We are in a dangerous place, the black and white areas defined by The Global Thinking Project…and the Fake News story.  We are in a dangerous place, where the term Fake News has been hijacked to censor out everything that does not follow the Global Thinking Project, which is basically a unilateral straight-.line-on-a-map dogma defining This Is How We All Think. The Internet was praised for bringing us a wide range of information in real time, enabling us to think for ourselves and choose our sources. I myself was one of the pioneers of Intervention Journalism, telling it as it is, as it really is, including my opinion sometimes, but outside the tidy little news package edited to follow the editorial line of the Mainstream Media, funded and financed and made viable by media companies which would not toss a cent to any publication deemed outside the little box. I would take great offence at being classified over the years as a vendor of Fake News, since I do a lot of reading and listening before starting to write and speak and only write when I am sure I know what I am speaking about.

On Monday, September 30, Russian President Vladimir Putin addressed the nation with a speech to commemorate the Day of Reunification of Donetsk and Luhansk People's Republics, as well as the Zaporizhzhya and Kherson Regions with Russia. When congratulating citizens of Russia on this "truly fateful event," he said that Russia had not abandoned "its brothers and sisters" in the Donbass region. The Russian Federation is the historical homeland of the Donbass, he said. Russia tried to achieve a peaceful resolution to the gravest conflict, but "the negotiations ended up with lies, forgery and deception on the part of Western elites that turned Ukraine into their colony, a military base aimed at Russia," the Russian leader added.

The title compound, [RuCl2(C25H22P2)2] or [RuCl2(dppm)2] (dppm = bis­(di­phenyl­phosphan­yl)methane, C25H22P2) crystallizes as two half-mol­ecules (completed by inversion symmetry) in space group Poverline{1} (Z = 2), with the RuII atoms occupying inversion centers at 0,0,0 and 1/2, 1/2, 1/2, respectively. The bidentate phosphane ligands occupy equatorial positions while the chlorido ligands complete the distorted octa­hedral coordination spheres at axial positions. The bite angles of the phosphane chelates are similar for the two mol­ecules [(P—Ru—P)avg. = 71.1°], while there are significant differences in the twisting of the methyl­ene backbone, with a distance of the methyl­ene C atom from the RuP4 plane of 0.659 (2) and 0.299 (3) Å, respectively, and also for the phenyl substituents for both mol­ecules due to variations in weak C—H⋯Cl inter­actions.

In the title complex, [Ru(C10H8N2)2(C6H6N2O)(H2O)](CF3SO3)2, the central RuII atom is sixfold coordinated by two bidentate 2,2'-bi­pyridine, an isonic­otinamide ligand, and a water mol­ecule in a distorted octa­hedral environment with tri­fluoro­methane­sulfonate ions completing the outer coordination sphere of the complex. Hydrogen bonding involving the water mol­ecule and weak π–π stacking inter­actions between the pyridyl rings in adjacent mol­ecules contribute to the alignment of the complexes in columns parallel to the c axis.

The structure of the title compound, [RuCl2(C7H10N2)2(C2H6OS)2], has monoclinic (P21/n) symmetry. The Ru—N distances of the coordination compound are influenced by the trans chloride or di­methyl­sulfoxide-κS ligands. The mol­ecular structure exhibits disorder for two of the terminal methyl groups of a dimethyl sulfoxide ligand.

The title compound, [Ru(C19H13N5)2](PF6)2·3C4H10O, was obtained from the reaction of Ru(bimpy)Cl3 [bimpy is 2,6-bis­(1H-benzimidazol-2-yl)pyridine] and bimpy in refluxing ethanol followed by recrystallization from diethyl ether/aceto­nitrile. At 125 K the complex has ortho­rhom­bic (Pca21) symmetry. It is remarkable that the structure is almost centrosymmetric. However, refinement in space group Pbcn leads to disorder and definitely worse results. It is of inter­est with respect to potential catalytic reduction of CO2. The structure displays N—H⋯O, N—H⋯F hydrogen bonding and significant π–π stacking and C—H⋯π stacking inter­actions.

