May shut up!!!

Tumblr is a website of thoughts bouncing from one thing to another, filled with Tumblr rabbit holes to fill time and wildly creative thoughts like the idea of an alien invasion being fought off by wildlife. That said, a lot of it is silly puns, weird facts and people being dumb for dumbness sake.

The big draw this week is our fourth Microfiction, but there’s plenty more to get excited about! We’ve got the Dresden Files Cooperative Card Game’s debut on switch, an upcoming Trailer Rewatch event, a $1.99 ebook deal on Death Masks, and more. It’s also the last week to submit your costumes for our contest. Read [...]

Jordan Goudreau once pushed a plan to protect U.S. schools. Then he moved on to a more daring pursuit, which also didn't end well.

Over a month under lockdown and life has changed for many. While several have adopted new hobbies, some have taken to imparting wisdom through digital tutorials. In the time of online concerts, Pankaj Tripathi has found the ideal way to engage with his fans. The actor has started a series of Facebook live sessions, where he shares bitter-sweet experiences that changed his perspective of life. He says that the lockdown has "taught me priorities".

A source informs that Tripathi has been narrating stories from his childhood. "In one of the stories he recounted, Pankaj revealed how the train and its sound functioned as a clock for him. When he left his hometown, it was an image that reminded him of everything that mattered. It also evoked a sense of responsibility, inspiring him to work harder towards his goals. Now in isolation, separated from his parents by miles, at home with his wife and daughter, he admits that he has learned the value of their company."

"I didn't start it with a script in mind," says Tripathi, who wants to make it a series of conversations. He adds, "It's the simple things in life that we end up caring for the most. Locked down at home, waiting for these tough times to pass, it should remind people where their priorities lie."

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Sagar Thakkar, the mastermind of the Mira Road call centre scam, always knew how to make money, but never learnt how to hold on to it. "The real masterminds are free. I got caught because I showed off my wealth," said the 26-year-old who appeared on the police's radar after he bought a Rs 2.5-crore Audi owned by Virat Kohli.

"Buying a second-hand Audi R8 was not a big deal for me. I didn't even know it was Virat's car," said Shaggy."I had planned to return the car within a few days, but by then I had been arrested."

Started young
"I was only 15 when I started working, due to a financial crisis at home. I used to sell Chinese hard disks and flash drives at cheap rates. I had a dealer in China from whom I would buy my stock. Initially, no one would buy from me because I was so young, so I started selling the gadgets really cheap. Within a couple of years, I was sending shipments as far as Canada."

It was this business acumen that impressed the original ringleaders of the IRS racket, who eventually hired Shaggy to work at one of their bogus call centres when he was about 18. He would eventually go on to operate such call centres in Mumbai and Ahmedabad, raking in several crores from the scam. But that was not always the plan. "I was a bright child. I wanted to complete my education and become a pilot. I wanted to earn some quick money, so I could save up for the course. But as money poured in, I began to enjoy the comforts it brought," he recalled.

His parents did not approve either. "I would study in the afternoon and then work at the call centre at night. My parents didn't like me working at night. My father would say, 'What is the need for you to work; we can survive with less money.' Initially, he didn't even know about the fraud; all he knew was that I was working at a call centre. But I did so well that I became the head of the team immediately, and started earning lots of money. It was at that point that my attitude changed," said Shaggy.

Jail time
"Obviously, I regret it now. My love for money took me down the wrong path. I have lost the prime of my life in being chased by the law," said the conman, adding, "Jail was a nightmare. The food, sleeping area and overall atmosphere was horrible. I thought I would get bail soon, but got frustrated when that did not happen."
Cut off from crime, he turned to education once again. "I wanted to learn coding, but the jail didn't have the resources for it. I read books on economics and finance, and also learnt Marathi. I can speak the language quite well now," he said.

If only...
He remains bitter about getting caught, but didn't seem to show any remorse for the crimes he had committed. "I am not the mastermind of the scam. The real masterminds are free and happy. I don't want to disclose their names, but they have been operating since 2001. I got trapped because I showed off," he said, adding, "If I had not been arrested, I would have spread this business, or started a new one that would have spread beyond India by now."

