Actor Bhumi Pednekar has been trying to propagate positive social messages through her movies as well as her nature protection initiative 'Climate Warrior.' The actor believes that every individual has the power to make a difference amid these testing times.

The 30-year-old actor shared that she always tries to make a positive difference via her movies. "I believe all of us have the power to make the world a better place in our own unique ways. I try and do that through my cinema and the way I lead my life," Bhumi said.

 

 

 

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It has been an absolute honour to have spoken to Ms. Amla Ruia - who has done leaps and bounds of work in water harvesting in India. In our brief conversation, we spoke about her work across India with water harvesting and how it is the time to reinforce the absolute need and necessity to conserve this natural resource. She is a #ClimateWarrior and a true inspiration !

A post shared by Bhumi✨ (@bhumipednekar) onApr 20, 2020 at 10:34pm PDT

"I have mostly gravitated towards cinema that is meaningful and leaves a message. From 'Dum Laga Ke Haisha' (against body shaming) to 'Toilet: Ek Prem Katha' (women's hygiene) to 'Saand Ki Aankh' (women empowerment), etc. I have deeply connected with these films. I would like my films to leave a positive message on society and thankfully my films have done so effectively in their own way," she explained.

The 'Bala' star said that she wants to walk the talk when it comes to leading a conscious way of life. She said, "I also want my actions to echo that I deeply care for society and my fellow citizens of the world. That's the reason why I started 'Climate Warrior'. It is a platform through which I want to tell people that we have to care for nature, we have to take care of it because our future, our existence depends on it."

The 'Saand Ki Aankh' actor who is also an active environment activist also pledges to work hard towards climate conservation as it is the need of the hour. She said, "Climate change and climate justice is something that I deeply care for and I intend to work really, really hard to spread the awareness of nature conservation in every way possible."

Talking about the alarming issue of climate change, Bhumi shared that she wants people to spread the word and work actively towards the cause. She said, "I want to collaborate with as many people as possible to spread the word that the time for us to act is now. We have already lost a lot of time and if we don't act now, all will be lost. We owe it to the world and our future generations and we have to take care of our gorgeous planet and preserve it."

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If you liked Ajay Devgn's 2018 mystery thriller Raid, then you will love this bit of news! It's being reported that Devgn's film will soon get a sequel, as the actor and producer Bhushan Kumar are already said to be working on it. Plus, according to a report, Raid will be turned into a multi-film franchise. Excited yet?

A source close to the development informed Mumbai Mirror, "The franchise seeks to bring into the public eye heroes who work closely with intelligence agencies to track white-collar crimes. To this day, nobody knows the identity of the officer on whom Ajay's Amay was modelled. Raid 2 will also be a tribute to men who don’t wear the uniform."

Bhushan Kumar, who produced the first film, told the publication, "It will be a huge multi-film franchise and Ajay Ji and I, along with Kumar Mangat ji, are looking to take Raid forward. The script of Part 2 is being developed. Since the original was a much-loved film, the sequel is a huge responsibility. After the super success of Tanhaji: The Unsung Warrior, there's a lot of pressure on this collaboration to live up to the expectation. We have always aimed at creating high concept films."

Raid, directed by Raj Kumar Gupta, starred Ajay Devgn an IRS officer, Amay Patnaik. While Devgn and Bhushan Kumar are already collaborating on Bhuj: The Pride Of India, news of them reuniting for the Raid series is much welcome for fans of the film!

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Marriages in Bollywood have often hit the rocks and ended on a divorce. And unfortunately, another marriage has ended and that's of Gulshan Devaiah and Kallirroi Tziafeta. Talking to SpotboyE about the same, the actor spoke about their mutual decision and why they didn't announce the news on social media.

Devaiah stated, "We are amicably divorced! We both are doing okay. We did not put out a press or social media statement because our marriage is our private matter. That's all there is to say." And talking about his marriage in one of his media interactions last year, he spoke, "Being married is not easy. There are always ups and downs. The problem is that, in a marriage, you may be in love with your partner, but you don't know how to handle that person's presence in your space. But we are living and learning. As of now, we are together."

