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Tensions have long existed between gangs in Tottenham and Wood Green - for 10 weeks in 2018 they boiled over.

It's been a grim one week for residents of Vasai-Virar. Situated in Palghar district, 30 km north of Mumbai, the city — Maharashtra's fifth largest — has been fighting a tough battle against torrential downpour, which left several areas under water for nearly five days.

The situation was so deplorable that, for the first time in its history, the Western Railway was forced to collectively summon the National Disaster Response Force (NDRF), Indian Navy, Army, the Coast Guard along with the Railway Protection Force to rescue over 2,000 passengers stranded in trains mid-way due to waterlogging on July 10 — the day the region received 240 mm rainfall.

On Thursday, two days after rain stopped, several areas continued to be severely waterlogged and had no electricity supply. Meanwhile, three people lost their lives after drowning, and hundreds of residents were forced to remain home bound.

Residents wade through knee-high water near H Colony, Vasai West, on Friday. Pics/Hanif Patel

Far from the hubbub of Mumbai, this fast-developing region, which comes under the Vasai-Virar City Municipal Corporation (VVMC), was drowning and any attempt to save it, appeared foolhardy. For old-time residents, who've witnessed the transformation of this green land into concrete, the flooding situation is new and alarming.

Local experts and environmentalists, however, blame unchecked dumping of sand in wetlands, and haphazard construction activities for residential and commercial spaces in Vasai-Virar — the new address for the up and coming middle-class — as the reason behind the slow crumble the city witnessed this monsoon.

Satish Lokhande, commissioner, VVMC vs Sameer Vartak, activist

How residents suffered
Before Vasai-Virar got its own municipal corporation in July 2009, it was already a chosen destination for real estate sharks due to its proximity to the Maximum City. Located along the banks of Vasai creek, which separates the region from Mumbai and Mira-Bhayandar, the agrarian belt, comprising Vasai, Nalasopara, Naigaon and Virar, soon transformed into a residential hub. This change is evident in the four-fold increase of the population in the short span of 20 years — from three lakh in 1991 to over 12 lakh as per the 2011 Census.

On July 9, Vasai-Virar witnessed the first heavy downpour of the season. Several parts of Vasai and Nalasopara unexpectedly began flooding with low-lying areas along the creek facing the biggest risk. In Vasai, Suncity, Gass, 100 Feet Road, Samta Nagar, Evershine City were waterlogged, while Achole Road, Chheda Nagar and Samta Nagar in Nalasopara were also inundated with flood water. For Sameer Dudhwani, who resides on the second floor of DG Nagar Housing Society in Vasai West, where water levels had reached four feet, the heavy showers brought with it unexpected tragedy.

Sameer Dudhwani (right) shows a photograph of his ailing 65-year-old mother, Dilshad, who died on her way to the hospital on July 10, as he was unable to get her out of their waterlogged residential colony, DG Nagar Housing Society in Vasai West, in time for her dialysis appointment. Pics/Hanif Patel

Dudhwani, who resides with his wife and parents, lost his ailing 65-year-old mother, Dilshad, because he could not take her to the hospital on time. "My mother was on dialysis, and would get it done thrice a week.

She had an appointment for July 10, and we were supposed to take her to the hospital, but couldn't step out. As her condition became worse, my neighbours and I decided to lift her on our shoulders and wade out of the colony," Dudhwani recalled. Outside, they struggled to find transport. "Finally, a tempo driver helped us take her to the hospital. But, she died before reaching the hospital," he said.

Sameer Dudhwani

What made it worse was the fact that they could not bury her immediately due to lack of transport on the waterlogged roads. "We managed to bury the body only the following day," recounted a grief-stricken Dudhwani. Rosario D'Souza, a resident of 100 Feet Road, said the fire brigade officials from VVMC were a godsend, as they helped him drop his nine month-pregnant wife, who was in labour, to the hospital in an inflatable boat.

Rosario D'Souza, a resident of 100 Feet Road, said fire brigade officials from VVMC helped him drop his wife, who was in labour, to the hospital in an inflatable boat

The Vasai-Nalasopara-Virar rail stretch on WR was also severely affected with 400 mm water on the tracks by Tuesday morning. Passenger trains had to be stopped as water levels increased. Several outstation trains, including the Vadodara, Bhuj Bandra, Lokshakti and Jamnagar express trains, were halted. Passengers remained stuck for hours together without food, water or any help.

As the situation continued to get worse, AK Gupta, general manager, WR, rallied for help from all possible quarters. By late afternoon, teams from the NDRF started rescuing stranded local train passengers in inflatable boats. "Meanwhile, RPF teams reached out to passengers on the express trains. They had formed a human chain and taken out many passengers, but we also sought the help of the Navy for transport vehicles that could run in water," said Ravinder Bhakar, WR's chief public relations officer.

WR on Tuesday called the NDRF to help rescue passengers stranded in local trains, after the tracks were submerged in 400 mm water 

Poor town planning
According to bird enthusiast and Vasai resident Amol Lopes, the Vasai-Virar belt has always received heavy rainfall. "It rains a lot in this region every year, but it's the first time that we have witnessed flooding to such an extent," said Lopes, who has been living in Vasai for the last 37 years.

"The main reason is that a lot of construction bodies have recently started dumping sand and debris in the wetland areas. We have a lot of lakes and small ponds in Vasai and Virar, which serve as important channels to carry rain water to the nullahs and the sea. Due to the unchecked dumping, there is no natural reservoir for the rain water, causing townships to choke. In fact, several residents have reclaimed these wetlands and built houses over them," Lopes said, citing areas such as Gogte and Umela salt pans, and Vasai Suncity Road that are at risk due to this activity.

Fasle Hoque Qureshi, 33, (fourth from right) is a resident of Ambali Nagar. On July 10, he arranged biscuit packets for the stranded passengers of the Rajkot Trivandrum Express. The next day, Hoque, who also owns a restaurant, had food cooked and delivered to residents of Sant Jalaram Bapu Nagar. Among those who helped him were Farukh Pathan, a retired government official, advocate Ashok Mishra and local residents Usman Khan, Sandip Shukla and Jaiprakash

Environmentalist Stalin D from NGO Vanashakti raised similar concerns. "Check the maps of Vasai and Virar and you will realise why it is going underwater. Vasai and Virar are natural floodplains and not at all fit for townships, built on raised, reclaimed land. Yet, authorities continue to plan newer projects; due to this, illegal reclamation of land, and destruction of ecologically important wetlands and mangrove forests are rampant. No wetland has been spared and those un-built are also earmarked. Citizens don't have a choice as they cannot afford housing elsewhere," he said.

According to local activist Dominica Dabrey, at present, there are two major colonies under construction in Vasai West, which are blocking the path of the rain water that flows through a nullah. "The local corporation built a boundary wall near the nullah, narrowing its width, and causing excess rain water to overflow," said Dabrey.

Another local activist Sameer Vertak also showed mid-day several spots in Nalasopara where construction next to nullahs was rampant. He also pointed out a spot where debris had been dumped in a narrow gutter. Part of the Ulhas river, locally known as Sopara river, which starts from the hills in the eastern part of Vasai and ends in the Vasai creek, has also been encroached, and diverted, Vertak said.

"Also, while the population in these areas has increased manifold, the drainage system is as it was 15 years ago. The corporation has to increase the width of the drainage culvert, and clean them regularly," he said.

