so many great actors’ greatest performances have been in Imtiaz Ali films. Imtiaz Ali director nahi hain, jadugar hain! Thank you sir for giving me the best performance of my career yet. ❤️ @imtiazaliofficial #LoveAajKal”

 

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A post shared by KARTIK AARYAN (@kartikaaryan) on May 7, 2020 at 10:48pm PDT

Kartik Aaryan will next be seen in Bhool Bhulaiyaa and Dostana 2.

Also Read: Kartik Aaryan describes his quarantine routine as his sister takes a sweet revenge and slaps him during a video

When India started seeing a spike in coronavirus cases in March, the theatres were the first to shut shop in the country and will probably be the last to open as well. This uncertainty over theatres functioning like before has led to several producers considering to release their films directly on OTT platforms skipping the theatrical release. OTT platforms are taking full advantage of this situation and are said to be offering large sums of money to filmmakers.

The boost in OTT platforms has several doubting the fate of theatrical businesses in the future. On Friday, filmmaker Anubhav Sinha who has made films like Article 15 and Thappad took to Twitter and said that nothing will change with the theatrical business and even compared it to the recent chaos outside liquor shops. "Nothing will change the theatrical business in India. NOTHING!!! Here the big blockbusters are not only about the film. It is an event. It is a community event. It won’t change. I hope you saw the liquor shop queues," he wrote.

Nothing will change the theatrical business in India. NOTHING!!! Here the big blockbusters are not only about the film. It is an event. It is a community event. It won’t change. I hope you saw the liquor shop queues.

— Anubhav Sinha (@anubhavsinha) May 8, 2020

Meanwhile, it is being reported that this year's Eid releases- Radhe and Laxmmi Bomb might be looking for a direct to OTT release. Makers of Akshay Kumar starrer Laxmmi Bomb are currently in talks to release the film in June on Hotstar. However, the makers are yet to make an official announcement regarding the same. On the other hand, the makers of Radhe-Your Most Wanted Bhai will take a decision after they complete post-production.

ALSO READ: Laxmmi Bomb to get a direct to OTT release on Disney+Hotstar in June

A few weeks back, actor Abhishek Bachchan, on Instagram, shared a priceless throwback photo from his first ever stage performance as an actor alongside father Amitabh Bachchan, in 2004. His love for the stage, however, began when he was merely a child and would accompany his father for his live shows. He shared a video, giving us glimpses of one such show and also spoke about the fondest memories spread over the years.

"I have so many memories of being on the road with him, his co-stars and the immense Kalyanji and Anandji and their 40 piece orchestra helmed by a young and upcoming Viju Shah ( Kalyan ji's son and future Music Director of huge fame)," he wrote.

 

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#FlashbackFriday My 1st ever stage performance after becoming an actor. Got to share it with a pretty cool dude! This was for the "Help" telethon which was done to raise money to help all the victims of the devastating tsunami which occurred on December 26th 2004. This huge enterprise of getting the entire Hindi film industry together ( a Herculean task) was spearheaded by @duttsanjay . And although I was slated to make my debut stage performance in Amsterdam for the IIFA awards later in the year, I just couldn't say no to the cause and Sanju sir. Both dad and I performed to a mix/ medley of his song रंग बरसे and "one love" a track I had done as a cameo in my dear friend @suniel.shetty film Rakth. The show took place in early February 2005. Both dad and I were shooting for "Kajra re" with Aishwarya for Bunty aur Babli. I would shoot the song all day from 9am to 10pm and then drive to the concert venue and rehearse all night. I even spent my birthday shooting Kajra re ( but that is a different story, reserved for another Friday). At night, after the shoot I remember when I reached the venue for my rehearsal all the lights were off!!! Thinking that I had made a mistake and showed up to rehearse when there wasn't any.... Suddenly all the stage lights came on and all the dancers, Ganesh Hegde the choreographer, stage hands and technical staff surprised me! Then Sanju sir and @walia_bunty ( he was one of the organisers) rolled out a huge cake and a birthday present for me. They all sang and managed to embarrass me to bits! What fun. Good times!

A post shared by Abhishek Bachchan (@bachchan) on Apr 24, 2020 at 3:38am PDT

The actor went on to recall how the artists would gather in his parents' suite for a midnight dinner and how their return journey by flight would be nothing less than a mini concert mid-air! In the video, Big B can be seen calling Abhishek and sister Shweta to the stage as he introduces them to the audience.

"What times! As a child standing in the wings looking at the show in awe and wonderment. Not realising at that time the legends that I was blessed to witness perform live. Secretly imagining myself on that stage once I grew up," Abhishek added.

That's certainly where it all started!

Neena Gupta treated her followers on Instagram with a fun video as the actress hit the five lakh mark on the social media platform. On Thursday, Neena Gupta took to Instagram to express her gratitude to all her fans who helped achieve five lakh followers.

Neena Gupta who is very active on Instagram shared a video where she is seen thanking her followers and fans. She is seen in a joyous mood as she cheerfully jumps around while addressing her followers. She said that it was because of her fans, their prayers and comments that helped her in hitting five lakh followers. Sharing the video, she wrote, "Thank you thank you."

 

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Thank you thank you

A post shared by Neena Gupta (@neena_gupta) on May 7, 2020 at 7:46am PDT

Neena Gupta constantly updates her fans about her life and expresses her thoughts on various topics through social media. From her fitness to beauty care to current topics, the actress shares her opinion on everything.

Neena Gupta started her second wave in cinema with her incredible performance in the film Badhaai Ho. She was seen in Shubh Mangal Zyada Saavdhan and Panga.

ALSO READ: After getting a head massage from husband Vivek Mehra, Neena Gupta returns the favour

Deepika Padukone and Irrfan Khan shared the screen space for the first time in Piku and had become very close friends through the course of this Shoojit Sircar directorial. The film that explored a father-daughter relationship in its truest forms has completed 5 years of its release and this time, it comes with a sad note as Irrfan Khan, who played a pivotal role in the film, passed away a few days ago.

The entire industry mourned for this loss and now, Deepika Padukone bids a teary farewell to her friend with the lyrics of one of the film’s songs, ‘Lamhe Guzar Gaye’. The movie will always hold a special place in our hearts for all the right reasons. Deepika Padukone shared an unseen candid picture with Irrfan Khan where they are seen laughing about something. Take a look at it.

 

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लम्हे गुज़र गये चेहरे बदल गये हम थे अंजानी राहो में पल में रुला दिया पल में हसा के फिर रह गये हम जी राहो में थोड़ा सा पानी है रंग है थोड़ी सी छावो है चुभती है आँखो में धूप ये खुली दिशाओ में और दर्द भी मीठा लगे सब फ़ासले ये कम हुए ख्वाबो से रस्ते सजाने तो दो यादो को दिल में बसाने तो दो लम्हे गुज़र गये चेहरे बदल गये हम थे अंजानी राहो में थोड़ी सी बेरूख़ी जाने दो थोड़ी सी ज़िंदगी लाखो स्वालो में ढूंधू क्या थक गयी ये ज़मीन है जो मिल गया ये आस्मा तो आस्मा से मांगू क्या ख्वाबो से रस्ते सजाने तो दो यादो को दिल में बसाने तो दो -Piku Rest in Peace my Dear Friend...???? #rana #piku #bhaskor @shoojitsircar @juhic3 #5yearsofpiku

A post shared by Deepika Padukone (@deepikapadukone) on May 8, 2020 at 1:45am PDT

The film could not have had a better casting than Deepika Padukone, Irrfan Khan, and Amitabh Bachchan.

Also Read: Post Irrfan Khan and Rishi Kapoor’s demise, John Cena shares pictures of the legends on his Instagram

Sara Ali Khan is a fitness enthusiast and manages to stick to her workout routine even during the lockdown. However, at home, her workout is limited so she shared an old video of herself sweating it out in the gym. Her workout partner at home being her brother Ibrahim Ali Khan, they are sometimes accompanied by their furry friend, Fluffy Singh. She recently posted a throwback video on her Instagram where she’s seen doing pull ups like a pro!

Sara captioned the video as, “Don’t pray for lighter burdens ???? Work for a #stronger back ????️‍♂️???? Wake up #determined , sleep #satisfied ????????✌???????????? Don’t allow yourself to crack ???????? And if you stop or fail or fall ????✋ Just get right back on track ✅???????? #flashbackfriday”.