Gulshan and Kallirroi tied the knot in 2012! The lady, who's from Greece, always used to share some intimate and cute pictures with Gulshan on her Instagram account. On the work front, Devaiah will be seen collaborating with Ira Khan and Vijay Varma for a project soon.

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Sonam Kapoor is currently spending her quarantine time in New Delhi with her husband Anand Ahuja and his family. To kill the time, the actress keeps sharing adorable throwback pictures of herself and her family on her Instagram handle. Apart from that, Sonam also shares some mushy and romantic pictures of herself with Anand.

She continued the trend by sharing a monochrome throwback picture of herself which she clicked during the photoshoot post the release of her 2016-film Neerja. It was this picture that introduced her to her future husband Anand Ahuja. She wrote how she took a break after the film’s release to soak in the success and ended up falling in love.

Putting a long letter along with the picture, she wrote, "One of my favourite portraits, I was at my most pensive, it was a day or two after #neerja released, despite the success and adulation I wasn’t feeling ecstatic. @rammadhvani said it was a feeling of equanimity which is good. I took a year off to feel something better than what I was feeling , in that journey in falling in love with who I was I meet my life partner @anandahuja . This picture is a symbol of a crossroads to the journey of fulfilment, that doesn’t come with work or a relationship, it comes with being someone who doesn’t need any of the above to complete them but someone who is inspired by themselves to feel complete (sic)."

Take a look at the picture below:

 

 

 

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A post shared by Sonam K Ahuja (@sonamkapoor) onApr 22, 2020 at 7:48am PDT

Sonam has been making full use of her free time by sharing adorable pictures of her quarantine time. Recently, Sonam shared a monochrome picture of herself with husband Anand Ahuja and penned a poetic note saying "every little thing gonna be alright". The 34-year-old actor took to Instagram and shared how she started her morning as she witnessed the rising sun and singing birds with her husband Anand. In the picture accompanying the post, The Zoya Factor star is seen planting a kiss on her hubby's forehead as she expressed her love.

 

 

 

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Rise up this mornin' Smiled with the risin' sun Three little birds Pitch by my doorstep Singin' sweet songs Of melodies pure and true Saying', (this is my message to you) Singing' don't worry 'bout a thing 'Cause every little thing gonna be alright Singing' don't worry (don't worry) 'bout a thing 'Cause every little thing gonna be alright ðŸÂÂÂÂÂÂŽ¶ #everydayphenomenal #sleepyhungrybaby

A post shared by Sonam K Ahuja (@sonamkapoor) onMar 31, 2020 at 3:51am PDT

Anand also reciprocated the love and asked Sonam to sing this to him by commenting on the post, "You were supposed to sing this to me in person after I sang 'sunshine'! This post is super cute but doesn't free you from the in-person singing promise please! @sonamkapoor."

A few days ago, she had shared a throwback picture with her mother Sunita Kapoor.

 

 

 

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You've guided me with love and patience all through life. Your passion, intelligence and creativity is simply inspiring and I'm lucky to call myself your daughter! Whoever I am today is because of you and I thank you for that! Happy birthday mom! Miss you sooo much! @kapoor.sunita ❤ï¸Ââ¤ï¸Â

A post shared by Sonam K Ahuja (@sonamkapoor) onMar 24, 2020 at 10:33pm PDT

She has been making full use of her free time by sharing adorable pictures of her quarantine time. The actress has been cooking and baking delicious cakes for her family. Recently, the actress shared a glimpse of the chocolate walnut cake she made on Instagram. Reacting to Sonam's post, her mother-in-law replied, "Amazing cakes beta. How to manage weight gain. Everybody is Loving them so much (sic)."

