It has been more than 40 days that the country has observed complete lockdown. People are finding various ways to keep themselves entertained and occupied during this time. We all know it isn't easy to keep ourselves calm in this difficult time, but all one can do is be patient.

Speaking about Bollywood celebrities, actors are doing their bit by educating their fans and sharing positivity among their followers. Preity Zinta, who is known for her bubbly persona, has been sharing some motivational posts, which will help you stay positive. Let's take a look at her quarantine chronicles through a series of social media posts.

In this one, Preity Zinta gave us some tips on working out at home and staying fit without hitting the gym. The post read, "A lot of people have been asking me for some simple but effective lower back and hip strengthening exercise.... so here it is. Make sure to keep ur core muscles squeezed and engaged. Squeeze ur butt muscles when u go up and breath. The more u do the better for you. Do 4 sets of 10 to start. Keep doing it till someone stops you like Bruno did to me. Hope this helps. #pzfit #day52 #Quarantine #lowerback #stayhome #staysafe #staystrong #ting [sic]"

Watch the video right away!

 

 

 

View this post on Instagram

A post shared by Preity G Zinta (@realpz) onMay 2, 2020 at 11:33pm PDT

It's not just working out that keeps her engaged the entire day. She has also been brushing up on her cooking skills. Her fruit custard turned out to be successful! Check it out.

 

 

 

View this post on Instagram

Brushing up my Desert making skills and trying to make the most of staying home during this crazy time. #fruitcustard #stayhome #staysafe #day48 #quarentine #ting

A post shared by Preity G Zinta (@realpz) onApr 28, 2020 at 9:59pm PDT

It seems like no quarantine chronicles are complete without some throwback memories. In one of the posts, Preity Zinta is seen washing a bike. Picture courtesy: Dabboo Ratnani.

 

 

 

View this post on Instagram

Can you believe this shoot took exactly 5 minutes. Thank you @dabbooratnani for always making my shoots so effortless 😘 #throwbackthursday #ting

A post shared by Preity G Zinta (@realpz) onApr 16, 2020 at 9:47am PDT

That's not it! Preity Zinta proved herself as the queen once again. Confused? The actress became the monopoly queen on one of the lockdown days!

 

 

 

View this post on Instagram

It’s good to be Queen 🤩 #monoplyqueen #day42 #boardgames #stayhome #staysafe #family #fun #ting

A post shared by Preity G Zinta (@realpz) onApr 22, 2020 at 8:04pm PDT

An older post shared by the actress had Preity Zinta's mother Nilprabha giving her a much-needed head massage. Do you know what's the highlight of the video? Preity's husband Gene asking, 'saasu maa, what are you doing? (mother-in-law, what are you doing). Isn't that cute?

 

 

 

View this post on Instagram

à¤ÂÂœà¥Âˆ माता दà¥Â€ 🤩🙏 Champi once again 👍Making the most of home quarantine 😘❤ï¸ÂðŸ¤Â— #Day15 #stayhome #staysafe #jaimatadi #ma #champi #navratri ðŸÂÂŽ¥ #mrgoodenough #patiparmeshwar ❤ï¸Â #Ting

A post shared by Preity G Zinta (@realpz) onMar 25, 2020 at 11:27pm PDT

Preity Zinta and Gene Goodenough tied the knot on February 29, 2016, and the duo celebrated their first wedding anniversary on February 29, 2020. Yes, the leap year!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Superstar Saif Ali Khan's son Ibrahim Ali Khan on Thursday treated fans with a priceless childhood picture of himself and his star sister Sara. Ibrahim took to Instagram to share the picture that he had dug out of his childhood albums.

 

 

 

View this post on Instagram

The face I make when it’s me who can bully sara now

A post shared by Ibrahim Ali Khan (@iakpataudi) onMay 6, 2020 at 5:01pm PDT

While he is seen wearing glasses and giving a sly look to the photographer of the picture, Sara is seen busy in some work as she is looking downwards. Ibrahim further revealed the reason for his expressions in the caption and wrote, "The face I make when it's me who can bully Sara now."

The Pataudi siblings are known to enjoy a great brother-sister bond and are also quite close to each other. Both Sara and Ibrahim keep fans well posted with their childhood and recent pictures with each other.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

She may have dressed up the biggest Bollywood names in her unique designs but nothing has given Masaba Gupta as much joy as making face masks for frontline warriors. She has created a line of non-surgical reusable masks, Maskaba, for police personnel in appreciation for working tirelessly for the well-being of citizens during the pandemic. The rest can shop from the Maskaba collection, online. For every mask sold, the designer will donate one to charity. We like.

The designer has dished out an initiative called Maskaba in the most stylish manner. While the pandemic has brought all operations at House of Masaba at a halt, the designer and actress is keeping her business ship afloat in these testing times quite creatively.

Sharing details of the same on Instagram, Masaba also stated that while executing this idea all hygiene and safety standards are being kept in mind. These stylish masks are being made from fabric that was meant for garments, and are washable and reusable. A team of three workers who are staying at the same production facility are making these masks.

Apart from this, Masaba is also posting motivational content on her Instagram handle. 

Masaba also shared a collage of the women working for House of Masaba. In the picture, nine women can be seen standing with placards that reads: We're all in this together. Let's flatten the curve. Although Masaba didn't feature in the post, she captioned it: Some of the incredible women at House of Masaba - reminding us that the only way to stick together right now...is to stay apart.

 

 

 

View this post on Instagram

Some of the incredible women at @houseofmasaba - reminding us that the only way to stick together right now...is to stay apart. ðŸ¤ÂðŸ¤ÂðŸ¤Â #flattenthecurve #masaba #quarantine

A post shared by Mufasa✨🌙 (@masabagupta) onMar 24, 2020 at 6:52am PDT

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

April 30 will be marked as one of the darkest days in Hindi Cinema when we lost one of the greatest actors and celebrated performers, Rishi Kapoor. The legendary star passed away on April 30 in hospital after a two-year battle with leukaemia. Ever since then, his family members have been sharing his unseen and old pictures to keep him alive.

He can never fade away, his films can never be forgotten, and his songs can never get old or stale. Kapoor's was a persona that we describe as contagious and his contribution to Cinema is evergreen. Coming to evergreen, Kareena Kapoor Khan shared a priceless picture of the star who had the company of Randhir Kapoor, Babita Kapoor, and the legendary music composer, R.D. Burman.

She hasn't written a long post, only used one word to describe the man- Irreplaceable. And she's truly right! Neetu Kapoor and Riddhima Kapoor had their hearts on the post, and again, rightly so. Have a look right here:

 

 

 

View this post on Instagram

Irreplaceable ❤ï¸Â

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) onMay 6, 2020 at 10:44pm PDT

Rishi Kapoor made his debut in 1970 with his father Raj Kapoor's Mera Naam Joker and rose to fame with Bobby in 1973, also directed by Raj Kapoor. For 25 years, he was the epitome of romance and charm. And as years passed by, he began displaying his unseen side that had a versatile performer. With films like Agneepath, Kapoor & Sons, Aurangzeb, Do Dooni Chaar, and Luck By Chance, he began what was one of the finest phases of his career. He went away too soon!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Sonam Kapoor is going gaga over hubby Anand Ahuja as the couple celebrate their second wedding anniversary. The 'Saawariya' actor shared on Instagram her first picture with the 'compassionate, generous, moody' Anand. In the affectionate moment captured on camera, Sonam is seen kissing husband Anand's cheek as he makes a rather goofy face.

Sonam wrote, "Our first picture together... 4 years ago today I met a vegan who could do complicated yoga positions and speak about retail and business with the same ease. I found him unbelievably cool and sexy., he still makes my heart race and grounds me at the same time. Nothing compares to you @anandahuja, your compassion, kindness, generosity and smarts are incredibly attractive but so is your moodiness and your annoying perfectionism."

Marking four years of togetherness with her beloved husband, the 'Veere Di Wedding' star described the four years with Anand as 'most fulfilling.'

"Thank you for being my partner and standing besides me for these 4 years. They have been my most fulfilling. Happy happy anniversary husband. I'm soo thrilled I get to keep you for the rest of my life. I love you the most and I know you love me the best and the most. That I promise you is the greatest gift I've ever received. [?] #everydayphenomenal," the ator wrote while pouring her heart out.

 

 

 

View this post on Instagram

A post shared by Sonam K Ahuja (@sonamkapoor) onMay 7, 2020 at 7:58pm PDT

Celebrity followers including Nick Jonas were quick to like the sweet post that garnered more than 77k likes within half-an-hour of being posted. Sonam got married to businessman Anand Ahuja on May 8 two years ago in an Anand Karaj ceremony, later followed by a star-studded reception.

Came to bless the couple were Bollywood stars like Shah Rukh Khan, Salman Khan, Varun Dhawan, Ranveer Singh, Aishwarya Rai Bachchan, Alia Bhatt and Kareena Kapoor Khan among others.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Bollywood's dancing diva Madhuri Dixit has shared a throwback photo from her school days. It's a still from a dance performance. The photo features the actress alongside her sister and they look so similar that it is difficult to tell one from the other!

Sharing the photo on Instagram, the actress captioned: "This is one of my favourite memories that I have with my sister. We used to always take part in school competitions. Here's sharing a #MajorThrowback childhood memory with my favourite dance buddy. Let me know what is your favourite childhood memory! P.s. Can you tell us apart?"

 

 

 

View this post on Instagram

This is one of my favourite memories that I have with my sister. We used to always take part in school competitions. Here's sharing a #MajorThrowback childhood memory with my favourite dance buddy❤ï¸Â Let me know what is your favourite childhood memory! P.s. Can you tell us apart?

A post shared by Madhuri Dixit (@madhuridixitnene) onMay 7, 2020 at 10:27pm PDT

Reacting to her post, fans tried to identify Madhuri in the picture. One fan commented: "You are the one behind."

Another wrote: "Left one is Madhuri ma'am". Another fan sounded confused. The comment reads: "It's you. Both are you!"

Madhuri Dixit has two sisters Rupa and Bharati. It is not clear which sister features in the photograph alongside her as she doesn't mention any name. But the actress mentions her sister as her "favourite dance buddy".

On the work front, Madhuri Dixit will be back as a judge on reality TV, when she returns on the new season of "Dance Deewane". The actress recently kickstarted the audition phase by shooting the season's first promo from home.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Shashank Vyas is not a social media addict. He says he chose not to make his personal life public by posting pictures or tweeting private details. "All this time I have been accused of not being on social media by my fans. I don't take social media seriously. It is a fun thing and I only use it to reach out to my fans, that too once in a month," said the young actor.

"One has a choice of being on it or not being on it. I choose not to make my personal life public by posting pictures or tweeting private details. It is an individual choice at the end of the day. Posting everything online and then complaining of invasion of privacy is a hypocritical thing to do," he added.

He feels that just like having a million followers won't affect his craft, similarly having fewer followers won't affect his "dream, my health, and my craft". "Through social media, one only wants to seek social validation or adulation to feel good about themselves. In other words, it is all illusionary space. The key to happiness is in my pocket and not in someone else's hand," he said.

Meanwhile, Shashank said that he has always tried to concentrate on his work and agrees that there might not be too many great roles out there. "Any seasoned actor who in the real sense is passionate about acting, will not pick up a role casually. There is a huge scarcity of good writers. Right now, only supernatural shows are getting made, which does not offer much to an actor in terms of creative satisfaction," he said.

"Many fantastic actors say no owing to the lack of good scripts. A script has to be so compelling that you hear it once and you know you would like to be a part of it. If the role is well-written on paper then an actor has to be physically and mentally present and everything will turn out good. The part where an actor is not convinced is the logic bit. The audience today is spoilt for choice with the vast amount of shows to choose from and they will not accept just about anything. The content has to be compelling," added the "Balika Vadhu" actor.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Dimpy Ganguly welcomed baby no 2 on April 11. She shared the news on social media yesterday and wrote, "Born on the eve of Easter... my little bunny blue, Aryaan, is here (sic)." Rahul Mahajan's ex-wife and the former Bigg Boss contestant relocated to Dubai after marrying businessman Rohit Roy in 2015. The couple's first-born is daughter Reanna who is three. Ganguly also posted a picture of the newborn with Rohit and Reanna.

 

 

 

View this post on Instagram

My world ❤ï¸Â #blessed

A post shared by Dimpy (@dimpy_g) onApr 12, 2020 at 10:25pm PDT

While announcing her pregnancy on social media, Dimpy Ganguly posted a pretty picture with the bump and wrote, "Being a mother has been one of my biggest achievements and I wear it like a badge because I take my job very seriously. I am giving a shape to the future generation, and I feel responsible for it. My role as a nurturer has paid me back in ways I couldn't even imagine. Destiny has decided to bless me yet again and I couldn't have been more happier."

Dimpy Ganguly has been married to the Dubai-based businessman Rohit Roy for the last four years. For the uninitiated, the duo tied the knot on November 27, 2015. The actress has been a part of many television shows like Rahul Ki Dulhaniya, Bigg Boss 8, Bade Achhe Lagte Hain, and Kahani Chandrakanta Ki.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

The popular sitcom Office Office is back on television, and actress Asawari Joshi, who played the role of Usha ji in the show, went down memory lane recalling how her co-stars would play pranks on her on the set, and added how she learnt many things from her veteran co-star Pankaj Kapur.

Kapur plays a retired schoolmaster named Mussaddi Lal Tripathi, and the evergreen show narrates his struggles to get work done in corrupt offices in a satirical manner.

"The most mischievous one on the set was Sanjay Mishra, who was the master of quick comebacks. He played pranks on me every day. I was always the prime target of all pranks, and one day everyone decided to play a prank on me while we were in the middle of a reading session.

"They made me scream in the middle of the session by making me think that a mouse was under my chair!" she recalled.

Asawari also shared that she was called "production ka eklauta damaad" (the sole son-in-law of the production guys) on the sets.

"Being the only woman in the cast, all the men used to pull my leg and called me 'production ka eklauta damaad', because I had all the perks -- such as an individual room and a personal stylist -- like a pampered son-in-law. While Sanjay, Manoj (Pahwa) and Hemant (Pandey) were the notorious gang who played pranks on me, they also became really good friends. Deven (Bhojani) was fairly quiet on the set and very sincere towards his work. I feel we all learned the most from Pankaj ji, and during the entire journey of 'Office Office', I witnessed his immense dedication towards work," she reminisced.

The show is currently re-running on Sony SAB. The decision to bring back the show came in the wake of the good response that the re-telecast of several old popular TV shows among new-age audiences has seen during the coronavirus lockdown.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

A few weeks back, actress Puja Banerjee took to her Instagram account and shared a romantic and passionate picture with her beau Kunal Verma and announced that she's about to tie the knot with him. However, little did she expect that the Coronavirus outbreak would turn our lives upside down. But as they say- Love conquers all.