Now, he is left with a fraction of the crores he once had. "I spent so much money, I didn't even save anything," said Shaggy. Shaggy has now set his sight on the future. "I will work hard again to repair mine and my family's reputation. A driven person like me will never sit and spill tears, but will always work hard to make the future better than my past."

Rs 25000
Amount found in Shaggy's accounts after arrest

Rs 2.5cr
Value of the Audi sports car he bought

Also Read: The big Mira Road call centre scam: What we know so far

The Ghatkopar plane crash, which killed five, yesterday would have ended up becoming a mammoth disaster, considering it crashed in a densely populated residential area, had it not been for the pilot's presence of mind. Several residents from the area and eyewitnesses said the pilot did a good thing by ensuring the aircraft crashed at an under-construction site, avoiding the residential buildings in the vicinity.

Emergency response
The accident took place when the plane was about to land at Mumbai airport. The four onboard — pilot, co-pilot and maintenance engineers — and a passer-by on whom the wreckage fell have been identified as the deceased. Immediately after the incident, the fire brigade and police reached the spot, and within minutes pictures and videos of the crashed plane and a charred body near the crash site went viral on social media.

Afternoon happenings
mid-day spoke to residents from the area to find out what exactly happened, and most said it all started in the afternoon when they heard a deafening explosion, followed by thick smoke and a tree on fire. Locals said the situation would have been worse had the aircraft crashed on a residential building or the busy LBS Marg, which is adjacent, or the Versova-Andheri Ghatokpar Metro corridor, which, too, is just a few hundred metres away.

A paan shop owner from the area said, "I was sitting in my shop when I heard a loud noise. At first I thought a tyre of some truck busted, but then, a person from the MTNL lane came running to my shop and said a plane had crashed. "We should all be thankful to the pilot, as by crashing it at an under-construction site, he saved hundreds of lives."

Also Read: Mumbai: Chartered plane crashes in Ghatkopar; five killed

Glass

U/A: Drama, Mystery, Sci-Fi
Director: M. Night Shyamalan
Cast: Sarah Paulson, Bruce Willis, James McAvoy
Rating: 

Shyamalan’s earliest films (The Sixth Sense, Unbreakable, Signs) were brilliant, they intrigued, shocked and entertained all at the same time. The same cannot be said about the films that came later. The big budget ones especially were all jumbled up and schlocky. It felt as though the director never really achieved his vision. ‘Glass’ is a far better effort in terms of visual context but it fails on cohesion and lucidity – especially in the third act dominated by Shyamalan’s signature twists.

Glass, a sort of sequel to both Unbreakable and Split, spends its two hours plus without a strong story to tell. It is every bit as inconceivable and snaky a film as his worst but it still has a psychological depth that could have amounted to much more - if only the director had been a little more focussed. There’s so much he is wanting to say that it all gets lost in the confusion and incoherence brought on by a lack of emphasis.

Glass opens with Dunn(Willis) tracking down Split's villain, Kevin Wendell Crumb aka 'The Horde' (James McAvoy), a serial killer suffering from multiple personality disorder who has been preying on girls in the Philadelphia area. After some visceral action Dunn and Crumb are captured and taken to a secret wing of a psychiatric hospital also housing Mister Glass(Jackson) – to be studied by Dr. Ellie Staple (Sarah Paulson), a psychiatrist obsessed with decoding the phenomenon of men who believe themselves to possess the powers of comic book characters.

Check out the trailer here:

This is an indie film (in partnership with Blumhouse)with no big studio backing it so there are budget constraints which Shyamalan could have overcome by running a tighter ship. Shyamalan manages to get close to poignant and memorable but the third act(rather threadbare) pulls you off that track all the way through. The twists don’t make much sense and in fact renders the entire work rather directionless.

