narrative

Web Design as Narrative Architecture

Stories are everywhere. When they don’t exist we make up the narrative — we join the dots. We make cognitive leaps and fill in the bits of a story that are implied or missing. The same goes for websites. We make quick judgements based on a glimpse. Then we delve deeper. The narrative unfolds, or we create one as we browse.

Mark Bernstein penned Beyond Usability and Design: The Narrative Web for A List Apart in 2001. He wrote, ‘the reader’s journey through our site is a narrative experience’. I agreed wholeheartedly: Websites are narrative spaces where stories can be enacted, or emerge.

Henry Jenkins, Director of Comparative Media Studies, and Professor of Literature at MIT, wrote Game Design as Narrative Architecture. He suggested we think of game designers, ‘less as storytellers than as narrative architects’. I agree, and I think web designers are narrative architects, too. (Along with all the multitude of other roles we assume.) Much of what Henry Jenkins wrote applies to modern web design. In particular, he describes two kinds of narratives in game design that are relevant to us:

Enacted narratives are those where:

[…] the story itself may be structured around the character’s movement through space and the features of the environment may retard or accelerate that plot trajectory.

Sites like Amazon, New Adventures, or your portfolio are enacted narrative spaces: Shops or service brochures that want the audience to move through the site towards a specific set of actions like buying something or initiating contact.

Emergent narratives are those where:

[…] spaces are designed to be rich with narrative potential, enabling the story-constructing activity of players.

Sites like Flickr, Twitter, or Dribbble are emergent narrative spaces: Web applications that encourage their audience use the tools at their disposal to tell their own story. The audience defines how they want to use the narrative space, often with surprising results.

We often build both kinds of narrative spaces. Right now, my friends and I at Analog are working on Mapalong, a new maps-based app that’s just launched into private beta. At its heart Mapalong is about telling our stories. It’s one big map with a set of tools to view the world, add places, share them, and see the places others share. The aim is to help people tell their stories. We want to use three ideas to help you do that: Space (recording places, and annotating them), data (importing stuff we create elsewhere), and time (plotting our journeys, and recording all the places, people, and memories along the way). We know that people will find novel uses for the tools in Mapalong. In fact, we want them to because it will help us refine and build better tools. We work in an agile way because that’s the only way to design an emerging narrative space. Without realising it we’ve become architects of a narrative space, and you probably are, too.

Many projects like shops or brochure sites have fixed costs and objectives. They want to guide the audience to a specific set of actions. The site needs to be an enacted narrative space. Ideally, designers would observe behaviour and iterate. Failing that, a healthy dose of empathy can serve. Every site seeks to teach, educate, or inform. So, a bit of knowledge about people’s learning styles can be useful. I once did a course in one to one and small group training with the Chartered Institute of Personnel and Development. It introduced me to Peter Honey and Alan Mumford’s model which describes four different learning styles that are useful for us to know. I paraphrase:

  1. Activists like learning as they go; getting stuck in and working it out. They enjoy the here and now, and are happy to be dominated by immediate experiences. They are open-minded, not sceptical, and this tends to make them enthusiastic about anything new.
  2. Reflectors like being guided with time to take it all in and perhaps return later. They like to stand back to ponder experiences and observe them from many different perspectives. They collect data, both first hand and from others, and prefer to think about it thoroughly before coming to a conclusion.
  3. Theorists to understand and make logical sense of things before they leap in. They think problems through in a vertical, step-by-step logical way. They assimilate disparate facts into coherent theories.
  4. Pragmatists like practical applications of ideas, experiments, and results. They like trying out ideas, theories and techniques to see if they work in practice. They positively search out new ideas and take the first opportunity to experiment with applications.

Usually people share two or more of these qualities. The weight of each can vary depending on the context. So how might learning styles manifest themselves in web browsing behaviour?

