The post houses and advertising agencies we work with seem to have a never ending demand for covers of popular songs. Therefor, we would like to broaden our catalog with inventive cover versions of compositions that have been big worldwide hits.

We are not looking for interpretations trying to imitate the original. We are seeking just the opposite - new takes on well known songs which transport them to new, unexpected directions. Covers are usually considered for film trailers and big ad campaigns, so it would be great to hear submissions that have space and a “cinematic” sound. However, if you have a dynamic, aggressive cover of a slow song, that could work too.

Below are some brilliant examples of what we would like to hear:
- Skylar Grey - Addicted To Love
- Vega Choir - Creep
- Lo-Fang - You’re The One That I Want
- Hannah Peel - Tainted Love
- Think Up Anger feat. Malia J - Smells Like Teen Spirit
- Lorde - Everybody Wants To Rule The World
- KI Theory - Enjoy The Silence

Please submit only professionally recorded and mastered songs.

As an added bonus, if your cover is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, on ads for McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov Founder / CEO - Filter Label

Artistry Worldwide is seeking easy to clear, well-produced pop music for film and tv licensing. Both instrumentals and vocal songs. We get a constant stream of TV and film briefs and are always in need of quality music. You must own or have the rights to the track(s) you are submitting. Please submit your best work for consideration.

Artistry Worldwide is a new media company headed by Max Gousse based out of Los Angeles with a hub in emerging markets such as Toronto, Dubai, London, and Seoul. The mission for Artistry Worldwide is quite simple: to become the number one brand in developing new talent in media worldwide.

- Artistry Worldwide

Deal Type: Sync Placement
Decision Maker: Selected tracks will be pitched for final decision
Deal Structure: Negotiable
Compensation: Negotiable - Typically $1K+
Song Quality: Fully mastered, Broadcast ready

We need more Singer Songwriter material in our catalog. We are seeking intelligent storytelling backed with masterful instrumentation. Something along the sound of Elbow, Fink, Feist or Bon Iver would be perfect. Please DON'T SUBMIT UNFINISHED DEMOS. We accept only professionally recorded and fully mastered material.

We are proud to have a unique business model and an artist-friendly agreement. The music released on Filter Label is instantly included in our catalog for licensing placements which is sent out to top music supervisors and agents.

We have hundreds of songs placed in ad campaigns (McDonald's, Nike, Bank Millennium, Nestle, Philip Morris), TV series (The OA, Exatlon, CSI: Las Vegas, Nikita, Top Boy), films (Loneliness, Sex and Compassion, The Matrix Revisited, Cherie, Mission: Wolf), and on network television (CNN, MTV, Channel 5, National Geographic, NBA, UFC), etc.

- Emil Hadji Panzov / Filter Label

Seeking positive music for use in online video & advertising campaigns!

Music must be good vibes, positive and upbeat. All genres considered ie, Dance, Rock, Jazz, Electronica, Pop, R&B, Hip Hop, Classical, Orchestral, Ambient... etc.

Music must be high-quality, mixed and mastered. Instrumental tracks preferred, but great vocal tracks accepted too and if you can supply instrumentals even better!

All music will be listened to, reviewed and feedback given. Artists must own all rights to their music and there must be no copyright infringement.

Selected tracks will be licensed on a non-exclusive basis (so you maintain all rights to your music), simply go 50-50 on deals we get for you and you keep 100% of all publishing rights.

Clients are professional video production companies and advertising agencies that make high-quality online video content. Including JD Sports, The North Face, Asics, Addidas, Pringles, to name a few!

Artist's receive between £50-£1,000 per track depending on use, and there’s no limit the number of times a track can be licensed. So, if you have any positive music really love to hear from you!

Any questions please feel free to ask and look forward to working with you :)

All the best,
Giles

- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing Ps, Due to the number of submissions either myself or my colleague Liam at Resonant will respond to the submissions, thank you.

