New Comic: 2020-05-01

New Comic: 2020-05-05

New Comic: 2020-05-07

Fiona Apple “Ladies” The big frustrating thing about loving Fiona Apple’s music is that she takes so long between records, but the immediately apparent thing about her new album Fetch the Bolt Cutters is that these particular songs simply couldn’t exist as they do without all that time for reflection and emotional processing. Whereas most […]

In last week’s midterm elections, Democratic and progressive political candidates flipped red House districts, key state legislative bodies, governors’ offices, and even Senate seats in Nevada and Arizona. We’ve elected one of the most diverse Congressional classes in history, with historic numbers of women and LGBTQ representatives, including the first Muslim and Native American women […]

Today's comic is a guest strip from my good buddy KB Spangler! Thanks buddy! Regular comics resume tomorrow.

The wildly popular game gives players a place to socialize with others or simply escape while on lockdown for coronavirus

As shelter in place orders around the world have left many people trapped at home indefinitely, some have found a new place to meet up: inside the digital world of wildly popular Nintendo game Animal Crossing.

Released in late March, Animal Crossing: New Horizons quickly became the top game in the US. In it, users explore a carefree pastel environment, growing fruits and flowers, catching bugs or fish to sell, and making friends with other characters in an open-ended simulation.

Artist Cotton Valent has created a brilliant cat comic series called, "Creepy Cat."

Creepy Cat is the purrfect combination of creepiness and cats! Honestly, what more can you want in life? The story begins when Flora, the human, moves into an old house. Turns out, the old house is occupied by a "creepy cat." And that is where their story begins! 

You can follow the amazing series on Manga Mutiny! We love "Creepy Cat!"

So cute, so wholesome! 

Welcome to Cat Cafe Comics, a place filled with adorable and uplifting animal comics! Created by the talented Matt Tarpley, you can follow the cafe's Instagram page here for comics that will make you feel "warm and floofy!"

Get ready to smile! 

This week, you can download desktops featuring the new cover art and stills from the trailer, then get a discount on the Steam edition of the Dresden Files Cooperative Card Game in anticipation of its launch on the Switch! Ready? LET’S DO THIS THING. Living Social We’re expanding out social media presence! You should already [...]

A new comic has been posted at Sluggy.com!

The coronavirus pandemic is making life feel slower than ever, but observing timescales across the universe can bring us some comfort, writes Chanda Prescod-Weinstein

New Cyanide and Happiness Comic

New Cyanide and Happiness Comic

New Cyanide and Happiness Comic

New Cyanide and Happiness Comic

New Cyanide and Happiness Comic

On Thursday, the country reported its largest one-day increase in new cases of 11,231 — yet President Putin already has his eyes on reopening.

Brazil could face "economic collapse" in a month's time due to stay-at-home measures to stem the coronavirus outbreak, with food shortages and "social disorder," Economy Minister Paulo Guedes warned Thursday. Brazil, Latin America's biggest economy, is also the epicenter of the coronavirus pandemic in the region. But far-right President Jair Bolsonaro - who appeared alongside Guedes, his free-market economics guru - opposes stay-at-home measures to slow the virus, saying they are unnecessarily damaging the economy. "Within about 30 days, there may start to be shortages on (store) shelves and production may become disorganized, leading to a system of economic collapse, of social disorder," Guedes said. "This is a serious alert." Bolsonaro, who has compared the new coronavirus to a "little flu," said he understood "the virus problem" and believed that "we must save lives." "But there is a problem that's worrying us more and more... and that's the issue of jobs, of the stalled economy," Bolsonaro added. "Fighting the virus shouldn't do more damage than the virus itself."

FIFA Beach Soccer World Cup 2019: clash of styles with keepers playing prominent role

The love and loyalty of the fans will never let him leave Royal Challengers Bangalore till the time he is playing IPL, skipper Virat Kohli said on Friday. RCB have reached the IPL final thrice but have not gone on to win the trophy. During a live session on Instagram with former South African captain and RCB teammate AB de Villiers, Kohli said winning the tournament remains the goal but he would not leave the team irrespective of the results. "It has been such an amazing journey. It is always going to be our dream, winning the IPL together. There is no scenario where I could think of leaving the team ever.

"You can feel emotional about the season not going well but till the time I am playing IPL, I am never leaving this team. The fans, their loyalty has been amazing," said the India skipper. Responding to Kohli's feelings towards RCB, De Villiers too acknowledged the support of fans over the past nine years. Kohli, on the other hand, has been with RCB since 2008.