The title compound, [RuGa2Cl6(C7H8)(CO)2] or [(CO)2(GaCl2)(η6-toluene)Ru]+[GaCl4]−, was isolated from the reaction of Ga2Cl4 with di­phenyl­silanediol in toluene, followed by the addition of Ru3(CO)12. The compound contains a ruthenium–gallium metal–metal bond with a length of 2.4575 (2) Å.

The title compound, [Ru(C12H14NO2)Cl(η6-C6H6)], exhibits a half-sandwich tripod stand structure and crystallizes in the ortho­rhom­bic space group P212121. The arene group is η6 π-coordinated to the Ru atom with a centroid-to-metal distance of 1.6590 (5) Å, with the (S)-2-(4-isopropyl-4,5-di­hydro­oxazol-2-yl)phenolate chelate ligand forming a bite angle of 86.88 (19)° through its N and phenolate O atoms. The pseudo-octa­hedral geometry assumed by the complex is completed by a chloride ligand. The coordination of the optically pure bidentate ligand induces metal centered chirality onto the complex with a Flack parameter of −0.056.

The title compound, [Ru(C12H14NO2)2(C12H8N2)]PF6 crystallizes in the tetra­gonal Sohnke space group P41212. The two bidentate chiral salicyloxazoline ligands and the phenanthroline co-ligand coordinate to the central RuIII atom through N,O and N,N atom pairs to form bite angles of 89.76 (15) and 79.0 (2)°, respectively. The octa­hedral coordination of the bidentate ligands leads to a propeller-like shape, which induces metal-centered chirality onto the complex, with a right-handed (Δ) absolute configuration [the Flack parameter value is −0.003 (14)]. Both the complex cation and the disordered PF6− counter-anion are located on twofold rotation axes. Apart from Coulombic forces, the crystal cohesion is ensured by non-classical C—H⋯O and C—H⋯F inter­actions.

The title compound, [RuCl2(C33H43N3O)], is an example of a new generation of N,N-dialkyl ruthenium catalysts with an N—Ru coordination bond as part of a six-membered chelate ring. The Ru atom has an Addison τ parameter of 0.244, which indicates a geometry inter­mediate between square-based pyramidal and trigonal–bipyramidal. The complex shows the usual trans arrangement of the two chlorides, with Ru—Cl bond lengths of 2.3515 (8) and 2.379 (7) Å, and a Cl—Ru—Cl angle of 158.02 (3)°. One of the chlorine atoms and the atoms of the 2-meth­oxy-N-methyl-N-[(2-methyl­phen­yl)meth­yl]ethane-1-amine group of the title complex display disorder over two positions in a 0.889 (2): 0.111 (2) ratio.

The back cover photo splash from Ruth Batchelor's album "Songs for Women's Liberation: Reviving a Dream"; Credit:

I’ve been a member of the LA Film Critics Association since 1999. LAFCA is a good group - collegial and filled with real movie lovers. But it has a problem.

It's a professional organization, meaning a baseline for membership is you have to have a job, and film criticism is overwhelmingly white and male. 78 percent of the top critics listed on RottenTomatoes are male, and women write only 18 percent of the major reviews. So LAFCA is like the profession itself: overwhelmingly a platform for white men.

It's trying to diversify. It has been for years. But how do you do that when the pool you draw from has a huge institutional bias? According to film critic Claudia Puig, "Criticism has been a white male dominated field for very long. And it continues to be. And not just white males, but middle aged."

Claudia is the current LAFCA president - and a legendary critic, who wrote lead reviews for 14 years at USA Today, and now appears regularly on KPCC’s Film Week.