The build-up is pretty good even though the action is all visual, internalised and verbose but the third and final act fails to make something out of that. The director and DP Michael Gioulakis manage to compose some fascinating and striking visual mayhem but it doesn’t amount to anything powerful. If you followed ‘Unbreakable’ and ‘Split’ then there is a chance that you might cotton on to Shyamalan’s wavelength but for a large part of the audience this is going to be a film without a strong sense of purpose.

James McAvoy is simply the best thing about this movie. His enthusiasm and effort in playing out multiple personalities is extraordinary. Jackson wakes up from his stupor a little late and loses out on creating an impact while Willis looks on strategically- the thing he does best I guess. This is at best a baffling and inconsistent exercise in cinema!

Also Read: James McAvoy on Glass co-star Bruce Willis: He is most chilled dude

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It feels admittedly asynchronous. On one hand, I’m increasingly immersed in research around the silencing of female subjectivity by relegating it within the domain of the exclusively non-public, while on the other, I am personally deriving immense pleasure through my voluntary retreat further and further into the inner realms of domesticity.

I find I am consciously withdrawing from being public, whether out of a sense of responsibility, by staying home in a bid to minimise the country’s COVID-19 fatalities, or voluntarily, by limiting my social-media engagement. If anything, it is this practice of restraint, this movement away from what my body has begun to interpret as cacophony that I hold responsible for my increased productivity.

And I mean here to challenge this very Capitalist word. I don’t mean for productivity to signify output. I don’t mean for it to be quantifiable in any way. I want to address it as a sweaty qualitative notion. I want to centre my absorption of it at the level of the physical and the psychological. Later, in retrospect, I want to synthesise my experience of this ‘Lockdown’ as a fine-tuning of my very corporeal encounter with muscular memory.

This morning I was surprised by my body’s sudden fluency with raising itself upwards. When the curfew was first announced and our access to public spaces began to be curtailed, I asked my partner to help me evolve an exercise routine, so that I could find an alternative source for the endorphin high I had begun to enjoy after two weeks of playing badminton in the park.

When he first demonstrated to me some of the moves that were part of his work-out, I tried to mimic his gestures. Perhaps because I had been slaying him at badminton, he had no conception of my body’s inability to perform movements that he had internalised as fundamental. I remember breaking down when he was instructing me on how to, while lying down, bring both legs together and heaving them up into the air by enlisting the back to aid the lift-off.

I’m not exaggerating. I collapsed into a hot, wet mass of tears. I felt defeated by my body. I felt angry that I was not allowed to continue to excel at badminton, a game I love not just because I played it through childhood and adolescence and am good at, but because it really tricks my body into exercise by nurturing my competitiveness.

I had told my partner then that he would have to be really slow, superbly gentle, and would have to cajole me into this daily practice. Being the fantastic listener that he is, he agreed to my conditions.

Organically, my partner began waking up by 7 am. I’m lazy. I wait for the scent of brewing coffee to invade the bedroom and for him to bring my cup to my bedside. Eventually, when I feel ready enough to get out of bed, I do, and change into basic clothes, a sports bra and hot pants, and show up in the living room.

I let myself be trained by him, and about 20-25 minutes later, I pick up my hoop and either freestyle or learn new moves on YouTube. After breakfast, we often sit to learn German, and once again he becomes my instructor. Post lunch, I have begun spending more time at my writing desk. Every two days, I bake something as a form of currency to show my appreciation for his time. I post pictures on Instagram when I feel compelled to say something, and don’t spend more than 30 minutes on Facebook or Whatsapp.

This is how we have been living the hours. Every day I can do a little more than I could the day before. The nature of my advancements is diverse. I can speak German with a little more fluency. I grow more confident with the same recipe than a week before. Something clicks and I suddenly figure out how to make the best bhurji, or how to perfect my lemon cake.

I’ve reduced everything to this elemental logic — muscle memory, and my instances of joy derive increasingly from the recognition of momentary synthesis between body and mind, so that my subjectivity is not only shaped cerebrally, but through the embrace of the pulpiness of emotion and the expenditure of sweat and muscle soreness. Today I did ten roll-ups effortlessly. It was a small achievement.

