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Get My Illustration Prints on Society6

I just uploaded four of my illustrations (Koi, Peacock, Abstract Pheonix, and Japan 11-03-11) on Society6, a print shop that sell art prints on behalf of the artists around the world. You can get illustrations printed on various meterials: sketched canvases, posters, T-shirts, hoodies, laptop and iPhone cases.




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Cake Based on Phoenix Illustration

Check out this awesome cake made by Elena based on my Phoenix illustration. According to Elena, it took her about a week, 5 hours each day, to finish it. I’m amazed with the details and colors she input on the work. It depicts the features of the Chinese phoenix. The cake was for a local cake […]




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New Illustration: Redesign The Web

Below is the latest illustration, Redesign the Web Poster, that I did for Smashing Magazine’s poster design contest: Redesign the Web, Redesign the World. The work is done with Adobe Illustrator and then touched up with Photoshop.




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Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes”

Adobe Illustrator 2025 Splash Screen Illustration: TRÜF’s “Weird Fishes”

abduzeedo

Discover how TRÜF’s “Weird Fishes” splash screen for Adobe Illustrator 2025 celebrates creativity with vibrant, minimalist illustration.

The Adobe Illustrator 2025 splash screen opens with a statement: creativity meets minimalism. Designed by TRÜF Studio, the “Weird Fishes” artwork that greets users embodies Adobe’s tools while making an instant visual impact. This splash screen not only excites users about the app but also showcases Illustrator’s dynamic possibilities, creating a memorable start to the creative process. Here’s a look at the creative vision, tools, and collaboration behind this unique splash screen update.

“Weird Fishes”: A Showcase of Creative Tools

TRÜF’s “Weird Fishes” centers on playfully stylized fish, created using Adobe Illustrator’s updated typography and 3D tools, which highlight the 2025 release’s expanded capabilities. This splash screen is a celebration of how Illustrator can bring out unique textures, gradients, and typographic designs, making it feel like a blend of traditional and digital artistry. The design follows Adam G’s distinctive style—minimal yet quirky, with each element purposefully crafted to show off Adobe’s creative potential.

The splash screen, as Adobe intended, isn’t just a loading screen. It’s a reminder of what Illustrator users can “Dream Up.” As Alex Fernald and Gleren Meneghin, Adobe’s staff designers, emphasized, the splash screens are not only entry points into the app but connections to Adobe’s creative community. They bring in commissioned art, linking Illustrator users to other creators while inviting exploration of the software’s capabilities.

Balancing Art and Function in the Design

This splash screen’s journey began the old-fashioned way—on paper. This initial sketching phase gave TRÜF the freedom to experiment with the composition, exploring the balance of shapes and lines. Once refined, the concept moved into Illustrator, where TRÜF fully explored the software’s features to enhance the digital version. In a brief, 90-second process video, TRÜF showcased their workflow from sketch to the finished splash screen, a rare peek into how minimalist, impactful design comes together.

A User-Centric Approach to Illustration

Adobe’s splash screens, including “Weird Fishes,” are a result of ongoing feedback from users. Through surveys sent to product teams, Adobe designers Alex and Gleren learned the nuances that users valued in the loading screen—like minimal launch delays and artist recognition. This feedback shaped the design, ensuring the new splash screens would spotlight the artist while maintaining the program’s efficiency.

To make the splash screen visually immersive, Adobe made adjustments based on past feedback. The artwork was enlarged, and the artist’s name appears in a larger, bold typeface, creating a clearer hierarchy that celebrates both the art and artist. As the Adobe Spectrum design system evolved, so did the splash screens, aligning with modern standards while preserving Adobe’s commitment to showcasing diverse creative voices.

Reflecting Adobe’s Evolution with Modern Minimalism

Historically, Illustrator splash screens have evolved alongside the Adobe brand. From early versions in the 1980s, featuring iconic art references, to today’s community-focused pieces, these screens highlight a shift from static visuals to dynamic creative introductions. Adobe’s recent redesign, led by Fernald and Meneghin, reimagined this format to center both the artist and the Adobe brand, using clean type and colors while expanding the visual space for the artwork. This shift reaffirms Adobe’s mission to foster connections within its creative ecosystem.

The splash screens across Adobe products are meant to offer a consistent brand experience, but each one also tells a unique story, showcasing the latest in illustration and design through collaboration with Studio team artists. Adobe’s team expanded the artwork’s size, adjusting its specs back to 2019 dimensions to create a more immersive user experience. The Adobe wordmark in red stands beside the product name in black, emphasizing the connection between Adobe and its creative community.

