It’s the beat that drives the bugaloo and mambo. Ayana Contreras travels to Cuba to understand the clave.

Plus, we go beneath a motorway flyover in Rio de Janeiro, where US hip-hop from the 1990s gets re-imagined every Saturday night; we meet a 9-year-old boy who is preserving his family’s Cambodian history through dance; South African superstar Johnny Clegg tells us how he helped form an interracial dance troupe during apartheid; and we remember Johnny Hallyday, “the French Elvis Presley”.

(Image: Dancers at the weekly Saturday night charme dance in Madureira, a neighborhood in Rio de Janeiro's North Zone. Credit: Catherine Osborn)

About 80 percent of garment industry workers are women. For the past few months, Jasmine Garsd has travelled the globe to meet these workers, in person.

We start in Roanoke Rapids in North Carolina, a formerly bustling cotton mill town, that’s gone quiet. Next, we go to Los Angeles, were we learn how a sweatshop raid in 1995 changed the garment industry in the US forever. Lastly, we got to Bangladesh, where a large portion of our clothing now gets made.

Want to find out how fair your fashion is? Here’s the website mentioned in the programme: https://interactive.pri.org/2017/fair-fashion-quiz/

(Image: Mother and daughter, Rongmala Begum (standing) and Mayna Begum, both work in clothing factories in Bangladesh. Credit: Ismael Ferdous/PRI)

At the center of the impeachment showdown in the US, is nearly 400 million dollars in military aid that the Trump administration temporarily withheld from Ukraine. At a US military base in western Ukraine, business goes on as usual but Ukrainian military veterans are worried that they may be losing support. President Trump has been a reluctant supporter of Ukraine, and he has called Ukraine a corrupt country on numerous occasions. Ukrainians are under pressure, as they fight to overcome corruption and continue to seek US support in their conflict with Russia.

(US military personnel from the Wisconsin National Guard participate in a transfer of authority ceremony at the Joint Multinational Training Group-Ukraine base in Yavoriv, Ukraine. Credit: Daniel Ofman/The World)

The post Book Club’s November read is ‘Swift River’ by Essie Chambers appeared first on Boston.com.

Some students of color at Stoughton High School were among those who received such messages, according to a statement from Stoughton Public Schools.

The post Racist text messages referencing slavery raise alarms, prompt investigations in Mass. and other states appeared first on Boston.com.

President-elect Trump, who tried to ban the social media platform the last time he was in the White House, has repeatedly pledged during his most recent campaign to oppose a ban on the short-form video app.

The post Trump has promised to ‘save TikTok’. What happens next is less clear. appeared first on Boston.com.

It makes perfect sense to all who know Sarah Reeves that she is where she is and doing what she is doing. But the journey it took to get her here has not been an easy or uneventful one. I got the chance to visit with Sarah about her recent single release, Nowhere, and God’s ongoing story in her life.

Having been raised in the church and music industry by her record producer father and mother, a nurse, at the age of 15 Sarah encountered the presence of God in a way she never had before. She knew at that moment that He was calling her into a life of music and ministry. She dove head first into leading worship within her local church and by 18 was signed to a label and touring the country leading worship. After some time, she met and married her husband, Philip Kothlow, and decided for a season to step out of music and sort of discover herself and “live some real life . . . away from music”. She took a job working as a preschool teacher and Philip was an electrician at the time. A couple of years into marriage, she found herself in a place she never thought she’d be.

“About three years ago . . . I remember us just reaching this point in our marriage where we were facing wall after wall, and struggle after struggle. We came to this place where we found ourselves on the verge of divorce and we knew at that point we had to make a drastic change. We were both working full-time jobs . . . and we decided to step away from those. We went away and really just kind of started over. Focused on each other. Focused on God and putting Him at the center of our marriage. We learned how to be married and fell in love all over again. During that time . . . I started putting out YouTube covers and slowly God started to open up doors again into music. Things were really starting to happen. He had redeemed our marriage and now he was redeeming my artistry again. What I thought was over was just beginning.”

Today, Philip is Sarah’s manager and together they are storming back with a fresh perspective on music and a renewed passion for worship.  Nowhere dropped April 7th in anticipation of her full album release with Word Records in the fall.

When talking about the direction of this new project Sarah said, “God has given me this specific sound . . . but there’s always been this inner battle between being a worship leader and being an artist. There’s this style that I love but I felt the pressure to always keep it straight down the middle if I wanted to be a worship leader. About a year and a half ago, a friend sent me a track . . . and I wrote this song to it that I just loved and something in me came alive in that moment. Through that song I found so much clarity as if God said, ‘Sarah, I’ve given you this sound and you don’t have to choose . . . I’ve given you this gift for you to merge the two together.’

The production is very electronic and pop and hopefully will push the limits of worship leaders to write and produce outside of the box.”