 

 

 

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Made chocolate walnut cake today. I had run out of chocolate and @fortunegourmetindia sent me some amazing quality chocolate. Thanks so much @missdevi for organising. Love you

A post shared by Sonam K Ahuja (@sonamkapoor) onApr 10, 2020 at 5:43am PDT

The couple tied the knot on May 8, 2018, in a lavish traditional Punjabi ceremony in Mumbai. On the work front, Sonam Kapoor Ahuja's last release, The Zoya Factor, failed at the box-office. This Abhishek Sharma directorial, also starring Dulquer Salmaan, could only manage lifetime collections of around Rs. 4.90 crores. Before this, she was seen in Ek Ladki Ko Dekha Toh Aisa Laga. On the work front, the actress is gearing up for Sujoy Ghosh's next production, which is the remake of the Korean film, Blind.

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Ateet
On: Zee5
Director: Tanuj Bhramar
Cast: Rajeev Khandelwal, Priyamani, Sanjay Suri
Rating:  

This is how the premise of the new film on Zee5, Ateet, has been described- 'When Captain Ateet Rana goes missing and is declared dead by the army, his colleague Vishwa Karma steps forward to marry Ateet's wife and take care of his daughter. Things take an unexpected turn when Ateet returns after a decade to reclaim his family.' A majority of the filmmakers would opt to make a sloppy and screechy melodrama out of this, but writer Harsshil R Patel and director Tanuj Bhramar add a supernatural and spooky element to it, making it or intending to make it a chilling watch. It's anything but!

Three talented actors- Rajeev Khandelwal, Priyamani, and Sanjay Suri, struggle with one-note characters. The South Indian actress surprisingly delivers such a cold and charmless performance that not even once you feel any sort of empathy for the lady. A scene that involves all three of them, she angrily states that it doesn't matter whom she chooses between them, but that she can leave both of them for her daughter. It wasn't supposed to be funny, but I was left amused. That's what Ateet is basically, unintentional comedy. In another scene, when she declares she saw her daughter talking to someone unlike a human, Vipin Sharma, who plays an army doctor, quips- "You're talking nonsense." Again, the scene wasn't supposed to be funny, but I cracked a smile this time too!

But it isn't entirely unwatchable, there are moments of shock and surprise, and you may jump on your bed or your sofa or wherever you watch this drama-cum-horror. The scares aren't the kind you normally witness in a Bollywood horror film, yes, there is some display of tacky prosthetic but the director keeps the worst for the last. The execution and editing towards the early portions give the film an eery feel and so does the pace of the narrative. But all hopes go for a toss once the plot has opened all its cards.

Watch the trailer right here:

To worsen what was already beginning to get mediocre and mundane, characters take their own time to communicate and draw long pauses between one dialogue and another to show how intense this drama is supposed to be. It's also upsetting to see an actor like Khandelwal, who made a gripping debut in Aamir, stuck in the same hero-in-horrified mode. He plays an army officer but his heroism is displayed in barely one war scene that's embarrassingly choreographed and ends even more appallingly.

The scene comes when we are close to knowing the truth of these clandestine characters hiding some demonic truths, so who cares about the action set-piece that preceded it? Ateet messes up a delicious plot and makes its central characters appear lost and limp, and this time, I'm not laughing.

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If you want to see actress Yami Gautam in school uniform then head to her Instagram profile right away. She has posted a picture of her first day in school.

"My first day to school! I am sure I did not know what it meant but was just so excited to get dressed in uniform and see where mummy-papa taking me... and I continued with this enthusiasm forever," she wrote on Instagram along with the image in which little Yami is all groomed with an identity card pinned on her grey tunic.

 

 

 

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A post shared by Yami Gautam (@yamigautam) onApr 24, 2020 at 1:53am PDT

She also asked her followers to live each moment to the fullest.

"Let life excite us at every moment, no matter where it takes us, just believe, embrace it and keep walking #stayhome #staysafe," Yami added.

On the film front, Yami, who impressed all with her role of a TikTok star in "Bala", will now be seen in "Ginny Weds Sunny", which also features Vikrant Massey.

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Amid the coronavirus outbreak, Bollywood celebrities have taken up the responsibility to appeal to everyone to stay safe, take precautions, stop panicking and refrain from spreading rumours. Ajay Devgn too joined the bandwagon and made an emotional appeal to his fans to stay at home by launching a special song titled Thahar Ja.