  • Activists like to explore, learn as they go, and wander the site working it out. They need good in-context navigation to keep exploring. For example, signposts to related information are optimal for activists. They can just keep going, and going, and exploring until sated.
  • Reflectors are patient and thoughtful. They like to ponder, read, reflect, then decide. Guided tours to orientate them in emergent sites can be a great help. Saving shopping baskets for later, and remembering sessions in enacted sites can also help them.
  • Theorists want logic. Documentation. An understanding of what the site is, and what they might get from it. Clear, detailed information helps a theorist, whatever the space they’re in.
  • Pragmatists get stuck in like activists, but evaluate quickly, and test their assumptions. They are quick, and can be helped by uncluttered concise information, and contextual, logical tools.

An understanding of interactive narrative types and a bit of knowledge about learning styles can be useful concepts for us to bear in mind. I also think they warrant inclusion as part of an articulate designer’s language of web design. If Henry Jenkins is right about games designers, I think he could also be right about web designers: we are narrative architects, designing spaces where stories are told.

The original version of this article first appeared as ‘Jack A Nory’ alongside other, infinitely more excellent articles, in the New Adventures paper of January 2011. It is reproduced with the kind permission of the irrepressible Simon Collison. For a short time, the paper is still available as a PDF!

—∞—




narrative

Developing counter narratives to combat online violent extremism content, in focus of OSCE-supported course in Bosnia and Herzegovina

The OSCE Mission to Bosnia and Herzegovina this week organized a series of short courses, which concluded today in Sarajevo, on the use of Internet and social media in developing counter narratives to online content promoting violent extremism




narrative

OM Ecuador Medical Brigade: A narrative of change

God heals physical and spiritual lives during OM Ecuador’s 2014 Medical Brigade in the Saraguro Canton region of Ecuador.




narrative

Transfiguration - The Center of the Evangelical Narrative

On August 6, we will celebrate the Transfiguration of our Lord, and Fr. Thomas Hopko helps us understand the pivotal nature of this event in Christian history.




narrative

The Poison of A False Narrative




narrative

Same Sex Marriage and the Disruption of the Human Narrative

Fr. Steven takes a break from his commentary on Orthodox unity to speak about the recent Supreme Court decision related to Same Sex Marriage.




narrative

Genuine Personhood and the Restoration of the Human Narrative

Fr. Steven continues to discuss the Supreme Court ruling on "Same Sex Marriage" in light of our own personhood and what it means to be human.




narrative

Monographs and Metanarratives: An Answer to Cyril Jenkins, Part I

In this special edition of Paradise and Utopia, Fr. John Strickland responds to a recent review of the first two volumes of his book series. In it, he notes the failure to consider the books on their own terms. He uses the opportunity to elaborate what he considers a healthy vision of Christian historiography, one that supports what many consider the need for a "re-enchantment" of modern culture.




narrative

Narrative: Interview with Fr. John Shimchick

Dr. Albert Rossi discusses the role of "narrative" in the life of Orthodox Christians with Fr. John Shimchick. Fr. John is the rector of the Orthodox Church of the Holy Cross (OCA) in Medford, NJ. The video interview by Fr. John with Dr. Rossi that is reference in this podcast can be found here.




narrative

Gatland reflects on 'media narrative' over future

Head coach Warren Gatland says he is happy to field the pressure of questions on his future after guiding Wales to a 10th successive international defeat.




narrative

Learning Object Educational Narrative Approach (LOENA): Using Narratives for Dynamic Sequencing of Learning Objects




narrative

Leading the diversity and inclusion narrative through continuing professional education

This conceptual research aims to connect aspects of learning activities of continuing education for professionals (CPE). The objective is to provide conclusions about modes of professional learning within diversity, equity, inclusion, and belonging (DEIB) training. This interpretation is placed in context relating to the process of professional learning objectives. A CPE DEIB training plan is presented as an example of how to provide continuing professional education to adult learners within a DEIB curriculum (El-Amin, 2020). The purpose of incorporating the foundations of CPE into DEIB training permits organisations to strengthening organisational development and productivity. By connecting the foundations of curriculum design, alignment, assessment and mapping, and research-informed innovation, CPE aims to enhance the effectiveness of organisational DEIB initiatives. A CPE DEIB training plan emphasises the importance of accountability, employee involvement, and effective training to drive DEIB initiatives.




narrative

Informed Change: Exploring the Use of Persuasive Communication of Indigenous Cultures Through Film Narratives