Take a look at it.

 

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A post shared by Sara Ali Khan (@saraalikhan95) on May 8, 2020 at 1:15am PDT

Also Read: Sara Ali Khan misses working, sticks to her current multiple roles

On May 8, Amitabh Bachchan remembered two late actors - Irrfan Khan and Sridevi. He took to social media to share stills from Khuda Gawah and Piku as the films complete 28 years and 5 years respectively. Both Sridevi and Irrfan Khan have been two of the finest actors of the film industry and left the world a little too soon.

The Shahenshah actor took to Instagram and shared a collage of a still from both films. Sharing the picture, he wrote, “28 years of KHUDA GAWAH .. 5 years of PIKU .. today 8th May .. and in remembrance of the two that have left us.”

 

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28 years of KHUDA GAWAH .. 5 years of PIKU .. today 8th May .. and in remembrance of the two that have left us ????

A post shared by Amitabh Bachchan (@amitabhbachchan) on May 8, 2020 at 10:27am PDT

Amitabh Bachchan even took to his blog to share some memories of the films. “28 years of Khuda Gawah .. 5 years of Piku .. vivid as ever .. alive in memory .. lost in the remembrance of the two from there .. exceptional in presence and talent .. and leaving at such short presence .. But a third too from Khuda Gawah .. the director Mukul S Anand .. left too early .. the magic of his vision .. his eyes were magical camera lenses .. even after this large interval the frames he did were extraordinary .. Khuda Gawah .. the shooting in Afghanistan .. a book shall be required to describe that detail .. hopefully some day ..” he wrote talking about Khuda Gawah.

Remembering Piku in which he shared screen with Irrfan Khan and Deepika Padukone, he wrote, “.. and Piku .. each day spent in the delight of inventing, ad libbing .. making that which has not been written or described , but felt .. doing that which even during the early working days at Calcutta were never done .. cycling the streets ..”

ALSO READ:  Abhishek Bachchan shares fond memories of traveling with Amitabh Bachchan for live stage shows

Kal Penn who played Irrfan’s son in The Namesake can’t get over the loss. “Irrfan was such an incredible artist. What a loss. It was magical. He was so gracious and giving as an artist and a person.”

Not many know about Irrfan’s wicked sense of humour. Says Kal, “He could be so funny! He had a wonderful sense of humor and I remember his approach to the craft being particularly warm.”

Kal recalls Irrfan as an actor sheared of vanity. “He was friendly. Friendly and down to earth. There was never any attitude with Irrfan, he was so comfortable in his own skin and so fully and truly embodied his character when the cameras were rolling.”

But what according to Kal really made Irrfan special was the way he embraced silences. “I've never worked with an artist who communicates so beautifully without needing to speak. When we would shoot scenes for The Namesake, so often, Irrfan would play beat after story beat with intimacy and in silence that made me immediately at ease and in the moment.”

Kal Penn learnt a lot from watching Irrfan not only while they worked together but also when they didn’t work together. “I learned a lot from working with Irrfan but also from watching him work across different mediums, different languages, and different continents. I will always admire his work more broadly, and to have had that kind of range is so remarkable.”

Kal will remember Irran as an actor who at once no one and everyone. “He was such a commensurate artist whose performances are simultaneously intimate and reflect the humanity in each of us.”

Also Read: 5 Years Of Piku: Deepika Padukone bids farewell to Irrfan Khan with an unseen picture

A day back, Deepika Padukone and late Irrfan Khan's film Piku completed five years. Irrfan's demise is still being mourned by his friends, colleagues and fans. Deepika took to Instagram to share a video of herself playing tennis with the actor. "Please come back," she wrote.

The video was taken on the sets of Piku. Deepika, who had a deep fondness for Irrfan like all of us, earlier paid a tribute to him with the song 'Lamhe Guzar Gaye', from the same film. Along with that, she also shared a throwback photo from the sets.

View this post on Instagram

please come back!???? #irrfankhan

A post shared by Deepika Padukone (@deepikapadukone) on May 8, 2020 at 8:27pm PDT

Irrfan, who was battling cancer for the past two years, spent half of this time in London, getting himself treated. Despite not being in the best of health, he shot for Homi Adajania's Angrezi Medium, which also remains his last theatrical release so far. Irrfan breathed his last on 29th April, at a Mumbai hospital and is survived by wife Sutapa Sikdar and two sons.

If not for the lockdown, Sara Ali Khan and Varun Dhawan starrer Coolie No 1 would have been playing in the theatres right now. The film directed by David Dhawan is a remake of the 1995 film of the same name starring Govinda and Karisma Kapoor. In an exclusive conversation with Bollywood Hungama, Sara Ali Khan spoke about her experience working with Varun Dhawan.

Three-film-old Sara Ali Khan worked with Varun Dhawan for the first time. While the trailer of their film has not been released yet, fans are already rooting for this pairing based on the pictures from the sets of Coolie No 1 and the camaraderie shared by the two on social media. Talking about her experience working with Varun Dhawan, Sara Ali Khan said, “I think I had an absolute blast working with Varun. Firstly, I think he knows his job so, so well and he is fully focussed on that, which I think is important when you are on a film set. That side, I think he is very, very supportive as a co-actor. He is superbly friendly and he is a lot of fun. I think I had one of my best experiences so far working with him. He knows how to be professional and serious and we need to give work the importance it needs and deserves, but he is also, in general, a very fun and chill person. So, I think he is one of the only people who I have worked with and actually hang with as well. I really like that about him. He is definitely one of my favourites.”

Watch video here:

Meanwhile, on the work front, Sara had started shooting for Atrangi Re before the lockdown was imposed. Atrangi Re directed by Aanand L Rai also stars Akshay Kumar and Dhanush.

For all of you who do not know, Sara Ali Khan happened to be a great student throughout her school and college days. An alumna of Columbia University, she originally wanted to go to Oxford University to pursue her higher studies, and had a difficult time coping when she did not crack through!

In a conversation with Bollywood Hungama, the actor opened up on being disheartened after the university rejected her candidature. She also recalled how she called mother Amrita Singh and nearly threw a fit. "Mom had gone out with Ibrahim, and suddenly she gets a call from me, howling. And when I mean howling, I don't mean crying in a lady-like fashion. I mean screaming, and crying loudly. She was like, 'what happened? what's going on?' I could not stop crying," she said, adding how her mother got really worried and kept asking her what went wrong. After calming herself down and breathing a little, she informed her mom that she was rejected by Oxford University.

For those uninitiated, Sara's grandfather Mansoor Ali Khan Pataudi was quite a scholar who studied Arabic and French at Oxford's Balliol College. Sara's aunt Soha Ali Khan went to the same college to study modern history.

Love for Oxford certainly runs in the family!

With the ongoing pandemic, our lives have almost come to a stand-still, and the lock-down is taking a toll on the mental health of many of us. At such a time of crisis, one can only try to keep the optimism alive and not let the situation get the best of them. Actor, Ranveer Singh, in a recent Instagram live session, appealed fans to do the same.

“It’s been a very difficult couple of weeks, emotionally difficult. Turbulent times with everything that is going on in the world. To all my friends & fans stay safe, hang in there, stay healthy. Sending you love, positive vibes & good energy. I’m always an optimist, I like to look at the bright side of things. I always like to stay positive in any situation that life throws up. To be honest, this is unprecedented. We all are in this together and I believe that on the other side of this we’ll come out with more compassion,” he said.

”Its been a very difficult couple of weeks, emotionally difficult. Turbulent times with everything that is going on in the world. To all my friends & fans stay safe, hang in there, stay healthy. Sending you love, positive vibes & good energy.” -Ranveer Singh live on insta today pic.twitter.com/qtYCbiUxyU

— RanveerSingh TBT | #83????♥️ (@RanveerSinghtbt) May 8, 2020

Ranveer and wife Deepika Padukone, at home, are keeping themselves occupied with workouts and household chores as they also keep sharing glimpses of their locked-down life. Post lockdown, they both await the release of Kabir Khan's sports drama '83.