Watch the song here:

The video has been sung and composed by Mehul Vyas and penned by Anil Verma. In the video, an emotional Devgn appeals to people to stay inside their homes and take a break from their regular activities for the sake of their families. His son Yug also makes an appearance at the end of the music video.

Sharing the video on his Instagram handle, the Singham actor wrote, "Pause. Reflect. Pray. We will weather this storm together. Stay safe, Stay Happy. Apno ke liye #ThaharJa #IndiaFightsCorona (sic)."

 

 

 

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A post shared by Ajay Devgn (@ajaydevgn) onApr 25, 2020 at 12:31am PDT

Before this, Akshay Kumar came up with a special version of the song Teri Mitti, from his film Kesari, to show his gratitude to the doctors and policemen working selflessly during these testing times.

 

 

 

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सà¥Âà¤¨à¤¾ था डà¥Â‰à¤Â•à¥Âà¤ÂŸà¤°à¥Âà¤¸ भà¤Â—वन à¤Â•à¤¾ रà¥Â‚प हà¥Â‹à¤¤à¥Â‡ हà¥Âˆ लà¥Â‡à¤Â•à¤¿à¤¨ à¤Â•à¥Â‹à¤°à¥Â‹à¤¨à¤¾ वायरस à¤Â•à¥Â€ à¤Â‡à¤¸ लà¥Âœà¤¾à¤Âˆ मà¥Â‡à¤Â‚ दà¥Â‡à¤Â– भà¥Â€ लिया l #TeriMitti Tribute - an ode to our heroes in white, out now @ParineetiChopra @anurag_singh_films @karanjohar @apoorva1972 @SunirKheterpal @bpraak @arko.pravo.mukherjee @manojmuntashir @azeemdayani @adityadevmusic @ericpillai @dharmamovies #CapeOfGoodFilms #AzureEntertainment @zeestudiosofficial @ZeeMusicCompany @dainikjagrannews

A post shared by Akshay Kumar (@akshaykumar) onApr 24, 2020 at 12:04am PDT

Salman Khan too gave us a spirited 'Pyar Karona' song that encourages us to fight the Coronavirus pandemic together. This was the superstar's first solo music album.

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The pandemic has truly bought the world to a standstill and staying at home is the need of the hour. However, some people are still working outside the comfort of their homes in order to fight against Covid-19. Sanya Malhotra expresses her gratitude towards them.

Sanya shares, "All those frontline workers, doctors, nurses and essential service professionals who are putting their lives at stake for us, I salute your efforts and determination towards the citizen and the nation."

Adding a social message for one and all Sanya further adds, "This only goes on to bring us a message that we must cooperate with all these workers and stay at home, until this pandemic is eradicated".

During these tough times, we need to work as one and fight together to eradicate the problem from its roots. This is the time where the the quote "United we stand, divided we fall" fits the situation and we must be one. Sanya Malhotra is putting out a strong message and using her influence in a positive manner.

On the work front, Sanya has a stellar line ups of projects being 'Shakuntala Devi' where the actress will be playing Anupama Banerjee while sharing the screen with Vidya Balan, Guneet Monga's Pagglait and Anurag Basu's Ludo.

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Kanika Kapoor has gone through a lot in the last few weeks. The singer traveled to the UK and was tested Coronavirus positive shortly after her return to India. Not once or twice, but she was tested Coronavirus positive as many as four times. Her family members were constantly with her and they even spoke about it.

However, nothing was heard from the singer. And little did she expect that her tests would also make her the talk of the town and people would even start making memes and opinions on social media. But now, it seems it was time for her to come out of the closet and reveal what kept her silent for so long. And she has! In a long Instagram post, she has finally spoken about her trip to London, her Coronavirus tests, and the long silence.