Aim/Purpose: There is a need to find a way to utilize narrative storytelling in film to make students more aware of the impacts of global problems and how they are perceived. Background: Two films from the year 2015 from two very different places in the world explore the encroachment and secondary effects of urban civilization upon indigenous cultures. Methodology: An interpretive, qualitative, methodology was used in addressing and discussing the use of these two films as a persuasive communication teaching aid. Contribution: This paper offers an approach to using narratives of films on indigenous issues in education to inform students about real-world issues and the wide impacts of those on various cultures and populations. Findings: Through the discussion of the two films, we suggest that using films with indigenous themes is beneficial to a course curriculum in a variety of subjects from communication to history and politics, to help students visualize the problems at hand. Anecdotally, the authors note that students are more engaged and willing to discuss topics if they have watched films or clips that deal with those topics than if they have simply read about them. Recommendation for Researchers: Technology and use of visuals are used as teaching tools in a variety of fields. Film narratives can be used as a teaching tool in multiple fields and provide insight about a variety of ideas. Identifying films such as those with indigenous themes provides an example of how one film can bring up multiple, real-world, topics and through led discussion student reflection can potentially lead to self-insights and have lasting impacts. Future Research: Additional research and assessment can be done on the impact of teaching with films and their compelling story telling of issues, and what types of questions should be asked to maximize learning and the impact of film narratives.




narrative

STORIES ABOUT VALUES AND VALUABLE STORIES: A FIELD EXPERIMENT OF THE POWER OF NARRATIVES TO SHAPE NEWCOMERS' ACTIONS

This study draws on social identity theories of behavioral contagion and research concerning narratives in organizations to present and test a framework for understanding how narratives embed values in organizational newcomers' actions. Employing a field experiment using 632 newly-hired employees in a large IT firm that prioritizes self-transcendent values, this study explores how narratives varying in terms of the organizational level of main characters and the values-upholding or values-violating behaviors of those characters influence newcomers' tendencies to engage in behaviors that uphold or deviate from the values. Results indicate that stories about low-level organizational characters engaging in values-upholding behaviors are more positively associated with self-transcendent, helping behaviors and negatively associated with deviant behaviors, than are similar stories about high-level members of the organization. Stories in which high-level members of the organization violate values are negatively related to newcomers' engagement in both helping and deviance more strongly than are values-violating stories about lower-level members. Content analyses of the stories suggest that they convey values in different and potentially important ways. Implications, future directions, and limitations are discussed.




narrative

Washington FACE Program publishes three injury narratives in Spanish

Tumwater, WA — The Washington State Fatality Assessment and Control Evaluation Program has published three new narratives in Spanish.





narrative

Navigating children's screen-time at home: narratives of childing and parenting within the familial generational structure.

Children's Geographies; 12/01/2021
(AN 153655047); ISSN: 14733285
Academic Search Premier




narrative

Childhood and belonging over time: narratives of identity across generations on Tasmania's east coast.

Children's Geographies; 02/01/2023
(AN 163249008); ISSN: 14733285
Academic Search Premier




narrative

Childhood(s) through time: an intergenerational lens on flexible narratives of childhood in Irish coastal communities.

Children's Geographies; 02/01/2023
(AN 163249009); ISSN: 14733285
Academic Search Premier





narrative

‘A very sensitive Rwandan woman’: sexual violence, history, and gendered narratives in the trial of Pauline Nyiramasuhuko at the international criminal tribunal for Rwanda, 2001-2011

Volume 32, Issue 7, December 2023. Read the full article ›

The post ‘A very sensitive Rwandan woman’: sexual violence, history, and gendered narratives in the trial of Pauline Nyiramasuhuko at the international criminal tribunal for Rwanda, 2001-2011 was curated by information for practice.




narrative

Narrative construction of vocational identity in university students: The role of influential experiences and significant others in the framework of cultural psychology

Culture &Psychology, Ahead of Print. This study sought to understand the process of construction of the vocational identity of university students. Assuming cultural psychology as a theoretical reference, a qualitative methodology was adopted, with a narrative perspective. In-depth interviews were conducted with 20 participants, male and female engineering, and psychology students from two universities in […]

The post Narrative construction of vocational identity in university students: The role of influential experiences and significant others in the framework of cultural psychology was curated by information for practice.



