Collector David Cammack owns three of the 43 remaining cars in existence designed by Preston Tucker, which he puts on display in a secluded museum in Virginia. Editor's Note: We're sad to report that David Cammack passed away on Sunday, April 7, 2013 at the age of 84.

The Artemis program represents the pinnacle of NASA's mind-boggling technological capabilities. Learn about the groundbreaking achievements and breathtaking lunar landscapes that await us in this new era of space exploration. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

Lindow Man, believed to be a victim of human sacrifice, remains one of the best preserved ancient bodies in all of Europe. The level of detail on his face is staggering—not bad for a 2,000-year-old mummy

Used more for grasping than locomotion, seahorse tails are both flexible and uniquely strong. (Video courtesy Dominique Adriaens, UGent)

The musicians of the Union and Confederate armies provided strong memories of the homes left behind for the battlefield.

Staff writer Abigail Tucker recounts the scene of a beach littered with horseshoe crabs and a sky filled with red knots. Read more at http://www.smithsonianmag.com/science-nature/Return-of-the-Sandpiper.html

The Ouija board might seem like a simple game that sparks spooky childhood memories, but have you ever pondered its mysterious history? Even more importantly, does it actually…work? Uncover the fascinating truth behind the game and its unusual origins. ___ A little more information: In the late 19th century, Americans were captivated by Spiritualism, the belief that the dead could communicate with the living. Charles Kennard saw the commercial potential in this trend, leading to the creation of the Ouija board. Yet, the backstory behind its invention, its rules, and even its name are all wrapped up in uncertainty. One thing is certain: the more turbulent the times, the more popular the game became – particularly during World War II and the social upheaval of the late 1960s. Ultimately, the allure of the Ouija board lies in its ability to tap into human imagination and curiosity. Whether regarded as a nostalgic artifact or a mystical tool, the Ouija board is here to stay. #OuijaBoard #Ouija #history #Smithsonianmagazine Subscribe: https://www.youtube.com/@SmithsonianMagazine Read more about the history of the Ouija Board here: https://www.smithsonianmag.com/history/the-strange-and-mysterious-history-of-the-ouija-board-5860627/ Did you know that US Navy Officers rely on a system called the “ouija board” to track the movement of airplanes on a carrier? Learn more here: https://www.smithsonianmag.com/air-space-magazine/how-things-work-the-ouija-board-10048217/ For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Get More Smithsonian Magazine: Official Site: https://www.smithsonianmag.com/ Facebook: https://www.facebook.com/smithsonianmagazine/ X: https://x.com/smithsonianmag Instagram: https://www.instagram.com/SmithsonianMagazine/ Digital Editorial Director: Brian Wolly Director of Programming: Nicki Marko Manager of Programming: Michelle Mehrtens Scriptwriter: Dan Wolf Video Editor: Adam Benavides

On June 6, 1944, allied troops landed on the beaches of Normandy, France to fight Nazi Germany

He is (K)enough… or is he? With filmmaker Greta Gerwig's Barbie breaking box-office records—and devoting much of its story to Ken's existential crisis—we wondered if there's any more to Barbie's perennial plus-one. Journalist and lifelong Barbie fan Emily Tamkin talks us through Ken’s development, or lack thereof, over the decades. Read Emily’s “A Cultural History of Barbie,” and Chris’s brief Ken history “Not Your Average Beau,” here (https://www.smithsonianmag.com/arts-culture/cultural-history-barbie-180982115/) or in the June 2023 issue of Smithsonian. Emily is the author of The Influence of Soros: Politics, Power, and the Struggle for an Open Society and Bad Jews: A History of American Jewish Politics and Identities. Learn more about Emily and her work here (https://www.emilytamkin.com/) , or subscribe to her Substack newsletter (https://emilyctamkin.substack.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

The science of earwax in under a minute

In this clip from the documentary, see how Cassady embodied the spirit of Jack Kerouac's iconic character from On the Road

Four decades ago, Pablo Escobar brought to his Medellín hideaway four hippopotamuses, the centerpieces of a menagerie that included llamas, cheetahs, lions, tigers, ostriches and other exotic fauna. After Colombian police shot Escobar dead in December 1993, veterinarians removed the animals—except the hippos, which were deemed too dangerous to approach. The hippos fled to the nearby Magdalena River and multiplied.  Today, the descendants of Escobar’s hippos are believed to number nearly 200. Their uncontrolled growth threatens the region’s fragile waterways. Smithsonian contributor Joshua Hammer joins us to recount this strange history and explain why Colombian conservationists have embarked upon an unusual program to sterilize these hippos in the wild via “invasive surgical castration,” a procedure that is, as he has written (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) for Smithsonian magazine, “medically complicated, expensive and sometimes dangerous for hippos as well as for the people performing it.” Then, ecologist Rebecca Lewison tells us how her long-term study of hippo populations in Africa offers hints of how these creatures will continue to alter the Colombian ecosystem—and what authorities can do about it. Let us know what you think of our show, and how we can make it better, by completing our There's More to That listener survey here (https://docs.google.com/forms/d/e/1FAIpQLSfS90zjBZ2oGa9JxVa-R5affKcOHaR2-ib1_KZeWm3HDQXJIA/viewform) . Read Josh Hammer's Smithsonian story about Escobar's hippos and their descendants here (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) . Learn more about Rebecca Lewison and her work here (https://cmi.sdsu.edu/rebecca-lewison/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz  Music by APM Music.