As adults, we forget how the single gesture we’ve internalised is, in fact, comprised of several units of small movements that are only learned in time. It’s like not just holding a pencil, but also writing with it. It’s super basic, but if you’re a three-year-old, it’s one of the biggest challenges you’ve had to face.

I’m having so much fun playing outside my comfort zone, going out on a limb, so to speak, being child-like by learning how to acquire new movements and thus expand the range of my vocabulary. I want this muscle memory to feed my post-curfew life.

Deliberating on the life and times of Everywoman, Rosalyn D’Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx
Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual’s and don’t represent those of the paper

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Welcome aboard! But before you read this one, let us be clear that the next few paragraphs are filled with nothing but spoilers. If you are nerd enough to gorge on all the sci-fiction shows the web throws at you, you've landed on the perfect page. Amazon Prime Video released a good sci-fi show, that has a hint of comedy and a dash of romance and drama, on May 1, 2020, and we couldn't help but binge on this one.

Black Mirror, the popular Netflix show, which gave us some good dark and gritty content to watch out for, has kind of an uncanny resemblance to this show. How, you ask? An episode on Black Mirror showed an alternate world where people who die can move to a place named San Junipero, and live an afterlife on their own terms. Watching Upload, you'll surely be reminded of that episode.

Here we have four reasons that make Upload a good watch:

A futuristic approach

As the lockdown extends, and so does our watch-list (of course, it is a never-ending one), we have got you the scoop on one more show, and this time, it is a futuristic approach towards the afterlife of a human. In the new show Upload, our loved ones or us, 'upload' our memories and special moments on a database, which will help you to experience everything, just like a living person. Even the seven sins of a human -  pride, greed, wrath, envy, lust, gluttony, and sloth, have been shown by the great brains who work on the artificial intelligence of this 'afterlife heaven'.

A life, after life

Okay, so the essence of this entire show lies in the afterlife of people who have decided to 'upload' themselves, and live a kingsize life in a virtual world. This manmade heaven is no less than a fairyland, where everything is just happy and the way we want it. But, the only glitch in this virtual world is the bugs and the viruses. Just like our real-world has problems, the digital world created beyond the horizon by some great nerdy minds have to face multiple technical difficulties.

Watch the trailer of Upload here:

A gamer's show

The show Upload starts with a brat Nathan Brown (Robbie Amell), who is deeply in love with his girlfriend Ingrid (Allegra Edwards). The duo sees their future together, but Nathan's death faults Ingrid's plan. To keep him forever, she uploads his memory and avatar in an afterlife - Horizen - and what comes next is AI personified! Video game lovers will connect with this show for real. The only difference is one doesn't have to sit with a joystick to select the next move.

A reimagined heaven

Upload shares a materialistic world which many people mistake for life and realise it once everything is gone for real. Nathan experiences the same thing when he meets his angel, Nora (Andy Allo), given by Horizen, to guide him. She not only becomes his 'guiding angel' but also helps him solve the mystery behind his sudden death caused due to a technical glitch in his auto-driven car. What comes next is kind of predictable.

The entire struggle to maintain a lifestyle in the afterlife will make you cringe about the world's perception of leading a good life, and also an afterlife. This show will actually make you think about what went wrong with these people.

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Male brain wired to remember 'good sex': A pair of neurons that has been found to remember and seek sex even at the expense of food. These male-specific neurons are required for sex-based differences in learning, suggesting that sex differences in cognitive abilities can be genetically hardwired. A research team at an eminent American medical college has found in a recent study discovered how genetic and developmental differences between the two sexes lead to structural changes in the brain of male worms during sexual maturation.

Representational picture

The team were surprised to find previously unidentified cells that are responsible for the behavioural change as worms are an extremely well studied model organism. They were able to show that the cells from which these male brain neurons are born share common characteristics to the cells that give rise to human brain neurons.