  • Journal Article Abstracts


narrative

articy:draft X update 4.1 brings new features for narrative design and development

articy:draft X, the narrative design tool used by game studios worldwide just launched a new update adding new features for faster and more streamlined scripting.




narrative

Two 'Books', One Journey: Richard Runyon's 'Musicbook' Album and 'Storybook' Web Series Merge Visual Narratives with Enchanting Melodies

Richard Runyon is set to release "Richard Runyon's Storybook," an innovative online miniseries, along with its accompanying album, "Richard Runyon's Musicbook," featuring original songs inspired by his adventures.




narrative

Alternative narratives for data activism and data literacy

This track investigates and explores ways to make visible the... more




narrative

How to Read a Slave Narrative

New essay by William L. Andrews just added to Freedom's Story: Teaching African American Literature and History, TeacherServe from the National Humanities Center.




narrative

Narrative, Fiction and World-Building Reality

Ursula K. Le Guin's Revolutions - "Le Guin's work is distinctive not only because it is imaginative, or because it is political, but because she thought so deeply about the work of building a future worth living."

"Imaginative fiction trains people to be aware that there other ways to do things, other ways to be; that there is not just one civilization, and it is good, and it is the way we have to be," Le Guin says in Arwen Curry's new documentary, The Worlds of Ursula K. Le Guin.[1,2,3,4] Le Guin spoke in defense of science fiction and fantasy, which were and often still are maligned or outright ignored by critics. But her statement admits another, deeper necessity: We must be trained to imagine. But imagine what? ... A feminist and a critic of capitalism, Le Guin must have known that progress was as much a necessity as it was an uncertainty. Nobody knows exactly what will happen when they set out to do what no one else has ever done. Le Guin's work is distinctive not only because it is imaginative, or because it is political, but because she thought so deeply about the work of building a future worth living. She did not just believe that a society free of consumerism and incarceration, like Shevek's homeworld, could exist; she explored how that society could be built and understood the process would be hard work, and probably on some level disappointing. The future is not a static thing; to its architects, it is always in motion, always mid-creation, never realized. Le Guin's utopianism perhaps explains why her characters exhibit a certain adaptability, as did Le Guin herself. In her work, she mostly eschewed great battles; a reader of her work should not expect to find a clash at Helm's Deep. A Le Guin character may be at war with his basest self, but the health of the body politic can be at stake at the same time. In The Left Hand of Darkness, Genly Ai only completes his mission to bring Winter into the Ekumen after he overcomes his own prejudicial beliefs about the people who live there. Le Guin found herself embroiled in a similar struggle, which she recounts to Curry. As acclaimed as The Left Hand of Darkness became, feminists criticized it because, while Le Guin's alien race changed genders, in their default state they used male pronouns. Genly is male, too. "At first I felt a little bit defensive," she told Curry. "But as I thought about it, I began to see that my critics were right." There's a quiet radicalism about her admission.
Yuval Noah Harari & Natalie Portman - "Yuval Noah Harari sits down with the award-winning actress, director, and Harvard graduate Natalie Portman to discuss his new book 21 Lessons for the 21st Century."[5]
0:57 The myth factory 2:22 The role of fictions 4:38 Fictions and co-operation ...
Balance of power: The Economic Consequences of the Peace at 100 - "Ann Pettifor finds astonishing contemporary resonance in John Maynard Keynes's critique of globalization and inequity."[6]
In December 1919, John Maynard Keynes published a blistering attack on the Treaty of Versailles, signed in June that year. The treaty's terms helped to end the First World War. Keynes's The Economic Consequences of the Peace[(fre)eBook] revealed how they would also pave the way to the Second... This is a bold, eloquent work unafraid of the long view. It contributed to the economic stability of the mid-twentieth century. And in a world still grappling with the socio-economic and environmental costs of globalization, Keynes's critiques — not least of the era's international financial system, the gold standard — remain powerfully germane.