UK Startup Naturbeads Secures Series A Round to Further Pioneering Technology That Addresses Worldwide Microplastic Pollution  Business Wire

Designed By: Elaine, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads

Click Here For An Enhanced View And Materials List

Designed By: Elaine, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads

Click Here For An Enhanced View And Materials List

Designed By: Elaine, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads

Click Here For An Enhanced View And Materials List

Designed By: Patti, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads®

Click Here For An Enhanced View And Materials List

Designed By: Patti, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads®

Click Here For An Enhanced View And Materials List

Designed By: Elaine, Jewelry Designer, Exclusively for Fire Mountain Gems and Beads

Click Here For An Enhanced View And Materials List

Courtesy of The Story of Stuff Project  Another gem from The Story of Stuff Project – this time about the dangers of tiny plastic microbeads in many products we use daily, which go down the drain and into our lakes, … Continue reading →

Today, we’re going to finish up the embroidery on the sample leaf for Harvest Hues. If you’re just joining in, …

Oh dear, busy me, four months since I've posted here. Lots of quilting, a little beading, some travels, and recently several sets of house guests have made "retirement" a bit of a joke. For now, since the La Conner Quilt Festival is just around the corner (October 2-4), my subject is one small exhibition on the first floor at the Museum, which is currently up, and will remain through the Festival.

Last year at the Festival (and again this year!) Sue Spargo taught workshops on her wool applique embroidery methods. Those of us who were lucky enough to get in were invited by the Museum to exhibit our finished pieces. These marvelous creations are the subject of this post. Uneven lighting makes it difficult to get good photos, so please forgive poor color or tone on some of these photos.

In case you are unfamiliar with Sue's work, below is an example of her work. Students in her class could choose to make chicks, circles, or flowers. Most chose the chicks. Eight of her students are showing their work in the current exhibit.

My vote for the most awesome-creative piece goes to Bunny Starbuck for She Has Flown the Coop! Here it is:

Having put my chicks all in neat rows similar to Sue's example, I find it amazing that Bunny's mind took the idea and made a whole different story of it... a coop full of chicks, with two in line on the roof ready to follow the one already in the air. Don't you just love the way the lines divide the space?!




Note Bunny's use of whispy yarn to suggest little chick feathers, her use of snaps for eyes, the one chick turned full front, the one with a bead-tassled braid and glasses, and the one with beaded loop fringe and a gathered yellow ribbon (?) yo-yo. I love them! I'm in awe, Bunny!

Below is Chicks on Parade by Dorie Benson. It's so fun the way they are so close together, with two of them going in a different direction, just as you might see in a little cluster of chicks. If you click the photo to enlarge it, you can see some of Dorie's excellent stitching and hand quilting!

The next one is Chicks by Glenys Baker, who not only did all 36 chicks but also made a second quilt featuring circles (shown further down). Awesome work, Glenys!

And next is Birds of a Feather Can Dance Together by Lorraine Jones. The fun of the title is matched by the fun of Lorraine's embellishments, including her border treatment. (You'll have to see this one in person, because the light from a table lamp, made the lower corner of the photo look terrible.)

I guess most of us like to "swim the other way," as you can see in the next piece, Chickadees, by Carrie Unick. I thought many of Corrie's embellishments were especially fun and creative, so I've also included a couple of detail photos.



Last of the chicks is my piece, simply named Chicks. It was so much fun, that I made another small piece (also in the exhibition), shown at the top of this post. Both are displayed in shadow-box type frames to protect them from dust and moth damage.
Glenys Baker, in one year, made not only a 36-chicks quilt (shown above), but also a 48-circles quilt, Circles. How she keeps thinking of new embellishment variations I can't imagine. Yet each of her circles is completely unique! Her choice of border fabrics is perfect for the quilt, complimenting the flow of color among the circles.


I love the fun color combinations and the way the beads enhance her embroidery on Nancy Anders' Bodacious Blooms, a joyful wall quilt if ever there was one! (Again, I couldn't quite get the color right in the photo, so you'll just have to go to the Museum to see it in person.)