The Legacy and Future of Adobe Splash Screens

“What’s next?” is a question Adobe’s designers are always answering. With the 2025 Illustrator splash screen’s debut at Adobe MAX 2024, Adobe introduced the latest evolution in Creative Cloud. These splash screens remain essential touchpoints, showcasing new work, enhancing user experience, and connecting each user to Adobe’s creative network.

TRÜF’s “Weird Fishes” invites Illustrator users to think beyond the ordinary. It’s a nod to the creative possibilities the software enables, a tribute to digital and analog techniques, and a reminder that every creative journey begins with opening Adobe Illustrator.

This splash screen illustration is a subtle invitation for creatives to make the most of Illustrator’s tools and capabilities, setting the stage for inspired design from the moment they open the app.

Illustration artifacts

Pillow manufactured by Adobe. Photo courtesy of Adobe




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Illustration for Impact: HART Curatorship Incubation Programme Visuals

Illustration for Impact: HART Curatorship Incubation Programme Visuals

abduzeedo

Discover Anthony Lam’s captivating illustration work for the HART Curatorship Incubation Programme 2024, blending art with purpose.

HART Collective Limited’s 2024 Curatorship Incubation Programme comes alive through a series of vibrant visuals and social media collaterals designed by Anthony Lam. This illustration project, aimed at amplifying the HART initiative’s reach, seamlessly combines creativity and purpose. Let’s dive into the thought process, design elements, and impact of these compelling illustrations.

Bringing Artful Storytelling to HART

The HART Curatorship Incubation Programme is more than just an event; it’s a platform that nurtures emerging curators and fosters artistic engagement in Hong Kong. For this initiative, HART Haus collaborated with Anthony Lam to create visuals that encapsulate the spirit of innovation and community central to the programme. With a focus on vibrant, eye-catching design, Lam’s illustrations breathe life into the promotional material, making the programme’s message resonate visually.

One of the striking features of this project is the careful choice of typography. The primary typeface used is Degular Display by James Edmondson from OH no Type Co. This choice lends a contemporary and approachable vibe to the design, complementing the modern and energetic illustrations. The type’s bold and clean lines create a sense of structure amidst the dynamic visuals.

Lam’s illustrations use a playful yet sophisticated color palette, striking a balance between the avant-garde and the accessible. The design approach draws heavily from art movements that emphasize form and rhythm, mirroring the essence of a programme that curates art as an experience. Each piece incorporates abstract shapes and flowing patterns that evoke a sense of motion, representing the evolving journey of curatorship and the fluid nature of artistic collaboration.

Illustration isn’t just about static visuals; it’s about telling a story that connects with an audience. For this project, Lam crafted designs meant to adapt seamlessly across multiple platforms, from print to digital media. The social media assets, in particular, utilize animations and interactive elements to capture the attention of a fast-scrolling audience. These designs ensure that the HART Curatorship Incubation Programme stands out in the crowded digital space.

The use of illustration as a core element of the visual identity allows for more flexibility and engagement. It provides a canvas where abstract concepts about art and curatorship can be expressed in a way that feels both authentic and exciting. Whether seen on a poster, a website, or a social post, each visual invites viewers to explore and learn more about the programme.

Illustration plays a crucial role in making art initiatives accessible to a broader audience. By employing a visually striking yet relatable design language, Anthony Lam’s work for HART bridges the gap between curators and the community. The visuals don’t just inform; they inspire curiosity and engagement, which is essential for an incubation programme that seeks to elevate emerging curators.

This collaboration also highlights the impact of thoughtful design in the arts sector. By leveraging illustration, HART Collective can convey complex ideas in a way that is immediately understandable and appealing. The choice of colors, the movement within the compositions, and the bold typography all work together to create a cohesive narrative that draws people in.

The HART Curatorship Incubation Programme’s visual identity showcases how illustration can elevate an arts initiative, making it more engaging and impactful. Anthony Lam’s designs prove that illustration, when done thoughtfully, can serve as a bridge between art and the public, turning viewers into participants and supporters.

This project is a reminder that effective visual identity goes beyond aesthetics; it tells a story that connects and captivates. As HART continues to grow its curatorship programme, the illustrations created for this year’s campaign will undoubtedly leave a lasting impression, drawing more people into the world of art and collaboration.