[7] Keynes censures the disregard of world leaders for the "starving and disintegrating" people of war-torn Europe. "The future life of Europe was not their concern; its means of livelihood was not their anxiety," he wrote. Keynes, however, was concerned for Europe's future. His book's significance lies in his revolutionary plan for financing recovery not just in Europe, but across the world. Keynes called for a new international economic order to replace the gold standard, which had held from the 1870s until the start of the war. That system had led to a form of globalization that benefited the wealthy, but impoverished the majority and ultimately destabilized both the financial and political systems... For a book published 100 years ago, the contemporary resonance is unsettling. Keynes writes: "England still stands outside Europe. Europe's voiceless tremors do not reach her ... But Europe is solid with herself." In another passage, he notes that the "principle of accumulation based on inequality was a vital part of the pre-war order of society". And in an era innocent of Amazon and containerized shipping, Keynes wrote that wealthy Londoners could order by telephone "the various products of the whole earth" and expect "their early delivery" to their doorstep. The globalized pre-First World War economy was the template for the modern one. Driven as it was by the international financial sector, the consequences of this economic system were predictable: rising inequality, economic instability, political volatility and war. Thus, a bankrupt Germany and its allies (the Central Powers) — all heavily indebted sovereign governments — were to endure increasingly frequent economic crises after 1919. Their creditors, the victorious Allied Powers, made no effort towards a sound and just resolution of these crises.[8,9,10]
Now's the time to spread the wealth, says Thomas Piketty - "His premise is that inequality is a political choice. It's something societies opt for, not an inevitable result of technology and globalisation. Whereas Marx saw history as class struggle, Piketty sees it as a battle of ideologies."[11]
Every unequal society, he says, creates an ideology to justify inequality. That allows the rich to fall asleep in their town houses while the homeless freeze outside. In his overambitious history of inequality from ancient India to today's US, Piketty recounts the justifications that recur throughout time: "Rich people deserve their wealth." "It will trickle down." "They give it back through philanthropy." "Property is liberty." "The poor are undeserving." "Once you start redistributing wealth, you won't know where to stop and there'll be chaos" — a favourite argument after the French Revolution. "Communism failed." "The money will go to black people" — an argument that, Piketty says, explains why inequality remains highest in countries with historic racial divides such as Brazil, South Africa and the US. Another common justification, which he doesn't mention, is "High taxes are punitive" — as if the main issue were the supposed psychology behind redistribution rather than its actual effects. All these justifications add up to what he calls the "sacralisation of property". But today, he writes, the "propriétariste and meritocratic narrative" is getting fragile. There's a growing understanding that so-called meritocracy has been captured by the rich, who get their kids into the top universities, buy political parties and hide their money from taxation. Moreover, notes Piketty, the wealthy are overwhelmingly male and their lifestyles tend to be particularly environmentally damaging. Donald Trump — a climate-change-denying sexist heir who got elected president without releasing his tax returns — embodies the problem... Centre-right parties across the west have taken up populism because their low-tax, small-state story wasn't selling any more. Rightwing populism speaks to today's anti-elitist, anti-meritocratic mood. However, it deliberately refocuses debate from property to what Piketty calls "the frontier" (and others would call borders). That leaves a gap in the political market for redistributionist ideas. We're now at a juncture much like around 1900, when extreme inequality helped launch social democratic and communist parties.
Ideological differences in the expanse of the moral circle - "Do clashes between ideologies reflect policy differences or something more fundamental? The present research suggests they reflect core psychological differences such that liberals express compassion toward less structured and more encompassing entities (i.e., universalism), whereas conservatives express compassion toward more well-defined and less encompassing entities (i.e., parochialism)."[12,13,14,15,16,17]
  • In Our Time, The Rapture - "Melvyn Bragg and guests discuss the idea that believers will vanish from the world, touching on religious entrepreneurialism, William Miller, dispensational modernism, premillennialism, and other such eschatological battiness."
  • Medieval cannibal babies - "How a collective of intellectuals can engage in the production of unlikely stories to protect a cherished theory."
  • Three Decades Ago, America Lost Its Religion. Why? - "'Not religious' has become a specific American identity—one that distinguishes secular, liberal whites from the conservative, evangelical right."[18,19]