Yes! You read that right, the couple has successfully got married and is together forever now. Now you all must be wondering how that happened. Well, Banerjee took to her Instagram account and shared this heartening news with all her fans. Read it from start to finish.

Have a look right here:

 

 

 

View this post on Instagram

This is a pic from last year durga puja sindoor khela. TODAY WAS SUPPOSED TO BE OUR WEDDING BUT THE SITUATION IS SUCH THAT WE HAVE CANCELLED ALL OUR CEREMONIES ALTHOUGH WE HAD REGISTERED OUR MARRIAGE BEFORE A MONTH SO WE ARE OFFICIALLY MARRIED AND TOGETHER FOREVER NOW. WITH THE BLESSING OF OUR PARENTS AND GRANDPARENTS WE STARTING OUR NEW LIFE NEED ALL OF UR BEST WISHES. OUR FAMILY IS HAPPY AND SO ARE WE BUT GIVEN CIRCUMSTANCES OUR HEART GOES OUT TO ALL THE PEOPLE WHO ARE FIGHTING FOR THEIR LIVES RIGHT NOW AND TO ALL THE FAMILIES WHO LOST THEIR LOVED ONES . OUR PRAYERS WITH ALL OF YOU AND A SMALL CONTRIBUTION FROM OUR SIDE AS THE MONEY WE WERE TO SPEND FOR OUR MARRIAGE FUNCTION WE ARE DONATING TO PEOPLE WHO ARE IN NEED NOW 🙏 THIS IS NO TIME TO CELEBRATE BUT WE WILL CELEBRATE WITH OUR LOVED ONES ONCE THE WORLD BECOMES A HAPPY PLACE AGAIN.🙏 JAI MATA DI

A post shared by Puja Banerjee (@banerjeepuja) onApr 15, 2020 at 6:59am PDT

This has to be the most unique wedding of all time that has united two people and two souls and a bond has formed without any social media pictures or any grand celebrations. Just the husband and the wife and their undying love! But we are sure once the lockdown ends, both Puja and Kunal will throw a grand party and invite all their friends and family members to celebrate this moment.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

With Sony SAB bringing one of India's most favourite comedy shows 'Office Office' back to the television screens, viewers seem to have found a much-needed dose of happiness amidst these challenging times.

A comedy for all generations, Office Office revolves around the character Mussadilal (Pankaj Kapur) and his struggle to get work done from an office filled with employees all having annoying yet entertaining and unique characteristics.

While you are at home and might be missing your colleagues, let's take a trip down memory lane and visit India's most entertaining office.

As Office Office makes a comeback in our lives, we list down some of the best characters and their key dialogues from the show.

Deven Bhojani as Patel Ji and his Do Baatein:

A master of situation analysis - Patel Ji could think of all the 'possible possibilities' that could arise out of any situation. While Deven Bhojani portrayed the role of Patel Ji with immense ease and class, his takiya kalam "Do Baatein" went on to become one of the best elements of the show.

Here's one of his most famous monologues from the series:

"Dekho gaur se dekho toh theek hai nahi toh Do baatein ho jaayegi. Ya toh aap mujhe pehchange ya toh nahi pehchange; pehechan lia toh theek hai nahi pehechan toh 2 baate hojaayegi. Ya toh aapka kaam hoga ya toh nahi hoga; phenchaniye na mujhe kaam hua toh acha hai nahi hua toh 2 baatein ho jayegi - ya toh aapko pension milegi ya toh nahi milegi. Pension mili toh acha hai nahi mili toh 2 baate hojaayegi - ya toh aapko dobara naukri karni padhegi ya toh bhuka marna padhega. Kyun bhuka marna chahte hai master ji?"

The Foodie Manoj Pahwa as Bhatia Ji

There's always that one person in office who can smell food from wherever he/she is! This is that one person who does not just love food but worships it. Well, every office has that one Bhatia Ji. Essayed by Manoj Pahwa, Bhatia Ji is fond of food and he will make it very evident and endearingly so. Don't believe us? Here's a story from his life, in his own words:

"Kya khana banata hai! Mere chintu ke mundan may usne khana banaya, logo ko itna pasand ayaa ki mujhe apne bete ka mundan dobara karna padha. Aapne bhi agar apne bete ka mundan 3 baar na karaya naam badal dena."

Tina Grover as Eva oops Eva Grover as Tina

Probably the youngest team member, Tina is always confused and jumbles up her words, and you are bound to find her confusion mostly endearing and maybe sometimes annoying. With dialogues such as "Koi zinda bhi nahi hay ki aap saboot hay" or "Kya raid ka police padha hai?" Tina is bound to keep you entertained.

The master of multi-tasking – Usha Madam played by Asawari Joshi

Every manager would want their subordinate to have this one quality – the ability to multitask! Usha Madam is one such example of an efficient multi-tasker who will teach you the skills of multi-tasking in her own unique andaaz. "Yehi Toh" inki khoobi hay! So, take a refresher course on how to finish your household chores while completing your TTDs with Usha Madam.

Besides these characters, the office is also blessed with the presence of Shukla Ji (Sanjay Mishra) and Hemant Pandey as Pandey Ji in pivotal roles.

Witness all the madness galore again with Office Office on two dedicated timeslots from Monday to Friday at 6 PM and 10.30 PM only on Sony SAB.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Television actor Arjun Bijlani's mornings begin with a call to mother Shakti, the first of many times he dials her number throughout the day. His anxiety is not unfounded — last week, the highrise near Infiniti mall in Malad west, where his mother resides, was sealed by the Brihanmumbai Municipal Corporation (BMC) after a resident tested positive for COVID-19.

"The lockdown is not easy, especially if you have ageing parents. It's unbelievable that I am not able to meet my mother," says Bijlani, who lives with wife Neha Swami and son Ayaan in Lokhandwala, Andheri.

Arjun Bijlani

Even though he understands that the lockdown is a necessary measure to contain the spread of the virus, the Ishq Mein Marjawan actor notes that it poses difficulty for senior citizens. "I am worried for my mother because she is diabetic. Despite suffering from chronic back pain, she has no option but to do the household chores at the moment. My younger brother Niranjan and I are trying to help her in every way we can. [We are ordering the essentials online], which are then being delivered at the gate of the complex," he says.

Bijlani is trying to maintain an optimistic stance and be her emotional anchor in these trying times. He adds, "When I was talking to her recently, my eyes welled up as I listened to how she is running the house. After my father passed away, I have been her pillar of support. But, I feel helpless at this point as I can't rush to her."

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

A lot of Bollywood and Television celebrities came forward to contribute to the PM-CARES Fund and did their best to help people financially. Bigg Boss fame Devoleena Bhattacharjee has done something beyond. She not only contributed to the fund but has now adopted two families and will be looking after their needs and necessities amid the Coronavirus outbreak.

Taking to Twitter, one of the fan-clubs of the actor even thanked her for this wonderful gesture and move that should inspire everyone. And in case you also happen to be a fan of the actress, this tweet is for you:

Have a look right here:

Thank youuuu so much @Devoleena_23 for Adopting 2 families for 1 month Nd Donating Money for Thier food & groceries ...
This will be the best bihu gift for your Assam fans
God bless you ❤ï¸ÂðŸ™Œ @Devoleena_23 pic.twitter.com/CdhQ8Ffl9v

— Veera kunapareddyðŸ¦Â‹ (@veerakunaparedy) April 14, 2020

To shed some more light, these two families are the families of the wage workers since these are the people that are affected the most during this lockdown. Their earnings have gone for a toss and so has their livelihood. And in case you forgot, she and her fans also helped a pregnant lady reach the hospital on time during this lockdown period. Way to go!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

In the recent episode of Mahabharat, which is clearly enjoying a fantastic or should we say a historic re-run on television, the viewers got to witness what became the reason for the Mahabharat- The Cheer Haran of Draupadi! For all those who saw this iconic moment on television or rather experienced and felt it, the memories can never get wiped out, and for those who witnessed it for the first time, were left in awe and had goosebumps!

Taking to their Twitter accounts, the netizens couldn't stop hailing the way the scene was staged, the actors performed, and the manner in which the entire drama unfolded. A user wrote about Roopa Ganguly, who played Draupadi, that nobody can become a better Draupadi than her.

Have a look right here:

@RoopaSpeaks no one become a better draupadi like you!! mam❤️❤️🥰 #Mahabharat pic.twitter.com/STNuwKiUm0

— PARTH (@10thwonderparth) April 20, 2020

Another user wrote- "GOOSEBUMPS while watching Shri Krishna protecting Draupadi during Cheer Harana. My blood boiled to see how everyone stood mute & did nothing to protect her dignity." (sic):

GOOSEBUMPS while watching Shri Krishna protecting Draupadi during Cheer Harana 🙏🏻
My blood boiled to see how everyone stood mute & did nothing to protect her dignity!
It was this Adharma everyone eventually paid for. One who can’t protect his wife doesn’t deserve one.#Mahabharat pic.twitter.com/yUKa2tzV5S

— Dishu Chaurasia (@chaurasia_dishu) April 20, 2020

Someone else stated- "Nitish Krishna was just 23 years old when he casted to play Krishna's role in this epic seriel. just like Ramayana this show had aleo broken many recored and people used to leave all important work to watch this. wonderfully played role by him big salute." (sic):

#Mahabharat @nitishkrishna8 was just 23 years old when he casted to play Krishna's role in this epic seriel. just like Ramayana this show had aleo broken many recored and people used to leave all important work to watch this. wonderfully played role by him big salute pic.twitter.com/MnNxJGFKhK

— Librandus ki marne wala (@librandu_kumar) April 20, 2020

It was time for another appreciation tweet, a user wrote- "Shree Krishna was the only man who saved Draupadi Chirharan. Vidur and vikran(young brother of Duryodhan) was the other two men who tried to stop Chirharan. Also, Rupali nailed it. No one can play the role of Draupadi better than her." (sic):

Shree Krishna was the only man who saved Draupadi Chirharan. Vidur and vikran(young brother of Duryodhan) was the other two men who tried to stop Chirharan. Rest all were Assholes.

Also, @TheRupali has nailed it. No one can play the role of Draupadi better than her. #Mahabharat pic.twitter.com/BFGjVUXHMr

— Ruthless MS (@EngineerMs14) April 20, 2020

We are slowly gearing towards the episodes that will give us an insight into how the entire battle of the Mahabharat unfolded and the sheer audacity and scale that the makers managed to bring on the screen back when there was barely any technology and visual effects at their disposal. Some more goose-flesh moments await the viewers!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Recently, there was news that Pavitra Rishta co-stars and real-life couple Rithvik Dhanjani and Asha Negi had parted ways. Negi and Dhanjani were apparently together for over six years. 

Sources close to the development revealed that the couple had broken up. The report further stated that their close friends have known about it for a month now. Apparently, Asha and Rithvik were living together, and now, the latter has moved out of the house.

Recently, Rithvik shared a couple of posts on Instagram about love and has left everyone wondering if they're meant for Asha Negi. Check them out below:

One of Rithvik's posts reads, "To know love is to know how to give unconditionally. There is no greater wisdom than unconditional love." 

Rithvik and Asha met on the sets of their popular TV show Pavitra Rishta. The couple had also participated in season six of Nach Baliye and won it. Speaking about marriage, Asha had previously said in an interview, "We are not thinking of marriage anytime soon. Not after three-four years. We want to be settled professionally first. We only think about our careers only at this point in time."

On the work front, Rithvik was last seen as the host on the dance reality show, Super Dancer: Season 3. Asha Negi, on the other hand, was seen in the web series, Baarish, in 2019. The actress also has a film, Ludo, her film debut, in the pipeline.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

On Monday, JD Majethia, chairman of the TV wing of the Indian Film and TV Producers' Council (IFTPC), stated that he intends to approach the government to seek permission to resume shoots of television shows with small crews from May 4. The move has sent the daily-wage workers of the television industry into a tizzy as they have been relentlessly calling the Federation of Western India Cine Employees (FWICE) to enquire whether they can report to work post-May 3.

BN Tiwari, president, FWICE, says, "[With his statement], JD Majethia has sent a wrong message to the daily wagers who now feel that producers are willing to work, but the FWICE is imposing unnecessary restrictions. That is not the case. Maharashtra is at high risk, and we are only concerned about our workers' safety. We have issued a letter to Majethia, asking him not to make such statements."

BN Tiwari

On March 15, various cine bodies had unanimously decided to suspend all shoots in the wake of the pandemic. "Similarly, the decision to resume work will have to be collectively taken by IFTDA, FWICE, Producers' Guild, and other associations," insists Tiwari.

Majethia was keen to propose the resumption of shoots as it would bring relief to the daily wagers. However, Tiwari points out that the associations are standing by those in need. "The industry — including Salman Khan, Ajay Devgn, Rohit Shetty and Yash Raj Films — has come together to help the workers. Even if the lockdown is lifted on May 3, we may not begin work until May 25. In case the stay-at-home orders are extended to June, we will continue to take care of our workers."

When mid-day reached out to Majethia, he agreed that the recommencement of shoots will be "a collective decision of the industry" with the approval of the government. "It is not as if we have already taken a call. We will start shooting only when it is safe for everyone, but we must start planning for it in advance."

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Bigg Boss 13, as we have stated many times, was the most explosive and the most controversial season of all time. Contestants saw the kind of popularity that few of the other actors in the previous seasons saw and they still continue to be in the news for what they are up to now. You might be aware that some screenshots of Rashami Desai's bank transactions being done by Arhaan Khan surfaced on social media that created havoc.

Devoleena took to her Twitter account to extend her support to Rashami and asked her fans and everyone to ignore Arhaan. And this may have irked a few people that began threatening her.

First, have a look at the tweet:

And guys please ignore this ramlal completely.dont tag his name anywhere especially with https://t.co/38hLK0cRI4 doesnt matter to him u talk good or bad about him.what matters to him is https://t.co/mFlvMXhvj5 dont encourage him at all.🙏🏻

— Devoleena Bhattacharjee (@Devoleena_23) April 20, 2020

And now, the actress took screenshots of the messages she began getting on her phone and tweeted it to the Mumbai Police and asked them to take strict action. They were death threats sent to her and they also involved Sidharth Shukla and Rashami Desai. Have a look:

To @MumbaiPolice @MahaCyber1 please look into this message where i am getting killing threats from this lady.Urge you to take action against it asap. pic.twitter.com/EFYCIks5FJ

— Devoleena Bhattacharjee (@Devoleena_23) April 21, 2020

And the Mumbai Police responded as well, take a look at their tweet right here:

We have followed you. Please DM us your contact details.

— Mumbai Police (@MumbaiPolice) April 21, 2020

It seems the matter has escalated to an extent where actors' lives are in danger. Who would have expected this to happen to an actor who was merely taking a stand?