Graphic design and illustration artifacts

Credits




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Alternatives To Typical Technical Illustrations And Data Visualisations

Thomas Bohm rethinks technical illustrations and data visualizations, sharing interesting and uncommon examples of how to present data and information. Bar graphs and pie charts are great, but there’s so much more to explore!




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Something is killing the children. Volume 3 / written by James Tynion IV ; illustrated by Werther Dell'Edera ; colored by Miquel Muerto ; lettered by AndWorld Design ; cover by Werther Dell'Edera with colors by Miquel Muerto.

"As the House of Slaughter arrives to clean up the situation by any means necessary, Erica will find that the true threat to those around her isn't who— or what— she ever expected. And the cost of saving the day may be too high for anyone to pay … ." -- Description provided by publisher.




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Dune. House Atreides. Volume 1 / written by Brian Herbert & Kevin J. Anderson ; illustrated by Dev Pramanik ; lettered by Ed Dukeshire ; colored by Alex Guimarães ; cover by Jae Lee & June Chung.

"Set in the years leading up the Hugo and Nebula Award-winning Dune— 'Dume: House Atreides transports readers to the far future on the desert planet Arrakis where Pardot Kynes seeks its secrets. Meanwhile, a violent coup is planned by the son of Emperor Elrood; an eight-year-old slave Duncan Idaho seeks to escape his cruel masters; and a young man named Leto Atreides begins a fateful journey. These unlikely souls are drawn together first as renegades and then as something more, as they discover their true fate— to change the very shape of history!" -- Description provided by publisher.




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Firefly. Blue Sun rising. Part 1 / created by Joss Whedon ; written by Greg Pak ; illustrated by Dan McDaid, Lalit Kumar Sharma, Daniel Bayliss ; colored by Marcelo Costa ; lettered by Jim Campbell.

"Sheriff Mal Reynolds has a new partner— a law enforcing robot from the Blue Sun corporation, who doesn't care about motives, about mercy, about anything other than enforcing the law— no matter the cost. The Blue Sun Corporation has helped to run the universe from the shadows for years, but they're ready to step into the light and take over. If Mal wants to keep his job and protect his sector, the smart move would be to play by their rulebook. But for Mal, there's really one choice— reunite the crew of the Serenity for one last impossible job to save the 'verse. Greg Pak and artist Dan McDaid launch Mal & the crew of Serenity into their biggest war yet, officially continuing Joss Whedon's acclaimed series." -- Provided by publisher.




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Firefly. Blue Sun rising. Part 2 / created by Joss Whedon ; written by Greg Pak ; illustrated by Dan McDaid, Lalit Kumar Sharma, Daniel Bayliss ; inks by Vincenzo Federici ; colored by Marcelo Costa ; lettered by Jim Campbell.

"The stage is set for the final battle as the first ever Firefly event concludes, with Sheriff Mal Reynolds— yeah, he's still getting used to it too— making a choice that may cost him those he loves most, whether he knows it or not … Shocking losses lead to stunning decisions as Mal and the crew of Serenity must face the consequences of their choices in war against the Blue Sun Corporation. The 'Verse is changing in ways no one ever expected— and a new chapter of Firefly begins here." -- Provided by publisher.




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A hiss before dying : a Mrs. Murphy mystery / Rita Mae Brown & Sneaky Pie Brown ; illustrated by Michael Gellatly.

"Rita Mae Brown and her feline co-author Sneaky Pie Brown are back chasing mystery with their unique circle of Southern sleuths. And though the changing colors of fall are a beauty to behold, this year the scattered leaves hide a grim surprise. Autumn is in the air in the Blue Ridge Mountain community of Crozet, Virginia--and all the traditions of the changing seasons are under way. Mary Minor "Harry" Haristeen cleans her cupboards, her husband, Fair, prepares the horses for the shorter days ahead, and the clamorous barking of beagles signals the annual rabbit chase through the central Virginia hills. But the last thing the local beaglers and their hounds expect to flush out is a dead body. Disturbingly, it's the second corpse to turn up, after that of a missing truck driver too disfigured to identify. The deaths seem unrelated--until Harry picks up a trail of clues dating back to the state's post-Revolutionary past. The echoes of the Shot Heard Round the World pale in comparison to the dangerous shootout Harry narrowly escapes unscathed. Next time, it may be the killer who gets lucky. But not if Harry's furry friends Mrs. Murphy, Pewter, and Tucker can help it. Lending their sharp-nosed talents to the hunt, they'll help their mistress keep more lives from being lost--and right an injustice buried since the early days of America's independence. "As feline collaborators go, you couldn't ask for better than Sneaky Pie Brown."--The New York Times Book Review"-- Provided by publisher.




