Petascale Storage with eRacks/NAS72 Rackmount Storage Server - 1584 TB Data Capacity!

Auto Detail Now, a premier mobile detailing service in San Diego, is proud to announce the launch of its advanced ceramic coating services.

Martha Ami Plessinger is recognized for her success at Northwood Books

Maria Ilinca Browne is a noteworthy entrepreneur who has excelled in creating creative solutions and experiences

Retail development adjacent to 306-unit Conclave Sugar Hill will bring mix of restaurants and shops

Learn from Amptive what POS systems will be your best option for your jewelry industry business.

302 Culver Street is a popular dining destination located in the heart of downtown Saugatuck

Building on 25+ years of experience, Gilbert Rucas serves as the vice president of planning for Mackage

Graham's new book is an intriguing and informative "must read" from a woman who is probably the best-informed American on the terrifying realities concerning Vladimir Putin's motivations and his control over Trump.

ASOS has signed a three-year deal with Microsoft to boost efficiency and innovation through AI. The partnership includes tools like Microsoft Copilot, Power Automate, and Azure, enabling ASOS to automate processes and enhance customer experiences. This allows employees to focus on creativity while AI handles routine tasks, driving data-driven decisions.

It might still seem like a buzzword, or something that only matters to tech CEOs. But Matthew Ball, CEO of Epyllion and the former global head of strategy for Amazon Studios, says the metaverse is the "new internet" – and that it's already here. He argues that companies large and small need to not only better understand what the metaverse is, but should also be developing strategies around it today. That can have an impact on marketing, customer relations, product development, and much more, he says. Ball is the author of "The Metaverse: And How it Will Revolutionize Everything."

Unwelcome employee turnover can create big problems for managers, teams, and organizations, so it's important to understand the real drivers of attrition. New research from Ethan Bernstein, associate professor at Harvard Business School, and Michael Horn, cofounder of the Clayton Christensen Institute, points to a host of push and pull forces that cause workers to jump ship and also outlines better retention strategies. They are the coauthors, along with Bob Moesta, of the HBR article "Why Employees Quit" and the book Job Moves: 9 Steps for Making Progress in Your Career.

Data regarding smoking, quantity and access to cigarettes by youth in 45 countries during 2013 and 2014.

Look at this checklist before you open a retail store.

Erik van Zwet, Witold Więcek, and I write: Effect sizes typically vary among studies of the same intervention. In a random effects meta-analysis, this variation is explicitly taken into account. However, when we have only one study, the heterogeneity remains … Continue reading →

The New Mexico Court of Appeals ruled that an injured worker pleaded his retaliation claims in such a way as to remove his case from the jurisdiction of the state…

A federal appellate court ruled that an injured worker failed to allege a viable claim of disability discrimination or workers’ compensation retaliation. Case: Wraith v. Wayfair Inc., No. 23-2400, 09/11/2024, unpublished. Facts:…

A federal appellate court upheld the summary dismissal of a worker’s claim of retaliation for pursuing workers’ compensation benefits. Paula Emerson began working for the Cook County Sheriff’s Office in 2008.

The 11th U.S. Court of Appeals ruled that the City of Atlanta was entitled to summary judgment dismissing an injured worker’s retaliation claims against it. Case: Fripp v. City of Atlanta,…

The U.S. Department of Labor said a federal court in Washington state issued an injunction preventing the U.S. Postal Service from retaliation against employees. The department said the injunction was part…

The U.S. 8th Circuit Court of Appeals denied review of a railway worker’s challenge to the dismissal of his claim he had been terminated in retaliation for his successful pursuit…

Shipping giant Maersk Line Ltd. agreed to end a policy requiring workers to notify the company of any safety concerns before contacting the Coast Guard, the U.S. Department of Labor announced. Maersk…

A Texas appellate court ruled that a public school district was immune from civil liability to a former employee on her retaliatory discharge claim. Case: Conroe Independent School District v. Osuna,…

The Oregon Court of Appeals upheld the summary dismissal of a SAIF employee’s claim she that was terminated in retaliation for reporting unlawful conduct.   Case: Cuddigan-Placito v. SAIF, No. 760.

The Alabama Supreme Court summarily denied a worker’s challenge to the dismissal of her retaliatory termination claim over the dissent of a justice who argued that the court should have…

An Ohio appellate court upheld the summary dismissal of a day care worker’s claims for disability discrimination, workers’ compensation retaliation and negligence. Case: Long v. KeltanBW Inc., No. 112919, 06/20/2024, published. Facts:…

Aspectos destacados de la guía: La guía conjunta de la American Heart Association (la Asociación Americana del Corazón) y el American College of Cardiology, que aborda el tratamiento y la evaluación cardiovascular de los pacientes antes, durante y...

