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The Ancient Texts

In 1999, Maureen Dowd devoted her existence to ruining Monica Lewinksy's life. She was 47 then. She had just been dumped by Michael Douglas for Catherine Zeta-Jones. Dowd is 72 now.




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Can SDS support recovery from substance misuse?

Pilotlight says 'Yes!'.

Using a design approach, Pilotlight aims to demonstrate how to design support for seldom heard groups, provide more personalised and appropriate services and increase the marketplace of support providers.

read more




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What helps women who have learning disabilities get checked for cervical cancer?

This is a paper produced as part of the PROP2 (Practitioner Research: Outcomes and Partnership) programme, a partnership between the Centre for Research on Families and Relationships (CRFR) at the University of Edinburgh and IRISS that was about health and social care in Scotland. This paper was written by Elaine Monteith from ENABLE Scotland who participated in the PROP2 programme. What this research paper explores: All women are asked to go to the doctor every few years to get a check for cancer but women who have a learning disability don’t go for these checks as often as other women. The paper explore what barriers there are for women attending for checks and also looks at what could be done to encourage women them to attend.




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Кейс: ведение и раскрутка блога о крипте на Binance Square

Платформа Binance Square — блоги пользователей биржи. Блог: https://www.binance.com/ru/square/profile/AlexNFTz Задача — получить не менее 1000 подписчиков и просмотры на посты. Мы решили писать на платформу новости по активам с наиболее лояльной и активной аудиторией (активы с активной аудиторией — хорошо вышло?). На старте мы чуть нагнали публики с гивов — около 200 участников (чтобы были […]

ADNE.iNFO - создание и продвижение сообществ



  • NFT и криптовалюта
  • Наши Кейсы и Услуги

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Forced to Carry: The Reality of Rape-Related Pregnancies in a Post-Roe World

Photo by freestocks The issue of rape-related pregnancies is a crucial yet often-overlooked aspect of the broader debate surrounding abortion access. As more states implement strict abortion bans, the implications for survivors of sexual violence become increasingly severe and far-reaching. When Hadley Duvall was just 12 years old, she was raped and impregnated by her stepfather. […]

The post Forced to Carry: The Reality of Rape-Related Pregnancies in a Post-Roe World appeared first on Feminist Majority Foundation.




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Server maintenance for https

MGK’s Tech Guy here! Some https certificates automation fell over behind the scenes, and it quietly broke for a while, so trying to browse over https would error out. I’ve nudged the automation back into place, and belatedly pointed our “is it working” checks to use https, so next time, it should make more noise.




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Steve Coogan’s Five Most Essential Comedy Performances

By Tara Ariano Published: November 12th, 2024




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All-encompassing hotel in San Francisco is quality ecotourism

San Francisco has long been a destination for those who enjoy natural wonders. The incredible bay and sandy beaches, the towering redwoods, the mountains, it all gives this city a look that no other place has. And now, finally, the Bay Area will have a sustainable hotel that celebrates the environment of San Francisco with 1 Hotel San Francisco.[...]




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Identify the energy vampire appliances lurking in your home

Do you know how much energy each appliance takes in your home? If you're like me, you get confused by the math on voltage because it doesn't account for use over time, but you do understand that EnergyStar rated appliances and LEED-certified efficient systems in your home are a good thing. If you haven't done a recent energy audit, here are some ideas for finding the energy vampires lurking in your home. [...]




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Biophilic building enhances biodiversity in the neighborhood

Kaiserstraße is a new residential building currently under construction in Blumenau, Brazil. The project is designed by Alencar Arquitetura and aims to harness connections between residents and the natural world.[...]




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Travel to the ancient beauty of Machu Picchu, Peru

Our group sat in a circle at a 15th century Inca site. We each held three coca leaves glued together with llama fat and concentrated on protection, prosperity and a balanced life. A young shaman named Lucas alternately prayed in Quechua and explained things to us in Spanish, both translated by our guide Wilfredo Huillca. The shaman added quinoa, corn, confetti and other symbolic items to Pachamama, the Andean earth mother. Fortunately, modern rituals substitute animal cookies for alpaca sacrifices.[...]