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Five nights at Freddy's. [2], The twisted ones : the graphic novel / by Scott Cawthon and Kira Breed-Wrisley ; adapted by Christopher Hastings ; illustrated by Claudia Aguirre ; colors by Laurie Smith and Eva de la Cruz.

"It's been a year since the horrific events at Freddy Fazbear's Pizza, and Charlie is just trying to move on. Even with the excitement of a new school and a fresh start, she's still haunted by nightmares of a masked murderer and four gruesome animatronic puppets. Charlie thinks her ordeal is over, but when a series of bodies are discovered near her school bearing wounds that are disturbingly familiar she finds herself drawn back into the world of her father's frightening creations. Something twisted is hunting Charlie, and this time if it finds her, it's not letting her go." -- Publisher's description.




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Catwoman. Soulstealer : the graphic novel / based on the novel written by Sarah J. Maas ; adapted by Louise Simonson ; illustrated by Samantha Dodge with Carl Potts and Brett Ryans ; colors by Shari Chankhamma ; letters by Saida Temofonte.

Selina Kyle returns to Gotham City as new socialite Holly Vanderhees, but she needs to outsmart rival Batwing to rise to the top of the city's criminal underbelly.




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Marvel-verse. Shang-Chi / stories by Fred Van Lente ; illustrated by Sal Buscema.

Wolverine seeks out Shang-Chi to train him in the skills necessary to defeat the savage Sabertooth! A class at Midtown High leads Shang-Chi into a team-up with Spidey against Midnight and his ninja army, and the wall-crawler asks for Shang-Chi's guidance on learning a little Spider-Fu! For years Shang-Chi has stepped in for Avengers missions, but when no one can match your speed or skill, sometimes it's best to work alone. When the Hand resurfaces he will show them why he is the greatest martial artist. But will the legendary Shang-Chi find himself in over his head in his newest adventure against Lady Deathstrike?




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Grumpy monkey. 1, Freshly squeezed / by Suzanne Lang ; illustrated by Max Lang.

"Jim Panzee is out for his usual Wednesday walk when he accidentally squishes his stress orange into orange juice. He and his friends must cross the jungle before all of the fresh oranges are gone." -- Provided by publisher.




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Donner dinner party : a pioneer tale / text and illustrations, Nathan Hale.

The Donner Party expedition is one of the most notorious stories in all of American history. It's also a fascinating snapshot of the westward expansion of the United States, and the families and individuals who sacrificed so much to build new lives in a largely unknown landscape. From the preparation for the journey to each disastrous leg of the trip, this book shows the specific bad decisions that led to the party's predicament in the Sierra Nevada Mountains. The graphic novel focuses on the struggles of the Reed family to tell the true story of the catastrophic journey.




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Cat ninja. [1] / written by Matthew Cody ; illustrated by Yehudi Mercado.

"Raised from a kitten by a kindly old ninja master, Claude now spends his days as the pampered house cat of an eleven-year-old boy. But when trouble arises, Claude dons his mask and springs into action as Cat Ninja— Metro City's secret protector." -- Provided by publisher




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Abraham Lincoln : Defender of the Union! / by Mark Shulman ; illustrated by Tom Martin ;lettering & design by Comicraft ; cover art by Ian Churchill.

"Considered by many historians to be the greatest American president, Abraham Lincoln led the Union at the greatest turning point in the nation's history. Abraham Lincoln: Defender of the Union! tells the story of one of America's most admired figures in graphic novel format. From his childhood on a farm in Kentucky to the battlefields of the Civil War, Abraham Lincoln served the United States with resolve, intelligence, and courage unlike that of any other president. Readers of all ages will be entertained and educated by the full-color illustrations and historically accurate narrative of this graphical biography." -- Provided by publisher.




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Alexander Hamilton : the fighting founding father! / by Mark Shulman ; illustrated by Kelly Tindall ; lettering & design by Comicraft ; cover art by Ian Churchill.

"A fascinating and entertaining biography of Alexander Hamilton, in graphic novel format. Alexander Hamilton: The Fighting Founding Father!tells the story of one of the most ambitious and controversial figures in American history in a graphic novel format. From a rough childhood on the Caribbean island of Nevis to the highest levels of American politics, Alexander Hamilton's life was filled with adventure, conflict, and controversy. Full-color illustrations and an entertaining narrative make this graphical biography of America's first Secretary of the Treasury accessible for readers of all ages." -- Provided by publisher.




