Savannah, GA United States - High School Diploma or GED required. General knowledge of applicable regulatory requirements and customer specifications. Must know how to use a multimeter. Entry level position. Six (6) months accredited schooling in aviation electronics or general electrical exper... View

Savannah, GA United States - High School Diploma or GED required. Two (2) years of accredited schooling in aviation electronics or two (2) years related work experience required or, an avionics certificate from an accredited school and (1) year of related work experience. Knowledge of applicable r... View

Mortgage rates are at their highest levels in 22 years and house prices are at record highs. Hardworking Americans cannot get on the property ladder, and retirees are struggling to sell in order to downsize. The Biden administration has done little to help alleviate the problem. This Washington Examiner series, Home Economics, will investigate how we got here, the toll on people around the country, and the alternatives people are embracing to survive the market. Part one of this four-part series focuses on the risk the crisis poses to President Joe Biden's reelection effort.

Soaring mortgage rates have combined with high housing prices to push homebuying out of reach for many people, causing major knock-on effects on their lives.

Mortgage rates are at their highest levels in 22 years and house prices are at record highs. Hardworking Americans cannot get on the property ladder, and retirees are struggling to sell in order to downsize. The Biden administration has done little to help alleviate the problem. This Washington Examiner series, Home Economics, will investigate how we got here, the toll on people around the country, and the alternatives people are embracing to survive the market. Part three of this four-part series focuses on the supply side problems in the housing market.

Mortgage rates are at their highest levels in 22 years and house prices are at record highs. Hardworking people cannot get on the property ladder, and retirees are struggling to sell in order to downsize. The Biden administration has done little to help alleviate the problem. This Washington Examiner series, Home Economics, will investigate how we got here, the toll on people around the country, and the alternatives people are embracing to survive the market. The last part of this four-part series focuses on the alternatives to traditional fixed-rate mortgages gaining new consideration among prospective home buyers.

There's no surer way to start a fight than to talk politics with someone who disagrees with you. But UCSB psychologist Tania Israel says it doesn't have to be that way. She sees as an opportunity to help bridge America's political divide.

John Hopfield dreamed up the modern neural network while at Caltech. Geoffrey Hinton built on it, creating an AI firm that Google bought for $44 million.

Campus police are scanning hundreds of images and using facial-recognition technology to identify the attackers. Similar tools were used to identify Jan. 6 attackers.

Scientists modified Toxoplasma gondii to deliver a potential Rett Syndrome therapeutic to the mouse brain. 

Discover how automation increases the efficiency and reliability of blood-based liquid biopsy assays.

In this symposium, an expert panel will discuss how sequencing and omics technologies enable unprecedented exploration of health and disease, from genetic disorders to cancer. 

Happy Soft Cock Week to all who celebrate! by Dan Savage We’re giving you a break from whatever stressful stuff is going on this week to bring you some of the more…interesting calls we’ve collected. A man’s girlfriend wants to try saline injections on her breasts for a “24 hour boob job.” The question is, can he safely do the injecting? A woman’s cat is grieving the loss of her longtime companion, a small dog. Now the kinky feline is demanding unspeakable rough treatment and her “owner” is neither G, G, nor G and does NOT consent. Happy Soft Cock Week to all who celebrate! Our guest is “professional cuddler” Michelle Renee, who is helping to launch a worldwide celebration of the penis in repose. She offers a kind and loving perspective on a topic that really needn’t cause so much anxiety. On the Magnum, Dan chats with Paul Rosenberg, founder and manager of Rain City Jacks, a private, non-profit jack-off…

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"These pigs locked me up to see what color I'd rot into!" by Suzette Smith

Like any fan of Seattle hardcore band the Blood Brothers, I have found myself at a show, pressed up against a wall of people, shouting the wrong lyrics to their songs. For instance, on their hit "USA NAILS" there's a hook where you think you're singing a cheer-style "one, one, and two!" but the lyrics are actually: "These pigs locked me up to see what color I'd rot into!"