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Bigg Boss 13 has to be the most popular, memorable, and explosive season of all time. Love stories were born and so were stars. Two of them were Paras Chhabra and Mahira Sharma, and fans have combined their names to Pahira. And for all the Pahira fans, here's something fun. The duo shared a rather unique video where they both could be seen grooving to the Bole Chudiyan song and the actress reminded us of Kareena Kapoor Khan.

Taking to her Instagram account, this is what she wrote, "This is for you all #pahira fans." (sic) Well, this is truly a fantastic gift for all their fans, a fun-filled video that they can watch on loop. And Kareena would be happy after seeing this too.

Have a look right here:

 

 

 

View this post on Instagram

This is for you all #pahira fans❤ï¸Â @parasvchhabrra #pahiraourpride

A post shared by Mahira Sharma (mau) 💎 (@officialmahirasharma) onMay 3, 2020 at 3:45pm PDT

Dancing is a part of her soul and makes her happy. This was confirmed by this caption on her next Instagram post. Have a look right here:

 

 

 

View this post on Instagram

dancing part of my Soul, makes me Happy ♥ï¸Â

A post shared by Mahira Sharma (mau) 💎 (@officialmahirasharma) onMay 5, 2020 at 5:32am PDT

The lockdown is going to take a while to end, so all we have is their videos to enjoy and cherish! When is the next one coming?

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Erica Fernandes is one of the most popular and successful television celebrities we have. She rose to fame and massive success right from her debut in the show, Kuch Rang Pyar Ke Aise Bhi, and continues ruling the hearts of the viewers with her role and performance in Kasautii Zindagii Kay 2. And today she celebrates her birthday and turns a year younger.

Speaking about her plans, she comes with a rather surprising answer. She says, "There are no concrete plans for my birthday this year. So it's just going to be a very simple affair at home with my family. We are going to take the day as it comes, and not really plan anything elaborate. Though to ensure that my day be absolutely relaxed, I am going to be disconnecting myself from social media and the outside world to just be with myself and my family."

Talking about the massive popularity of television celebrities on social media, she says, "I think TV reaches every nook and corner of the country. So, our reach is more. Plus, you have to wait for your favourite Bollywood actor’s movies."

Then comes a very tricky question, to choose between Kuch Rang Pyar Ke Aise Bhi and Kasautii Zindagii Kay 2! This is what she quips, "Everyone is asking me this but there is no comparison. Both are dear to my heart. I feel Prerna has let me explore a little more. The character has more drama and fun." We hope she has a grand birthday celebration next year, though!

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

Several television celebrities will get together in a virtual music concert to pay a tribute to Rishi Kapoor and Irrfan Khan, who passed away last week. Titled Dard-e-Dil, the concert includes artistes like Bharati Singh, Maniesh Paul, Hina Khan, Arjun Bijlani, Devoleena Bhattacharjee, Sukhwinder Singh and Aditya Narayan among others.

"This tribute is a great chance for us to pay respects to these two legends of Bollywood. Both Rishi Kapoor ji and Irrfan Khan have given so much joy to us fans through their work. The last week was indeed the worst week for Indian Cinema as we lost two legends one after the other. They may have gone from the world but they will live in our hearts forever through the work they have done. I am honoured beyond words that I have been chosen to give them tribute to them through this concert. We will celebrate their unforgettable contribution to Bollywood and pay the tribute," Bharati said.

Irrfan breathed his last on April 29 at the age of 54. He was admitted to Mumbai's Kokilaben Dhirubhai Ambani hospital with a colon infection. However, unfortunately he succumbed to his ailment. Rishi Kapoor passed away a day later at Sir HN Reliance Foundation Hospital on April 30. He had been battling leukemia for the past two years.

The concert will be aired on Colors channel on Sunday, May 10.

Catch up on all the latest entertainment news and gossip here. Also, download the new mid-day Android and iOS apps.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

The Philippines' House Committee On Ways and Means has approved a Bill that would overhaul the rates in place on financial services and passive income.

Representational picture

New Delhi: If you've ever felt disgusted when your partner paid more attention to his/her phone on a date then you are not the only one. Most adults in India paid more attention to their smartphone than their partner when they were together, a new study has revealed.

Sixty per cent of adults surveyed said their partner paid more attention to their own smart device when they were together on a date.

The study, titled "Three's Company: Lovers, Friends and Devices" and released on Wednesday by Intel Security, aims to understand the online behaviour of people and how it affects their relationship with friends and significant others.

Money, gifts and a dinner in a glamorous restaurant mean nothing in a relationship when the partners pay no attention to each other. The study found that 57 per cent of those studied had to compete with their partner's smartphone for attention on a first date.

An intrusion into a relationship leads to a quarrel which is corroborated by the fact that 75 per cent of the adults reported getting into an argument with a friend, significant other, or family member over being on a device while together.

The study involved 1,400 Indian adults who use an internet-connected device on a daily basis.

Amid this lack of attention in relationships, it was revealed that 46 per cent of couples share passwords to social media accounts, 38 per cent share passwords to personal email accounts and, interestingly, nearly 35 per cent of adults share their work-specific devices and accounts with their significant other.

Intel Security suggested using long passwords including numbers, and lowercase and uppercase letters, as well as symbols.

This Valentine's Day, if you are planning to make your partner smile, make sure to pay more attention to his/her words than the text on your smartphone.

Representational image

When it comes to making a romantic night out, a glass of red wine or a bottle of champagne fits best in this category. If you believe in the old school of thought, that drinking alcohol before can worsen things on bed, then it is time for you to think otherwise. The smooth sips of alcoholic drinks can spice up things underneath the sheets. Here are 5 such alcoholic drinks that are believed to be strong enough to improve your sexual performance.

1. Red Wine: The drink makes both men and women horny by increasing their sexual arousal. While drinking two glasses of red wine can boost sex drive in women, drinking one glass is sufficient to increase testosterone in men. However, do not consume the drink in excess. Limit yourself to two glasses and experience the spice on bed, which you may not have felt otherwise. The passion drink does wonders to your cosy cuddly moments under the sheet.

2. Beer: Taking sips from chilled bottles will enhance your performance on bed. Studies have found that few pints of beer overloads a man’s body with phytoestrogens, which are proven to delay orgasm and make men last longer in the act. Dark beers are found to create intense and frequent erection and increase blood circulation in the penis. So, men can definitely go for few pints to satisfy his ladylove for a longer time on bed.

Representational image

3. Champagne: The froth and fizz of this ‘elite drink’ is blessed with an amazing property, and i.e. it enhances sex drive. Having a glass of champagne before sex is said to turn the night more romantic and exciting. It increase duration of foreplay, the number of positions and total duration of intercourse. Drink your favourite champagne and make it to the bedroom like never before. Even if the drink makes you high, you will be loaded with energy to make the night more romantic and the act more intense. That is the wonder of champagne.

Representational image

4. Brandy Alexander: This is more of a milk chocolate drink right from the other and not the actual brandy, and chocolate does spice up your sex life. Have a glass of this smooth creamy drink and get set for an out-of-the-world sexual intercourse. Rather than spending time on researching, simply take the drink and experience the difference. The clock might move slowly and steadily!

5. Tequila: Tequila shots will definitely make your sleeves fall of quickly, especially for women. Tequila shots will gear up your sex drive and bring kind of a euphoric effect, when you are all set to go wild on bed, floor, or bathroom. While tequila shots do wonders to a men’s sex drive, it is more beneficial for women. Few shots and they will be ready to slip through the body of their man, gently, warmly and passionately.

Representational image

Which of these drinks are you going to sip together for a great session under the moonlit sky?

Attention women! It's time for you to make friends in your office as a study has found that strong friendships among women co-workers, especially in male dominated organisations, are less likely to experience conflicts.

Researchers from the Institute For Operations Research And The Management Sciences suggested that when employers foster an office environment that supports positive, social relationships between women coworkers, especially in primarily male dominated organisations, then they are less likely to experience conflict among women employees.

Study author Jenifer Merluzzi from George Washington University conducted the study. The team surveyed 145 management-level employees regarding workplace dynamics at two large U.S. firms that were primarily male-dominated environments, with women representing less than one-third of the workforce.

They found that while men and women are equally likely to cite having a difficult co-worker, compared to men, women are more likely to cite another woman as a difficult co-worker than they are to cite a man, or not cite anyone. However, this tendency is reduced among women who cite having more women coworkers for social support and friendship at work.

Knowing that unique gendered network characteristics such as the gender compositions of an employee's social support at work were associated with negative ties can help organisational leaders anticipate potential trouble spots within their firms where gendered conflict may erupt.

"Understanding the relational side of conflict also bears practical importance as companies increasingly organise using diverse teams, heightening the reliance on informal ties between and within gender to get work accomplished,' Merluzzi noted. The research appears in the journal of Organization Science.

It's doesn't get bigger than this! Youtube has a huge lineup of celebrities from various fields for their upcoming YouTube Virtual Graduation Ceremony 2020. The ceremony would be headlined like former President Of The United States, Barack Obama, and First Lady Michelle Obama. Amongst the notable names includes singer Lady Gaga, world-famous band BTS.

The Dear Class of 2020 will be mixed with commencement speeches and musical performances. "I’ve always loved joining commencements––the culmination of years of hard work and sacrifice. Even if we can’t get together in person this year, Michelle and I are excited to celebrate the nationwide Class of 2020 and recognize this milestone with you and your loved ones," Barack Obama wrote in his tweet on May 5.

BTS has had a global impact with their music. The group, composed of members RM, Jin, Suga, J-Hope, Jimin, V and Jungkook, recipients of the Order of Cultural Merit in South Korea, and were keynote speakers at United Nations in 2018. Singing in their native language Korean, the septet has become the world's biggest boyband. Their latest album 'Map Of The Soul: 7' has become No. 1 in 21 countries.

Being in the pop scene for more than a decade, Lady Gaga changed the face of pop music and re-introduced artistic ways to evolve music. In today's times, she is considered one of the most impactful musicians of all time.

Here's a list of participants:

Featuring

President Barack Obama

Michelle Obama

BTS

Lady Gaga

Sec. Robert M. Gates

Sundar Pichai

Sec. Condoleezza Rice

Malala Yousafzai

Special Appearances by

asapSCIENCE

Alicia Keys

Chloe x Halle

Kelly Rowland

Kerry Washington

The Try Guys

Zendaya

Mr Kate

Dude Perfect

Jackie Aina

Zane Hijazi

Dear Class of 2020 premieres on June 6.

ALSO READ: BTS members V and Jungkook make carnations on Parents' Day, perform 'Never Not' by Lauv during live stream

Celebrities supporting social causes is indeed commendable because amidst the current scenario, the world needs empathy, love, and financial support at the right time. Salman Khan has been financially supporting daily wage workers and providing ration to those impacted during the Coronavirus outbreak.

Commencing the financial aid, he was one of the first people who made sure that money was directly transferred into the bank account of 25,000 daily wagers who were in dire need. It did not stop there, he further transferred money into the account of additional 7000 daily wage workers of the film fraternity.

The actor also helped 90 vertically challenged wage workers associated with All India Special Artistes Association (AISAA), a wing of FWICE.

The superstar also arranged for food supplies for thousands of people from varied corners of the state. A video of the same surfaced on the internet recently where truckloads of essentials were sent to the villagers around the farm.

Salman Khan has been carefully watching the situation and extending help in installments to ensure steady flow of income and essentials for the needy in different parts of the country.

Keeping in mind the current situation, he has released several videos where he has voiced his opinions and made a personal appeal to his massive fandom and people of the nation to stay indoors and maintain social distancing.

ALSO READ: Inside Salman Khan’s Panvel farmhouse with Jacqueline Fernandez and Iulia Vantur

A week ago, actor Irrfan Khan breathed his last after his prolonged battle with neuroendocrine tumour. Tributes have been pouring in for the late actor. Many had the opportunity to work with him while several filmmakers wished they had a chance! Reminiscing about becoming friends with Irrfan, filmmaker Anand Gandhi recently spoke about the possibility of working with him for a film based on pandemic.

The filmmaker recently revealed that he met Irrfan Khan around the release of Maqbool. They drove to Pune once and became friends over the years. They had explored the possibility of him starring in Tumbbad and it was before the final script and schedule changes were made. He said that Irrfan Khan could also have starred in the pandemic film Emergence that he had been working on for years.

Revealing more about Emergence, Anand said that he had been developing the script for five years. It tells the story of five women scientists fighting the contagion and are superheroes in their own way. With Emergence, he was taking the parasite-host relationship further. The script eerily represents the current scenario of the world. Tentatively titled 2020 at the time, he said that it had all the elements of storage crisis for scientific data, rightwing politics, among other things.

His idea is to make the film the most researched one on the pandemic. The filmmaker plans to take the film on the floor by next year. He said that they are collaborating with an American studio and it will be a big-budget project.

ALSO READ: Irrfan Khan’s son Babil shares an unseen video of his father enjoying a dip in ice-cold water

The quality of sleep you get is always important, but even more so in times like these. And to help you deal with your sleep troubles, Audible has launched a brand new slate of content that is perfect to listen to when hitting the sack. Headlined by world-renowned artists like Diddy and Nick Jonas, this slate has been created in part through a collaboration with Arianna Huffington’s Thrive Global and will be offered to listeners, absolutely free of cost.

Mindful titles such as Honor Yourself (narrated by Diddy on Sleep) and You are Here (narrated by Gabby Bernstein) will be sure to put your mind at ease. The Perfect Swing, an inspiring bedtime story narrated by Nick Jonas, is the best way to drift off after a long day. 6 Sleep Myths Debunked, narrated by Arianna Huffington, gives you a quick lowdown on how to improve your sleep cycle.

These stories, many of which are penned and voiced by wellness experts, are a treat for your daily sleep rituals. Relaxing bedtime stories, ASMR (autonomous sensory meridian response) and sound baths (a technique where participants bathe in sound waves produced by the human voice and instruments such as chimes, gongs and drums) promise a soothing experience for adults and children, alike.

Shailesh Sawlani, Country Head, Audible India said “The world is going through a difficult time, and it is essential to have a sound mind and body, now more than ever. At Audible, we understand that sleep plays a crucial role in managing stress and we believe in the power of audio content to soothe the mind. We are proud to collaborate with some of the world’s leading personalities and Ariana Huffington’s Thrive Global to release this new slate of audio content, specifically designed to help you rest better at night. We hope the sleep-inducing, wellness content across our audiobooks and Suno collection will help you find peace in these trying times and nurture your mental well-being”.

ALSO READ: Nick Jonas turns Priyanka Chopra’s in-house piano instructor

With the increasing cases of the novel coronavirus, Prime Minister Narendra Modi has extended the lockdown till May 17. The lockdown first commenced on March 25 for a 21 day period. But had to be extended owing to the increasing cases.