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Amelia Earhart : pioneer of the sky! / by James Buckley Jr ; illustrated by Kelly Tindall, lettering & design by Comicraft ; cover art by Ian Churchill.

"When Amelia Earhart became the first woman to make a solo flight across the Atlantic Ocean in 1932, she immediately became an American icon and a subject of endless fascination for generations to come. In Amelia Earhart: Pioneer of the Sky!, the story of the bold and daring aviator's life is presented in graphic novel format, with full-color illustrations and historically accurate details. From her hardscrabble childhood to her final flight— and mysterious disappearance— Earhart's journey will entertain, captivate, and inspire readers of all ages." -- Provided by publisher




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Benjamin Franklin : inventor of the nation! / by Mark Shulman ; illustrated by Kelly Tindall ; lettering & design by Comicraft ; cover art by Ian Churchill.

"Benjamin Franklin has been called one of the most accomplished and influential Americans in history, and his role in shaping the United States has had a lasting impact that is still felt today. Franklin's research into topics as varied as electricity, meteorology, demography, and oceanography were as wide-ranging and important as his travels, which took him across the globe as a diplomat." -- Provided by publisher.




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Martin Luther King, Jr. : voice for equality! / by James Buckley Jr. ; illustrated by Youneek Studios ; lettering & design by Comicraft: John Rosell [and four others] ; cover art by Ian Churchill.

"A graphic biography of civil rights leader and American icon Martin Luther King Jr. This graphical biography tells the story of the most prominent leader of the American civil rights movement. With full-color illustrations and a historically accurate narrative, Martin Luther King Jr.: Voice for Equality! will inform and entertain readers of all ages. From his childhood in Atlanta to his rise as an international icon of human rights and a fiery orator who refused to back down in the face of adversity, King's life story serves as an ongoing source of inspiration." -- Provided by publisher.




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Penguins of America / James & Jack Patterson with Florence Yue ; illustrations by James Madsen.

"Penguins— our lovable, cute, flightless friends who are constantly dressed for a formal occasion— have always fascinated humans. As we shuffle through life one day at a time, it's easy to take things far too seriously, but when we see penguins taking a walk in our shoes it's impossible not to recognize how silly we can actually be. Featuring humorous illustrations with captions that show penguins in the day-to-day situations that we've all experienced— from a relaxing day at the beach to a stressful morning commute— PENGUINS OF AMERICA is a hilarious and charming send-up of daily life." -- from Amazon.com




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The Moth Radio Hours: Thrill Seekers, Wanderlust, and an Italian Stallion

This week, stories about adventures and thrills. Hosted by Sarah Austin Jenness. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.

Hosted by: Sarah Austin Jenness

Storytellers:

Mack Dryden

Janice Bartley

Brian Gavagan

Lex Jade

Lucy Hayward




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Chris Bensen with a Massive Raspberry Pi Cluster

In this conversation Oracle's Jim Grisanzio talks with Oracle engineer Chris Bensen about the massive Raspberry Pi cluster he was showing at JavaOne & Oracle CloudWorld in Las Vegas. The cluster was connected to Oracle Cloud and ran a variety of technologies, such as Java, Linux, Database, and more.

Chris Bensen, Oracle Developer Relations
https://twitter.com/chrisbensen

Jim Grisanzio, Duke's Corner Podcast Host
https://twitter.com/jimgris

Podcast Video
https://youtu.be/gNkSQIJfxjw

Dev Java
https://dev.java/

Inside Java
https://inside.java/

 

 




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CNN: World leaders ‘snub’ UN’s ‘lackluster’ climate summit COP29: ‘Striking list of leaders…won’t bother going at all’

https://www.cnn.com/2024/11/11/climate/cop29-climate-talks-trump/index.html Leaders snub another petrostate summit The COP29 talks were already shaping up to be lackluster. It’s the third year in a row that they’ve been held in a petrostate. Mukhtar Babayev, a state-oil company veteran, will preside over the event. More striking than the list of leaders making opening remarks is the list of […]




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Award-Winning Copper Projects Illustrate Expert Roof Restoration

Learn more about the four outstanding copper roofing projects that earned an North American Copper in Architecture award from the Copper Development Association.