The energetic screamo group was active from 1997-2007, during which time they released five critically-acclaimed albums, completed several European tours, and even played a set on Jimmy Kimmel Live, overcoming the reservations of the show's freaked-out producers. Perhaps the best indicator of their success is the fact that their US reunion tour—which hits Seattle on November 14 and 15—is selling out in several cities.

Ever ones to cut the bullshit, Blood Brothers don't have a new record; they're playing the fucking hits. Still, the tour is timed with Epitaph's anniversary reissue of one of their biggest albums Crimes (2004) on vinyl.

When we sat down to talk to Johnny Whitney, who fronts the band with fellow singer/screamer/guttural whisperer Jordan Blilie, he noted that plenty of lyrics websites list incorrect verses for Blood Brothers songs. "It's hilarious how wrong some of them are," Whitney said. "The lyrics on Spotify are not even close to what I'm actually saying. Just buy the fucking CD, and look it up. Come on, people."

We spoke with Whitney and Blilie separately, over sprawling phone calls that we have organized into this piece. For clarity, we're listing their responses together, as we seek to get into the nitty gritty of this group's  danceable, screaming-nightmare material.

Foremost, Whitney and Blilie both began by gushing about the other three members of their band: frenetic drummer Mark Gajadhar, vigorous guitarist Cody Votolato, and ultra-versatile bassist Morgan Henderson, who is currently best known as a member of Fleet Foxes.

"I cannot fucking believe that I got to work with these guys," Whitney says. "I just took all those things for granted at the time. Everybody was, and still is, coming from totally different places [musically], but there was always something really special about all of us together that was there from the moment that we started."

THE STRANGER: Johnny, I've always gotten the impression that you're the major force behind the lyrics.

JOHNNY WHITNEY: I came up with the majority of the lyrics, but it certainly was collaborative between Jordan and I. I would freewrite as much as I could, to have material to draw from, and going back to those notebooks kept things as free and fresh and not contrived as possible. The drawback of that approach is the lyrics are very abstract and hard to parse direct meaning from, but that's also kind of the point. I found myself writing about the absence of answers, or the absence of concrete truths that you can hold onto.

A lot of times, my process would center around coming up with a cool idea: a song name or some common refrain that we would want to work into a song, like "Burn Piano Island, Burn." Something that has a hook or conveys an image or feeling. Then we would reverse engineer the lyrics from that.

JORDAN BLILIE: I would absolutely say that I felt like Johnny was the driver, and for good reason. He's really good. When you see someone who is in a flow state, you do your best to accentuate and collaborate, to help mold and shape and add your pieces. It was always stuff that I was really excited to dig into. It was just that rich and that vibrant. The challenge for me was what can I add to it, you know? It always pushed me to try and come up with the most creatively-inspired stuff that I could.

You two have such an engaging stage style. People would call it sassy, but that has always felt like a description from people who have never been to a play and can't recognize theater. Do either of you have a background in theater arts?

WHITNEY: I wanted to be a child actor—I actually auditioned for that movie Blank Check (1994). Actually, a year after Jordan and I met, we were both in a Jr. High production of Alice in Wonderland. He was the Mad Hatter, and I was the Mock Turtle.

BLILIE: Why would you say that? [Laughs]

"USA NAILS" was such a hit, and it involved a phone number everyone could scream. How did that come to be?

WHITNEY: The name and the "1-900-USA-NAILS" comes from the chain nail salon, but we reverse-engineered it into a song about somebody using their one phone call from the county jail to call a phone sex line. It's the idea of loneliness, disaffection, and parasocial relationships with things that exist solely for their own profit or gain.

And yet it's also danceable. There are these moments live where you have an audience of people shaking their asses and shouting "to see what color I'd rot into!" Did you start with that idea and work backwards, or just jam it into that moment of the song?

WHITNEY: At that time, the band would all sit together in a room and have a kind of song tribunal about how each part should go. Then, at some point, we'd have a semi -finished version and [Jordan and I] would just try to fit lyrics to the songs. Especially on Burn, Piano Island, Burn. Some of those songs needed an editor so bad, right? I wouldn't change a thing about it, but looking back, there are parts where it sounds like everybody's playing a different song at the same time, but it kind of works, right? And for the lyrics, sometimes we just had to make it work.

