Amavas
U/A: Horror
Dir: Bhushan Patel
Cast: Sachiin Joshi, Nargis Fakhri
Rate: 

The experience of watching a Ramsay Brothers horror is unique. It's almost synonymous to buying a ticket for a comedy. Dealing with Amavas, is pretty much the same. It's the modern-day equivalent to a Ramsay product. Do you love it? Yes, to bits! It's a laugh riot. But, that's not how director Bhushan Patel designed it to be, which is why, it's disappointing.

Patel, who previously directed the Bipasha Basu and Karan Singh Grover-starrer Alone, takes the tomfoolery a notch higher with this film. We are introduced to the familiar 'praacheenkal' knowledge of 'bhooth-pret'. There is a haunted mansion - resembling a cross between that in The Conjuring and Sushmita Sen's Vaastu Shastra.

Familiar tactics - creaking doors, spooky scores and shadows - are employed to evoke fear. Yet, the idiocy on display doesn't occupy my mind. What does is the fact that viewers could have been spared from the goings-on had the cast simply travelled to Paris. Let me explain. Karan Ajmera (Sachiin Joshi) is coaxed by girlfriend Aahana (Nargis Fakhri) to take a trip to the former's Brit mansion, instead of taking off on a romantic getaway to the French capital. On arriving, skeletons begin to tumble out, and they learn the reason behind the house being locked up for eight years. All hell breaks loose.

Even the slightest mention can be a spoiler in a horror, so we'll leave the details aside should you wish to catch this one. But, we can reveal that this uninspiring story ticks every clichéd check box in the horror rule book, including possessed bodies, hapless spirits, barren trees, a grave and temple bells. In addition, there's a half-faced doll, and a bored ensemble of supporting actors who look more clueless than the doll in question. As lovers, Joshi and Fakhri certainly lack chemistry. In fact, the latter's visible disinterest even overshadows Joshi's ineptness.

What is really horrifying is the depiction of the psychiatrist, played by Mona Singh. 'Calm down' or an increase of medicinal dose, are apparently appropriate responses to paranoia and migraine. While the boyfriend battles serious issues, the girlfriend busies herself by exploring the estate, and playing hide-and-seek.

The incoherence is baffling, and one is only compelled to wonder why a team of qualified artistes would create this kind of cinema. But since the movie doesn't take itself too seriously -the quality of VFX and continuity being obviously ignored - it is best relished as a comic caper.

As for Fakhri, who makes a comeback of sorts to Bollywood with this film, she had more meat in her five-minute act in the American thriller, Spy (2015) than she does here. Pro tip for the writers - Just send them to Paris next time. It's always a good idea!

Also Read: Nargis Fakhri annoyed with press prying into personal life; leaves Amavas promotions midway

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Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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Tokyo organizers said Tuesday they have no "B Plan" in the event the Olympics need to be postponed again because of the coronavirus pandemic. Masa Takaya, the spokesman for the Tokyo Olympics, said organizers are proceeding under the assumption the Olympics will open on July 23, 2021. The Paralympics follow on Aug. 24. Those dates were set last month by the International Olympic Committee and Japanese officials after the coronavirus pandemic made it clear the Olympics could not be held as scheduled this summer.

"We are working toward the new goal," Takaya said, speaking in English on a teleconference call with journalists. "We don't have a B Plan." The severity of the pandemic and the death toll has raised questions if it will even be feasible to hold the Olympics in just over 15 months. Several Japanese journalists raised the question on the call.

"All I can tell you today is that the new games' dates for both the Olympic and Paralympic Games have been just set up," Takaya said. "In that respect, Tokyo 2020 and all concerned parties now are doing their very best effort to deliver the games next year." IOC President Thomas Bach was asked about the possibility of a postponement in an interview published in the German newspaper Die Welt on Sunday.

He did not answer the question directly, but said later that Japanese organizers and Prime Minister Shinzo Abe indicated they "could not manage a postponement beyond next summer at the lastest." The Olympics draw 11,000 athletes and 4,400 Paralympic athletes and large support staffs from 206 national Olympic committees. There are also questions about frozen travel, rebooking hotels, cramming fans into stadiums and arenas, securing venues, and the massive costs of rescheduling, which is estimated in Japan at $2 billion-$6 billion.

Tokyo 2020 CEO Toshiro Muto addressed the issue in a news conference on Friday. He is likely to be asked about it again on Thursday when local organizers and the IOC hold a teleconferene with media in Japan. The other major question is the cost of the delay; how much will it be, and who pays? Bach said in the Sunday interview that the IOC would incur "several hundred million dollars" in added costs. Under the so-called Host City Agreement, Japan is liable for the vast majority of the expenses.
"This is impossible to say for now," Takaya, the spokesman said.

"It is not very easy to estimate the exact amount of the games' additional costs, which have been impacted by the postponement." Tokyo says it's spending $12.6 billion to organize the Olympics. But a Japanese government audit published last year says the costs are twice that much. Of the total spending, $5.6 billion in private money. The rest is from Japanese governments.

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As the country mourned the loss of one of the finest actors of the Indian cinema industry, Malayalam actor Prithviraj Sukumaran on Thursday took to social media to express grief on the demise of 'legend' Rishi Kapoor.

