Government Revenues in Nicaragua increased to 6003.10 NIO Million in December from 5111.80 NIO Million in November of 2018. Government Revenues in Nicaragua averaged 2923.26 NIO Million from 2002 until 2018, reaching an all time high of 11169.40 NIO Million in March of 2018 and a record low of 630.55 NIO Million in February of 2002. Government Revenues refer to all receipts the government gets, including taxes, custom duties, revenue from state-owned enterprises, capital revenues and foreign aid. Government Revenues are part of government budget balance calculation. This page provides - Nicaragua Government Revenues- actual values, historical data, forecast, chart, statistics, economic calendar and news.

The Netherlands has learnt to manage flooding. Climate-threatened countries are taking note

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Life in Europe's coronavirus hotspots: Foreign affairs columnist Gideon Rachman discusses how the coronavirus epidemic has been handled in Italy and Spain with the local FT correspondents, Miles Johnson in Rome and Daniel Dombey in Madrid. How are citizens reacting to the lockdown and what will be the long-term political and economic impact?

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Patrick Jenkins and guests discuss what Citigroup's results tell us about the US bank earnings season, Standard Chartered chief Bill Winters' defiant response to investor criticism of his pay packet, and how banks are tackling the problem of money laundering, With special guest Brandon Daniels of Exiger 

Contributors: Patrick Jenkins, financial editor, Robert Armstrong, US banking editor, David Crow, banking editor, and Caroline Binham, financial regulation correspondent. Producer: Fiona Symon

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Patrick Jenkins and guests discuss the retrial of former Barclays bankers over the bank's arrangements with Qatar at the height of the financial crisis, the poor level of support among banks for a climate change initiative backed by Bank of England governor Mark Carney, and the Fed's decision to drop the introduction of tougher liquidity rules for foreign banks. With special guest, Erkin Nosinov, a director at BCS Consulting.

Contributors: Patrick Jenkins, financial editor, Caroline Binham, financial regulation correspondent, David Crow, banking editor, and Laura Noonan, US banking editor. Producer: Fiona Symon

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Secretary of state Mike Pompeo says strategic dialogue to determine future role will begin in June

Islamic republic eases coronavirus restrictions in effort to boost struggling economy

Helen Barrett discovered the perfect ‘austere but dramatic’ dress from The Vampire’s Wife. Then came the celebrities

It’s awards season in the music industry, with the Brits in London following hot on the heels of the Grammys in LA. The Brits have been revamped this year – but will they lose the unscripted edginess of previous years? How can they compete with the might of the Grammys? And is Tinie Tempah better than Mumford & Sons? FT pop critics Ludo Hunter-Tilney and Richard Clayton join deputy arts editor Neville Hawcock to discuss the hype and the hopefuls. Produced by Griselda Murray Brown.  

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Will Colin Firth take the Oscar for best performance? Will The Social Network win best film? Is awards season trend-spotting a dangerous game? And, what makes an Oscar-winning film? On the eve of the 83rd Academy Awards, Jan Dalley, FT arts editor, puts these questions and others to FT film critics Nigel Andrews and Leo Robson. Produced by Griselda Murray Brown  

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Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown  

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Established in 1895, the Venice Biennale has been called anachronistic - with its focus on separate national pavilions despite the international nature of today's art market. Is it an outdated model? If so, why are more countries than ever taking part this year? It is a series of exhibitions not an art fair - yet Venice has long been a centre of trade. Just how commercial is its Biennale? Jan Dalley puts these questions to Jackie Wullschlager and Peter Aspden, and picks some highlights ahead of the 54th Venice Biennale. Produced by Griselda Murray Brown  

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The Edinburgh Festival – the world’s largest arts festival – is really a collection of different festivals that take place across the Scottish capital every year throughout the month of August. There is the stately International Festival and the so-called “Fringe” festival – a more unruly, sprawling affair with a reputation for experimental theatre and bawdy stand-up. There’s also an acclaimed Book Festival, as well as an Art Festival and even a Festival of Spirituality and Peace. Jan Dalley, FT arts editor, turns her attention to the Edinburgh’s theatrical offerings. She is joined in the studio by Ian Shuttleworth, FT theatre critic, and Matt Trueman, theatre blogger and critic for Time Out. Produced by Griselda Murray Brown  

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In 1919 Walter Gropius founded the Bauhaus school in Weimar, Germany "to create the new structure of the future". Its teaching combined fine art with craft, and its adherents saw design as the key to a better way of life. Were its utopian aims misguided? What is its relevance today? On the opening of a major exhibition at the Barbican Centre in London, Neville Hawcock puts these questions to Lydia Yee, co-curator of the show; Edwin Heathcote, FT architecture critic; and Peter Aspden, FT arts writer. Produced by Griselda Murray Brown  

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Forget “London 2012”, this summer it’s all about the 1990s – with the Stone Roses reunion gigs, Suede headlining the Hop Farm festival, and Blur playing the Olympics closing ceremony gig. As 40-something fans relive the glory days of “Cool Britannia”, FT pop critic Ludovic Hunter-Tilney looks back at the renaissance of British rock 20 years ago, and asks – was it all it was it cracked up to be? And what is its legacy? He is joined in the studio by Richard Clayton and David Cheal. Featuring music from the Stone Roses, Oasis, Blur and Pulp. Produced by Griselda Murray Brown  

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The FT’s arts writer meets one of street art’s biggest names and reflects on what is lost when underground culture becomes part of the commercial mainstream  

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How a legal dispute over the use of a John Lennon song in a sneaker advert paved the way for today’s cultural mash-ups – and put paid to the notion of artists “selling out”  

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From recordings by Memphis Minnie and Led Zeppelin to sampling by Dr Dre, Eminem and Massive Attack, David Cheal traces the various incarnations of ‘When the Levee Breaks’. Credits: Columbia, Atlantic, The Chronic Interscope  

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The Life of a Song: David Cheal follows the fortunes of Neil Diamond’s ‘I’m a Believer’, from The Monkees to Robert Wyatt to the movie 'Shrek'. Credits: Colgems, Virgin, Interscope, Sony Music  

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From the origin of the "grapevine" itself, through Motown and Marvin Gaye to The Slits' punk reinvention, Hilary Kirby charts the evolution of a classic. Credits: Motown Record Company, Motown Records, Island Def Jam Records.  

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Before "Everything I Own" became a reggae classic, it was an ode to paternal love by Bread's David Gates. Ian McCann traces the history of one of the 1970's greatest romantic ballads. Credit: Rhino, Parlaphone UK, Sanctuary, Atlantic Records  

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"Every Rose Has Its Thorn" by Poison's Bret Michaels was the last popular flourish of transvestism in rock. Ludovic Hunter-Tilney discovers what inspired the classic power ballad. Credit: Capitol Catalog, Hollywood Records, Kidz Bop, BMB/Poor Boy Records  

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Greg Lake died this week, and this track remains an enduring Christmas classic. Credit: Syco Music, Universal, Decca, Symphonia  

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Governments are fighting to keep the coronavirus pandemic at bay and their economies afloat

World leaders call for an urgent debt moratorium and unprecedented health and economic aid packages

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