The present disclosure relates to a method for predicting estimations of project factors in software development environment. The method comprises receiving first input data including at least one type of first software development model and associated one or more first project data from a user. The method further comprises identifying one or more first software agents based on the at least one type of the first software development model. The method further comprises processing the one or more first project data using the identified one or more first software agents to identify one or more first intermediate data required for project factors estimation. The method further comprises calculating estimations of the project factors using the identified one or more first intermediate data.

An interconnect switch is provided including switching logic executable to facilitate a Peripheral Component Interconnect Express (PCIe)-based interconnect, and further including a control host embedded in the switch to provide one or more enhanced routing capabilities. The control host includes a processor device, memory, and software executable by the processor device to process traffic received at one or more ports of the switch to redirect at least a portion of the traffic to provide the one or more enhanced routing capabilities.

Method for creating a crystal/rhinestone template utilizing a sewing/embroidery machine to perforate a medium in a desired pattern. In the case of a multiple-needle sewing/embroidery machine, the machine's needle is replaced by a perforator blade and perforator blade holder which are attached to machine's needle bar. Machine's needle plate is replaced by perforator plate and waste holder. With a single-needle sewing/embroidery machine, machine's needle is replaced by a pressing tool attached to the machine's needle bar. A contact point, a spring, and an arm are attached to machine's presser foot. Machine's needle plate is replaced by perforator plate. A template medium is placed on a work surface of machine. Machine is operated by software that reads a user-specified pattern/motif outline for filling stones in vector form, using innate rules to move machine frame and control hole placement.

Techniques include receiving a first search result from a search system, the result specifying a first state of a software application (app) and the state associated with a function performed based on a first parameter. The techniques further include displaying a first user-selectable link associated with the first result, the link configured to, upon being selected, set the app into the first state. The techniques still further include receiving a first user input and displaying a second user-selectable link associated with a second (e.g., previously stored) search result, the result specifying a second parameter. The techniques also include receiving a second user input selecting the first and second links and displaying a third user-selectable link associated with the first and second results, the link configured to, upon being selected, set the app into a second state associated with the function performed based on the second parameter.

Ampify is the name behind the iOS apps Launchpad, Blocs Wave and Groovebox, which have together amassed over 15 million downloads. Ampify now brings you its latest music-making software, Ampify Studio, available for free on MacOS and Windows. After announcing Ampify Studio at NAMM 2020 in LA and releasing as public beta software, Ampify Studio […]

The post Ampify Studio free music-making software for Windows and Mac now available appeared first on rekkerd.org.

Plugin Boutique has launched a sale on Sonarworks Reference 4, offering 20% the sound calibration software for a limited time. Reference 4 removes unwanted coloration from studio speakers and headphones. Sonarworks is on a mission to ensure everybody hears sound the way it was meant to be. Across all devices. Calibrate sound on your current […]

The post Get 20% off Sonarworks Reference 4 sound calibration software appeared first on rekkerd.org.

Magix has announced the release of VEGAS Movie Studio 17, the latest version of the video editing solution for both beginners and more advanced users. The update comes with powerful effects and transitions management, smoother video preview, unified color grading workflow, optical-flow slow motion, and warp flow transition. If you strive to make astonishing videos, […]

The post Magix releases Vegas Movie Studio 17 video editing software appeared first on rekkerd.org.

Music-Society has announced the release of Doremi, a free software synthesizer instrument by Beatassist.eu. Doremi features 2 oscillators, the 2nd oscillator can be used in 3 modes. Both oscillators have their own ADSR, volume and sub-oscillator. Noise oscillator with its own filter with resonance and ADSR. 2 filters with 4 modes and ADSR. Saturation on/off. […]

The post Music-Society releases Doremi software synthesizer by Beatassist appeared first on rekkerd.org.

Magix has announced the release of Samplitude Pro X5, an update to the complete audio production bundle for professionals. The update includes ARA2 to integrate Melodyne more seamlessly than before, MIDI Polyphonic Expression support, a new section for simplifying monitoring, tempo track functions, automation shapes, Convology XT Complete vintage reverb units, and coreFX VolumeFormer. Samplitude […]

The post Magix releases Samplitude Pro X5 audio production software appeared first on rekkerd.org.