The south Indian actor, director, and producer took to Twitter and wrote: "This is a sad sad week for cinema. Rest in peace [?]#RishiKapoor sir."

This is a sad sad week for cinema. Rest in peace ⁦#RishiKapoor sir. Had the absolute privilege of working with him in #Aurangzeb Used to tell me he can’t call me by name as I shared it with his grand father. Farewell legend. We will miss you! pic.twitter.com/VSZHRqNks9

— Prithviraj Sukumaran (@PrithviOfficial) April 30, 2020

The 37-year-old star who had shared screen space with the veteran actor in 2013 drama-thriller 'Aurangzeb,' also recalled his conversations with the late star.

"Had the absolute privilege of working with him in #Aurangzeb Used to tell me he can't call me by name as I shared it with his grandfather."

He wrapped up the post by saying: "Farewell legend. We will miss you!"

Rishi Kapoor passed away at 8:45 am IST at Mumbai's Sir HN Reliance Foundation Hospital after a two-year battle with leukaemia, his family said in a statement. He was admitted to the facility on Wednesday. Earlier today, actor Amitabh Bachchan confirmed the news of the demise of the 67-year-old.

In September 2019, Rishi and his wife Neetu returned to Mumbai after staying in New York for almost a year for cancer treatment. He was last seen in the 2019 film 'The Body' alongside Emraan Hashmi and Shobita Sobhita Dhulipala.

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Veteran actor Rishi Kapoor breathed his last in a hospital in Mumbai on the morning of April 30, 2020. His passing has left a huge void in the film industry and in the lives of his family, close friends and millions of fans across the world. Tributes have been pouring in for the original chocolate hero of Bollywood, and Aamir Khan, too, took to Twitter to bid a final goodbye to his Fanaa co-star.

Aamir wrote, "We have lost one of the greats today. An amazing actor, a wonderful human being, and 100 per cent a child of Cinema. Thank you for all the joy you brought to our lives. Thank you for being the actor and human being that you were. You will be badly missed Rishiji."

We have lost one of the greats today. An amazing actor, a wonderful human being, and 100% a child of Cinema.
Thank you for all the joy you brought to our lives.
Thank you for being the actor and human being that you were.
You will be badly missed Rishiji.
Love.
a.

— Aamir Khan (@aamir_khan) April 30, 2020

Rishi Kapoor passed away at the age of 67 after battling cancer for two years. The actor was suffering from leukaemia, and he died with wife Neetu Kapoor by his side. Amitabh Bachchan, Rishi Kapoor's co-star in a number of films, was one of the first to confirm the news of his passing.

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- By RJ Archana Pania

It hasn't yet sunk in, and I wonder if it ever will that Rishi Kapoor ji is no more.

I first met him at the special screening of Saawariya, and he was watching his son Ranbir turn into an overnight star in the auditorium post the show. He was so concerned that his son would be manhandled by the huge crowd! I walked up to Rishi ji to share that my family and I were his huge fans, and he in his inimitable Kapoor candour with outstretched hands smilingly said "thank you" while keeping an eye on Ranbir.

I still can't remember when our RJ to actor connect turned into friendship. During interviews at RK Studios, he would proudly show me around, and his eyes would light up while talking about his father, Raj Kapoor saahab, and his grandfather Prithviraj Kapoor Ji.

He had reservations about his own physique, and always said, "If I had maintained my weight I would give all the young guns a run for their money." It's not for nothing that the tag of a chocolate hero stayed with him for over three decades. His performances could very well range from an angry lover boy (Kabhi Kabhie) to the most caring sweetheart (Chandni).

In my almost two decades of a radio career, no actor brought us treats. In fact, invariably, we would be ordering food for them. Rishi ji and Neetu ji, however, came in for their film Do Dooni Chaar's promotions and got us all at Radio City studio a huge hamper of goodies from his favourite food joint. Croissants, pastries, puffs, muffins... you name it and he got it. That's when one could see the largess of his heart.

I had some of the best memories at his home during Ganpati celebrations. He loved the festival and had Bappa home for five days, and would say that he wanted Bappa to stay longer than that. Every year, promptly, his invitation would arrive. Post the aarti he would sit all of us down and we would indulge in some "gupp-shupp". Poonam Dhillon ji, Padmini ji would all be in splits thanks to his candid ways of recalling the times gone by.

My most favourite memory of him is how one day he called me to scold me for using "Tu" while addressing my listeners. He said, "Let that boy (my co-RJ Salil Acharya) with you do "tu-tadaka", you continue saying "aap" the way you do, you are from a good family." I wondered about the kind of care that call reflected, the concern he had for people he was fond of. Sometimes, I would call him on his landline to wish him on his birthday or to congratulate him for a great performance in a film. Typically, he would first express irritation like it's all an everyday thing. But then, he would oblige me with an interview with heartfelt involvement.

But no matter what our conversations would be about, we always ended up discussing Ranbir's projects (where he felt Ranbir should take up more work and not work on single projects for so long) and his one smile gave away how proud he was of his son.

I am sure the legendary actor will see his legacy being carried forward beautifully by Ranbir, who has never ceased to astound us with his talent.

Rishi ji, I know you had so much zest for doing more. No one romanced life and cinema as you did on an everyday basis. Thank you for giving us countless memories and conversations to remember forever. Our industry won't be the same after today...

