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Indian shuttlers Ashwini Ponnappa and N Sikki Reddy have finally got some time to pause and reflect due to the COVID-19 pandemic and they are making the most of it by creating a database to analyse their past performances while waiting for another shot at Olympic qualification. The coronavirus outbreak has left over 1.2 lakh people dead and infected nearly 2 million globally, and brought all sports activities, including badminton, to a halt after countries imposed lockdowns. Ashwini and Sikki are doubles specialists and endured an underwhelming season last year. The time at hand has given them a chace to analyse the past performances.

"We don't have any one to sit and do analysis for us, so now that we have time, I'm doing some analysis of our performance. I am jotting down points, about areas where I can improve. I started with my matches and then other players on tour," Ashwini, who represented India at the London and Rio Olympic Games, told PTI. "You can always watch and analyse and understand the patterns but it is different when you see things on paper. It is more concrete. So trying to set up a complete database. My brother will help me out. He made an app for me in the past." Ashwini and Sikki fell at the first hurdle 13 times in 20 tournaments last year, and exited from the second round thrice.

Ashwini also picked up a calf injury during the Syed Modi International but the duo was still confident of qualifying by performing well in the remaining Olympic qualifiers. But with Badminton World Federation (BWF) cancelling all tournaments due to the coronavirus pandemic, their fate remains uncertain. "The problem is we don't know the new BWF rules regarding the qualification. There is one year left now, you can't take a two year old performance to select for Olympics, it has to be present performance, so we have to wait," said Sikki. "In badminton, there is a ranking cut off, so how will they accommodate the cancelled qualifiers, how will they count the ranking points, everything is too messed up now," she added. Sikki and Ashwini had reached the finals at Hyderabad Open Super 100 and Maldives International Challenge, last year.

The Indian pair is ranked 28th and will need to be inside top 16 on April 29, 2021 -- the new Olympic cut off date. Ashwini said: "Me and Sikki were confident of doing well in the 4-5 tournaments left but now no one knows what would be the criteria of Olympic qualification and BWF can't really say anything with things changing every moment." They are using the coronavirus-forced break to learn cooking, besides doing some wall practice and exercises for physical fitness. Talking about the effects of the lockdown on mental health, Sikki said: "We have been travelling a lot all these years and now for a month, we are at home, it is fine. But what if it is for 2-3 months, then it will get tough to stay away from the game.

"So it is important to stay motivated for once the lockdown is lifted because you will in a comfortable zone in the break and then all of a sudden you will need to push yourself." Ashwini added: "...now that Olympics have been postponed, nothing is certain and it is tough, you have to be really strong." The economic fallout of the coronavirus outbreak has hit sports hard and Ashwini said badminton too will be affected. "It will hit in terms of sponsors, in terms of tournaments being conducted because countries need sponsors to host events, and after this, I'm not sure what the economic status of many countries would be. "The way things are, it is will be tough to host tournaments, it will not be easy for countries to have tournaments with many big companies shut and struggling to survive," she signed off.

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World champion shuttler P V Sindhu believes foreign coaches would be difficult to hire in a post COVID-19 world, presenting former India internationals the opportunity to step forward and fill in the void. "If the global pandemic continues, bringing coaches from abroad might become difficult, there are a lot of good players in our country who have played at international level, and we can use them in a coaching capacity," Sindhu said on Monday while speaking during an webinar.

The Olympic silver-medallist was addressing the newly-appointed Assistant Directors of the Sports Authority of India through an online session. Sindhu stressed on the importance of parents, coaches, administrators working as a team to build up a champion. "The administrators must know the journey of every sportsperson. The future of Indian sports lies in the hands of young sports administrators like all of you," she said.

"You must visit all the SAI regional centres and be aware of the performances from the players and be in touch with their parents. The parent's involvement is a lot and you need to take feedback from them. This feedback needs to be monitored." The 24-year-old from Hyderabad also said "players must be continuously tracked to avoid age fraud." "You must also understand how the SAI coaching system works and if athletes are receiving the right diet and supplements at the various centres," she added.

Sindhu also stressed on the need to acknowledge the contributions made by parents in the success of athletes. "Before the Rio Olympics we shifted to the academy. My mother gave up her job to care for me. My father took two years leave from his job," she said. "The challenge was recovering from the injury I suffered in 2015. I used to sit and play in the academy. I had to play 23 tournaments in a year to even qualify for the Olympics.

"My father taking leave from his service really helped me. He used to take me to the Railways ground." Sindhu complimented the government for schemes such as Khelo India for propping up various sports from the grassroot level and urged other organisations to do the same. She also urged budding players to not ignore their studies for a career in badminton.

"While you don't need to go to school every day, you must not skip it altogether," she said.

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Members of the Raj Thackeray-led Maharashtra Navnirman Sena (MNS) today attacked a government office in adjoining Navi Mumbai, to vent their ire over potholes dotting the 39-km stretch between Sion and Panvel. Accidents on pothole-riddled roads have claimed five lives in adjoining Thane region since last month. The victims lost balance and fell as their two-wheeler hit potholes.

The MNS workers stormed in the office of the Public Works Department (PWD) at Turbhe claiming that the Sion-Panvel road is dotted with potholes and has endangered lives of commuters. The protesters shouted slogans, smashed office equipment, threw chairs, pulled down cupboards and smashed window panes, computer terminals, CPU and printers in the office, police said.

They shouted slogans against public works minister Eknath Shinde of Shiv Sena and demanded registering of offences against those responsible for the "shoddy" condition of roads. The demanded that officials concerned be booked for murder in cases of pothole related deaths. An official of the APMC police station said offences have been registered against the protesters.

"If people are dying due to poor condition of roads, MNS will continue to undertake such actions. If the roads are not repaired, the next target will be Mantralaya, the state secretariat in south Mumbai," Navi Mumbai MNS unit chief Gajanan Kale said.

Reacting to the incident, Raj Thackeray said, "If the government can't see potholes, it will at least see this protest". Meanwhile, a video of the PWD office attack has gone viral on social media.

On Saturday, Maharashtra PWD minister Chandrakant Patil appeared to make light of deaths due to potholes, when he said,
"When you talk about a death in such an accident, you forget that five lakh other people have travelled on the same
road. You can not put the entire blame on the (condition of) roads alone."

The MNS protest came a day after Congress workers in Mumbai counted potholes in suburban Bandra as part of its "Aao Potholes Giney" (Come, let us count potholes) campaign, accusing the Shiv Sena-ruled Brihanmumbai Municipal Corporation of not being prepared for the monsoons.

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They say nothing succeeds like success, and singer Neha Kakkar could be the best example of that. Right from Cocktail that came out in 2012 to Simmba in 2018 to a lot of other films, she has become a singing sensation and is loved by her fans immensely and dearly.

However, this success has been anything but easy and a cakewalk. Not only for her but even for brother Tony Kakkar, times weren't fruitful. In a live chat with Zoom, she spilt the beans on what she and her brother did to pay their school fees. She revealed that they used to dance at jagrans and perform there so they could use that money to pay for their school fees. Neha also revealed that she began working at an early age to help her family amid their financial crisis.

Today, both the siblings are immensely successful and doing extremely well for themselves. On the work front, Tony recently unveiled his single, Chand Ka Tukda and evening shared this news with his fans on Instagram along with the link of the song. In case you missed it, have a look right here:

 

 

 

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Full Video Youtube Link in Bio. #tonykakkar #ChandKaTukda

A post shared by Tony Kakkar (@tonykakkar) onApr 19, 2020 at 12:36am PDT

As far as Neha Kakkar is concerned, let's see which Bollywood films she lends her voice to next!