'Blame the rain gods'
Father Francis D'Britto, who first rang the alarm bells in 1989, when he approached the local tehsildar office of Vasai, demanding that they chart out a plan for the township, said, "At the time, I had warned them that if they did not tackle the situation soon, this place would drown. Look what's happening now."

 
Stalin D

Local MLA Hitendra Thakur said that Vasai recorded the highest rainfall till July 10, this season. "Last year, we recorded a total of 1,000 mm rainfall from the beginning of the monsoon season till July 10. But, this year we received around 1,700 mm rainfall," he said.

When contacted, Satish Lokhande, commissioner of VVMC also claimed that Vasai-Virar had received "abnormal rainfall" this year. "Also, due to the high tide, the water levels increased in Vasai creek, causing flooding in low-lying areas like Tulinj, Central Park and Deen Dayal Nagar," he said. Lokhande admitted that the drainage capacity in these areas was poor.

He, however, denied that unauthorised construction and encroachment in the Vasai area was responsible for the flood-like situation. "The drainage culvert carrying water from the city is very narrow. It needs to be enlarged and two new culverts need to be built. But, the culvert is on railway land. Our corporation is working on getting requisite permissions."

Chulna villagers rescue orphans

Over the last one week, residents of Chulna village in Vasai West, have come to the rescue of girls from a nearby hostel, Fatima Mata Convent. The hostel is home to 75 girls, most of whom are orphans. During the heavy showers that crippled Vasai, the area around the ashram was severely waterlogged, and the girls were forced to stay indoors. The residents, however, decided to make room for them in their own houses. Each villager adopted three to four girls. "We have kept them at our homes, where we are taking care of them. We have even arranged bus services for them so that they can go to school as usual. They will be with us till the situation gets better," said Asmita D'Costa.

With inputs by Rajendra B Aklekar

Also Read: Mumbai Rains: Vasai-Virar limp back to normalcy after deluge

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Embarking on a promotional spree, Sanya Malhotra had a fun interaction with real-life photographers clicking pictures against Gateway of India as well as with the photographers. Sharing her picture from the visit Sanya Malhotra says,

"Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega."

 

 

 

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Saalon baad jab ye aap photo dekhengi, aapko aapke chehre pe yahi dhoop dikhayi degi, aapke baalon mein ye hawa aur apke kaano mein hazaro logo ki awaaz.. hamesha ke liye sab chalajayega. . . Smile please!📸 #photograph #gatewayofindia @photographamzn #9daystogo

A post shared by Sanya Malhotra💥 (@sanyamalhotra_) onMar 6, 2019 at 12:39am PST

The film brings to the screen the story of a photographer at Gateway of India who convinces a stranger to act as his love interest to help his ailing grandmother. Nawazuddin Siddiqui will essay the role of the photographer, while Sanya Malhotra plays his muse.

Earlier, Sanya Malhotra who had a working birthday took out time and celebrated the special occasion with the paparazzi. Recently, National Award-winning filmmaker Ritesh Batra hosted a special screening of Photograph for film students prior to its theatrical release. Post the screening, the director interacted with the students and engaged in a discussion about films and their making.

Sanya garnered immense love and appreciation for her performance in Photograph when the film premiered at Sundance Film Festival and the Berlin International Film Festival 2019. The trailer brings to screen a sweet, innocent, and refreshing chemistry with Nawazuddin Siddiqui and Sanya Malhotra's first association.

Written and directed by Ritesh Batra, Photograph is presented by Amazon Studious in association with The Match Factory and is slated to release in India on March 15, 2019.

Also read: Team Photograph shares a video on Nawazuddin Siddiqui's character

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A constable attached to MIDC police station was arrested on Saturday for raping a 20-year-old who was caught stealing chocolates from D-Mart in Powai. The accused, Madhukar Avhad, has been arrested by the Powai police for rape.

The Powai police said, on February 6, they received a call from the D-Mart staff informing them about a woman caught stealing 10 chocolates from the store. Avhad, who was on duty at the time, visited the mall and took a detailed note in writing from the woman that she would not repeat the act. Avhad then took her Aadhaar card details and phone number.

The next day, Avhad called to the woman telling her he would return her Aadhaar card and statement. He then took her to a hotel near Aarey Road saying he would return it to her there.

On reaching the hotel room, Avhad forced himself on her and even took a selfie on her phone. Avhad then refused to return her statement and Aadhaar card telling her to meet him again. On Saturday, the woman's husband saw the selfie on her phone and registered a case of rape against the constable at Powai police station.

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Three persons were arrested in Bhiwandi in Maharashtra's Thane district for allegedly raping a teenage girl several times, the police said Sunday.

Senior Inspector K D Jadhav of Shanti Nagar police station said the 14-year-old girl was acquainted with one of the accused, Jamil alias Bullan Vali Mohammad Khan (58) as she used to purchase cosmetics from his handcart. "Jamil along with others raped the girl on multiple occasions between June last year and January 9 this year.

She revealed her ordeal to her mother who filed a complaint on Friday," Jadhav said. He identified the others arrested, apart from Jamil, as Shahnavaz Khan (19) and Rizwan Khan (23), adding that a fourth person, Firoz Siddiqui, was wanted in the case.

"We have charged the accused under relevant sections of the Protection of Children from Sexual Offences Act. They have been remanded in police custody for six days," he informed.

In another incident, a teenage girl from Bompally village in Telangana's Peddapalli district has filed a rape case against her 24-year-old lover and his two friends, police said Sunday. Police have identified the main accused as Kotte Ranjith. A police officer said Ranjith allegedly maintained physical relations with the girl under the pretext of marrying her.

The officer said Ranjith's friends Methuku Satish (23) and Vykuntam (24) also allegedly raped the girl repeatedly in the last ten months, following which she became pregnant.

"The girl had delivered a stillborn foetus and asked Ranjith to marry her, but he refused and threatened her with dire consequences, following which the victim approached police," he said.

Police have registered an FIR against the trio under section 376 (D) of the Indian Penal Code (IPC) for gang rape and under the Protection of Children from Sexual Offences (POCSO) Act. No arrest is made yet.

With inputs from PTI

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Five persons have been booked in Maharashtra's Palghar district for kidnapping a newly married woman, holding her captive for almost two weeks and repeatedly raping her, police said on Monday.

An official said the 21-year-old victim's ordeal began on February 6 when a man posing as a policeman came to her house in Pragati Nagar in Nalasopara and asked her to accompany him to the police station. "The fake policeman told the victim that her husband had been arrested and she should come to the police station with some documents," he said. She was first taken in an accused's autorickshaw to Malad in Mumbai and held captive for eight days and then to Mira Road where she was locked up in an under-construction building till February 18, the official said.

"She was raped by two of the accused at both places. Three others, including a woman, abetted the crime. The victim was released from captivity on February 18," he said. The woman filed a complaint on February 23 and the five were booked on Sunday under relevant sections of the Indian Penal Code for rape and criminal intimidation, the official said. He said no arrests had been made so far and further probe was underway. 

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

So many of us have lost someone we know to cancer. So when 15-year-old Devika Madgavkar, who was volunteering at the Tata Memorial Centre and working with kids with cancer, asked Alfred D'Souza, the director of her choir Stop-Gaps Junior Choral Ensemble, if they could do something to cheer up the children undergoing chemotherapy, he thought, "why not?"