Liverpool legend Kenny Dalglish thanked fans for their support on Sunday after leaving hospital following a positive test for the coronavirus. Dalglish, 69, found he had the virus after being admitted to hospital on Wednesday for treatment for a separate infection which required intravenous antibiotics. He was discharged on Saturday night. "Thank you for all of your well wishes over the last few days," said Dalglish in a Liverpool statement issued Sunday. "I'm delighted to be back home with the family after receiving brilliant care from the NHS (Britain's National Health Service), which we appreciate now more than ever. "Marina (Dalglish's wife) and I would like to express our immense gratitude to the medical staff who cared for me and who continue to treat countless others throughout the country during an incredibly challenging period."

Dalglish confirmed the couple would be in "full lockdown for the recommended amount of time in order to protect the lives of others". There are fears that the warm weather across Britain over the Easter weekend will see the public flout government guidelines on social distancing instead of only going out to maintain health and purchase essential supplies. But a concerned Dalglish said: "I know the sun is shining for many of you, but I urge you to stay home and follow the government guidelines to the letter." Earlier the Scotland great, in an interview with the Sunday Post, praised the "absolutely brilliant" hospital staff, adding: "People may think my name got me the best of care but every patient in the NHS gets the best of care." On Friday, Dalglish's family said he had tested positive for COVID-19 despite having previously displayed no symptoms of the illness.

'Humbling messages'
Saturday saw two of Dalglish's children take to Twitter to thank the public for their support. Paul Dalglish, also a former player, said: "Truly humbling messages from supporters of all teams," with Dalglish's daughter, Sky Sports presenter Kelly Cates, saying: "Thank you so much for your lovely messages and I'm really sorry I can't reply to them all." Liverpool goalkeeper Alisson Becker said on Twitter: "Love from Becker family to Sir Kenny Dalglish!!" Ian Rush formed a prolific partnership with Dalglish during their playing days at Liverpool and the Welshman took to Twitter to give his old team-mate his best wishes.

"Wishing a speedy recovery to the best...Sir Kenny Dalglish. Get well soon," he wrote. Dalglish won the Scottish league title with Celtic as a player on four occasions before signing for Liverpool in 1977. At Anfield, he captured eight English league titles, two FA Cups, five League Cups and three European Cups as a player and in two managerial spells. In his Liverpool playing career, Dalglish scored 172 goals in 515 games. As well as his role in Liverpool's golden era in the 1970s and 1980s, Dalglish received plaudits for supporting victims' families after 96 fans died in the 1989 Hillsborough stadium disaster. He also coached Blackburn to the 1995 Premier League title. Almost 10,000 people in Britain have so far died as a result of the coronavirus.

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Former England footballer Rio Ferdinand's wife Kate has said that while she was initially 'anxious and stressed' with the Coronavirus-caused lockdown, she is now spending most of her time homeschooling her three children Lorenz, 13, Tate, 11, and Tia, nine. Kate, 28, in association with an online education company, has launched a free toolkit of edutainment activities for primary school children to help those homeschooling during the current lockdown.

"At the beginning of lockdown, I felt a bit anxious and stressed. I didn't have any routine but this is something to do every day. You feel like you're in a little community doing it together," Kate, 28, told Britain's MailOnline.

Speaking of the homeschooling experience, Kate said that she and hubby Rio, 41, are trying their best to make things fun: "For the first three weeks of homeschooling, I was overwhelmed. It's quite hard for us having three children and all having sessions at different times. It's about trying to get the balance of making it fun as well as doing school work and trying to manage a good family life."

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Barcelona skipper Lionel Messi has often spoken about the liking he has had for former teammate Neymar and the Brazilian has now revealed how one of the greatest footballers to have played the beautiful game always had his back at the La Liga club.

"Honestly, it's difficult, very difficult for me to talk about Messi, because it was very special for me at Barcelona, I say this to everybody," he told Rede Globo's Esporte Espetacular.

"At the moment when I needed the most support, the best player in the world arrived and gave me a hand. He said: 'Come here, I'm here to help you.'" Messi had earlier spoken about how he is still in touch with Neymar and it will be slightly difficult for him to make a return to the club from Paris Saint-Germain.

"We talk to Neymar often. We still have a WhatsApp group with Luis (Suarez)", Messi told Argentina's Radio Metro, as quoted by ESPNFC.

"It's difficult for him to come back, as he left here, many club members and people do not want him to come back. From a sporting point of view he would be wonderful, but the other view is also understandable. It is a bit difficult," Messi had said.

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Derby County have thanked captain Wayne Rooney for the leading role he played in the club agreeing a wage deferral with players to help the English Championship club survive the coronavirus crisis. Manager Phillip Cocu, his coaching staff, executives and non-playing staff have also deferred part of their salary. "First team players have voluntarily agreed a substantial deferral that is considerably more than has been reported in the media, while Phillip Cocu and his coaching team, and Chief Executive Officer Stephen Pearce and his staff have also agreed significant deferrals," Derby said in a statement.

"Talks across the club have been held in the spirit of unity and co-operation, and everyone has been fully committed to help and play their part. "The club would specifically like to thank Wayne Rooney, the team captain, and Curtis Davies, the Professional Footballers Association's club representative, for their help and support."

Derby seem set for another season in the second tier as they lay 12th in the table when the COVID-19 outbreak brought football to a halt last month. A failure to finish the season is forecast to cost Premier League clubs an estimated ?1 billion ($1.2 billion).

However, the effects of the economic crisis could be even more severe further down the football pyramid as many clubs face a battle to survive.

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Argentine football legend Diego Maradona has asked the "Hand of God" to deliver the world from COVID-19 pandemic and allow normal life to resume. The World Cup winner referred to his hand-assisted goal in the 1986 World Cup after Argentine football chiefs voted to end the current season as well as suspend relegation, saving Diego-managed bottom club Gimnasia from the drop.

"Today this happened to us and many people say it is a new Hand of God," said Diego, alluding to his infamous goal against England. "But today I'm asking for that hand to end this pandemic so people can go back to living their lives, healthy and happy." Then-Argentine captain Diego responded to the controversy over his goal at the World Cup in Mexico by saying "it was the Hand of God!"

Argentina went on to beat England 2-1 in the quarter-final. On being thrown a lifeline by the suspension of the season, he told Argentine daily Clarin: "It's not the ending we had wanted, we were convinced we could save ourselves on the pitch."

Argentina has been in lockdown since March 20 against the Coronavirus, which by early Wednesday had infected 4,114 people with 207 deaths.

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A video of Hertha Berlin forward Salomon Kalou shaking hands with his team-mates "shocked" key German politicians, who are set to decide Wednesday whether the Bundesliga can resume next month. "The video has done the German league (DFL) and professional football a disservice," Anja Stahmann, chairwoman of Germany's regional sports ministers, told radio station RBB on Wednesday. "I have heard from colleagues that they are shocked and shaken.

"We were struck by great doubts when we watched the video," admitted the sports senator for the state of Bremen. "I got the impression that good rules were being written down on paper, but that they were not actually being lived out." The Bundesliga is set to be given the green light by the government on Wednesday to resume later this month behind closed doors and with strict hygiene measures in place.

Germany's regional sports ministers have already approved the Bundesliga's plans to resume, but Stahmann said Ivory Coast international Kalou's video left a bad impression. "Some people think the Bundesliga has lost its grip in times of a pandemic," Stahmann added. On Monday, the former Chelsea forward was suspended by Hertha after posting a video to Facebook showing him greeting team-mates and club employees with handshakes, flaunting hygiene guidelines laid out by the league. Kalou apologised for disregarding the social distancing rules, saying: "it was a big mistake".

The 34-year-old also said he could understand how his video, shot in the dressng room, caused shockwaves as the league was seeking permission to return to action. Kalou has scored 48 goals in 151 Bundesliga games for Hertha, but is out of contract at the end of the season and could have played his last game for the club. "It was respectless and I want to apologise for that sincerely," he added.

"But I am about more than those five bad minutes that people see of me in the dressing room." However, Kalou's video drew criticism from the top of the German government. Health minister Jens Spahn said it was "right" that Hertha suspended Kalou and there were "consequences after the video".

Bavaria's premier minister Markus Soeder said the league has developed an "excellent" hygiene concept but "there are individual players, as we have read, who are behaving very, very poorly".