When it comes to songwriting, Sarah always tries to “write songs that come from a place of things (she’s) walked through or that would encourage other people.” Her hope is to stretch stylistically and for people to not put the stereotypical worship mindset on this project, but rather to think bigger and more creatively.

A lot of her musical style and depth of worship comes from influences such as Jeff Deyo (former lead singer of Sonic Flood who, funnily enough, introduced Sarah to her now husband), Bethel Music, Glades, Ellie Goulding, and Coldplay. Personally, some of the people who have helped shape and mold her into the person she is today are her mother, who has been a huge prayer warrior, her husband, who knows how to encourage and challenge her to be a better person and artist, and her pastors Henry and Alex Seeley from The Belonging, a church that meets in Nashville.

Given the journey that it’s taken to get where she is today, we asked Sarah what words of encouragement she would give to those coming up as artists and worship leaders now who might be growing weary of the grind.

“One thing that I’ve learned came from a message that Alex Seeley preached a while back called Surrender To The Process, and it’s just been something that I’ve clung to and have had to learn how to do. I had to let my dreams die and had to come to a place where I had completely surrendered my heart, my dreams, my career, everything that I wanted . . . and once I came to that point, He finally was enough for me. I think when we get to that point, it just doesn’t matter . . . our craft, our music, everything that we can see . . . it’s amazing. And if it happens, awesome, but if it doesn’t happen, it’s okay. Our purpose is eternity and to build the Kingdom of God with whatever He’s given us in the moment. Be faithful in those little things and surrender to whatever process He wants to take you through.”

Make sure to check out Sarah’s single, Nowhere, available anywhere music is sold. And make sure to keep an eye out for other singles she will release as her full project date this fall gets closer.

Malcolm du Plessis has quite an incredible resumé when it comes to worship.  He talks about his background in this episode of The Worship Podcast.  However, he also talks about something - we believe - that is critical for every worship pastor, leader and song writer to understand.

And that is the evolution of worship over the past few decades.  Malcolm has experience and studied knowledge in this area, like few others do.  Listen in today with a close ear, and you may just find some answers to the question, "Why do we do things that way?", you've been asking.

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The Worship Podcast is powered by All About Worship (Dustin Smith & James Galbraith) and WeAreWorship (Wisdom Moon & Morgan Shirey).

Subscribe to the podcast and find the show notes:
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Practical time. Yep, this will be short and sweet but it changed the way I view people and how I now develop teams that can actively work together no matter their background, age or race. How? Here’s how:

John 13:34 - A new command I give you: Love one another. As I have loved you, so you must love one another.

Whaaaat? It’s that simple? Oh yeah. That simple. Let me explain.

When I first started playing on worship teams, I was all about the production, the glitz, and the glamour. Now, I’m not saying any of that is bad, because it all can be quite good, if the motives are right. My biggest problem was that I didn’t care about anyone else on that stage, or in the congregation. My focus was on myself. That sounds vain and narcissistic for sure, and it was, but I soon learned that without knowing the people around me, the people that the above scripture was commanding me to love, I would never change.

Fortunately, I had a pastor in my life who knew the power of community and the power of this scripture.  As a worship team we were already spending a lot of time together (four services a week plus a practice night), yet we didn’t really know much about each other. Weird right? You can spend hours and hours with others and not know them at all. How much do you really know about your team? At times we can become so involved with our personal lives, we forget about those around us. THAT is not Kingdom.

The change started out easy for our team. Every once in a while instead of our practice nights, we would all go out for coffee. It was a simple gesture but it was super effective. We began to talk to each other, find out about job situations and families, likes and dislikes. Then, wouldn’t you know it? We began to like each other, prefer each other, LOVE each other. Now, it didn’t happen overnight. Not even in a month. But little by little we saw our lives begin to intertwine together. We had dinners, birthdays and special events together. And the more we began to care for each other, the more powerful our services became. Our worship began to come alive! God began to pour Himself out through our congregation and our community.

I know there is power in loving one another and it’s proven itself over and over in my life, in any circumstance. Maybe it’s something we always hear, but never consider? Perhaps making this lesson a season in your worship team could turn the tides for whatever breakthrough you are needing today.

The wonderful thing is, once it begins showing itself through your worship team it will naturally begin to reach into your congregations and communities.

Let love be the power that unifies your team today.

If you’ve been attending a church with a contemporary bent for any length of time, then you’ve likely sung songs on a regular basis written by a gentleman named Jesse Reeves. Jesse has co-written on some of the most widely known worship songs of our generation such as How Great It Our God, Lord I Need You, and Our God - just to name a few. 