Some of my favourite songs of RK ji:

Dafli Wale - Sargam
Hoga Tumse Pyaara Kaun - Zamane Ko Dikhana Hai
Chukkk Chukk Bombay Se Baroda Tak - Rafoo Chakkar
Om Shaanti Om/Kya Umar Thi - Karz
Humko Tumse - Amar Akbar Anthony
Chal Kahee Door - doosra Aadmi
Tu Tu Hai Wahi - Yeh Vaada Raha
Jeevan Ke Din Chhote Sahi - Bade Dilwale
Lambooji-Tinkuji - Coolie
Chandni - Chandni O Meri Chandni
Sochenge Tumhe Pyaar/Teri Umeed - Deewana

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"I have been defeated by housework," says Konkona Sensharma, who seems exhausted with the never-ending chores. "Household work is taking up more time than I thought. It's an endless repetition and gets boring," adds Sensharma.

While most are using this time to discover world cinema on OTT platforms, Sensharma has been exposed to it since childhood. "I was introduced to world cinema very early in life. My grandfather had started the culture of film society with Satyajit Ray. So, they had a lot of screenings on the projector. My mum [Aparna Sen] would get a lot of cassettes home to watch it with her friends." Taking a break from noir films, it seems the actor is indulging in mainstream and regional entertainment these days. She says, "I love regional cinema and I will have to recommend Angamaly Diaries." She expresses her love for Jon Hamm's Mad Men. "The series takes you back in time and gives you an understanding of their attitude towards homosexuality and women," she adds, before recommending The Wire for its "tight script".

Stills from Angamaly Diaries and Mad Men

She adds Phoebe Waller-Bridge's Fleabag to her list purely for its "wicked and witty narrative". "Usually, female characters are [showcased as] earnest and moralistic. They don't write about them being witty and wicked. I loved the irreverent and irresponsible character," says Sensharma.

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He stood shoulder-to-shoulder with Zoya Akhtar, Reema Kagti, Nitya Mehra and Alankrita Shrivastava as he co-directed the much-loved Amazon Prime series, Made In Heaven, last year. However, before the second season goes on floors, Prashant Nair has made a graceful exit from the picture. The Spain-based filmmaker is instead consumed with bringing a real-life story to the screen.

A still from Made in Heaven 

"I am not part of the second season as I am working on a web series based on the Uphaar Cinema tragedy," says Nair, referring to the 1997 fire at the Delhi theatre that had claimed 59 lives and injured over 100 people. "I am the show-runner, director and creator of the series that is being developed with Endemol Shine India. It's currently in the research phase," he adds.

Prashant Nair

It has been a memorable week for the filmmaker, whose latest offering, Tryst with Destiny, won the Best Screenplay award at the Tribeca Film Festival. "The organisers kept the competition section open virtually so that [the jury] can watch the links. When they announced the win, I was in my pyjamas at 2 am, feeling remarkably unglamorous, reading Danny Boyle's lovely feedback on the movie," he laughs. Though glad that the Viineet Kumar Singh-starrer has received acclaim, Nair feels rather disconnected from the win. "I wanted to experience this moment with my cast and crew. And damn, we didn't even get a selfie with Robert De Niro [who is the co-founder of the festival]!"

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Actor Amyra Dastur believes cinema is going to be transformed in the aftermath of the coronavirus pandemic with the digital space opening up in a big way. Amyra said the lockdown, which has led to the closing of cinemas and a postponement of shoots, also resulted in some of her projects getting pushed.

"I'm excited to see how cinema is going to transform and how the OTT platform is going to blow up bigger than ever. Luckily I'm not a newcomer so getting work isn't a concern. It is about quality and I believe only quality and not a last name will prevail. "Theatres will need a good six-eight months to have full houses again and in that time viewership on Netflix, Amazon Prime Video, Hotstar, Alt Balaji, Voot among others will grow... Finally, content is going to overshadow the box office, so it's an exciting time at the moment," the actor told PTI.

Before the lockdown was announced in March, the actor had T-Series' murder mystery "Koi Jaane Na" co-starring Kunal Kapoor up for release in June, but that stands pushed. "We wrapped up shoot in the second week of February but that's been postponed due to the lockdown and our inability to get out and promote, as well as the fact that the industry doesn't know when the theatres are going to be able to open up to the public," Amyra said. She was also shooting for Farhan Akhtar and Ritesh Sidhwani's production, "Dongri To Dubai", a web series adapted from author Hussain Zaidi's book of the same name and Tamil film "Bagheera" with Prabhudeva, all of which came to a halt. Her other project, filmmaker Ali Abbas Zafar's Amazon Prime Original "Tandav" is currently on the editing stage.

The actor said she was supposed to fly to Chennai for a shoot on March 23, but it got postponed as the makers wanted to see what Prime Minister Narendra Modi's announcement would be a day later. "I'm glad it was postponed because I would have been in lockdown alone in Chennai. But it's ok because these are the two projects I'll go back to shooting for as soon as the lockdown is lifted."

The actor, who has featured in films like "Judgemental Hai Kya" and "Rajma Chawal", said once the lockdown is lifted, all her projects will resume on a priority basis. "It'll be hectic because everyone wants the same dates but we've managed to prioritise each project according to the new deadlines. I was all set to shoot for a new film and was going to announce it in April so that's been postponed as well but not halted," she added.