You can find FF Meta all around you, this is a collection of designs where we found the use of typeface FF Meta.

FF Meta® is a wonderful typeface designed by Erik Spiekermann, the font family was released between 1991 and 1998. A very readable typeface in smaller point sizes but also with enough detail to display in large point sizes. FF Meta is a sans-serif typeface which can be found all around you. The last several months where every I came (The Netherlands) I saw typeface Meta, in this font series you can see the many different faces of the FF Meta®.

FF Meta

The Complete Font Family contains a package of 24 variations (via FontShop) and was published by FontFont (see their website for lots of Meta usage), is available in the following formats Mac PostScript, PC PostScript, PC TrueType. All styles Book, Caps, Bold and Bold Caps are also available in Italic. Starting from a set of 3 fonts at € 40,- to the complete font family for € 229,-. When bought at FontShop you can download the fonts after the purchase and start using them right away. Although FF Meta® is not in the top 10 bestsellers at FontShop I believe this is a very popular font.

• Visit FontShop for a complete overview of the Meta Font Family 1
• The complete overview of 55 variants of Meta Font Family.
• The Meta 3 Font package which contains Meta Hairline, Meta Thin & Meta Light. (Thank you Stephen Coles for adding the links)
• Wikipedia information page about the font Meta

Today we release our first self-hosted Auphonic Speech Recognition Engine using the open-source Whisper model by OpenAI!
With Whisper, you can now integrate automatic speech recognition in 99 languages into your Auphonic audio post-production workflow, without creating an external account and without extra costs!

Whisper Speech Recognition in Auphonic

So far, Auphonic users had to choose one of our integrated external service providers (Wit.ai, Google Cloud Speech, Amazon Transcribe, Speechmatics) for speech recognition, so audio files were transferred to an external server, using external computing powers, that users had to pay for in their external accounts.

The new Auphonic Speech Recognition is using Whisper, which was published by OpenAI as an open-source project. Open-source means, the publicly shared GitHub repository contains a complete Whisper package including source code, examples, and research results.
However, automatic speech recognition is a very time and hardware-consuming process, that can be incredibly slow using a standard home computer without special GPUs. So we decided to integrate this service and offer you automatic speech recognition (ASR) by Whisper processed on our own hardware, just like any other Auphonic processing task, giving you quite some benefits:

• No external account is needed anymore to run ASR in Auphonic.
• Your data doesn't leave our Auphonic servers for ASR processing.
• No extra costs for external ASR services.
• Additional Auphonic pre- and post-processing for more accurate ASR, especially for Multitrack Productions.
• The quality of Whisper ASR is absolutely comparable to the “best” services in our comparison table.

How to use Whisper?

To use the Auphonic Whisper integration, you just have to create a production or preset as you are used to and select “Auphonic Whisper ASR” as “Service” in the section Speech Recognition.
This option will automatically appear for Beta and paying users. If you are a free user but want to try Whisper: please just ask for access!

When your Auphonic speech recognition is done, you can download your transcript in different formats and may edit or share your transcript with the Auphonic Transcript Editor.
For more details about all our integrated speech recognition services, please visit our Speech Recognition Help and watch this channel for Whisper updates – soon to come.

Why Beta?

We decided to launch Whisper for Beta and paying users only, as Whisper was just published end of September and there was not enough time to test every single use case sufficiently.
Another issue is the required computing power: for suitable scaling of the GPU infrastructure, we need a beta phase to test the service while we are monitoring the hardware usage, to make sure there are no server overloads.

Conclusion

Automatic speech recognition services are evolving very quickly, and we've seen major improvements over the past few years.
With Whisper, we can now perform speech recognition without extra costs on our own GPU hardware, no external services are required anymore.

Auphonic Whisper ASR is available for Beta and paying users now, free users can ask for Beta access.
You are very welcome to send us feedback (directly in the production interface or via email), whether you notice something that works particularly well or discover any problems.
Your feedback is a great help to improve the system!

In addition to our Leveler, Denoiser, and Adaptive 'Hi-Pass' Filter, we now release the missing equalization feature with the new Auphonic AutoEQ.
The AutoEQ automatically analyzes and optimizes the frequency spectrum of a voice recording, to remove sibilance (De-esser) and to create a clear, warm, and pleasant sound - listen to the audio examples below to get an idea about what it does.

Screenshot of manually adjusted example settings for the equalizer plug-in 'Pro-Q3' by fabfilter.

What is Equalization and why is it difficult?

Equalization (EQ) in audio recording and reproduction is the process of adjusting the volume of different frequency bands within a signal.
The following vocal EQ cheat sheet, published by Producer Hive, will give you a small impression, of what can be influenced by equalizing:

Vocal EQ Cheat Sheet by Producer Hive.