That wasn't the first time Jordan whispered his lyrics in a guttural tone, but it's one of the more emblematic, right? How did that start?

BLILIE: By necessity—I don't have much of a range, you know? I have this weird baritone. Very early on we were drawing from crust punk, where you just have two voices screaming. And we didn't put a whole lot of thought into even what the other person was doing. But then, as we continued to develop, the stuff became more complex, and there was more room for different sorts of shadings of what we could do vocally. So it was just finding out: What is it I can do other than scream at the top of my lungs?

WHITNEY: Jordan's part at the end just works right? He was very inspired by Jarvis Cocker.

BLILIE: Yeah, you can trace that right back to Pulp. If you listen to any Pulp song, there's gonna be some whispery storytelling, with the compression cranked up so you can kind of hear every lick of the lips.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/burn-piano-island-burn">Burn, Piano Island, Burn by The Blood Brothers</a>

BLILIE: Some of my favorite moments of writing with Johnny are the ones that we would where we would crack each other up.

Can you give an example?

BLILIE: Every lyric of "Guitarmy." We really got a kick out of the idea of opening our major label debut with the words, "do you remember us?" Because of the audacity, the absurdity of it.

So you guys all started this band when you were in your teens.

BLILIE: Yeah, we started when we were like, 15-16.

Are there any lyrics that have not aged well, in your opinion?

BLILIE: I'm sure they're the ones that we're not playing. [Laughs.] This question reminds me of something one of my professors said. It was my first class at UCLA, Queer Lit from Walt Whitman to Stonewall. In class discussions my fellow classmates would critique writing from the 1800s for not satisfying certain criteria, and our professor would say: You cannot look at the text backwards. You have to look at it forwards. You can't apply current day criteria to something that was written when that criteria didn't even exist. You have to engage with it in the context of when it was written. I don't think anything we wrote is in a canon warranting that level of examination, but it's useful nonetheless. It's a way for me to remind myself that I was 20, and I had the tools of a 20-year-old. It helps me to not beat myself up too much about it.

WHITNEY: There's a story behind this. When we were doing the song "Camouflage, Camouflage" on Young Machetes, Jordan and I were going back and forth on the lyrics. He was like, "Yeah, I'm great with all this." But he put a line through one verse, where I say: "All the girls in Montreal are smashing skateboards in the street." And I was just like: Fuck you, dude. I'm gonna keep this in. But he was right, because it sounds stupid, and it's like, really horny and makes me want to light my skin on fire. So I'm changing it to something else, probably something different every night.

I wonder about imagery in Blood Brothers' songs that seems to be responding to beauty standards at the time. Like, in "Ambulance, Ambulance" you've got this blistering segue to the chorus: "What is love? / What is scam? / What is sun? / What is tan?"

WHITNEY: That's a double meaning. Because it's like tan—like suntan—but also tan is a blah color, right? It's like the color of a dentist's office wall. If you think of the idea of love being something that could feel on-fire, passionate, the color of a dentist's office wall is the opposite. Although, tanning does come into play in a lot of our lyrics. I've noticed as well.

Or on "Beautiful Horses" the lyrics are "gallop into your romance novels / dance atop heavy pectorals."

BLILIE: I think we were seeing an increasingly vapid culture, and we were trying to dig into that—dig into: What does it do to someone when they're bombarded by these sorts of images and messages? There was a lot of that in that writing; I can't say specifically with "Beautiful Horses," but I think "Trash Flavored Trash," would probably fit under that umbrella.

<a href="https://thebloodbrothersofficial.bandcamp.com/album/crimes-bonus-track-version">Crimes (Bonus Track Version) by The Blood Brothers</a>

In "Rats and Rats and Rats for Candy" there's an ongoing narrative of rats living inside a woman. It's like a play. There are characters. And the rats eventually chew out of her and try to find a new body to live in. I wondered if that was also about beauty standards or body dysmorphia?