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Noted cinematographer Nadeem Khan has undergone brain surgery at a hospital here after he suffered a fall. Khan, son of famous Hindi novelist and scriptwriter Rahi Masoom Raza, was admitted to Lilavati hospital in suburban Bandra on Monday evening after he fell from a flight of stairs and suffered injuries in head, shoulder, and chest.

"We have been in the lockdown for the last two months and just a night before we stepped out of our house and while we were getting down he fell from the building staircase and started bleeding. We immediately rushed him to the hospital. He has been admitted to the hospital, he is in the ICU. He has undergone brain surgery. The next 48 hours are critical. We are praying and hoping he will be fine," Khan's wife Parvati, who is a singer, told PTI.

Khan has been a cinematographer on more than 40 films such as Disco Dancer, Zamana, Aandhi-Toofan, Aag Hi Aag, King Uncle, and Gunaah. He has also directed one film titled Tirchhi Topiwale (1998) starring Chunky Panday, Inder Kumar, and Monica Bedi

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As the country entered its third round of lockdown extension earlier this week, the government relaxed certain restrictions in the areas identified as green zones. This has sparked a conversation in the exhibition sector that the theatrical screening of films, with adequate precautionary measures in place, may be resumed in the near future in these areas. But, of the 300 districts designated as green zones, 240 do not have theatres. In such a scenario, leading multiplex chains appear to have turned to PictureTime Digiplex, a portable theatre company, to revive the cinema-going practice.

"Even a leading chain like PVR has theatres in only 68 towns. In such a scenario, they would want to reach out to the green zones as soon as possible. So, our portable theatres will be required more than ever, and we can set up about 25 new ones in a month. We are in talks with two of the three leading multiplex chains," says Sushil Chaudhary, MD and CEO, PictureTime Digiplex, presumably referring to PVR, Inox and Cinemax.

Sushil Chaudhary

Chaudhary adds that actor-director Satish Kaushik is exploring the possibility of releasing his next, Kaagaz, through this model. "He called me to understand if the film could be released via our theatres. He believes that the film, owing to its theme, needs to be in theatres to make an impact. I am in talks with state agencies and am considering starting the portable theatres by mid-June."

Satish Kaushik

If given the green-light to function, the portable theatres will have to adopt several safety measures. "No rules have been laid out yet in order to start cinema in green zones, but we have started preparing for the same. We are planning a sanitisation tunnel, where the audience will be sanitised, and their temperatures checked. The seats will also be spaced out with dividers in between, in keeping with the practice of social distancing."

Satish Kaushik, who is incidentally also Advisor & Partner of Picture Time, says, "I think Picture Time will great solution for cinema entertainment as this mobile theatre reaches people or the viewer instead of viewer going to the theatre. It will run on the low capacity, air-conditioned, 5.1 digital sound and absolutely sanitised with all safety precautions of social distancing and contactless digital ticketing etc. We have so many green zones in the country where there are no theatres and Picture Time will be ready in just 2.5 hours anywhere in open space to show movies to the viewers. Mr Sushil Chaudhary and his team are working hard to give a great cinematic experience to cinema loving people in virus-free zones."

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The lockdown period brought filmmaker Nitesh Tiwari in front of the camera, and his nine-and-a-half-year old daughter Amaarisa got a chance to be a cinematographer on a scratch film for Kaun Banega Crorepati.

The new campaign has the show's host Amitabh Bachchan inviting KBC aspirants. It was shot from the confines of home, in the wake of the ongoing COVID-19 pandemic. Tiwari remotely directed the registration promo.

But before Big B's final video, there was a scratch film too. Talking about it, Tiwari told IANS: "This the first time I have done something like this. I've never shot a film sitting so far away from my star but yeah it was an interesting experience for me."

"The thing is when we were writing this campaign, we knew the restrictions under which this film would be shot so we didn't get really ambitious with the execution. We kept it very simple."

Explaining the campaign's execution process, the "Dangal" director shared: "For the execution bit, I had various chats with Mr. Bachchan, and to make it easier for him because he was only going to shoot the film at his house, I made a scratch film featuring me. My daughter (worked) as the cinematographer. I edited that film and I sent it across to him so that he could get a good idea about how I was looking at the film. And then Mr Bachchan did the rest. In fact, he did more. He was kind enough to send optional takes also...in case, I needed to look at alternatives. After that we did the post-production work, everybody sitting at their own homes."

This year, the campaign is all about: "Har cheez ko break lag sakta hai, sapno ko nahi (everything can take a break, but not dreams).

"Whenever we get down to working on KBC campaigns, what we normally do is we tap into the mindset of the people of the country at that point of time and given the situation we all are in, we chose to explore the possibility of having a campaign which was based around the idea of we being in the situation and how you tie it up to KBC as a game show," he said.

"We all know KBC is not just a game show. It's a means for people's dreams to be fulfilled. That's when we got this idea."