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Taapsee Pannu has been regaling fans with interesting anecdotes from her shoots lately, to beat the lockdown blues. She has now recalled of the time she was shooting for the 2018 sports biopic "Soorma", which narrates the remarkable real-life story of Indian hockey star Sandeep Singh.

While Diljit Dosanjh essayed Sandeep in the film, the hockey star himself used to be on the set too, to guide the actors of the finer aspects of the sport since both Taapsee and Diljit were cast as hockey players. Taapsee took to Instagram, to share a behind-the-scenes video where she can be seen doing somersaults. Sharing an anecdote with the video, she revealed it was punishment meted out to her by 'coach' Sandeep Singh is she missed her preparatory classes!

 

 

 

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This one is from #Soorma . Ithe hockey world they call it ‘baajiyaan’ but when I was a kid we used to call this gulaatiyaan back home in Delhi. This is usually a punishment in hockey world but back home it used to be a fun activity. N me being the hyper active kid , had a lot of this ‘fun’ while growing up. It surely helped me to do this easily on set. Also my coach @sandeep_rebirth was always ready with this punishment for me if I missed the class ! Talk about method prep ! 🤷🏻‍♀️ #Throwback #Archive #QuarantinePost

A post shared by Taapsee Pannu (@taapsee) onApr 21, 2020 at 10:41pm PDT

"This one is from #Soorma . the hockey world they call it ‘baajiyaan' but when I was a kid we used to call this gulaatiyaan back home in Delhi. This is usually a punishment in the hockey world but back home it used to be a fun activity. N me being the hyper active kid , had a lot of this ‘fun' while growing up," she wrote.

She shared that her childhood activity helped her on the film's set.

"It surely helped me to do this easily on set. Also my coach @sandeep_rebirth was always ready with this punishment for me if I missed the class ! Talk about method prep ! #Throwback #Archive #QuarantinePost."

Directed by Shaad Ali, the film also stars Angad Bedi. Earlier, Taapsee shared some anecdotes from the sets of the film "Manmarziyaan".

Taapsee's latest role in Anubhav Sinha's "Thappad" has been widely acclaimed. The actress will be seen in "Haseen Dillruba", "Rashmi Rocket" and "Shabaash Mithu" in the coming months.

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One of the most stunning actresses of the 90s, Divya Bharti married filmmaker Sajid Nadiadwala in 1992. The couple got secretly married at Nadiadwala's Versova apartment. Divya Bharti converted to Islam and reportedly also changed her name to Sanah Nadiadwala. Unfortunately, on April 5, 1993, Divya fell off the balcony of the fifth storey apartment.

Sajid Nadiadwala then tied the knot with Warda Khan in 2000 and the couple has two kids together, Sufyan and Subhan. And even after 20 years of marriage, Warda Khan Nadiadwala still gets trolled and compared with Divya Bharti.

In a candid chat with Bollywood Hungama, Warda opened up about the same saying, "I know people keep throwing these questions sometimes. Sometimes they think I am being trolled. Divya is still very much a part of our lives. Her family, her dad, her brother Kunal, they are like our family, they are a part of each celebration."

She added, "So when you guys try to troll me, please know that I am not getting trolled. On her anniversaries and birthdays, we speak to each other. When my children watch her movies, they call her 'Badi Mummy'. So, guys, she is still a very, very beautiful part of our lives."

Wards also spoke about how husband Sajid is still extremely close to Divya Bharti's father and brother. "Sajid is so close, Sajid is like a son to dad, after mumma (Divya's mother) passed. You can't even imagine how close dad and Sajid are. And Kunal and Sajid too. They talk just like brothers would. And I have not tried to replace her ever. I have made my own place. She is a part of my life. Sometimes people say, 'Divya Bharti bahot acchi thi'. Of course, bahot acchi thi yaar. We love her."

Divya Bharti kickstarted her career down south in 1990 with the Telugu film Bobbili Raja. She soon took the Hindi film industry by storm with her performances in Shola Aur Shabnam, Deewana and Balwan.

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Veteran actor Anil Kapoor has shared a few fitness tips, revealing how has maintained a fit physique over the years -- that too without consumption of supplements. "I made this post not to show off or talk myself up, but to pass on some simple advice on. When it comes to body building, nothing is beyond us. At different ages we can work differently to achieve great results. If you're asking if you need to spend a lot of money on supplements to achieve this, the answer is no. I have not taken any kind of supplements in this process," he wrote on Instagram.

 

 

 

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A post shared by anilskapoor (@anilskapoor) onApr 25, 2020 at 1:52am PDT

The 63-year-old-star also shared that he has been working on his body for six years to achieve the best results. And now when the world is going through major health crisis, the actor urges people to pay proper attention to physical health.

"My trainer Marc and I have been talking about doing this kind of rebuild of my body for as many years as we have been together, which is 6 years! Time was always a stumbling block, or filming requirements, endorsements, social obligations or family time. Every year we would say we - this year for sure.

"Now in these very difficult circumstances, time is something we all seem to have a great deal of, so why not use this time to do the things you always promised yourself you would do. Strengthen your body, build muscle, build immunity, build flexibility. Respect your body. We might never have this much time available to us ever again," Kapoor added.

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Ever since 83 was announced, the movie has been everything anyone can talk about. Tracing India’s historic win at the 1983 cricket World Cup, the movie was one of the most awaited films of this year. Due to current situations with the global pandemic, the movie, which was supposed to hit the screens on 10th April 2020 had to be pushed for a later date.

Trade is abuzz with high expectations from the film and estimated that ‘83’ would have collected upwards of 300 crores during its theatrical run. Hence, OTT platforms are offering a calculated price to the makers basis the estimated box office earnings for a direct digital release of the film.

However, when we texted Kabir to check on the veracity of this news, he confirmed that yes they have been offered a whopping sum and added that, "83 is a film that has been envisioned and made to be experienced on the big screen and we are ready to wait for things to get normal and then release it in cinemas."

Ranveer Singh will see playing the character of former world cup winning captain Kapil Dev and Deepika Padukone portraying the character of Kapil Dev’s wife Romi Dev.

Reliance Entertainment and Phantom Films present 83, a Kabir Khan Films Production. The movie is produced by Deepika Padukone, Kabir Khan, Vishnu Induri, Sajid Nadiadwala, Phantom Films, Reliance Entertainment and 83 Film Ltd. 83 is directed by Kabir Khan. A Reliance Entertainment and PVR Pictures release is slated to release in Hindi, Tamil & Telugu.

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Santosh Kumar Shah

Virar resident and former film distributor Santosh Kumar Shah, 48, has lived through what can only be described as a tragic Bollywood plot, thanks to a landlord and policeman from hell.

Trouble began in January 2013, when he decided to move from Andheri to Virar. Shah had been a distributor for films such as Mahasangram (1990) and Insaaf (1997). He got a 1BHK apartment on a rent of Rs 2,700 and Rs 15,000 deposit, owned by one Ravikant Patil in Virar East.

No amenities
Shah was assured of every possible amenity in the house. But when he moved in, he found out that there was neither electricity nor any water supply. Shah said he complained to Patil about this and was assured it would be sorted out in a few days, but that never happened. He realised Patil had cheated others in the same flat, so he registered a complaint at the Virar police station. Patil was served a notice under Section 149 of the CrPC.

Soon after, Shah alleges Patil verbally threatened and abused him, asking him to withdraw the complaint and vacate the house. Patil then came to the flat with a woman and builder Bhushan Patil. Shah called the cops and went to the police station, when he saw Patil and the builder there. Shah said he was slapped by PSI Asif Baig. Shah's case was transferred to API DF Patil, following a robbery attempt in his flat.

