Poor writing sinks this period film which is watchable for Mammooty's gravity defying stunts, says Divya Nair.

Mardaani 2 works best and better than its predecessor when it stays true to its slick catch-me-if-you-can potential, feels Sukanya Verma.

The Body scores with superb performances and a thrilling story, feels Moumita Bhattacharjee.

We give you *your* space to tell us just how much you liked or hated Mardaani 2 and/ or Body.

Even though the plot is not extraordinary, the sheer canvas on which this movie is mounted and the VFX is worth the money, applauds Imad Baig.

Do tell us just how much you liked or hated Dabangg 3.

Dabangg 3 is the kind of indulgent rubbish that dispels the fundamentals of filmmaking to highlight its hero's virtue and vigour at any cost, sighs Sukanya Verma.

Do tell us just how much you liked or hated Good Newwz.

Beset by a Princess Syndrome in the past, Kareena Kapoor reigns over this pandemonium like a stately queen, feels Sreehari Nair.

'Surely a person like Happi deserves to be treated with dignity.''But does he deserve a two hour movie dedicated to his daftness, and to the failure of the rest of the world to come round to the purity that shines behind that daftness?' asks Sreehari Nair.

Sab Kushal Mangal is a cute film, but it is the climax that is absolutely disappointing

Bhangra Paa Le has a fairly ambitious if unoriginal premise let down by staid vision, spiritless writing, middling choreography and music, feels Sukanya Verma.

Shimla Mirchi is a lost opportunity, feels Moumita Bhattacharjee.

'Dibakar Banerjee isn't simply giving a particular fascistic regime the finger.''Here, he wants to offer us a preview of the invisible forces and human tendencies that drive fascism, blind conformity, and mass hysteria,' says Sreehari Nair.

For those who like drama to have a good mix of thrills, action, fiction and realism, Rangbaaz Phir Se is an entertaining watch, feels Joginder Tuteja.

There is action, drama, emotion, comedy -- everything in equal measure and lots of stylish sequences featuring Rajinikanth. Clearly, Darbar is a visual treat for fans, says Divya Nair.

'Though it's a story of inspiration, Meghna Gulzar's Chhapaak is not the kind of film you walk out feeling entertained or ecstatic about,' says Sukanya Verma.

'Tanhaji has so much fun recreating a bygone legend and fictionalising history, authenticity and spellings, it gets infectious,' feels Sukanya Verma.

Did you watch the week's releases, Chhapaak, Tanhaji: The Unsung Hero and Darbar?

Chhapaak is a must watch for the script, the acting performances, and Meghna Gulzar's commitment to telling a real story, feels Rediff reader Sid.

Tanhaji is the first of the unsung heroes series that Devgn wants to develop as a franchise. It is a great initiative and something worth subscribing to.

Jai Mummy Di is very forgettable, feels Namrata Thakker.

Did you watch Panga and Street Dancer 3D? What did YOU like/hate about them?

Panga's slice of life makes up for in its gentle depiction of everyday struggles and pleasantries, lending it a consistently warm fuzzy feeling, feels Sukanya Verma.

Street Dancer 3D is only about cardboard central characters and side-lined sensations doing the same old, same old, says Sukanya Verma.

'What was previously buried in the sands of time now gets buried by the weight of banality,' notes Sreehari Nair.

Did you watch Jawaani Jaaneman and Happy Hardy and Heer? What did YOU like/hate about them?

Happy Hardy And Heer is an extended music video, says Moumita Bhattacharjee.

Saif is a hoot, applauds Sukanya Verma.

Bhoot Part One: The Haunted Ship attempts to give you the chills but they don't, feels Moumita Bhattacharya.

'A witless thriller so far removed from reality yet so consumed by its own self-seriousness, no amount of slick photography, soaring soundtrack or steady supply of conspiracy can salvage its tepid material,' notes Sukanya Verma.

'The movie seeks to strike a long-awaited conversation. A story that the screen should have told long ago.''It is an attempt to cure that epidemic of social media opinion and provoke us to leave our rhetorical positions for once and see the issue purely as a great tragedy which happened for more reasons than we give to ourselves,' says Utkarsh Mishra.

Hacked has plenty of highs for Hina Khan fans but apart from that, there's not much to look for in the film, says Moumita Bhattacharjee.

Do tell us what you thought about the year's Valentine's Day release.

'A poorly conceived reboot that's overlong, overdramatic and overdone, Love Aaj Kal simply cannot differentiate between pyaar and parody,' says Sukanya Verma.

Do tell us what you thought about these films.

Remove the jump scares from Bhoot Part One: The Haunted Ship and you are left with nothing, feels Moumita Bhattacharjee.

<em>Shubh Mangal Zyada Saavdhan</em> is not so much a homosexual romance as it is an exuberant appeal imploring conservative Indian parents to accept and respect their children's choices, gay or straight, notes Sukanya Verma.

Sooni Taraporewala makes us root for her young characters even if we aren't entirely sure about the depth of their feelings, feels Sukanya Verma.

A spectacular Taapsee Pannu brings out the shift of a happy homemaker to a heartbroken woman most strikingly in her deeply affecting performance, applauds Sukanya Verma.

For those who grew up watching Doordarshan, this film does not do justice to our memories. If you can ignore that, the jokes might make you laugh but there's no guarantee, says Moumita Bhattacharjee.

Did you watch Thappad?

Thappad aspires to be Arth-worthy. Unfortunately, it doesn't make the cut, feels Rediff reader Sumeet Nadkarni.

'I draw inspiration from superheroes. I don't like gruesome action. I don't like showing blood.'

Watch Devi till the end to know who was on the other side of the door. Life won't be the same after that, promises Moumita Bhattacharjee.

Kaamyaab makes you feel sad about the condition of character actors in the movies, but it won't hold you for too long, says Moumita Bhattacharjee.

Did you watch Baaghi 3?

Baaghi 3 is a senseless beast of a movie that solely exists to rupture the screen in images of broken, blasting, blaring men or machines flying mid-air and slow motion, feels Sukanya Verma.

Housewives don't deserve to be taken for granted. Ever.Sometimes one needs to assert one's importance in their loved one's life and Ghar Ki Murgi addresses that without being preachy, notes Moumita Bhattacharjee.

Director Ahmed Khan could not do justice to the story. And this is the biggest weakness of the film, feels Deepak Mishra.