And Carnival in Song was born. "Madgavakar wanted to do something for the kids, who she observed were quite self-conscious and distant after they lost their hair. Also, many of them hail from a low social economic background. The event is just before Lent, which begins on March 6, and as it's the season of hope, we wanted to brighten up their li­ves. I prepared two choirs and reached out to others, who agreed immediately," says D'Souza.

The Salvation Singers

The audience will get to hear ha­ppy numbers, and renditions of peppy tracks with a samba or calypso beat, akin to what you hear at a carnival, shares D'Souza, adding that while the Stop-Gaps Choral Ensemble will be performing Brazil and Senorita, The Salvation Singers will offer a medley of Hindi songs, and Siddharth Meghani will perform some Elvis Presley tracks. The line-up will also include The Victory Chorus Line, and soloists such as Ella Atai, Kim Cardoz, Mehmood Curmally and Darren Das, accompanied by Mimosa Almeida Pinto (piano) and Ishan Jadwani (drums), besides dancers on stage.

"We've been planning this since October. We have a lot of kids aged between five and 15 years, who have their term exams at the moment, but yet th­ey have been practising," adds D'Souza. All proceeds from the evening will be given to the centre's Runners of Hope Initiative.

ON March 1, 7.45 pm onwards
AT St Andrew's Auditorium, St Andrew's College, St Dominic Road, Bandra West 
LOG ON TO bookmyshow.com
CALL 26410926
COST Rs 300 onwards

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Two decades ago, drinking wine was restricted to snooty pseudo-intellectuals who turned the experience into flavour profiles of tannins and acids, melons and mango, and grape varieties that we could barely pronounce.

We now sip in times when the pourer, who once intimidated us with technical terms, explains the story of the vineyard, the grape and body with passion in layman’s terms.

When we stepped into 266 Wine and Bar Room, we were quickly reminded of the Kala Ghoda Wine Bar that recently opened in the much-loved backroom of Kala Ghoda Café. The space is done up in hues of light blue and grey, with light fixtures adding a warm, amber glow from low-wattage tungsten bulbs. We settle into blue sofas, preferring the comfort to the high stools that may turn tricky after a few glasses.

266 Charcuterie and Cheese Board

The 266 Charcuterie and Cheese Board (Rs 675) is an indulgence with brie, camembert, cheddar, strawberries, walnuts, olives and chicken and pork cold cuts. Between nibbles and sips, we realise this is a space we’d love to hang out at for conversations or even some alone time.

The platter beautifully compliments the wines. The thirstier one among us has signed up for an old world red wine flight (Rs 1,800) that takes her from an Italian pinot noir by Folonari, which is crisp and medium-bodied, to a full-bodied French syrah by Domaine Gayda, a Spanish Monastrell and finally, a fresh Italian Umani Ronchi of Montepulciano d’Abruzzo. Of the lot, the syrah’s peppery, fruity notes get the highest applause.

World maps should have been taught according to wine regions of the world, we think, as we enjoy the joyride through this mini trip across some of the world’s finest wine counties. On the other hand, we sip a honeyed South African Chenin blanc by Tall Horse (Rs 850) which is tart-y, fruity and light on the palate.

Tomato stew with prawns and Malabari paratha

The food at this wine bar draws our attention too. We take a risk and order the tomato stew with prawns (Rs 575) that comes with a side of flaky, buttery Malabari paratha (Rs 60). It’s a great example of wine pairing with Indian food. The broth is sweet, tangy and cuts the acidity of the wine. With the cheese board now reduced to crumbs of brie and cheddar, we settle for a dark chocolate and olive oil mousse (Rs 425) that gives our spirited sojourn a bittersweet (pun not intended) end.

AT 266 Wine and Bar Room, next to Shopper’s Stop, Linking Road, Bandra West
TIME 4 pm to 12 am
CALL 8879101350

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266 Wine and Bar Room didn't know we were there. The Guide reviews anonymously and pays for meals

Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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According to provisional polling estimate release on Monday evening, the city scored about 54 percent, three percent more than its 2014 feet. The figures are expected to be revised after the final data crunching on Tuesday. In 2014, Mumbai had registered a turnout of 51.6 percent, which was an improvement from a low of 41.4 percent in the 2009 General elections.

Of the city's six segments of varied demography, South Mumbai couldn't match up with its previous mark while Mumbai North Central, Mumbai North, Mumbai North West, Mumbai North East, and Mumbai South Central performed better. Mumbai North, where actor Urmila Matondkar (Congress) fought against BJP's sitting MP Gopal Shetty, recorded the highest turnout (59.32 percent) in the city with a major spike of 6.25 percent.

Also Read: Elections 2019: No guidance at booths, claim furious citizens

A fierce contest in North Central Mumbai between MP Poonam Mahajan (BJP) and former MP Priya Dutt (Congress) saw a jump of 4.17 percent. Mumbai Congress president Milind Deora and Shiv Sena MP Arvind Sawant's South Mumbai polled at a percentage similar to that of 2014. However, former Mumbai Congress president Sanjay Nirupam, who was worried about the possibility of a higher turnout, shouldn't be much upset as his North West fight with Sena's sitting MP Gajanan Kirtikar raised the bar by a 4.14 percent.

BJP's eleventh-hour candidate from North East, Manoj Kotak, who replaced sitting MP Kirit Somaiyya, claimed a 4.61 percent increase in polling that would possibly benefit Kotak against NCP's sole candidate in the city and ex-MP Sanjay Dina Patil.

Mumbai South Central which had former MP Eknath Gaikwad pitted against incumbent Rahul Shewale crossed the 2014 figure by 2.26 percent. The average voter turnout in the city's six Lok Sabha elections was 41.40 percent (2009), 47.30 percent (2004), 45 percent (1999), 50.40 percent (1998), 45.10 percent (1996) and 41.60 percent (1991). 

Also Read: Elections 2019: Polling booth moved, names missing, faulty EVMs

Election 2019: Prominent personalities, other Mumbaikars come out to caste vote!

State does better

After the fourth phase of polling, the state's polling average was 60.68 percent, said Chief Electoral Officer Ashwani Kumar. According to CEO, today's average polling in the 17 constituencies, including Mumbai's six, was 57 percent — much less than that recorded in the first (63.46 percent), second (62.88 percent) and third phase (62.36 percent). Gadchiroli (71.98 percent) registered the highest voter turnout in the state while Kalyan that went to polls on Monday had the lowest turnout of 44.27 percent, said Kumar.

Monday marked the last phase of polling in Maharashtra which has 48 Lok Sabha constituencies, second highest after Uttar Pradesh. The outcome of the state will have a bearing on the formation of the government at the Centre, as both the BJP-Sena and Congress-NCP are banking heavily for the electoral gains here. In 2014, the BJP-Sena and their other allies had won a record 42 seats in the state while the Congress was reduced to a mere two seats and NCP managed just four.

Also Read: Elections 2019 in Mumbai: Physically challenged, elderly, get little help at polling stations

60.68
State's voting percentage across four phases

48
Total no. of constituencies across Maharashtra

Salman Khan, SRK, Ranveer Singh, Kangana, Bachchans step out for voting

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South Dandies Swaraj rappers, Tamizh (left) and Sean YKV (centre) who are working on their debut album, recently performed with Kadhal Jack (extreme right) of Kacheri Movement in the city. Pic/Sayyed Sameer Abedi

“I say what I want to say and do what I want to do. There’s no in between. People will either love you for it or hate you for it.” Eminem, the global Rap icon, had elucidated the fundamentals of the genre cogently, whose origins are in Africa and Jamaica. Owing to the free flow, it entered India on a blissful note.