Synchro Arts celebrates its 2020 Queen’s Award for Innovation with a sale on its award-winning Revoice Pro 4 and VocALign Pro 4 products through May. Whether you’re in a big studio or working at home, Synchro Arts products not only help achieve polished and radio-ready vocals, they’ll save you countless hours of tedious manual editing […]

The post Save up to 50% on Synchro Arts vocal production software in May appeared first on rekkerd.org.

Native Instruments releases Maschine 2.6 update packed with some impressive new functions and improvements loyal users will appreciate.

/files/2017/02/NI_MASCHINE-2-6-Thumb.jpg

The post NI Maschine 2.6 Software Update appeared first on Dubspot Blog.

One of the major Software companies is looking for music for several product releases in 2020.

This includes, Global TV and Film advertising campaigns, Web Commercials, Blogs, Vlogs, internet advertising and use in sports and TV shows that the company sponsor.

All styles of music will be considered as the company are looking for songs of all genres and decades. There are several story boards ideas complete so I will update submitters as we go along and get more detailed info.

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

The CMI Music Group has worked closely with companies such as: Apple, Honda, Samsung, BBC, ABC, ITV, New Show Media, Massive Films, Rickety Shack Films, H&M, Reebok, WalMart, Seat, Costa and more.

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the amount of times the tracks are used. Payout is $5,000 per song, per use (defined as one campaign sector) and is dependent on usage and length of use. The license is Non-Exclusive. If selected the songs will be passed to the company and they will have the final say, CMI Music Group will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

PLEASE DO NOT SEND US TRACKS TO OUR FACEBOOK, SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA.

- Alexander Johnston / CMI Music Group International

Bradley and Karen have an introductory discussion on how non-profit governance interacts with Free Software projects and what issues are important for developers who want their project to have a non-profit existence.

Show Notes:

Segment 0 (00:37)

• Bradley and Karen began the discussion by commenting on this blog post by Andy Updegrove about non-profit governance. (01:50)
• Bradley and Karen tend to agree that non-profit settings are better places to foster and help Free Software development. (03:40)
• Bradley mentioned that Roland McGrath wrote GNU C Library (and other GNU programs) while working as an employee at the FSF, and many of those programs are now often maintained by Red Hat (or other company's) developers, under the auspices of the GNU project, as overseen by the FSF. (04:50)
• Corporate form and organization questions should be secondary to project leadership ones. (09:50)
• One of the most important things is to have an organization in a place where people are willing to do the work to keep the organization going. (20:10)
• Enthusiasm to keep the organization running is the most important resource for running the organization. (22:26)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss issues of gender inequality in the software freedom community and technology generally.

Show Notes:

Segment 0 (00:38)

• Bradley and Karen discuss issues of gender inequality in the software freedom community and technology generally.
• Bradley wrote a blog post a while back noting that issues of gender inequality are technology-sector-wide, as shown on PDF page 10 of this study. However, Bradley incorrectly remembered the study: in fact, all levels of academic computer science are (23:19)

• Karen got a 5 on our Calculus AB exam, even though her teacher told her only boys were good at math. Bradley also got a 5 on the Calculus AB exam. (27:06)
• Bradley believes that Stand and Deliver. (29:37)
• Bradley is sure there is no Calculus in Good Will Hunting (30:08)
• Bradley mentioned that S05E11 of American Greed contained an rsync output on a Debian system and Python DBUS binding C code as “code cracking examples” (31:00)
• Miguel de Icaza had a cameo in the file Antitrust. (33:27)
• Bradley mentioned that Craig Mundie keynoted OSCON (38:55)
• Bradley mentioned the USENIX/Freenix to Perl Conference to OSCON history (42:50)
• Karen mentioned the GNOME Marketing Meeting at FOSDEM 2012. (43:27)
• Karen is speaking at Linux Conf Australia on 19 January 2012,Bradley is speaking at Scale 10x, the 2012 Southern California Linux Expo (44:16)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Note: initially, from 2013-08-01 18:30 through 2013-08-02 08:40 (US/Eastern), the audio file links in the feed did not work. That has been corrected.

Bradley and Karen interview Alison Chaiken about Free Software in cars.

Show Notes:

Segment 0 (00:00:38)

Bradley and Karen introduce the interview.