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Michelangelo Depicting Breast Cancer

Nightis a sculpture on the tomb of Giuliano de Medici, the Duke of Urbino, in the city of Florence. Michelangelo carved it between 1526 and 1531 and composed these lines to place in the mouth of this personification of the night:

Precious is sleep, better to be of stone,
while the oppression and the shame still last;
not seeing and not hearing, I am blest;
so do not wake me, hush! keep your voice down

In a 2000 letter to the New England Journal of Medicine, James J. Stark and Jonathan Katz Nelson argue that the model that Michelanglo used likely had advanced breast cancer. Her left breast has lumps indicative of a tumor in the nipple or the lymphatics beneath the nipple. As these shapes are not present in the other female breasts that Michelanglo composed, it's likely that this shape reflects, tragically, the model herself.

-via TYWKIWDBI




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The Importance of Punctuation




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2,600-year-old Celtic wooden burial chamber of 'outstanding scientific importance' uncovered by archaeologists in Germany

The discovery of an impeccably preserved Celtic burial chamber in southern Germany is a "stroke of luck for archaeology," scientists say.




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Our ancestor Lucy may have used tools more than 3 million years ago

An analysis looking at the hand bones of australopithecines, apes and humans reveals that tool use likely evolved before the Homo genus arose.




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Princeton astrophysicist helps find record-smashing black hole born in the universe’s infancy

Two NASA telescopes helped an international team of astrophysicists peer far enough back in time to gain new insight on how black holes form.




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Princeton archaeologists are using cutting-edge digital technologies to help reveal the ancient past

In the field, digital technology saves immense amounts of time and limits fruitless digging. In the classroom, VR recreations help bring the past to life.




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Princeton geneticists are rewriting the narrative of Neanderthals and other ancient humans

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.




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Nilufer K. Shroff will conclude her service as vice president and chief audit and compliance officer

A leader in her field with over 35 years of experience, Shroff has transformed Princeton’s audit and compliance functions during her more than 17 years at the University.




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Princeton creates Office of Innovation to enhance ecosystem for research, start-ups, tech transfer and industry collaboration

Craig B. Arnold has been named Princeton’s first University Innovation Officer and heads the new office.




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Veterans Day observance to be held at the Princeton University Chapel

The 9 a.m. service on Monday, Nov. 11, will also be livestreamed.




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"Square Dancers" - Shimmer Quilt

Kitty Sorgen, quilter extraordinaire, and Jenny Bowker, the pattern developer, are to blame for this madness! Shimmering Triangles Jenny calls it, and shimmer it does. In fact, it can be over done to the point where it's difficult to look at. But not Kitty's... Kitty, a member of our local guild and the best colorist I know, brought her shimmer quilt to Wednesday night quilting a few months ago, and

WHAMMMO!

I fell in love, bonkers, totally in love with her quilt. This isn't a great photo, but here it is, Kitty's shimmer quilt...


It's so complex, at first I couldn't even figure out what was a block, squares looking like diamonds, color everywhere, blending in some places, shimmering in others. That day, on the spot, enough of us signed up and paid, filling a one-day class instantly.



The class was on Feb. 21, 2015. Most of the students got a block finished in class, some even finished two blocks. Each block is 16" square (finished), and has 69 pieces. Below is one block, showing the construction of it.



Me? Nope. I didn't sew a stitch. Long after the other students had finished arranging their fabrics on the design wall, I was still struggling with the concept, of how to get shimmer, but not too much shimmer, still arranging my fabrics (photo below).


It was really difficult to imagine what would shimmer, what might be too contrasty and shimmer too much (for my taste), and what would have too little contrast and thus not shimmer at all.


At home, I laid it all out on my work tables again, rearranging and rearranging the fabrics over and over again. The trick, in my opinion, is to work the diagonals. I began with a layout of focal fabrics, in my case "painterly floral prints," leaving space between them for the companion fabrics. Then choose companion "read as solid prints," placing them at the corners of the focals. Like Kitty, I decided to repeat the companions diagonally between two focals. I don't know if this even makes sense, but maybe you can see it in the layout above.