Growing up in the Bible Memory Association, Jesse’s spiritual life consisted mostly of rules and regulations, until September 23, 1990 when he met Jesus at the ages of 15 and his life was changed forever. A rancher’s son, his love for playing music left his father stumped, but he continued following his passion and played with a band all the way through college. Then in 1997, Jesse met a country boy from Grand Saline, TX named Chris Tomlin who asked him if he’d like to lead worship, to which Jesse responded in all sincerity that he didn’t know what that was. At this point in the contemporary worship movement, the term “worship leader” hadn’t really caught on. There were music ministers, and that definitely was not the route Jesse wanted to go. But the two had lunch and the rest was history. 

I, myself, was raised in the church as the daughter of a Baptist youth minister (or student pastor as they’re called these days), and I was finishing up my high school years in youth group right about the time all of this was taking place. In fact, much of the soundtrack to the season in my life when God called me to ministry and began shaping and forming my passion for leading worship was penned and recorded by these two Texas boys. So to find myself today sitting in an 8,000 sq. ft. mountain lodge at a writing camp with the likes of Jesse Reeves is a full-circle, what-even-is-my-life moment to say the least. 

Nevertheless, you better believe I took full advantage of the opportunity to sit down with Jesse and talk about his heart for worship, the worship leader, and this next generation that God is raising up. I asked him first about the role that worship has had in his life growing up and how it has evolved throughout his time in ministry. 

“If you’re talking about the expression of worship through music, growing up it was just hymns and they didn’t mean anything to me. But now looking back, I have a huge appreciation for my childhood and learning those songs, because I learned what it means to teach theology through lyrics. It’s a lost art and so I’m very passionate about trying to revive some of that. And I’ve done this long enough to see that everything is on a pendulum. When I first started playing, everything sounded like U2, and then everything sounded like Coldplay, and then everything sounded like Mumford & Sons, and now it’s probably like Chainsmokers. And I just always come back to the question of ‘If the Spirit of the living God lives inside of us, why aren’t we creating things that are original and better than what the world is doing, instead of trying to chase what they’re doing?’ I do understand the context of being relevant and playing stuff that’s going to resonate with people, but I always want to come back to what the Spirit of the living God wants to hear, not what we want to play.”

Over his 20+ years in the worship leading world, Jesse has stood on every platform and stage imaginable and in front of every crowd size imaginable. I would venture to guess that making that mental shift from event to event and church to church had to require some form of finesse and adaptability. So I asked him what it looked like for him to make that adjustment, especially as it relates to transitioning out of touring and back into the local church setting.

“I would say that I’ve worked my way all the way to the bottom, and I think it’s kind of where I want to be. I didn’t always want to be there and it wasn’t an easy journey. I have been to the mountain top of Christian music and definitely want to honor that, but I very specifically was called out of that. It was through a sermon that I heard from Tommy Nelson. He was preaching on the anointing of David as king. If you go back and read 1 Samuel 16, they are looking to anoint the next king of Israel. Samuel shows up and they have this parade of all of Jesse’s sons . . . this is Eliab, this is Abinadab, this is Shammah . . . they went through seven sons, to which Samuel’s response was that none of these are the king, do you have any others?  Jesse says that yes, he has one other son but that he was in the field tending the sheep. Now when I was listening to this sermon, I was on a run training for a marathon, so I was a good 15 miles from my house. Tommy Nelson said one statement and it was this. “What God is looking for in a man is a man that more concerned about the sheep than the parade.” And I don’t know why, but that’s when the Holy Spirit wrecked me and I literally started weeping. I was still running, but now I’m running with my hands in the air and I’m saying “Jesus, I’m listening.” On a public path by the way. People are passing me thinking that this guy has lost his mind. But that was a moment in my life when Jesus started trying to get my attention. Hear me say this, there is nothing wrong with the parade. God sent Samuel to the parade. There’s a time and a place for the parade. But our generation lives for the parade and there’s not enough people who care about the sheep. I feel like that’s my mission in life going forward, to simply care for sheep. The parade will take care of itself. So to bring it back around to the question, yes I’ve been in megachurches to now I have a house church of about 20 people that meets in my home and it’s awesome. And right now, my favorite worship leader on the planet is the girl who leads worship in my house, because she has an anointing on her, and to get 20 people to sing in a living room is actually way harder than getting 10,000 people to sing because it’s awkward, but it’s beautifully awkward. And she has an authority on her that she can pull this out of people and turn people’s eyes on Jesus in such a way that you forget there’s only 20 people in the room. That’s something I haven’t seen in a long time.”

Reeves has a strong passion for pouring into worship leaders and songwriters and has done so in different ways over the past several years since settling back down with his family in Austin, TX. We discussed the fact that it seems like every generation of worship leaders has something that really marks them. For our particular generation, we were a part of that group that sort of stepped in right as that transition from traditional to blended to contemporary was really gaining its momentum, and so maturing as a worship leader looked very different from what it does now. I asked Jesse what he thinks the “mark” is for this current generation of worship leaders taking up roles in the church and coming into their own as leaders, and what it might look like for them to reach their full potential. 