"Same for me. I never want to leave RCB but to do that I got to keep scoring runs. I am not the captain you see," said the South African in jest. The COVID-19 pandemic has forced the "indefinite" suspension of the 13th IPL, which was supposed to start last month but Kohli said he is still hopeful of the cash-rich event happening at some stage. "We have no clarity at this moment but I am optimistic that at some stage we will have something," he said.

Both Kohli and de Villiers also recalled their early days in international cricket and their growth as cricketers and friends. Kohli said at times, the youngsters coming in have too much regard for the "system" and he wants to see them break the norm. "I want to see youngsters coming in scoring 500-600 runs. I want people to break the norm. Sometimes I feel people have too much regard for the system in sport. When you break the shackles, you do something special."

Kohli also acknowledged contribution of Mark Boucher, Gary Kirsten and Duncan Fletcher early on in his international career. "Gary always gave me positive feedback. Boucher told me in 2008 to improve my game against the short ball. He had the vision. Then Fletcher, he had a keen eye for the game. So many people who have contributed (to my growth)," said Kohli.

De Villiers picked the 119 at Wankhede in the 2015 series decider as his best knock against India. Kohli picked the 119 he scored in Johannesburg Test in 2013. "I was always really motivated to win the series after 2-2 . I was incredibly motivated to do something special," de Villiers said. They also picked their combined South Africa and India ODI team. It included Sachin Tendulkar, Rohit Sharma, Virat Kohli, Ab de Villiers, Jacques Kallis, M S Dhoni (captain), Yuvraj Singh, Yuzvendra Chahal, Dale Steyn, Jasprit Bumrah and Kagiso Rabada.

Catch up on all the latest sports news and updates here. Also download the new mid-day Android and iOS apps to get latest updates.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Suresh Raina has heaped praise on Rishabh Pant and said that the wicket-keeper is as dominant as Yuvraj Singh and Virender Sehwag. Raina was doing an Instagram Live session with spinner Yuzvendra Chahal during which he praised Pant.

"He is a top cricketer, when he plays well, you become happy and he reminds of Yuvraj and Sehwag, he is as dominant as them, when he plays the flick, it reminds you of Dravid as well," Raina told Chahal during the Instagram Live session.

Raina also said that Virat Kohli's energy is a game-changer while he is leading the team in the shorter formats. "Virat is a solid captain, he has a lot of energy, he can control things, when you are playing shorter formats, you need a lot of energy and passion," he added.

Pant was last seen in action during India's two-match Test series against New Zealand earlier this year. In the series, Pant managed to score 60 runs. The wicket-keeper batsman has often been criticised for not putting a price on his wicket.

Earlier this year, he was replaced by KL Rahul as the wicket-keeper in the shorter formats. Pant would have been in action for the Delhi Capitals if the Indian Premier League (IPL) had commenced from March 29. However, the tournament has been suspended indefinitely due to the coronavirus pandemic.

Catch up on all the latest sports news and updates here. Also download the new mid-day Android and iOS apps to get latest updates.

Mid-Day is now on Telegram. Click here to join our channel (@middayinfomedialtd) and stay updated with the latest news

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Last week, mid-day reported that Manoj Desai, owner of Gaiety-Galaxy, had to take a bank loan to provide salaries to his employees amid the lockdown (How will the show go on?, April 16). Four days since, Akshay Kumar has come forward to ensure that Mumbai's much loved cinema does not suffer a harsh fate as the theatre shutdown runs into its second month. "Three days ago, I got a call from Akshayji. He offered to provide financial assistance if the scenario continues. It was kind of him to offer help, but we should find a way to sustain ourselves. We have managed to collect enough funds to pay the salaries for this month, but the theatre shutdown will have long-term ramifications. Our focus is to ensure we don't trim staff or resort to pay cuts," says Desai.

Two weeks into the shutdown, Desai and business partner Arun Nair had decided to increase the ticket prices once the cinemas re-opened. However, with the lockdown being extended to May 3, Desai is aware that making up for the losses of 45 days is a pipe dream. "I will head to Gaiety and Maratha Mandir today to finalise our plan of action for May. We are reworking our plans to ensure that we don't have to seek support from the industry folk."

Manoj Desai

No aid from YRF?