On the other hand, it is very easy to ruin a good voice recording with manual heavy-handed equalization, resulting in voices, that sound very sharp or muddy or even like the speaker had a blocked nose.
Besides the skill and experience of an audio engineer, manual adjustments of frequencies also require a very good and linear studio playback device. For example, performing manual equalization with strongly bass-heavy speakers would most likely lead to a very sharp, unpleasant listening experience using treble-heavy headphones.

For singletrack productions with more than one speaker, equalizing is also a very complex and time-consuming process, as every voice has its unique frequency spectrum and needs its own equalization. One could separate speakers with cuts or create a track envelope to fade from one speaker to another, however, any solution is a very tedious job, if you do it by hand.

That is where the Auphonic AutoEQ comes in! All those steps are now available in just one click!

How does the Auphonic AutoEQ work?

The Auphonic Web Service analyzes your audio content and classifies the audio file into small and meaningful segments like music, silence, different speakers, etc. to process every single segment with the best matching algorithms.
All our features like the Adaptive Leveler, Dynamic Denoising, Adaptive 'Hi-Pass' Filtering, and now the new AutoEQ filter option are built on top of this basic processing.

Using Auphonic AutoEQ, spectral EQ profiles are created for each speaker separately and permanently changing over time. The aim of those time-dependent EQ profiles is to create a constant, pleasant sound in the output file even if there are slightly changing voices in the record, for example, due to modified speaker-microphone positions.

Audio Examples

Here are two short audio examples, which demonstrate some features of our AutoEQ.
We recommend listening with headphones so you can hear all the details.

Example 1. Female Speaker with Background Music

In the following example (BCB: The Voices of Bainbridge Island) of a female narrator speaking while background music is playing, you can easily recognize quite sharp 'sss' sounds in the female voice. This sharpness in the female voice is removed by the so-called De-essing feature of the Auphonic AutoEQ, while the background music is not changed.

Example 2. Dialog of Male and Female Speakers

The next example (BCB: The Voices of Bainbridge Island) shows how the AutoEQ optimizes a singletrack record containing two speakers with different voice characteristics. Our AutoEQ algorithms analyze each voice separately and calculate the matching frequency adjustments to optimize the voice of every single speaker.

AutoEQ Beta Integration in the Auphonic Web Service

To use the Auphonic AutoEQ, you just have to create a production or preset as you are used to, toggle “Advanced Parameters” on the top right in the section “Audio Algorithms” and select “Voice AutoEQ” within “Filtering”:

For a first test period, the AutoEQ will only be available for Beta and paying users, to incorporate your feedback and finalize an optimized version.
If you are a free user but want to try Auphonic AutoEQ: please just ask for access!

Practical Tips

For best results using Auphonic AutoEQ, however, it is still necessary, that your audio content is of sufficiently good quality, as no equalizer can make up frequencies that are not there in the first place. Audio files with low bitrates often lack important frequencies, that cannot be recovered by equalizing. AutoEQ is just a feature to boost or cut individual frequency bands, not a bandwidth extension. For more information about required audio quality, see the former blog post: Audio File Formats and Bitrates for Podcasts.

Another important topic is the definition of the 'best result'. Equalizing is a very subjective task, that differs a lot depending on every personal opinion. So Auphonic AutoEQ is set up to follow quite conservative rules of equalizing and rather apply subtle tweaks and remove obvious problems, than support personal preferences. This also means, your record will experience no significant changes from Auphonic AutoEQ if it sounds reasonably OK or pretty good already.

Conclusion

Auphonic audio post production algorithms keep getting better and better in leaps and bounds lately, offering you new Beta Features: Beta Auphonic Denoiser, Beta Auphonic Speech Recognition, and Beta Auphonic AutoEQ.
Right now we are fine-tuning all our current Beta Features with high intensity to release a new upgraded version of our Auphonic Web Service as soon as possible.
Please watch this channel for further updates – soon to come.

If you have any feedback for us or want to become a Beta user, you are very welcome to comment directly in our production interface or to contact us via email!

We've listened to your feedback and are excited to announce the introduction of metadata variables in Auphonic for more advanced use of our Basic and Extended Metadata.
This new feature allows you to use metadata fields from your input files to automate workflows. You can easily reference any field by using { curly brackets } and typing the field name, such as {title}, {artist}, {album}, {track}, and more.
To get started, take a look at our Formatting Examples and the Table of all Variables to see all the available options.

Whether you are using the Auphonic Web Service or our API, metadata variables can be applied whenever metadata values are set. They are particularly helpful when working with Presets, Batch Productions, or Watch Folders!

