Scott R. Kurtz: Today's guest comic was written and illustrated by my good friend Terry Blas. Not only is Terry the inspiration for Max's boyfriend, he's also an accomplished writer and cartoonist. His books Hotel Dare and Dead Weight are available on Amazon and are sure you lift your spirits during the quarantine. And his Instagram account is full of his amazing art. I think we're going to work together on more Max and Terry strips, so stay tuned.
The last few weeks have seen Virginia racked by government scandals, including Democratic Gov. Ralph Northam and Attorney General Mark Herring’s histories with blackface, and allegations of sexual assault against Lt. Gov. Justin Fairfax. Democratic Party leadership has since swiftly called for the resignations of Northam and Fairfax — demands that some on both sides of the aisle […]
An essential part of the recruitment process for any new teacher is meeting the pupils: but how do you do that under lockdown regulations?
If you are a teacher looking to move between schools during the coronavirus lockdown, how can you make the most of the online education experience with your new class? This is interesting new territory for many teachers. But there are thousands and thousands of teachers and pupils already learning remotely, in virtual schools – can they offer insights?
At a virtual school, lessons are delivered in line with each person’s personalised curriculum. Exactly as you would expect in a physical school space, pupils are taught how to interact with teachers, their peers and lesson content using whiteboard technology, quizzes, voice and video as well as receiving and sending assignment tasks. How should you introduce yourself to a new class, if you are meeting them online for the first time? If we consider how teachers deliver excellent classroom teaching practice in a physical space, how they prepare should not be approached any differently in an online environment.
Continue reading...The hit docuseries on Michael Jordan and the 1990s Chicago Bulls scores big as entertainment, but journalistic compromises make it little more than longform branded content
Not long after ESPN scored its first ever Academy Award for Ezra Edelman’s nonpareil OJ: Made in America, a masterclass in longform investigative journalism that drew comparisons to Mailer and Caro, the network announced another multi-part documentary series centering on an American sports icon. The Last Dance, a 10-part film jointly produced with Netflix, promised an unvarnished deep dive into one of the most transformative stars and feted dynasties in the history of sports: Michael Jordan and the 1990s Chicago Bulls.
The anticipation only mounted with the release of a glossy extended trailer at Christmas that teased never-before-seen footage and a star-studded roster of interviewees – Barack Obama! Justin Timberlake! – along with the participation of Jordan himself, who has spoken only sparingly about the Bulls’ imperious reign and dumbfounding break-up in the two decades since his playing days. Initially slated for a June release alongside this year’s NBA finals, ESPN swiftly moved up the premiere date to April after the coronavirus pandemic went scorched earth on its spring programming schedule.
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