Legendary actor Ashok Kumar offered its first glimpse with the song, Rail Gaadi (Aashirwad), in 1968. Within two decades, the genre found allies in AR Rahman and Ilaiyaraaja. South Dandies Swaraj — a Rap duo comprising Suresh Agailan Bose (Sean YKV) and Rahul Prasad (Tamizh) - are taking forward the legacy, albeit in the independent space. The Mumbai-based group raps in four languages, but their highlight is Tamil.

Message in music
Sean, the lead rapper, wants to bring about a change through an album, that’s in the making. “My motto is Rap for change and Hip-Hop for life. I try to convey a message through every song. I am looking for a producer,” says Sean. The name of the band is suggestive of their South Indian roots. Earlier, the group had more members. “We were a Hip-Hop Collective with nine people, including a miniature artiste and a graffiti artiste. We had to bid goodbye to some members,” he shares.

The 28-year-old from Tirunelveli (Tamil Nadu) resides in Mahim and believes that rapping in different languages will help him reach out to more people. “It helps me connect to more listeners who understand these languages. We want to take our regional languages abroad,” he adds. Sean also performed alongside Apache Indian and Shankar Mahadevan in his initial days. “I didn’t get any break after those shows. But kids would take my autograph while senior citizens would kiss my hand. They thought my Tamil was retro,” he says.

Society matters
“Our music talks about recycling, rape, terrorism, social media and other social issues,” says Sean, who can also rap in Marathi. His colleague, Tamizh, sticks to Tamil.

One of the singles from the Dandies’ kitty is Idli Vada, the traditional breakfast in South Indian households. “I observed Idli and Vada vendors and wrote a song around their daily struggle, and how they see the society through customers,” explains Sean. The track, Social Kadhal/Pyaar, dwells on the overuse of social networking sites. “The world has become dynamic with Facebook and Twitter. This song is about the youngsters who spend hours on it.” The group also has a track dedicated to the feminists, called Nari Meri Nari.

The Dandies also developed a brother culture, being close to Kacheri Movement, a Rap outfit from Dharavi. They are often seen playing gigs together.

Sean is hopeful about his music’s reach. “I am not a party person. I am interested in the social issues. We know how African Americans changed the face of Hip-Hop when they used music as a vehicle for their struggle. I will try to do the same,” he signs off.

U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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Mid-day online journalists interact with the frontline workers in a new series 'Real heroes of coronavirus'. Media photographers, reporters, railway staff and medical workers tell their stories of grit, determination and every-day challenges in times of the pandemic.

Mid-day senior photographer Shadab Khan is out on the field capturing striking photos of people, health-workers, the police and the city as part of his daily assignment at a time when coronavirus pandemic is spreading rapidly in Mumbai and the entire nation is under lockdown.

 

 

 

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Alhamdulillah just got to know that my covid-19 swab test report is Negative by the grace of god. I tested my self 2 days ago during the special covid-19 test for Media persons who are on field by BMC medical team in Mumbai as our services comes under essential services during this pandemic we have to work on field and visit to all over the city for relentlessly bringing out timely good pictures, news and updates daily, through all the perils and under the most trying conditions. Special thanks to @my_bmc @cmomaharashtra_ @middayindia

A post shared by Shadab Khan (@photographer_shadab) onApr 25, 2020 at 3:53am PDT

We spoke to Shadab Khan about his work and what it's like to be a news photographer in times of pandemic.

Here's an excerpt from the interview.

How has the global pandemic impacted your work?

The coronavirus outbreak hasn't affected our work as such. Since we come under the essential service providers and ours is a field job, it's the same daily routine. The focus is more on pandemic photos as we visit sensetive areas and try to get pictures of people who may have broken lockdown rules and also capture shots of how the police are handling the situation. Nowadays, we also visit contaminated areas to get photos of medical staffs conducting COVID-19 tests and get visuals of the epidemic situation in Mumbai. For us, the work has only increased due to the outbreak of the global pandemic.

Nowadays, do you prepare yourself mentally before going out on assignments?

To be honest, there is no mental preparation as such. But I offer prayers five times a day and pray that I go safely and come back home safely. As a media-person, I also consume a lot of news and keep reading about the International guidelines laid down for photojournalists as to what precautions should be taken. I do this as it helps me to stay motivated in the fight against coronavirus. It is the first time that I am experiencing a pandemic which has changed our lives. I have never covered something like this ever before. Although I have covered riots and other sensetive events, a pandemic that takes place only once in 100 years is a different experience. I have been following international reports and guidelines to take precaution and prepare mentally to fight the COVID-19 crisis.

Shadab makes sure that his equipment, bag and mobile are sanitised in order to take precautions against COVID-19

How do you protect yourself?

Face mask, hand sanitisers and hand gloves are mandatory when I am leaving the house. With the increasing number of cases in Mumbai, we have to take extra precautions as our camera equipment is metal. While shooting, we are constantly handling the camera with our hands and our eyes are exposed when we are focusing to click the pictures. To ensure our safety, we sanitise the camera every two to three hours. Besides the equipment, I also sanitise my mobile phone with a spray sanitiser that I carry with me. After completimg a shooting assignment in a contaminated area, I make sure that the camera equipment is sanitised before keeping them in the bag.

Do you take any precaution while heading back home after doing on-field reporting?

Though it is risk to be outside during the pandemic, the real challenge begins when we get back home to be with our families. Since the outbreak of the coronavirus, I have isolated myself to another room and make sure that I maintain social distancing with my family members. While leaving for work and after coming back home, I don't hug my children. Since day one, I am practising self-quarantine to keep my family safe and away from any risk. Infact, I take more precautions at home than I do while I go out. The epidemic is so dangerous that one cannot be sure how the infection will strike.

 

 

 

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A man sleeping outside his house during lockdown to prevent the spread of new coronavirus at Vakola in Mumbai, Wednesday, April 15, 2020. Indian Prime Minister Narendra Modi on Tuesday extended the world's largest coronavirus lockdown to head off the epidemic's peak, with officials racing to make up for lost time. PIC/SHADAB KHAN Paparazzi#Fashion#bollywood#lovemyjob#photography#Mumbai#India#middayindia#covid19#fightagainstcorona

A post shared by Shadab Khan (@photographer_shadab) onApr 16, 2020 at 8:09am PDT

During the COVID-19 coverage did you face scary moments? Which has been your scariest moment?

It is scary to visit crowded localities nowadays to cover the pandemic. In the beginning it was not a problem but since the police have imposed strict rules in these areas, we are facing issues. On few occasions, people in these localities have attacked and abused us, blaming the media for the strict police action. But all localities are not the same. We keep calm and ensure that we don't fight back or argue with the people when faced with a hostile situation. To ensure our own safety, we move out of the place quickly if we are confronted by the crowd.

Did you face challenges from the police while covering the COVID-19 pandemic?

In the beginning the police officials were not aware that the media comes under the essential services list and stopped us from entering certain areas which led to arguments sometimes. But gradually they understood and let us do our jobs. When they see the cameras and we show them our press cards, they ask us where we are going and all, that's it.