She wrote- "I know there are several versions of stories out there about me. Some of these seem to be fuelled even more because I have chosen to be silent till now. I stayed quiet not because I am wrong but in-fact being fully aware that there have been misunderstandings and wrong exchanges of information." (sic)

The post contains the minutest of details that will clear all the confusion people have had about her so far. Read it right here:

 

 

 

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Stay Home Stay Safe 🙏🏼

A post shared by Kanika Kapoor (@kanik4kapoor) onApr 26, 2020 at 1:50am PDT

In the end, she also asked us to stay home and stay safe. Well, given she has clarified everything; hopefully she should not be the target of memes and trolls now!

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It has been seven years since Mohit Suri's Aashiqui 2, starring Aditya Roy Kapur and Shraddha Kapoor came out. It made the actress an overnight star and sensation, and her character, Aarohi, still continues to be remembered for her piquancy and innocence, and of course, singing.

Every year, the actress does something special on this day to mark this musical blockbuster's anniversary and this year was no exception. She not only changed her Instagram name to her screen name from the film and upload a new photo from one its stills, but also uploaded a collage of some of the film's scenes to create one beautiful picture.

This is truly an innovative and imaginative way to celebrate your film, don't miss this post:

 

 

 

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7 years of Aashiqui 2 today!🥰💝 Thank you forever @mohitsuri for this gift of a lifetime @visheshfilms for believing, #ShaguftaRafique for your exquisitely beautiful writing, @adityaroykapur for being an unbelievably amazing costar and the entire team who gave their everything to this precious film. Thank you everyone who gave this film so so sooo much love. Its priceless✨ Thank you to all those who have made such beautiful edits and to the fan clubs for uniting and sharing a common dp today; this collage 🙃🥰 I’m the luckiest girl in the universe ✨💜

A post shared by Aarohi (@shraddhakapoor) onApr 25, 2020 at 11:43pm PDT

Shraddha Kapoor is well known for always delivering hits along with a new character and fresh content with every project. Shraddha being a lover of always wanting to try something new has been unstoppable ever since Aashiqui 2.

After Aashiqui 2, taking no breaks, Shraddha was seen in Ek Villain, where the character of being full of life was super fresh. Not forgetting ABCD 2 where Shraddha's dance totally stole hearts. Shraddha showed her versatility factor and the audiences were stunned on how the actress can mould herself in every way possible.

Moulding herself into another new character, Shraddha was seen doing some kicks and punches in Baaghi. The actress has given a carousel of hits and is a roll as the actress chooses quality projects over quantity and this totally sets her apart. Shraddha knows how to treat her fans with the best of characters, where fresh content always hunts Shraddha.

On the work front, Shraddha will be seen in a Luv Ranjan directorial alongside Ranbir Kapoor. The actress is basking in the success of Baaghi 3. Truly we can't wait to see what this fresh pair has brewed for us!

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Eating yogurt may help reduce chronic inflammation, a factor in bowel disease, arthritis and asthma, according to a study. The research, published in the Journal of Nutrition, explored the hypothesis that yogurt may help reduce inflammation by improving the integrity of the intestinal lining. This could help prevent endotoxins - pro-inflammatory molecules produced by gut microbes - from crossing into the blood stream.

"I wanted to look at the mechanism more closely and look specifically at yogurt," said Brad Bolling, an assistant professor at the University of Wisconsin-Madison in the US. While anti-inflammatory medications like aspirin, naproxen, hydrocortisone and prednisone can help mitigate the effects of chronic inflammation, each comes with its own risks and side effects.

The study enrolled 120 premenopausal women, half obese and half non-obese. Half of the participants were assigned to eat 12 ounces of low-fat yogurt every day for nine weeks; a control group ate non-dairy pudding for nine weeks. Bolling and his team took fasting blood samples from participants and evaluated an assortment of biomarkers that scientists have used over the years to measure endotoxin exposure and inflammation.

The results showed that while some of the biomarkers remained steady over time, the yogurt-eaters experienced significant improvements in certain key markers, such as TNF, an important inflammation-activating protein. "The results indicate that ongoing consumption of yogurt may be having a general anti-inflammatory effect," said Bolling.