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31/01/2020

Asserting that 12 crore people have lost their jobs in the first phase of the lockdown, Congress interim president Sonia Gandhi on Thursday said that it is imperative for the government to provide them with immediate financial assistance to each family to tide over this crisis and reiterated that the unemployment is likely to increase further as economic activity remains at a standstill. "Entitlement of food grains under the National Food Security Act has not yet reached the beneficiaries. 11 crore people who are in need of subsidized food grains, remain outside of the Public Distribution System. It should be our commitment to provide 10 kgs of food grains, 1 kg of pulses and half a Kg of sugar to each person of the family every month, in this hour of crisis," Gandhi at the Congress Working Committee (CWC) meeting today.

"12 crore jobs have been lost in the first phase of the lockdown. Unemployment is likely to increase further as economic activity remains at a standstill. It is imperative to provide at least Rs.7,500 to each family to tide over this crisis. Migrant labourers are still stranded, jobless and desperate to return home. They have been hit the hardest. They must be provided with food security and a financial safety net in order to survive this period of crisis," she said. The Congress chief said that a special package should be announced urgently for the survival of Micro, Small and Medium Enterprises (MSMEs).

"MSMEs employ close to 11 crore personnel today. They make up for one third of the GDP. If they are to be protected from economic ruin, it is imperative that a special package be announced urgently for their survival," she said. The Congress chief claimed that the Central Government does not appear to have a "clear" idea on how the situation will be managed after May 3, when the ongoing lockdown will end. "A lockdown of the present nature after that date would be even more devastating," she said.Gandhi said that the Congress has repeatedly urged the Prime Minister that there is "no alternative to testing, trace and quarantine programme."

"Unfortunately, testing still remains low and testing kits are still in short supply and of poor quality. PPE kits are being provided to our doctors and healthcare workers but the number and quality is poor," she said. The Congress chief said that farmers are facing serious difficulties. "The issues of weak and unclear procurement policies and disrupted supply chains need to be addressed without delay. Necessary facilities must be made available to the farmers for the next round of Kharif crops which will begin in the coming 2 months," she said.

In a veiled attack against the Centre, Gandhi said: "The states and local governments are the frontline of the battle against COVID-19. Funds legitimately owed to our states have been held back." She accused the BJP of spreading the "virus of communal prejudice and hatred" amid the COVID-19 outbreak.

"Let me also share with you something that should worry each and every one us Indians. When we should be tackling the coronavirus unitedly, the BJP continues to spread the virus of communal prejudice and hatred. Grave damage is being done to our social harmony. Our party, we will have to work hard to repair that damage," she said. The Congress chief applauded doctors, nurses, paramedics, health workers, sanitation workers and all other essential service providers, NGO and the lakhs of citizens providing relief to the most needy all over India.

Gandhi said that she had written "several times" to Prime Minister Narendra Modi after lockdown came into force.

"I offered our constructive cooperation and also made a number of suggestions to alleviate the suffering of both rural and urban families. These suggestions had been formulated on the basis of feedback we have been receiving from different sources, including our Chief Ministers. Unfortunately, they have been acted upon only partially and in a miserly way. The compassion, large-heartedness and alacrity that should be forthcoming from the Central Government is conspicuous by its absence," she said.

The Congress leader asserted that the focus must continue to be on successfully engaging with health, food security and livelihood issues. "The lockdown continues and all sections of our society continue to face acute hardship and distress--particularly our kisans and khet mazdoors, migrant labour, construction workers and workers in the unorganized sector. Trade, commerce and industry have come to a virtual halt and crores of livelihoods have been destroyed," she said.

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The Academy of Motion Pictures Arts and Sciences better known as Oscars on Wednesday remembered the internationally acclaimed Bollywood actor Irrfan Khan and also condoled his demise.

"A mainstay of Bollywood cinema and incredible talent in films like 'Slumdog Millionaire,' 'Life of Pi' and 'The Namesake,' Irrfan Khan left his imprint on global cinema. An inspiration to millions, he will be greatly missed," tweeted the Academy.

Khan's 'Slumdog Millionaire' is a recipient of the Oscar award in many categories.

The last rites of the 'Life of Pi' actor were performed at the Versova cemetery earlier today.

The internationally renowned actor passed away at Mumbai's Kokilaben Hospital on Wednesday while battling rare cancer. He was 53. Irrfan was last seen on screen in 'Angrezi Medium'. He was not a part of the film's promotions owing to his ill health.

With critically acclaimed films like 'The Lunchbox' and 'Paan Singh Tomar' to his credit, Irrfan was regarded as one of the finest actors in Hindi cinema.