However, the lockdown has badly hit the economy of the country with several people going out of a job. One industry that has completely shut down is the entertainment industry. The cinema halls were the first one to shut down in the country. Speaking to a tabloid about resuming Bollywood movies shoots, Ashok Dubey, the General Secretary of Federation of Western Indian Cine employees said that they spoke to CINTAA recently and are making guidelines on how they can proceed with shootings. Ashok Dubey said that nothing has been finalised. He said that Mumbai is a red zone and so they cannot think of shooting right now. Dubey also spoke to Sidharth Roy Kapur who said that they will have a conference call with Indian Motion Picture Producers (IMPPA), Indian Film and Television Producers Council (IFTPC) and Western India Film Producers' Association on how to deal with the situation and go ahead.

A few days back, the Producers guild had shared a document that lists precautions to be taken while shooting including proper sanitation, use of masks, etc. Dubey said that the guidelines are correct but how are they to shoot when there are spot boys and workers who travel from their home and back and how they are supposed to test everyone daily when the reports take time to come.

He also questioned about reducing the number of people on the sets. He questioned how the people left out will manage their livelihood and how to assure them a salary. Dubey said that there are several factors to be considered before proceeding with the shoot.

Ashok Dubey said that the TV producer body is in a hurry to start shooting bit is not possible. He said that it will be like digging its own grave if it does something like this. He further said that social distancing is not possible on the sets and lightmen cannot work 12 hours with a PPR kit. Dubey said that there is a difference in giving suggestions and actually implementing it.

Dubey said that the Government has not released any guidelines for the film industry to start shooting. Producers' Guild has just said that these precautions are to be taken while shooting; they haven't said to start shooting and take these precautions.

ALSO READ: Actors to do makeup at home, doctors to be on set and more new safety measures set up by Cine bodies

Rishi Kapoor bid adieu to the world on April 30 after battling for two years with cancer. However, we will get to see him on the big screen for one last time with Sharmaji Namkeen. 

Honey Trehan, co-producer of the film while speaking to a tabloid revealed that they will release the film in the theatres. He said that they owe it to Rishi Kapoor and said he is grateful to Ritesh Sidhwani and Farhan Akhtar for investing in the film monetarily and emotionally. 

The film had gone on floors in December. Sharmaji Namkeen revolves around a sexagenarian who discovers the joy of life after retirement. Honey said that he had shot a major portion of the film in January in Delhi and had a four-day schedule pending. The crew was supposed to shoot in Mumbai in march but their plans went for a toss owing to the pandemic. 

Rishi Kapoor had crucial scenes in the final schedule. However, with the sudden demise of the lead actor, the unit have to complete the film in his absence. Trehan said that they will be using advanced technology, an amalgamation of VFX and some special technique to finish the film without compromising on the quality. 

ALSO READ: Priyanka Chopra Jonas remembers Rishi Kapoor as she pens a piece for Time magazine

In 2017, Aamir Khan started a project to boost budding writers in the Indian film industry. The second edition of Cinestaan India's Storyteller Script Contest, a nationwide hunt for scripts where the five winners take home a total cash prize of Rs. 50 lakh was launched this February. From the past few months, the four-member jury consisting of Aamir Khan, Anjum Rajabali, Juhi Chaturvedi and Rajkumar Hirani has gone through numerous entries to choose five compelling stories that can be taken to screen. 

However, this time instead of the on-ground event to announce the winners, Aamir Khan will unveil the winners on social media. Meanwhile, Khan is urging writers to not let the prevailing situation dampen their creativity. He said that budding writers should write with more enthusiasm, especially during these times. 

Says Rohit Khattar, Chairman of Cinestaan Digital, “I am grateful to our esteemed jury in working with us to bring Indian storytelling talent to the forefront especially during these surreal times. Thank you to the thousands of writers who had applied. The quality of the work was stellar and we would like to congratulate the winners who are truly deserving and wish them success.”

Speaking about the winners, Anjum Rajabali, the Jury Chairperson said, ‘We started this contest with the larger objective of attracting more people to write scripts. It’s very important that we improve the quality of our scriptwriting so that the quality of our cinema goes up. The caliber of scripts in this edition was better than last year and it’s heartening to see that the talent is developing. Thank you to the jury members for giving their valuable time in reading and assessing the scripts. Truly appreciate the Cinestaan team’s hard work. I have not seen this kind of unconditional support and generosity before, with the only reward being to encourage good writing in this country.’

Juhi Chaturvedi says, ‘As a writer, I understand the joy of being appreciated, especially on a big platform like this which motivates us to write more. Congratulations to the winners. I’m very happy that through this contest I was able to be a small part of your journey.’

Raju Hirani while congratulating the winners said, ‘I’m happy that the objective with which this contest was started, to inspire scriptwriters and give them a platform to send their scripts from all parts of the country - slowly and steadily we are moving towards our goal. The caliber of scripts this year has been better than last year.’

All the entries of the second edition of the contest went through a transparent and stringent process of evaluation at various levels. The shortlisted synopsis were asked to send in a complete script which were then assessed and then the winners selected by the jury. All scripts have been registered by the contestants with the Scriptwriters Association and other similar recognized bodies to ensure that the writers' content is completely protected.

‘Cinestaan India’s Storytellers Script Contest’ was launched by Cinestaan Digital Pvt. Ltd. and is India’s biggest Script Contest. The winners of the contest are awarded cash prizes worth Rs. 50 lakhs.

ALSO READ: Aamir Khan dismisses distributing money to the poor in wheat bag, says “Robin Hood doesn’t want to reveal himself”

<strong>EXPECTATIONS</strong> There are very good expectations from the music of <em>Kabir Singh</em>. After all, there are hardly any out and out love stories that are made in the current times and <em>Kabir Singh</em> has the kind of premise that could well be an ideal follow up to <em>Aashiqui 2</em>. Moreover, the film features Shahid Kapoor in the lead and his films have traditionally boasted of good music. The soundtrack here is pretty loaded too with as many as nine songs out there and a team of composers, lyricists and singers coming together to deliver wholesome entertainment. <img class="aligncenter size-full wp-image-989846" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/06/Kabir-Singh-2.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> The album kick-starts with <strong><em>'Bekhayali'</em></strong> and this is pretty much the romantic song of the year so far, what with the perfect combination of music and lyrics making this one really stand out from the crowd. Irshad Kamil brings in just the right kind of 'dard' in this heartfelt song about separation and his lyrics have to be heard to be experienced. Sachet-Parampara come up with an excellent composition here and what makes the song further become impressive is the manner in which it is sung. While Sachet Tandon brings himself on board as the lead singer for the first version, it is the Arijit Singh version that truly creates havoc. It is just a perfect Arijit Singh song and would go down amongst his Top-10 greatest numbers till date. Truly beautiful! Next to arrive is <strong><em>'Kaise Hua'</em></strong> which is composed as well as sung by Vishal Mishra. A song about falling in love and truly experiencing the emotion of it all, this is yet another well written number in <em>Kabir Singh</em>. Manoj Muntashir, who indeed has a knack of coming up with some fine lyrics, does well all over again and the manner in which Vishal sings this one further brings on the passion. Not that this one would turn out to be a major chartbuster in the long run but during the play of the film, it should indeed fetch audience attention. The one that should emerge as a chartbuster though is <strong><em>'Tujhe Kitna Chahne Lage'</em></strong> which is written and composed by Mithoon. The multi-faceted artist is known for coming up with soulful melodies and the song in question is not an exception either. A beautiful melody which is all heart and loads of love, it is made further special due to the arrival of Arijit Singh behind the mike. The man is magic all over again and while there is one more version as well with Jubin Nautiyal taking charge (who does well too), it is Arijit Singh whom you go back to repeatedly. Next to arrive is an Irshad Kamil written song that fits in well into the Bollywood scheme of things, something that reminds one of many such compositions that one has experienced in a Yash Raj or Dharma film at the kick-start of the millennium. The style works in 2019 as well with Sachet-Parampara not just composing <strong><em>'Mere Sohneya'</em></strong> but also rendering this one. Akhil Sachdeva is the composer and singer for <strong><em>'Tera Ban Jaunga'</em></strong> which has Kumaar coming up with simple lyrics all over again. In fact the words that stick with you are <strong><em>'Tujhpe Hee To Mera Haq Hai'</em></strong>, though the song has a different title. Tulsi Kumar kick-starts the proceedings and is soon joined by Akhil who ensures that you do give this one a close hearing. A situational number that should arrive at a good juncture of the film and make an impression. The most experienced singer roped in for the soundtrack makes a rather belated appearance with <strong><em>'Yeh Aaina'</em></strong> which is composed by Amaal Mallik. Starting with the sound of a piano, this is yet another romantic number. That said, the pace of the song is quite slow, which is fine but only as long as the overall composition manages to make an impact. This one in fact reminds one of the kind of music that one had heard in Hamari Adhuri Kahaani and though Irshad Kamil is the lyricist here, overall the song just about fits into the overall soundtrack but that's it. The feeling of first love is apparent in <strong><em>'Pehla Pyaar'</em></strong> which has sweet and youthful lyrics by Irshad Kamil with Vishal Mishra's music too complimenting the same mood. Armaan Malik sings this one which is expected to feature at the beginning of the film once Shahid Kapoor ends up falling in love with Kiara Advani. Just like the last couple of songs from the album, this one too is basically fit-into-the-proceedings song which may not be a chartbuster as a standalone track but would nonetheless keep the listener engaged. <strong>OVERALL</strong> The music of <em>Kabir Singh</em> has a certain consistent theme that runs rights through the soundtrack, hence making it a seamless listening experience. Though not all songs would end up finding a place in the charts, at least a couple of these are set to be huge in time to come. <strong>OUR PICK(S)</strong> <em>‘Bekhayali’</em>, <em>‘Tujhe Kitna Chahne Lage’</em>, <em>‘Kaise Hua’</em>, <em>‘Mere Sohneya’</em>

<strong>EXPECTATIONS</strong> <em>Malaal</em> is a love story coming from Sanjay Leela Bhansali who has produced the film. Though his directorial offerings have always boasted of at least two or three memorable songs, same can't be said about his productions. Considering that he has composed majority of songs in <em>Malaal</em> with Prashant Ingole writing the lyrics, one waits to see what the team has to offer. <img class="aligncenter size-full wp-image-980862" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/05/Malaal-Official-Trailer-Sharmin-Segal-Meezaan.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> It is a 'dhinchaak' start that <em>Malaal</em> gets with Vishal Dadlani and Shreyas Puranik coming together for the 'tapori' number <strong><em>'Aila Re'</em></strong>. Vishal sounds quite different in this 'basti' and chawl number that has a good hook to it with beats that do catch your attention. Pritam has composed quite a few songs in this genre over the years and with Sanjay Leela Bhansali too following the 80s formula, you like what you hear here. With the core hook borrowed from <strong><em>'Apun Bola'</em></strong> [<em>Josh</em>], which was again based on Maharashtrian folk music, <em>'Udhal Ho'</em> too is attached to the roots with hard-core local flavour. Newcomer Adarsh Shinde is roped in for this number which is more Marathi than Hindi in its overall treatment and its styling too is such that it would have a restricted audience in only Maharashtra belt. Shreyas Puranik is the composer as well as singer of <strong><em>'Nadhkhula'</em></strong> and one only ends up wonders what exactly does the title of the song mean here. This one is a love song which is again set in an old fashion manner. Though unlike the first two songs in the album this one doesn't get into the Marathi zone, the lazy pace as well as an overall dull treatment doesn't help the cause. Another newcomer singer, Rutvik Talashilkar, is roped in for <strong><em>'Aai Shapat'</em></strong> and yet again the song gets into a Marathi zone. Right from the music to the lyrics as well as the manner in which the song is rendered, this one has a local Marathi feel to it. No wonder, you can't relate to the soundtrack here to have been created for a Hindi film as the overall treatment is too localized. Shreya Ghoshal, the most experienced of the lot and a top singer, makes a belated appearance in the soundtrack of <em>Malaal</em> with <strong><em>'Kathai Kathai'</em></strong>. Remember <em>'Kathai Aankhon Waali Ek Ladki'</em> [<em>Duplicate</em>]? Well, this time around the gender is reversed as the leading lady falls in love with her boy who boasts of 'kathai aankhen'. Not that this one goes ahead and makes one fall in love with the tune in the offering. Still, this A.M. Turaz and Prashant Ingole number is better than last few songs that one had heard so far and you can sit through the entire duration. Another newcomer singer, Aanandi Joshi, is the one to kick-start the proceedings for <strong><em>'Zara Suno'</em></strong>. A love song which has an Indi-pop contemporary feel to it, this Shail Hada composed tune may not be the one that you would fall in love with instantly; however it still makes for a decent enough listening. Rutvik Talashilkar is back in the fold after singing <em>'Aai Shapat'</em> and gives a different account of himself. Shail Hada steps in as a singer for the title song <strong><em>'Ek Malaal'</em></strong> which arrives right at the end of the soundtrack. Reminding one of the ghazals from the 80s, this one is really slow moving, sad in feel and overall dull in treatment, hence promising to make an impact on the pace of the film when it will appear. Hope this one has a short duration in the film's narrative. <strong>OVERALL</strong> The music of <em>Malaal</em> is barely passable with just a song or two managing to leave some kind of impression. <strong>OUR PICK(S)</strong> <em>‘Aila Re’</em>, <em>‘Kathai Kathai’</em>, <em>‘Zara Suno’</em>