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"Los políticos no quieren un pueblo ilustrado, quieren un pueblo tonto"

A los 6 años el mundo de Angélica se desmoronó. Perdió lo que más amaba y de la forma más cruel. Sus padres la abandonaron y se quedó sola en una ciudad desconocida. Lejos de su cuna originaria, una comunidad indígena del norte de Argentina, Angélica tuvo que aprender a sobrevivir y a defenderse de un entorno hostil que nunca antes había conocido. Era la antesala de un camino lleno de golpes, físicos y morales. Careció de todo: de alimento, de ropa, de libros, y de afecto, y ahora que ya es mujer solo quiere darse a los demás. Ella es la cacique de su pueblo, y la obra de la que se siente más orgullosa: una biblioteca popular.




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Safety in numbers - The benefits of clustering for manufacturers

Emperor penguins huddle together to share warmth and protect each other during the intense winds of the harsh Antarctic storms. Fortunately, it’s not just penguins that can benefit from huddling together. Here, Jonathan Wilkins, marketing director of obsolete industrial parts supplier EU Automation, explains why manufacturers form clusters around the world.




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Quantum Computers Are Like Kaleidoscopes, Helping Illustrate Science and Technology

"Quantum phenomena are mysterious and often counterintuitive."




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From Curve Fitting to Machine Learning An Illustrative Guide to Scientific Data Analysis and Computational Intelligence

Location: Electronic Resource- 




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Learn Adobe Illustrator CC for graphic design and illustration : Adobe Certified Associate exam preparation

Location: Engineering Library- T385.W55 2016




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Landforms of the Earth An Illustrated Guide

Location: Electronic Resource- 




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Nirvana Sued for Copyright Infringement Over 'Dante's Inferno' Illustration

The legendary band fronted by the late Kurt Cobain has been slapped with a copyright infringement by C.W. Scott-Giles' family over 'Dante's Inferno' illustration.




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Nirvana Sued for Copyright Infringement Over 'Dante's Inferno' Illustration

The legendary band fronted by the late Kurt Cobain has been slapped with a copyright infringement by C.W. Scott-Giles' family over 'Dante's Inferno' illustration.




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AppleVis Extra #96: Apple's September 12 "Wonderlust" Event in Review

In this edition of the AppleVis Podcast, Dave Nason, Thomas Domville, and Tyler Stephen get together to discuss Apple's September 12 "Wonderlust" Event.




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Diwali sees silver lining with 20 year sales record, gold lacks lustre

Indians purchased 220 tonnes of silver during this year's Dhanteras-Diwali. This is the highest amount in two decades. The surge in silver sales is attributed to its rising prices and its appeal as a safe-haven asset. Gold sales, however, declined by 15% this year. Experts predict silver prices will continue to rise.




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'Cucharita de pelo', la plataforma de la escritora e ilustradora Lizeth León




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Miguel Melo Zambrano “Mikel”, el joven nariñense ilustrador, caricaturista, soñador, visionario y empresario




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La idiosincrasia colombiana ilustrada en memes




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The Illustrated Children’s Guide to Kubernetes | CNCF




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Remember When: Sports Illustrated In 1995

It has been 29 years since Sports Illustrated released its swimsuit issue featuring supermodels, including Rebecca Romijn, Ashley Richardson, and Cheryl Tiegs, posing for shots in different locations throughout Bermuda. The multi-page spread entitled “Basking in Bermuda” was shot by Ron Labbe, with the text accompanying the photos including captions such as “There’s splendor in […]




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2018 Releases by Austin Authors and Illustrators

It's the eve of the Texas Book Festival so make sure you check out the festivities on the Capitol grounds! And here's a tentative list of projects from Austin authors and illustrators releasing next year! For previous years, go here.

Picture Books, Easy Readers, and Board Books

WHAT DO YOU DO WITH A VOICE LIKE THAT? by Chris Barton, ill. by Ekua Holmes (Simon & Schuster/Beach Lane 2018).

MIGHTY TRUCK: ON THE FARM, by Chris Barton, ill. by Troy Cummings (HarperCollins, May 2018).

MIGHTY TRUCK: THE TRAFFIC TIE-UP, by Chris Barton, ill. by Troy Cummings (HarperCollins, May 2018).

PENGUIN AND TINY SHRIMP DON'T DO BEDTIME, by Cate Berry, ill. by Charles Santoso (Balzer + Bray/HarperCollins 2018).

ABRAHAM LINCOLN'S DUELING WORDS, by Donna Janell Bowman, ill. by S.D. Schindler (Peachtree, 2018)

THE BOOK THAT JAKE BORROWED, by Susan Kralovansky (Pelican 2018).