PSI denies allegations
Baig denied all the charges. In fact, he said he would receive complaints against Shah from other society members, as he never paid his utility bills on time, resulting in the disconnection of his electricity and water. He would also call senior officers now and then for every problem.

Meanwhile, Shah alleged that in June 2014, he was assaulted by the accused and some more people. He called the cops, but nobody turned up. Shah attempted to meet Thane SP Rajesh Pradhan, but fainted before he could do so. The SP ordered his team to take Shah to the hospital and file an FIR against the accused.

Framed and locked up
When Shah came back to the police station to register the plaint, the cops ended up arresting him under charges of molestation and the POCSO Act. He ended up spending 20 months in prison for a crime he didn't commit. A court acquitted him and he was released on January 13, 2016. All cases against him were dropped in June 2017.

Shah then went back to the flat to collect his belongings but found nothing there. To his surprise, another tenant was residing there. His car was also missing.

Currently, Shah has no job and little money. He eats food at religious shrines and sleeps at railway stations. Last month, he approached current Thane SP Manjunath Shinde, who has asked Virar police to look into the matter. Palghar district PRO said, "We have received an application from Shah and ordered Virar police to investigate."

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The 'late' patriarch 'showman' Raj Kapoor's guru-mantra, 'the show must go on' continues to inspire his three illustrious actor-director sons Randhir, Rishi and Rajiv Kapoor.

On Thursday, at the legendary R K Studios at Chembur, on Ganeshotsav following an elaborate Pujan, the sacred Ganesh aarti was performed by Randhir, Rajiv and 'nonagenarian' actor Vishwa Mehra (popularly called 'Mamaji' who was very close to Raj-saab and his family) late afternoon at 3.30 pm.

The Ganeshotsav at R K Studios assumed extra-sentimental significance this year, because the iconic studio-property has been put up for sale. If the realty deal goes through, this could possibly be their last obeisance within their hallowed studio premises, witness to glorious cinematic history. It was an emotionally overwhelming moment for the Kapoors and the large number of guest-devotees when 'Mamaji', 92, broke down while performing the aarti. Rajiv spontaneously assisted 'Mamaji'.

Rajiv and Randhir Kapoor with guests and staffers at the aarti

The loyalist said, "It was 63 years ago that the first Ganeshotsav was held at RK and I have been with Raj Kapoor-saab even prior to that. The golden era I spent with creative genius Raj-saab, all his buddies and his technical crew flashed in my mind, from the time we shot 'Awara' (1951) in RK studios. Suddenly, I realised that none of those senior talented masters are alive and I was perhaps the odd surviving man out."

Where's Rishi?
Conspicuous by his absence was charismatic Rishi Kapoor, a staunch Ganesh-bhakt. He has his own Ganapati idol at his Pali Hill home. Rishi said, "Unfortunately, owing to some prior commitment, I just could not make it. But the very next day [Friday morning] I went for Ganesh darshan at RK."

Tradition to continue
A sentimental Randhir said, "As long as the studios are there, the ceremony will exist, Whenever we shift to another location and office premises, the annual Ganeshotsav tradition will continue. We share a divine bonding with Lord Ganesha. We were compelled to sell the studios, as we were incurring huge losses. Especially after the devastating fire that broke out at RK, it was just not economically viable to reconstruct it. Film folk were also reluctant to travel all the way to Chembur," he finished.

Also Read: R.K. Studios Sale: Rishi Kapoor Reveals Why They Took The Decision

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Earlier this year, while performing at a military training centre in south Kashmir's Pulwama district, singer Ameya Dabli recalls receiving a disturbing piece of news from the army chief Lt Ranbir Singh. Four terror attacks had taken place at a nearby hillock on the same day. The hill, as he soon learnt, was located less than a kilometre away from the centre.

"The chief said to me, 'Don't worry. We will protect you'. This one reassuring line was enough to allay our fears in that high tension zone," he says. Dabli and his team of musicians went on to deliver a power-packed two-hour performance regaling the audience with musical compositions of poems penned by Kabirdas, Guru Nanak, Amir Khusro and Tulsidas. "We didn't realise how those two hours flew by. You see, that's the power of music," he says. Since then, Dabli has performed at several other conflict regions of the country, including eight districts of Jammu and Kashmir, and four in the Northeast.

Singing for peace
It was three years ago that Dabli, a Bhandup resident, conceptualised Ekam Satt, which are essentially pro bono concerts curated for the Indian Armed Forces and civilians, in order to not just motivate jawans, but also bring peace. Born in a family of music lovers - his mother Anuradha Dabli is a trained classical and light music exponent - the 38-year-old was inducted into singing from the age of seven. "But, the idea to use music as a peace building tool was something that took shape during my last stint as the marketing head of Ronny and Zarina Screvwala's Swades Foundation. Here, I got the opportunity to interact with a lot of non-profits," he says.

Dabli, who holds a robust 15 years of corporate experience as marketing head with the Tata Group, HSBC and Citibank, now straddles a music career along with a venture where he mentors start-ups and NGOs to start their businesses. Till date, he has performed over 1,500 concerts across 15 countries. "Initially, it took us a good six months to curate the songs for Ekam Satt, because we wanted it to be a good blend of sufi, folk and contemporary music. We even got RS Mani, the music arranger of Veer Zaara to help us. But now, it's seamless," he says.

While Dable's pieces comprise the works of legendary poets such as Mirabai, Narsinh Mehta, Khwaja Garib Nawab and Tukaram, the songs are infused with peppy global music styles like hip hop, reggae and opera to make it livelier. "When we approached the Army headquarters in New Delhi with the concept, they loved it and immediately asked us to come on board," he says.

On the shaadi front
Interestingly, Dabli is also a sought-after name when it comes to weddings and sangeet and has performed at the glitzy wedding of Sasha Rawal - sister of Bollywood's leading fashion designer Kunal Rawal - and Samarth Bajaj, and very recently, the engagement of Isha Ambani and Anand Piramal. He has also organised gigs for Kumar Mangalam Birla, David and Lali Dhawan, Aditya Birla and Adi Godrej. "It's not the typical shaadi scene. My forte is the pheras, something that most people don't pay much attention to," he laughs. "I perform something called the signature wedding chants, where I don't just recite mantras, but also provide explanation of the vidhis or rituals," adds Dabli, who perfected his Sanskrit under the tutelage of his father, Professor PV Dabli, a scholar in the language.

Dabli says juggling his entrepreneurial venture with his musical endeavours does test his ability to multi-task. "Sometimes, I don't know which one to focus on more. But that's what happens when you love whatever you do equally," he smiles.

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When we watched Chennai-born American artist Sid Sriram perform his album, Entropy, in the city a few months ago, we didn't know what to expect. We hadn't heard of the artist, and we thought he was going to perform what has been come to be loosely referred to as "fusion". But the show, replete with trippy visuals, was an experience that combined Indian classical and his alternative music aesthetic quite seamlessly. "I think this album is pretty unique in how organically the different influences have all come together. It's a journey filled with energy."

When we ask him what he would say if he had to describe his music to someone who has never heard it before, he explains, "My music is very visual. I'm a huge Jackson Pollock [an American artist known to be of the pioneers of the abstract expressionist movement] fan, and I think the best way to describe my music would be some kind of a sonic parallel to his visual work. It's a cross section where pop/soul, my Carnatic roots and ambient/lo-fi electronic music clash together."

But what is the starting point to create such "fusion"? "The starting point is always an emotional trigger. Once I get that hook, I turn my mind off and channel whatever waves are moving through me. I've learned to get out of my own way and let the universe do its thing."

WHERE: The Habitat, 4th floor, (Hotel Unicontinental), Road Number 3, Khar West
WHEN: February 23, 9 pm
COST: R500
LOG ON TO: insider.in

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She's a Kapoor. And she's not a part of Bollywood. But since her return from a music school in LA last year, Tulsi Kapoor is making all the right noises with her bluesy-rock compositions, unfiltered lyrics and raw, intimate vocals.