Currently seeking “beats” for use in TV & Online advertising campaigns in South Korea!
,br> When I say “beats”, I mean any tracks that are driven by a breakbeat, as one, if not the most dominant part of the track. Ie, Drum & Bass, Hip-Hop, Dubstep, Electronica, Edm, Trap, Grime, Experimental etc.

All tracks must be upbeat and have a “Phat Beat”, “Killer Beat”, “Sick Beats”, “Dope Beat” or whatever your preferred description would be.

Music must be well produced, high-quality, mixed and mastered. Instrumental tracks preferred please, but great vocal tracks can be accepted too (if you can supply instrumental versions even better) and all tempos considered.

Artists must own all rights to their music 100% on both sides and there must be no copyright infringement. All music will be listened to, reviewed and feedback given.

The average cost of TV advertising commercial in Korea is $800 to $1,500 per track, and for worldwide rights up to $14,000.

The average cost of Online & YouTube advertising in Korea is $500-$2500 (geo restricted for single country of Korea), and worldwide use for $3000-$5000.

Selected tracks be sent to clients in South Korea and music licensed on a non-exclusive basis (so you maintain all rights to your music), we simply go 50-50 on deals we get and you're paid quarterly.

The South Korean market is built on a unique structure, which is not the same as any foreign market structure around the world. Because of this Korea has a higher advertising music fee than most other countries. This may be due to systemic limitations that the performing royalties cannot be collected, but also because there is no subsequent secondary payment after the initial payment of music fees. The total amount paid in Korea is 100% mechanical payout.

Clients who will be using music in South Korea; Korea's major advertising agencies including the CHEIL and INOCEAN and brands such as; Samsung, LG, Hyundai and SK to name a few.

If you make “beats’ I really look forward to hearing from you !

All the best,


- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing

We have been working tirelessly over the years to build the best catalog of great independent music from various genres. However, there is one area in which we feel we could do better. Therefor, we are seeking Pop music to represent for licensing in films, TV shows and ad campaigns. By “Pop” we are referring more to the broad appeal of the music than the genre. As long as the song has hit potential, we would like to hear it. Genre wise we are open, but indie pop and indie folk seem to work best for licensing placements.

Here are some great examples of music that we would like to have in our catalog:
- The Lumineers - Ho Hey
- Edward Sharpe & The Magnetic Zeros - Home
- Charli XCX - Break The Rules
- James Bay - Hold Back The River

We accept ONE-STOP submissions only, ie songs that you own or control 100% (writer, master and publisher). Please submit only professionally recorded and mastered songs. NO DEMOS, NO COVERS.

As an added bonus, if your song is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, on ads for McDonald's, Nestle Wagner, Nike, Philip Morris, Hachette Filipacchi, in shows on MTV, CNN, Bravo, Nat Geo, NBC, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji -Panzov Founder / CEO - Filter Label

Live performances from Shovels & Rope, Cris Jacobs, Kelsey Waldon, Wayne Graham, and Tyler Grant & Robin Kessinger. Recorded in Charleston, WV Sunday Oct. 06, 2019. Support provided by Adventures on the Gorge. https://adventuresonthegorge.com/

Die Biotech-Branche steht derzeit wie nie zuvor in der Öffentlichkeit. Sie soll den Impfstoff gegen das Coronavirus erfinden. Doch auch schon bisher wurden in den Unternehmen hohe Gehälter gezahlt. In den Spitzenpositionen sind die Unterschiede jedoch extrem.

Vor kurzem stellte Apple die vierte Generation seiner Apple Watches vor. Wer auch gerne in die Welt der Smartwatches einsteigen will, aber lieber auf den Kosmos des kalifornischen Technikriesen verzichten möchte, hat eine ganze Reihe von Alternativen.

Wer auf das Design von Apple verzichten kann und stattdessen vorrangig für technische Qualität zahlen möchte, kann statt teurer AirPods alternativ In-Ear-Kopfhörer-Modelle wählen. Viele Produkte leisten ebenso viel wie die angesagten weißen Earbuds und sehen dabei sogar genauso gut aus.