How is your department and the organisation supporting you?

We are getting the support of our department and the organisation in every possible way. I have been working in mid-day for 15 years and the organisation has been always supportive, our managers do not pressurise us for assignments. My reporting officer calls twice a day and inquires about my whereabouts and tells me to be extra careful while visiting contaminated zones and avoid going to sensitive areas frequently. We are always told to ensure safety first before work.

Shadab feels that practicing social distancing in Dharavi where people are cramped in small houses is nearly impossible

Although he covers different areas every day, Shadab makes it a point to visit a contaminated area at least once a day to check if any new development has taken place. Speaking about Dharavi, which has emerged as one of the biggest contaminated zones in Mumbai, Shadab said, "I visit Dharavi to see how the labourers are doing and how the small scale industries are coping with the COVID-19 epidemic"

"Everyone is talking about social distancing but it is not possible in Dharavi. Most houses in the locality are 8X8 small houses with 8 to 10 people cramped inside. In order to click a picture, one has to stand at the door and shoot, social distancing in areas such as Dharavi is almost impossible. The lanes in Dharavi are so narrow that if people are coming from the other side it is impossible to walk past them without making physical contact," added Shadab.

Besides Dharavi, Shadab carries out his photo assignments in Bandra, Sion and Wadala.

What is your message to the general public?

We are out on the roads because we have a responsibility as essential service providers. I would request people to stay home as far as possible. Only by staying home will you be safe! Follow the guidelines laid down by the government and maintain social distancing.

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Apart from plasma therapy, COVID-19 patients who are in critical condition, will soon have another kind of treatment, to help fight the infection. Mumbai-based Haffkine Institute, which last month had submitted a proposal to conduct a clinical trial to use the anti-tuberculosis Bacillus Calmette-Guérin (BCG) vaccine, as a therapeutic treatment received a nod for it from the Drug Controller General of India on Friday.

Around 30 COVID-19 patients, who have moderate or severe symptoms, will be part of the trial run, starting next week. "The BCG vaccine strengthens immunity and research has shown that it can be used as a therapeutic treatment, to help patients fight the infection. We received an approval from the DGCI and are waiting for the clinical registration number from the ICMR, which should come in a couple of days," said a senior official from the Medical Education and Drugs (MED) department.

While the trial will be carried out by the Haffkine Institute and led by Dr Usha Padmanabhan, it is being monitored by the MED department.

Mumbai has the highest number of Coronavirus-related deaths in the state, as well as in India. The official added that once the trials are successful, patients who are critical, especially in cities like Mumbai and Pune, will be able to benefit from it. "Unlike new drugs, the BCG vaccine is already in production and will be easily available. So far, the institute has carried out preliminary studies and they have come across positive results," the official said.

Dr Rajesh Deshmukh, managing director of the Haffkine Institute in Parel, said that they are likely to start the trial next week. "It will take place at the BJ Medical College in Pune. We have carried out the preparations and the scientists are almost ready," he said.

Based on the preliminary findings of the research for the trial, the effect of the virus can be reduced among patients, if they are given a dose of the BCG vaccine. The official said that the vaccine will help reduce the severity of the symptoms among patients.

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While trials on plasma therapy for COVID-19 continue, they have sparked debate among medical professionals. While one set of experts feels that plasma therapy can work wonders with a supportive line of treatment, the other set opines that it is too premature to make such claims without thorough clinical evidence.

Interestingly, the first set of experts is now further puzzled as to whom they should administer plasma therapy. That's because of the high risk involved as COVID-19 patients may still have existing ailments that may not respond well to plasma therapy.

The concern was raised after the recent death of a 52-year-old man who was given plasma therapy at a Mumbai hospital. The man had co-morbidities and was on ventilator support.

Dr Anoop Kumar, consultant and chief of Critical Care Medicine at BM Hospital, Calicut

Premature to consider it
Dr Asha Kishore, medical director, Sree Chitra Tirunal Institute for Medical Sciences and Technology, Thiruvananthapuram, said, "While there have been a few reports of convalescent plasma therapy being effective in treating COVID patients, unless there is a clinical study it is premature to consider it as an accepted form of treatment. It should be considered experimental therapy and should be monitored and regulated by the health ministry. Even data from China is too limited to confirm successful experiment of plasma therapy."

"Our transfusion medicine department has applied for participation in a clinical trial of convalescent plasma for the treatment for COVID-19 called by the Indian Council of Medical Research (ICMR). The ICMR's sponsored trial will be conducted to evaluate the safety and efficacy of convalescent plasma in patients with moderate COVID-19 infection. We are awaiting approval," said Dr Asha.

Against immunology principle
Dr Wiqar Shaikh, senior allergy and asthma specialist, who had treated the 52-year-old Byculla resident who was treated at home and recovered from COVID-19, said, "Plasma therapy means giving antibodies from a COVID cured patient to one still suffering from it. This is not within the principle of immunology. When a person has a viral infection, the first reaction of the body's immune system is to form IgM (Immuno Globulin M) antibodies and IgG (Immuno Globulin G). However, these are not the important defences against a virus. When the virus enters a body, it does so by mistake and cannot survive within the body and hence enters a cell to survive." Dr Shaikh added, "The COVID virus is an RNA virus, which cannot replicate on its own, it requires the cell apparatus to multiply. Whenever the immune system identifies a virus containing cell, two types of cells are activated. Both are T-lymphocytes, the first category is the cytotoxic T-lymphocyte and the second is the Natural Killer (NK) T-lymphocyte, both of which destroy the virus containing cell using bodily chemicals called 'perforins' and 'granzymes'. This cytotoxic and NK cells develop a memory for the virus within the body, and when the person gets infected with the same virus again, the memory cytotoxic and NK cells launch an immediate attack and kill the virus. Therefore, antibodies (plasma therapy), has a very poor role in defence against COVID and hence is of no use, claims Dr Shaikh.

Dr Asha Kishore, medical director, Sree Chitra Tirunal Institute for Medical Sciences and Technology, Thiruvananthapuram

"There are no double-blind placebo-controlled trials anywhere in the world of plasma therapy actually helping in recovery of serious COVID patients. Moreover, such clinical research is a welcome move, but it takes months or years of painstaking research," said Dr Shaikh.

In favour of plasma therapy
Dr Anoop Kumar, consultant and chief of Critical Care Medicine at BM Hospital, Calicut, said, "The Kerala government was concerned about the rapid rise in COVID-19 cases and called for a meeting of well-known health professionals in Kerala on March 20. At the meeting it was agreed to make use of plasma therapy, as we have come across case studies of successful results in China, South Korea, and other countries. However, it is yet to be published in the international journal."

"Plasma therapy has been effective in various virus outbreaks in the past, such as Nipah virus in 2018, H1N1 in 2008 and even the 1918 flu outbreak," said Dr Anoop, adding, "We intend to collect plasma from patients who have recovered from COVID-19. For instance, a 55-year-old recovered patient can donate around 800ml of plasma from the blood, and this can save four lives with a mere 200 ml of plasma."

However, donor protocol mandates that the donor should not have any fever, or foreign travel history or respiratory infection, and should have remained in self-isolation for 14 days post discharge and the swab collected after self-quarantine period should be negative.