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Saif Ali Khan excels in all kinds of roles but his role of a cool dude in light-themed films has been a favourite for many moviegoers. He played such characters in several memorable films like HUM TUM [2004], SALAAM NAMASTE [2005], LOVE AAJ KAL [2009] and got immense praise. Now the actor is back in this space after a hiatus with JAWAANI JAANEMAN. It’s a special flick as it’s the first production under his new banner, Black Knight Films. So does JAWAANI JAANEMAN emerge as a fine piece of entertainer? Or does it fail to impress? Let’s analyse. <img class="aligncenter wp-image-1069154 size-full" title="Movie Review: Jawaani Jaaneman" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Movie-Review-Jawaani-Jaaneman.jpg" alt="Movie Review: Jawaani Jaaneman" width="720" height="450" /> JAWAANI JAANEMAN is the story of a 40-year-old playboy whose life suddenly turns upside down. Jassi aka Jazz (Saif Ali Khan) is in his 40s and is based in London. He's single and in no mood to commit. By profession, he's a real estate broker and works with his brother Dimpu (Kumud Mishra). But he spends most of his time partying and getting involved with girls. He is also about to seal a redevelopment deal that will make him the biggest broker in London. Life is going great for him until one day he meets Tiya (Alaya F). At first he flirts with her, with the ultimate aim to take her to bed. However, she drops the bomb that she might be his daughter! To make matters worse, the DNA test confirms that they are related. And that's not all. It also comes to light that Tiya is pregnant! So Jazz finds out that he's not just someone's father but also to-be grandfather! What happens next forms the rest of the film. JAWAANI JAANEMAN is a remake of an Italian film. The plot is promising and could have made for a hilarious and touching entertainer. The screenplay however is inconsistent and weak at many places. Only some scenes work and provide laughs. Hussain Dalal and Abbas Dalal's dialogues are witty and try their best to enhance the impact. Nitin Kakkar's direction is average. He doesn’t keep the flow of the film organic. Some developments happen suddenly, be it Jazz developing feelings for Rhea (Kubbra Sait) or Jazz asking Tiya to shift in his house. These scenes are still digestible. But a scene in the second half where a local randomly accuses Jazz of cheating him in a property deal comes out of nowhere. Till now, viewers knew Jazz as a lazy worker but not someone who is deceitful. Hence, this revelation seems bizarre. On the positive side, he gets the emotion and humour right in some scenes. Also, he keeps the duration in check (119 minutes). JAWAANI JAANEMAN starts off on an okay note as the viewers get introduced to Jazz and his playboy lifestyle. The film gets interesting once he gets Tiya home and she reveals the truth. It makes for a hilarious watch. Another memorable scene in the first half is when Jazz and Tiya meet Dr. Kriplani (Kiku Sharda). One expects lot more to happen but story just doesn’t move then. The intermission point is a bit awkward. Post interval thankfully there’s some movement in the story. But now the film drags. Also, the impact is weakened by property deal track. What brings some respite is the track of Ananya (Tabu) but even that loses fizz soon. The final scene of the film is heartwarming. <span style="text-decoration: underline;"><strong>Jawaani Jaaneman | Public Review | Saif Ali Khan | Alaya Furniturewalla | Tabu | First Day First Show</strong></span> <iframe id="jwiframe" class="playerFrame" src="https://www.bollywoodhungama.com/videos/first-day-first-show/jawaani-jaaneman-public-review-saif-ali-khan-alaya-furniturewalla-tabu-first-day-first-show/?jwembed=1" width="800" height="340" frameborder="0" allowfullscreen="allowfullscreen"></iframe> Saif Ali Khan is completely in his element and entertains thoroughly. Such kind of a role suits him to the T and he constantly tries to rise above the script. Alaya F makes an excellent debut and puts up a confident act. She looks gorgeous and is the only actor who moves viewers to an extent. She has a promising career ahead. Tabu has a late entry but raises loads of laughs. But her character has no emotional arc. Chunky Panday (Rocky) doesn’t have much to do initially. He has a crucial scene in the second half in the hospital but it doesn’t work. Kubbra Sait is adorable and one wishes to see more of her. Kumud Mishra is dependable. Kiku Sharda is funny. Dante Alexander (Rohan) is over the top, as per the character’s requirement. Rameet Sandhu (Tanvi) leaves a mark. Farida Jalal (Jazz’s mother), Shivendra Singh Mahal (Jazz’s father) and Diljohn Singh (Grover) are okay. Songs are all forgettable. <em>'Ole Ole 2.0'</em> gets registered a bit as it’s a popular tune. <em>'Gallan Kardi'</em>, <em>'Bandhu Tu Mera'</em> and <em>'Mere Baabula'</em> don’t work. <em>‘Jinhe Mera Dil Luteya’</em> is played in the end credits.  Ketan Sodha's background score is sans complaints. Manoj Kumar Khatoi's cinematography is pleasing. The locales of London are well captured. Urvi Ashar Kakkar and Shipra Rawal's production design is superior. Sanam Ratansi's costumes are quite glamorous and all the actors in the film look great. Sachinder Vats's editing (additional editing by Chandan Arora) jumps at places. On the whole, JAWAANI JAANEMAN boasts of fine performances by Saif Ali Khan and newcomer Alaya F. But the direction is weak and emotionally, the film doesn’t work. At the box office, it will be a tough ride for the flick considering the lack of buzz.

Australia's limited-overs captain Aaron Finch feels the dreaded COVID-19 pandemic might lead to a postponement of this year's T20 World Cup by up to three months.

The T20 World Cup is scheduled in Australia from October 18 to November 15. Finch doesn't see that holding up given the current health crises affecting lakhs of people worldwide. "I think we might have to get our heads around a T20 World Cup that might be postponed for a month, two months, three months, whatever it has to be," Finch told 'SEN Radio'. Finch said he wouldn't mind seeing the game resuming without fans once the pandemic is brought under control.

"But as long as we can get live sport up and running. Whether that's with crowds or not, I don't think that makes any difference to the players. "We played one ODI against New Zealand with no crowd (and it) was really strange for first four or five overs, but then you got into your work," he said. Apart from the T20 World Cup, Australia is also set to host India for a bilateral series which includes a four-Test rubber. The ICC's Chief Executives Committee (CEC) is meeting on Thursday to discuss the financial implications of COVID-19 and also the contingency planning for all ICC global events, including the T20 World Cup, over a conference call. Finch feels authorities will need to be "creative" while rejigging the international schedule.