Nicht nur bei Erwachsenen ist das Fliegen mit Drohnen in den letzten Jahren ein populäres Hobby geworden. Auch Drohnen für Kinder erfreuen sich großer Beliebtheit. Dabei gilt es beim Kauf von Quadrocoptern für Ihren Nachwuchs einiges zu beachten.

Sie brauchen eine neue Couch? Möbel kann man auch im Internet kaufen. Doch dabei gibt es einige rechtliche Tücken. Bei Lieferung, Rückgabe und Gewährleistung lohnt es sich, genauer hinzuschauen.

Viele Anleger setzen auf Aktien, die plötzlich billig zu haben sind. In der Krise offenbart sich aber, dass viel für einen anderen Ansatz spricht: nämlich Papiere zu kaufen, die jetzt stark sind – und danach erst so richtig steigen. WELT hat eine Liste zusammengestellt.

Während deutschlandweit Corona-Beschränkungen gelockert werden, müssen drei Landkreise auf die Notbremse treten. Besonders hoch sind die Infektionszahlen in einer Fleischfabrik - die Kritik an den dortigen Arbeitsbedingungen wird lauter.

Früher gab es pro Dorf ein paar einsame Sonderlinge. Heute sind sie dank sozialer Medien vernetzt. Sie reden von „querdenken“. In Wahrheit suchen sie einfache Antworten auf komplexe Fragen – und sind schnell dabei, für alles einen Schuldigen zu finden.

Creating has become an inevitable response to the Coronavirus related lockdowns. During quarantine, we have seen countless musicians release content early, or better yet, release create content that may never have been created otherwise. Today, Easy Life have released their own addition to quarantine content, a double single release collectively called see you later maybe never (demos).  Opening […]

The post Easy Life return with double single release "see you later maybe never (demos)" appeared first on EARMILK.

Sweden's Ellen Krauss fills those small compartments of the heart that have been empty for too long with an indie-pop tonic titled "No Talk," which attempts to rebalance the way the organ operates, how it reacts to fear. "No Talk" is a groovy, super-smooth number that erupts at the choruses with the vibrant vocals of […]

The post Ellen Krauss reconfigures fear in new single "No Talk" appeared first on EARMILK.

Returning with another pop gem, UK artist Harry Strange releases the melancholic dark-pop single "Turn Away." Following the previous EARMILK approved single "Four In The Morning", this new track takes a different approach to songwriting by delving into moodier melodies and sadder lyricism. Submerged in hazy synths and infectious underlying bass grooves, "Turn Away" captures […]

The post Harry Strange reveals dark-pop single "Turn Away" appeared first on EARMILK.

A new environment has a way of bringing out something new in us, for American singer-songwriter, Charli Adams, it comes in the form of new single "Superpowers." The acoustic composition puts the indie artist in the familiar position of vulnerability and seclusion that first propelled her from secret shows in her native Alabama to the […]

The post Charli Adams reaches for something familiar in new single "Superpowers" appeared first on EARMILK.

Rising British rapper, Macca Wiles releases an electrifying new single "Outlined" - a collage of post-'90s grunge rock with modern trap.  Produced by Matt Schwartz (Yungblud, M.O., Massive Attack, Halsey) "Outline" brilliantly fuses the manic alt-rock energy of Nirvana with the trap swagger of Migos. The informal verses guide the listener through a vivid storytelling […]

The post Macca Wiles' fusion of trap and grunge is "Outlined" in new single [Video] appeared first on EARMILK.

Fremont has been using boulders to block parking near Tesla, and RV residents who call the area their home have had to find another place to go. Then, some singles are missing sex and intimacy during the shutdown. Plus, we continue our "New Arrivals" series with a reading from "Why We Swim" by Berkeley author Bonnie Tsui .

