JobSearch50 is a job board and resume service devoted to job seekers over 50 years old and the employers who support them.

As the very few affected by both tragedies that took place in Los Angeles, Destiny uses her music to heal and rebuild; paying respect to the many lives lost and honoring communities that came together in support.

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Robert V. Willeford, Jr., CPA, Esq., Director + State and Local Tax at Anders, was published in the Summer 2019 edition of the St. Louis Dental ARCH magazine. Robert discusses what the consumer use tax is and how it impacts… Read More

The post Robert Willeford Writes on the Consumer Use Tax for Dentists in the Dental ARCH appeared first on Anders CPAs.

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The post Three Chimneys Presents Good News Friday: Writing For a Cause appeared first on Horse Racing News | Paulick Report.

Mike Love has released a new song and video titled, "This Too Shall Pass."

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IOWA CITY — Once upon a time, there was a house in a city that loved literature. It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a...

When Andrea Wilson approached me five years ago with her idea of creating a space for writers in our community separate from any offered by the University of Iowa, I must admit I was a bit skeptical,...

When Andrea Wilson approached me five years ago with her idea of creating a space for writers in our community separate from any offered by the University of Iowa, I must admit I was a bit skeptical, if not defensive. Over a long coffee discussion, I shared with her a detailed look at the literary landscape of Iowa City and all of the things my organization, the Iowa City UNESCO City of Literature was doing to make those assets more visible and accessible.

• Coronavirus closes the Iowa Writers’ House - for now

Despite this, Andrea mentioned the need for an “on ramp,” a way for people who don’t feel a part of that community to find their path, to access those riches. It was there, I thought to myself. She just hadn’t looked in the right place.

Then she built that ramp in the form of the Iowa Writers’ House. As she and her team defined what that ramp should look like, what role it should play, the Writers’ House evolved from being an idea with promise to a vital part of our literary infrastructure. She showed that people were hungry for further instruction. They desired more and different ways to connect with one another. These were things beyond the scope and mission of the UI and the City of Literature. She had found her niche, and filled it, nicely complementing what was offered by my organization and others.

But those services do not come without cost. Andrea and her team scrambled, using the house as a literary bed-and-breakfast that was used by many visiting writers. They scheduled workshops. They held fundraisers. But that thin margin disappeared with the onset of COVID-19. Unable to hold those workshops, to serve as a bed-and-breakfast, to provide meaningful in-person connections, the Writers’ House was unable to carry on in its current configuration.

We have every hope and expectation that the Iowa Writers’ House and Andrea will continue to be a part of our literary landscape in the future. This will come perhaps in another form, another space. Conversations have been underway for months about the needs of the literary community beyond the UI. Andrea has been a key part of those discussions, and the work that she and her team has done offer vital information about where those conversations need to go. Gaps have been identified, and while they won’t be filled in the same way, they will be filled.

These conversations join those that have been taking place in our community for decades about the need for space and support for writers and artists. As we all have realized over these past few weeks of isolation just how much we miss when we are not able to gather to create and to celebrate those creations, perhaps those conversations will accelerate and gain focus once we reconvene. The newly formed Iowa City Downtown Arts Alliance, of which we are proud to be a part, is an additional voice in that conversation.

In the meantime, we want to thank Andrea, Associate Director Alisha Jeddeloh, and the team at the Iowa Writers’ House, not just for identifying a need, but for taking the rare and valuable step of actually rolling up their sleeves and doing something to meet it.

John Kenyon is executive director of the Iowa City UNESCO City of Literature.

IOWA CITY — Once upon a time, there was a house in a city that loved literature.

It was a quaint, two-story home in the heart of the historic district with brick stairs, pale yellow siding, a hipped red roof and a rich history: Its original owner was Emma J. Harvat, who in 1922 became the nation’s first female mayor for a city of more than 10,000.

Nearly a century later, in 2014, Andrea Wilson was working in advertising in Florida and pined for a more “altruistic purpose” for her life. So she planned a return to Iowa, where she grew up in Columbus Junction.

But this time Wilson would live in Iowa City, known for — among other things — pioneering academic creative writing pursuits at the University of Iowa’s famed Writers’ Workshop.

Wilson wanted to write and found the idea of the historic Harvat house so charming she bought it “sight unseen” from down in Miami, aiming to run it as a bed-and-breakfast. But when she arrived, Wilson discovered a need in her new community she aimed to fill. It had a surprising dearth of literary resources for those outside the university.

“There wasn’t any place for the public to take a class or meet other writers or really be part of a writing community where people could just express their humanity through words,” she said. “It became my passion project — to try to create that for this community. I thought if anywhere should have a place like that, it would be America’s only UNESCO City of Literature at the time.”

So in March 2015, Wilson debuted Iowa City’s first community-based literary center for writers — or those aspiring. She had hoped to open a communal writing space closer to downtown but didn’t have the funding. So she gave her home a third identity: the Iowa Writers’ House.

She continued to live there and maintain her bed-and-breakfast business, which funded the writing endeavor and kept its cozy corridors bustling with interesting characters.

Famed visiting writers included Leslie Jamison, American novelist and essayist with works on the New York Times bestseller list; Hope Edelman, whose six non-fiction books have published in 17 countries and translated in 11 languages; Alison Bechdel, an American cartoonist and MacArthur fellow; and Piedad Bonnett Velez, Colombian poet, playwright and novelist of international acclaim.