COUNTING COLORS IN TEXAS, by Susan Kralovansky (Pelican 2018).

KATE, WHO TAMED THE WIND, by Liz Garton Scanlon, ill. by Lee White (Schwartz & Wade, Spring 2018).

FRANCES IN THE COUNTRY, by Liz Garton Scanlon, ill. by Sean Qualls (Neal Porter Books/Roaring Brook Press, Summer 2018).

DEAR SUBSTITUTE, by Liz Garton Scanlon, ill. by Chris Raschka (Disney-Hyperion, Summer 2018).

STALEBREAD CHARLIE AND THE RAZZY, DAZZY SPASM BAND,  by Michael Mahin, ill. by Don Tate (Houghton Mifflin Harcourt, 2018).

PAR-TAY: DANCE OF THE VEGGIES (AND THEIR FRIENDS), by Eloise Greenfield, ill. by Don Tate (Alazar Press 2018).

POTATO KING: THE STORY OF JUNIUS G. GROVES, by Don Tate (Knopf 2018).
 

Middle Grade

THE BOY, THE BOAT, AND THE BEAST, by Samantha Clark (Paula Wiseman Books/Simon & Schuster, Summer 2018).

KNOCKOUT, by K.A. Holt (Chronicle, Spring 2018).

DEAR ME (tent. title), by K.A. Holt (Scholastic, Summer 2018).

THE PARKER INHERITANCE, by Varian Johnson (Scholastic, Spring 2018).

THE CAMELOT CODE: THE ONCE AND FUTURE GEEK, by Mari Mancusi (Disney-Hyperion, Oct. 2018).

GIRLS WHO CODE: LIGHTS, MUSIC, CODE, by Jo Whittemore (Penguin Workshop, Spring 2018).

REVENGE OF THE TEACHER'S PETS, by Jennifer Ziegler (Scholastic, June 2018).

Young Adult

HEARTS UNBROKEN, by Cynthia Leitich Smith (Candlewick Press, 2018).

AVENGED, by Amy Tintera (HarperTeen, May 2018).





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What’s Wrong With Today’s Society Captured In 20 Brutally Honest Illustrations

This illustrator, John Holcroft, is genius! check out his website for more.

 




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Artsy Fart of the Day: Classic NES Games Turned Into Digital Papercraft Illustrations

Steph Caskenette made these awesome illustrations.




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Advice for young writers from Anna Lazowski, debut picture book author of T.REXES CAN'T TIE THEIR SHOES (illustrated by Steph Laberis)

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

----

Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.



  • Advice for young artists and young writers
  • BookADay

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Behind-the-scenes peek into picture book writing & illustration process with Hazel Mitchell (SWEET PEA SUMMER, Candlewick)

Hazel Mitchell has helped create more than twenty children's books, including her award-winning picture book Toby (Candlewick Press). Her illustrations appear in books by Cynthia Lord, JaNay Brown-Wood (Imani's Moon was mentioned on the Stephen Colbert show!), Lynn Parrish Sutton, Liza Gardner Walsh and others. You can find out more about Hazel and her work at HazelMitchell.com, Facebook, Instagram and Twitter.

Synopsis of SWEET PEA SUMMER (Candlewick):

During her mother’s absence, a young girl discovers the joys of gardening—and the rewards of persistence and a sharp eye—in a sweet intergenerational story. With warm, child-friendly illustrations and a simple narration, Hazel Mitchell tells a timeless story about holding on to hope in hard times and finding the strength and determination to see it through. A brief author’s note at the end offers a bit of history and a few details about sweet peas for aspiring gardeners.

Q. What inspired you to write Sweet Pea Summer?

My inspiration for the book were memories I have from staying with my grandparents when I was little (4-6 years old). They lived in a row of mill cottages in a Yorkshire town called Huddersfield. The town was born out of the wool trade and had many factories and tall towers, but was surrounded by beautiful countryside. I started to sketch my memories of staying with them - the cottage, the garden, the countryside with the moors and mill chimneys, the cats that were always scampering around, the long road that stretched away up a sloping hill to the town itself.

My granddad was an excellent gardener. I suspect this came from the war years in Britain when everyone grew their own food as much as possible. In my memory the garden was so, so long with a little greenhouse and was stuffed with veggies and flowers. Of course, my memory exaggerated everything. I was seeing through a small child's eyes. I even googled the road on Google Streetview and the cottage and the garden are still there, just much smaller than I recalled.

