Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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A 92-year-old wheelchair-bound woman here tested negative for coronavirus after completing the mandatory 14-day quarantine period. The nonagenarian had suffered a paralysis attack seven months ago. She, along with her four other family members, tested positive for coronavirus and were admitted to Symbiosis Hospital in Lavale in the first week of April.

"A 92-year-old woman who suffered a stroke recently and is paralysed from the left side down, recovered 14 days after she tested positive for COVID-19. Age is a factor but it does not mean anyone who gets the virus is going to die," Dr Vijay Natrajan, CEO of Symbiosis University Hospital and Research Centre, Pune told ANI.

A 92-year-old woman who suffered stroke recently&is paralysed from left side down, recovered 14 days after she tested positive for #COVID19. Age is a factor but it doesn't mean anyone who gets the virus is going to die:Dr Vijay Natrajan,CEO of SUHRC,Pune #Maharashtra (22.04.2020) pic.twitter.com/vNkr7oDayj

— ANI (@ANI) April 22, 2020

According to doctors at the hospital, the recovery of the woman indicates that even senior citizens can recover from the virus.

"She has no symptoms of COVID-19. However, she had suffered a stroke and one side of her body got paralysed. During her stay here, we checked all her health parameters," Natrajan said.

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Prime Minister Narendra Modi on Saturday held a meeting to deliberate on the issues and reforms required in the agriculture sector. At the meeting, special emphasis was given on reforms in agricultural marketing, management of marketable surplus, access of farmers to institutional credit and freeing agriculture sector of various restrictions with appropriate backing of statutes, the Agriculture Ministry said in a statement. According to the Ministry of Health and Family Welfare, India recorded 37,776 confirmed cases and 1,223 deaths on Saturday.

Raj sends 2,400 migrants
Two special trains were started from Jaipur to send around 2,400 stranded students and labourers back to their homes in Bihar and Jharkhand. While one train departed for Ranchi (Jharkhand) from Kota on Friday night, another train left from Jaipur to Patna (Bihar) with about 1,200 labourers
on Saturday.

It was an emotional affair at the railway station where these migrants were given a warm send off by railway officials and other senior personnel who continued clapping as the train left the station. Additional chief secretary Subodh Agarwal, who is also the Chairman of the Committee formed to resolve issues of workers and migrants in the state, said that five special trains will be operated daily from Saturday.

Migrants from Jaipur arrive by 'Shramik Special' train at Danapur junction in Patna on Saturday. Pics/AP AND PTI

He further said that 38,000 labourers and migrants have been sent to their native states so far. These include 27,000 people from Madhya Pradesh, 6,197 from Punjab and 2,387 from Haryana. Apart from this, 25,259 students belonging to several states, including UP and studying in Kota have been sent back to their homes. On Friday, around 200 students of Odisha were sent to home in eight buses.

Need 400 trains: Kerala CS
Kerala Chief secretary Tom Jose on Saturday said it might take about a month to send back all the migrant labourers who are in the state presently. "On Friday night the first train left, on Saturday there are more trains and on Sunday even more. It might take a month and about 300 to 400 trains to send back all the migrant workers who are here," said Jose.

On Friday night around 10.30 pm, the first train with 1,148 migrant labourers left from Aluva to Bhubaneswar. Since the lockdown began in March, 3,61,190 migrant labourers have been put up across 20,826 camps in Kerala, the State labour department said on Saturday.

Odisha turns to K'taka, AP
Odisha Chief Minister Naveen Patnaik, on Saturday, took up the safe return of Odia migrants with BS Yediyurappa and YS Jaganmohan Reddy, his counterparts in Karnataka and Andhra Pradesh, respectively. Patnaik interacted with them separately through video link. While thanking them for taking care of Odia migrants, the Chief Minister requested their cooperation for their safe return.

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China has reported 99 new Coronavirus cases, the highest in a single day in recent weeks, and 63 fresh asymptomatic infections, taking the total number of patients in the country to 82,052, health officials said here on Saturday, amid concerns about a second wave of the pandemic.

According to China's National Health Commission, as of Saturday, a total of 1,280 imported cases were reported in China. Of them, 481 had been discharged from hospitals after recovery, and 799 were being treated with 36 in severe condition.

It said 99 new confirmed COVID-19 cases were reported on the Chinese mainland on Saturday, of which 97 were from people returning from abroad. Also on Saturday, 63 new asymptomatic cases, including 12 from abroad, were reported on the mainland. The NHC said 1,086 asymptomatic cases, including 332 from abroad, were still under medical observation.

Asymptomatic cases refer to people who are tested positive for the coronavirus but develop no symptoms such as fever, cough or sore throat. They are infectious and pose a risk of spreading to others.

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The U.S. economy is experiencing one of the longest expansions on record, but the scars left by the Great Recession, as well as challenges posed by globalization and automation shocks, remain visible across the country, according to a new report from the OECD.

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A 46-year-old migrant worker from Jharkhand, who decided to reach home by foot, collapsed and died after walking for 100kms on Thursday.

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