Desai is also the owner of Maratha Mandir that screened Dilwale Dulhania Le Jayenge (1995) for 25 years, thus making the Shah Rukh Khan and Kajol starrer the longest-running film in the history of Indian cinema. He laments that Yash Raj Films, the studio behind the love story, has not offered a helping hand. "We have been running the film for so long. I can't go begging to them; they should have spared a thought," he said in an interview to mid-day last week.

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Farhan Akhtar is a multifaceted package of entertainment and his skills know no bounds. The actor has given the audience of the Indian film industry several memorable characters on-screen that. The audience saw one of the actor's most meaningful and poetic characters in Bollywood in the film Zindagi Na Milegi Dobara. He donned the role of an advertising copywriter. His character in the film was given to all things art and delivered to us mesmerizing poetry which captured the essence of the film in it and gave a meaningful message out to the viewers.

In the sports biopic Bhaag Milkha Bhaag, Farhan Akhtar played the eminent role of the world champion runner and Olympian Milkha Singh. His character was inspirational to watch on screens and certainly gave the motivation they required to chase their goals. 'The Sky Is Pink' saw Farhan playing the intense role of a husband and a father in the biographical dram film, proving his versatility and his ability to play characters from one end of the spectrum to another.

The actor has won several accolades with his remarkable roles in his films and those films are known to gain commercial popularity as well. However, this time around Farhan is all set to step into the boxing ring with Toofaan where he won't be pulling any punches or leaving any stones unturned with his acting skills.

Farhan's previous noteworthy roles promise the audience an even more pre-eminent character on-screen.

The film is scheduled to release on the 18th of September 2020, presented by Excel Entertainment and directed by Rakeysh Omprakash Mehra.

Toofaan is an Excel Entertainment Production in association with ROMP Pictures. So be ready to be blown away by a storm in Toofaan!

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The civic body just can't seem to get its mid-day meals right. It turned out to be a poisonous Thursday at Bhandup's Sahyadri Vidyamandir, after 16 students and a teacher landed in hospital with complaints of stomach ache and vomiting on eating the dal rice served in the school yesterday. While all are stable now, it has once again raised serious concerns over the meal scheme.

The trigger
Though Sumit Dongarkar's mum packs a tiffin for him every day, he looks forward to the brunch served in school, and Thursday was no different, said his mother Sonali, as he loves dal rice.

The 13-year-old and his friends ate the meal with relish during the recess at 9.50 am, but shortly after, trouble started. At first, a Std VII student began vomiting, but soon, more complained of stomach ache and nausea. After other students began throwing up, the school authorities rushed 16 of them, and a teacher, Vidya Lad, who'd tasted the food as per protocol, to Mulund Agarwal Hospital. Sonali Dongarkar said, "Sumit is doing fine now and is under observation."

Who's responsible?
School authorities said that for the last one and a half year, around 700 students have been eating the meals prepared by Lingeshwar Mahila Bachat Gat. Parents told mid-day that VII-C is the first to receive the food every day, and while 16 from the class of 40 took ill, others remained unaffected. "Everybody is stable now. But this has shaken the kids and our trust. Who will take the responsibility for it?" asked Aruna Poojari, a parent.

Another, Aditi Naik, said, "My son, Krish, had a nasal tube attached for a while. He is okay now, but I am going to tell him not to have the meal again." Several parents complained of being kept in the dark about the incident. "The school finishes at 12.30 am. When I went to receive my daughter, she never came out. Then, a friend of hers told me what had happened. I felt dizzy on finding out, but I rushed to the hospital," said Lalita Shinde.

Hospital dean Dr Usha Mohprekar said, "All are stable now. We have moved them to the general ward for observation. Prima facie, it looks like food poisoning. An inquiry will be conducted."

Sampling the fare
Principal Narsingh Mane told mid-day, "The staff were prompt in giving required care to the sick children, all from one division. The food had come from Lingeshwar Mahila Bachat Gat, which has been providing it to us for a while now. So, we are not sure what went wrong. Samples of the food have been submitted to authorities for testing."

BMC education officer Mahesh Palkar said, "We have collected raw as well as cooked food samples from the kitchen of the organisation. The kitchen looked neat and tidy; nonetheless, experts will test the samples to end the inquiry conclusively. Until the investigation report is out, we have ordered the organisation to not supply food; its contract with the civic body will be subject to the probe report.

"The organisation provides mid-day meals to 25 other schools in the vicinity. So, while the investigation is on, all these schools will have to make alternative arrangements."