As Minnesota Gov. Walz weighs his decision on when to let nonessential businesses reopen, he's facing a lot of pressure from a frustrated workforce, especially from small business owners who are trying to stay afloat during the economic crisis caused by the coronavirus outbreak. "The frustrations that they have are real. These are businesses that, they may have been in families for generations or they built up," the Democratic governor says in an interview with Morning Edition . The state is under a stay-at-home order until at least May 18 . In reopening the economy, he says, businesses will face another challenge: consumer confidence. Walz worries that — even with stay-at-home orders lifted — many consumers will be skittish about reengaging with businesses until they feel safe. Walz says many businesses should remain closed until the state ramps up its testing capacity. Achieving that goal will help contain the virus's spread, as well as bolster the public's confidence, he says.

Dr. Grace Farris is chief of hospital medicine at Mount Sinai West in Manhattan. She also writes a monthly comics column in the Annals of Internal Medicine called "Dr Mom." You can find her on Instagram @coupdegracefarris . Copyright 2020 NPR. To see more, visit https://www.npr.org.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

Exciting new rapper, singer and songwriter BVNK is a musical product of his environment, having been born in Nigeria, raised in the UK, and now residing in North America – his music is a melting pot of lush R&B, heavy-hitting hip hop, and melodic rap/sung, flavoured with indie music sensibilities, with his life experiences across three different continents informing his storytelling and songwriting. After dipping his toes into the waters last year with two mixtapes including fan-favourite ‘Promises’, Bvnk is set to take 2020 by the scruff of its neck, starting with his brand new single titled ‘SITUATIONS’.

Produced by burgeoning LA-based musician and beatsmith Twelve 92, and taken from his forthcoming debut EP titled XX/XX (pronounced 20/20), Bvnk’s ‘Situations’ sees the Denver rapper-singer taking responsibility for failures in his past relationship, as he croons, “I did something to you, I never said sorry to you”, before kicking off his rap verse with, “tell me what I did to make you feel like I was breaking you”. The track is led by dreamy R&B guitar licks, minimalist drum arrangements, groovy melodies, and an infectious bassline, over which Bvnk showcases his dual singing and rapping talents, and undeniable songwriting dexterities.

Speaking about the inspiration behind the ‘Situations’ track, Bvnk says, “In a time where the world is full of one sided stories, and men thinking that taking responsibility is weak for some reason or the other, with women left having to deal with their toxic masculine energy, I wanted to take the truthful route on ‘Situations’. The song is about me looking into the mirror, taking responsibility, and apologising for the hurt I had caused. Amidst it all, ‘two wrongs don’t make a right’ is the perfect quote that explains ‘Situations’, because I’m ultimately asking for a second chance”.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

CONNECT WITH BVNK
Instagram: http://www.instagram.com/bvnk_official
Twitter: http://www.twitter.com/bvnk_official
Facebook: http://www.facebook.com/bvnk_official

The post Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’ appeared first on Singersroom.com.

Aliza Li Releases New Single 'Bit a Lemon".

Listen to the song on Spotify: https://open.spotify.com/track/30giEStQMHnB4wiawDuKHH?si=bKr4Kpa9RFGaj8Bx2BNd6g

Aliza Li is an Atlanta based singer-songwriter known for her soulful vibes with blends of Neo-Soul, RnB, and TrapSoul. She recently released her first EP titled "Sometimes I Get High".

IG: @h3yalizali https://www.instagram.com/h3yalizali/
Facebook: https://www.facebook.com/h3yalizali
Spotify Artist page: https://open.spotify.com/artist/0AloD8IYrcnleR7KtfMmwM?si=NWsFsLTTQfuEE6KUyF3aCQ

The post Aliza Li Releases New Single ‘Bit a Lemon” appeared first on Singersroom.com.

TEENEAR RELEASES NEW "COME SEE ME" SINGLE.

About TEENEAR:

Hailing from Miami, Florida, by way of Jamaica, singer-songwriter Teenear, is already laying the groundwork for a career that bucks the status quo. Inspired by artists ranging from Rihanna to SZA, Kiana Lede, and more, her genre-bending offerings run the gamut from future-pop to experimental R&B and soul. Not only that, they’ve already caught the ear of collaborators like Sage the Gemini, Lil Baby, Fetty Wap, and her labelmate rap veteran Trina, who was featured on the singer’s dancehall inspired “Streetlights” remix in 2016.