Zadie Smith: Fascinated to Presume: In Defense of Fiction - "I could never shake the suspicion that everything about me was the consequence of a series of improbable accidents—not least of which was the 400 trillion–to-one accident of my birth. As I saw it, even my strongest feelings and convictions might easily be otherwise, had I been the child of the next family down the hall, or the child of another century, another country, another God."[20] We should all be reading more Ursula Le Guin - "Her novels imagine other worlds, but her theory of fiction can help us better live in this one."[21]
"The Carrier Bag Theory of Fiction,"[pdf] an essay Le Guin wrote in 1986, disputes the idea that the spear was the earliest human tool, proposing that it was actually the receptacle. Questioning the spear's phallic, murderous logic, instead Le Guin tells the story of the carrier bag, the sling, the shell, or the gourd. In this empty vessel, early humans could carry more than can be held in the hand and, therefore, gather food for later. Anyone who consistently forgets to bring their tote bag to the supermarket knows how significant this is. And besides, Le Guin writes, the idea that the spear came before the vessel doesn't even make sense. "Sixty-five to eighty percent of what human beings ate in those regions in Paleolithic, Neolithic, and prehistoric times was gathered; only in the extreme Arctic was meat the staple food." Not only is the carrier bag theory plausible, it also does meaningful ideological work — shifting the way we look at humanity's foundations from a narrative of domination to one of gathering, holding, and sharing. Because I am, despite my best efforts, often soppy and sentimental, I sometimes imagine this like a really comforting group hug. But it's not, really: the carrier bag holds things, sure, but it's also messy and sometimes conflicted. Like when you're trying to grab your sunglasses out of your bag, but those are stuck on your headphones, which are also tangled around your keys, and now the sunglasses have slipped into that hole in the lining. Le Guin's carrier bag is, in addition to a story about early humans, a method for storytelling itself, meaning it's also a method of history. But unlike the spear (which follows a linear trajectory towards its target), and unlike the kind of linear way we've come to think of time and history in the West, the carrier bag is a big jumbled mess of stuff. One thing is entangled with another, and with another. Le Guin once described temporality in her Hainish Universe (a confederacy of human planets that feature in a number of her books) in the most delightfully psychedelic terms: "Any timeline for the books of Hainish descent would resemble the web of a spider on LSD." This lack of clear trajectory allowed Le Guin to test out all kinds of political eventualities, without the need to tie everything neatly together. It makes room for complexity and contradiction, for difference and simultaneity. This, I think, is a pretty radical way of looking at the world, one that departs from the idea of history as a long line of victories. Le Guin describes her discovery of the carrier bag theory as grounding her "in human culture in a way I never felt grounded before." The stick, sword, or spear, designed for "bashing and killing," alienated her from history so much that she felt she "was either extremely defective as a human being, or not human at all." The only problem is that a carrier bag story isn't, at first glance, very exciting. "It is hard to tell", writes Le Guin, "a really gripping tale of how I wrested a wild-oat seed from its husk, and then another, and then another, and then another, and then another, and then I scratched my gnat bites, and Ool said something funny, and we went to the creek and got a drink and watched newts for a while, and then I found another patch of oats..." As well as its meandering narrative, a carrier bag story also contains no heroes. There are, instead, many different protagonists with equal importance to the plot. This is a very difficult way to tell a story, fictional or otherwise. While, in reality, most meaningful social change is the result of collective action, we aren't very good at recounting such a diffusely distributed account. The meetings, the fundraising, the careful and drawn-out negotiations — they're so boring! Who wants to watch a movie about a four-hour meeting between community stakeholders? ... We will not "beat" climate change, nor is "nature" our adversary. If the planet could be considered a container for all life, in which everything — plants, animals, humans — are all held together, then to attempt domination becomes a self-defeating act. By letting ourselves "become part of the killer story," writes Le Guin, "we may get finished along with it." All of which is to say: we have to abandon the old story.[22]
Future Tense Fiction: Stories of Tomorrow Has Arrived - "A thought-provoking excursion into the futures we would and would not want to live in."[23]