200
Quantity in ml of plasma required for treatment

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In a latest controversy, the Brihanmumbai Municipal Corporation (BMC) had decided to file a police complaint against doctors who prescribe COVID-19 tests to patients without conducting physical examinations. The officials of L ward had also come up with a complaint format that was supposed to be sent to police stations. However, when doctors slammed the move, the civic body withdrew it on Wednesday.

According to the complaint letter issued by L ward, a doctor found to have referred a patient for the COVID-19 test without a physical examination would face an FIR under Section 188 of the IPC (disobeying orders of a public servant) and the Epidemic Diseases Act of 1897. Confirming that such a decision was taken by the civic administration, a senior civic official said, "The COVID-19 task force decided that doctors have to examine the patient physically before prescribing any test. Ward officials will file the complaint with the respective police station if the regulations are not followed and the police will investigate the matter further."

However, when contacted, an L ward official said that the decision was taken after a doctor based in New Delhi referred a patient for testing in Mumbai and the complaint form was being used as a scare tactic. "We weren't planning on taking action against doctors. We just wanted to discourage the medical fraternity from referring patients without examining them. The complaint form was shared on some chat groups," added the official.

Dr Avinash Bhondwe, president of the Indian Medical Association in Maharashtra said that it is an unjustifiable move since doctors don't have access to PPE kits and they cannot examine a suspected patient without adequate protection. "We are only working with masks and gloves. It is very risky to physically examine a patient and doctors are not able to buy PPE kits either since it's not available, which is why in some cases doctors are consulting patients over phone. However, the BMC cannot take action against doctors and this will be challenged in the court of law," said Dr Bhondwe.

He added that even making physical examination mandatory doesn't make sense unless the civic body provides PPE kits to all doctors. "More and more doctors are testing positive every day. If a doctor examines a patient without PPE and if the patient tests positive, then the doctor will be placed in quarantine," he said. Dr Bhondwe added that instead of testing only the symptomatic patients, the government should make arrangements to test everyone. "Health is a constitutional right and everyone should be able to undergo tests," he added. Dr Bhondwe also pointed out that till date none of the circulars issued by the ICMR have mentioned that physical examination is mandatory. He further said that L ward officials later assured him that no FIR would be filed against doctors.

When contacted, Dr Gautam Bhansali, consulting physician with Bombay Hospital, said that taking action wasn't the correct approach in such stressful times. "Such decisions are demeaning to doctors who are working so hard. Referring a patient is not a crime and doesn't warrant a punishment. At best, circulars can be issued to create awareness among doctors," he said.

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An offence was registered against a 19-year-old man for allegedly kidnapping and raping a girl from Mokhada village in Maharashtra's Palghar district, police said on Friday. The Palghar police on Thursday registered a case against the accused under sections 376 (rape), 363 (kidnapping) and other provisions of the Indian Penal Code, while no arrest has been made so far, public relations officer Hemant Katkar said.

The accused, who was reportedly in love with the 18- year-old victim, allegedly kidnapped her on April 18 and raped her in captivity for two days, he said.

The victim subsequently escaped and lodged a complaint on Wednesday, following which a case was registered, the official said, adding the further investigations were underway.

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WWE former superstar and Diva Nikki Bella recently made a shocking revelation that she was raped twice during her teenage years in her new memoir - Incomparable - co-written with her twin sister Brie Bella.

Nikki Bella went on to share the gruesome details of her rape and how she felt ashamed of it at the time. Nikki Bella has since learned to let go of the horrifying incident as well as empower other women.

Nikki Bella stated that she was raped at age 15 by a fellow high school student who she then 'thought was a friend.' A year later at age 16, Nikki Bella was raped again after she was drugged by a college-going student.

In the book, Nikki Bella wrote, "There is the horrible offence in the moment, and then the shame and blame that follow and feel almost worse than the original pain. When something like this happens to you, you understand the blame-the-victim mentality, how easy it is to feel shame rather than anger, how easy it is to feel like you could have stopped it yourself."

Nikki Bella spoke with People magazine in an interview and said, "When that happened to me, I immediately just felt so ashamed and blamed myself, and that's what made me want to keep it such a secret. And keeping that a secret and blaming myself, I started to lose my confidence. I started to disrespect myself. And then the relationships I got into at a young age, I let other people disrespect me and felt like, that's okay, this is what I deserved."

Nikki Bella went on to admit, "I was like that for a really long time. I would go to therapy on and off. Looking at it now I'm like, 'Oh Nicole, I wish you just would've let go at a young age. So much would have changed for you.' And I think that's what made me really want to tell these stories finally."

Now, Nikki Bella aims to help other women who have faced similar situations by sharing the truth with all. She plans to help other younger women who look up to her, by suggesting that they do not hold on to it long.

Nikki Bella took to Instagram to announce the arrival of her memoir Incomparable and shared a video.

 

 

 

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Happy Pub Day Bella Army! Our memoir, Incomparable is officially out!! So happy, scared, nervous and excited! Putting info in our IG stories and twitter about our virtual book signing later today, early this morning we were already #51 on @amazon (Amazon is working on some of your delays! The team has been up early talking with them!) This has been a dream for Brie and I, and we hope you enjoy this book as much as we do. It’s not just a memoir, it’s an inspirational, motivational, and empowerment book. We want to help you all become the heroes of your own stories like we have become in our own. We all can be survivors! We hope this book helps you with what you are going through. ❤️ Love you all!! And thank you all SO MUCH for the constant love and support! We couldn’t do this without all of you!!!

A post shared by Nikki Bella (@thenikkibella) onMay 5, 2020 at 10:02am PDT

Nikki Bella and her twin sister Brie Bella both wrestled for WWE and retired in March 2019. The Bella twins are famous for the television show Total Divas and the spin-off which starred them - Total Bellas.

Nikki Bella was involved in a relationship with 16-time WWE champion John Cena since 2012. Nikki Bella and John Cena were engaged in 2017 but called off their wedding a year later. Nikki Bella is now engaged to her Dancing with the Stars partner Artem Chigvintsev. In January 2020, Nikki Bella and her sister Brie Bella announced that they were both expecting a child respectively.

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A six-part series that kicked off yesterday will see Raftaar and Raja Kumari come together to spread cheer among music aficionados through MTV's Hustle from Home. The platform will give ace rappers a chance to jam, and share their expertise, alongside Raftaar and Kumari, who will enhance the offering by sharing personal anecdotes and facilitating interactive sessions.

Chronicling the growth of the genre, Raftaar tells mid-day, "Traversing through the by-lanes of Dharavi to find its due as one of the most predominant genres in the Bollywood music industry, rap music has had its share of ups and downs. However, it has managed to evolve [while retaining] its rawness. I am proud to take this rap revolution ahead through my work and shows. Such platforms give a push to the budding talents of our country."

This show has been created to pay tribute to the doctors, nurses, police personnel and essential service providers who have been at the forefront of the battle against the pandemic. "Rap continues to have a hard-hitting impact on people, and is a powerful medium of expression," says the rapper.

Artistes like M Zee Bella, RCR, EPR, Agsy, Void and Shloka, who made an impact in the previous editions of the show, will also make a return in this instalment.

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Akshay Kumar, Ajay Devgn and Suniel Shetty have collaborated with Dharavi rappers for a music video to spread the stay-at-home message to help control community spread of the virus.