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Political films, based in the hinterland, have a strong chance at the box office, especially when made in a massy way. Sanjay Dutt who has had a rough time at the box office ever since his new innings in Bollywood post his release from jail is now back with PRASSTHANAM, the Telugu remake of the 2010 film of the same name. The original was loved for its plot, concept and performances. So does the remake turn out to be the much-needed hit for Sanjay Dutt? Or does PRASSTHANAM fail to entice? Let’s analyse. <img class="aligncenter wp-image-1020673 size-full" title="Movie Review Prassthanam" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Movie-Review-Prassthanam.jpg" alt="Movie Review Prassthanam" width="750" height="450" /> PRASSTHANAM is the story of family, trust and betrayal in a lawless land. 25 years ago, in Ballipar, Shiv (Anuup Sonii) has stood for elections against a violent rival. The rival stabs Shiv during a rally, resulting in his death. Shiv's father is an ex politico who is distraught by the demise of his son. He tells his most trusted aide, Baldev Pratap Singh (Sanjay Dutt) to take over the reins and also to take care of Shiv’s wife Saroj (Manisha Koirala) and his two children. Baldev agrees but not before eliminating the rival candidate who killed Shiv. Baldev is helped here by his closest confidante, Baadshah (Jackie Shroff). Baldev marries Saroj and this angers Shiv’s daughter Palak. But Shiv’s son Ayush looks up to Baldev. Baldev and Saroj give birth to a son, Vivan due to which Palak further feels alienated. The story then moves 25 years forward in the present day. Baldev has been a four time MLA and is busy with the upcoming elections. He recently got a stay order on a land which is being illegally usurped by a cunning businessman, Bajwa Khatri (Chunky Panday). Palak (Chahatt Khanna) is now a doctor and is happily married and also has two kids. She has completely broken contact with Saroj and Baldev and she only is in touch with Ayush (Ali Fazal). Ayush still has the respect for his step father and dutifully works under him. Baldev is so happy with Ayush that he’s made it clear that he will be his heir. Vivan (Satyajeet Dubey) is infuriated with this bond as he feels he’s the biological son of Baldev and hence he is the rightful heir. Baldev however realises that Vivan is not cut for politics and advises him to study abroad and then handle his hospitality business. Vivan revolts and due to his hot headed nature, ends up insulting Asma (Divinaa Thackur), Baadshah's daughter who’s also the manager in Baldev's hotel. Baldev is aghast with Vivan's behaviour and tells Ayush to apologise to Asma which he does. He also tells Ayush to train under Asma and he agrees. While working together, both get close. One day, Baldev is shot by assailants belonging to Bajwa who wants to avenge the loss of his land. Baldev survives and gets second thoughts about fighting elections. But Ayush takes care of everything and ensures that Baldev signs the nomination papers. Baldev gets whole hearted support from locals and hence, the party assures that he’ll become the state home minister after winning the elections and that Ayush will be youth president. Vivan revolts but Baldev shuts him up. Vivan ends up drinking and creating a scene in the hotel. Asma tries to control the situation but he ends up drugging and raping her. When he and his friends escape from the hotel with Asma, their car meets with an accident. They decide to finish Asma and try to pass it off as a road accident. What happens next forms the rest of the film. Deva Katta's story is promising on paper as the film touches upon issues of how all is fair when it comes to politics. The Machiavellianism bit comes across well. Deva Katta's screenplay (with additional screenplay by Farhad Samji) is also effective especially in the first half. But the film is devoid of entertainment in the second half and gets too violent. A few sequences are also unconvincing at this point. The pre-climax puts some things straight but the anti-climax finale spoils things. Farhad Samji's dialogues are acidic and even clapworthy. Deva Katta's direction is quite simple and that works to an extent as the storyline is quite vast and complicated due to the presence of so many characters and the dynamics they share with each other. But one wishes he had done something about the finale as it’s the most disappointing part of the film. Also, audiences have seen films like RAAJNEETI, SARKAR, GANGS OF WASSEYPUR etc which are also based on corruption and bloodshed in politics and these films had far better impact. PRASSTHANAM pales in comparison of these memorable flicks. <span style="text-decoration: underline;"><strong>“Salman Khan- TIGER, Shah Rukh Khan- BADSHAH, Ranbir – DILWALA”: Sanjay Dutt | Rapid Fire</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/celeb-interviews/salman-khan-tiger-shah-rukh-khan-badshah-ranbir-dilwala-sanjay-dutt-rapid-fire/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> PRASSTHANAM begins on a fine note showing the flashback and how the dynamics haven’t changed between certain characters over the years. The title track played during an action scene of the flashback is quite massy and would be enjoyed in single screens. The first half has some well written and executed scenes and has enough drama. The rape sequence and the aftermath is a shocker and makes for a great interval point. The second half is when things get really messy. The characters become sworn enemies of each other resulting in bloodbath. Sure there’s unpredictability but it’s get too much. There’s a solid twist in the pre climax that revives interest. However, shockingly the climax is absolutely <em>thanda</em>. One expects fireworks but it just ends on a tepid note. Single screen audiences, the target audience, will be expecting such an action packed film to end on a rocking note. But they surely would come out feeling dejected. Sanjay Dutt gives a genuinely good performance and doesn’t go over the top. He keeps it restrained and it suits the character. Ali Fazal however steals the show. He gets the maximum screen time and he rocks the show. Jackie Shroff hardly has any dialogues but his screen presence is electrifying. The <em>'Haji Ali'</em> track comes suddenly and seems weird to see a character run all the way from Uttar Pradesh to Mumbai. But Jackie’s performance saves the day. Manisha Koirala is decent but doesn’t have much to do. She’s like the silent observer and one surely expected more from such a dynamic performer. Satyajeet Dubey is great in the villainous role and oozes fear. Chunky Panday is passable. Amyra Dastur (Shivi) doesn’t get much scope. Chahatt Khanna and Divinaa Thackur do well. Other actors who leave a mark are Deepraj Rana (S P Narang), Zakir Hussain (Majid Maqbool) and Annup Sonii. Ishita Raj is smoking hot in the item number. Talking of music, the title track is the most memorable. This is followed by <em>'Haji Ali'</em> chiefly due to Jackie’s presence. <em>'Dil Bevda'</em>, the item song, is nothing great. <em>'Charo Khane Chit'</em> is forgettable while <em>'Dil Dariyan'</em> is wasted. Mahesh Shankar's background score is dramatic. Ravi Yadav's cinematography is appropriate and the birds-eye shots of Lucknow are well captured. Abbas Ali Moghul's action is a bit gory as per the requirement. Pallavi Bagga and Suman Roy Mahapatra's production design is average. Priyanka Mundada's costumes are straight out of life. Ballu Saluja's editing is quite good in the first half especially. On the whole, PRASSTHANAM rests on some great performances and a fine first half. But the second half and especially the lacklustre ending spoil the show. The buzz for the film is low due to which it will face a tough time at the box office.