WHITNEY: That song, it's about that, but it's also about manipulation, right? Not to get too personal, but I grew up with somebody who weaponized being sick—faked being sick—for their entire life in order to manipulate people and extract something they needed out of them. The character in that song is kind of a victim, but like a siren at the same time. They're trying to lure somebody in.

Is that person the rats, or are they Candy?

WHITNEY: The rats are in Candy. I mean, it's both.

What about "The Shame?" Your group resonates so much with "everything is gonna be just awful / when we're around" that you're putting it on t-shirts 20 years later. What does it mean?

WHITNEY: The whole premise of that song is having to sell yourself—how to commoditize yourself. It's about how you function in a capitalist society. You sink or swim by your ability to market yourself, make yourself desirable—whether it be in relationships, job market, blah blah blah. I've always been repulsed by that and was especially at the time we wrote it, which was in Venice Beach, while we were recording Burn, Piano Island, Burn. It was the longest time I'd ever been in LA, and that's the epicenter of being a self-salesman. That line encapsulates the feeling of being sold something. And you're in a position where, in order to survive, you have to be your own salesman.

Salesmen show up in other songs, like "The Salesman, Denver Max." That's another one that almost feels like a short story.

WHITNEY: I initially cribbed the idea for that song's lyrics from the Joyce Carol Oates short story, "Where Are You Going? Where Have You Been?" It follows a narrative of a very dangerous, predatory man in the process of stalking and kidnapping somebody. “Denver Max” was a huge, uncomfortable gamble for me, because I wrote the entire song on my acoustic guitar, recorded it to a 4-track, and then played it for the guys—totally expecting them to hate it. It was really daunting to try to contribute as a songwriter; Cody, Morgan, and Mark are such talented musicians. I think they may have hated it; I don't really remember how we ended up recording it. It was nobody's favorite thing, but we just tracked it, and it sounded great and worked.

Have you read anything by playwright Caryl Churchill?

WHITNEY: Never heard of her.

"Live at the Apocalypse Cabaret" has a lyric in it that reminds me of her play Far Away, which has a scene of milliners making hats for people to wear at a public execution, so I always felt a symmetry there, because of the lyrics "the cross-eyed map of the afterlife is knitting tiny neck ties." 

WHITNEY: I'm going to be super honest, the songs that I'm the most familiar with the lyrics of, at this very moment, are songs that were going to be playing, because I've been rehearsing them. But I do remember, with that song, we were trying to be funny without being silly. Like, a cross-eyed map is a map that makes no sense, where you don't know where you're going. Knitting tiny neckties are noose ties. It's like dressing yourself up for death, right? It's trying to dress up something that's really heinous and horrible and incomprehensible, and also trying to navigate that, through a map that makes no sense.

At this moment you have cracked my understanding of a play you haven't even read. But I digress, I've read that "Celebrator" was a direct response to Toby Keith's "Courtesy of the Red, White and Blue."

BLILIE: That pumped up patriotism felt gross when taken in context with the images and much of the information that we were seeing come out of Iraq and Afghanistan.

Is that why there are so many mentions of amputated limbs on Crimes?

BLILIE: The bulk of Crimes was trying to engage with war so that's where you get a lot of that grizzly imagery.

Well, personally, it's so nice that you're touring right now. Blood Brothers are great for when you need to scream, but you can't. You can scream along to the Blood Brothers in your head, or out loud at a show.

BLILIE: I'm glad that we could be of service, in that regard. It's hard for me not to go into a really bleak mindset when I look at our current political landscape. I find myself equal parts enraged and terrified. And there are times when I have to just close all news down. I guess it is a good time to get up and scream.

The Blood Brothers play the Showbox Thurs, Nov 14 and Fri, Nov 15. Thursday's show is all ages, and Friday's is 21+. 

This story was originally published in our sister paper, Portland Mercury.