Rappers MC Altaf, Tony Psyko and Bonz N Ribz have created the song, titled Stay Home Stay Safe, produced by rapper Divine's Gully Gang Entertainment, in Hindi, Marathi and Tamil. Directed and conceptualised by Joel D'Souza, the video also features Atul Kulkarni and Dia Mirza.

Check out the video of the song below:

Divine refers to it as a small effort from the hip-hop community to support the COVID-19 warriors. The song is supported by The Bill and Melinda Gates Foundation and the ATE Chandra Foundation, who have been working with the government to ensure food and medical aid in the densely populated regions.

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Noted cinematographer Nadeem Khan has undergone brain surgery at a hospital here after he suffered a fall. Khan, son of famous Hindi novelist and scriptwriter Rahi Masoom Raza, was admitted to Lilavati hospital in suburban Bandra on Monday evening after he fell from a flight of stairs and suffered injuries in head, shoulder, and chest.

"We have been in the lockdown for the last two months and just a night before we stepped out of our house and while we were getting down he fell from the building staircase and started bleeding. We immediately rushed him to the hospital. He has been admitted to the hospital, he is in the ICU. He has undergone brain surgery. The next 48 hours are critical. We are praying and hoping he will be fine," Khan's wife Parvati, who is a singer, told PTI.

Khan has been a cinematographer on more than 40 films such as Disco Dancer, Zamana, Aandhi-Toofan, Aag Hi Aag, King Uncle, and Gunaah. He has also directed one film titled Tirchhi Topiwale (1998) starring Chunky Panday, Inder Kumar, and Monica Bedi

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The lockdown period brought filmmaker Nitesh Tiwari in front of the camera, and his nine-and-a-half-year old daughter Amaarisa got a chance to be a cinematographer on a scratch film for Kaun Banega Crorepati.

The new campaign has the show's host Amitabh Bachchan inviting KBC aspirants. It was shot from the confines of home, in the wake of the ongoing COVID-19 pandemic. Tiwari remotely directed the registration promo.

But before Big B's final video, there was a scratch film too. Talking about it, Tiwari told IANS: "This the first time I have done something like this. I've never shot a film sitting so far away from my star but yeah it was an interesting experience for me."

"The thing is when we were writing this campaign, we knew the restrictions under which this film would be shot so we didn't get really ambitious with the execution. We kept it very simple."

Explaining the campaign's execution process, the "Dangal" director shared: "For the execution bit, I had various chats with Mr. Bachchan, and to make it easier for him because he was only going to shoot the film at his house, I made a scratch film featuring me. My daughter (worked) as the cinematographer. I edited that film and I sent it across to him so that he could get a good idea about how I was looking at the film. And then Mr Bachchan did the rest. In fact, he did more. He was kind enough to send optional takes also...in case, I needed to look at alternatives. After that we did the post-production work, everybody sitting at their own homes."

This year, the campaign is all about: "Har cheez ko break lag sakta hai, sapno ko nahi (everything can take a break, but not dreams).

"Whenever we get down to working on KBC campaigns, what we normally do is we tap into the mindset of the people of the country at that point of time and given the situation we all are in, we chose to explore the possibility of having a campaign which was based around the idea of we being in the situation and how you tie it up to KBC as a game show," he said.

"We all know KBC is not just a game show. It's a means for people's dreams to be fulfilled. That's when we got this idea."

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The Karnataka government has announced the purchase of an additional two lakh rapid test kits for COVID-19 detection at a task force meeting on Thursday. Home Minister Basavaraj Bommai and other senior officials were present at the task force meeting chaired by Deputy Chief Minister Dr CN Ashwathnarayan.

The Chinese government has agreed to supply rapid test kits to an officially listed company, which will increase the number of tests once it arrives, Ashwathnarayan said.

Moreover, 250 kiosks will be set up in the state to collect saliva samples of a person with COVID-19 symptoms. Such kiosks will be launched one-by-one in taluks of the state. Ashwathnarayan explained that this would increase the sample collection process and prevent the spread of disease.

Ashwathnarayan said the purchase of the required 25,000 RT-PCR kits was also approved. He stated that COVID-19 patients should be treated at government-appointed hospitals. A separate coronavirus helpline will be made operational to address the queries of people, Ashwathnarayan said.

During Ramadan, it has been decided not to allow mass prayers, he said. And added that tracing of cases related to the Tablighi Jamaat meeting in Delhi has been completed in the state.

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The family members of at least 25 houses in the Rashtrapati Bhavan premises have been asked to isolate themselves after a staffer's relative tested positive for the novel coronavirus (COVID-19) that has claimed over 550 lives in India so far. Official sources confirmed the news to IANS on late Monday night.

"A relative of a resident of Rashtrapati Bhavan Estate Quarters died a few days ago. The person who has tested positive for the coronavirus on Sunday had attended the funeral," a source in the know of things said.

The individual has been sent to the quarantine centre in the nearby Birla Mandir complex.

The people in the house where the corona-positive person was found, along with the families living in around 25 houses have also been asked to isolate themselves as a precautionary measure. All of them have been instructed to follow social distancing norms strictly, sources said.

According to sources, the staffer's relative who has been found corona positive has no direct connection with Rashtrapati Bhavan. The individual's relative is serving there.

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Amid complaints about faulty rapid test kits, the Indian Council of Medical Research (ICMR) on Tuesday advised states not to use them for the next two days, saying it will issue an advisory after their teams carry out field validation of these equipment. At the daily government briefing on the Coronavirus situation in the country, ICMR's Dr Raman R Gangakhedkar was asked about the faulty rapid testing kits.

"We have received complaint from a state yesterday and so far discussed with three states. Too much variations have been reported in results of rapid test kits and RT-PCR kits. We advise states not to use them for the next two days," he said. "These kits will be tested and validated in the field by our teams. We will issue a clear-cut advisory in two days. If problems are detected in batches, we will tell the companies for replacement," he said.

He said that a total of 4,49,810 samples for COVID-19 infection have been tested till Tuesday of which 35,852 were done on Monday. As many as 29,776 samples have been tested in 201 labs under the ICMR network, and 6,076 at 86 private laboratories, he said.

The Chairman of the 4th Empowered Group (to tackle COVID-19) said that the government has created a portal with the master database of healthcare professionals and volunteers.

"Till now, details of 1.24 crore human resources of various kinds have been added to it," he said. Details of Corona warriors in 20 categories and 49 sub-categories, who can contribute to COVID-19 management efforts, are available to states and union territories on the portal, he said. Lav Agrawal, the joint secretary in the Health Ministry, told the press conference that 18,601 positive cases have been reported across the country so far. As many as 3,252 people have been cured till now, he said, adding 705 of them recovered on Monday. "This takes our recovery percentage to 17.48," he said.

Assaults, arrests and deaths amid COVID-19

Workers wearing protective suits prepare food packets to distribute among needy people arranged by the district administration in Srinagar, on Tuesday Pic/PTI

. In a heart-wrenching incident, a 12-year-old girl collapsed and died of sheer exhaustion after walking for three days continuously covering 100 kilometres from Telangana back home to Chhattisgarh during the national lockdown.

. The TMC on Tuesday dubbed as "adventure tourism" the visit of two central teams to West Bengal for an on-the-spot assessment of the COVID-19 situation, and asked why such delegations were not sent to states with much higher numbers of infections and hotspots.