Sooraj Pancholi had a dream debut in HERO [2015], a film produced by Salman Khan. The film underperformed at the box office but the hype of the film was such that it opened at Rs. 6.85 crore, which was the highest then for a film featuring debutants. Sooraj then, shockingly, disappeared and four years later, he’s finally back with SATELLITE SHANKAR. So does SATELLITE SHANKAR emerge as a great entertainer and meet the expectations raised by the trailer? Or does it fail to entice? Let’s analyse. <img class="aligncenter wp-image-1038693 size-full" title="Movie Review: Satellite Shankar" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Satellite-Shankar1.jpg" alt="Movie Review: Satellite Shankar" width="720" height="450" /> SATELLITE SHANKAR is about the extraordinary journey of a soldier that brings a nation together. Shankar (Sooraj Pancholi) is a rifleman posted near the LOC in Jammu and Kashmir. He is very popular in his regiment because of his jovial nature. He carries with him an idol of Lord Shankar. He pretends that it’s a satellite that can help him connect to anyone in the world. With this little trick, he keeps the officers motivated, despite them not getting leaves. In a firing by the Pakistani forces, Shankar gets hurt. He’s admitted in the hospital and though the injury is not serious, he is asked to rest for eight days. Shankar requests his commanding officer, Cheema (Sanjay Gurbaxani) that he’ll like to go to his hometown, Pollachi, in Tamil Nadu to meet his mother and get her cataract treated. Cheema agrees on the condition that Shankar reaches the base 8 days later at 8 am. Shankar promises to be back on the stipulated day and time by giving a ‘Sainik shapath’. Shankar’s colleagues request him to hand over gifts and other items to his family members while he’s on his way to his hometown. Shankar then begins his three-day-long journey on the train from Jammu. As soon as he commences the trip, an old couple in his bogie are asked to leave as they have boarded the wrong station. While helping them find the right train at the next station, Kathua, Shankar ends up missing his own train. He along with Meera Bakshi (Palomi Ghosh), a vlogger, then take a taxi to Pathankot, where their respective trains was to halt. Again, Shankar is not able to make it on time in his train while helping Meera. However, the family member of an army colleague Subedar Jeetu Singh (Pradeep Singh) picks up Shankar’s luggage from his train when it halts at a station in Punjab. Shankar reaches Jeetu Singh’s residence in Bagha and uses his ‘satellite’ to spread happiness and solve their problem. Shankar then heads to Agra to finally catch his train to Pollachi. Yet again, Shankar gives it a miss as he gets busy in saving people who were in a bus that had met with an accident. Interestingly, even Meera is there in the bus and Shankar gets captured in her video. He overnight becomes a hero of the nation. Meera takes it upon herself to find Shankar and she sets off to find him. Her followers cross the million mark and they too get involved in this journey to ensure that Shankar not only reaches his hometown soon but also that he’s able to adhere to his ‘Sainik Shapath’ and report back to base 8 days later at 8 am. What happens next forms the rest of the film. Vishal Vijay Kumar and Irfan Kamal's story is utopian but has potential and can be best described as ‘Munna Bhai meets Bajrangi Bhaijaan’! Vishal Vijay Kumar and Irfan Kamal's screenplay however don’t do justice to the plot in hand. A few scenes stand out individually but as part of the film, they seem a bit convenient and unconvincing. Vishal Vijay Kumar and Irfan Kamal's dialogues however are appropriate. But a few dialogues are in Punjabi, Tamil and Bengali and are difficult to comprehend. There should have been subtitles for these lines. Irfan Kamal's direction is weak and a bit unpolished. He had a great subject in hand but first he messed it up at the screenplay stage. Then, with his execution, he spoilt it even more. The first 15-20 minutes seem very silly and one might wonder what exactly is happening in the film. The concept of the ‘satellite’ gets clear only after 30-35 minutes in the Punjab village scene. The film boasts of very filmy and convenient plot points and it needed an expert direction so that viewers can digest it. In the absence of it, it’ll be difficult for them to really get engaged with the film. <img class="aligncenter size-full wp-image-1038694" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/11/Movie-Review-Satellite-Shankar2.jpg" alt="" width="720" height="450" /> SATELLITE SHANKAR’s beginning portions might seem bizarre. The concept of the ‘satellite’ might not be easy to comprehend. Even the scene of Shankar getting injured in the cross-border firing is not well helmed, although the idea is interesting. The film gets a bit interesting as Shankar gets in the train and he ends up missing it. However, he misses his train three times and that becomes too much. What stands out in the first half is the scene in the Punjab village and the bus accident sequence. Post-interval, the film has some fine moments but again, the direction and script play spoilsport. Still, the film remains somewhat engaging. However, the climax is when the film really falls down. The stone pelting part looks completely forced and mars the rhythm and even tone of the film. Sooraj Pancholi gives a very fine performance and he’s sure to amaze you with his sheer hard work. There’s this earnestness in the way he has played the part and it’s completely in sync with his character. Also, he is quite entertaining and watch out for the scene where he imitates Prime Minister Narendra Modi! Megha Akash (Pramila) is lovely and lends able support. Her scene at Salem railway station is memorable. But sadly, her track is not well handled and it lacks conviction. Palomi Ghosh has a brilliant screen presence and leaves a tremendous mark. Upendra Limaye (Inspector Chavan) is dependable. Pradeep Singh, Anurag Mishra (Anwar Hussain), Anil K Reji (Sridhar), Asif Basra (Taxi Driver), Subrat Dutta (TC) and Sanjay Gurbaxani are fine. Music is nothing special. <em>'Pyaar Ka Satellite'</em> is like a theme track and is the only song that works. <em>'Aari Aari'</em> is foot tapping but comes at a time when viewers are dazed about the film’s concept. <em>'Tere Sang'</em> is forgettable while <em>'Jai He'</em> has a patriotic feel and hence stands out. Sandeep Shirodkar's background score is appropriate. Jitan Harmeet Singh's cinematography is excellent. The film has been shot in real locations to bring the authenticity and the various locales are well captured. Abbas Ali Moghul's action is dated. Tariq Umar Khan's production design is as per the requirement of the film. Same goes for Dipika Lal and Anirudh Singh's costumes. White Apple's VFX is decent. Chandan Arora's editing is sany complaints. On the whole, SATELLITE SHANKAR is a well-intentioned flick but poor script and direction play spoilsport. At the box office, it’ll have a tough time because of lack of awareness.

Bollywood is already drooling over the elder Kaushal brother. Vicky Kaushal, from a humble debut with MASAAN, is now the dark horse that filmmakers look up to. In that light, here’s Sunny Kaushal, who hasn’t exactly made it big yet, but looks consistent with his efforts. After his debut stint SUNSHINE MUSIC TOURS AND TRAVELS which didn’t quite hit the gold spot and a brief appearance in GOLD, here’s he, with his third outing, a dance drama. Does BHANGRA PAA LE turn out to be the game-changer, or does it not? <img class="aligncenter size-full wp-image-1058602" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Bhangra-Paa-Le-1.jpg" alt="" width="750" height="450" /> BHANGRA PAA LE revolves around Jaggi (Sunny Kaushal), a Punjabi lad and a vehement Bhangra enthusiast. He gets through to an international competitive platform and needs to win it over other contestants to exhibit the dance form to a larger audience. However, Jaggi isn’t your regular Bhangra guy. He is also trying to transcend beyond a set dance form and bring flavours of fusion by merging Bhangra with several Western dance forms. Parallel to this runs a story of Jaggi's grandfather Kaptaan Singh (Sunny Kaushal), a warrior fighting the World War II. As it sounds, it is also about how different generations are bound together in the essence of evergreen music and dance. Then comes Simi (Rukshar Dhillon), not as Sunny’s dreamy romantic companion but as his rival. A feisty Punjabi girl with a strong grip of Punjabi folk steps, she is the daughter of a single mother. Will Jaggi manage to win the competition, will his passion for bhangra rub off on the audience is what the rest of the film is? The story (Dheeraj Rattan) shuttles between two different time periods, trying to strike a chord with similar kinds of love, loss and agony. However, the depiction is rather forced. As a soldier who wants to come back home to his ladylove, Sunny is relatably nice. As a college guy who is unable to accept his defeat, he doesn’t impact us much. While the idea of an enthusiastic dancer upholding his art sounds good, the script, in reality, is entangled. It slips off its pace at times, and seems to focus too much on the dance part, therefore not maintaining its compactness. Also, if you are someone who has watched LOVE AAJ KAL, you will probably end up finding a gallon of similarities! BHANGRA PAA LE marks the directorial debut for Sneha Taurani, who has earlier assisted filmmakers such as Ayan Mukerji and Mohit Suri. Her approach towards the story is fresh, but the product turns out to be mundane in many parts. It’s one thing that BHANGRA PAA LE has no extraordinary plots to offer you, but Sneha’s attempt of spinning a predictable story could result in better things. Coming to performances, while the box office wasn’t kind to him in his first film SUNSHINE MUSIC TOURS AND TRAVEL, Sunny Kaushal's got the mettle. You can say that, looking at how he assimilates the energy, passion and determination that his character demands him to show. Adding to that, he has certainly put in noticeable efforts to master his steps. Rukshar is great to look at when she grooves, but she yet has a long way to go in terms of acting. Rukshar and Sunny’s chemistry doesn’t cook up either. Shriya Pilgaonkar has a brief part to play, and with her sober self. <img class="aligncenter size-full wp-image-1058601" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Bhangra-Paa-Le-2.jpg" alt="" width="750" height="450" /> The music has been worked upon, by young, off beat and talented composers such as A Bazz, Rishi Rich and Yash Narvekar. But, 10 songs in 2 hours felt like an overdose, and none of the songs really stay with you. Rather, the background score is neat and situational, and complements the moods. The cinematography (Jitan Harmeet Singh) is clean but adds no special value to the film. However, editing (Antara Lahiri) has saved the film to a large extent. If the time lapses went wrong, we’d probably be left confused as to who was doing what. On the whole, BHANGRA PAA LE is strictly average one-time watch with no remarkable performances. At the box office, it will go largely unrecognised.