You don't have to wander around the internet long before bumping into a rave review of Fiona Apple's new record Fetch the Bolt Cutters: It has inspired breathless acclaim, has already been labeled a masterwork and is notably the first new album in nearly a decade that Pitchfork has assigned a perfect 10/10 rating…

There are only three rules in improv: Be mentally present in the scene, always make your scene partner look good, and approach every scene with a "yes and..." mentality…

A few things to know before heading to the relaunched fest. This weekend Volume Music Festival returns from hibernation to deliver two nights jam packed with 100 artists across 10 stages. It's a de facto sampler platter for the Spokane and Northwest music scene…

While he is not allowed to return to his family home, the former '19 Kids and Counting' star is reportedly granted unlimited contact with his six children as long as his wife Anna Duggar is present.

SFGate reviewers want the scene of Prince Charming kissing Snow White to be removed from the ride because he kisses her while she is sleeping and 'without consent.'

Fueling speculation that she's pregnant with her ex DaBaby's child, the 'Breakfast Can Wait' singer shares photos from her tropical vacation that only feature her from behind.

While he is not allowed to return to his family home, the former '19 Kids and Counting' star is reportedly granted unlimited contact with his six children as long as his wife Anna Duggar is present.

SFGate reviewers want the scene of Prince Charming kissing Snow White to be removed from the ride because he kisses her while she is sleeping and 'without consent.'

Fueling speculation that she's pregnant with her ex DaBaby's child, the 'Breakfast Can Wait' singer shares photos from her tropical vacation that only feature her from behind.

In this episode, Ida Grace demonstrates VO Starter, an iOS app specifically designed to assist new blind and visually impaired users in learning how to navigate their devices using Apple’s built-in screen reader, VoiceOver. The app offers step-by-step guidance, teaching basic VoiceOver gestures and simplifying the learning process.

VO Starter on the App Store
https://apps.apple.com/ca/app/vo-starter/id6455786629

transcription:
Disclaimer: This transcript is generated by AIKO, an automated transcription service. It is not edited or formatted, and it may not accurately capture the speakers’ names, voices, or content.

And good afternoon AppleViz.

This is Ida and it is currently 2 o' 5 p.m.

Central Time and I am here with a podcast tutorial on VoStarter.

This app is an app that teaches voiceover for iOS users.

It does assume some basic knowledge of voiceover, I've noticed.

The first couple lessons start out pretty simple, but then it quickly jumps into more advanced things.

So I will be demonstrating a few of the lessons and making some comments as I go.

So here we go, open VoStarter.

Ok. Welcome to VoStarter for iOS.

After completion of these tutorials, you will have been introduced to nearly all of the concepts associated with using voiceover on your iOS device.

To get started, simply double tap the screen with one finger.

This will begin the first lesson.

Good luck on your journey.

Ok that is the introduction.

You can also, if you don't want voiceover to read it to you, you can swipe over to the continue, I mean the listen button, sorry.

Welcome to Arctic to Gifts.

Good luck toolbar.

Listen.

Button.

Yeah this toolbar has a menu button which is where you go to select a lesson if you've completed this tutorial or if you want to skip ahead a little bit and later in the tutorial there is also a continue button that appears on this menu.

But for now, if we double tap on listen.

Welcome to VoStarter for iOS.

After completion of these tutorials, you will have been introduced to nearly all of the concepts associated with using voiceover on your iOS device.

To get started, simply double tap the screen with one finger.

This will begin the first lesson.

Good luck on your journey.

Ok here's what I don't like about this though.

Even when you're on the listen button and it says simply double tap the screen with one finger, well if I do that now from the listen button, it's not going to continue.

After completion of these tutorials, you will be introduced to nearly all of the concepts associated with using voiceover on your iOS device.

To get started, simply double tap the screen with one finger.

But not there.

This will begin the first lesson.

Good luck on your journey.

So what you have to do is swipe back to the left.

Now there's a lesson later in this tutorial on flicking which is also swiping but I'm sure most of you AppleVis users already know about swiping and double tapping.

So we're going to flick back to the left.

Menu.

Good luck on your journey.

Ok. Now, one thing I want to let you know is that because the continue button…

Author Vijay Mehta, Chair of Uniting for Peace, is giving a talk on his book on 5th March 2013 at University of Warwick

E-commerce platform Flipkart's logistics arm reported a more than five times surge in its net losses to Rs 1,718.4 crore last fiscal (FY24), compared to Rs 324.6 crore in the previous fiscal (FY23).