"Very few movies pass the Bechdel Test. Women are often just girlfriends, wives, mothers. They don't get to have a story arc of their own. But if you had more women reviewing these movies, they would point out certain things that people might not notice as potentially offensive. Because we have been harassed, or we have experienced any number of things. It's something I've grappled with through my entire career." - Claudia Puig

I'm on a committee with Claudia for the LA Film Critics. The concept is to mentor young writers - to generate diversity, from the ground up. One idea is to have a scholarship for aspiring female film critics. We thought it would be good to name it after a prominent woman from the group's past.

So I went to Myron Meisel, who joined LAFCA in 1979, just four years after it formed, and I asked him, "Is there a woman you can think of who played an especially prominent role in the history of the LA Film Critics Association?" "Oh!," Myron said. "Ruth Batchelor was the founder and driving force..." "Wait, what?" I asked. "LAFCA was founded by a woman?"

"We weren't shocked. You had Ruth, who was very much concerned with creating a Los Angeles equivalent to the New York Film Critics Association. Which she largely pulled together by force of will. While Ruth was the moving force, you really can't discount her ability to martial the enthusiastic support of Charles Champlin as a co-founder, and the imprimatur of the Los Angeles Times behind him. Ruth had an enviable ability to make everything she undertook seem inevitable." - Myron Meisel

It's poignant, isn't it? And a little creepy. A prestigious group commits to gender diversity, and somehow, it doesn't have the institutional memory to know that the pivotal figure in its history was a woman.

How could we forget Ruth? Batchelor was nothing if not memorable. Before she became a pundit, she was a successful pop songwriter in the style of Neil Sedaka, or Goffin and King. She wrote dozens of songs, recorded by everybody from Phil Spector to the Partridge Family. She wrote Elvis Presley numbers, including "Cotton Candy Land," which might be the most hated track in the Presley catalogue.

But Batchelor also wrote "Where Do You Come From?", which is beautiful.

Elvis Presley performing Ruth Batchelor's "Where do you come from?"

Where do you come from, Ruth?

It wasn't easy to find out.

Batchelor's New York Times obituary was full of false leads. It said she was a critic for National Public Radio. She wasn't, but when NPR searched their archives, they unearthed a lead: a Film Comment article from 1982, where Batchelor is described as "Ruth Batchelor of National Public Radio's 'As it Happens.'" "As It Happens" airs on Canada's CBC.

So I placed a call. And I waited.

Meanwhile, I found a blog post about Batchelor as a songwriter on an excellent site called "Zero to 180 - 3 Minute Magic." The title of the post was riveting: "First 'Women's Liberation LP.'"

It turns out in 1971, Ruth Batchelor self-produced and financed a concept album called "Songs for Women's Liberation: Reviving a Dream." 

Myron Meisel told me about Ruth's earthy sense of humor, and it's right there in the first write-up's, where her working title is "A Quarter for the Ladies Room." A Billboard article from August 1971 quotes Batchelor about the album: "Right now I have an album of dirty Women's Liberation poems recorded, and I'm trying to sell the master." Then she laughs. "The last record company I recorded for folded."

Batchelor shopped her record. There were no takers.

But Batchelor proved unstoppable. She created her own record company and called it Femme Records. Then she put out what the leftist journal Broadside called "the first feminist record album," all by herself. "Reviving a Dream" is forgotten, bordering on lost. It's never been available for streaming, or released on CD.

Batchelor's record is a pastiche of radio styles from her era. There's Joan Baez folk, two drawling country laments, even some call and response stuff Batchelor probably learned from Phil Spector and his girl groups.

Are Batchelor's songs any good? They're amazing. Amazing just because they exist.

She fits into the churning sea of anonymous faces so seamlessly it takes awhile to realize: She's Ruth Batchelor. The woman who founded the LA Film Critics. A group currently struggling with gender diversity.

LAFCA prez Claudia Puig agreed to an interview knowing it had to do with LAFCA, but not what it was about. I played her Batchelor's song "Drop the Mop." Batchelor intended it as an anthem, scored to a tempo of marching feet.