They are glial cells -- companion and support cells of neurons.The newly identified pair of neurons -- called 'mystery cells of the male' or “MCMs” - create behavioural differences between the sexes by changing a brain circuit common to both. The “MCM” neurons are only made from glial cells that have male chromosomes.

Why men lie about who they slept with: Researchers at a reputed American university found that, when it came to sex, men wanted to be seen as “real men:” the kind who had many partners and a lot of sexual experience. They discovered how people would honestly respond to questions about sexuality and other gender-role behaviors by asking some study participants questions when they thought they were hooked up to a lie detector machine.

293 college students between the ages of 18 and 25 participated in the study. This result confirms what the team found in an earlier study, back in 2003 – with one important difference. Back in 2003, women went from having fewer sexual partners than men (when not hooked up to a lie detector) to being essentially even to men (when hooked up to the lie detector.) In this new study, women actually reported more sexual partners than men when they were both hooked up to a lie detector and thought they had to be truthful.

Women's tears kill sexual arousal in men: According to cognitive neuroscientists at a medical institue in Israel, tears contain chemical signals that decrease sexual arousal and testosterone levels in men. In the study, men were asked to sniff vials containing either the women's tears or saline that had been applied to their cheeks. Results showed that men who sniffed the tears perceived those women as sexually less attractive than did men who sniffed saline.

And men who took a whiff of tears (and not saline) reported a decrease in sexual arousal. These men also reported reduced activity in the areas of brain that are associated with sexual arousal, such as the hypothalamus. Interestingly, on the other hand, tears are considered to heighten empathy and induce caring behaviour, and they act as sexual attractants in mice but decrease sexual arousal in humans.

Men are made to ogle women! While often linked to aggression and hostility, testosterone is also the hormone of the libido. And, guys have six times the amount surging through their veins as women, say researchers at a New York varsity. They found that testosterone impairs the impulse-control region of the brain. While it has yet to be studied, this may explain why, as Brizendine says, men ogle women as if on "auto-pilot" and often forget about the woman once she is out of their visual field.

Emmanuel Macron (right) and wife Brigitte Trogneux acknowledge the audience at an event in Paris in April. Pic/AFP

She's been called a Menopausal Barbie and France's First Grandmother, he's been passed off as gay as it's inconceivable for many how a straight 39-year-old Emmanuel Macron would be married to 64-year-old Brigitte Trogneux. In a different continent, another president is 24 years older than his wife Melania, but critics are yet to look past Donald Trump's mop of blonde-orange hair, and logic-defying views. Why?

Age does matter… for women
"We are still very ageist as a society, all over the world. While an older woman is called a cougar, there is no such term for an older man," says Shrishti Arya, producer of romance TV series Kehta Hai Dil Jee Le Zara (2014) in which Sangeeta Ghosh's Saanchi was seven years older than Ruslaan Mumtaz's Dhruv, and that formed the main conflict. Eventually, the couple not only married but also became happy parents. Of course, as per desi heroine pre-requisites, Saanchi, while refreshingly cheerful and mature, was painted in pure white strokes of a physically and morally beautiful beti, unmarried at 34 mainly due to familial responsibilities. Trogneux on the other hand, was married when she first met the 15-year-old Macron at the age of 40. Easier to blame her.

Ageism also comes from our conditioning, according to clinical psychologist and cognitive behaviour therapist Laura Vaz. In earlier times, it was pragmatic for the man to be older since he was the bread-winner, and the woman was second fiddle. She needed an older spouse to 'look up to'. That has changed with women demanding dignity for their roles as homemakers and fighting for equal rights at work… "but the cultural belief has stuck," she says.