"I think we might have to get a little bit creative with how we do that (as part of a new-look schedule). Whether that's setting up and playing two Test matches in one hub or something like that," he said. Fast bowler Josh Hazlewood had suggested that the entire Border-Gavaskar Trophy be held at one venue -- the Adelaide Oval -- to ensure that the rubber does go ahead. Cricket Australia is exploring options to save the series in the wake of the pandemic which has led to global travel restrictions as well.

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Batting maestros Sachin Tendulkar, Virender Sehwag and Virat Kohli have made a cut to former Australia batter Michael Hussey's "Best Enemies XI" in Test cricket.

Hussey picked Sehwag and former South African captain Graeme Smith as openers in the batting line-up which consists stalwarts like Brian Lara, Tendulkar, Kohli, Jacques Kallis and Kumar Sangakkara.

The bowling unit included South Africans Dale Steyn, Morne Morkel, England's James Anderson and legendary Sri Lanka spinner Muttiah Muralitharan.

The left-handed batsman, who played Test cricket for Australia from 2005 to 2013, however didn't included his former Chennai Super Kings teammate MS Dhoni.

"I wrestled with this one between Kumar Sangakkara, MS Dhoni and AB de Villiers. But I think the latter two have got more impact in the shorter formats T20s and ODI," Hussey said while picking the Best XI of opponents he has played against in Test cricket on "The Unplayable Podcast".

"Sangakkara had immense impact in Test cricket," he added.

Hussey played a total of 79 Tests, 185 ODIs and 38 T20Is in which he scored 6235, 5442 and 721 runs respectively.

Michael Hussey's 'Best of Enemies' XI: Virender Sehwag, Graeme Smith, Brian Lara, Sachin Tendulkar, Virat Kohli, Jacques Kallis, Kumar Sangakkara, Dale Steyn, Morne Morkel, James Anderson, Muttiah Muralitharan.

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A cluster-based approach to lending is likely to be the best strategy for optimal results in the shortest possible time to accelerate credit flow to the MSME sector

Highlights: A diet of high-iron beans could improve the health of anemic women Currently, iron-biofortified

France's Directorate General of Public Finance confirmed in a statement issued on February 10, 2020, that companies liable for the country's digital services tax can delay payment of upcoming installments of the tax until December 2020.

France's Directorate General of Public Finance confirmed in a statement issued on February 10, 2020, that companies liable for the country's digital services tax can delay payment of upcoming installments of the tax until December 2020.

Slovenia has implemented important and difficult labour market and pension reforms in response to the global financial crisis. But further efforts are needed to tackle the high level of long-term unemployment and help more older and low-skilled people find work, according to a new OECD report.

SV Srikanth, who worked with many movies of Dr Rajkumar, died at the age of 87 at his residence in Bengaluru.

Unemployment Rate in Iraq remained unchanged at 7.90 percent in 2019 from 7.90 percent in 2018. Unemployment Rate in Iraq averaged 8.92 percent from 1991 until 2019, reaching an all time high of 10.30 percent in 1991 and a record low of 7.90 percent in 2014. In Iraq, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Iraq Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Gambia remained unchanged at 8.90 percent in 2019 from 8.90 percent in 2018. Unemployment Rate in Gambia averaged 9.79 percent from 1991 until 2019, reaching an all time high of 10.60 percent in 1999 and a record low of 8.90 percent in 2017. In Gambia, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Gambia Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Burundi remained unchanged at 1.50 percent in 2019 from 1.50 percent in 2018. Unemployment Rate in Burundi averaged 1.79 percent from 1991 until 2019, reaching an all time high of 2.10 percent in 1999 and a record low of 1.50 percent in 1992. In Burundi, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Burundi Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Australia’s labour market reforms over the past 15 years have boosted employment and cut welfare benefit dependency.

The world economy is still suffering from the strains of the longest crisis of modern times, and nowhere is this more evident than in the high unemployment numbers. In this OECD Observer Roundtable, we asked a cross-section of ministers: “What actions are you taking to create more and better jobs in your economy?”