Over the last three decades, Bollywood has come up with quite a few films on homosexuality like FIRE [1996], MY BROTHER NIKHIL [2005], EK LADKI KO DEKHA TOH AISA LAGA [2019], ALIGARH [2016], MARGARITA WITH A STRAW [2015] etc. Aanand L Rai and T-Series are now all set to bring SHUBH MANGAL ZYADA SAAVDHAN and unlike other gay-themed films, this one is light-hearted and looks quite commercial. Moreover, it stars Ayushmann Khurrana, who has become a brand in himself. So does SHUBH MANGAL ZYADA SAAVDHAN manage to entertain? Will it succeed in becoming the first legitimate LGBT-themed hit film of Bollywood? Or does it fail to succeed? Let’s analyse. <img class="aligncenter size-full wp-image-1077035" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/02/Shubh-Mangal-Zyada-Saavdhan-1-26.jpg" alt="" width="720" height="450" /> SHUBH MANGAL ZYADA SAAVDHAN is the story of two men in love in Section 377 era. Aman Tripathi (Jitendra Kumar) is the son of Shankar Tripathi (Gajraj Rao) and Sunaina (Neena Gupta), who are based in Allahabad. Aman works in Delhi and unknown to his family, he's a gay and is living in with Kartik (Ayushmann Khurrana). Jitendra's cousin sister Goggle (Maanvi Gagroo) is getting married and Neena calls Aman to come back to attend her marriage. Aman at first refuses but then gives in. Kartik also joins him and they meet the entire Tripathi family in a marriage special train called Vivah Express. In the train, Aman and Kartik kiss when they assume that no one is looking. Sadly for them, Shankar sees them and he gets the shock of his life. He doesn't tell anyone about it out of shame. At Goggle's marriage, Aman, in front of everyone, kisses Kartik, thus astonishing the Tripathi family. Thanks to this development, Goggle's to be husband refuses to get married. In anger, Goggle runs away. Kartik is asked to leave and Shankar's brother and Goggle's father Chaman (Manurishi Chadha) drops him off to Allahabad station. At the railway station, Kartik bumps into Goggle and stops her from ending her life. She tells Kartik that he shouldn't run away and that he should fight for his love. This motivates Kartik and he decides to return to win over not just Jitendra but the entire Tripathi family. What happens next forms the rest of the film. Hitesh Kewalya's story is decent and had the potential to be a game-changer. Hitesh Kewalya's screenplay however is a big culprit. Under the pretext of making situations funny, he resorts to too many difficult-to-digest situations. This was prevalent in SHUBH MANGAL SAAVDHAN as well but there, they kept a nice balance. Here, the balance is just not there. The first half is still decent. But in the second half, it all goes downhill. Hitesh Kewalya's dialogues are witty but some of them are just over the top. It won’t be wrong to say that even the one-liners, which are supposed to be funny, take away the realism from the film. Hitesh Kewalya's direction is weak. The film has lot of subplots but he doesn’t put it together well. A major chunk of the film is about rift within the family and during such times, the principle homosexuality angle takes a backseat. Also, he should have succeeded completely in two aspects – comedy and messaging. Sadly in both these areas, he doesn’t do justice. Even the black cauliflower angle that provided laughs initially proved to be the biggest downer of the film in the climax. It gave a bad déjà vu of the ‘kala bandar’ angle of DELHI-6 [2009]. On the positive side, he handles few scenes with élan and some scenes genuinely raise laughs. SHUBH MANGAL ZYADA SAAVDHAN’s starts off on a funny note and the subplot of black cauliflower appears hilarious. Devika's (Bhumi Pednekar) scene too adds to the fun. The scene where Shankar Tripathi catches the lovers kissing brings the house down. Scenes like Aman kissing Kartik in full public view and Aman talking to his parents about dopamine and other such stuff keep the interest going. Post interval however, the film drops. The scenes are supposed to be funny but don't make you laugh. Also it becomes too preachy and unconvincing. The makers try their best to make things interesting but it doesn't work. <span style="text-decoration: underline;"><strong>Shubh Mangal Zyada Saavdhan | Public Review | Ayushmann Khurrana | Jitendra Kumar | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/shubh-mangal-zyada-saavdhan-public-review-ayushmann-khurrana-jitendra-kumar-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Ayushmann Khurrana shockingly is not in his usual form. He has always played the victim but here, he plays the instigator and an actor of his calibre should have hit the ball out of park. Shockingly, he goes overboard. The other bigger shocker is that his screen time is very limited. Believe it or not, Gajraj Rao has the maximum screen time followed by Jitendra and then comes Ayushmann! Gajraj Rao however is too good as always and performs as per the script. Jitendra Kumar fits the role to the T and few of his scenes in the first half are great. Neena Gupta is average. Manurishi Chadha and Sunita Rajwar (Champa) do justice to their respective parts. Pankhuri Awasthy (Kusum) is quite funny. Maanvi Gagroo raises few laughs. Neeraj Singh (Keshav) is decent. Bhumi Pednekar is passable while Gopal Dutt (Doctor in the train) is okay. Music is peppy and gels with the film. <em>'Pyaar Tenu Karda Gabru'</em> is the best followed by <em>'Arey Pyaar Kar Le'</em>, which is played in the end credits. <em>'Ooh La La'</em> comes at a great point while <em>'Mere Liye Tum Kaafi Ho'</em> is forgettable. The recreated version of <em>'Kya Karte The Saajna'</em> sounds great but is not utilised well. Karan Kulkarni's background score adds to the quirkiness of the film. Chirantan Das's cinematography is appropriate. Ravi Srivastava's production design is in sync with the film’s setting. Ankita Jha's costumes are realistic and special mention should go to Ayushmann’s look. Ninad Khanolkar's editing is sans complaints. On the whole, SHUBH MANGAL ZYADA SAAVDHAN is a decent attempt and makes an interesting comment on homophobia which exists in our country. At the box office, it has the chance to work with the urban audiences, especially the youth. However, it will be a challenge to bring in family audiences and the audiences from small towns and cities. The presence of Ayushmann Khurrana may give a boost to its collections.

Last month, SEBI had asked credit rating agencies not to consider any delay in payment of interest or principal loan amount arisen solely due to the nationwide lockdown conditions as a default.

The stress in the Indian mutual fund industry due to the pandemic impact deepened after Franklin Templeton MF decided to wind down six of its debt schemes. The lack of liquidity and redemption pressure compelled FTMF to take the extreme step.

In this economic environment, Mutual Fund houses are concerned about companies that are likely to delay and default in payments. Many companies have sought deferment/rescheduling of payment due to COVID-19 related disruptions. In order to minimize the resultant damage, market regulator SEBI recently provided temporary relaxation in valuation norms for instruments mutual funds hold.

SEBI has asked valuation agencies to avoid treating delays in payment of interest/principal or extension of maturity of a security as default for the purpose of valuation of money market or debt securities held by Mutual Funds, if it has been caused solely due to COVID-19 pandemic lockdown and/or in light of the moratorium permitted by RBI.

[Read: Will Mutual Fund Houses Act Against Companies Approaching Courts To Prevent Rating Downgrade Amidst COVID-19?]

"In view of the nationwide lockdown and the three-month moratorium/ deferment on payment permitted by RBI, a differentiation in treatment of default, on a case to case basis, needs to be made as to whether such default occurred solely due to the lockdown or loan moratorium", SEBI circular said.

SEBI has stated that in the above mentioned scenario, if there is any difference in the valuation of securities provided by two valuation agencies, the conservative valuation shall be accepted. This revised norm will be in effect until the RBI's period of moratorium.

However, AMCs shall continue to be responsible for true and fairness of valuation of securities.

Mutual fund houses have to mark the value of their assets based on valuations provided by valuation agencies appointed by AMFI.

At present, a debt or money market security is classified as 'Default' if the interest and/or principal amount has not been received on the day such amount was due; or when such security has been downgraded to 'Default' grade by a credit rating agency. Default denoted that the security is below investment grade.

This leads to mark down of the respective security and thereby impacts NAV of the scheme.