India's food safety regulator, FSSAI, has revised antibiotic residue norms for meat, milk, poultry, eggs, and aquaculture to combat growing antimicrobial resistance. Effective from April 2025, the new limits aim to ensure safer food products by setting stricter contaminant limits, amid rising concerns over antibiotic misuse in agriculture and healthcare.

India witnessed a surge in gig employment opportunities during the 2024 festive season, with over 1.2 million roles posted. This growth, a 23% increase from the previous year, was fueled by e-commerce expansion and a shift towards flexible work arrangements. Tier II cities are emerging as new gig hubs, while higher pay is attracting skilled professionals.

US President Donald Trump's second term may benefit India's electronics industry. The US plans to impose tariffs on Chinese electronics, encouraging companies to seek alternative manufacturing hubs. India, with its growing manufacturing sector, stands to gain. Experts believe this shift could lead to increased electronics exports from India to the US. However, concerns remain about India's capacity to handle the potential surge in production.

Although stakeholder discussions are still going on, the 5% cut of the total import quota will be implemented from April 1 of the upcoming fiscal. This cut is based on the data provided by the Directorate General of Commercial Intelligence and Statistics.

Sault, a new consumer electronics company, is set to significantly increase its sales volume by FY25. Focusing on tier-2 towns, the brand plans to expand its reach within western India and eventually target southern markets. Sault will incorporate in-house manufacturing for certain products while continuing partnerships for others, aiming for nationwide expansion and exploring digital sales channels.

Highlighting the brand’s expansion trajectory in terms of physical retail presence, Sanjay Sharma, Country Head of Shiseido India said that since launching with 15 touchpoints last year, NARS has already doubled its reach to 30 points in India and plans to double again in the next two years.

Net sales rose 40% to $301.1 million for the quarter ended Sept. 30, compared with analysts' average estimates of $285.8 million, as per data compiled by LSEG.

I'm a published writer with a completed script for a non-fiction graphic novel, but no-one to draw it. It's a real-world setting and cast with no fantasy or superhero elements. The story's a serious one, so the art needs to match that tone. Initially, I just need ten pages of finished B&W art (pencils & inks) to use as I pitch the project round suitable publishers. For the right artist this could grow into a paid commission for the full book. I'm happy to agree either a page rate deal or a 50/50 ownership split (including ancillary rights). The story has proven TV/film potential. If you'd like to be considered, please Metamail me with a link where I can find your samples and details of any comics work you've done before. Thank you.

Is there anywhere in the United States I can take an electronics intensive course anytime between mid-June and October? I find myself needing to learn quite a lot of electronics quite quickly. I would do better with structured learning than independent study. Is there anywhere in the US that offers an intensive course with substantial lab time that fits my schedule (mid-June through October)?

Bonus points for Hawaii, Upper Midwest/Great Lakes, Pacific Northwest, coastal Canada, or New England. Thanks.

Since a Minneapolis police officer killed George Floyd on Memorial Day, NPR has faced ethical challenges every hour of every day, including how to describe the killing, how to use the audio of Floyd's last words, how to document Floyd's life and how to describe the mass demonstrations. The best answer to every one of these questions is: embrace precision, be descriptive, use more words. The more this happens, the better the journalism. When news organizations, including NPR, sometimes fall short, it's usually because of an attempt to economize words. This week we received questions and complaints from a number of listeners about a variety of topics. I have summarized them across four general questions that I put to two senior editors and one host. Here's a breakdown of the most frequent questions and the answers I received: Why do hosts and reporters say, "George Floyd died in police custody?" It seems like an understatement. That phrase does feel incomplete, even weak, given that