Silly me, I thought sewing it, once I got all the fabrics placed, would be a piece of cake. NOT! Well, technically speaking, sewing it is OK. Although it does take some time and attention to detail to get all the half-square triangles square, and the points nice and pointy.


But cutting the triangles is another matter. To make the colors and shapes flow, it's important to blur the line of the focal square by blending the design/color outward through the half-square triangles. Above is an example of one that worked pretty well, because you can only barely discern the square of focal fabric in the center of the block.


And here is some fabric I turned into Swiss cheese trying to get triangles that would bring the focal fabric design outward, tricking they eye, making it look like a diamond rather than a square. (Sorry, I didn't take a picture of that particular finished block.)


I make the half square triangles using paper piecing, with a free, downloaded template printed on 16 pound copy paper. Paper piecing has a learning curve, yes, but it does make for very accurate piecing, such that I didn't have to trim any of the finished blocks at all!


Here is a picture of four finished blocks. You can see the way the companion fabrics repeat diagonally to form a 4-patch block between the focal fabrics. These two fabrics need to be close in value and color. If there is too much contrast, it draws the eye away from the focal fabrics and shimmering triangles. In the case above, I think the orange and pink contrast a little too much. Also on the left the lighter and darker green is also a bit too contrasty.  Fabric choices are difficult and important... Any one companion fabric has to work with two focal fabrics and the adjacent companion fabric, which in turn has to work with it's two adjacent focal fabrics. Sound complicated and challenging? It is!


It took many days (lost count) to finish the first half of the blocks (10 of 20)... and many more to finish the last 10 blocks... a bit character building. Many times, I told promised myself I would never do paper piecing or make another shimmer quilt again in my whole life!


Here I've finished all 20 blocks. I've moved all the furniture out of the studio, and put it on the floor to "audition" border fabrics. Most of the shimmer quilts I've seen do not have borders, but I wanted to make it a bit bigger so it could be used for a bed quilt.


This is how it looks all finished, before quilting it, 90 x 74 inches.

Since the throat of my old machine is much too narrow to free-motion quilt a piece this size, I decided to get a professional to quilt it. But first I agonized some about how to do it. At first I thought it would be good to fussy quilt, making flowers in the companion fabric areas and vertical vines with leaves over the focal fabrics. This was my sketch for the idea.


But then I saw a few quilts done like that, and the fussy quilting looked too busy, competing too much with the shimmer. So finally, I decided on using a double-leaf, free-motion edge-to-edge design. I named my quilt Square Dancers, because of the colorful costumes, movement, and squares.

Now that it's finished, guess what?  I started gathering fabrics for my second shimmer quilt. I want a spring-summer quilt for my bed in softer, lighter colors. It needs to be bigger than the first one, at least 36 blocks, to work on a queen size bed. Here are some of the fabrics I've found so far:





These are mostly designs by Philip Jacobs, one of the Kaffe Fassett Collective designers. I love his colors and designs! I will use other fabrics in my stash, but more than half of the 36 focals will be like these.

It will be fun to try this again, to apply what I've learned on the first one, to try to improve my fabric choices, always with the goal of some shimmer (but not too much) and good flow throughout the quilt. I'll also try to pick up my speed a bit, without sacrificing accuracy in the piecing.

Expect a post about #2 shimmer quilt in a couple of months. Right now, I'm still gathering fabrics.












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Does Machine Quilting Enhance Quilts that are otherwise Hand-Sewn?

Oh dear, I'm sorry to have neglected posting here for so long. Although many suitable topics and photos have passed through my mind and camera, there just hasn't seemed to be a nice chunk of time available for putting it all together. Today is the day to begin again!

Inspired by Alice, by Marilyn Lidstrom Larson of Willow City, ND (detail of border)

For the past two months, it's been all about quilts and quilting for me, with beading taking a bit of a back seat for a while. My quilt and travel buddy, Lunnette, and I flew to Ontario, California for The Road to California, which is a ginormous quilt show with more than 1,000 quilts on exhibition and over 200 vendors. We gawked (and spent all of our allotted budget) for 3 whole days, barely noticing our fatigue and sore footies.