“While I don’t want to make a blanket statement about it, I do feel like we have a generation of people who looked at my generation and saw what we did and thought, “That’s really cool, I want to do that.” And so we have a large percent of churches with people filling the platform that wanted to do that because it was cool, instead of because they have a calling on their life from God. So honestly I think what’s marking this generation is that, but I’m also not a doomsday-er. I don’t think all is lost. I think what God is calling people to right now, and you can see it across the nation, God is calling people out who are authentic. And that is who is rising to the top. I read a book called The Forgotten Ways by Alan Hirsch and he says that this next generation wants three things . . . they want authenticity, they want community, and they want social justice. And if they don’t find those things in the church, they’re just not going to go. My generation will go to church just to check a box. Not this next generation. I think what is going to have to mark this generation is for true worship leaders to figure out how to reach them because they’re not going to come to us. Which means we’re going to have to lead worship not with just songs. We’re going to have to lead worship with our actions. So maybe God is raising up a new generation of worship leaders that has very little to do with music. Look at Romans 12:1.

Therefore, I urge you, brothers and sisters, in view of God’s mercy, to present your bodies as a living sacrifice, holy and acceptable to God - this is your spiritual act of worship.

That’s our definition. That definition doesn’t say anything about music, it doesn’t say anything about songs. We’ve had a whole generation that defines worship by our songs. God defines our worship by the degree to which we present our bodies as a living sacrifice. So what I pray is that the next generation will lead the charge in that. That’s something I would be willing to follow.”

As you can imagine, there’s not a whole lot to say after that, except this . . . where are you pouring out? Where are you investing your resources and energy? Is it into the parade or is it into the sheep? This is probably a question that we as worship leaders need to ask and re-ask ourselves on a regular basis. Like Jesse said, neither is right or wrong and there is a time and place for both. But it is always worth checking in periodically to make sure we are spending ourselves where He wants us spending ourselves. The alternatively will leave us simply exhausted. 

Over the years many scriptures have come alive to me as I sought out what it means to be a worshipper of God.  Not all scriptures that have made an impact on me were nice little encouragements. I am not sure how God speaks to you, but He is usually pretty straightforward with me.  One of the more straightforward scriptures that have molded my worship is found in Amos 5:21-24(MSG),

“I can’t stand your religious meetings. I’m fed up with your conferences and conventions. I want nothing to do with your religion projects, your pretentious slogans, and goals.  I’m sick of your fundraising schemes, your public relations, and image making. I’ve had all I can take of your noisy ego-music. When was the last time you sang to me? Do you know what I want? I want justice—oceans of it. I want fairness—rivers of it. That’s what I want. That’s all I want.”

Ouch!  Yep. That definitely cuts to the chase.  This is a great reminder to take a step back from all of the activity and the noise and realize it is easy to lose focus of what and who really matters.  We can sing our songs, say our prayers, amen through every sermon and when it is all said and done, never really put into practice the things we just heard and declared.  A.W Tozer said it best when he said, “Christians don’t tell lies, they just go to church and sing them.”

We speak of hope but ignore the hopeless. We sing about healing but never reach out our hands to the sick. We cry out for prosperity, but mostly for self-preservation. We ask God to give us the nations, but don't speak out against racial injustice in our own communities.  There is such a thing as worthless worship. It is worship that has words but no action. It is worship that has sound but no heart. Jesus defines it in Mark 7:6-7, when he quotes the prophet Isaiah saying,

“These people honor me with their lips, but their hearts are far from me. They worship me in vain; their teachings are merely human rules.’"

Those two phrases, “Their hearts are far from me” and “They worship me in vain”, shake me to my core.  I don’t want to be that type of worshipper. I refuse to just go through the motions. I have been a part of the church for a long time, and many times it has felt like we were saying all the right things, but doing nothing.  We have made powerful declarations, sung all of the songs, prayed the prayers, but God is asking us to take action. He doesn’t want to hear us just talk about love; He wants to see it lived out. He is not only asking us to sing about justice; He wants to see us fight for it.  He doesn’t want us to just dream of every nation, tribe and tongue worshipping; He wants us to facilitate it. May we be a people whose hearts burn for God and may our worship become justice that flows like a river and mercy that runs like a stream!!

The Boston Red Sox need an ace above all other things before the 2025 campaign, but they could use multiple veteran pitching additions. Boston's rotation is relatively young and inexperienced. Tanner Houck and Kutter Crawford are both 28 years old and Brayan Bello is only 25. Lucas Giolito is expected to join Boston's rotation in 2025, as he was meant to do last year before his UCL repair surgery.

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