Also read: 25 students fall ill after consuming mid-day meal at Delhi school, hospitalised

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

"Empowerment is such a frequently used term. Sab bolte hai. But what it really implies is to just be yourself," Avantika Mathur asserts. The 30-year-old artist from Navi Mumbai has been making graffiti on the city's walls for years — and in some cases, the street lamp got there after the artwork did. "Art is a powerful medium, but street art is the best form to explain an ideology. It's an open gallery," she adds. And next week, Mathur along with six female artists will transform the neighbourhood of Marol into a gallery through Ladies First, India's first women-only street art festival.

Walls spanning over 10,000 sq ft will be painted on in Marol Village

The week-long event organised by Marol-based graffiti agency Wicked Broz in collaboration with the Military Road Residents Welfare Association, will see artists paint on multi-storied buildings and running walls spanning over 10,000 sq ft. Although talks about putting together a street art festival were in the works for a year, the idea of turning it into a women's-only event culminated from a Rajasthan trip in January that the organisers were part of. Rikis D Santander, a street artist from Chile, had mentioned that not only were India's gullies overcrowded, but very few women were part of that crowd.

Avantika Mathur

"Even globally there are very few female-centric events. Someone even asked us why women need a separate festival. I said that if I count the number of women who paint on the streets, that number will still be miniscule. Until we don't celebrate these artists, people won't be motivated to come out and paint," Zain Siddiqui of Wicked Broz explains, adding that they initially conceptualised a grander event with more artists. "But a lot of festivals happen as a one-time thing and then disappear. We didn't want that," he says, while proceeding to talk about the line-up that includes Abigail Aroha Jensen from New Zealand, Delhi-based Anpu Varkey and Ratna Singh, a Warli artist.

Zain Siddiqui

"The styles are diverse and we haven't only restricted ourselves to graffiti because we don't want to go around painting something ambiguous. It should mean something," Siddiqui tells us, while Mathur adds, "While Anpu paints large animals, I follow a bohemian surrealist style, which is all about finding yourself."

MC Manmeet Kaur

In addition to wall painting, Ladies First will also feature workshops, exhibitions of canvas work by participating artists, talks and film screenings. Hip-hop cyphers by female artistes such as Goa-based rapper MC Manmeet Kaur is also scheduled to take place. And on the last day, the public (including men) will be free to create artwork on a large wall. As Mathur says, education is key. "For people to appreciate street art, it is necessary that they understand it first. So, each piece we create will have a narrative."

ON March 25 to 31, 9 am to 6 pm
AT Bharat Van, Military Road, Marol Art Village, Andheri East.
CALL 8887795823
Email ladiesfirststreetart@gmail.com

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Xiaomi India on Wednesday announced the launch of "Mi Music" and "Mi Video" to offer value-added Internet services in India.

"With the launch of these two apps 'Mi Music' and 'Mi Video', we hope to serve millions of Xiaomi smartphone users with a better user experience through enhanced Internet services," Manu Jain, Vice President, Xiaomi and Managing Director, Xiaomi India, said in a statement.

"Mi Music" is a pre-installed music app which offers an integrated music streaming service along with the ability to store offline music and has nearly seven million daily active users in India, the statement said.

"Mi Video" is a pre-installed video app that provides integrated video streaming across platforms.

"Mi Video" content is currently powered by Hungama Play, SonyLiv and Voot. It offers more than 500,000 hours of content with nearly 80 per cent free content, the statement added.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

iVOOMi on Thursday launched its first health band, 'FitMe', in India at Rs 1,999. The fitness band sports a 90mAh battery, scratch-proof display heart rate monitor, sleep monitor, running mode, vibration reminder, pedometer, GPS and other features, the Chinese electronics company said in a statement

"The 'FitMe' health band is sleek, smart, dust-proof and water resistant and features a display of 128x32 pixels resolution that makes it crystal clear from all viewing angles," said iVOOMi India CEO Ashwin Bhandari.

With "IP67," the watch remains water-resistant for 30 minutes, has auto-sync for "Smart Me OS 2.0" and is capable of OTA (Over the Air Software) updates.

"FitMe" is chargeable without a USB cable; the display can be directly connected to any USB port to charge the device. The health band on available on Flipkart and 

Available on Flipkart, the health band comes with a six-month warranty.

(Edited by mid-day online desk, with inputs from IANS)

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

Telecommunications service provider Ericsson on Thursday introduced a new category of radio products called Street Macro in India to enable a smooth evolution from 4G to 5G.