She picked up the keys at the age of four, and moved on to formal piano classes at 15, before picking up the guitar, African percussion instruments and the harmonica. She's now learning the flute from her mother. And contrary to popular belief, she didn't grow up listening to just Bollywood, a genre she appreciates. "My grandfather, Shammi Kapoor, was trained in Hindustani classical and used to sing as hobby. So, I was exposed to a lot of jazz and blues as a kid thanks to him, and my father [Aditya Raj Kapoor] who loves The Beatles and mom [Priti Kapoor]who played a lot of ABBA," says Kapoor. Her travels to the Middle East and the US also introduced her to Portuguese music and Bossa Nova, which find their way in her compositions.

"My music has been influenced by blues and rock, and instrumental music. It's an extension of my personality, emotions and straightforwardness. My lyrics are simple and relatable, and I always appreciate a good hook," she explains.

Shammi Kapoor and Tulsi Kapoor

The centrepiece of her gig will be the track Bloom, which she will perform tonight for the first time. The lyrics talk about rape and abuse, and chart the story of a young girl who falls into wrong hands, only to further fall into the trap of the temporary comforter, who further abuses the trust she places. "We need to understand that rape is about power not sex. It's about dominance of something people can't handle. Some are vindictive cases by those who were abused when they were young, and carry their injuries. It's a pattern that society needs to recognise," she shares.

Adding that she believes that it's an artiste's responsibility to cause social change for the better, she will be using the influence that her last name provides her with, to talk about things that are taboo. "It's crucial that we power through that discomfort about such topics if we want things to change," she concludes.

This gig will be a tribute to her grandfather, who encouraged her to pursue her dream of becoming a musician and was her pillar of strength. She is currently teaching music in the city and working on releasing her debut album Bloom at the end of the year.

ON March 29, 7.30 pm onwards
AT The Integral Space, 14, Senapati Bapat Marg, Lower Parel.
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Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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The art display at the debut edition of the festival

This weekend, if you step into the heritage precinct of the Great Eastern Mills compound in Byculla, you’ll get to feast your eyes on oil and watercolour paintings by 50 artists from across India. The showcase is part of the second edition of Art 35, a three-day carnival that celebrates affordable art. “Though we had a basic festival last year, I have taken it to a bigger scale this year by curating carpet displays, fashion apparel, jewellery and food stalls; paper and origami workshops for children and music performances too,” shares Charu Tewari, CEO of Ficus Fine Living, that’s presenting the festival.

Mooralala Marwada

The performance line-up includes an afternoon of Sufi renditions by Mooralala Marwada, a well-known folk singer from the Janana village in Kutch district of Gujarat. The artiste, who sings in the Kaafi form of music, will regale the audience with poetry of Kabir, Mirabai and Ravidas. Other must-catch acts include a Dastangoi storytelling session with Ankit Chadha and a stand-up comedy show titled Oye... Stand Up by Ankita Shrivastav and Mohit Sharma. The latter will also perform a solo act of Toba Tek Singh. The play based on Saadat Hasan Manto’s famous short story set in the aftermath of Partition will see the actor don 19 characters in 60 minutes.

Mohit Sharma in an earlier performance of Toba Tek Singh

The fest also offers a range of workshops — from one on digital photography by Himanshuu Chandrakant Sheth to tarot card reading by Ruchi Shah, finger painting, fabric painting, mural painting, collage making as well as cupcake decoration with fondants and frostings. Each workshop is curated for specific age groups, including two-year-olds.

What’s a carnival without yum food? Dig into chaat, sandwiches, baos and organic fare from the stalls set up at the fest. These include gourmet lunchboxes for `500 whipped up by Savor, a subscription service launched by the folks behind The Secret Supper Project along with probiotic European fermented milk drink, Kefir, by Moina Oberoi, who runs the city’s first Kefir delivery service. You can also binge on Mutton Kheema Samosas, biryani and other sumptuous fare from a pop-up by The Bohri Kitchen.

If you’re looking for retail therapy, check out faux and semi precious jewellery, fashion apparel by Neelu Oberoi as well as exotic carpets and hides from The Merge Projekt in Bandra.

No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The financial crisis caused due to the COVID-19 pandemic has led to school fees becoming a major point of discussion. While many schools have introduced novel concepts to ease the burden, parents are also discussing ways with managements to avoid issues with salary to staff.

Despite the constant demand by parents to cancel fees or give concessions, this is not possible for all schools. Principal of Smt. Sulochanadevi Singhania School in Thane, Revathy Srinivasan said, "Schools cannot do away with fees, after all, salaries need to be paid to staff."

Some relax norms

Many schools have their own model of relaxation in fees. Meera Isaacs, principal of Cathedral and John Connon School, said, "If some parents are facing genuine issues, we consider them. We have also waived off fine on late payment of fees."

Similarly, at the Sri Sri Ravishankar Vidya Mandir, the late fee is waived. Despite a PTA-approved hike in fees to be implemented this year, the school has decided to continue with the old fee structure for three months. Principal Rekha Kapoor, said, "This decision was taken due to the current situation."

Jamnabai Narsee School has not spoken anything about fees as yet. "Generally parents pay fees in the month of April. But we have not collected fees as we are yet to take a decision. We are not going to push for them so fast," said principal Zeenat Bhojabhoy.

Bombay Scottish, Mahim has deferred the increase in fees for the forthcoming year. Dhirubhai Ambani International School has decided to waive off transport and canteen fees. At Pawar Public School, one month extension was provided to parents to pay the first instalment.

'Govt must intervene'

Former education minister Ashish Shelar has written a letter to Education Minister Varsha Gaikwad, asking her to issue an order to schools to rollback fee hikes. But parents feel that the issue should not be politicised.

President of Parents of Private Schools of Maharashtra (POPSOM), Milind Gangurde said, "Many parents are dependent on jobs. Some are facing huge salary cuts or loss of jobs due to the situation. It is time the government intervenes and takes a strong stand in favour of parents."

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From smallpox, the bubonic plague, swine flu or the Coronavirus epidemic, Kasturba Hospital at Chinchpokli, has been at the forefront each time the city has faced an infectious disease outbreak. And though around it, swanky new hospitals have emerged, little has changed at this heritage structure—it underwent a restoration in 2014-15—which continues to be the only designated government hospital for infectious diseases.

Built as Arthur Road Plague Hospital, historians are not certain when the name changed to Kasturba. Over the years however, what hasn't changed is its role. Manjiri Kamath, an associate professor with the Department of History at the University of Mumbai and a member of the Mumbai Heritage Conservation Committee, says, "There was an outbreak of the bubonic plague in Bombay in 1896. At the time, there was no vaccine and patients of the plague were being treated at the Arthur Road Hospital."

The hospital has been constructed to serve as a space for infectious diseases. It consists isolation wards, a luxury that modern-day hospitals haven’t been able to afford. Pic/Bipin Kokate

She adds, that the plague had major implications for the economy and was a big crisis for the British government. Back then, Kamath says, people were in a state of panic and they wanted to leave the city. Going to the hospital wasn't an option. "Initially, people were reluctant to go to a hospital since it was a new institution for Indians and there were apprehensions about different castes and communities being kept together. There were reports that, for this reason, separate caste-wise and community-wise wards were set up," she adds.