Segment 1 (00:01:43)

• Bradley and Karen interview Alison Chaiken about Free Software in the automotive industry.
• Alison mentioned the Genivi Alliance, which is an industry trade association with some interest in “Open Source”.
• Alison presented a session at LibrePlanet about the Right to Repair act in Massachusetts. (00:14:30)
• Alison encouraged listens to get involved with Right to Repair and the Massachusetts Right to Repair.

Segment 2 (00:36:09)

• Karen moderated a panel at the Linux Foundation Collaboration Summit 2013 on Automotive issues (37:12)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss why software freedom as a political, social and moral issue is important to each of them personally.

Show Notes:

Segment 0 (00:36)

• Bradley mentioned that he used to frequently give talks on why software freedom is important to him. There are available on FSF's Audio/Video website three different recordings of that talk, usually titled Software Freedom and the GNU Generation. (01:28)
• Bradley's first distribution was SLS. (18:20)
• Bradley mentioned that OpenStack was denied 501(c)(6) trade association status by the IRS. (37:56)
• Karen mentioned the Cooper Union law suit. (48:40)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the talk, Why the free software phone doesn't exist by Aaron Williamson given at FOSDEM 2013 on Sunday 3 February 2013.

Show Notes:

Segment 0 (00:37)

Bradley and Karen introduce the talk.

Segment 1 (04:06)

Aaron's slides area available.

Segment 2 (56:41)

• Bradley mentioned dakota imaging where he used to work. (1:02:15)
dacotag imaging
• Karen mentioned Aaron's OSCON 2010 talk (but we incorrectly said it was 2009). (1:04:35)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Note: Episode 0x5A was released out of sequence, but they are in the order of release date on faif.us (rather than numerical order).

Karen and Bradley discuss connections between the so-called “Gamergate” controversy and how it relates to the Free Software community and a few obvious legal issues.

Show Notes:

Segment 0 (00:37)

• Karen asked if Bradley had heard of the Gamergate situation. (01:30)
• Matthew Garrett wrote a blog post regarding this topic entitled Actions have consequences (or: why I'm not fixing Intel's bugs any more) (10:23)
• Mathew was attacked on LKML about this blog post (10:50)
• Lennart Poettering also wrote an essay recently about aggression and attacking people in Free Software communities. (12:12)
• Karen mentioned the harassment Kathy Sierra faced in the late 2000s. (13:00)
• Bradley called out Linux Foundation to ask why they tacitly support the bad behavior by its employees and others in the Linux Project (14:35, 31:10)
• Bradley mentioned that Antti Aumo in his LinuxCon Europe 2011 keynote, said that a great thing about the Internet of Things is that you can put a lock on your fridge when the wife's on a diet. (16:32)
• Bradley mentioned the Eddie Murphy's Saturday Night Live skit, White Like Me, which according to the transcript, originally aired on 1984-12-15 on SNL. (24:45)
• Bradley mentioned FaiF 0x13, which discussed torts and why they're important. (29:50)
• Bradley wrote a blog post about Bradley mentioned his blog post about John Oliver's discussion of the Miss America Pageant (43:30)
• Bradley suggested that Intel should have instead given the Gamasutra money to Society of Women Engineers Scholarship fund. (45:30)
• Karen mentioned the statement Intel published a statement regarding the situation. (47:10)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen pull back the curtain and begin the process of preparing their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the first of multiple episodes where Bradley and Karen record their preparation conversations for this keynote address.

Show Notes:

Segment 0 (00:36)

Segment 1 (07:13)

• Bradley read out the abstract from Bradley and Karen's keynote, Can Anyone Live in Full Software Freedom Today? Confessions of Activists Who Try But Fail to Avoid Proprietary Software at FOSDEM 2019. (circa 10:00)
• This started for Bradley with the HTC Dream, and Karen's struggle started with her heart device (10:42)
• Bradley and Karen discussed how they plan to organize their FOSDEM 2019 joint keynote.
• Bradley mentioned that if Karen and Bradley recorded an episode of the two of them reading Lorem Ipsum that listeners would likely still listen. Karen disagreed. (33:05)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen continue the process of preparing their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the second of three episodes where Bradley and Karen record their preparation conversations for this keynote address. In this particular episode, they discuss the golden age in history when they used very little proprietary software, and then discuss the beginning of their personal Dark Ages of using some proprietary software.