There are several intriguing subjects to cover, inspired by our experiences there. Today's post is about traditional applique and machine quilting.

Inspired by Alice, by Marilyn Lidstrom Larson of Willow City, ND
photo credit (for this photo only): Road 2 CA

Inspired by Alice, by Marilyn Lidstrom Larson, detail showing back

Inspired by Alice, by Marilyn Lidstrom Larson, detail of center

Inspired by Alice, by Marilyn Lidstrom Larson, detail of center quilting
Inspired by Alice, shown in the photos above, won the first prize of $1,000 in the Traditional, Wall, Applique category of the main (judged) exhibit! Take a moment to study the pictures, click on them to enlarge them, notice the way the applique and machine quilting compliment each other. Also think about what this might have looked like if the maker, Marilyn Lidstrom Larson, had hand-quilted her work the way Alice, her grandmother (and inspiration for the central portion of the quilt), would have done. I love this quilt, totally love it, and believe it deserved the award it received.

At the same time, it saddens me that in all the juried/judged shows I've seen (and entered) recently, there is no category specifically for hand sewn quilts... quilts which are hand-pieced, hand-appliqued, hand-embroidered, and/or hand-embellished, and finished with hand-quilting. Nope, hand-sewn quilts are judged right along with machine-sewn quilts. In my observation, machine-quilted pieces are the ones that win almost all the prizes, even in the traditional categories. Why is that? Is hand-quilting considered passe, a thing of our grandmothers' time? Is it because machine-quilting has more pizzazz in the viewers' and makers' eyes? Is it because the machine manufacturers are huge financial supporters of these shows and providers of much of the prize money? Is it because the machine manufacturers run the training programs for judges?

OK, let's look into this subject a bit more. Later, I'll tackle the subject of the influence of the machine manufacturers. For now let's consider this question:

Does machine-quilting enhance quilts that are otherwise hand-sewn?

Interestingly, at Road to California this year, there was a small exhibit of hand-sewn quilt tops, made long ago (most of them in the early 1900s) that were not quilted or layered with back and batting by the maker. These tops were given to modern machine quilters to finish, and the results were displayed. Studying them gave me a greater perspective on the above question.

I found myself looking at them through the imagined eyes of the original maker. Would she have been pleased with the finished quilt?  As you look at some of the quilts below (and in a few cases, detail shots), ask yourself, if you had hand-sewn the top, would you have liked the way it looks today? Does the machine quilting enhance the work of the original maker? I've numbered the quilts (in no particular order), so you can respond (regarding specific quilts) in the comments if you wish. As always, you can click on the photos to enlarge them.
#1 - Vintage Top with Modern Machine Quilting

#1 - Vintage Top with Modern Machine Quilting, detail

#2 - Vintage Top with Modern Machine Quilting

#3 - Vintage Top with Modern Machine Quilting

#3 - Vintage Top with Modern Machine Quilting, detail

#3 - Vintage Top with Modern Machine Quilting, detail

#4 - Vintage Top with Modern Machine Quilting

#5 - Vintage Top with Modern Machine Quilting

#5 - Vintage Top with Modern Machine Quilting, detail
What do you think of these? Which tops are enhanced by the machine quilting? Are there any that don't look right to you? If so, why not?

Since there is quite a difference looking at the photos as opposed to seeing the actual quits, my responses to these questions might be different than yours. To my eyes, #1 offers a believable connection and balance between the quilting and the original applique or piecing. It felt like the original maker would have done something very similar, only by hand.

I didn't want the quilting to overpower the original as it does in #3 and #5. Both of these were so stiff from the dense quilting, that it would be like sleeping under a piece of cardboard. Both of them made me feel disjointed. The lovely charm and grace of the original work seemed lost. I'm not sure why, but the background color created by machine quilting with colored thread in #5 seems almost weird... maybe because it's such an unlikely choice for the period.

Number 4 has the look of a chenille bedspread, both pretty and more-or-less "of the period." It works for me, even though the quilting is dense. The same is true for #2.