Starting with small pox
Medical historian and former head of the history department at SIES College, Dr Mridula Ramanna, says that Arthur Road Hospital was first created to tackle smallpox patients in 1892. In her book, Western Medicine and Public Health in Colonial Bombay, 1845-1895, she writes that it was constructed as a branch of another hospital for infectious diseases at Grant Road run by the municipal corporation between 1888-1891. "There was a dispute between the municipality and the government over who should bear the expense of maintaining the hospital, which eventually led to its closure. The hospital had to be reopened after the outbreak of small pox in 1892. Since the accommodation proved insufficient, a branch hospital was opened at Arthur Road and, after the epidemic passed, the infectious diseases hospital was permanently shifted to Arthur Road," she says. Before the plague, 1,438 patients were treated at the hospital.

Manjiri Kamath

In her book, Dr Ramanna mentions that the municipal corporation had approved of cholera hospitals in every ward and a permanent smallpox hospital to be built at Arthur Road to accommodate 75 patients. "It was suggested that while the structures could be similar, the smallpox hospital could have a thatched roof covered with matting so that after each use, all articles capable of retaining infection could be destroyed. It, however, later became the only hospital for infectious diseases in the city for treating people suffering from the plague and the first patient was admitted on September 4, 1896."

In her second book titled, Health Care in Bombay Presidency, 1896-1930, Dr Ramanna mentions that the hospital complex comprised open sheds with a stone plinth and earthen flooring. "Each shed had a tiled roof with ridge ventilation supported by iron columns. Each shed had two self-flushing closets, and the compound had surface drains. The Vehar Lake supplied water through pipes to the hospital." Between 1892-1912, Dr Ramanna says more than 29,000 patients were treated at Arthur Road Hospital, primarily suffering from smallpox, plague, cholera, chickenpox and measles.

Dr Mridula Ramanna

An ideal design
According to a paper published by the Journal of the Royal Society of Medicine, Arthur Road Hospital was first led by Nasarwanji Hormusji Choksy who was the first medical superintendent and served at the hospital until 1922.

During the plague, Choksy investigated more than 4,000 cases in detail. In 1897, however, he himself contracted the disease. But was saved due to the use of the Alexander Yersin serum. To recognise his brilliant work, he was even awarded the title Khan Bahadur by the ruling Britishers. Choksy, served as President of the Bombay College of Physicians and Surgeons and he was a member of the Bombay Medical Council from 1912 to 1932. Dr Shivkumar Utture, current president of the now Maharashtra Medical Council Mumbai, says members still laud his work almost 100 years later.

Dr Hemal Shah, nephrologist

Dr Umesh Aigal, former medical superintendent of Kasturba Hospital, who worked at the hospital from 1982 till 2014, says the hospital's design makes it ideal for treatment of infectious diseases. "The hospital has a separate entry and exit to avoid spread of infection. During my tenure, I have seen cases of leprosy, SARS (severe acute respiratory syndrome) and swine flu," he adds.

At present, the hospital compound comprises 30 wards, of which 16 single-storeyed buildings are considered to be heritage structures. Civic officials said that the heritage structures have sloping two-part roofs with Mangalore tiles and large ventilators to keep the rooms cool. The BMC had taken up a restoration project back in 2014-15. Wajid Shaikh, an official with the Hospital Infrastructure Cell of the civic body, says, "The walls are made out of brick and the structure supported by wooden pillars. The large ventilators allow sunlight and flow of air in the wards."

While the civic body doesn't have information about when the other two storeyed RCC (cement) structures came into existence, Dr Aigal estimates them to have been constructed in the early 1960s.

Old hospital, new value
Dr Hemal Shah, nephrologist at Bhatia and Saifee hospitals, says, "As an alumnus of Topiwala National Medical College and Nair Hospitals in Mumbai, I was posted in the nearby Kasturba Hospital. I spent some time at this facility between 1990 and 1991. I remember a one-month posting distinctly. It was the most relaxed one month of our curriculum. The hospital itself was beautiful and spacious. It has multiple single-storied buildings for different diseases. They had wards for measles, chicken pox and mumps."

Dr Shah remembers very "few patients and most of them were asymptomatic and kept for isolation". "As young doctors, we always wondered, what a waste of space. And we discussed amongst ourselves—why is Nair Hospital so crammed and Kasturba so empty and why can't we shift some departments there?" he adds, continuing, "Almost cocky about the recently acquired knowledge of microbiology and pharmacology, we wondered why would patients need isolation when appropriate drugs are available? But later we found out that the original design of the hospital was from the pre-antibiotic era or to correctly put—before all anti-microbial agents were available. The only resort then was to isolate the patients and hope for natural immunity to help them fight that infection. In the 1990s, as an intern, I scoffed at this idea. Till now, most of the world felt invincible."

But with the Coronavirus outbreak, people have realised the significance of the old Kasturba Hospital all over again. "The general public and medical fraternity felt that the science of medicine has reached a certain level of nirvana. We felt we could fix everything. Now in 2020, I realise how vulnerable we are. Now I know why an infectious disease hospital—away from regular patients—is always needed."

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It was a race against time for Bhiwandi police on Saturday, when they were informed that a special train would leave from Bhiwandi Road Railway Station for Uttar Pradesh. The exercise of shortlisting passengers who belonged to UP's Gorakhpur district, and bringing them to the railway station, took less than five hours. And through it all, there was no chaos. The joy on the face of the migrants—who could finally see sight of home—was inevitable. The Government of India on Friday cleared the inter-state movement of trains for migrant labourers. Bhiwandi, a hub of handloom industries, is the workplace for more than thousands of labourers all of whom have been stranded after the nationwide lockdown. The local authorities received information from the Railway department that a special train would leave from Bhiwandi on Saturday. With 24 coaches it would run non-stop, completing the journey within 30 hours. Each passenger underwent a temperature check before boarding.

"As soon as we received this information, we started gathering information on people in the area who were from Gorakhpur and began the exercise with help of the municipal corporation and revenue department," says DCP Rajaram Shinde. "We shortlisted 1,200 persons."

Shamshuddin Sheikh, a driver, says, "I have spent the last one-and-half months with almost no money and very little groceries. I have been waiting for this day, now I am happy as I am going home to see my parents, wife and kids."

Another handloom worker, Muniram Yadav, says, it took him six hours to complete his registration with the authorities. "I haven't told my family that I am coming. I am going to inform them only after the train leaves," he adds.

Each coach will accommodate 54 passengers. The police have provided food, water, face masks and sanitisers to all passengers.

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Dear Diana,
I was friendly with this guy almost a decade ago. We got along well — I could talk to him for hours. There was never any shortage of subjects and I always felt time just flew when I was with him. He was not the outgoing type, but in my presence he opened up. He told me that he was at peace whenever he was with me. We never spoke about the future or where we were heading to. We just talked and talked about everything and anything. From the most routine of stuff to national headlines to religious debates. It was as if we were destined to meet and to talk. I used to always feel I would meet this one guy who would be special. It was him. Our friendship, however, lasted barely a year. I wanted him to be my best buddy, perhaps my only buddy, but he wanted more. He wanted a physical relationship. That's when the problem arose. I had to tell him whether I 'liked' him or 'loved' him. In a fit of anger, he stopped talking to me. I let him be and after that we never spoke again. But I still pine for him after all these years.
— Neesha

Illustration/Uday Mohite

Dear Neesha,
You were genuine in your friendship with him, but this guy wanted more. He was only interested in a physical relation which you were not ready for — or perhaps needed more time to commit yourself to him. If he really cared for you and loved you, he would not have dumped you. It is clear that he did not respect your feelings. You had clearly told him what was on your mind, still he was hellbent on doing what he wanted to. You are better off without this guy — you need someone who respects you. As you got so involved with him, you are still pining for him. He did not give you a chance to seek closure as he just walked off. You are better off without this foolish guy. Over time, you will forget him, so stop thinking about him.