From childhood music has been hugely influential in Teenear’s life; she spent much of her time in the church, something that still inspires her approach to songwriting today. “My first memories of singing for people were in my church and that really instilled confidence in me, and it also made me eager to not grow up too fast in my music” the singer said, crediting her close-knit community for her creative development. Not only did she find her voice in the church choir, Teenear also joined the praise dancing team, honing a singing and dancing foundation that would help her transition into her role as the first-ever singer signed to legendary Miami-based record label Slip N’ Slide, home to Miami legends Trick Daddy and Trina,

Encouraged by her parents, who have supported her dream of being an entertainer since her early teens, Teenear launched a YouTube channel in 2013. The channel was meant to show the labels who were already expressing preliminary interest that she was serious about artist development. The young Teenear soon racked up a following performing covers of songs from her favorite artists, and within a year, Teenear’s rendition of Rihanna’s hit single “Stay” had gone viral. With several labels knocking at her door, the Miami native eventually chose Slip N’ Slide, which immediately felt like home. “We’re like a real family,” Teenear explained. “I just knew it was important for me to be somewhere where I felt like people were really looking out for me and Trick and Trina have been amazing mentors,” she continued.

In 2015, the same year she finished high school, the then 18-year-old singer debuted her first single through Slip N’ Slide, “Friday Night”. Featuring rapper Sage the Gemini the uptempo, pop-inflected offering also marked Teenear’s debut as a songwriter, a skill she would continue to refine in 2016’s “Streetlights” as well as “Something Else” and the Fetty Wap featured “Love Me or Leave Me” in 2017.

Last year, Teenear also debuted “Dolla Signs”, a track that she describes as a step in a more grown up direction. “I think a lot of times we hear songs about the guy going out and getting the money and hustling so I wanted to make a song that’s like that from a woman's point of view. I wanted it to kind of get at the idea that even though you can be a boss and all that you still want to get away and have those special moments with someone,” she explained. This year Teenear is set to release her debut EP, which will explore themes of love and relationships with a fresh, more adult set of eyes.

For additional information about Teenear, please visit www.teenear.com or www.slipnsliderecords.com and follow Teenear on Instagram, @Teenearr.

The post TEENEAR RELEASES COME SEE ME SINGLE appeared first on Singersroom.com.

CHAMPIONED BY BBC 1XTRA, RINSE FM, SPOTIFY, KINGSIZE MAGAZINE, DSTNGR

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

Coming on the back of the success of her debut single ‘Slowzy’, which has been garnering support from the likes of BBC 1Xtra, Rinse FM, Spotify, DSTNGR, Kingsize Magazine, and PUMA, among others, fast-rising Swedish songstress and creative NÁPOLES is excited to release her brand new single titled ‘CIRCULATE’, serving as the second offering from her forthcoming debut EP Slowin It, which is due for release later this summer.

Raised in Stockholm, with Cuban and Russian heritage, Nápoles has always been surrounded by music, but her love affair with music started at the very young age of 8, after her first family visit to Cuba. She grew up on hip-hop, house, dancehall and gospel music, whether it was as a young street- style dancer, or as a 15-year old singer in youth choirs such as Joyful Noise and the Tensta Gospel Choir, which helped her develop her own musical language.

Fast-forward to 2020, and alongside her blossoming music career, Nápoles is also one-third of the popular Swedish-based DJ and creative collective Ladieslovehiphop, with whom she has opened for Beyonce and Jay-Z on their ‘On The Run II’ European tour, collaborated with adidas and PUMA, toured with Sweden’s biggest female rapper Silvana Imam, and collaborated with Red Bull Music to host the Ladieslovehiphop Music Festival, among other accomplishments.

