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BJP leader Suvendu Adhikari says doctor’s protests died a premature death

Both Leader of Opposition and State BJP president said that protesting doctors should not have trusted Chief Minister Mamata Banerjee




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Nagpur Enforcement Directorate attaches assets more than ₹500 crore from various locations

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Kolkata Police starts probe into 'hacking' of live-streaming of Calcutta High Court hearing

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Regulatable selective synthesis of benzofurans and coumarins from aryl propargyl ethers via an electrochemical tandem cyclization reaction

Green Chem., 2024, 26,11216-11221
DOI: 10.1039/D4GC03842H, Paper
Zhaoyue Feng, Xueyi Guan, Haiyang Ma, Yingsibing Fan, Ping Liu, Peipei Sun
A divergent protocol for the selective synthesis of benzofuran-2-carboxaldehydes and 3-organoselenyl-2H-coumarins from propargylic aryl ethers in the presence of dialkyl(aryl) diselenides under electrochemical reaction conditions was established.
The content of this RSS Feed (c) The Royal Society of Chemistry




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Comparison of microbial strains as candidate hosts and genetic reservoirs for the valorization of lignin streams

Green Chem., 2024, Advance Article
DOI: 10.1039/D4GC03876B, Paper
Open Access
Rebecca A. Wilkes, Andrew J. Borchert, Valentina E. Garcia, Gina M. Geiselman, Sarah Liu, Adam M. Guss, Joshua K. Michener, Daniel R. Noguera, Eiji Masai, John M. Gladden, John Ralph, Gregg T. Beckham
Comparison of microbial strains for tolerance to and catabolism of lignin stream constituents toward evaluating microbial hosts for lignin bioconversion.
To cite this article before page numbers are assigned, use the DOI form of citation above.
The content of this RSS Feed (c) The Royal Society of Chemistry




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Pushing comic boundaries

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Pookari (1973)

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Short boundaries surprise Holder



  • Indian Premier League

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Data | Run-fest IPL 2023: Highest run-rate, most sixes and boundaries per game across all seasons

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This septuagenarian couple is touring across India in a Morgan three-wheeler

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PCB seeks clarity from ICC over Ind's CT participation

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McSweeney gearing up for 'unique' Bumrah challenge

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Pune advocates send legal notice to EC, seek clarification on quota promises ahead of Maharashtra polls




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Rachael Gunn, a.k.a Raygun, announces retirement amidst ‘upsetting’ experiences after Paris Olympics 2024




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Trump's Tariff Tussle With India

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No more oral mention, write in for urgent hearing: CJI

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At CoP29, Global South and North should shed adversarial position on climate finance





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FMCG major Marico may buck the industry trend

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Butt of jokes at Paris Games, Aus breaker Raygun quits

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Advani ousts Kothari to enter World Billiards final

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Diving Champ Manjari Bhargava Passes Into The Ages

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From Farida Jalal to Kirron Kher, here are six of our favourite onscreen mothers in Bollywood

Mother’s have been an important part of Hindi cinema. Over the years, the portrayal of mothers in Bollywood has been changing. Mothers are given much more importance in cinema than just being a character actor who has to nod to everything the husband or the child says. 

On the occasion of Mother’s Day, here’s looking at some of the most popular on-screen mothers. 

Rakhee 

Her dialogue “Mere Karan Arjun aayenge'' is not something that one will forget anytime soon. She played mother to actors Shah Rukh Khan and Salman Khan in the hit film Karan Arjun. While Rakhee has played varied roles in her illustrious career spanning over 50 years, when it came to being a mother onscreen she has been seen as a woman of principles including in films like Baazigar, Ram Lakhan, Soldier, Khalnayak and others. 

Farida Jalal 

Farida Jalal too has been part of the industry for almost fifty years and continues to impress people with her charm. While the actress has played different kinds of roles, her motherly onscreen figure is the one most remembered by people. From being Shah Rukh Khan’s mother in Duplicate to Kajol’s in Dilwale Dulhania Le Jaayenge, she is the kind of mother who is always ready to make sacrifices for her child. She is also popular for the savage yet emotional grandmother of Jiya from the television series Shararat

Kirron Kher

She is often cast as the loud Punjabi mother with a soft heart always caring and worrying about her child. From Dostana, to Hum Tum to Singh is King to Om Shanti Om she was the mother who could also make you laugh with her snarky comments. While she started her career in film in 1983, most of her hit films including Main Hoon Na and Rang De Basanti see her play the role of a mother. 

Reema Lagoo

Best remembered for her role in Tu Tu Main Main, she has largely been seen in Bollywood films playing the emotional mother. She has played mother to most superstars in the late 80s and 90s. She was considered as a "new-age mother" in Hindi cinema. She was low on drama and was not too emotional either, perfectly maintaining the balance between the two. From Hum Saath Saath Hai to Hum Aapke Hai Kaun to Kal Ho Naa Ho, she is the kind of mother you just want to give a hug and say everything will be okay. 