Silent film footage taken in 1909 by Thomas Edison at Mark Twain's estate

Julie Montagu, the American-born Viscountess Hinchingbrooke, is meeting up with an expert on 18th century dance. Her aim is to learn about the dances performed in that era.

Sarah Parcak | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for History This tech-savvy researcher of our past uses satellites and other remote-sensing tools to discover and explore stunning new evidence of lost cultures—including, just this year, another possible Viking site in North America. In addition, she has located an astonishing number of ancient Egyptian remains—thousands of settlements, lost tombs and hidden pyramids. A Yale- and Cambridge-trained Egyptologist and archaeologist, Parcak is a professor of anthropology at the University of Alabama at Birmingham, where she serves as founding director of the Laboratory for Global Observation. Read more about Parcak’s work: http://smithmag.co/ZuwTGP | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

A short movie explores 3D scans of some of the mid-Cretaceous lizards found trapped in amber. (courtesy of Daza et al., Science Advances)

The 12,000 year old skeleton of a teenage girl was found in Hoyo Negro, an underwater cave system on the Yucatan Peninsula.

Read more at http://www.smithsonianmag.com/arts-culture/Arcimboldos-Feast-for-the-Eyes.html The Hapsburg Dynasty's court painter's unique style of portraiture, using fruits, vegetables and animals to compose his faces -- has fascinated artists and the general public for centuries.

Daring anglers hook sharks from the cabin of a huge airship in Fisher Island

Despite the fact that it’s over 5,000 years old, Maeshowe, Orkney's answer to Stonehenge, is in amazing shape. But why did Neolithic Britons go to such great lengths to build it?

Tired of waiting to catch your flight? Then strap on your very own jetpack and off you go!

A clip from the father of video art's 1969 piece

Last summer, news reports of orcas deliberately tearing the propellers off of yachts in the Strait of Gibraltar thrilled observers who were eager to cast these intelligent and social pack hunters as class warriors striking a blow for the “common mammals” against the one percent. That turned out to be wishful thinking, according to guest Lori Marino, a biopsychologist who studies whale and dolphin intelligence. She told us that these six-ton whales were just having fun—if they wanted to harm the occupants of those boats, we’d know it.  Even so, these encounters are becoming a predictable seasonal occurrence between the months of May and August: A 50-foot charter vessel sank after its hull and rudder were damaged in an orca encounter near the Strait of Gibraltar on May 12. So here again is our episode on the perils of assigning human motives to wild animals, featuring Marino and Smithsonian assistant digital science editor Carlyn Kranking. This episode was originally released in September 2023.   Dr. Marino invites you to learn more about The Whale Sanctuary Project at their site (https://whalesanctuaryproject.org/about-the-whale-sanctuary-project/) . You can also see Dr. Marino in the documentary films Blackfish (2013), Unlocking the Cage (2016), and Long Gone Wild (2019). Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . And read the transcript of this episode here (https://www.smithsonianmag.com/science-nature/are-wild-animals-really-just-like-us-180982939/) . There’s More to That (https://www.smithsonianmag.com/podcast) is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Selected by Martin Parr for our special issue, this up-and-coming photographer discusses his work

What did analysts find in the recon photographs from the Cuban Missile Crisis? http://j.mp/RwFMbj Former CIA analyst Dino Brugioni was one of the first to spot missiles in Cuba in October 1962.

Soaring over Utah, it's easy to imagine that you've left Earth and have stepped onto another planet.

Credit: Nathan Cooper

Chris Melissinos, guest curator of an exhibit about video games at the Smithsonian American Art Museum, explains what makes the genre an art form

What’s the world record for deepest vertical dig? Go ahead, take a guess. We bet you won’t come close to the surprising answer unearthed in this one-minute video by Ask Smithsonian host, Eric Schulze. Then, stick around to find out what scientists found lurking below.

Recently digitized footage showing Marines loading onto LST with supplies on equipment and waiting on the beach, among other things. (U.S. Marine Corps History Division and Moving Image Research Collections, University of South Carolina)

Theater students in Scunthorpe, England, rehearse for their performance celebrating the life of homegrown cyclist Lal White

Jeffersons respect for the enlightenment ideals of memory, reason and imagination shaped how he organized his library (Video: Molly Roberts). Read more at https://www.smithsonianmag.com/history/on-the-hunt-for-jeffersons-lost-books-38566672/

Our host, Eric Schulze, explains how science is tackling this puzzling question from space.