Show Notes:

Segment 0 (00:35)

• Bradley mentioned The Who's destruction of their instruments and his discomfort with it in relation to computers. (06:10)
• Bradley and Karen mentioned their long-time use of the HTC Dream (07:30)
• Bradley mentioned that he helped start the Replicant project, but his primary contribution was its name. (08:24)

Segment 1 (12:34)

• Karen mentioned the pinball machine that she owns. (12:50)
• Bradley mentioned the Dead Kennedys album, Give Me Convenience or Give Me Death. (25:10)
• Karen and Bradley discuss proprietary Javascript. (28:20)
• This is the screen you get if you attempt to use Google maps without Javascript. (28:45) Karen was wrong about this image no longer appearing. The image linked to here is from the day before our FOSDEM keynote was delivered. (29:55)
• Bradley and Karen recorded this episode while on site at LinuxConf Australia 2019. They had dinner the night this was recorded at a restaurant called, Dux Dine in Christchurch, NZ. There were, in fact, ducks dining at Dux Dine. (35:07)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen have the last pre-talk installment of discussing the preparation for their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software. This episode is the third of three episodes where Bradley and Karen record their preparation conversations for this keynote address. In this particular episode, they discuss the issue of letting others use proprietary software on your behalf, the problem of relying too much on that, and then finish up discussing with how they'll include this material into the final talk.

Show Notes:

Segment 0 (00:34)

• Karen discussed the idea of a shabbos goy, and the analogy between that and allowing other people use proprietary on your behalf. (02:58)
• Bradley and Karen discussed that it is equally abhorrent to ask someone else to use proprietary software for you as it is to use yourself, since someone's software freedom is compromised in any event (06:58)
• Bradley mentioned that he had previously applied to serve on the USA's Internal Revenue Service (IRS)'s Electronic Tax Administration Advisory Committee (ETAAC). Bradley mentioned how sadly the IRS typically accepts people from proprietary software companies like Intuit but has to his knowledge never accepted anyone involved in FOSS software for IRS form preparation (10:02)
• Bradley mentioned the Free Software PDF fill-in tools evince and flpsed (12:24)
• Karen stated that Conservancy's policy is that: We care so much about software freedom that we would rather use proprietary software than have someone else lose their software freedom. (15:20)
• Karen mentioned that her Linux Conf Australia 2019, Right to Not Broadcast, which you can view online. (22:18)

Segment 1 (23:15)

• Bradley mentioned the A-Team line, “I love it when a plan comes together”. (23:23)
• Bradley and Karen generally discuss the final plans for incorporating this material into the keynote

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

In their final installment regarding their joint keynote at FOSDEM 2019, entitled: Can Anyone Live in Full Software Freedom Today?: Confessions of Activists Who Try But Fail to Avoid Proprietary Software, you listeners can hear the final product — a recording of the actual FOSDEM keynote. Afterwards, Karen and Bradley compare notes on what went wrong and what went right (but mostly what went wrong) during the talk.

Show Notes:

Segment 0 (00:00:35)

Bradley and Karen talk logistics of how the talk is embedded in the audio.

Segment 1 (00:04:14)

The audio in this segment taken directly from the video of Karen and Bradley's FOSDEM 2019 opening keynote, entitled Can Anyone Live in Full Software Freedom Today? Confessions of Activists Who Try But Fail to Avoid Proprietary Software, which was given . If you'd rather watch the video, you can do so via FSODEM's video site in either webm format or in mp4 format.

Segment 2 (00:46:01)

• Karen mentioned “time shifting”, which was permitted for the public, despite accusations of copyright infringement, in the Betamax case. (55:10)

Segment 3 (01:05:31)

Karen and Bradley mention that the next episode will be an interview with Dan Lynch recorded at CopyleftConf 2019.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Patrick Marshall answers your personal technology questions. This week's topics include changing the default program for images and photo editing software, trouble with colors on a LG GRAM and updating to Windows 10 and security software.

Patrick Marshall answers your personal technology questions. This week's topics include changing the default program for images and photo editing software, trouble with colors on a LG GRAM and updating to Windows 10 and security software.

This article describes the details behind the new software-defined converged infrastructure for deploying SAS Foundation Mixed Analytics workloads using IBM Elastic Storage Server (ESS), IBM Spectrum Scale, IBM POWER8, and Mellanox networking technology. This article documents detailed test configurations, test scenarios, performance results, and tuning options for the converged infrastructure. This article provides a methodology to tune each component in the infrastructure horizontally, as well as tuning the solution vertically, which allowed the optimal performance to be achieved.