<strong>EXPECTATIONS</strong> For a film which is a quirky comedy, you expect a trippy soundtrack. Moreover, it has to be something different instead of being quintessentially Bollywood as the stage, mood and theme is altogether different. With these kind of expectations in mind, you play on the soundtrack of <em>Judgementall Hai Kya</em> which has a different composers, lyricists and singers coming together to create five distinct songs. <img class="aligncenter size-full wp-image-996689" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/The-Wakhra-Song-Judgemental-Hai-Kya-Kangana-Ranaut-Rajkummar-Rao.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> Well, first things first, despite the unique theme of the film, it is apparent that the makers wanted to bring on a quick-fire hit to kick-start the proceedings. That's the reason why Badshah and Navi Kamboz's non-film chartbuster <em>'Wakhra'</em> is presented in a 'filmy andaaz' as <strong><em>'The Wakhra Song'</em></strong>. The song stays on its chartbuster route with the man for the job, Tanishk Bagchi, getting it right all over again. As a composer-lyricist, he brings in his own 'tadka' to this Navv Inder, Lisa Mishra and Raja Kumari number which gets your feet tapping all over again. It's time to bring on some 60s/70s retro back with <strong><em>'Para Para'</em></strong> which has Rachita Arora and MuzikFactory (OmDixant) bring singer Arun Dev Yadav behind the mike. The entire team does an R.D. Burman piece here, reminding one of a similar experiment that Vishal-Shekhar had done for the title song of Jhankaar Beats many years back. A song which has Prakhar Varunendra pretty much introduce the character of Kangana Ranaut to the audiences, this one has a good situational appeal to it and may he aided by some quirky picturisation too. Next to arrive is the title song <strong><em>'Judgementall Hai Kya'</em></strong> which again has composer Rachita Arora pair up with lyricist Prakhar Varunendra, and together they carry forward the spirit of <em>'Para Para'</em>. This time around it is time to bring on a piece of the Hollywood musicals that step into this genre, and one has to admit that the core hook is quite intoxicating. Just an extended piece of this hook could well keep many a DJ happy, though for the Bollywood version it is the team of Jaspreet Jasz, Rachita Arora and Nivedita Padmanabhan who create a unique outing. The manner in which Surabhi Dashputra sings Kumaar written <strong><em>'Kis Raste Hai Jana'</em></strong>, you are reminded of quite a few songs that Jasleen Royal has sung in Hindi movies. Nonetheless, this one is a different set up and it has composer and singer Arjuna Harjai doing well to come up with an outing that should make a good situational appeal in the film. As is the case with such songs though, one just hopes that the song is aided by good picturisation so that it doesn't slow down the pace of the film's narrative. Last to arrive is <strong><em>'Kar Samna'</em></strong> which lasts just 80 seconds and appears to be a piece that may appear towards the film's pre-climax or climax. Daniel B. George comes up with a sound that briefly hints of Alfred Hitchcock's <em>Psycho</em>, though overall the song is so short that it ends before you actually hear much for it. A chorus track by Amir Khan, Brijesh Shandilya, Protijyoti Ghosh and Daniel B. George that could well appear at a situation in the film when Kangana Ranaut is all fired up and is out for revenge, it is put to words by Prakhar Vihaan. <strong>OVERALL</strong> As expected, the music of <em>Judgementall Hai Kya</em> is largely situational and is in line with the trippy theme of the film. When seen in context of the film's narrative, it could well hook your attention. <strong>OUR PICK(S)</strong> <em>‘The Wakhra Song’</em>, <em>‘Para Para’</em>, <em>‘Judgementall Hai Kya’</em>

<strong>EXPECTATIONS</strong> There are good expectations from the music of <em>Jabariya Jodi</em>. Films with Sidharth Malhotra in the lead have traditionally seen at least one major chartbuster and with <strong><em>'Khadke Glassy'</em></strong> out, you look forward to what more do producer Ekta Kapoor and her team have in store for the actor. Moreover, there are as many as eight songs in the album with different set of composers, lyricists and singers team up for that. <img class="aligncenter size-full wp-image-994691" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/Jabariya-Jodi-–-Official-Trailer-Sidharth-Malhotra-Parineeti-Chopra.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> It is a winning start for <em>Jabariya Jodi</em> as Ashok Mastie's yesteryear chartbuster <em>'Khadke Glassy'</em> is heard all over again in this Tanishk Bagchi recreation. With Yo Yo Honey Singh teaming up for this one along with Jyotiga Tangri, <em>'Khadki Glassy'</em> turns out to be a foot tapping outing all over again. Tanishk Bagchi also steps in for additional lyrics along with Channi Rakhala and what you end up listening to it as a three minute musical piece that is set to add on to Sidharth Malhotra's repertoire of Punjabi chartbusters after <em>'Kaala Chashma'</em> [<em>Baar Baar Dekho</em>]. Later in the soundtrack, the song also arrives in a <strong><em>'Glassy 2.0'</em></strong> version which has Jyotica Tangri leading from the front. This version has Ramji Gulati stepping in as a composer with Kumaar writing some new lyrics altogether. That said, the core hook and rhythm remains just the same and what you end up hearing is a good version which brings in an altogether new flavour. Bhojpuri chartbuster <strong><em>'Zilla Hilela'</em></strong> is heard in <em>Jabariya Jodi</em> and it has the regional flavour intact. It makes sense as well since the film is set in that belt where such music is quite popular. Tanishk Bagchi is the man for the job and he steps in as a composer as well as co-lyricist with Shabbir Ahmed to deliver another catchy outing. An ensemble of singers come together in the form of Raja Hasan, Dev Negi, Pravesh Mallick and Monali Thakur to deliver a song that may just makes its way into celebratory occasions up North. After two back to back dance numbers arrives a soothing love song in the form of <strong><em>'Dhoonde Akhiyaan'</em></strong>. This time around Tanishk Bagchi comes up with an original number and does well to present to audience a song with a sufi touch to it. Yasser Desai and Altamash Faridi pair up for this Rashmi Virag number which has a smooth flow to it, though one wonders if a female voice in the song would have made it sound further complete. Sachet Tandon recently gave a massive chartbuster <em>'Bekhayali'</em> [<em>Kabir Singh</em>] and he along with co-composer Parampara Thakur pair up as singers too for <strong><em>'Khwabfaroshi'</em></strong>. While it is good to hear a new word altogether for a Bollywood song, courtesy lyricists Siddharth-Garima, overall too the song impresses quite well. You can sense Sachet-Parampara touch in this soft rock outing which can well turn out to be the one that enjoys a long run. The more you listen to this song, the more it hooks you on. This one is a potential chartbuster too. In a soundtrack like this, it was surprising not to hear Arijeet Singh's voice all this while. Well, the wait is over as composer Vishal Mishra and lyricist Raj Shekhar come together to set the stage for Arijit Singh's <strong><em>'Ki Honda Pyaar'</em></strong>. Now this is a kind of number that could well have fitted into the milieu of Kabir Singh due to its romantic appeal. The song takes a little while before you catch its sound but after a while you are happy to play this one on loop. Later the song is repeated where Neha Kakkar leads the show with Vishal Mishra and you enjoy it again. Last to arrive is <strong><em>'Macchardani'</em></strong> and its beginning is the kind that briefly reminds one of <em>'Sweetheart'</em> [<em>Kedarnath</em>]. However, the similarity just ends during the 'mukhda' piece as the song comes on its own with composer Vishal Mishra and lyricist Raj Shekhar take it forward. Brindani Mishra chips in with folk lyrics for this Vishal Mishra and Jyotica Tangri rendered number which is just about decent and should make for a situational outing at best. <strong>OVERALL</strong> The music of <em>Jabariya Jodi</em> delivers well as other than instant chartbusters like <em>'Khadke Glassy'</em> and <em>'Zilla Hilela'</em>, there are love songs like <em>'Khwabfaroshi'</em> and <em>'Ki Honda Pyaar'</em> as well which promise to play on for long in time to come. <strong>OUR PICK(S)</strong> <em>‘Khadke Glassy’</em>, <em>‘Zilla Hilela’</em>, <em>‘Khwabfaroshi’</em>, <em>‘Ki Honda Pyaar’</em>

<strong>EXPECTATIONS</strong> There are good expectations from the music of <em>Arjun Patiala</em>. After all, films coming from the house of Dinesh Vijan always result a chartbuster score, case in point being <em>Luka Chuppi</em>, <em>Stree</em>, <em>Raabta</em> and <em>Hindi Medium</em> to name a few. Moreover, <em>Arjun Patiala</em> has the kind of subject that promises peppy score and then there is Diljit Dosanjh as the main lead along with Kriti Sanon who further add on to the fun element. Sachin-Jigar are roped in as the composers for Arjun Patiala and this time around Dinesh Vijan decides to go for an out and out original soundtrack. <img class="aligncenter size-full wp-image-990995" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/06/Official-Trailer-Arjun-Patiala-Diljit-Dosanjh-Kriti-Sanon-Varun-Sharma1.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> It is a Guru Randhawa show all the way as he sings, writes and co-composes <strong><em>'Main Deewana Tera'</em></strong> with Sachin-Jigar. The song reminds one of the kind of sound and rhythm associated with <em>'Badtameez Dil'</em> [<em>Ye Jawaani Hai Deewani</em>] and the good part is that it works quite well too. Credit it to the sound of trumpet which brings in the similarity but the fact remains that everyone attached to the song, including singer Nikhita Gandhi, truly have a blast with this fun-n-peppy party number which has all in it to set the dance floor on fire while it is played on. The song which arrives next, <strong><em>'Crazy Habibi vs Decent Munda'</em></strong>, is a major chartbuster in the making as well and rest assured it would find some good audience for itself in the long run. Yet another Guru Randhawa sung and written number, this one has Benny Dayal chipping in with Arabic vocals and lyrics. With a good rhythm to it that makes the song instantly catchy, this one has Sunny Leone pairing up with Diljit Dosanjh and Varun Dhawan for an 'item song' outing. Moreover, it is remarkable to see how Guru Randhawa's voice suits Diljit Dosanjh so very well. Soon enough, Diljit Dosanjh comes up with a song of his own as he croons <strong><em>'Dil Todeya'</em></strong>. Yet again, Guru Randhawa writes and co-composes this one with Sachin-Jigar and the team ensures that the soft romantic number does manage to find a place of its own in the proceedings. Yes, it is a bit difficult to adjust to the sudden change in mood as one is coming fresh from a couple of outright dance numbers. Still, one waits to see how does <em>'Dil Todeya'</em> grow in time to come and manage to find an audience. Sachet Tandon, who has been creating a good impression of late with <em>'Bekhayali'</em> [<em>Kabir Singh</em>] and <em>'Khwabfaroshi'</em> [<em>Jabariya Jodi</em>], gets into a different mood altogether with <strong><em>'Sachiya Mohabbatan'</em></strong>. This time around he gets into a Punjabi melody zone instead of soft rock mode that he typically explores, and the results are actually good. A beautifully composed number by Sachin-Jigar which has simple yet effective lyrics by Priya Saraiya, <em>'Sachiya Mohabbatan'</em> is the kind of number that would be picked by those who loved <em>'Duniya'</em> [<em>Luka Chuppi</em>]. It is back to fun, party and celebrations with <strong><em>'Sip Sip'</em></strong> and this time around Sachin-Jigar make way for Akash D who writes and composes <em>'Sip Sip'</em> that has Guru Bhullar coming behind the mike. Yet again, it is the hook of the song that manages to make an instant connect and it doesn't take much time before you find yourself grooving on it at the dance floor. The intermittent rap portion is also quite good and one just wonders why the song wasn't released much in advance itself. This has in it to emerge as a good chartbuster in time to come. <strong>OVERALL</strong> The music of <em>Arjun Patiala</em> is even better than what one expected out of it. While the three dance numbers are all potential chartbusters in the offering, a couple of love songs do make their presence felt as well. Considering that this soundtrack is made of original numbers instead of recreated versions, it may take some time for popularity to come but it will come eventually. <strong>OUR PICK(S)</strong> <em>‘Main Deewana Tera’</em>, <em>‘Crazy Habibi’</em>, <em>‘Sachiya Mohabbatan’</em>, <em>‘Sip Sip’</em>

<strong>EXPECTATIONS</strong> Considering that <em>Khandaani Shafakhana</em> is a Bollywood film, it has half a dozen songs in there. Otherwise a film with a subject revolving around 'let's talk about sex' hardly has the kind of premise which would warrant a music album. Nonetheless, this is indeed the case with this Sonakshi Sinha, Badshah and Varun Sharma film and one waits to hear what is in the offering. <img class="aligncenter size-full wp-image-999303" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/07/Khandaani-Shafakhana-Dil-Jaaniye-Sonakshi-Sinha.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> As is the trend, a couple of recreated numbers - both courtesy composer and lyricist Tanishk Bagchi - open the soundtrack. First to arrive is Jasbir Jassi's <strong><em>'Koka'</em></strong> which is a good party number that has an immense foot tapping appeal to it. With Badshah and Dhvani Bhanushali joining the fun and Mellow D chipping in with additional lyrics, <em>'Koka'</em> has been a chartbuster over a period of time and would only consolidate its hit status in months to come as well. Next to arrive is <strong><em>'Sheher Ki Ladki'</em></strong> which was a rage back in time when seen in the film Rakshak. The song is recreated with Badshah and Tulsi Kumar, and the overall results are quite good all over again. The core hook of the song is what makes you revisit this one all over again, and there is someting intoxicating about <em>'Sheher Ki Ladki'</em> that it sounds as fresh as ever. After a couple of dance songs arrives a romantic track which is put to tune by Payal Dev and written by Shabbir Ahmed. Titled <strong><em>'Dil Jaaniye'</em></strong>, this one rendered by Jubin Nautiyal and Tulsi Kumar is a pleasant hear and stays well with you for its near five minute duration. With a bit of Punjabi in there, this one is fine while it lasts though, its heard-before feel means you don't quite carry it with you after you are through listening to it. It's back to party time with Badshah playing a triple role of composer, lyricist and singer for <strong><em>'Saans To Le Le'</em></strong>. As is the case with Badshah tracks, there is an inherent hook sound here as well and that's what sticks in your mind after you have heard it a couple of times. Though overall the song, which also has Rico chipping in as a singer, doesn't really give the impression of a major chartbuster in the first go, one waits to see how it is picturised. That could well make a difference to the overall popularity that it ends up gaining eventually. The song which arrives next actually turns out to be a soothing outing that makes one feel that it could well have appeared a bit earlier in the soundtrack. The manner in which Tochi Raina sings <strong><em>'Udd Jaa'</em></strong> is indeed quite impressive and the overall effort by composer Rochak Kohli and lyricist Kumaar is also something that you do notice. Yet again, this one isn't the kind that turns out to be an instant chartbuster. However, there is something soulful and serene about this situational number that you wouldn't mind playing it in loop and listening to it for long. Rochak Kohli concludes the album with Altamash Faridi sung <strong><em>'Bheege Mann'</em></strong> and this time around the end result is just about ordinary. A slow moving situational track written by Gautam G Sharma and Gurpreet Saini, it actually brings down the pace of the soundtrack. Had there been one of the three party numbers placed as the last song in <em>Khandaani Shafakhana</em>, it may just have made for a better end result. <strong>OVERALL</strong> The music of <em>Khandaani Shafakhana</em> turns out to be better than expected. One expected that most of the songs in there would be situational but this one actually turns out to be a good collage of songs with dance numbers, situational songs and a romantic number thrown in as well. <strong>OUR PICK(S)</strong> <em>‘Koka’</em>, <em>‘Sheher Ki Ladki’</em>, <em>‘Saans To Le Le’</em>, <em>‘Udd Jaa’</em>