The Graduate created a social revolution in cinema in the late 1960s

The cougar on celluloid
Popular culture doesn't make things easier. Starting from the ageing actress obsessed with a younger opportunistic man in Sunset Boulevard (1950) to the iconic seductress, Mrs Robinson, who lures the apparently hapless Ben in The Graduate (1967), to our own BA Pass (2012) with its poster featuring the much-married heroine sporting a bra and horrors, smoking, while a teenage boy lounges in her bed — the older woman is usually seen as a sexual predator. As clinical psychotherapist Alaokika Bharwani puts it, "If the man is over 10 years younger, it's assumed that it must be a sexual relationship. 'Companionship' is never taken into account, and it's sad because no one speaks of her desperation for an emotional connect." Vaz talks of how this narrow mindset leads to assumptions around the relationship. "That's how stories get created that something must be wrong with the man; maybe, he's looking for a mother figure, or perhaps she pays his bills," she says.

What does she want?
Bharwani gives a more realistic idea of what an older woman possibly seeks in her relationships. "A woman above 40 is mostly financially stable and doesn't 'need' a man to provide for her. She's perhaps been married, has children, and is emotionally mature. She mostly wants companionship to feel invigorated, which doesn't come her way from men her age. So, she enjoys the playfulness of a younger man," she says. As for the younger man, being with an older woman is often relieving since she is past the age of unreal romantic expectations, and doesn't want him to 'complete' her. He can be himself.

Alaokika Bharwani

But relationships are difficult to sustain especially if the age difference is between his 20s and her 30s. As Vaz points out from the cases she has dealt with, usually in a May-December relationship, it is the man who leaves and the woman ends up feeling hurt and used. Vaz adds that there could be an element of unpleasantness peculiar to this sort of relationship. "If the man isn't as financially stable, and she sort of takes care of him, the woman seldom has a problem but the man could feel emasculated," says Bharwani, adding that the biggest undoing for such couples is judgement.

Vaz cites the example of a couple where the woman was 64 years, while the man was 31. In therapy, she made it clear that they had to decide if they were in it for the long haul. "He was as old as her son, and people would look down on them, isolate them and yet not leave them in peace. I said this was what they were getting into. My sessions would help them get stronger, but they had to know that the dice would be stacked against them." Despite being in love, the couple broke up.

Meanwhile, since their coming out as a May-weds-December couple, the Macrons have faced criticism head-on; that he was elected as President is also a positive sign. Back home too, Vaz and Bharwani feel millennials are less judgemental and accepting of such relationships without going into debunked Freudian explanations. Both feel that we are becoming a more civilised society.

Here's to love and companionship for older women without the unfair labels. Or maybe create a male counterpart. Trump effect, anyone?

The two of the biggest superstars of Bollywood, Shah Rukh Khan and Salman Khan, also have an electrifying chemistry on screen. This was evident in Rakesh Roshan’s 1995 blockbuster Karan Arjun. Even in the romance saga Kuch Kuch Hota Hai, where Salman had a supporting part, the film went on another level whenever they came forward. Hum Tumhare Hain Sanam today is memorable chiefly because it starred both of them together. It’s been 18 years since they both came together, though they were sweet enough to do special appearances in each other’s films (Om Shanti Om, Tubelight and Zero). But to see them together in a two-hero flick is something that fans have been waiting for keenly. Their excitement did arise when reports emerged that Sanjay Leela Bhansali was planning to cast Shah Rukh Khan and Salman Khan in his next flick. But sadly, the project failed to take off.

After SRK’s Zero tanked, the star took a long time in deciding his next and finally, if reports are believed, he has given his nod to blockbuster filmmaker Rajkumar Hirani. However, as per a write-up by Rajeev Masand in Open magazine, Rajkumar Hirani had initially approached SRK with a different film. The article states that Rajkumar had the concept of a two-hero film in his mind. For this project, he wanted to cast both Shah Rukh Khan and Salman Khan. However, when he met SRK, he insisted that he’s keen on doing a solo-starrer. Hence, Rajkumar Hirani went back to the drawing board and he finally came up with an idea which was fine to both the filmmaker and the actor.