SEBI's move provides some relief in this regard. It will ensure that all fund houses follow a uniform approach while dealing with defaults/delay due to COVID-19.

Will it make investment in debt fund safe?

SEBI has not yet provided any moratorium on commercial paper and corporate bond repayment. According to a report published in Livemint, Rs 1.5 trillion worth of commercial paper and corporate bonds will be maturing in the first quarter.

As mentioned earlier, AMCs shall continue to be responsible for true and fairness of valuation of securities. But in the absence of rating downgrade from valuation agencies, fund houses cannot side-pocket their exposure to a defaulting company. Therefore, we may still see some write-offs if the AMC finds recovery to be difficult even after the relaxation period.

COVID-19 has impacted businesses across sectors. Some sectors such as NBFCs were under stress even before the pandemic. The default risk has thus amplified.

The relaxation of valuation would delay the issue, but downgrades would arise subsequently. Spike in number of side pockets (by fund houses) may thus become imminent.

My colleague, Rounaq, rightly mentioned yesterday, losses the investors suffer will be directly proportionate to the stress, pressure mutual fund houses and their investors will face. Eventually retail and High Net-worth Individuals, particularly, will lose confidence and may not be keen to invest in debt funds.

What should investors do?

In these uncertain times, it would be wise sticking to liquid funds and overnight funds for the fixed-income part of your portfolio and avoid funds that take higher credit risk. Alternatively, if you prefer safety of capital, invest in Bank fixed deposits.

Choose a fund house that follows prudent investment process and stringent risk-management system.

Our friends at Quantum Mutual Fund have highlighted the secret behind their debt management strategy, which has helped them provide safety and liquidity to investors when it comes to investing in quantum funds. Don't Worry, Quantum Liquid Fund always aims for Safety and Liquidity.

SEBI has time and again taken steps to tighten norms for debt funds. As an investor, if you take portfolio risks, align it with your own risk appetite and financial objective.

PS: If you wish to select worthy mutual fund schemes, I recommend you to subscribe to PersonalFN's unbiased premium research service, FundSelect.

Additionally, as a bonus, you get access to PersonalFN's popular debt mutual fund service, DebtSelect.

If you are serious about investing in a rewarding mutual fund scheme, Subscribe now!

Author: Divya Grover

This article first appeared on PersonalFN here.

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PersonalFN is a Mumbai based personal finance firm offering Financial Planning and Mutual Fund Research services.

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Former Slovak tennis star Daniela Hantuchova has launched her own podcast, The Real DNA, where she plans to have people who have inspired her, as guests on her show. After retiring in 2017, Daniela, 37, has been a tennis commentator for the past couple of years.

"The reason behind launching a podcast was that I love to communicate and learn from all the inspiring people I have in my life. I thought it would be nice to able to share their stories and their real DNA with our listeners. At the end of the day, one of the things I cherish the most in life is being able to sit down and have a cup of coffee with people I love, my family, friends, and people I admire, and listen to their stories and their experiences in life," she was quoted as saying by Tennis World USA.

"I believe the most inspiring people I've encountered in life share certain core values as humans that have helped get them where they are, whether in sports or somewhere else. I want my listeners to get to know these people and understand those core values," she added.

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Tennis ace Sania Mirza said that one needs to be more sensitive while coaching young female sportspersons. Speaking in the All India Tennis Association and the Sport Authority of Indias digital Coachs Education webinar on Wednesday, Sania said that coaches need to be sensitive of the hormonal changes that girls go through while working with them.

"My dad always tells me that to work with a woman tennis player is a lot trickier and a lot more mental because I do think that there are a lot of issues that girls go through, especially when they are adolescent," said Sania.

"There are so many changes that are happening, internally in your body and externally as well. You are trying to be the best tennis player that you can be while there are so many hormonal changes happening as well, and it happens throughout the life of a woman.

"You can be a little bit more sensitive to their needs and the way they are because a lot of the times they are just trying to discover who they are, while they are also trying to be a tennis player. It can be a pretty tough job."

33-year-old Sania made her comeback to tennis this year after giving birth to her first child. She won the Hobart International in January before playing an integral role in helping India seal a historic playoff spot in the Fed Cup.

"Just the way I have managed everything else, I could manage both tennis and motherhood. I am lucky enough to have enough help around me as well, that is a huge plus point for me. My mom and my sister have played a huge part in giving me as much help as possible," said Sania on being asked about how she is managing the twin-role of mother and professional tennis player.

"A lot of people questioned it even when I was trying to make that comeback, how did you find time to lose so much weight. There's so much that happens with your body after you give birth. You just have to, sort of, adapt, find a way to take out two hours from your day to work-out and try to find that balance. It's also good for your own sanity as well, to find time for yourself."

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The three-day annual "Winter Fest 2017" took off here with fanfare on Friday with the city coming alive with colourful cultural and folk performances as well as traditional sports activities for visitors and tourists. The quintessential hospitality and warmth of the local people -- that Rajasthan has been known for -- further added to the cheerful disposition of the festival, being organised by the Rajasthan Tourism Department.

Representational Pic

On Friday morning, a grand procession with various cultural and folk performances, including Ghoomar, Gair, Kacchi Ghodi and Kalbelia, to the Nakki Lake marked the start of the festival.

Events like a football match, Tug of War and Musical Chairs between the locals and tourists were held in the afternoon. The evening had a scheduled performance of the best of European bands.

On Saturday, Day 2, a Boat Race will be organised on Nakki Lake. The other programmes, such as a Kite Show, Rangoli Competition, Matka Race, Dog Show, Turban Tying Competition and Best of Rajasthani Dress Competition, are scheduled to take place in the afternoon.

In the evening, there will be a live performance of the Army Band, followed by a stunning display of the Best of Rajasthan group performances.

On the third day, December 31, a marathon race has been planned from Polo Ground to Nakki Lake. There will also be a Horse Show and Kabaddi Match in the afternoon and in the evening, there will be a Rock band performance by the "All Events Mumbai", before a display of fireworks.

On all three days, as part of the festival, there will processions of various cultural and folk performances from Toll Naka to Nakki Lake.

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The Maharashtra Tourism Development Corporation (MTDC) is working on a tie-up between hospitality provider Airbnb and locals for offering home-stay to tourists visiting the Elephanta Caves island located in Mumbai Harbour. The policy aims to overcome the security concerns due to high security installations facing the island that does not allow construction of hotels and night stay.

Tourism Minister Jaykumar Rawal said the 29th two-day Elephanta Festival, beginning January 27, will be held on the island itself again. After the 2008 Mumbai terror attacks, the festival venue was shifted to the Gateway of India in south Mumbai. "Seventy years after Independence, the island is soon to get proper electricity connection depending upon the testing of the electricity meters," the minister said. Rawal said there are about 1,200 to 1,500 homes on the Elephanta island, also known as Gharapuri Island, located east of Mumbai.

The minister said no new constructions are allowed on the island due to high-security installations of ONGC and the Navy. The Caves are declared a heritage site by the UNESCO and protected by the Archaeological Survey of India (ASI). Rawal said the government in a tie-up with the Mumbai Port Trust and the Hindustan Petroleum Corporation Ltd (HPCL) is planning a cable car over the sea for travelling to the island. The island is expected to get proper electricity connection within a week's time.

"The Elephanta festival will coincide with the culminating phase of the Mumbai Shopping Festival that will end on January 31," he said, adding that the Elephanta fest will comprise activities like treasure hunt at Elephanta, a sculpture and a painting contests with prize money. Besides this, the festival will have art, dance and music performances by Zia Nath, Sangeeta Trivedi, Sumeet Nagdev, Hans Raj Hans and others, Rawal said.

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What is life if full of care, you have no time to stand and stare. To ensure that you stand and stare at the beauty that is the Western Ghats, Mapping Journeys is organising trekking, rappelling and cliff traversing at the Duke Nose peak of Khandala for four consecutive days, on the fourth edition of The Duke Nose Festival.

"There will be an 8 am pick up at Lonavala station, from where we'll proceed to the Duke Nose base camp for breakfast, followed by an hour-long trek to the peak. There, our technical team will be ready with rappelling gear. The wall stretches to above 1,000ft and the first 350ft of rappelling will be downwards," says Veeral Raj, co-founder of the travel firm. "Next up is cliff traversing, which is a walk along a cliff overlooking a valley. The participants will be harnessed to a rope for safety," Raj explains.