<strong>EXPECTATIONS</strong> One isn't really sure of what to expect from the music of <em>Chhichhore</em>. Considering the fact that it is set as a campus entertainer, one expects situational music at best from this soundtrack that has been put together by Pritam and Amitabh Bhattacharya. That said, since the film is produced by Sajid Nadiadwala who has a keen ear for music, one expects some melodies too. <img class="aligncenter wp-image-1014368 size-full" title="Music Review Chhichhore" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Music-Review-Chhichhore.jpg" alt="Music Review Chhichhore" width="720" height="450" /> <strong>MUSIC</strong> The soundtrack kick-starts with the sound of <strong><em>'Woh Din'</em></strong> and it is just the right kind of number that one expects at the beginning of a film with a campus setting. Had it been a romantic beginning, one may have felt a tad disappointed. Thankfully what one hears here is a beautiful rendition by Tushar Joshi who sings this heartfelt number with simple lyrics and beautiful melody. You are actually transported into the stage and setting of a college and later when the Arijit Singh version arrives, you lap up the song all the more. This one has a long shelf life. Surprisingly though, the song that follows just doesn't entertainer. Though set as a kind of number that could well have been an outcome of a jam session in the studio, <strong><em>'Control'</em></strong> tries to be all funny and entertainer but falls flat. There is a horde of singers in the form of Nakash Aziz, Manish J. Tipu, Geet Sagar, Sreerama Chandra and Amitabh Bhattacharya but the overall outcome fails to make any kind of impact despite repeated hearing. It may just manage to make some kind of an impact if picturised interestingly. Thankfully, the experiment of getting multiple singers together in yet another campus track, <strong><em>'Fikar Not'</em></strong>, works quite well. Reminding one of the kind of mood that Pritam had created for <em>'Galti Se Mistake'</em> [<em>Jagga Jasoos</em>], this one by Nakash Aziz, Amit Mishra, Dev Negi, Amitabh Bhattacharya, Sreerama Chandra and Antara Mitra is a fun track all the way. In fact it also carries a good message of thinking only about the current times rather than wasting one's time and energy in worrying about what future has in hold. This one could work well in a long run. A happy-sad song comes next in the form of <strong><em>'Kal Ki Hi Baat Hai'</em></strong> and it is after a while that one hears K.K. in a Pritam composition. A situational number about recollecting the good times gone by, it comes across as a track that would play on as a montage sequence. One just hopes that since this one has a slow pace composition wise, it doesn't slow down the film's narrative when it plays on screen. The song that is set to grow quite well in time to come though is <strong><em>'Khairiyat'</em></strong>, which is also the best of the soundtrack. This one appears in a couple of versions, one happy and one sad by Arijit Singh. A song which is about a lover wondering if the one whom he believes to be his life no less even thinks about him while being far away, <em>'Khairiyat'</em> boasts of a beautiful melody and deserves to be played in loop. Though it has been released recently, one just wonders about the kind of distance it would have already covered had it arrived a couple of weeks back. <strong>OVERALL</strong> The music of <em>Chhichhore</em> is the kind that grows on you and has the potential to make an even better impression when heard and experienced in the context of the film. This one has a classy feel to it. <strong>OUR PICK(S)</strong> <em>‘Khairiyat’</em>, <em>‘Fikar Not’</em>, <em>‘Woh Din’</em>

<strong>EXPECTATIONS</strong> A launch-pad is always special, especially so when it is that of a star son. Moreover, when the debut affair is a love story then you do expect soulful music as well. This is what makes one look forward to what does Sunny Deol has in store for the launch of his son Karan Deol along with newcomer Sahher Bambba. The good thing is that he brings on board hottest sensations Sachet-Parampara to put together the soundtrack with Siddharth-Garima doing the honours as the lyricists. Rishi Rich produces the music and his touch is quite visible in there. <img class="aligncenter size-full wp-image-1014370" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/09/Music-Review-Pal-Pal-Dil-Ke-Paas.jpg" alt="" width="720" height="450" /> <strong>MUSIC</strong> Newcomer Hansraj Raghuwanshi, who is known for his devotional songs, makes his Bollywood foray with <strong><em>'Aadha Bhi Zyaada'</em></strong>. A number about living life to the fullest, this one is a peppy outing and in fact reminds one of <em>'Sochna Kya Jo Bhi Hoga Dekha Jaayega'</em> from Sunny Deol's <em>Ghayal</em>. That song was rendered by Bappi Lahiri and incidentally Hansraj's voice pretty much sounds similar to that of the veteran composer-singer. Meanwhile, Karan Deol too makes an intermittent appearance as a rapper in this song which does carry the sound of <em>'Jai Bhole'</em>. The song that is set to become an anthem in time to come though is the title track <strong><em>'Pal Pal Dil Ke Paas'</em></strong>. An excellent number that is very high on melody and showcases the best side of composers Sachet-Parampara, it has poetic lyrics by Sidharth-Garima that makes a very strong impression. Meanwhile, the song is made special due to the voice of Arijit Singh who is superb all over again and also Parampara Thakur who shows once again that other than being an efficient composer, she is also a very good singer. No wonder, the song deserves to be heard in a repeat mode and that is evident in the kind of confidence that the makers have as well, what with <em>'Pal Pal Dil Ke Pass'</em> arriving in as many as three more versions. Whether it is the second version, the 'celebration' version or the one which goes by the title <strong><em>'Suun le Rabb'</em></strong>, the song is beautiful every time it is heard and one just can't let the melody go off from one's mind and heart. Composer Tanishk Bagchi makes a special appearance with a solitary number, <strong><em>'Ho Jaa Awara'</em></strong>. He too demonstrates once again that there is a lot more to him than the recreated versions that he is largely known for, what with this one turning out to be yet another beautiful number in <em>Pal Pal Dil Ke Paas</em>. Monali Thakur is the one who kick-starts the proceedings for the song and somewhere also reminds one of the kind of pitch that Hema Sardesai used to take in her songs back in the 90s. Ash King is her accompanying partner in this peppy-n-sweet outing. It is back to Sachet and Parampara and this time around other than being the composers, they are also the singers for three songs in a row. First to arrive is <strong><em>'Ishaq Chaliya'</em></strong> which has a good hook to it and makes one tap feet instantly. A Punjabi-Hindi number, this one has a good pace as well and lends a happy sound to the overall outing. A difficult song to sing, especially the manner in which Sachet brings on the hook words, this one takes a bit of time to grow on you but eventually you get a good hang of it. This is followed by <strong><em>'Dil Uda Patanga'</em></strong> which has Parampara Thakur taking the lead and Sachet Tandon joining her soon enough. A song which has a teenage feel to it with an Indi-pop flavour, there is certain innocence to it that should work with the teenagers if the film manages to strike a chord with the audiences. Play this one loop and you won't be disappointed at all. Third song that arrives in the voice of Sachet and Parampara is <strong><em>'Maa Ka Mann'</em></strong> and this one is a devotional piece with a difference. While the sound of 'Satnam Shri Waheguru' keeps playing in your mind during the track's duration, you like the manner in which there is a soulful feel being carried. This one should make for a good situational piece in the film's narrative. <strong>OVERALL</strong> The music of <em>Pal Pal Dil Ke Pass</em> was expected to be good but the soundtrack actually goes on to exceed expectations. Sahcet-Parampara, Sidharth-Garima and Richie Rich do quite well in their biggest album till date where they are entrusted to put together music for the two newcomers. There is certain consistency in the film's music and that is always on the cards as well when there is a single team put together in charge instead of multiple composers, lyricists and singers. This one is a winner. <strong>OUR PICK(S)</strong> <em>‘Pal Pal Dil Ke Paas’</em>, <em>‘Ishaq Chaliya’</em>, <em>‘Ho Jaa Awara’</em>

<strong>EXPECTATIONS</strong> Though Ayushmann Khurranna's upcoming release is titled <em>Dream Girl</em>, one doesn't expect a romantic soundtrack here. Reason being that even with Nushrath Bharucha as the leading lady, this Ekta Kapoor and Raaj Shandilyaa film isn't really a love story and instead a comedy about a man who mimics the voice of a woman. Hence, one expects a situational fun score by composers Meet Bros who are joined by lyricist Kumaar. <img class="aligncenter size-full wp-image-1008181" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/08/Dream-Girl-Radhe-Radhe-Ayushmann-Khurrana-Nushrat-Bharucha.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> This is what one gets right at the onset too as Amit Gupta croons <strong><em>'Radhe Radhe'</em></strong> which turns out be a fun song about Radha-Krishna love story. Ayushmann Khurranna gets into a full-on fun mood with this song which is also his biggest when it comes to the stage, setting and the canvas. In fact the manner in which this song is composed and orchestrated, it also reminds one of the kind of music that Sajid-Wajid created at the turn of the millennium. A good foot tapping number that also sees a good remix version, courtesy DJ Harshit Shah. There is more fun in store with Jonita Gandhi and Nakash Aziz letting their hair down and coming together for <strong><em>'Dil Ka Telephone'</em></strong>. Yet again, there is 'masti' and 'mazaa' galore in this song that has a 50s style retro feel to it. A song where Ayushmann Khurrana gets into phone conversations with his various suitors, this one is a fun outing with a good hook to it that catches up with you instantly. In fact it would really add on to the film if portions of the song, which also has a remix version by DJ Himani Singh, appear at various junctures of the narrative. It is a hat-trick of fun songs with Mika Singh and Jyotica Tangri coming together for the legendary Marathi song <strong><em>'Dhagala Lagali'</em></strong>. A foot tapping song that has no dull moment whatsoever, this one is instantly catchy and would immediately find attention in the Maharashtra belt. A lively song with good music arrangements going for it, <em>'Dhagala Lagali'</em> could well find itself on the list of DJ's favourites also in quick time. The mood changes though with a sufi outing <strong><em>'Ik Mulaqaat'</em></strong>. On the same lines as <em>'Dekhte Dekhte'</em> [<em>Phata Poster Nikhla Hero</em>], this one has Altamash Faridi taking the lead and singing in a style similar to that of Nusrat Fateh Ali Khan. With guest lyricist Shabbir Ahmed pitching in, this romantic number has Palak Muchhal pairing up with Altamash. Meet Bros aim to give this one a contemporary touch by fusing it with rock elements as well. Though one doesn't expect this one to be covering a very long distance, as a part of the film it should fit in well. The soundtrack of <em>Dream Girl</em> concludes with a mandatory Punjabi 'desi' number <strong><em>'Gat Gat'</em></strong> which has Jass Zaildar and Khushboo Grewal coming together. Yet again, there is good foot tapping appeal that the song carries, hence ensuring that the celebratory mood continues. In fact this is one of those songs that could well have been unveiled a little earlier as well since it has in it to become popular in time to come if promoted aggressively. <strong>OVERALL</strong> <em>Dream Girl</em> boasts of a good soundtrack with Meet Bros and Kumaar doing well to create songs that work for the narrative and also have it in them to enjoy a longer run as well beyond the release of the film. Hear it for some entertaining times. <strong>OUR PICK(S)</strong> <em>‘Dhagala Lagali’</em>, <em>‘Dil Ka Telephone’</em>, <em>‘Radhe Radhe’</em>

<strong>EXPECTATIONS</strong> There are good expectations from the music of <em>Dabangg 3</em>. After all, the music of both <em>Dabangg</em> and <em>Dabangg 2</em> had done quite well, and composer duo Sajid-Wajid is expected to score a hat-trick with this one. Danish Sabri is the prime lyricist with others pitching in as well. <img class="aligncenter size-full wp-image-1057746" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Music-Review-Dabangg-3.jpg" alt="" width="750" height="450" /> <strong>MUSIC</strong> The album kick-starts with the title song <strong><em>'Hud Hud'</em></strong> which has seen a variation of sorts this time around with Jalees Sherwani coming together with Danish Sabri as the lyricist. Somehow, the punch is missing in this re-dux version. Though the song is in the same zone as the earlier version, something which makes the 'mukhda' interesting, the 'antara' portions don't quite work. Moreover, rendition by Shabab Sabri, Divya Kumar and Sajid doesn't carry much energy either which results in <strong><em>'Hud Hud'</em></strong> turning out to be rather ordinary. As is the tradition with <em>Dabangg</em> franchise, there is yet another 'naina' song coming in the form of <strong><em>'Naina Lade'</em></strong>. The song belongs to the kind which was popular around a decade back when Salman Khan had many such chartbusters to his name. Perhaps the makers wanted to retain a similar sound in order to stick to the ethos of <em>Dabangg</em> franchise. However, what one ends up listening to is a rehashed version of sorts that has been written by Danish Sabri and rendered by Javed Ali. There is some excitement that steps into the proceedings with Danish Sabri written <strong>'Yu Karke'</strong> that has naughty undertones to it. In the same zone as <strong><em>'Saree Ke Fall Sa'</em></strong> from Prabhu Dheva's own <em>R... Rajkumar</em>, this one caters to the gentry and is an out and out massy number. Surprisingly, even though Salman Khan has sung this track which boasts of some eye catchy choreography and picturisation as well, the song hasn't been promoted to the fullest. Payal Dev accompanies Salman Khan behind the mike and has her share of fun as well. Badshah joins Danish Sabri as the co-lyricist for <strong><em>'Munna Badnaam Hua'</em></strong> and in fact also opens the number with his rap portion. Considering the kind of set up that <em>Dabangg</em> has, it seems a bit odd to have Salman Khan lip synching to a rap outing here. One of his favorite singer Kamaal Khan takes the lead along with Mamta Sharma for this fun-n-celebration track that is doesn't really turn out to be another <strong><em>'Munni'</em></strong> [<em>Dabangg</em>] or <strong><em>'Fevicol'</em></strong> [<em>Dabangg 2</em>]. Still, it is a better recreated version when compared to <strong><em>'Hud Hud'</em></strong>. Veteran lyricist Sameer Anjaan along with Sajid write <strong><em>'Awara'</em></strong> that doesn't really impress even after a couple of listening. Newcomer Muskaan renders this song and one can't really say that she ends up making an instant impression. Moreover, the tune is way too old fashioned here; so much so that another newcomer singer Salman Ali isn't able to salvage the song much. Last to arrive is <strong><em>'Habibi Ke Nain'</em></strong> which has Jubin Nautiyal taking charge with Shreya Ghoshal soon after. A love song which is on the same lines as <strong><em>'Awara'</em></strong> or <strong><em>'Naina Lade'</em></strong>, it scores in maintaining consistency but in the process also ends up becoming yet another romantic track that doesn't really have in it to cover much of a distance. Irfan Kamal's lyrics try to be all poetic and soulful but somehow the impact is missing, just as is the case with majority of soundtrack. <strong>OVERALL</strong> While relatively speaking the music of <em>Dabangg 3</em> is not a patch on <em>Dabangg</em> or <em>Dabangg 2</em>, even on an absolute scale it doesn't have much in there to go a long way in time to come. <strong>OUR PICK(S)</strong> ‘<em>Munna Badnaam Hua’</em>, <em>‘Yu Karke’</em>