narrative

The downtown Spokane doom narrative is self-reinforcing; sharing a different story about our vibrant downtown could be, too

The narrative goes something like this: Downtown Spokane is in decline, is unsafe, is a hotbed of crime and unsavory activity…



  • Columns & Letters


narrative

NMB Releases ‘Freedom Narratives’ Guide

The National Museum of Bermuda  has published a new Teacher’s Resource Guide: Freedom Narratives of Enslaved Bermudians Mary Prince and Benjamin Benson. A spokesperson said, ” This comprehensive guide is part of NMB’s ongoing Teacher Professional Development programme [TPD]. It is designed to support the current local social studies curriculum and deepen understanding of Bermuda’s history […]




narrative

Princeton geneticists are rewriting the narrative of Neanderthals and other ancient humans

Modern humans and Neanderthals interacted over a 200,000-year period, says geneticist Joshua Akey.




narrative

Frosty Neighbours? Unpacking Narratives of Afghanistan-Pakistan Relations




narrative

The Dangerous Narrative That Lurks Under the 'Achievement Gap'

Black students are not to blame for their lack of educational opportunities, argues assistant principal Eric Higgins.




narrative

National conference encourages a more inclusive historical narrative

This fall, several HCA staff members traveled to Philadelphia for the eighth annual Slave Dwelling Project Conference, a collaborative initiative to help Americans embrace a more inclusive narrative of national history.




narrative

Pacific Climate Leaders Caution Media Against ‘Drowning Islands’ Narrative

Pacific Climate Leaders Caution Media Against ‘Drowning Islands’ Narrative Pacific Climate Leaders Caution Media Against ‘Drowning Islands’ Narrative
brophyc Wed, 07/06/2022 - 16:38

East-West Wire

Tagline
News, Commentary, and Analysis
East-West Wire

The East-West Wire is a news, commentary, and analysis service provided by the East-West Center in Honolulu. Any part or all of the Wire content may be used by media with attribution to the East-West Center or the person quoted. To receive East-West Center Wire media releases via email, subscribe here.

For links to all East-West Center media programs, fellowships and services, see www.eastwestcenter.org/journalists.

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East-West Wire

Tagline
News, Commentary, and Analysis
East-West Wire

The East-West Wire is a news, commentary, and analysis service provided by the East-West Center in Honolulu. Any part or all of the Wire content may be used by media with attribution to the East-West Center or the person quoted. To receive East-West Center Wire media releases via email, subscribe here.

For links to all East-West Center media programs, fellowships and services, see www.eastwestcenter.org/journalists.

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narrative

50,000-year-old picture of a pig is the oldest known narrative art

A new radiometric dating technique reveals that cave paintings on Sulawesi, Indonesia, are even older than previously thought, pushing back the earliest evidence of storytelling




narrative

Noninvasive diagnostic modalities and prediction models for detecting pulmonary hypertension associated with interstitial lung disease: a narrative review

Pulmonary hypertension (PH) is highly prevalent in patients with interstitial lung disease (ILD) and is associated with increased morbidity and mortality. Widely available noninvasive screening tools are warranted to identify patients at risk for PH, especially severe PH, that could be managed at expert centres. This review summarises current evidence on noninvasive diagnostic modalities and prediction models for the timely detection of PH in patients with ILD. It critically evaluates these approaches and discusses future perspectives in the field. A comprehensive literature search was carried out in PubMed and Scopus, identifying 39 articles that fulfilled inclusion criteria. There is currently no single noninvasive test capable of accurately detecting and diagnosing PH in ILD patients. Estimated right ventricular pressure (RVSP) on Doppler echocardiography remains the single most predictive factor of PH, with other indirect echocardiographic markers increasing its diagnostic accuracy. However, RVSP can be difficult to estimate in patients due to suboptimal views from extensive lung disease. The majority of existing composite scores, including variables obtained from chest computed tomography, pulmonary function tests and cardiopulmonary exercise tests, were derived from retrospective studies, whilst lacking validation in external cohorts. Only two available scores, one based on a stepwise echocardiographic approach and the other on functional parameters, predicted the presence of PH with sufficient accuracy and used a validation cohort. Although several methodological limitations prohibit their generalisability, their use may help physicians to detect PH earlier. Further research on the potential of artificial intelligence may guide a more tailored approach, for timely PH diagnosis.