Street Macro is a new site type that addresses the need for operators to grow in cities with limited available radio locations.

The company also launched new radio products that support "Massive MIMO" technology to simplify use for wider 5G adoption.

"Operators today are looking at ways and means to increase network capacity, especially in urban areas. Ericsson's Street Macro adds a new layer in the network layer to boost capacity enabling service providers to cater to the growing demands of data users," Nitin Bansal, Managing Director, Ericsson India, told reporters here.

According to Ericsson's new economic study of enhanced mobile broadband, evolution to 5G will enable 10 times lower cost per gigabyte than current 4G networks.

To help operators capture growth opportunities presented by new 5G use cases, Ericsson has expanded its 5G Core System offering with new capabilities to support 5G New Radio (NR) standard and also enhanced its Distributed Cloud solution.

The announcement came on the sidelines of Ericsson's annual technology roadshow in India, where the company recreated a "Do Zone" to showcase the highlights from Mobile World Congress 2018.

To date Ericsson has signed 39 memorandums of understanding with service providers for trials, the company said.

Illustration/Ravi Jadhav

For years, every time I've gone to a beauty parlour, yaniki, what fancy folks now call salon, one of the ladies there will ask me in that characteristic beautician tone — yaniki, terrorism masked as concern — "eyebrows nahin karaate ho?" (don't you 'do' — thread and shape — your eyebrows?). Depending on my confidence levels (usually low, an unavoidable side effect of entering a beauty parlour) my 'no' might be uttered with giggling diffidence, false hauteur, or bland deflection. The response of the beauty parlour lady is always the same — "accha?", yaniki, "fine, be that way." It's on your head. Don't come crying to me afterwards. I toh have done my due diligence by asking." Sometimes, feeling a little bold, I would ingratiatingly say, "The natural shape is pretty nice na, so why get into one more jhamela." The beautician will give that sweeping, sarcastic glance at my eyebrows and say, "Haan, vaise toh it's fine", yaniki, pity and disdain, bechari thinks natural is a thing.

This has been a consistent question, of course, but as any random or regular beauty parlour visitor knows, there are others, spoken in a special voice designed to decimate your ego and turn you into a trembling supplicant, begging for beauty treatments. "Last clean up kab kiya tha?" (When's the last time you had a facial?). "Feets ko bleach nahin kara na? Bahut tanning ho gayi hai." (Don't bleach your feet? They're very tanned).

It doesn't matter if you by-hearted The Beauty Myth when you were 15, you will be engulfed by that doomful self-hate and self-doubt start, like a seventh grader in the principal's office. The crushing stereotypes of advertising are laughable wannabes compared to the beauty parlour interrogation.

These questions derive part of their potency from the fact that you are trapped in electric chair type furniture, usually with a giant plastic bib tied around you as if you still cannot be trusted to eat properly, leave alone look presentable, and several other people getting their eyebrows done, or doing others' eyebrows around, who will come to a cinematic halt and stare at you when you admit that you are not one of them.

This potency is only slightly reduced by the advent of app-based home beautician services. To the usual litany of questions they also add, "Ma'am, braazil karalo na, sab karate hain" (Ma'am, everyone gets a Brazilian wax now). You can answer coldly or pretend to be immersed in your phone, like teenagers do with parents. But dude, these are young women who magically produce footstools and pedicure tubs from a backpack. They are not so easily daunted.
With the passage of time, the questions have dwindled. I've relaxed slowly into the truth that as you approach the out-point of the conventional marriageable age zone, the beautician, like the world, starts to expect less conformity from you. The eyebrow question now comes at me only once in every five times.

It was obviously too good to be true. Last week as I submitted to the plastic bib, the beauty parlour lady looked at me with that familiar intent look. "Hair colouring nahin karate?" she asked, checking out my now no longer tentative greys. "Nahin," I said, stoically, preparing for a couple of decades of this now.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Illustration/RAVI JADHAV

Concern is sometimes a mask for control. This is interestingly true when it comes to films that are concerned about the situation of women. If these "concerned" films attract censorship, then they control even more subversively. They become imbued with a revolutionary halo, becoming an urgent cause to be supported, a badge of honour, not a film that tells us deep truths about our lives.

The film Nude arrived on a white horse, after a similar symbolic battle. It's very title had disturbed the Ministry of Information and Broadcasting. It traces the journey of Yamuna after she leaves her village and her brutish husband and becomes a nude model in the JJ School of Arts, with her aunt's help, going on to sit for some famous artists. She has a parallel journey, from shame to pride in work, which is shown minimally. But in the end, she alienates her son and feels defeated and hopeless.