The listen was awkward - like force feeding a roommate your iTunes playlist. Claudia took notes the whole time, to occupy her critical mind, but I could see when it ended that she was moved.

 "Yeah, it's a really interesting song," Claudia said. "My reaction is sort of...ummm..."

Claudia hesitated, looking for words.

"And this was the origin of the group. Yeah. It really kind of... It is really interesting. I'd never heard of her. She was right there, fighting that fight." 

"And here, we were looking for an avatar," I said.

"Right. Right. It means something. This is a really important discovery that you made."

A piece of the portrait was missing - an essential one. It came courtesy of Kevin Robertson, a producer for "As It Happens" at the CBC. Batchelor had been the show's "Hollywood Correspondent" in the early 1980s. There was audio in the archives. Kevin provided me with five MP3s.

Batchelor's CBC brand was gender traditional. She was the tinseltown gadfly, a niche created by Hedda Hopper and Louella Parsons in the 1930s. There was gossip about Burt Reynolds and Loni Anderson. Richard Burton's widow. Marvin Hamlisch. TV's "Gomer Pyle."

It was kitsch heaven, so I wasn't disappointed. Not exactly. But it was still a bit like listening to Wonder Woman try to be ordinary, because hey, we all gotta eat.

Ruth Batchelor's "Mr. Principal"

The LA Film Critics get a cameo in Batchelor's Oscar season broadcast, when she mentions her LAFCA Awards vote. For awhile, I thought that would be the only audio connecting the "As It Happens" Ruth Batchelor to the feminist fireball she wanted to be.

Then Batchelor starts riffing on "Partners," a buddy cop farce about a straight cop who goes undercover as a gay man. The film had sparked protests from the gay community. Batchelor is unsympathetic, which is surprising in a civil rights pioneer. Her reasoning is devastating.

"You know if women got angry every time there was a movie against women," Batchelor says, "there wouldn't be any movies."

Batchelor died of cancer early - she was just 58. 25 years later, men still direct most mainstream movies - 93 percent as of 2015. They have 70 percent of the speaking parts, and play 88 percent of the leads.

While women get to be naked twice as often in American movies.

Men review almost all movies too. Maybe that's why Ruth Batchelor founded the LA Film Critics. Because she lived in that world. She covered it. Spoke to it. Fought hard against it.

And then left behind a hidden legacy.

"She is our avatar," Claudia says, as our interview time runs out. "It sort of makes me want to redouble our efforts to honor her spirit."

This content is from Southern California Public Radio. View the original story at SCPR.org.

International Day for the Right to Truth concerning Gross Human Rights Violations and for the Dignity of Victims Today, on the International Day for the Right to the Truth concerning Gross Human Rights Violations and for the Dignity of Victims, we are sharing our interview with forensic anthropologist Mercedes Doretti, the Director of North and Central American Programs and Board Member of the Argentine Forensic Anthropology Team (EAAF), which she also co-founded. Doretti and her colleagues collect and analyze physical evidence of human rights abuses (which often includes identifying the remains of victims of grave human rights abuses and returning them to their families), and they regularly present their findings to tribunals and legal mechanisms around the world to secure justice for those whose rights to life and personal security have been violated.

It's a constant buzz in consumers' ears: what they should eat, what they shouldn't. From butter to eggs to bread, it's hard to tell what is true.

It’s no secret that MEP contractors deliver massive value on every project out there. In 2019 alone, MEP contractors generated 46.3% ($70 billion) of total revenue delivered by the ENR Top 600 Specialty Contractors.

In an exclusive event celebrating the enduring legacy of Ruth and Skitch Henderson, United Nations Accredited NGO Hunt Hill Farm is set to nominate esteemed American composer Kim Scharnberg as Goodwill Ambassador.

The international online conference "Global Crisis. Time for the Truth" is a large-scale event organized by volunteers from 180 countries on the platform of the Creative Society international project.

Considering the enormous economic and national-security impact involved in the restriction of fossil fuel consumption, it is time to take a serious look at why this is being done!