The Belgian Formula One Grand Prix scheduled for August 30 is in doubt after the country's ban on public gatherings was extended until the end of that month, organisers said. "All scenarios are being studied: postponement, holding it behind closed doors, or cancelling it. No-one can say what the situation will be in four and a half months," Vanessa Maes, the grand prix's director general, told Belga news agency.

Holding the event behind closed doors is unlikely with local backers unhappy with the financial fallout, according to the newspaper La Derniere Heure. The race is expected to join nine other grands prix that have already been cancelled or postponed this season as Formula One grapples with the consequences of the coronavirus pandemic.

"Our absolute priority remains the health of the Belgian people and the spectators who come to Spa-Francorchamps," the race venue, said Maes.
The French Grand Prix scheduled for June 28 is also in doubt. A decision on whether to go ahead with the race behind closed doors or to postpone or scrap the event is expected in the coming days.

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Formula One boss Chase Carey on Monday targeted the Coronavirus-hit season eventually starting in Austria on July 5 after the French Grand Prix was cancelled and fans barred from the British race at Silverstone.

The French Grand Prix, which was to have been held on June 28, was the tenth race of the season to be scrapped or postponed. "We're targeting a start to racing in Europe through July, August and beginning of September, with the first race taking place in Austria on 3-5 July weekend," Carey said in a statement.

"September, October and November, would see us race in Eurasia, Asia and the Americas, finishing the season in the Gulf in December with Bahrain before the traditional finale in Abu Dhabi, having completed between 15-18 races."

Chase Carey

French GP called off
Carey's statement followed quickfire announcements from the French organisers and a statement from the owners of the Silverstone track where the British Grand Prix is due to take place on July 19.

"Given the evolution of the situation linked to the spread of the Covid-19 virus, the French Grand Prix takes note of the decisions announced by the French state, making it impossible to maintain our event," the race's managing director Eric Boullier said.

It joins nine other races in the decimated 2020 championship to be either cancelled (Australia, Monaco) or postponed (Bahrain, China, Vietnam, Netherlands, Spain, Azerbaijan, Canada).

Organisers of the race at Le Castellet were forced to act after President Emmanuel Macron's announcement last week that the lockdown in France will be extended until May 11 and public gatherings banned until mid-July. Ruling out holding the race behind closed doors, Boullier said: "Le Castellet are already turning towards the summer of 2021".

What about the fans?
F1 supremo Carey said he expected "the early races to be without fans" but hoped that spectators would be allowed back "as we move further into the schedule". He added: "We still have to work out many issues like the procedures for the teams and our other partners to enter and operate in each country. The health and safety of all involved will continue to be priority one and we will only go forward if we are confident we have reliable procedures to address both risks and possible issues."

Revised F1 calendar

July 5: Austria
July 19: Great Britain
August 2: Hungary
August 30: Belgium
September 6: Italy
September 20 Singapore
September 27: Russia
October 11: Japan
October 25: United States
November 1: Mexico
November 15: Brazil
November 29: Abu Dhabi

Races postponed: Bahrain (March 22), Vietnam (April 5), China (April 19), Netherlands (May 3), Spain (May 10), Monaco (May 24), Azerbaijan (June 7), Canada (June 14)

Races cancelled: Australia (March 15), France (June 28)

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Silverstone owners said on Monday that no spectators would be able to attend the British Grand Prix due to the coronavirus pandemic but the race is still scheduled to go ahead.

The French Grand Prix scheduled for June 28 was cancelled on Monday but while organisers have not yet made a final decision on postponing or cancelling the July 19 British race, Silverstone managing director Stuart Pringle paved the way for a behind-closed-doors race.

"I am extremely disappointed to tell you that we are unable to stage this year's British Grand Prix in front of the fans at Silverstone," Pringle in his statement on Silverstone's Twitter account. "We have left this difficult decision for as long as possible, but it is abundantly clear given the current conditions... that a grand prix under normal conditions is just not going to be possible."

Britain has been one of the countries worst affected by the COVID-19 outbreak, with the number of deaths topping 20,000. The actual toll could be much higher when deaths in the community are taken into account, particularly at care homes. The French Grand Prix is the 10th leg of the 2020 championship to be either scrapped (Australia, Monaco, France) or postponed (Bahrain, China, Vietnam, Netherlands, Spain, Azerbaijan, Canada).

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F1 leader Lewis Hamilton heads into this weekend's Japanese GP grateful to have extended his overall championship advantage, but conscious that his Mercedes team have their work cut out to rediscover their car's lost speed. The German team were the third slowest team for the second weekend in a row at the last race in Malaysia, after also similarly struggling for pace in Singapore.

Lewis Hamilton

The Briton heads into Sunday's race at the Suzuka circuit, where he has won twice before, with a heftier 34-point lead over the Ferrari driver with five races to go, but only because of the misfortune that has blunted the German's championship charge.

Mercedes' Lewis Hamilton after claiming pole in Melbourne on Saturday. Pic/Getty Images

World champion Lewis Hamilton claimed the first pole position of the 2018 Formula One season, unleashing a dazzling display of speed that stunned his rivals in the dying seconds of qualifying for the Australian Grand Prix.

The Mercedes driver, who goes into the season as favourite to clinch a fifth world championship, lit up the timing screens with a late one minute 21.164-second lap, the fastest ever around Melbourne’s Albert Park circuit.

That put him a gaping 0.664 seconds clear of his closest challenger Kimi Raikkonen, who will line up alongside the Briton on the front row. The Finn’s Ferrari team-mate and 2017 title runner-up Sebastian Vettel was third 0.674 seconds off the pace.

Yesterday’s pole was the 73rd of Hamilton’s career. The 33-year-old is already Formula One’s most successful qualifier, having surpassed Michael Schumacher’s previous benchmark of 68 pole positions last year. He now also holds the record for most poles at Albert Park, with yesterday’s effort his seventh around the 5.3-kilometer long circuit.

“You would think it had become the norm with all the success we've had these last years, but it's still just as intense,” said Hamilton whose Mercedes team have swept to four straight constructors' titles.

“My heart is racing. I'm always striving for perfection and that was as close as I could get today."

Qualifying offered the first chance of the season for fans to see how the teams all stacked up against each other.

The initial runs in the final pole-position shoot-out phase of qualifying fuelled hopes of a three way battle between Mercedes, Ferrari and Red Bull at the front.

Hamilton held provisional pole after the initial laps, but only just, with Vettel a marginal 0.034 seconds adrift and Max Verstappen 0.061 seconds off the pace. He then dashed all hopes of an evenly matched contest, pulling out all the stops and banging in the lap that clinched him pole.

Vettel, who won at Albert Park last year after starting alongside pole-sitter Hamilton, and Raikkonen were refusing to write off their chances, however.

Mercedes are known to switch the engine on to a more powerful qualifying-only mode — dubbed the ‘party mode’ this year — with their advantage shrinking on race day as they opt for a more normal setting.

“Yeah, I hope they did turn it on today, as that means they have to turn it off tomorrow,” said Vettel.

“I think it’s very close. I think we saw yesterday in the long runs that the pace is very close, so let’s see.”

Hamilton denied turning the engine up between the two runs with team boss Toto Wolff putting it down to the Briton simply getting the car and tyres into the sweet spot.

“What were you doing before?” Vettel asked kicking off an amusing round of banter between the two four-time champions who, in an unprecedented scenario in Formula One history, will be going head-to-head for a fifth title.

“I was waiting to put a good lap in, wipe the smile off your face!” Hamilton shot back.

Verstappen had to eventually settle for fourth, with Red Bull team-mate Daniel Ricciardo fifth. The Australian, however, will start his home race eighth after copping a three-place grid penalty for speeding under red flags in practice on Friday. Both Red Bulls have opted to start the race on the more durable supersoft tyre as opposed to their rivals who will start today’s race on the ultra-soft.