Nude has it's good points — the interesting subject, the strong performances from Kalaynee Mulay and Chhaya Kadam in the main roles, tiny flashes of earthy humour.

But on the whole, it is a plodding work of bad faith and a strangely colonial mindset. Here is a film in which the two main characters are women, which should be evidence of concern and interest in women. Yet they are given hardly any interiority or room to be more than an example of social issues. That's because many such films are not about the characters. They are really about establishing the filmmaker as a noble and high-minded being who will uplift women.

There are only three types of people in the film. There is the poor woman who needs saving from her own men; poor men, who are portrayed as bestial or passive; and bhadralok middle-class artists who are noble and pious with the higher purpose of art. The point is taken, that, cruel or benign, to all of them the woman is an instrument. But this is unfortunately as true of the filmmakers who bring no irony to looking at this 'higher purpose'. Why are there no middle-class women in the film? There are some token women art students — but they never speak, nor is there a single shot of a woman art student drawing a nude.

This absence further prevents any complications in the story of class, caste and gender relations. Complications about what it means to draw a naked woman, exalt her as Devi or pure spirit (the body is the garment of the spirit as one character says unctuously) to serve other people's higher purpose for a paltry pay. To the artist, the model is just a body. To the filmmaker, too, the woman is mostly a victim, a sufferer in search of a saviour.

In such films, women can never truly free themselves from circumstances. They are imprisoned in dead-end film narratives forever to serve the purpose of saviour-filmmakers in films like Nude, Pink and even Lipstick Under My Burkha. Why would filmmakers conceive of different meanings of women's lives, which point to a certain liberation, when these upliftment projects accrue such rewards and privileges? It is only when we, the audience decline to be grateful for this self-serving false realism, that we can hope for stories more true to the complexities of our lives.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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illustration/RAVI JADHAV

There are many reasons to feel ambivalent about having family members as Facebook friends. One of them is almost certainly the fact that they are constantly outing your childhood pet names with alacrity, calling you Pappu, Bobby, Guddu, Noni, Chintu, Tumpa, Monu and so on in public, as if you are the chillar party in a family wedding.

While my immediate family members have been trained in this matter, those in my extended family have failed me hazaar times. "Very nice article, beta (insert pet name)" they will say. I heartlessly and instantly delete these comments. You might say this is draconian. I could just ask them not to. Anyone who has tried this will know it is useless. First, they will be wounded and utter filmi dialogue like "I am sorry I have done something improper. I won't darken your Facebook wall again." A few days later they will comment on your profile picture, "looking very nice (insert pet name)."

Why does this bother us so much? After all, it is the most natural thing to give silly names to people we love. Diminutives, nonsense words, private jokes, comical qualities that fill us with affection all make up the galaxy of nicknames. We don't seem to care when names our friends called us in youth emerge. It is the family pet name, yaniki ghar ka naam, that seems to mortify us.

Perhaps it is just the strangeness of being returned to childhood states that some don't like, a reminder of a time when we were taken less seriously and had little autonomy.

Maybe it is something about having the private emerge in the public, without our consent that makes us feel vulnerable. This may seem strange in times when privacies are constantly shared online, but it reveals how public privacies might be as much a construction as public selves. Perhaps there is an uncertainty, hovering on the edge of shame, about that private 'home' identity. Pet names are a reminder of the time before we learned to see our family as part of social hierarchies of caste and class, language and provinciality. For most, in a society as hierarchical as ours, the transition from childhood to adulthood is also one of painful realisation of difference, about our tastes and habits not always aligned to the social norms of upward mobility. A reminder of the first time someone mocked us for something unfashionable about our families.

This discomfort is far more prevalent among English speaking Indians, because it also exposes a certain sub-Englishness in our Englishness, the kitsch elements of families' aspirational cosmopolitanism. The careful facades dissolve as we build as adults suddenly seem like glass houses. Our insecurities that we will never really fit in, never be cool enough swirl up to the surface. We may develop ironic, even affectionate distance from many parts of the past, but the pet name is too earnest for that.

Only two types of people are not embarrassed by their pet names. Royal family types who go by Bubbles and Toffee and other names from P G Wodehouse, reeking of English aristocracy wannabe-ness. That tells us much about the casual confidence of class and caste. The other, are people supremely self-confident and secure about being loved. They are happy to be everyone's children, always, lucky things.