In this two-part series, I explain how to find project management insights from a GitHub organization and how to create and publish tools to the Python Package Index.

There is a lot of unstructured text content that is generated in any domain – software development lifecycle, finance, healthcare, social media, etc. Valuable insights can be generated by analyzing unstructured text content and correlating the information across various document sources. This pattern uses Watson Natural Language Understanding, Python Natural Language Toolkit, OrientDB, Node-RED, and IBM Data Science Experience to build a complete analytics solution that generates insights for informed decision-making.

With the release of IBM Bluemix Local System and PureApplication System firmware V2.2.3, you can create automatically configured hosted VMware environments for more flexibility on how you run and manage your workloads. This tutorial series provides a step-by-step guide for users of the Bluemix Local System W1500, W2500, W3500, and W3550 models to work with these advanced capabilities. In Part 2, you install and configure a PureApplication Software workload environment.

With the release of IBM PureApplication Platform and PureApplication System firmware V2.2.3, you can create automatically configured hosted VMware environments for more flexibility on how you run and manage your workloads. This series of articles provides a step-by-step guide for users of the PureApplication Platform W1500, W2500, W3500, and W3550 models to work with these advanced capabilities. In Part 3, you set up disaster recovery and learn how to perform three different disaster recovery procedures.

A software upgrade to more than 500 Myki ticket machines fixes an issue that has baffled Victorians for years and also caused littering problems and security concerns.

Utilize the new Software Sales Kit Widget and gain access to important news and critical sales aids and tools on a worldwide, as well as a local basis.

U.S. Department of Education Applauds Effort; Congratulates IBM Programming Contest Winners

Updated accessibility news

Designed with business people in mind, IBM Lotus Connections 3.0 software gives you fast access to everyone in your network - your colleagues, customers and partners.

#architektura #architekt #dom #design

Who framed Roger Rabbit? Talking about Software Development in companies is about using frames. The prevalent frame is the that of the 'Backlog'. Thinking in this frame defines success as finishing the backlog. The pressure of throughput leads to engineering cutting corners and makes developers unhappy. Thinking in an 'Impact' frame leads to more successful company and happier developers. Stephan Schmidt

(California Court of Appeal) - Reversed order denying Defendant’s motion to compel arbitration. Plaintiff filed a complaint against his employer for unfair competition under the Business and Professions Code section 17200 and also brought wage and hour claims. The Defendant moved to compel arbitration. The trial court granted arbitration for all claims, but for the unfair competition claim. The appeals court held that the unfair competition claim could also be subject to arbitration.

(United States Federal Circuit) - In a patent action, construing the term 'pivot table' in relation to two of plaintiff's patents, the district court's 1) claim construction is affirmed as supported by intrinsic evidence; but its 2) indefiniteness determination is reversed because the claims' scopes are reasonably certain.

(United States Seventh Circuit) - Affirmed the certification of a class action alleging that a software company's downloadable product to improve computer speed and performance was a scam. Held that the district court did not abuse its discretion in certifying a nationwide class and an Illinois subclass of software purchasers.

(United States Seventh Circuit) - Affirmed the certification of a class action alleging that a software company's downloadable product to improve computer speed and performance was a scam. Held that the district court did not abuse its discretion in certifying a nationwide class and an Illinois subclass of software purchasers.

(California Court of Appeal) - Reversed order denying Defendant’s motion to compel arbitration. Plaintiff filed a complaint against his employer for unfair competition under the Business and Professions Code section 17200 and also brought wage and hour claims. The Defendant moved to compel arbitration. The trial court granted arbitration for all claims, but for the unfair competition claim. The appeals court held that the unfair competition claim could also be subject to arbitration.

(California Court of Appeal) - Reversed order denying Defendant’s motion to compel arbitration. Plaintiff filed a complaint against his employer for unfair competition under the Business and Professions Code section 17200 and also brought wage and hour claims. The Defendant moved to compel arbitration. The trial court granted arbitration for all claims, but for the unfair competition claim. The appeals court held that the unfair competition claim could also be subject to arbitration.

FitzGerald Will Serve As Exactuals’ Tech Lead, Overseeing Updates And Expansions Of The Company’s Product Line, RAI.