And over the years, the Iowa Writers’ House connected, served and motivated thousands with its workshops, seminars, readings and summer camps. It offered editing services, founded a Bicultural Iowa Writers’ Fellowship, and — among other things — inspired a growing network of friends and creatives to value their own stories and the stories of others.

“I said yes to everything anyone ever asked of me,” Wilson said. “We gave tours. I received visiting scholars. We hosted dinners for visiting poets and writers for the university. And a lot of that was all volunteer. We never had a steady funding stream like most literary centers do.”

So when the coronavirus in March reached Iowa City, later shuttering storefronts, canceling events, curtailing travel plans and crippling the economy, the Iowa Writers’ House momentum stopped, too.

“Once COVID hit, because all of our programming is live and people come to the house, we had to cancel it,” Wilson said.

She dropped most of the organization’s spring season. She lost all her projected bed-and-breakfast business. And in a message posted to the Iowa Writers’ House website last month, Wilson announced her hard but unavoidable news.

“As the situation pushes on, and with no programming in the foreseeable future, we must make drastic changes,” she wrote. “Organizations must weather the storm or adapt, and in the case of this little organization with a big heart, evolution is the only option.”

And so after five years of intimate conversations, communal meals, singing, laughing, crying and lots and lots of writing and reading — all done in the shadow of Harvat — the organization is leaving the historic space and “taking a break to assess our mission and consider our best options for the future.”

Wilson said she plans to focus on her own writing. And the Bicultural Iowa Writers’ Fellowship program will continue — allowing for the release later this year of a third volume of “We the Interwoven: An Anthology of Bicultural Iowa,” including six new authors with multilingual stories of living in Iowa.

News of the goodbye — at least for now — has been met with an outpouring of support and testimonials of the impact the Iowa Writers’ House has had,

“I grew up without a writing community, and it was a very lonely experience,” Erin Casey wrote to Wilson after learning of its pause.

Casey — on the Iowa Writers’ House team and director of The Writers’ Rooms, an offshoot of the house — said her involvement in the project shaped not only her career but her personal growth.

“You, and the Iowa Writers’ House, helped me become a stronger person who felt deserving of companionship, respect, and love,” she wrote. “Watching the house grow, the workshops fill, and the stories come in about how much the IWH touched people’s lives added to the joy. I finally found a place to call home.”

Casey said that while the future is unknown, its legacy is not.

“The IWH will live on in the hearts of the people you touched,” she wrote. “Writers have found friends, support, guidance …”

Although the project isn’t getting a fairy-tale ending, Wilson said the story isn’t over.

“The organization is leaving the space. I’m leaving the space. We’re going on an organizational break so we can determine what a sustainable future might be,” she said. “But it’s really the end of a chapter. And we don’t know what the next chapter will be.”

Comments: (319) 339-3158; vanessa.miller@thegazette.com

Fonts took on a revival in handmade styles this year, from calligraphic, script and handwritten to brush painted and block-printed. Combined with the great visual appeal of hero images and typographic layouts in web design, handwriting fonts are a trend that you can expect to see more of. In this article you’ll find a fresh […]

The post 75+ High Quality Free Fonts: Handwriting, Script & Brush Fonts appeared first on Web Designer Wall.

Writing is a quite ambivalent word. For some students, it causes their worst nightmares to come to mind (or it is just a boring assignment) and for some, it’s the fun way to express their thoughts to...

Are there still folks among you who, like me, prefer handwriting to typing? If you’re in this group, you’ll love this new feature on Google Lens. The app now lets you scan your handwritten notes, copy them, and paste them straight to your computer. I gave it a spin, and I bring you my impressions […]

The post Google Lens now copies handwritten text and pastes it straight to your computer appeared first on DIY Photography.

In this paper, we work on intra-variable handwriting, where the writing samples of an individual can vary significantly. Such within-writer variation throws a challenge for automatic writer inspection, where the state-of-the-art methods do not perform well. To deal with intra-variability, we analyze the idiosyncrasy in individual handwriting. We identify/verify the writer from highly idiosyncratic text-patches. Such patches are detected using a deep recurrent reinforcement learning-based architecture. An idiosyncratic score is assigned to every patch, which is predicted by employing deep regression analysis. For writer identification, we propose a deep neural architecture, which makes the final decision by the idiosyncratic score-induced weighted average of patch-based decisions. For writer verification, we propose two algorithms for patch-fed deep feature aggregation, which assist in authentication using a triplet network. The experiments were performed on two databases, where we obtained encouraging results.

A method for encoding information in DNA sequences is described. The method is based on the precision-resolution framework, and is aimed to work in conjunction with a recently suggested terminator-free template independent DNA synthesis method. The suggested method optimizes the amount of information bits per synthesis time unit, namely, the writing rate. Additionally, the encoding scheme studied here takes into account the existence of multiple copies of the DNA sequence, which are independently distorted. Finally, quantizers for various run-length distributions are designed.

The mid-year slump hit hard this year. I’m rarely a prolific writer or blogger during the summer. Perhaps it’s the heat down here in south Alabama. It makes you want to sit under the shade of an old…