NATSAR ISRAEL's New Album

Hundreds of thousands of Americans have died due to drugs and the efforts to prevent drug abuse have not stopped this crisis. But underneath it all is a hidden tale of addiction, violence and the greed of those who profess their intention to help.

"It's very exciting and forward-looking for me and the Auction team to take the honor to present such rare pieces to worldwide collectors,'' says Jeff Schwartz, AKA, "The Liquidator", an international reality TV star and auctioneer.

TruGrit Roofing LLC, a family-owned and owner-operated roofing company specializing in residential and commercial metal roofing in Central Florida, has made a significant contribution to the community by donating a new roof.

Mary Ruth McDonald, PhD, is noted for pioneering contributions to plant pathology and integrated pest management

Ruth Jean Wilkins, EdD, leverages over 20 years of experience to help individuals attend college through THRIVE

Thomas M. Ruth recognized for adaptability and innovation in the product development sector

By Ginette Therrien

"Empowering Clients with Truth and Clarity in Complex Situations"

Kyle Jensen, associate dean at the Yale School of Management, has seen firsthand just how tempting it is for entrepreneurs to lie. As a startup founder himself, he says they have to be always "on" and ready to promote their venture. Another reason they’re incentivized to exaggerate is that while many startups fail, successes can become billion-dollar enterprises. Finally, Jensen argues, misrepresenting is relatively easy to get away with in a field of unproven potential. He talks through infamous examples of entrepreneurs distorting the truth and how to change startup culture for the better. Jensen is a coauthor of the HBR article "Entrepreneurs and the Truth."

After many months — building your own sites is hard! — I am finally able to launch truth-and-beauty.net, my new portfolio site! It replaces the old moritz.stefaner.eu, which now lives at archive.stefaner.eu, as I was not able to (and probably won’t) migrate all old contents over. A few notes on technology – I knew I […]

Organizer: Royal Roads University - Continuing Studies
Location: Online

A father offers his advice, opinions, and the many useful stories gleaned from his past experiences in order to help his beloved daughter not only survive, but thrive in the dangerous and unpredictable world of young adulthood. From the pen of a former abused child, drug addict, womanizing frat boy, and suicidal depressive, comes forth the emotionally stirring account of a young man's battle with crippling inner demons and his eventual road to enlightenment. Peter Greyson calls upon his wisdom as both father and school teacher to gently lead teenage girls through a maze of truth, deception, and adolescent uncertainty. Greyson's literary style sparkles with a youthful enthusiasm that will capture your heart and provide boundless inspiration. Dear Lilly is a survival guide that offers the brutally honest male perspective to young women struggling for answers to life's deepest questions. Topics include: Boys lie What every guy wants from his girlfriend Tales from the drug world Everybody hurts High school exposed

Jamestown, the Truth Revealed produces a vivid picture of the settlement that is far more complex, incorporating the most recent archaeology and using twenty-first-century technology to give Jamestown its rightful place in history and thus contributing to a broader understanding of the transatlantic world.

The author describes how her honeymoon was cut short when her plane crashed in the jungles of Peru, forcing her and her husband to try to survive aboard a makeshift raft as they made their way down the Amazon River to civilization.

Ruth Hill joins IFPRI as the new Director of the Markets, Trade, and Institutions Unit

Ruth Hill joins IFPRI as the new Director of its Markets, Trade, and Institutions (MTI) Unit, starting September 3, 2024. 

The post Ruth Hill joins IFPRI as the new Director of the Markets, Trade, and Institutions Unit appeared first on IFPRI.

On today's show, we're answering listener questions from the Planet Money inbox. Like, who really benefits from retail coupons? And why are goldfish so cheap?

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The shocks of the pandemic economy gave us a bunch of enormous natural experiments, which helped to prove or disprove conventional economic thinking.