narrative

Antenatal Care Interventions to Increase Contraceptive Use Following Birth in Low- and Middle-Income Countries: Systematic Review and Narrative Synthesis

ABSTRACTIntroduction:Health risks associated with short interpregnancy intervals, coupled with women’s desires to avoid pregnancy following childbirth, underscore the need for effective postpartum family planning programs. The antenatal period provides an opportunity to intervene; however, evidence is limited on the effectiveness of interventions aimed at reaching women in the antenatal period to increase voluntary postpartum family planning in low- and middle-income countries (LMICs). This systematic review aimed to identify and describe interventions in LMICs that attempted to increase postpartum contraceptive use via contacts with pregnant women in the antenatal period.Methods:Studies published from January 2012 to July 2022 were considered if they were conducted in LMICs, evaluated an intervention delivered during the antenatal period, were designed to affect postpartum contraceptive use, were experimental or quasi-experimental, and were published in French or English. The main outcome of interest was postpartum contraceptive use within 1 year after birth, defined as the use of any method of contraception at the time of data collection. We searched EMBASE, Global Health, and Medline and manually searched the reference lists from studies included in the full-text screening.Results:We double-screened 771 records and included 34 reports on 31 unique interventions in the review. Twenty-three studies were published from 2018 on, with 21 studies conducted in sub-Saharan Africa. Approximately half of the study designs (n=16) were randomized controlled trials, and half (n=15) were quasi-experimental. Interventions were heterogeneous. Among the 24 studies that reported on the main outcome of interest, 18 reported a positive intervention effect, with intervention recipients having greater contraceptive use in the first year postpartum.Conclusion:While the studies in this systematic review were heterogeneous, the findings suggest that interventions that included a multifaceted package of initiatives appeared to be most likely to have a positive effect.




narrative

St. Baldrick's Foundation Changes the Narrative for Kids with Cancer - Paint Boys

With this bold new campaign, St. Baldrick�s shows kids as their truest selves � fun-loving, carefree, refreshingly honest, and always a little goofy. Donate today at StBaldricks.org.




narrative

Witchcraft narratives in Germany : Rothenburg, 1561-1652 [Electronic book] / Alison Rowlands.

Manchester : Manchester University Press, [2018]




narrative

Top Ten Fictional Narratives in Early Modern Europe : Translation, Dissemination and Mediality [Electronic book] / ed. by Rita Schlusemann, Helwi Blom, Anna Katharina Richter, Krystyna Wierzbicka-Trwoga.

Berlin ; Boston : De Gruyter, [2023]




narrative

Stories of women : Gender and narrative in the postcolonial nation [Electronic book] / Elleke Boehmer.

Manchester : Manchester University Press, [2017]




narrative

Reading and teaching ancient fiction : Jewish, Christian, and Greco-Roman narratives [Electronic book] / edited by Sara Johnson, Rubén René Dupertuis, and Chris Shea.

Atlanta : SBL Press, 2018.




narrative

Ovid's women of the year : narratives of Roman identity in the Fasti [Electronic book] / Angeline Chiu.

Ann Arbor : University of Michigan Press, [2016]




narrative

Narratives of qualitative PhD research : identities languages and cultures in transition [Electronic book] / edited by Laura Gurney, Yi Wang and Roger Barnard.

Abingdon, Oxon ; New York, NY : Routledge, 2022.




narrative

The narrative grotesque in medieval Scottish poetry [Electronic book] / Caitlin Flynn.

Manchester : Manchester University Press, 2022.




narrative

Medical histories of Belgium : New narratives on health, care and citizenship in the nineteenth and twentieth centuries [Electronic book] / ed. by Joris Vandendriessche, Benoît Majerus.

Manchester : Manchester University Press, [2021]




narrative

Klio hat jetzt Internet : Historische Narrative auf Youtube - Darstellung, Inszenierung, Aushandlung [Electronic book] / hrsg. von Kilian Baur, Robert Trautmannsberger.

München ; Wien : De Gruyter Oldenbourg, [2023]




narrative

Der montierte Fluss : Donaunarrative in Text, Film und Fotografie [Electronic book] / Anton Holzer.

[s.l.] : Franz Steiner Verlag, 2023.