The research focuses on a different aspect of the study. Participants were also involved in a high-calorie meal challenge at the beginning and end of their nine-week dietary intervention. The challenge, meant to stress an individual's metabolism, started with either a serving of yogurt or non-dairy pudding followed by a large high-fat, high-carb breakfast meal. "It was two sausage muffins and two hash browns, for a total of 900 calories. But everybody managed it. They'd been fasting, and they were pretty hungry," Bolling said.

For both challenges, blood work showed that the yogurt "appetizer" helped improve some key biomarkers of endotoxin exposure and inflammation as participants digested the meal over the ensuing hours. It also helped improve glucose metabolism in obese participants, by speeding the reduction of post-meal blood glucose levels.

"Eating eight ounces of low-fat yogurt before a meal is a feasible strategy to improve post-meal metabolism and thus may help reduce the risk of cardiovascular and metabolic diseases," said Ruisong Pei, a postdoctoral researcher at UW-Madison.

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Melatonin is a hormone known to promote sleep. But, have you ever wondered how melatonin helps to promote sleep? Researchers from the University of Missouri School of Medicine have discovered how melatonin suppresses the neurons in the brain that keeps you awake and alert. The findings of the study, which is published in the Journal of Pineal Research, could lead to new therapies for those who suffer from insomnia.

"We as a society are losing sleep because we are working too hard, and it's causing a variety of health concerns," said Mahesh Thakkar, lead author of the study. "We often don't even think about sleep or consider it important. However, there is nothing more important than sleep. We need to focus on therapies that can help you have quality sleep, not just sleep."

Using a mouse model, Thakkar's research found that melatonin infused in the brain at dark -- when the mice are awake and active -- increased sleep and reduced wakefulness by suppressing specific neurons that stimulate the brain to wake up.

Thakkar also discovered that blocking melatonin receptors in the brain at bedtime significantly increased wakefulness. The experiments singled out one receptor, MT1, as the mechanism via which melatonin acts to inhibit the specific orexin neurons that wake you up. This discovery could help lead to medications that target only the MT1 receptor instead of multiple receptors, which could lead to fewer side effects for those who take sleep-promoting drugs.

"Melatonin has been used as a sleep drug for many years, but people didn't know how it worked," Thakkar said. "Our research suggests that if you target the melatonin MT1 receptor, you will get the most sleep with minimal side effects."

(Edited by mid-day online desk, with inputs from PTI)

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Regulating salt consumption is key to prevent hypertension, which is associated with an increased risk of heart disease, heart attack, stroke and heart failure, say experts. According to World Health Organization (WHO), adults should reduce consumption of sodium to less than 2 grams a day, or the equivalent of about one teaspoon of table salt to reduce the risk of heart disease. 

Hypertension is a condition in which the blood vessels have persistently raised pressure. Hypertension is also referred to as high or raised blood pressure. Hypertension can also affect fertility in both males and females, says Rajalaxmi Walavalkar of Cocoon Fertility. Hypertension not only affects fertility but also is also known to cause trouble sleeping. Trouble sleeping leads to signs of premature ageing, like fine lines, uneven pigmentation and reduced elasticity.

"Hypertension can lead to cardiovascular diseases. The rise in blood pressure caused by eating too much salt may damage the arteries leading to the heart," Vijay D'Silva, Director at the Asian Heart Institute, said in statement.

According to a recent study, published in the journal Hypertension, about half of adults living in Asia are suffering from the high blood pressure.

While lifestyle factors, including diet and stress, are behind the high hypertension rates in Asia, one common problem is high salt intake, the study showed.

Asians not only tend to have diets high in sodium, but they are genetically more sensitive to sodium, the researchers said.

"Raised blood pressure due to high salt consumption is the biggest single contributing risk factor for non-communicable diseases and damage to your kidney," explained Bhupendra Gandhi of the NGO Amar Gandhi Foundation.

Previously, it was believed that eating high amounts of fruit and vegetables might help counteract the effect of high salt on blood pressure.