Unemployment Rate in India increased to 7.80 percent in February from 7.20 percent in January of 2020. Unemployment Rate in India averaged 7.34 percent from 2018 until 2020, reaching an all time high of 8.20 percent in August of 2019 and a record low of 6.70 percent in November of 2018. In India, the unemployment rate is estimated by directly interviewing a large sample of randomly selected households. Centre for Monitoring Indian Economy Consumer Pyramids panel of households includes over 174,405 households including over 522,000 members who are over 15 years old. This page provides - India Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Angola increased to 31.80 percent in the fourth quarter of 2019 from 30.10 percent in the third quarter of 2019. Unemployment Rate in Angola averaged 26.68 percent from 2005 until 2019, reaching an all time high of 35 percent in the fourth quarter of 2005 and a record low of 19.90 percent in the fourth quarter of 2016. In Angola, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Angola Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Turkey increased to 13.80 percent in January from 13.70 percent in December of 2019. Unemployment Rate in Turkey averaged 10.38 percent from 2005 until 2020, reaching an all time high of 14.80 percent in February of 2009 and a record low of 7.30 percent in June of 2012. In Turkey, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Turkey Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Australia increased to 5.20 percent in March from 5.10 percent in February of 2020. Unemployment Rate in Australia averaged 6.80 percent from 1978 until 2020, reaching an all time high of 11.20 percent in December of 1992 and a record low of 4 percent in February of 2008. In Australia, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Australia Unemployment Rate at 5.8% in December - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Netherlands remained unchanged at 2.90 percent in March from 2.90 percent in February of 2020. Unemployment Rate in Netherlands averaged 5.21 percent from 2003 until 2020, reaching an all time high of 7.90 percent in February of 2014 and a record low of 2.90 percent in February of 2020. In Netherlands, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Netherlands Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in South Korea increased to 3.80 percent in March from 3.30 percent in February of 2020. Unemployment Rate in South Korea averaged 3.65 percent from 1999 until 2020, reaching an all time high of 7.10 percent in June of 1999 and a record low of 3 percent in September of 2002. In South Korea, the seasonally adjusted unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - South Korea Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in China decreased to 5.90 percent in March from 6.20 percent in February of 2020. Unemployment Rate in China averaged 4.42 percent from 2002 until 2020, reaching an all time high of 6.20 percent in February of 2020 and a record low of 3.90 percent in September of 2002. In China, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - China Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in the United Kingdom increased to 4 percent in February from 3.90 percent in January of 2020. Unemployment Rate in the United Kingdom averaged 6.93 percent from 1971 until 2020, reaching an all time high of 12 percent in February of 1984 and a record low of 3.40 percent in November of 1973. In the United Kingdom, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - United Kingdom Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Mexico decreased to 2.90 percent in March from 3.60 percent in February of 2020. Unemployment Rate in Mexico averaged 3.74 percent from 1994 until 2020, reaching an all time high of 6.42 percent in September of 2009 and a record low of 2.22 percent in March of 1997. In Mexico, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Mexico Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Japan increased to 2.50 percent in March from 2.40 percent in February of 2020. Unemployment Rate in Japan averaged 2.72 percent from 1953 until 2020, reaching an all time high of 5.50 percent in June of 2002 and a record low of 1 percent in November of 1968. In Japan, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Japan Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Faroe Islands increased to 1.10 percent in February from 1 percent in January of 2020. Unemployment Rate in Faroe Islands averaged 4.28 percent from 1995 until 2020, reaching an all time high of 14.30 percent in May of 1995 and a record low of 1 percent in September of 2019. This page provides - Faroe Islands Unemployment Rate- actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Portugal remained unchanged at 6.70 percent in the first quarter of 2020 from 6.70 percent in the fourth quarter of 2019. Unemployment Rate in Portugal averaged 7.76 percent from 1983 until 2020, reaching an all time high of 17.50 percent in the first quarter of 2013 and a record low of 3.70 percent in the second quarter of 2000. In Portugal, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Portugal Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in the United States increased to 14.70 percent in April from 4.40 percent in March of 2020. Unemployment Rate in the United States averaged 5.74 percent from 1948 until 2020, reaching an all time high of 14.70 percent in April of 2020 and a record low of 2.50 percent in May of 1953. In the United States, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - United States Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Canada increased to 13 percent in April from 7.80 percent in March of 2020. Unemployment Rate in Canada averaged 7.61 percent from 1966 until 2020, reaching an all time high of 13.10 percent in December of 1982 and a record low of 2.90 percent in June of 1966. In Canada, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Canada Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Ukraine increased to 8.70 percent in the fourth quarter of 2019 from 7.30 percent in the third quarter of 2019. Unemployment Rate in Ukraine averaged 8.55 percent from 2003 until 2019, reaching an all time high of 10.60 percent in the fourth quarter of 2014 and a record low of 6.30 percent in the third quarter of 2013. In Ukraine, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Ukraine Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in Luxembourg increased to 6.10 percent in March from 5.50 percent in February of 2020. Unemployment Rate in Luxembourg averaged 3.79 percent from 1982 until 2020, reaching an all time high of 7.20 percent in May of 2014 and a record low of 1.40 percent in March of 1991. In Luxembourg, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides the latest reported value for - Luxembourg Unemployment Rate - plus previous releases, historical high and low, short-term forecast and long-term prediction, economic calendar, survey consensus and news.

Unemployment Rate in South Africa remained unchanged at 29.10 percent in the fourth quarter of 2019 from 29.10 percent in the third quarter of 2019. Unemployment Rate in South Africa averaged 25.79 percent from 2000 until 2019, reaching an all time high of 30.40 percent in the third quarter of 2002 and a record low of 21.50 percent in the fourth quarter of 2008. In South Africa, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - South Africa Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.

Unemployment Rate in Myanmar increased to 1.60 percent in 2019 from 1 percent in 2018. Unemployment Rate in Myanmar averaged 3.50 percent from 1990 until 2019, reaching an all time high of 4.17 percent in 1990 and a record low of 0.80 percent in 2015. In Myanmar, the unemployment rate measures the number of people actively looking for a job as a percentage of the labour force. This page provides - Myanmar Unemployment Rate - actual values, historical data, forecast, chart, statistics, economic calendar and news.