There were two major assumptions about Latino voters throughout the presidential campaign: (1) a record number of Latinos would show up on Election Day to oppose Donald Trump's candidacy and (2) the anti-immigration rhetoric that launched Trump's campaign would push conservative-leaning Hispanics to flee the Republican Party. Neither of those assumptions entirely panned out as expected. Prediction 1: The Surge? True. A record number of Latinos did vote this November. But the truth is complicated. The official national exit poll, the one commissioned by the big media organizations, suggests the Latino share of the electorate was higher than ever before — about 11 percent, compared to 10 percent in 2012. "It's very possible that the Latino vote, while reaching a record, may have been swamped by other groups of voters," said Mark Hugo Lopez, the director of Hispanic Research at the Pew Research Center, pointing to states like Florida which Trump won. We won't know the percentage of

In November, the typically straitlaced Office of Government Ethics surprised observers with a series of tweets mimicking Donald Trump's bombastic style, exclamation points and all: "Brilliant! Divestiture is good for you, good for America!" The controversy was two-fold: (1) The OGE doesn't typically air its positions publicly, advising White House transition teams behind the scenes. (2) Trump hadn't promised the total divestitures of business interests implied by the tweets. New records shared with NPR on Friday show that behind the curious tweets was the head of the OGE himself, Director Walter Shaub Jr. In two emails, dated Nov. 30, just several minutes apart, Shaub sent to OGE Chief of Staff Shelley Finlayson the nine tweets that took the Internet by storm that day. He then followed up with a link to a legal document referenced in one of the tweets and writes: "Get all of these tweets posted as soon as humanly possible." The emails were part of a 365-page document shared with NPR in

America sure loves its electronics! The technologies continue to improve and there can be no question; it has made life more convenient. However, these items contain a number of contaminants and are an environmental hazard. WEMU's David Fair talked with Washtenaw County’s Director of Public Works, Theo Eggermont about increased efforts to recycle used electronics.

International Code of Signals Flags in the Browser – is an HTML/CSS implementation for the flags of The International Code of Signals (ICS), a system of signals and codes designed to communicate important safety and navigational messages when speaking is difficult, for use by vessels to communicate important messages regarding safety of navigation and related matters.

The project is published as open source, including a React plugin (ics-css-react) available in NPM, for all your phonetic alphabet enthusiasts who want to add flags to your site :)

[Link

Today, London Breed’s reelection bid for San Francisco Mayor may be vulnerable to an upset. Then, the joy of transforming into iconic characters. And we revisit one of our local haunts.

En 6AM estuvo Mauricio Lizcano, ministro de las TICs, y habló sobre como a nivel mundial se percibe a Colombia en el tema de la IA 

American Classics kicks off its 28th Season, celebrating the SUN (November 8 and 10, 2024), the MOON (February 14 and 16), and the STARS (April 11 and 13, 2025) season with "Here Comes the Sun.” “Sunny” Songs to be performed range from the era of parlor songs with "Wait 'Till the Sun Shines, Nellie," through Irving Berlin and Rodgers and Hammerstein, to Steve Martin with "Sun is Gonna Shine" from "Bright Star" and the Pink hit "Cover Me in Sunshine."...

Michael Smith, political science professor at Emporia State, shares his perceptions of the results of the November 5 election with University of Kansas professor Karl Brooks and Radio Active Magazine […]

The post A Deep Dive into the 2024 Elections with Kansas politics specialist Prof. Michael Smith appeared first on KKFI.

The British-Indian novelist and journalist spoke with Eleanor Wachtel in 2017.

CBC.ca presents the world of Politics .
Listen to Question Period. Participate in discussions about people, places and major decisions. Watch episodes of Power& Politics with Evan Solomon and read blogs by the CBC bloggers including Don Newman and Kady O’Malley.

This issue features a Special Technology Report looking in depth at the latest developments in the world of Printing and Labelling solutions.

Also included is a ‘Cover Story’: Gartner explains that by 2026, 30% of enterprises will automate more than half of their network activities, an increase from under 10% in mid-2023.

Business group Logistics UK has expressed its members’ mixed emotions about the new government’s first Budget. While the industry is reassured by the freeze in fuel duty, the hike in National Insurance contributions from employers and higher business rates, amongst other tax rises, will be a real challenge for a sector that operates on small margins.