I decided there was a story in these sketches and my rememberings. I find that I'm often inspired by childhood memories, places and real life things, like my own dog who is the main character in the book 'Toby', also from Candlewick Press. I've even been known to use my house in books, or feature the landscape of Maine, where I live, and sometimes I draw objects from my home. it gives authenticity I think.

Q. What was the writing and illustration process like?

After some note making, more doodles and musing I decided on the main character of a girl. She's not exactly me. My sister also went to stay with my grandparents when my mother was ill and that was really the nugget that set me rolling. The girl is sad and missing her mother, so Grandpa invites her to help in the garden and, in particular, to look after the sweet peas. (My own grandfather grew chrysanthemums, but I decided children would relate more to sweet peas. Plus it is easier to say!).

The grandparents do not look like my grandparents and even though the child is not really me, I guess she shares some of my personality characteristics and DO I love gardening! (Although I always fail with sweet peas, which is ironic). I found I had all the inspiration I needed to get started on roughing out a story.

Writing and illustrating Sweet Pea Summer was a long process, as most books tend to me. There are a lot of images in the book, which is kind of graphic novelish in a way, with multiple images on some pages that follow a grid layout. Although I did preliminary character and setting sketches, I then spent time writing scene progressions and story boarding before I was ready to do the first full dummy.

I've found this saves me time in the long run, when I finally start to sketch I can be pretty certain I have the rudimentary story arc and length of book down. We had 2-3 edits and rehashes before my editors, art director and myself were all happy to go to finals. Finals are always the very long and arduous stage of the book for me. The first spark of story and hashing it out is the inspirational bit.

I did all the art for Sweet Pea in pencil and watercolor (usually I colour an under painting digitally), but I felt this book needed a traditional watercolour feel. It was a longer process for sure! Along the way I did a good amount of picture research especially on the landscapes and the flowers - plus the process of growing them, which features in the story. The parallel between the illness of the m/c's mom and the flowers failing to open was important to me. didn't want it to be too obvious to the reader.

My editor, Liz Bicknell at Candlewick Press, was very helpful, as always, keeping the story on track. Pam Consolazio was my art director, and her nickname was Sweet Pea as a child! it is lovely when you find unexpected connections. I scan my own artwork, which gives me the luxury of making any tweaks to the final art. I think the whole book took about 2 years, including edits etc.

It's wonderful when your book finally arrives in your mailbox! (Just like any birth, the pain recedes!) It was especially concerning in this time of the pandemic, but everything went well and the books arrived in time for publication.

Q. What advice do you have for young writers and illustrators?

My advice to young writers and illustrators is always work on stories that you love and feel an emotional response to whether, happy, sad, funny or just that you just love and know the subject. It will always show in your work!

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For more insights from book creators, see my Inkygirl interview archives.

 




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Advice for young writers from Troy Wilson, author of GOLDIBOOKS AND THE WEE BEAR (illustrated by Edwardian Taylor)

Just read (and loved) a fun reimagining of the classic fairytale Goldilocks and the Three Bears: GOLDIBOOKS AND THE WEE BEAR, written by Troy Wilson and illustrated by Edwardian Taylor, published earlier this year by Running Press Kids.

Here is Troy Wilson's advice for young writers:

"My advice? Write badly. Badly, badly, badly. Include words and ideas that shouldn't be there. Leave out words and ideas that should be there. Put things in the wrong order. Have your protagonist act wildly out of character. Why? Because that is what your favorite author does.

"You don't see your favorite author's horrible first drafts. Or horrible second drafts. Or horrible third drafts. For that matter, you don't see their attempted books that never, ever turned out at all. (Some things are just dead ends, even for your favorite author.) No, you only see their final, super-duper-polished work, after they got lots and lots of great feedback.

"Everyone starts with bad writing. Every single writer, every single time - no matter how long they've been doing it. You can't avoid your own bad writing. You can't go around it or over it or under it. You have to go through it. Just get it onto the page or screen. You can always fix it later. Except if you let the bad writing - or the fear of bad writing - stop you from writing. Because you can't fix what isn't there."

Thanks, Troy! 

Related links:

Publisher page about Goldibooks and the Wee Bear

More about Troy Wilson at TroyStory.ca, Twitter and Facebook.

More about Edwardian Taylor at EdwardianTaylor.com, Twitter and Instagram.

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Find more advice for young writers and illustrators from children's book creators.

 




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