<strong>EXPECTATIONS</strong> When a biggie arrives from the house of Karan Johar with a massive starcast led by Akshay Kumar and Kareena Kapoor along with Diljit Dosanjh and Kiara Advani, you don't quite settle for something ordinary. Moreover, with the film also being titled <em>Good Newwz</em>, you expect the same flavor in the soundtrack as well. <img class="aligncenter size-full wp-image-1057786" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Music-Review-Good-Newwz.jpg" alt="Music Review - Good Newwz" width="750" height="450" /> <strong>MUSIC</strong> Tanishk Bagchi, who is known more for his recreated versions, hits it out of the park with an original track <strong><em>'Chandigarh Mein'</em></strong>. A Hindi-Punjabi number that has an eclectic mix of singers in the form of Badshah, Harrdy Sandhu, Lisa Mishra and Asees Kaur, this one has Tanishk and Badshah coming together for the lyrics department as well. A dance number with a mega celebratory feel to it, 'Chandigarh Mein' has a really catchy hook to it which doesn't take time to get on you, so much so that you find yourself humming this one soon enough. Next to arrive is <strong><em>'Sauda Khara Khara'</em></strong> which has stayed on to be a major chartbuster for many years now. Originally rendered by Sukhbir, this one has Diljit Dosanjh taking over the center-stage this time around, and the actor-singer does a really good job all over again. With Kumaar stepping as the lyricist, this one has Lijo George-Dj Chetas as the composers while Dhvani Bhanushali is also the newest entrant behind the mike. A Punjabi dance number, it is now bound to have an even longer shelf life due to the presence of Diljit and Akshay in the video. The manner in which <strong><em>'Maana Dil'</em></strong> begins, it reminds one of <strong><em>'Fakira'</em></strong>. However, the similarity is just for a few seconds as soon enough B Praak makes a solid impression once again with his characteristic voice even as Tanishk Bagchi spins together a soulful tune for this beautifully written sad number by Rashmi Virag. While the 'mukhda' makes a good impression, it's the manner in which the 'antara' portions are put together that take the song, which has Farhad Bhiwandiwala as the additional singer, take it to the next level. Hear this one for sure. It is back to celebrations with RDB's <strong><em>'Laal Ghaghra'</em></strong> brought to fore once again by Tanishk Bagchi, Manj Musik and Herbie Sahara. A fast paced dance number that sets one feet tapping from the word go, this one is written by Tanishk Bagchi &amp; Herbie Sahara and sung with aplomb by Manj Musik, Herbie Sahara &amp; Neha Kakkar. The song's placement in the film is also apt as it adds on to the fun feel that director Raj Mehta has adopted for the first half of the narrative. With each of the four songs making a really impression, it is indeed 'good news' so far. A song with a core Western touch to it, <strong><em>'Dil Na Jaaneya'</em></strong> arrives next. Composed by Rochak Kohli and Lauv who also sing this one with Akasa leading the show, this one is a kind of song that one associates with an urban romcom entertainer by Karan Johar. A soft number which is soothing to the ear, it has a mix of Hindi and English lyrics, courtesy Gurpreet Saini, Ari Leff and Michael Pollack. Though one waits to see if the song gains as much as popularity as rest of the massy soundtrack, this one would go down as a classy outing which is also heard in an unplugged version with Arijit Singh leading the show. Dance and celebrations continue with <strong><em>'Zumba'</em></strong> which is based on Punjabi folk music that is commonly heard in weddings up north. Tanishk Bagchi does well to bring on core Punjabi flavor in this dance number that has a mix of contemporary and traditional lyrics by Vayu with Romy taking center-stage as the singer. This is a song that keeps the narrative of the film exciting. Last to arrive is the peppy theme music of the film<strong><em>, 'Good Newwz Theme'</em></strong>, which is just an apt finale for the soundtrack. KSHMR and Tanishk Bagchi are the creators for this fun track. <strong>OVERALL</strong> The music of <em>Good Newwz</em> is quite good and has already helped the film find ample attention coming its way. With the film doing quite well in theaters already and the music gaining further thumbs-up from the audiences, expect the songs to play on for many more months to come. <strong>OUR PICK(S)</strong> <em>Chandigarh Mein</em>, <em>Sauda Khara Khara</em>, <em>Laal Ghaghra</em>, <em>Maana Dil</em>

<strong>EXPECTATIONS</strong> Of late, music in films starring Kartik Aaryan has invariably turned out to be of chartbuster variety. It was seen earlier this year in <em>Luka Chuppi</em> as well and now 2019 is ending with a bang, what with each of the songs from <em> </em> turning out to be a chartbuster. <img class="aligncenter size-full wp-image-1057787" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/12/Music-Review-Pati-Patni-Aur-Woh.jpg" alt="Music Review - Pati Patni Aur Woh" width="750" height="450" /> <strong>MUSIC</strong> It is time to welcome yet another recreated version, this time that of Tony Kakkar's mega hit number <strong><em>'Dheeme</em> <em>Dheeme'</em></strong>. The man who has been getting it right for most of the times, Tanishk Bagchi, hits a six yet again with this version which has Tony Kakkar and Neha Kakkar coming together for this rollicking club track. A superb number that has a huge foot tapping appeal and is set to rock the show for many more months to come as well, <strong><em>'Dheeme</em></strong> <strong><em>Dheeme'</em></strong> has Tony Kakkar, Tanishk Bagchi &amp; Mellow D contributing towards the lyrics as well. A love song comes next in the form of <strong><em>'Tu Hi Yaar Mera'</em></strong> which has Neha Kakkar being heard in an altogether different avtar from her usual self. Instead of a fun-n-frolic outing, she becomes a part of a love song which has been beautifully composed by Rochak Kohli with Arijit Singh showing once again that he is the numero uno choice when it comes to singing his way right into the heart. Moreover, it is lyrics by Kumaar that make a good impact as well, hence ensuring that <strong><em>'Tu Hi Yaar Mera'</em></strong> turns out to be a song that would have a good shelf life. As for a love song that has certain depth to it, <strong><em>'Dilbara'</em></strong> couldn't have come at a better time, what with Sachet-Parampara doing well yet again after their superlative effort in <em>Kabir Singh</em> and then <em>Pal Pal Dil Ke Paas</em>. A Hindi-Punjabi song which has a trademark stamp of the composers-singers, <strong><em>'Dilbara'</em></strong> is pretty well written by Navi Ferozpurwala who gets the feel of 'dard-e-judaai' right. In fact it is surprising that the song hasn't been hammered to the fullest as this one carries good potential to find popularity amongst those mending a broken heart. Last to arrive is yet another recreated version, <strong><em>'Ankhiyon Se Goli Mare',</em></strong> which has stayed on to be a chartbuster even after a couple of decades since it was heard first in <em>Dulhe Raja</em>. The tune by Anand-Milind is given a good twist by Tanishk Bagchi who brings on board just the right singers in the form of Mika Singh and Tulsi Kumar to result in a song that sounds fresh till date. While the core peg <strong><em>'Ankhiyon Se Goli Mare'</em></strong> as well as the 'antara' by Sameer is retained as is, the 'mukhda' goes through a transformation albeit without hurting the originality much. <strong>OVERALL</strong> The music of <em>Pati Patni Aur Woh</em> is on expected lines as there is no dull moment whatsoever. A couple of recreated dance numbers and then a couple of love songs ensure that this one turns out to be a well-rounded affair. <strong>OUR PICK(S)</strong> <em>Dheeme Dheeme</em>, <em>Ankhiyon Se Goli Mare</em>, <em>Dilbara</em>

<strong>EXPECTATIONS</strong> When it comes to a film like <em>Tanhaji - The Unsung Warrior</em>, the expectation is that of a situational score. Moreover, since the core genre of the film is action-drama, all that is required too is three to four tracks that come at just the right points in the film. This is what the team of composers, lyricists and singers delivers as well. <img class="aligncenter size-full wp-image-1062213" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Tanhaji-5.jpg" alt="" width="750" height="450" /> <strong>MUSIC</strong> It's a euphoric beginning for <em>Tanhaji - The Unsung Warrior</em> as composer Mehul Vyas puts together a ferocious piece, <strong><em>'Shankara Re Shankara'</em></strong>. He sings this Anil Verma written track as well along with Adarsh Shinde and together the trio delivers a song which has a 70s and 80s feel to it in the way it is orchestrated and delivered. For the situational in the film, this one works. The experience of Sukhwinder Singh and Shreya Ghosal is apparent right at the beginning of <strong><em>'Maay Bhavani'</em></strong> which pretty much takes off from where <strong><em>'Shankara Re Shankara'</em></strong> left. With both the songs based on Indian Gods, one can sense the kind of feel that the team wanted to bring in the soundtrack here. Ajay - Atul bring in their characteristic style into play in this Swanand Kirkire written number, especially in the way 'mukhda' transitions to 'antara'. Yet another situational number, this one goes with the essence of the film. Sachet-Parampara, who are known most for their melodious songs, especially in last year's all time blockbuster Kabir Singh, showcase their versatility with <strong><em>'Ghamand Kar'.</em></strong> They compose as well as sing this Anil Verma written number which is ferocious in its appeal. Pretty much the theme track of the album, this one has a haunting sound of 'ra ra ra ra' which elevates the soundtrack to a great degree. Appearing at just the right juncture in the film, this one should actually have been the opening song of the soundtrack as well. Very well orchestrated. Last to arrive is <strong><em>'Tinak Tinak'</em></strong> and this too is a product of Sachet-Parampara and Anil Verma combo. Appearing during the end credit roll of the film and picturised on Kajol, this one has Harshdeep Kaur coming behind the mike. Though the styling of the song compliments the kind of set up that Tanhaji - The Unsung Warrior boasts of, somehow this one doesn't quite manage to make much of an impression. More so since the film as a whole doesn't really have any romantic undertones and hence this one comes across as rather misfit. <strong>OVERALL</strong> The soundtrack of <em>Tanhaji - The Unsung Warrior</em> delivers as expected. Though there aren't many memorable songs out there, they do well enough to keep the film's narrative engaging. <strong>OUR PICK(S)</strong> <em>‘Ghamand Kar’</em>, ‘<em>Shankara Re Shankara’</em> &nbsp;

<p dir="ltr"><strong>EXPECTATIONS</strong></p> <p dir="ltr">Well before Marjaavaan was gearing up for release, a lot was being spoken about the music that had been put together for the romantic action drama. With the soundtrack comprising of almost a dozen songs, it was further established loud and clear that music would play a major role in taking forward the narrative of this Milap Zaveri directed film. Multiple composers, lyricists and singers come together to put together music of Marjaavaan which has multiple recreated versions of the yesteryear hits as well.</p> <img class="aligncenter size-full wp-image-1059330" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Marjaavaan-Music-Review.jpg" alt="Marjaavaan Music Review" width="750" height="450" /> <p dir="ltr"><strong>MUSIC</strong></p> <p dir="ltr">As expected, it’s an out and out love song 'Tum Hi Aana' that opens the soundtrack of Marjaavaan. Payal Dev is the composer of this beautiful melody that should find its way into one of the most popular love songs of 2019. Pretty well written by Kunaal Vermaa whose lyrics are heart rendering to say the least, the strength of 'Tum Hi Aana' also lies in the manner Jubin Nautiyal sings this one. No wonder, as many as four versions of the song are heard with Jubin also going for a happy and sad version each and then pairing up with Dhvani Bhanushali for a duet too.</p> <p dir="ltr">The love song that takes the soundtrack forward is 'Thodi Jagah' which has really sentimental lyrics put together by Rashmi Virag. Moreover, with Arijit Singh taking over the center-stage, you know that the outcome would be straight from the heart, and that indeed turns out to be the case as well. Reminding one of the kind of music that was heard in Aashiqui 2, this one is an original composition by Tanishk Bagchi who does quite well here. Later, the song is heard in Tulsi Kumar's voice as well and she too is impressive with her rendition here.</p> <p dir="ltr">Tanishk Bagchi gets into a recreation mode soon after though with as many as two numbers to his credit, 'Ek Toh Kum Zindagani' and 'Haiya Ho'. Both songs are originally written by Indeevar and have late Firoz Khan as the director. While 'Ek Toh Kum Zindagani' is a Kalyanji-Anandji composition ['Pyar Do Pyar Lo'] from Janbaaz, 'Haiya Ho' is based on Laxmikant-Pyarelal's 'Chahe Meri Jaan Tu Le Le' from Dayavan.</p> <p dir="ltr">Though Neha Kakkar's rendition is just apt as she comes with an apt follow up to Sapna Mukherjee's voice, the male inclusion by Yash Narvekar in 'Ek Toh Kum Zindagani' could have been totally avoided. On the other hand Tulsi Kumar &amp; Jubin Nautiyal's rendition of 'Haiyaa Ho' [originally sung by Jolly Mukherjee and Sapna Mukherjee] turns out to be actually a better version and could well have been more aggressively promoted.</p> <p dir="ltr">Another recreated version that arrives next is 'Kinna Sona' which has Meet Bros and Kumaar coming up with their own take with Jubin Nautiyal &amp; Dhvani Bhanushali doing the honors behind the mike. This one in fact turns out to be rather mild in comparison to the versions that one has heard in the past and surprisingly also takes a lot of time to actually come to the point.</p> <p dir="ltr">Next to arrive are situational numbers that remind one of songs like these that were placed in the action packed narrative of the 70s and the 80s. As a matter of fact this genre of songs are still quote popular in films being made down South and it is apparent that Milap Zaveri was influenced by that style of filmmaking here. No wonder, he has Palak Muchhal lead from the front for 'Raghupati Raghav Raja Ram' which is composed by Tanishk Bagchi, written by Manoj Muntashir and appears just before the climax of the film. A passable track.</p> <p dir="ltr">The one that does lend goose bumps though is Aditya Dev composed 'Hasbi Rabbi' which has Altamash Faridi &amp; Kamaal Khan come up with the kind of rendition that has a haunting appeal. Based on traditional lyrics, this one too is old fashioned in style but goes well with the overall treatment of the film. The version that did elevate the proceedings of the film is 'Hasbi Rabbi Naat' which is composed by Sanjay Chaudhary and written and sung by Mujtaba Aziz Naza. This one lends a short and impactful closure to the soundtrack.</p> <p dir="ltr"><strong>OVERALL</strong></p> <p dir="ltr">The music of Marjaavaan is quite satisfying and is in fact even better than expected. A well rounded affair which has everything for everyone, be it the masses or the classes, Marjaavaan would be picked up by music lovers in time to come as well.</p> <p dir="ltr"><strong>OUR PICK(S)</strong></p> <p dir="ltr">'Tum Hi Aana', 'Thodi Jagah', 'Ek Toh Kum Zindagaani', 'Haiya Ho'</p>