Given all we know about facial recognition tech, it is literally jaw-dropping that anyone could make this claim… especially without being vetted independently.

A group of Harrisburg University professors and a PhD student have developed an automated computer facial recognition software capable of predicting whether someone is likely to be a criminal.

The software is able to predict if someone is a criminal with 80% accuracy and with no racial bias. The prediction is calculated solely based on a picture of their face.

There's a whole lot of "what even the fuck" in CBS 21's reprint of a press release, but let's start with the claim about "no racial bias." That's a lot to swallow when the underlying research hasn't been released yet. Let's see what the National Institute of Standards and Technology has to say on the subject. This is the result of the NIST's examination of 189 facial recognition AI programs -- all far more established than whatever it is Harrisburg researchers have cooked up.

Asian and African American people were up to 100 times more likely to be misidentified than white men, depending on the particular algorithm and type of search. Native Americans had the highest false-positive rate of all ethnicities, according to the study, which found that systems varied widely in their accuracy.

The faces of African American women were falsely identified more often in the kinds of searches used by police investigators where an image is compared to thousands or millions of others in hopes of identifying a suspect.

Why is this acceptable? The report inadvertently supplies the answer:

Middle-aged white men generally benefited from the highest accuracy rates.

Yep. And guess who's making laws or running police departments or marketing AI to cops or telling people on Twitter not to break the law or etc. etc. etc.

To craft a terrible pun, the researchers' claim of "no racial bias" is absurd on its face. Per se stupid af to use legal terminology.

Moving on from that, there's the 80% accuracy, which is apparently good enough since it will only threaten the life and liberty of 20% of the people it's inflicted on. I guess if it's the FBI's gold standard, it's good enough for everyone.

Maybe this is just bad reporting. Maybe something got copy-pasted wrong from the spammed press release. Let's go to the source… one that somehow still doesn't include a link to any underlying research documents.

What does any of this mean? Are we ready to embrace a bit of pre-crime eugenics? Or is this just the most hamfisted phrasing Harrisburg researchers could come up with?

A group of Harrisburg University professors and a Ph.D. student have developed automated computer facial recognition software capable of predicting whether someone is likely going to be a criminal.

The most charitable interpretation of this statement is that the wrong-20%-of-the-time AI is going to be applied to the super-sketchy "predictive policing" field. Predictive policing -- a theory that says it's ok to treat people like criminals if they live and work in an area where criminals live -- is its own biased mess, relying on garbage data generated by biased policing to turn racist policing into an AI-blessed "work smarter not harder" LEO equivalent.

The question about "likely" is answered in the next paragraph, somewhat assuring readers the AI won't be applied to ultrasound images.

With 80 percent accuracy and with no racial bias, the software can predict if someone is a criminal based solely on a picture of their face. The software is intended to help law enforcement prevent crime.

There's a big difference between "going to be" and "is," and researchers using actual science should know better than to use both phrases to describe their AI efforts. One means scanning someone's face to determine whether they might eventually engage in criminal acts. The other means matching faces to images of known criminals. They are far from interchangeable terms.

If you think the above quotes are, at best, disjointed, brace yourself for this jargon-fest which clarifies nothing and suggests the AI itself wrote the pullquote:

“We already know machine learning techniques can outperform humans on a variety of tasks related to facial recognition and emotion detection,” Sadeghian said. “This research indicates just how powerful these tools are by showing they can extract minute features in an image that are highly predictive of criminality.”

"Minute features in an image that are highly predictive of criminality." And what, pray tell, are those "minute features?" Skin tone? "I AM A CRIMINAL IN THE MAKING" forehead tattoos? Bullshit on top of bullshit? Come on. This is word salad, but a salad pretending to be a law enforcement tool with actual utility. Nothing about this suggests Harrisburg has come up with anything better than the shitty "tools" already being inflicted on us by law enforcement's early adopters.

I wish we could dig deeper into this but we'll all have to wait until this excitable group of clueless researchers decide to publish their findings. According to this site, the research is being sealed inside a "research book," which means it will take a lot of money to actually prove this isn't any better than anything that's been offered before. This could be the next Clearview, but we won't know if it is until the research is published. If we're lucky, it will be before Harrisburg patents this awful product and starts selling it to all and sundry. Don't hold your breath.

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