When Mount Vesuvius erupted in 79 C.E., it covered the ancient cities of Pompeii and Herculaneum under tons of ash. Millennia later, in the mid-18th century, archeologists began to unearth the city, including its famed libraries, but the scrolls they found were too fragile to be unrolled and read; their contents were thought to be lost forever. Only now, thanks to the advent of artificial intelligence and machine learning, scholars of the ancient world have partnered with computer programmers to unlock the contents of these priceless documents. In this episode of “There’s More to That,” science journalist and Smithsonian contributor Jo Marchant tells us about the yearslong campaign to read these scrolls. And Youssef Nader—one of the three winners of last year’s “Vesuvius Challenge” to make these clumps of vulcanized ash readable—tells us how he and his teammates achieved their historic breakthrough. Read Smithsonian’s coverage of the Vesuvius Challenge and the Herculaneum scrolls here (https://www.smithsonianmag.com/smart-news/three-students-decipher-first-passages-2000-year-old-scroll-burned-vesuvius-eruption-180983738/) , here (https://www.smithsonianmag.com/history/buried-ash-vesuvius-scrolls-are-being-read-new-xray-technique-180969358/) , and here (https://www.smithsonianmag.com/history/archaeologoists-only-just-beginning-reveal-secrets-hidden-ancient-manuscripts-180967455/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

During World War II, Japanese Americans who were sent to internment camps used scraps and found materials to create beautiful works of art.

How the American Ingenuity Award winner plans to build a self-sustaining civilization on Mars

http://j.mp/z7WXi2 Researchers and scientists work together to find a way to play recordings made by the studio of inventor Alexander Graham Bell

Cardiac MRI of an animal that has undergone photosynthetic therapy. CREDIT: Stanford University School of Medicine, Department of Cardiothoracic Surgery

Selected by Donna Ferrato for our special issue, this up-and-coming photographer discusses his work

Lonnie Bunch, the director of the National Museum of African American History and Culture, discusses the Martin Luther King, Jr. memorial, one of America's greatest monuments.

Read more at http://www.smithsonianmag.com/arts-culture/In-Vogue.html At 62 years old, Edward Steichen convinced the U.S. Navy to let him gather a team of photographers to capture the men serving their country in the Pacific Ocean during World War II.

Watch a selection from the Smithsonian Institution's submission for the UNESCO Memory of the World Register of historic artifacts

Sloth bear cub Remi plays harmonica as part of an animal enrichment program at the Smithsonian National Zoo. The activity encourages the same behavior sloth bears in the wild use to suck insects out of their nests

Photographer Drew Gardner has a passion for history. His long-term project, “The Descendants,” (https://www.drewgardner.com/descendants)  wherein he recreates famous portraits of historical figures featuring their direct offspring, is his most visible expression of this interest. But like a lot of people who study history, Gardner has in recent years begun to contemplate more deeply the question of whose stories have been judged worthy of preservation, and whose have been allowed to fade into obscurity. That was how he decided to shift his specific focus to locating and photographing Black American descendants of Civil War veterans. You can take a look at Gardner’s photographs and read magazine editor Jennie Rothenberg Gritz’s exploration of their meaning here (https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/) . On the latest episode of the Smithsonian podcast “There’s More to That,” (https://www.smithsonianmag.com/podcast)  I speak with Janisse Flowers and her 9-year-son, Neikoye, who are descended from the Civil War drummer boy David Miles Moore Jr. After some reflection, Janisse and her husband decided to grant Gardner’s request to photograph Neikoye dressed in a replica of Moore’s Union Army uniform. Both Janisse and Neikoye share their surprise over how this experience made them more conscious of their heritage. I’m also joined by Gardner himself, who describes the challenges—and, he hopes, the potential benefits—of asking Black Americans to revisit one of the most painful chapters of America’s history by (almost) literally stepping into their ancestors’ shoes. You can learn more about Drew and his work at his website (https://www.drewgardner.com/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

But at speeds nearing 100 mph, there's a fine line between helping and hurting

"They have given mankind a completely new way of looking at the universe." – Stephen Hawking, congratulates Kip Thorne, Rainer Weiss, Barry Barish and Ronald Drever, the first scientists to detect gravitational waves. | Smithsonian magazine #IngenuityAwards The Smithsonian has been celebrating innovation in American culture for more than 150 years, and following in this tradition, Smithsonian magazine presents the American Ingenuity Awards, honoring revolutionary breakthroughs in the arts and sciences, education and social progress.

The answer has everything to do with falling flat on your face

More on the unsuccessful plot to kill Lincoln: http://j.mp/VnSZ9g During his inauguration tour in 1861, the president's life was threatened in the city of Baltimore.

A pirogue's eye view of the inlet at the edge of Harper. Some of the first groups of freed American slaves landed on the shores of West Africa near here. (Credit: Clair MacDougall)

A dying caterpillar's unusual reaction to a predatory bug.