Kevin Magnussen will instead start fifth for Haas ahead of team-mate Romain Grosjean as the American team continued to turn heads with their speed after chalking up their best ever qualifying result.

Nico Hulkenberg qualified eighth but will start seventh on account of Ricciardo’s penalty. His Renault team-mate Carlos Sainz will start ninth.

Fernando Alonso and Stoffel Vandoorne just failed to make it through into the top-ten shootout in McLaren’s first qualifying session since ditching Honda for Renault power. The pair set the 11th and 12th fastest times.

Valtteri Bottas provided the biggest drama of the session, crashing his Mercedes in the final phase of qualifying without setting a time. The incident brought a brief red flag.

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Fernando Alonso, 37, who announced that he will retire from Formula One at the end of the season, could get married to Italian supermodel Linda Morselli, 29, soon.

According to reports in Socialite program, one of the reasons that could have made Alonso take the decision to leave F1 is that he wants to lead a happy married life and start a family with his girlfriend of two years.

Linda Morselli. Pic/Getty Images

While announcing his retirement, Alonso, had said in a statement: "After 17 wonderful years in this amazing sport, it's time for me to make a change and move on. I'm having one of the happiest times ever in my life but I need to go on exploring new adventures."

Recently, Morselli posted this picture on social media kissing Alonso and captioned it: "Love you." If Alonso gets married, it will be his second wedding. He was married to singer Raquel del Rosario till 2011.

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Tuesday marked three years of Baahubali: The Conclusion. Lead star Prabhas took to Instagram to thank fans for the 'enormous outpouring of love that still flows'. The South sensation wrote, "Baahubali 2 was not just a film that the nation loved but also the biggest film of my life. I'm grateful to fans, team and director SS Rajamouli who made it one of the most memorable projects. I'm delighted for all the love the film and I have received (sic)."

 

 

 

View this post on Instagram

A post shared by Prabhas (@actorprabhas) onApr 27, 2020 at 11:30pm PDT

For the uninitiated, Prabhas started his career in 2002 and has never halted ever since! The actor has with every passing year given one of the most promising performances and characters we can all relate to.

Fans demanded another edition of the epic. Baahibali did tremendously well even at the box office and Prabhas was phenomenal. The speech delivery, physique, body language was so perfect that no one except Prabhas could have aced the role. Baahubali chose Prabhas and it's indeed amazing. Baahubali was one of the biggest films of all time and more so, for its grandeur and Prabhas' stardom.

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Irrfan Khan found success even in the harshest of times. The greatest stories are born out of sheer and scarring rejections and that's what Khan had to go through during his early years in the Hindi film industry. I'm reminded of an interview when he spoke about crying profusely on Raghubir Yadav's shoulders after Nana Patekar was given the role he was playing in Mira Nair's Salaam Bombay. But he knew he wanted a life and career in front of the camera.

Another great thing about success is that it never discriminates. Khan's was an unconventional aura yet very charming. He hailed from Jaipur, stayed at Tonk Road and had dreams of making it in Bollywood. The nation saw him for the first time in the immensely successful serial, Chanakya, and his eyes were so gripping and powerful, the viewers couldn't help but be hooked by his persona. He was here to stay.

His early years in Hindi films may have been unsensational but never once anyone doubted his tenacity as an artist. Even in smaller roles like Kasoor and Footpath, you could see the sincerity and earnestness with which he approached these characters. There was something special about his emotions and gravitas that with the same amount of expressions, he could be both chilling and comical. On one hand, we had a film like Gunaah, where he played an inebriated and innocuous police officer, and on the other hand was a film like Hindi Medium, where he made the audiences laugh and even cry.

He won the National Award for Paan Singh Tomar, a film that was driven by rust and robustness, and so was his performance as the eponymous character. It was only after this that he began to get roles that were not only exciting but also very exhilarating, for him and us, both. In The Lunchbox, he played Saajan, an ageing and ordinary man who falls in love with a woman he has never met, thanks to her delicious food that accidentally lands at his office desk. It was a restrained, real, and rousing performance that will always stay as delicious and fresh as the food he consumed.

Another crackling performance was in Shoojit Sircar's Piku, where he was pretty much stuck between a clumsy father and his cantankerous daughter. His deadpan demeanour always works in favour of the films he's a part of, and Piku was one of them. Call it the magic of the narrative or his own Midas touch that even if a single muscle doesn't move on his face, we know exactly how and what he's feeling. And that's precisely what he aspired for, to be a great artist. He never craved fame.

He once said, "Wanting fame is a disease and one day, I want to be free from this disease." Today, by God's will, he has been set free from all his pain and suffering as he departs, leaving behind tons of memories and superlative films and performances. Rest in peace, Irrfan Khan, until we meet again!

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Once the lockdown ends that was imposed due to the Coronavirus pandemic, people will realise why one should never take life for granted. Malaika Arora thinks so too! She has taken to her Instagram account to share a beautiful throwback picture with her son Arhaan Khan and asked us not to take life for granted.

She has shared a picture of the time when life was normal as compared to the restrictions that have been imposed today. When we could roam around freely and enjoy being with our loved ones. And as we all are saying, she said if too- This too shall pass.

Have a look at the post right here:

 

 

 

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#throwback to a time where life felt normal compared to all that is restricted today .... (food, travel , hugs, kisses ,work ,friends, family )... don’t take life for granted .stay positive n don’t wipe that smile of ur face #thistooshallpass🙏 #weallinthistogether ðŸ¤Â—

A post shared by Malaika Arora (@malaikaaroraofficial) onMay 2, 2020 at 10:03pm PDT

Seema Khan commented on the post with a heart and heart-filled emoji. What was also heart-filled was her selfie that was both unkempt and unswerving. She looked breathtaking and gorgeous and wrote- "Another week goes by... wondering wat awaits us." (sic) Have a look right here:

 

 

 

View this post on Instagram

Another week goes by... wondering wat awaits us....but for now loving the sun on my skin n the wind in my hair n the comfort of knowing that I have a roof over my head with my loved ones .#gratitudeonly🙏 #staypositive #stayhomestaysafe #inthistogether

A post shared by Malaika Arora (@malaikaaroraofficial) onApr 24, 2020 at 9:09pm PDT

Malaika surely knows how to keep her fans entertained with her posts. So keep a tab on what she does because she knows how to slay it even at home!

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In an attempt to stop the spread of fake news and misinformation, actors Ayushmann Khurrana, Kriti Sanon, Sara Ali Khan, and cricketer Virat Kohli have joined hands for a new initiative called 'Mat Kar Forward.

The initiative by short video making platform TikTok urges people to not share any unverified message, picture or video. The four celebrities have shot a video message in which they are seen asking people to not spread hatred, fear, or misinformation on social media by forwarding data from unverified sources.

They are seen sitting and talking about how deadly the virus of misinformation is before talking about the issue individually in the video.

"All of us are responsible for it at some point or the other. All of us have helped this disease spread. But it's time to bring a change, and the change begins with you. #MatKarForward," tweeted Khurrana along with the video.

"All of you support us with such fervour when we play for the nation. But now the nation needs you, me, all of us to play for it. Will you do your bit? #MatKarForward," tweeted Virat Kohli.

The initiative comes in the backdrop of a rise in misinformation around the coronavirus pandemic on social media platforms.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

As several stars pledged contributions to aid the fight against the Coronavirus, actor-businessman Sachiin Joshi announced a Rs 3 crore programme to distribute food packets to the frontline workers. The move came as a surprise to former employees of Joshi's Viiking Ventures, who have claimed non-payment of dues over past several months.