Take, for example, the bullwhip effect, the idea that the further away from the customer you are in the supply chain, the more volatile your orders are likely to be. This theory played out at an enormous scale, in the pandemic. Consumers and companies overreacted to the risk of shortages by ordering more products and hoarding them, causing massive shifts in the supply chain – just like the theory says.

And the pandemic gave us a lot of natural experiments like this. So, on this special live edition of Planet Money, we looked for other big economic lessons from the past three years, and we took this information and turned it into... a gameshow! It's Two Truths and a Lie: Econ Edition. We get into questions about the workforce and labor market during the pandemic, and how it affected how economists view the world.

This episode was hosted by Mary Childs. It was produced by Dave Blanchard, and edited by Jess Jiang. It was engineered by Josh Newell with help from Robert Rodriguez. Original music by Jesse Perlstein.

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Toronto, ON — The Truth and Reconciliation Commission’s final report, tabled yesterday, provides an indelible pathway for our individual and collective need to heal and reconcile our past in order to move forward. Central to moving forward on an improved relationship between Indigenous people and Canadians is helping young Indigenous people and families meet and […]

This week, we hear a discussion about truth in storytelling. This episode is hosted by Kate Tellers.

Host: Kate Tellers

Storyteller: Dorothy Storck

Discussion: Kate Tellers, Sarah Austin Jenness, Jenifer Hixson

In this hour, stories of female strength and empowerment. Independence at any age, refusing to participate in sexist societal conventions, and the complicated layers of motherhood. This hour is hosted by The Moth's Executive Producer, Sarah Austin Jenness. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Storytellers:

95 year old park ranger Betty Reid Soskin squares off with an intruder.

Purity Kagwiria chooses a name for herself.

Timothy Bell discovers that there are more layers to his mother than meets the eye.

Musih Tedji Xaviere attempts to get her first novel published.

Nya Abernathy discovers who gets lied to the most: pregnant women!

In this hour, tellers who tell the truth and nothing but the truth, even when it's hard. Finding the right words in front of the president, in the face of the patriarchy, during a shocking encounter, and to pass on knowledge. This hour is hosted by Moth Artistic Director, Catherine Burns. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Storytellers:

David Litt channels his alter ego, "Lips," while working as a presidential speechwriter.

Nimisha Ladva sees the subtle ways her mother defies the patriarchal structure of her extended family.

Alexis Barton learns nothing good happens after midnight.

Sharon Salzberg's meditation teacher encourages her to use her voice and past experience to help others

Podcast: 657

Moment of Truth by Kerry Hallam is a(n) Limited Edition. The Edition is Limited to pcs

Charles Weir—developer, security researcher, and Research Fellow at Security Lancaster—joins host Giovanni Asproni to discuss an approach that development teams can use to create secure systems without wasting effort on unnecessary security work. The episode starts with a broad description of the approach, which is based on Weir's research and on a free Developer Security Essentials workshop he created. Charles presents some examples from real-world projects, his view on AI's impact on security, and information about the workshop and where to find the materials. During the conversation, they consider several related topics including the concept of "good enough" security; security as a product decision; risk assessment, classification, and prioritization; and how to approach security in startups, greenfield, and legacy systems.

YES! Executive Editor Evette Dionne previews the latest issue of YES! Magazine, themed around "truth."

Location: Main Media Collection - Video record 42351 DVD

The Black Projects: The Shocking Truth Behind Government Conspiracy Theories

Sydney Chase admits she has received the legal notice after it was initially sent to an email address she no longer uses, but she refuses to comply with the letter.

Sydney Chase admits she has received the legal notice after it was initially sent to an email address she no longer uses, but she refuses to comply with the letter.

Wrestling is being dropped from The Olympics. Richard Lutz remembers his high school career

Richard Lutz meanders through another miasmic week

What does the Bible really teach about angels? In this eye-opening article about the spiritual realm, Pastor Doug reveals amazing facts about these heavenly messengers, facts that will inspire you about God’s love and that will help you avoid falling into dangerous spiritual traps.