Rajkumar Hirani is writing the script with his regular colleague, Abhijat Joshi. As it is his style, Rajkumar Hirani is taking his own sweet time to write and fine-tune the script. He’s been sharing all the drafts with the superstar, who also provides his feedback and input to Rajkumar. However, an official announcement regarding this film will happen only when a fully satisfied Rajkumar Hirani locks the script. This is being done at the behest of the filmmaker and Shah Rukh Khan reportedly has no qualms in delaying the announcement.

Recently, SRK had got his fans excited when in a reply to a fan question on Twitter, he had hinted that his film with Rajkumar Hirani is indeed on.

Wow both are awesome and I have met them...but Raju apna sa lagta hai...nahi? https://t.co/EuSsrTHtx5

— Shah Rukh Khan (@iamsrk) April 20, 2020

Also Read: Rajkumar Hirani and Sri Sri Ravi Shankar to have an insightful conversation on the Heart To Heart Show

Hollywood veteran Russell Crowe took a trip down the memory lane on Saturday and shared a throwback picture from the sets of his film -- A Beautiful Mind.

The 56-year-old shared the picture of the year, 2001, on Instagram. The actor is seen sitting along with actor Jennifer Connelly, also his co-star in 2001 released American biographical drama film. The duo have shared screen space in multiple films.

 

 

 

View this post on Instagram

Love this gal. Been married to her twice. Awesome actress. I think we bring out the best in each other. This from the set of A Beautiful Mind. Somewhere in New Jersey, 2001.

A post shared by Russell Crowe (@russellcrowe) onApr 17, 2020 at 11:08pm PDT

Addressing the 49-year-old star, Crowe tweeted: "Love this gal. Been married to her twice. Awesome actress. I think we bring out the best in each other. This from the set of A Beautiful Mind. Somewhere in New Jersey, 2001."

Directed by Ron Howard, the movie is about an antisocial but genius mathematician, John Nash who agrees to do some secret work in cryptography following which his life becomes a total nightmare. But his love for numbers is quite evident in the film.

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As the world began bingeing on Mindy Kaling and Lang Fisher's new creation, Never Have I Ever, British musician DJ Rekha and Poorna Jagannathan — who plays a pivotal role in the comedy — hosted a special Instagram party on Sunday to celebrate the series. A Bollywood-themed virtual bash seemed like the perfect way to tackle the lockdown ennui as several stars around the globe logged in to congratulate Kaling on her latest offering. Amongst the Bollywood stars to join the fanfare were Richa Chadha and Ali Fazal.

Mindy Kaling

A source reveals, "It was essentially a lockdown party with Mindy joining in from the US, and Richa and Ali logging online from Mumbai. Oscar-winner Mahershala Ali too attended the virtual do. Most of the stars had watched the show beforehand. While they loved how the slice-of-life series captured the joys and sorrows of a second-generation Indian teenager growing up in the US, the larger discussion was about how it beautifully highlighted the issues faced by people of different ethnicities through the protagonist and her diverse set of friends. DJ Rekha made sure that the party, though online, wasn't without its share of music as she belted out hits from her console."

Mahershala Ali

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For long, Mindy Kaling felt like an outsider in Hollywood due to constant reminders that she is different — thanks to the stereotypical attitude towards her ethnicity and gender. The actor, who has Indian roots, is glad that things are changing, and says right representation matters. "We talk about how representation matters in Hollywood, so much that it almost loses its meaning. But it's real," said Kaling while talking about how things have changed for women of colour in the West.

"Growing up, I realised that there was no one who looked like me on TV, so I often found myself drawing parallels to people who are like me on shows like the Cosby Family or characters on white sitcoms. You cannot imagine how excited I was when Bend it Like Beckham (2002) came out. The idea that I could actually see people from my community on screen blew my mind," added Kaling, who is basking in the appreciation coming her way for her latest Netflix show Never Have I Ever.

Kaling has been a torch-bearer for diversity and right representation. At 24, she was the only woman and person of colour when she joined the writing team of popular show, The Office, in which she also essayed role of Kelly Kapoor. She also became the first woman of colour to write, star in and create the primetime sitcom titled The Mindy Project in 2012, which not only got her wider attention but global fame as well.

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