Paromita Vohra is an award-winning Mumbai-based filmmaker, writer and curator working with fiction and non-fiction. Reach her at www.parodevipictures.com

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Missed out on last week's Green Humour? You can read it here.

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Louiz Banks

I must first establish that jazz is not solely American music. It was born there, no doubt, but gradually it has become a universal musical language, seamlessly integrating with other cultures around the world driven by gifted musicians with an open mind. Thereby becoming a well-loved genre of music. There's a bunch of young and talented musicians in Mumbai and India who are getting into jazz in a serious manner despite the fact that they also play other genres of popular music.

Rhys Sebastian D'Souza

They are versatile, but jazz is their focus, which is great. Because of their commitment, supported by application and daily practice, they are bringing freshness and vitality to the growth and popularity of jazz.

Rhythm Shaw

I am happy about this because it's my dream to bring jazz to the intelligent masses. Among the youngsters who are the driving forces in this amazing movement are Gino Banks, Sheldon D'Silva, Mohini Dey, Anurag Naidu, Andrew Kanga, Rhythm Shaw, Abhinav Khokhar, Rahul Wadhwani, Vasundhara Vee, Sonia Saigal, Isheeta Chakravarty, Harmeet Manseta, Tarun Balani, Ron Cha, Sharik Hassan, Shirish Malhotra and Rhys Sebastian D'Souza, among other talented musicians.

Isheeta Chakravarty

Each of them is bringing his/her own perception and unique individuality to the understanding and 'live' performance of jazz. These artistes are taking the jazz movement forward into the now and beyond. God bless their zeal and may their tribe increase manifold. My dream is becoming a reality.

As told to Soumya Vajpayee Tiwari

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Palash Kothari. Pic Courtesy/Fahama Sawant

It's a hot, toasty afternoon in Mumbai. We can see bits of the pumpkin-coloured sky through the window blinds. The phone rings once, twice. On the other end is 21-year-old Palash Kothari aka Sparkle and Fade. "I really don't know what to expect," Kothari admits, speaking about his upcoming gig with Bengaluru-based producer-drummer duo Nikhil Narendra and Shreyas Dipali.

The Fringe is a new gig series to be launched in the city, which will feature artistes who create hybrid music. "Hybrid is very open. It can be analogue or digital, classical or jazz, acoustic or electronic, basically the coming together of conventional and non-conventional methods," explains Sainath Bhagwat, programmer at Mixtape, a Mumbai-based artist and event management company.

Nikhil Narendra + Shreyas Dipali. Pic courtesy/Mayuresh Vartak

"In the current scenario, there's a bulk of electronic and live music being made, which cannot be performed/consumed in a traditional club space. The idea for this night was born out of a collective desire to create a platform to showcase these artists in the right environment," Sainath adds.

Unsure of what to call Kothari's music, we dawdle between electronic and bedroom producer (a term used for musicians making and producing experimental music in their bedrooms) hoping to understand the use of Hindustani classical samples in his older EPs. "I am not sure what to call my music either. I began playing the synth when I was three and then, I trained in Hindustani classical. That was my first step into music, so the influence comes from wanting to put a little bit of me as a child into the music I make now," he elaborates.

"I was listening to pop and EDM in high school. Swedish House Mafia's concert in India inspired me to finally put my music out. Then I got bored, because it wasn't satisfying. So, I started making music that I felt right about. I mellowed down a little as a person and I guess that comes through in the sound, which is more solitary now," he says.

For Kothari, while the influences are aplenty, not mimicking takes conscious effort. "I am working on something now. So, I am going to stop listening to other music because it's difficult not to emulate them. I don't see any point in making music that already exists. In effect, this will probably also be my last gig before my new stuff is out," he signs off.

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Dress up in light and bright outfits for a summer wedding. At the same time, do not forget to play with appropriate fabrics. To look bright and beautiful, experts suggest minimalistic embellishments and soft Maheshwari and Chanderi fabric for your attires. Designer Sweety Arora, and Renu Rana, Founder at Sihali Jageer, have listed what to wear under the sun, literally.

1. During summer, go with cool fabrics suited to a sizzling day. Think feather-light hand woven silks, fluid modal and cottons. A flowy dress from the traditional Maheshwari cottons and matching Coimbatore cotton silks with Chinese collar will add the extra glam to your look. You can also try Tangail fabrics beautiful cape tops with ikkat pants that look extremely trendy.