Her new single ‘Circulate’ is produced by fellow Swedish creatives Chapee and Wihib Sulaiman, and co-written by herself and Joe Lefty, and the track sees Nápoles excellently weaving her laidback musical stylings, enchanting vocals, and captivatingly vivid songwriting, together with her lush soul, hip- hop, R&B and jazz sensibilities, to create an undeniably smooth and infectious offering, making the Swedish rising star two for two on homeruns in 2020.

For the ‘Circulate’ visuals, Nápoles has collaborated with fellow Ladieslovehiphop member Namarijana, video director Gustav Andersson, and cinematographer Daniel Edin, to capture a portrait of a night out with Nápoles. The visuals showcase the vibrant energy of a Ladieslovehiphop evening, underpinned by laughter, love and community. Shot in Stockholm, where Nápoles is currently based, the sensual and lively visuals showcase the transcendent feel-good energy and essence, not only of the track, but also of her Ladieslovehiphop movement.

Speaking about the inspiration behind ‘Circulate’, Nápoles says, “the inspiration comes from my everyday life. I wrote ‘Circulate’ at a time when I was thinking about the universe, space and how everything is connected. At night, I would watch ‘Cosmos: A SpaceTime Odyssey’ and read books of that nature, and during the day at work, I would daydream a lot about these themes. I was also figuring myself out as an artist, and the exploration of my sound, combined with all these thoughts, led to the making of ‘Circulate’. I want my music to be fun, smooth and energetic at the same time, and I think that comes across on this song”.

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

CONNECT WITH NÁPOLES
Instagram: http://www.instagram.com/nvpoles
Twitter: http://www.twitter.com/nvpoles
Facebook: http://www.facebook.com/nvpoles

The post SWEDISH RISING STAR NÁPOLES UNVEILS NEW SINGLE ‘CIRCULATE’ appeared first on Singersroom.com.

MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Over a lull of dreamy guitars and minimalist beats, her voice instantly enchants and entrances. The track ebbs and flows as her vocals flutter towards a seductive and soulful hook. The soft ballad illuminates the artist’s dynamic range and highlights her natural charisma. Be on the lookout for the premiere of the music video in the near future.

“My Love” sets the stage for the arrival of her new EP, coming soon.

Devyn Adair has quietly established herself as an enchanting presence. In addition to a successful career modeling, the Korean-American chanteuse continues to build a consistent catalog. 2018’s “Maybe” [feat. AD] attracted acclaim from RESPECT Magazine, and The Hype Magazine, which wrote, “Don’t think for a second Dev will be slow up from here!” Last year, she made waves with Filters, garnering looks from RESPECT. Magazine and more.

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Biography:

Devyn Adair is a contemporary R&B singer and songwriter with a voice that is soothing, smooth and soulful. From a young age, Devyn discovered she had a deep rooted passion for being creative, and a strong interest in the arts. Her urge to be involved in the arts led her to Korea to pursue vocal training and dance. Devyn chose to train in Korea, because of their notable artist camps, and because of her Korean heritage. After completing her training in Korea, Devyn made her way back to the states to pursue modeling and also jump started her process of becoming the artist she is today. Her music is sultry, soothing, and versatile due to her variety in both R&B and pop sounds; drawing inspiration from Chris Brown, Jhene Aiko, Ariana Grande, and more.

Follow Devyn on Social Media:

https://www.instagram.com/devynadair/

https://twitter.com/devynadair

https://web.facebook.com/devyn.adair

https://www.youtube.com/channel/UC65heYYee3utJyahMMGRUvA

The post MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY appeared first on Singersroom.com.

Scott was a slave to punk rock and worldly parties. But through your gifts, this lost sinner discovered God’s truth and was transformed into a soul-winner for Christ! When you give to the work of Amazing Facts, you cooperate with heaven by creating even more gospel workers for the kingdom. Please send a gift today to multiply evangelists and disciple-makers throughout the world. Thank you!