He adds that the final sport is often an element of surprise for participants as people usually look forward to rappelling alone. With a technical team that boasts 12 years of experience in the field, Raj assures the trip is safe for first timers and for people across all ages. So put on those trekking shoes and head out for an adventurous weekend.

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"I feel second-borns don't get enough time with their parents, and are always jostling for space, so I had always planned a trip with Sairah," says former VJ and host Mini Mathur, of her show Mini Me, which has her traipsing around six European countries with her seven-year-old daughter. "In everyday life, kids get to know only a routinised version of you. But, when you travel, they see the real you. Now, she sees me as someone who can do anything - I am cool!"

Mathur and her daughter vowed to stay away from a touristy itinerary, and planned on getting the local flavour right - "so we travelled by train, air, cruise, cycle, and stayed everywhere from a vineyard and a luxury hotel to a youth hostel." Here, she recalls four experiences that she recommends every parent should try with their child. "The main thing to note is that one doesn't need to only go to kid-friendly places to have fun. Try new things and put your children in charge." For example, in Athens, Mathur gave her daughter the map and told her to navigate their way through. "We got lost, but then finding our way was also such an adventure. I now don't look at her as a child, but a best friend."

Eat, Eat, Eat
A lot of this trip centered around food. In Dubrovnik, Croatia, Sairah ate mussels for the first time. Initially, she exclaimed, "I don't eat creatures!" She is a very dal-chawal, vanilla ice cream girl, so I wanted her to try everything. In Rome, I told her to taste all flavours, and then if she still liked vanilla, it would not be because she didn't have options. In Venice, we sat at a farmer's market one day and just sampled cheese and meats all day. And in Barcelona, we ate paella!

Cycle through a city
Lucca, in Tuscany, is a walled city, surrounded by double walls on all sides. We got one of those adult-and-child bikes and rode all around the city. I had never got a chance in India to teach her to cycle, and so Lucca became that place. The weather was great and the whole experience was an exhilarating one.

Living on a Vineyard
In Rome, instead of doing the same old things like going to Trevi Fountain, we decided to live on a vineyard in Tarquinia, a tiny old city in Italy. We stayed with a family whose business is to make wines. And then his wife would cook all these different types of pastas for us. Sairah got to taste her first wine as well, as the winemaker said it's a tradition in Italy that the youngest child has to taste the first wine of the harvest. Well, when in Rome, do as the Romans do. Whenever Sairah remembers this, she wouldn't have a memory from a textbook, but will recall this from experience.

Pizza chase in Naples
We made a list of the top pizzerias in Naples (the birthplace of the Pizza Margherita) and went to taste each pizza, all in one day. The places were spread out, so we travelled by train. I discovered that my daughter is a Pizza Margherita connoisseur. At one place, I said that I thought the pizza tastes off, and she said yes, the sauce is undercooked! It was a learning experience.

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What pushes you to include indie sounds in film music?
It's exciting. We hear so much of template music each day. It sounds too similar, and gets boring eventually. Indie music gives you the edge to experiment and push the envelope. I follow my instinct.

Singer-composer Amit Trivedi

What will we hear at your performance at The Red Bull Tour Bus-Off The Roof gig?
I make alternate and mainstream Bollywood music, and you'll hear more of alternate sounds at this gig. I'll play music from Udaan, Lootera, Dev D and even Rukh [an upcoming film starring Manoj Bajpayee]. Mainstream songs will include tracks from Ayesha, Ishaqzaade and Shaandar. Divya Kumar, Arun Kamath and Yashita Sharma will accompany me. Expect a bit of Coke Studio-kind of sound as well.

What was it like working on Secret Superstar and Rukh? And exchanging notes with Aamir Khan?
I dealt with two different worlds. While Secret Superstar is the story of a mother and daughter, Rukh is the story of a father and son. The songs in Secret Superstar are from a 15-year-old's viewpoint. They are light and breezy; it can't be party music. Now, this is something important - a lot of people complain on social media about their dislike for a song. What they don't understand is that we make music for cinema, which is storytelling and where characters are involved. It is not necessary that every film needs to have a blockbuster song. And that's the beauty of Aamir Khan [producer of Secret Superstar]. He puts all his energy into every aspect of the film. Usually, the songs that get popular are romantic or melancholic, or club songs; this film has none of it.

Do you take social media seriously?
Earlier, there was a gap between the celebrity and the audience. Now, it's seamless. Everybody has a phone and an opinion. And this access is taken for granted. People say whatever sh*t they want. So, I just look at the good side of it. Bombay Velvet was a commercial disaster but till date, I get good reviews for the music.

Tell us about your interest in folk music.
When I was a kid, my mom would sing a lot of Gujarati garba songs. The environment [to nurture music] was appropriate. I've got many favourites - Tara Vina Shyam, Kaho Poonam Na Chand Ne, Sonal Garbo Shire, Ek Vanjari Julan Julti Thi, Krishna Bhagwan Halya Dwarika Ne.

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Anoushka Shankar, who scored the recently restored silent film, Shiraz, recalls the challenge of the task, her upcoming India tour with the film and why Mumbai will always remain special

An emperor's love for his queen was immortalised in white marble in 1653. Three centuries later, when cinema was still at a nascent stage in India, the Taj Mahal and the love story of Shahjahan and Mumtaz Mahal became one of the earliest subjects to be celebrated on the big screen with Franz Osten's silent classic, Shiraz (1928). Almost 90 years on, the film starring Himanshu Rai, Charu Roy, Seeta Devi and Enakshi Rama Rau was restored to its former glory by the British Film Institute (BFI), in a manner most fitting.

The music for Shiraz is a blend of Indian and western instrumentation

While sitar player and composer Anoushka Shankar was invited to score the music of the film, she will also present a live performance, alongside a screening in four Indian cities, being brought here by the British Council and BFI.
We spoke to Shankar about what went into reliving an era musically. Edited excerpts from an interview:

How did a project of this nature come about?
The BFI undertakes frequent film restoration projects, and in 2017, as part of the UK-India Year of Culture, they decided to work on Shiraz. When they asked me to do the score, I was thrilled. I had been wanting to start scoring films for some time. And this seemed like a lovely fit with my musical background and skill set.

Stills from the restored film

How did you approach the music for a silent film?
It's much more challenging to score for a silent film because there's no conversation, and this means it needs constant music. The sheer volume of output required was huge. While we tried to give a feel of the time in which the film is set and the time in which it was made, we also wanted the audience to enjoy a cinematic effect in the music with a rich, modern sound. In some ways, it's been the most creative process that I have been a part of. I found it incredibly fulfilling.

Shiraz: A Romance of India. Pics/British Council and BFI

What does the music sound like?
We are an eight-member orchestra, and it's relatively evenly spaced out for the Indian and western instrumentation. We've used Indian percussion, the bansuri, sitar, cello, piano, violin, clarinet and some elements of live electronic music as well. It's a long film of an hour and 47 minutes, and throughout the duration, I have tried to create variety. For example, the opening piece is purely classical and then, within the course of the first half hour, we move to a different soundscape. When scoring the film, I knew it was going to be a live show as well and I was mindful of making music that people would want to sit and listen to and watch as a show.

How has composing music for Shiraz impacted you as a musician?
Whenever I take up any music project, it involves a mix of something that I have to offer, but also an opportunity where I can learn and grow. With Shiraz, I have grown a lot as a composer. I have learnt how to orchestrate my own music for an ensemble within a western harmony, in a way that allows Indian music to stay. I have also learnt a lot technically.

Around the time Shiraz premiered in London, the Taj was called a blot on Indian culture by an Indian politician...
If you take out the politics and think of it in terms of people, it's like one person putting another person down in order to make himself feel bigger. There is a lack of confidence in that. If someone is a fantastic human being in a way that's different from me, it doesn't make me a bad human being. We are different, but we can both be wonderful. As a culture, we have so much diversity in our history that there is room to celebrate everything.

How do you look at Mumbai as a performance venue?
Mumbai is a place that I have been coming to since I was a child. As a classical musician, it's such an important city. I have had years of memorable concert experiences here with my father initially, and with my own work in more recent years. I am always happy to play for Mumbai. It's a kind of place where you get a cosmopolitan audience that listens to diverse types of music.

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