2. Colours like pink, blue, and yellow exude charm and tenderness. So, go for delicate pastels, soft maheshwari and Chanderi with a hint of metal, with gold and silver jamdani hand embroidery and booties. It is a perfect synthesis of traditional fabrics for contemporary needs and style.

3. To create an ethnic look, pair chanderi kurta and silver pajama with heavy Dhakai jamdani dupatta. You can also add an angrakha jamdani wraparound kurta over it for a dramatic twist.

4. For a beautiful fusion of traditional and contemporary look, the clothes must blend different styles from various parts of the country, from Rajput to Afghani traditions to our own Indian heritage, thus creating looks which are classy, glamorous and reflect one's signature style and love of colour. This mixture of different influences only helps in creating unique designs, clean cuts and modern style.

5. Rely on breezy prints with minimalistic embellishment.

6. Go for silhouettes that don't bog you down. Go for sheer skirts and wrap tops, cowl dresses, draped saris, light lehengas and anarkalis.

7. Keep your footwear as quirky and off-beat as the rest of your ensemble. Go for customised jutis, or blingy canvas shoes.

8. Invest in nice statement neckpieces and layered neckpieces as they look elegant, comfortable and unique. Try double rings with pearly strings, palm rings and pearl kadah.

9. Try to explore new designs and shapes in bags like bucket bag-inspired potlis, give an indo twist to messenger bags. You can also opt for customised miniature bag packs as those will make you stand out from the crowd.

(Edited by mid-day online desk, with inputs from IANS)

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Stretching from the imposing skyrises of Colaba and Malabar Hill to the fishermen's colonies in Worli, the prestigious VVIP Mumbai South Lok Sabha constituency is the richest in the country making it a high-stakes affair for the two main contestants - Shiv Sena sitting MP Arvind G. Sawant and rival Milind M. Deora of the Congress.

Despite being wealthy, the constituency is barely 'generous' in exercising its franchise - it was way back in 1967, when George Fernandes won on a single point agenda of providing sufficient water supply to all, that 67.42 per cent electorate voted.

Again in 1991, the voting percentage plummeted to an abysmal 38.65, giving credence to the belief that people in high-rises remain indifferent to the political process. But in 2014 the percentage went up to a modest 52.48.

The population of Mumbai South is approximately 20 lakh and the voter strength is 14,85,846 including 15 per cent of some of the country's richest, a large 70 per cent dollop of middle-class and a sprinkling of 15 per cent eking out an existence in slums in what is one of the few fully urbanized constituencies of India.

Unconcerned by the turnout figures, Shiv Sena's Sawant exudes is optimistic of winning again.

"I am the voice of the masses and the classes. I have been present whenever and wherever I was needed in the past five years," Sawant told IANS.

On his rival Deora, he shot back: "Where was he for the past four years and nine months? This is what commoners and business community ask me. It is my work for all sections and my contacts with the masses that will decide the election."

Though incommunicado despite repeated attempts by IANS, the former Union Minister Deora has remained unflustered by the opposition barbs.

After all, in a political-corporate coup of sorts, last fortnight, he secured the open support of key players from India Inc, sending panic waves in the ruling Bharatiya Janata Party-Sena combine.

Ranked as one of the most cosmopolitan constituencies, Mumbai South is beset with many problems that have remained unresolved over the years.

"There are hundreds of old buildings, ancient sewage lines, house gullies, traffic congestion and slum pockets in Darukhana, BPT, Colaba and Worli which are of great concern," Waris Pathan, All India Majlis-e-Ittehadul Muslimeen's sole Mumbai MLA, told IANS.

Though there is the ambitious Coastal Road project coming up, Patyan says "a lot will depend on its implementation, or it will be disastrous for the entire city".

Besides, there is the gnawing problem of security in the region which has witnessed two of the worst terror strikes in the country - the 1993 serial bomb blasts and the 2008 terror strikes.

Not surprising, since this constituency is home to the country's most affluent business districts which contribute hugely to the national exchequer, some of the poshest residential complexes, Indian and foreign banks, and national and international firms are headquartered here.

There are also offices of global corporates, airlines, embassies, luxury hotels, swanky restaurants and pubs, global tourist attractions, open shopping plazas, malls and multiplexes, reputed schools, colleges, an array of heritage buildings, the official residences of Maharashtra Governor, Chief Minister, the Chief Justice of Bombay High Court and other judges, the Legislature and the Mantralaya.

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