Clare felt that her life was pretty good. She was raised Buddhist and was attending school to become a pharmacist. But deep inside, she felt there must be more to life. When she searched the Internet for answers, she found—thanks to your loving gifts—Amazing Facts! Today, she is a passionate witness for Christ in Hong Kong. You can raise up more beacons of truth when you give to Amazing Facts.

In the week since Georgia’s shelter-in-place order ended for most, businesses have started to open back up. But with new rules and wary customers, many small businesses are still finding their feet. GPB News reporters fanned out across the state to ask small business owners how their reopening process changes the way they operate.

Napean LLC has sold its Mobile Marketer and Mobile Commerce Daily publications, but retained the events business comprising conferences, webinars, podcasts and awards, founder Mickey Alam Khan announced today.

A new idea that matches our beliefs is easy to latch onto and one that contradicts us makes us try and find reasons why it’s false. In an age of information-seeking, how can we best judge “the facts”? In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke discuss accepting and dismissing information.

A new idea that matches our beliefs is easy to latch onto and one that contradicts us makes us try and find reasons why it’s false. In an age of information-seeking, how can we best judge “the facts”? In this episode of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke discuss accepting and dismissing...

When it comes to how information influences our mood, how we identify ourselves plays a big role. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the role of identity in processing information.

Dan Lynch (filling in for Karen) and Bradley discuss a few examples where licensing decisions by companies impacts the health of the software development community.

Show Notes:

Segment 0 (00:00:36)

• Dan interviewed the CentOS developers on FLOSS Weekly. (00:05:52)
• Bradley has a blog post that describes RHEL licensing model. His previous blog post to that one, while mostly off-topic here, has a few points of interest. (00:10:36)
• Dan Lynch mentioned The Smoking Man from the The X Files television series. (00:17:22)
• Bradley mentioned that Lennart Poettering is a Red Hat employee working on systemd, which is now in Fedora, but not in RHEL yet (as far as we know). (00:18:53)
• Bradley suggested that developers starting projects read Karsten Wade's The Open Source Way, and Karl Fogel's Producing Open Source Software: How to Run a Successful Free Software Project, and Bradley's blog post about developing in public. (00:22:16)
• Dan and Bradley briefly discussed copyright abolition. Dan mentioned Stallman's writing on the Pirate Party's copyright positions.

Segment 1 (00:32:30)

• Bradley briefly discussed the history of StarOffice, and the creation of OpenOffice.org. (00:33:40)
• Bradley explained issues related to the LibreOffice fork of OpenOffice.org. (00:37:30)
• Bradley has talked about how proprietary relicensing is very dangerous (00:39:50)
• Fedora, Ubuntu, and OpenSUSE all switched to LibreOffice as a default. Bradley didn't know at recording time that the OpenOffice package in wheezy is a transition package to switch to LibreOffice. (00:41:24)
• Bradley and Dan mentioned a blog post by IBM's Rob Weir that misquotes the FSF to support IBM's positions on the OO.o relicensing issue. (00:58:26)
• Bradley mentioned the idea that Apache-2.0 work can be relicensed under LGPLv3-or-later, as he discussed in his blog post about the OO.o relicensing (01:00:45)
• Dan mentioned Jeremy Allison's comment on the aforementioned post on Rob Weir's blog. (01:02:08)

Segment 2 (01:16:09)

Bradley thanked Dan, on behalf of Karen, for all his work to make Free as in Freedom possible.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Gervase Markham's talk from FOSDEM 2013, entitled Mozilla: Licensing In The Trenches.

Show Notes:

Segment 0 (00:00:34)

• Bradley encouraged listeners to Conservancy's campaign for non-profit accounting software.
(02:10)
• Bradley mentioned his 2009 blog post encouraging people to donate to Free Software charities (02:50)
• Karen asked people to donate to the GNOME Foundation privacy campaign (04:11)

Segment 1 (00:04:57)

Gerv's slides from his FOSDEM 2013 talk can be downloaded from FOSDEM's website.