<p dir="ltr"><strong>EXPECTATIONS</strong></p> <p dir="ltr">'Bala' did the trick! Time and again it has been said that even if there is just one blockbuster song in a film, it can elevate its fortunes in a big way. This is what happened with Housefull 4 as well which had 'Bala' turning out to be a rage en route the film's release. The other songs that were put together by Sohail Sen and Farhad Samji only turned out to be an added bonus.</p> <p dir="ltr"><img class="aligncenter size-full wp-image-1059332" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Housefull-4-Music-Review.jpg" alt="" width="750" height="450" /></p> <p dir="ltr"><strong>MUSIC</strong></p> <p dir="ltr">There is a signature Housefull feel to the manner in which 'Ek Chumma' kick-starts the proceedings for Housefull 4. When it comes to the franchise, the music is expected to be peppy, lively and catering to the masses. This is what is the case with this Sameer Anjaan written number as well which has composer Sohail Sen also come behind the mike along with Altamash Faridi and Jyotica Tangri. Together, the team ensures that there is a catchy number in the offering which is reminiscent to the kind of music that was popular back in the good part of the 80s and 90s.</p> <p dir="ltr">The song which brings the house down though is 'Shaitan Ka Saala' which has its hook based on Tony Montana's 'Bala'. However, Sohail Sen along with the film's director and lyricist Farhad Samji spins it in a big way to come up with an even more entertaining piece that turns out to be far better than the original. One of the biggest chartbusters of 2019, it was also notable for its unique dance step, something that led to hundreds of cover versions that are popular till date. A bonafide blockbuster song all the way.</p> <p dir="ltr">Another recreated song that arrives next is 'The Bhoot Song' which is based on Laxmikant-Pyarelal and Anand Bakshi's ‘Bhoot Raja Bahar Aaja’ from yesteryear film Chacha Bhatija. Farhad Samji and Sandeep Shirodkar come together to recreate their own version with Mika Singh taking over the center-stage and being his energetic best. In fact Farhad Samji plays a triple role here of being a composer, singer as well as lyricist (along with Vayu) with help also coming from Devi Sri Prasad who lends signature music to the track. A fun passable number.</p> <p dir="ltr">The song which turns out to be a good celebration track though is 'Chammo' and this could well have been the first to be promoted. A lavishly picturised song that reminds one of the kind of songs that filmmakers like Manmohan Desai and Raj Kumar Kohli used to have in their films back in the 70s and the 80s, 'Chammo' has Sohail Sen and Sameer Anjaan do well all over again. With a strong base in Hindustani classical music as well, this one has Sukhwinder Singh, Shreya Ghoshal and Shadab Faridi come together and give this one as a grand appeal.</p> <p dir="ltr">Last to arrive is Danish Sabri sung 'Badla' and this one turns out to be truly forgettable. Perhaps the core idea behind this Farhad Samji composed and written number was to ham it up, as is apparent in the lyrics as well as the music of this parody number. However, by and large this one actually turns out to be the weakest spot of the soundtrack as well as the film's narrative. This one can be conveniently skipped.</p> <p dir="ltr"><strong>OVERALL</strong></p> <p dir="ltr">The music of Housefull 4 is just the kind that one expects from Housefull franchise. By and large it's the kind that goes with the pace of the narrative and stays along as the accompanying partner.</p> <p dir="ltr"><strong>OUR PICK(S)</strong></p> <p dir="ltr">'Bala', 'Chammo', 'Ek Chumma'</p>

<p dir="ltr"><strong>EXPECTATIONS</strong></p> <p dir="ltr">When Hrithik Roshan and Tiger Shroff come together for a film, the music has to be special. This is what happens as well in this short-n-catchy soundtrack by Vishal-Shekhar which has just two songs, both written by Kumaar, with three theme tracks put together by Sanchit Balhara and Ankit Balhara.</p> <p dir="ltr"><img class="aligncenter size-full wp-image-1059333" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/WAR-MUSIC-REVIEW.jpg" alt="" width="750" height="450" /></p> <p dir="ltr"><strong>MUSIC</strong></p> <p dir="ltr">It's 'Ghungroo' right at the beginning and has Vishal-Shekhar's stamp all over it. They put together the right team of singers as well, what with Arijit Singh modulating his voice in a major way to sound like Hrithik Roshan. A westernized tune with a 'desi' feel to it, 'Ghunghroo' goes to the next level with one of the most underrated female singers around, Shilpa Rao. The lady had made waves back in time with Vishal-Shekhar's 'Khuda Jaane' [Bacha Ae Haseeno] as well and she is on fire yet again in this rollicking track as well which is a huge chartbuster already.</p> <p dir="ltr">Next to arrive is 'Jai Jai Shivshankar' which features the dance face-off of last many years, what with Hrithik Roshan and Tiger Shroff bringing their best moves on screen. Yet again, Vishal-Shekhar do well to get the right vocals for both the actors, what with Vishal bringing himself on board for Hrithik even as Benny Dayal gets into a playful mode for Tiger. As is the case most of the times with Kumaar, the lyricist comes up with some unconventional words for 'Jai Jai Shivshankar' which has already gained huge popularity and would be played for months to come.</p> <p dir="ltr">From here on arrive three theme tracks by Sanchit Balhara &amp; Ankit Balhara. First up is the 'War Theme' which has just the kind of sound that one associates with a Bond, Mission Impossible or Bollywood's very own Don franchise. In fact this has a kind of punch to it which should make it integral to the next installments of the War franchise that would be unleashed in time to come.</p> <p dir="ltr">This is followed by 'Kabir’s Theme' and 'Khalid’s Theme', both of which have strong Western base to them, hence allowing the narrative of the film exciting, engaging and truly thrilling. In fact latter also has English lyrics by Vishal Dadlani who also comes behind the mike to croon these couple of lines, hence adding on further punch.</p> <p dir="ltr"><strong>OUR PICK(S)</strong></p> <p dir="ltr">'Ghunghroo', 'Jai Jai Shivshankar', 'War Theme'</p>

<strong>EXPECTATIONS</strong> When it comes to a concept film like <em>Chhapaak</em>, one expects a situational soundtrack at best. Moreover, director Meghna Gulzar has a certain style of music in her films and one is assured of that with Gulzar as the lyricist. Shankar - Ehsaan - Loy are the composers of <em>Chhapaak</em> which has just four songs. <img class="aligncenter size-full wp-image-1063057" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Chhapaak-18.jpg" alt="" width="750" height="450" /> <strong>MUSIC</strong> Arijit Singh gets to croon three out of four songs in Chh<em>a</em>paak and none of these is a romantic number. Title song <strong><em>'Chhapaak'</em></strong> comes next and it narrates the plight of how a few drops of acid can scar a person for life. This one in fact has the kind of sound that one associates with Vishal Bhardwaj, given the kind of collaborations that he has had with Gulzar over the years. Siddharth Mahadevan comes behind the mike for a love song <strong><em>'Nok Jhok'</em></strong> which is again situational in appeal. Not the kind of song that one would expect to have a chartbuster appeal, it in fact has the kind of sound that one heard back in the 90s as a part of Indi-pop albums. A decent number which is soothing to listen to, though not quite expected to cover a long distance. It is back to Arijit Singh as he begins from where he left in the title song <strong><em>'Chhapaak'</em></strong>. This time around the song in question is <strong><em>'Khulne Do'</em></strong> and the theme is that of hope and belief around something good about to happen. The song has an ordinary tune and doesn't really carry the kind of pull that would make a listener play it on repeatedly after listening to it once. There is a bit of a follow up version of the song though that comes in the form of <strong><em>'Sab Jhulas Gaya'</em></strong>, and the results are just the same. <strong>OVERALL</strong> As expected, the music of <em>Chhapaak</em> is strictly situational and the recollection is restricted to just its placement in the film's narrative. <strong>OUR PICK(S)</strong> <em>Chhapaak, Nok Jhok</em> &nbsp;

<strong>EXPECTATIONS</strong> Filmmaker Luv Ranjan has certain style when it comes to creating soundtrack for his films. His <em>Pyaar Ka Punchnama</em> series as well as <em>Sonu Ke Titu Ki Sweety</em> in particular have boasted of youthful peppy music. Now that his production <em>Jai Mummy Di</em> is releasing, one expects something similar from over half a dozen songs that appear in the soundtrack. <img class="aligncenter wp-image-1063485 size-full" title="Music Review: Jai Mummy Di" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Music-Review-Jai-Mummy-Di.jpg" alt="Music Review: Jai Mummy Di" width="720" height="450" /> <strong>MUSIC</strong> As is the trend, <em>Jai Mummy Di</em> too kick-starts with a couple of recreated songs. First to arrive is Sukh-E Muzical Doctorz composed and Jaani written <strong><em>'Mummy Nu Pasand'</em></strong> which has been recreated by Tanishk Bagchi who is also the man behind additional lyrics. Sunanda Sharma is the singer here and boasts of a distinct voice which is strikingly different from many of her ilk and hence lends quite a solid impression. The song has a catchy hook to it and is a chartbuster all the way. Even if you haven't heard this song before, you would like it this time around. Next to arrive is the chartbuster track <strong><em>'Lamborghini'</em></strong> which has a beautiful sound to it and has just the right mix of Punjabi mix and 'desi' feel with a slightly Western touch to it which gives it an edge. Written by Kumaar, this celebration track has a peppy presentation by Meet Bros who utilize the vocals of Neha Kakkar and Jassie Gill quite well to result in a number that would find a place amongst youth as well as elderly alike. The surprise though is <strong><em>'Dariyaganj'</em></strong> which is rendered by Arijit Singh. It is always so refreshing to hear a new team collaborate to create something melodious and this is where one would complement lyricist Siddhant Kaushal and composer Amartya Bobo Rahut. They put together an unconventional hook for the song's title while ensuring that the melody element remains intact. Rest is taken care of by Arijit who along with Dhvani Bhanushali makes sure that this romantic number finds itself in your playlist. Later Dhvani goes solo to make further impact. With a hat-trick of good songs, expectations soar further from <em>Jai Mummy Di</em>. Mika Singh is the man of the moment as his boisterous vocals kick-start the proceedings for <strong><em>'Ishq Da Band'</em></strong>. The manner in which the singing team (with Shilpa Surroch and Harjot K Dhillon as the other singers] comes together for this Gaurav Chatterji composed and Ginny Diwan written number, you get the feeling of one of those David Dhawan films from the 90s where 'masti' and 'dhamaal' ruled in many a Govinda or Salman Khan starrers. This one is fun while it lasts. Yet another new team joins forces for the title track <strong><em>'Jai Mummy Di'</em></strong>. Composer Parag Chhabra and lyricist Shellee join hands for this situational number. Though there isn't anything really memorable about this Nikhita Gandhi, Parag Chhabra, Vivek Hariharan and Devender Pal Singh sung track, expect this one to arrive at certain montage sequences in the film to lend entertainment to the narrative. Though Amartya Bobo Rahut and Siddhant Kaushal had done quite well in <em>'Dariyaganj'</em>, same can't be said about <strong><em>'Manney Ignore Kar Rahi'</em></strong> which comes across as a jamming session at best. Agreed that this Amitabh Bhattacharya rendered number aims to be all funny and has a parody flavour to it, the end result is the kind which can possibly be enjoyed only if accompanied by some really entertaining visuals. Last to arrive is <strong><em>'Ajaa Ajaa'</em></strong> which has a 50s style rock-n-roll feel to it and is yet another situational track. One in fact wonders at what situation of the film will this Divya Kumar sung number appear eventually as it comes across like a force fitment. Composed by Rishi Singh &amp; Siddharth Amit Bhavsar (who also lend additional lyrics), this one is written by Gautam G. Sharma and Gurpreet Saini who don't quite manage to come up with anything memorable. <strong>OVERALL</strong> The music of <em>Jai Mummy Di</em> starts well with a couple of recreated songs and then a couple of original songs making a mark. However, the impact tapers a bit as it progresses further. Nonetheless, it still manages to almost deliver what it promised with at least 2-3 songs expected to play on for some more time to come at least. <strong>OUR PICK(S)</strong> <em>‘Mummy Nu Pasand’</em>, <em>‘Daryaganj’</em>, <em>‘Lamborghini’</em>

<strong>EXPECTATIONS</strong> One expects situational soundtrack for <em>Panga</em>, considering the fact that it is a slice of life film with sports as the core theme. Though Shankar-Ehsaan-Loy and Javed Akhtar come together to create half a dozen songs for the film, one doesn't quite expect a chartbuster outing here since there has hardly been any promotion either for the music as the focus has been on the film. <img class="aligncenter wp-image-1068031 size-full" title="Music Review: Panga" src="https://www.bollywoodhungama.com/wp-content/uploads/2020/01/Music-Review-Panga.jpg" alt="Music Review: Panga" width="720" height="450" /> <strong>MUSIC</strong> Harshdeep Kaur, Divya Kumar and Siddharth Mahadevan come together to create the title song <strong><em>'Panga'</em></strong> which has a good hook to it. A feel good number with a catchy rhythm, this one has certain nicety to it, courtesy the manner in which the singers come together to croon this one. This one has an anthem feel to it and could have covered some distance with good promotion. Jassie Gill, the leading man of <em>Panga</em>, takes charge as a singer for <strong><em>'Dil Ne Kaha</em></strong>', which has the kind of sound that one associates with Salman Khan's Dabangg franchise. Reminding one of <strong><em>'Tere Mast</em></strong> <strong><em>Mast Do Nain'</em></strong> with a bit of 'Brathless' feel to it in the manner in which it begins, <strong><em>'Dil Ne Kaha'</em></strong> is a romantic track that comes in two versions with Jassie Gill and then Shahid Mallya taking charge. Asees Kaur is the common factor in both the songs and she does well as she has been over a period of time now. Next to arrive is <strong><em>'Bibby Song'</em></strong> and this one tries to be all funny. However, at best this one is a situational track with no real appeal outside the film. Annu Kapoor comes behind the mike for this one alongside Sherry and you don't really get hooked on it. As a matter of fact you move on to the next in line soon enough to check out what rest of the soundtrack has to offer. Shankar Mahadevan makes a belated entry as a singer with <strong><em>'Jugnu'</em></strong> and he has Sunny for company. Though he does well as a singer all over again due to his characteristic voice, overall the music - with a Sufi touch to it - stays on to be situational at best. A montage number which is about dreams and aspirations, it goes with the theme of the film but that's about it. Last to arrive is <strong><em>'Wahi Hai Raste'</em></strong> which has Mohan Kannan taking charge. This one brings with it the mood and feel which one associates with the kind that was heard in the non-mainstream films of the 70s. A little later in the album, Asees Kaur's voice is heard. With Bengali folk music base to it, <strong><em>'Wahi Hai</em></strong> <strong><em>Raste'</em></strong> is just about okay and doesn't quite warrant repeat hearing. <strong>OVERALL</strong> The music of <em>Panga</em> is largely situational with a couple of songs at the beginning making some sort of an impression. <strong>OUR PICK(S)</strong> <em>'Panga', 'Dil Ne Kaha'</em>