The name of Roberta Roberts' flower quilt, Memories, invites us to look closely at the flower with three ladybugs. I don't know the story, but I can tell there is one here... and I love that. Her embellishments are varied and fun as well.



There you have it... 10 quilts by 8 students who learned some methods of wool applique and embroidery from Sue Spargo, last year at the La Conner Quilt Festival. I'm so grateful to be one of them!

Alison M. Kurimchak
Dec 1, 2020; 19:2068-2089
Research

Endometrial carcinoma (EC) is the most common gynecologic malignancy in the United States, with limited effective targeted therapies. Endometrial tumors exhibit frequent alterations in protein kinases, yet only a small fraction of the kinome has been therapeutically explored. To identify kinase therapeutic avenues for EC, we profiled the kinome of endometrial tumors and normal endometrial tissues using Multiplexed Inhibitor Beads and Mass Spectrometry (MIB-MS). Our proteomics analysis identified a network of kinases overexpressed in tumors, including Serine/Arginine-Rich Splicing Factor Kinase 1 (SRPK1). Immunohistochemical (IHC) analysis of endometrial tumors confirmed MIB-MS findings and showed SRPK1 protein levels were highly expressed in endometrioid and uterine serous cancer (USC) histological subtypes. Moreover, querying large-scale genomics studies of EC tumors revealed high expression of SRPK1 correlated with poor survival. Loss-of-function studies targeting SRPK1 in an established USC cell line demonstrated SRPK1 was integral for RNA splicing, as well as cell cycle progression and survival under nutrient deficient conditions. Profiling of USC cells identified a compensatory response to SRPK1 inhibition that involved EGFR and the up-regulation of IGF1R and downstream AKT signaling. Co-targeting SRPK1 and EGFR or IGF1R synergistically enhanced growth inhibition in serous and endometrioid cell lines, representing a promising combination therapy for EC.

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The post Ancient Native American beads traced to otherworldy source: an iron meteorite appeared first on Smithsonian Insider.

Tiny polyester fibres, which are washed into rivers, lakes and seas every time we do our laundry could cause more harm to animals than plastic microbeads, finds a new study. The researchers looked at the effect of microbeads and fibres on a small crustacean called Ceriodaphnia dubia, which lives in freshwater lakes. They found that although both types of plastic were toxic, microfibres caused more harm. Both microplastics stunted the growth of the animals, and reduced their ability to have offspring; microfibres, however, did this to a greater degree, and also caused noticeable deformities in the crustacean’s body and antennae.

Made of plastic and metal, it harms our oceans just like microbeads.

Ubiquitous Mardi Gras beads can be made of other things: Biodegradable seed bombs, anyone?

Plastic pollution similar to ocean 'garbage patches' has been found in the Great Lakes, especially microscopic beads used in many personal care products.

Each wash with a microbead product can release as many as 94,500 microbeads into our waterways.

Method, apparatus, and system for preparing a cellular material based on hollow metal beads. According to the description, at least one bead chain in which said hollow metal beads are linked to one another in pairs by means of an articulation is used as elementary structure constituting the cellular material.

A method of manufacture of foamed celluloid molded products, involving three steps for the manufacture of higher density (0.7 to 1.25 gm/cc) foamed celluloid products or simple geometry lower density (0.2 to 0.7 gm/cc) foamed celluloid products, and four steps for the manufacture of lower density foamed celluloid products of any geometry. The three step process involving: (1) providing small, uniform, pieces of celluloid; (2) presoaking the pieces in a physical blowing agent (PBA) under pressure; and (3) foaming at raised temperature a controlled quantity of the presoaked pieces in a mold—to obtain the desired shape and density. For a lower density foamed celluloid product, of any moldable geometry, the steps are to: (1) small pieces of celluloid, that (2) have been presoaked in a PBA, are (3) pre-expanded to an intermediate density, and then (4) foam the desired lower density foamed product in a mold at raised temperature.

These devices help solar lighting move beyond the flatness of traditional photovoltaic cells.

Exfoliating body wash may make you clean, but it's making the lake water dirty.