. A 35-year-old man died allegedly after he was assaulted by the police for violating lockdown norms in Guntur Rural on Monday. The deceased has been identified as Shaikh Mohammed Ghouse.

. The National Fisherfolk Forum (NFF) on Tuesday urged the Central and Tamil Nadu government to take steps to bring back 400 fishermen from the state stranded in Andaman.

. An Allahabad university professor has been arrested along with 29 persons, including 16 foreign participants of Tablighi Jamaat meet at Nizamuddin in New Delhi, an official said on Tuesday.

. The Rajasthan government on Tuesday stopped using the China-made rapid testing kits for Coronavirus after they delivered inaccurate results. The state's health minister, Raghu Sharma said the kits gave only 5.4 per cent accurate results against the expectation of 90 per cent accuracy and therefore the kits were of no benefit.

. Some Infosys techies, spread across the globe, have tested COVID-19 positive, according to the software major on Tuesday.

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New Delhi: The Health Ministry on Tuesday said currently plasma therapy is at the experimental stage and there is no evidence yet to support that it can be used as a treatment for COVID-19.
Addressing a press briefing, Health Ministry Joint Secretary Lav Agarwal said currently there are no approved therapies for COVID-19 and there is not enough evidence to claim that plasma therapy can be used for the treatment of the disease.

"ICMR has launched a national-level study to study the efficacy of plasma therapy in the treatment of COVID 19," he said.

"Till ICMR concludes its study and a robust scientific proof is available, plasma therapy should be used only for research or trial purpose. If plasma therapy is not used in a proper manner under proper guidelines, then it can also cause life-threatening complications," said Agarwal.

The official said that the doubling rate of coronavirus cases now stands at 10.2 days.
He further said that in the last 24 hours, 1,543 new cases of COVID-19 have been reported, taking the total cases to 29,435.

"6,868 COVID-19 patients, which is 23.3 per cent of total cases, have recovered so far," he added.

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Karnataka Chief Minister BS Yediyurappa requested his Maharashtra counterpart Uddhav Thackeray to release six TMC water from his state's reservoirs to rivers in Karnataka to meet acute drinking water shortage in North Karnataka. Yediyurappa pointed out that the North Karnataka districts, namely Belagavi, Vijayapura, Bagalkot, Kalaburagi, Yadagiri and Raichur are facing acute shortage of drinking water due to onset of summer during early days of March this year.

"I request you to kindly direct the concerned authorities to release 3 TMC of water from Warna/Koyna reservoirs to Krishna river and 3 TMC of water from Ujjaini reservoir to Bhima river on humanitarian grounds for drinking purpose," Yediyurappa said in his letter.

He reminded Thackeray that even in the past the Maharashtra government had released water from its reservoirs to meet the drinking water needs of both human beings and livestock in drought-affected areas of Karnataka.

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Popular K-Pop band BLACKPINK member Lisa has been accused of plagiarising choreography of a black choreographer named Cierra Nichols.

Lisa posted a video of her performing a dance style to the number "Mushroom Chocolate" before Nichols accused her of stealing her choreography, reports aceshowbiz.com.

In the K-pop star's video, Lisa could be seen performing while lying on the floor, she later got back up and continued her routine, reports aceshowbiz.com.

In Cierra's video, which was uploaded a month before Lisa's, she mostly danced laying on the floor.

When Cierra got to know about Lisa's choreography, she took to Instagram to call her out saying: "In today's episode of 'Let's Steal from Black People' a Korean singer gets 7.8 million views in a day using most of your choreography. Love that for us."

Cierra then took to Twitter and wrote: "Convinced people can't read. I know to credit someone if I clearly pulled from it. I seen the inspiration the girl looks great."

"It's okay, though doesn't look s**t like when I did it anyway."

Cierra even responded to a social media user who watched her video after looking at Lisa's: "Because of Lisa and her choreographer using my moves."

In another post, she insisted: "It's not about the drama girl I could care less but it's clear where the beginning got its inspiration. It's clear there not doing anything like mine. That's why I'm fine."

Lisa has not replied to the accusations yet.

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The six-year-old boy who fell into a 200-feet-deep borewell near Manchar tehsil in Pune was safely rescued on Thursday after a 16-hour operation.

The boy, identified as Ravi Pandit Bill, was stuck at a depth of 10 feet in the borewell, informed SHO Ambegaon Police station.

The boy fell into the borewell around 5 pm on Wednesday in Thandale village of Pune.

Ravi, son of a labourer working on road constructions, fell into the borewell while playing.

The work of road construction was underway in the area and Ravi's family was deployed at the site.

Soon after receiving the report of the incident, the National Disaster Response Force team (NDRF) and police were pressed into action to rescue the trapped boy.

The operation was very critical and required constant meticulous planning to avoid any injury to the child.

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A 16-year-old girl was allegedly raped by her cousin in Uttar Pradesh's Chitrkoot district, police said on Wednesday. The incident took place under the Markundi police station area Tuesday afternoon when the girl was returning home after handing over lunch to her father who was working in agricultural field, a police officer said.

The victim's father filed a complaint with police, following which an FIR was lodged against the 22-year-old accused Tuesday evening, he said. The girl has been sent for medical examination, the officer said.

The accused is absconding and efforts are on to nab him, he said.

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Shamli (Uttar Pradesh): A 23-year-old married woman was allegedly raped by a ration dealer who promised her free ration as per government orders.

According to reports, the woman had approached the local shopkeeper for her quota of government ration when her savings dried up but he refused to give her ration. The woman's husband is stuck in Punjab, so she went to get free ration from the ration dealer. After waiting for several hours, she was asked to go away.

"On Tuesday evening, the accused, Vinod, came to my house and instead of giving me the ration, he raped me," the woman told the police.

Superintendent of police (SP) of Shamli, Vineet Jaiswal, said, "On the basis of complaint filed by the victim, police have booked Vinod under section 376 of IPC for the rape. He has been arrested and sent to jail."

The victim's landlord, meanwhile, said, "For the last three weeks, we were giving her the food as her husband was away and she had no money left. But, a few days ago, we expressed helplessness due our own condition," the landlord.

The woman's husband, a manual laborer, went to Punjab to collect his wages of the work he did a few months ago but he got stranded there after the announcement of countrywide lockdown.

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Three people have been arrested for allegedly raping a woman at a school in Batoda in Rajasthan's Sawai Madhopur district.

"A complaint was registered by the woman herself on April 24. Her medical examination has been done and accused persons have been arrested," police said.

Further investigation is underway.

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A non-invasive system being developed by EU-funded researchers could make radiotherapy a safer and more-effective treatment for cancer patients by creating a visual dosage map of the tumour and the surrounding healthy tissue.

Russian tennis beauty Maria Sharapova turns 33 on Sunday, but the celebrations already began for the former World No. 1, a day earlier. On Saturday, she shared this picture of a cake with her four million Instagram followers and captioned it: "This little piece of cake goodness arrived at our doorstep this morning [happy early birthday to meeee] and didn't make it past noon."

 

 

 

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A post shared by Maria Sharapova (@mariasharapova) onApr 17, 2020 at 5:18pm PDT

Originally known as a German tree cake, the Japanese got some skin in the game and crafted several versions of their own. It's one of my favourite morning coffee indulgences. Thank you, Yutaka!!"

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