 Jaya Bachchan 

How can an onscreen mother’s list be complete without Jaya Bachchan. She raised the bar for on-screen mothers with her performance in Kabhi Khushi Kabhi Gham. The scene with Shah Rukh Khan’s entry in the film will be remembered for Jaya Bachchan’s sixth sense rather than the superstar’s entry. She then went on to ditch the saree and all the parampara and thali and was seen playing a bold single mother in Kal Ho Naa Ho

Ratna Pathak Shah

She will always be remembered dearly as Maya Sarabhai who could accept anything else but being middle class. When it comes to playing a mother in Bollywood, she has never been typecast and has shown variety in her characters. In Jaane Tu Ya Jaane Na she was the protective and progressive mother to Imran Khan’s character who could not tolerate violence or any unjust activities. She once again played mother to Imran Khan in Ek Main Aur Ek Tu. She was a rich- sophisticated woman yet very different from her character Maya Sarabhai. Meanwhile, she played a middle-class mother to Taapsee Pannu in the film Thappad who worried more about “Log Kya Kahenge”. 

Let us know your favourites in the comment section.




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Music Review: Kesari

<strong>EXPECTATIONS</strong> An Akshay Kumar starrer always has scope for some good music, regardless of the genre that it belongs. <em>Kesari</em> is a battle drama and it is not surprising to actually see half a dozen songs in there. A couple of songs from the film have already become popular and it is time to check out what do the multiple composers and lyricists have to bring on the table for the soundtrack. <img class="aligncenter size-full wp-image-964866" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/03/Music-Review-Kesari.jpg" alt="" width="620" height="450" /> <strong>MUSIC</strong> <em>Kesari</em> kick-starts with Guru Gobind Singh Ji's shabd <strong><em>'Ek Onkaar'</em></strong>. There have been quite a few versions of the track that have been released during last many years and the most popular one has featured in <em>Rang De Basanti</em>. Now Jasbir Jassi comes up with his own rendition here and does manage to make a good impact. It is surprising to find a love song comes next in <em>Kesari</em> which is basically centred on a battle. <strong><em>'Ve Maahi'</em></strong> is a pleasant surprise though as Tanishk Bagchi, who is known most for number of recreated chartbusters that he has delivered, delivers a soulful romantic number which is also written by him. Though the song has been released late in the day, it is bound to find good popularity in long term, courtesy beautiful vocals by both Arijit Singh &amp; Asees Kaur who sing with their heart in. Next to arrive is <strong><em>'Teri Mitti'</em></strong> which is easily the best track in <em>Kesari</em>. In fact it is also one of the best compositions to have been unveiled in 2019 as it has the right thump to it. Right from Manoj Muntashir's high impact lyrics that bring in the right mix of patriotism and emotions to the manner in which Arko composes this one with minimal instruments in the background, <em>'Teri Mitti'</em> warrants a repeat hear. As for the man who makes it all possible, it is newcomer B Praak who impresses with his vocals and leaves a lasting impression. After a high intensity <em>'Teri Mitti'</em>, it is time for celebrations with Tanishk Bagchi bringing on 60s style music for <strong><em>'Sanu Kehndi'</em></strong>. Set in a retro mode, this one written by Kumaar has a good vintage feel to it in every department, be it composition or lyrics. Same holds true for the manner in which Romy and Brijesh Shandilya sing this one, hence making it an all-around effort. It is time to bring back intensity with Chirrantan Bhatt coming with <strong><em>'Ajj Singh Garjega'</em></strong>. This one hails the valour of Sikhs as there is pride written all over the lyrics, courtesy Kunwar Juneja. The manner in which Jazzy B sings this one, you are reminded of many a track like these that feature in Punjabi soundtracks, be it filmy or non-filmy. Yet another high energy song. Last to arrive is <strong><em>'Deh Shiva'</em></strong> which appears in a male and female version each, and has a different set of composers and singers for both. The male version rendered by Sukhwinder Singh is a high decibel version that should make for a good impact in the film's narrative. Put to tune by Gurmoh, it has a wide canvas feel to it. On the other hand Jasleen Royal composes as well as sings the female version in her characteristic voice and this one turns out to be a much sombre version. Based on the shabd by Guru Gobind Singh Ji, this one marks an apt finale to <em>Kesari</em>. <strong>OVERALL</strong> <em>Kesari</em> does well in packing as many as seven tracks in there and cuts across genres while still maintaining a consistent sound. The music is the kind that should earn longevity for itself once the film has a long run in theatres. <strong>OUR PICK(S)</strong> <em>‘Teri Mitti’</em>, <em>‘Ve Maahi’</em>, <em>‘Sanu Kehndi’</em>, <em>‘Ajj Singh Garjega’</em>




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How UK hotels are preparing for the holiday season from hell

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The Republicans are roaring — but should they be snoring?

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