More from Road to California coming soon...




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Swing Dance Club - Weekly Meeting

Ever been interested in learning how to swing dance? Come and join our group! Everyone is welcome, including undergraduate and graduate students, staff and faculty, and community members. No partner or experience necessary! Our weekly schedule starts with a beginner lesson, where we’ll teach you the basic steps and a few fun moves. After that, we hold an intermediate lesson for more experienced dancers. We end the night with a social dance to practice our skills and learn from each other! For more details, please visit https://swing.princeton.edu. (Masks are optional but encouraged)




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2024 Princeton Dance Festival

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.




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2024 Princeton Dance Festival

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 Princeton Dance Festival

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Conference - Rememberance and Reconciliation

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 Princeton Dance Festival

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.




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Swing Dance Club Weekly Meeting

Ever been interested in learning how to swing dance? Come and join our group! Everyone is welcome, including undergraduate and graduate students, staff and faculty, and community members. No partner or experience necessary! Our weekly schedule starts with an intermediate lesson for more advanced dancers; after that, we teach a beginner lesson, where we’ll teach you the basic steps and a few fun moves. We end the night with a social dance to practice our skills and learn from each other! For more details, please visit swing.princeton.edu. We hope to see you there!




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Dancing on My Own: Book Talk and Signing with Author Simon Wu '17

Conversation with emerging writer, art critic, curator and Princeton alum Simon Wu ’17 as he discusses his new book, Dancing on My Own, with Monica Youn ’93, Visiting Professor of Creative Writing. Followed by a book signing and reception. Current Princeton students can register to join writer and art curator Simon Wu ‘17 for a private dinner and career conversation from 4:30-5:30 PM.




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Advanced LaTeX Workshop

This workshop provides a hands-on introduction to more advanced topics in LaTeX, including using beamer and BibLaTeX. Beamer provides an elegant way to create presentations and posters while taking advantage of the potential of LaTeX. BibLaTeX is a powerful, integrated citation system that is easy to use with LaTeX. Peer consultations and troubleshooting also offered throughout the semester. Visit https://libcal.princeton.edu/appointments/jfz to book an appointment.




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Authentic Jazz and Swing Dance Workshop

As part of Dyane Harvey-Salaam's fall 2024 dance course, "The American Experience and Dance Practices of the African Diaspora," guest artist Mickey Davidson gives a lecture/workshop on Authentic Jazz and Swing Dance Practices. Open to University community.




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Theater Performance Co-curricular Classes with Vivia Font

In this co-curricular workshop series with Vivia Font, develop your acting chops! Geared towards students who want to continue developing their acting practice, as well as beginner students who are acting-curious. Drop-in; students may attend 1 session or all 8.




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Swing Dance Club Weekly Meeting

Ever been interested in learning how to swing dance? Come and join our group! Everyone is welcome, including undergraduate and graduate students, staff and faculty, and community members. No partner or experience necessary! Our weekly schedule starts with an intermediate lesson for more advanced dancers; after that, we teach a beginner lesson, where we’ll teach you the basic steps and a few fun moves. We end the night with a social dance to practice our skills and learn from each other! For more details, please visit swing.princeton.edu. We hope to see you there!





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Planned Service Maintenance

Tomorrow, Wednesday, November 21st 2018, we will be conducting a scheduled update of our systems. You may experience a short service downtime. Maintenance time is USA EST 02:00am – 06:00am (Eastern Standard Time USA (UTC -5)). We kindly ask you to refrain from using your RSS Ground account during this time. We truly apologize for […]

The post Planned Service Maintenance appeared first on RSSground.com.



  • RSS Ground News







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Enhance Your Silhouette: The Top Picks for Best Tummy Control Shapewear

We all know the struggle – sometimes, no matter how hard we hit the gym or watch our diet, there’s that stubborn tummy bulge that just won’t budge. But don’t worry, we’ve got your back (or should I say, your front?)!  Today, we’re diving into the world of tummy control shapewear, those magical pieces that ... Read more

The post Enhance Your Silhouette: The Top Picks for Best Tummy Control Shapewear appeared first on Star Two.