Segment 2 (00:51:48)

Bradley and Karen discuss Gerv's talk.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley listen to and discuss Jean-Baptiste Kempf's talk from FOSDEM 2013, entitled Relicensing libVLC and VLC modules from GPL to LGPL.

Show Notes:

Segment 0 (00:00:28)

• The plural of hiatus appears to be hiatukset, but hiatuses is the proper English. (01:50)
• Bradley adopted two dogs from a shelter. They like kongs (02:30)
• Bradley's wife has a blog with pictures of their dogs. (04:30)

Segment 1 (00:05:52)

Jean-Baptiste Kempf slides are available for this talk.

Segment 2 (01:03:20)

• Bradley had written a a blog post about the VLC relicensing. (01:03:48)
• Bradley mentioned a an article in The Onion about pugs known health problems (01:15:47)
• Karen mentioned The Last GUADEC blog post.

Segment 3 (01:21:00)

Bradley and Karen discussed the release of the ExFAT Samsung source code.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen give a basic introduction of copyright licensing of Open Source and Free Software.

Show Notes:

Segment 0 (00:35)

• Bradley mentioned the phrase “fixed in a tangible medium” which appears in the USA copyright law. (03:10)
• Bradley mentioned the Sherman Antitrust act. (04:05)
• Bradley mentioned the card game Pit (04:15)
• Bradley jokingly quoted Mit Romney's famous gaffe, “Corporations are people, my friend.” (04:44)
• Bradley read Title 17, the USA Copyright act many times. (06:50)
• Bradley mentioned the court case, UNIX System Laboratories, Inc. v. Berkeley Software Design, Inc., which resulted in releasing the parts of BSD that could be Free Software. (12:27)
• Bradley mentioned the FSF's Free Software Definition (13:11)
• Bradley mentioned OSI's Open Source Definition (13:16)
• Apparently, the problem of categorization is called Categorization in Philosophy. (14:30)
• The issue of Open Source not being trademarked is discussed in this essay by Richard Stallman. (15:44)
• The basic categorizations of types of FLOSS licenses are copyleft and non-copyleft.
• Karen suggests reading GPLv2 and GPLv3. (39:31)
• Bradley made a crude drawing of the spectrum of licenses. (40:20)
• Bradley mentioned the The Principles of Community-Oriented GPL Enforcement (55:40)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen return, as promised, in 2018 (just barely)! They discuss the many non-FOSS and otherwise software-freedom-unfriendly licenses that have been promulgated in 2018.

Show Notes:

Segment 0 (00:36)

Bradley and Karen discuss ideas for what to do with the oggcast going forward.

Segment 2 (07:49)

• Bradley mentioned the field of endeavor restriction in Open Source Defintion. (09:20)
• Bradley mentioned how badly Amazon treats its workers who pack boxes, which was widely reported this month (10:22).
• Bradley referenced that someone changed attempted to change a license on a project to prohibit use by USA border protection agents. This was the Lerna project, and Bradley wrote a blog post about it earlier this year. (12:14)
• Bradley mentioned the controversy about the new MongoDB license, the SS Public License, which Bradley also wrote a blog post about earlier this year (14:09)
• karen reports that many people at the Sustain OSS Conference were surprised that sustaining the idelogy of software freedom was something that people value. (27:10)

---

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).



Full Article

The song “Closing Time” by the American rock band Semisonic came out in March 1998. It hit #1 on the Alternative charts, and was nominated for a Grammy for Best Rock Song. It gets played in stadiums, Weird Al covered it, and it’s the last song of the night in countless bars.

Since then, Dan Wilson, the lead singer and songwriter of Semisonic, has become a powerhouse songwriter who has written or co-written for artists like John Legend and Taylor Swift. And he’s won Grammys for his songwriting with the Dixie Chicks and Adele. But over two decades ago, Dan and his bandmates John Munson and Jacob Slichter were in Minneapolis, getting ready to start work on their second album, Feeling Strangely Fine. In this episode of Song Exploder, Dan breaks down how that process led to "Closing Time."

songexploder.net/semisonic

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