Taskeen Naik, who had joined as the social media head, and public relations officer to the chairman in August 2018, says she has been waiting for her full and final payment to be cleared since her exit in May 2019. "When I personally reached out to Mr Joshi, he blocked my number. Despite following up [with the HR team] every month, I have yet to be paid," she rues.

This paper is in possession of a document that lists 30 former employees of Viiking Ventures and its communications wing Think Tank, whose salaries have not been cleared since as early as March 2019. The cumulative amount stands at a little over Rs 30 lakh.

Krishna Choudhary, former marketing manager at the company that has verticals across FMCG products, realty and entertainment, reveals that since his joining in October 2018, the salaries would usually be deferred. "On March 26, 2019, Mr Joshi sent an e-mail assuring that the salaries will be timely from April. That month, they cleared all our salaries up to February 2019. But I was not paid a dime after that. I tendered my resignation in June, and have since been pursuing the HR to clear my four months' salary. While my pleas fell on deaf ears, the department sent an e-mail last December citing lack of funds as the reason for delayed payments. How does the company have money for charity, but not to pay our pending salaries?"

A snapshot of the complaint  submitted to the Chief Labour Commissioner by an employee  

When mid-day reached out to Joshi, his spokesperson issued a statement that read, "We hired a particular CEO [now no longer with us] who undertook unlawful practices and fraud, with a bunch of employees. All those people working with the said CEO are now under scrutiny and their payments are being held. The procedure should be completed by end of June 2020. Those who are given a clean chit will get their rightful dues, and the management will take legal action against those found guilty."

However, the former employees in question maintained that they were not informed about being part of an ongoing investigation. Interestingly, another former employee, on condition of anonymity, revealed that he had joined the company in May 2019 — long after the said CEO's departure — and was still subjected to similar fate. "Of my eight-month stint, I have not been paid for three-and-a-half months. I was not allowed inside the office premises when I went to meet Mr Joshi. When he recently went live on Instagram, many [former employees] asked him to clear their dues, in the comments section. I'm contemplating legal action."

Joshi was in the news in 2017 when he bought Vijay Mallya's Kingfisher Villa in Goa for Rs 73 crore in a bank auction.

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As singer Adele made a comeback on social media with a picture of her svelte physique on her birthday, Bollywood's fashion diva Sonam Kapoor lauded the transformation.

Sonam who also had to shed off kilos before making her Bollywood debut with the film 'Saawariya' took to Instagram and shared the latest post of the singer on her story.

"What a transformation...So commendable. Love you @adele cannot wait for your new music," Kapoor wrote along with the picture.

Earlier in the day, the 'Hello' singer made a stunning comeback on social media for marking her 32nd birthday.

She further dedicated the post to the frontline workers who are fighting off COVID-19.

Adele's new music is expected sometime in 2020 and would be her first album since '25', released in 2015, which followed earlier releases '21' and '19'.

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Actor Amyra Dastur believes cinema is going to be transformed in the aftermath of the coronavirus pandemic with the digital space opening up in a big way. Amyra said the lockdown, which has led to the closing of cinemas and a postponement of shoots, also resulted in some of her projects getting pushed.

"I'm excited to see how cinema is going to transform and how the OTT platform is going to blow up bigger than ever. Luckily I'm not a newcomer so getting work isn't a concern. It is about quality and I believe only quality and not a last name will prevail. "Theatres will need a good six-eight months to have full houses again and in that time viewership on Netflix, Amazon Prime Video, Hotstar, Alt Balaji, Voot among others will grow... Finally, content is going to overshadow the box office, so it's an exciting time at the moment," the actor told PTI.

Before the lockdown was announced in March, the actor had T-Series' murder mystery "Koi Jaane Na" co-starring Kunal Kapoor up for release in June, but that stands pushed. "We wrapped up shoot in the second week of February but that's been postponed due to the lockdown and our inability to get out and promote, as well as the fact that the industry doesn't know when the theatres are going to be able to open up to the public," Amyra said. She was also shooting for Farhan Akhtar and Ritesh Sidhwani's production, "Dongri To Dubai", a web series adapted from author Hussain Zaidi's book of the same name and Tamil film "Bagheera" with Prabhudeva, all of which came to a halt. Her other project, filmmaker Ali Abbas Zafar's Amazon Prime Original "Tandav" is currently on the editing stage.

The actor said she was supposed to fly to Chennai for a shoot on March 23, but it got postponed as the makers wanted to see what Prime Minister Narendra Modi's announcement would be a day later. "I'm glad it was postponed because I would have been in lockdown alone in Chennai. But it's ok because these are the two projects I'll go back to shooting for as soon as the lockdown is lifted."

The actor, who has featured in films like "Judgemental Hai Kya" and "Rajma Chawal", said once the lockdown is lifted, all her projects will resume on a priority basis. "It'll be hectic because everyone wants the same dates but we've managed to prioritise each project according to the new deadlines. I was all set to shoot for a new film and was going to announce it in April so that's been postponed as well but not halted," she added.

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Actor Kartik Aaryan said playing two characters in one movie would seem scary, but if the transition from Veer to Raghu in "Love Aaj Kal" was smooth he credits the film's director Imtiaz Ali for it. The actor feels Ali brings out great performances from actors in his movies.

Kartik took to Instagram and shared a still from "Love Aaj Kal", and also a picture of himself along with Ali. Alongside the image he wrote: "When you first dream of being in films, you act in front of the mirror and nail it every time, and the world of movies seems magical.?Then you get a movie. You see the camera and are unnerved. It's bigger than the suitcase you brought to Mumbai. The bright lights seem to be scolding you for not landing on a one inch tape mark and wasting everyones time."

"The first few years become about trying not to look nervous.?Then you get an Imtiaz Ali movie. The moment he narrates the story, you are pulled into a dream. I don't even remember seeing the camera on his set, he‘d always be standing wherever I looked after cut. He was never at the monitor, he was by my side. The lights on Imtiaz Ali's set help you find those tape marks," he added.

Kartik claimed he never experienced the kind of love and appreciation he got for his performance in "Love Aaj Kal". "And that too from some of my favourite filmmakers and people I most respect in the industry. How ironic that the making of this film felt most effortless. It would scare me to think of doing two characters in one movie. And here, I didn't even realise how smoothly I was being transitioned between #Veer and #Raghu," he wrote.

"For an actor, there is no better environment than being In front of that mirror. Imtiaz Ali takes you there. This is the reason why so many great actors' greatest performances have been in Imtiaz Ali films," Kartik added.

The actor then praised Ali and called him a "magician". "Imtiaz Ali director nahi hain, jadugar hain (Imtiaz Ali is not a director but a magician)! Thank you sir for giving me the best performance of my career yet. @imtiazaliofficial #LoveAajKal."

"Love Aaj Kal" co-starring Sara Ali Khan released on Valentine's Day this year. It traced love stories of two different eras -- the first is set in the late 1980s-early nineties, and unfolds between Raghu and Leena. The other love story, set in the present time, happens between Veer and Zoe.

The film is a retelling of Ali's own film of 2009 that starred Deepika Padukone and Saif Ali Khan, and was a hit. "Love Aaj Kal" 2020 fared below expectation at the box-office and was also critically panned.

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FIlipino lawmakers are expected to soon sign off on a long-awaited tax reform bill to bring about personal income tax regime reform and broaden the value-added tax base.

The Philippines' Senate on November 28 approved its version of the Tax Reform for Acceleration and Inclusion (TRAIN) bill, which is expected to exempt 6.8 million workers from paying income taxes.

The Philippines is to take forward its tax reform agenda in January, with a second package of proposals to be tabled before Congress, after the first package was endorsed with some vetoes by President Rodrigo Duterte.