For instance, consider the left column of the following table as input ending up in the metadata as shown in the right column:

Note:
Please mind that fields can not refer to each other in cycles (e.g., if {title} refers to {album}, {album} may not refer to {title}). While the input form will not show any errors, the metadata will most likely not be correct and the production will generate a warning.

Formatting Examples

With metadata variables you can automatically generate your output file basename based on the input filename and podcast metadata, like album, track, and title.
If you have, for example, a podcast preset or input file with the album name "The Placeholder Podcast", you can automatically name your episode title like your input filename. By combining the metadata variables "album" name and your generated episode "title" with any text patterns, like "denoised" in this case, you can create your individual output file basename:

The next example shows how you can create truly unique output file basenames with timestamps. Here, a track number is, together with the input file basename, added up as episode title. So, your unique output file basename could be a combination of this generated episode title with the time and date, when your Auphonic production was started:

See example 3 for more time formatting examples, and this table for the full list of symbols that can be used for formatting dates.

The following time and date example outputs would be possible for a production created at 7:05 pm on Saturday, January 30th in 1999:

See this table for the full list of symbols that can be used for formatting dates.

For the list fields "tags", "chapters", "outputfiles", and multitrack "input_filename/basename", you need to reference every value separately by adding .N to your variable – Where N stands for ascending ordinal numbers starting from 0.
Combined with the .N you can refer to the format, bitrate, suffix, and ending of every selected output file, for example {outputfiles.0.format} refers to the format of the first output file in your list of outputfiles:

• Output File 1 – format: WAV 16-bit PCM, bitrate: optimal, suffix: lossless, ending: wav
• Output File 2 – format: MP3, bitrate: 112 kbps, suffix: lossy, ending: mp3

For all available options, please see the Table of List Variables.

All Metadata Variables

The following variables are available:

For detailed use, please see Formatting Examples.

Conclusion

Metadata Variables are a powerful tool for organizing your productions whenever metadata values are set. Those field references are very convenient when distinguishing between different files at a glance, particularly when working with Presets, Batch Productions, or Watch Folders.

Please do not hesitate to contact us if you have any questions or feedback!

By Jessica Corbett Common Dreams “We face a stark choice [between] radical, disruptive changes to our physical world or radical, disruptive changes to our political and economic systems to avoid those outcomes.” As people across the globe mobilize to demand … Continue reading →

President-elect Donald Trump reportedly plans to name Florida Sen. Marco Rubio (R) as his secretary of state, The New York Times reported Monday night.

By Nate Seltenrich Environmental Health Perspectives Human impacts on our planet have become so profound that many researchers now favor a new name for the current epoch: the Anthropocene.1 The underlying premise of this term is that essentially every Earth … Continue reading →

The post Earn $400/month: A Detailed Cash Giraffe Review of My Earnings appeared first on DailyBlogTips.com.

The human small intestine is an essential organ that helps us absorb nutrients and vitamins from food. It is an average of 6 meters long and is covered wit

How can the metal content of stars influence the formation of Earth-like exoplanets? This is what a recent study published in The Astronomical Journal hope

How can lithium, one of the most demanded minerals for clean energy products like electric vehicles, be harvested without harming the environment? This is

How can the metal content of stars influence the formation of Earth-like exoplanets? This is what a recent study published in The Astronomical Journal hope

The human small intestine is an essential organ that helps us absorb nutrients and vitamins from food. It is an average of 6 meters long and is covered wit

How can lithium, one of the most demanded minerals for clean energy products like electric vehicles, be harvested without harming the environment? This is

The human small intestine is an essential organ that helps us absorb nutrients and vitamins from food. It is an average of 6 meters long and is covered wit

How can the metal content of stars influence the formation of Earth-like exoplanets? This is what a recent study published in The Astronomical Journal hope

Details of the IWMW2006 Social Events and pub and restaurant listings are added to the site. [2006-04-07]

The workshop timetable and details of the sessions and speakers was released. [2005-04-08]

Details of the dates of the parallel sessions were released. [2005-04-17]

Further information on travel details is now available.

Phil Wilson, University of Bath will consider how Google's famous for it, Flickr's moved to Gamma, Moo are on an eternal 1.0 - yet still in institutions we plod on with a tired, slow-moving and opaque process for developing and enhancing applications. From our closed support lines to official notices on unread Web sites and applications mysteriously changing in front of a user's very eyes we look staid and tedious. But it doesn't have to be like that, we could be fast faced and interactive - but at what cost? Continuity? Uptime?

A sponsors page containing details of the sponsorship packages available has now been set up. Interested parties should contact the organisers. [2006-08-24]