However, another study led by researchers from the Imperial College London and Northwestern University, showed that people eating higher amounts of salt had higher blood pressure -- no matter how healthy a person's overall diet.

"Anyone with hypertension is at an increased risk of infertility. A high salt diet leading to high blood pressure can result in delayed puberty and even impact reproductive health," Walavalkar noted.

Besides affecting the heart and fertility, hypertension can affect the skin too, the health experts said.

"High blood pressure can harden your arteries, which decreases the flow of blood and oxygen. An impairment of the flow of oxygen, to an organ such as your face, can cause your skin to dry and wrinkles faster which can make one look less youthful," said Amit Karkhanis - Medical Cosmetologist and founder of Dr Tvacha clinic.

Reducing salt consumption in everyday life, cutting down on fried foods and processed foods, can not only curb the problem of hypertension but also save multiple organs from damage and pave way for a healthy life.

Also read: Mumbai Health: These 7 Lifestyle Changes May Help Lower Heart Disease Risk

(Edited by mid-day online desk, with inputs from IANS)

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Researchers have found that a common antibacterial substance found in toothpaste may combat life-threatening diseases such as cystic fibrosis (CF) when combined with a drug.

The study, published in the journal Antimicrobial Agents and Chemotherapy, found that when triclosan -- a substance that reduces or prevents bacteria from growing -- is combined with an antibiotic called tobramycin, it kills the cells that protect the CF bacteria, known as Pseudomonas aeruginosa, by up to 99.9 per cent.

CF is a common genetic disease with one in every 2,500 to 3,500 people diagnosed with it at an early age. It results in a thick mucus in the lungs, which becomes a magnet for bacteria.

These bacteria are notoriously difficult to kill because they are protected by a slimy barrier known as a biofilm, which allows the disease to thrive even when treated with antibiotics, the researcher said.

"The problem that we're really tackling is finding ways to kill these biofilms," said lead author Chris Waters, Professor at the Michigan State University.

According to the researcher, there are many common biofilm-related infections that people get such as ear infections and swollen, painful gums caused by gingivitis.

But more serious, potentially fatal diseases join the ranks of CF including endocarditis, or inflammation of the heart, as well as infections from artificial hip and pacemaker implants, the researcher added.

For the study, the researchers grew 6,000 biofilms in petri dishes, added in tobramycin along with many different compounds, to see what worked better at killing the bacteria.

Twenty-five potential compounds were effective, but one stood out, the researcher said.

"It's well known that triclosan, when used by itself, isn't effective at killing Pseudomonas aeruginosa. But when I saw it listed as a possible compound to use with tobramycin, I was intrigued. We found triclosan was the one that worked every time," said Alessandra Hunt from the Michigan State University.

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Representational picture

Washington D.C.: Intermittent fasting diets could increase diabetes risk, suggests a study. These findings suggest that fasting-based diets may be associated with long-term health risks and careful consideration should be made before starting such weight loss programmes.

In order to investigate whether an intermittent fasting diet could also generate damaging free radicals, Ana Bonassa and colleagues, from the University of Sao Paulo in Brazil, examined the effects of fasting every other day on the body weight, free radical levels and insulin function of normal, adult rats, over a 3-month period.

Although the rats' body weight and food intake decreased as expected over the study period, the amount of fat tissue in their abdomen actually increased. Furthermore, the cells of the pancreas that release insulin showed damage, with the presence of increased levels of free radicals and markers of insulin resistance were also detected.

Ana Bonassa commented, "This is the first study to show that, despite weight loss, intermittent fasting diets may actually damage the pancreas and affect insulin function in normal healthy individuals, which could lead to diabetes and serious health issues."

Ana cautioned, "We should consider that overweight or obese people who opt for intermittent fasting diets may already have insulin resistance, so although this diet may lead to early, rapid weight loss, in the long-term there could be potentially serious damaging effects to their health, such as the development of type-2 diabetes."

The findings were presented at the European Society of Endocrinology annual meeting, ECE 2018.

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The Navy was deployed to evacuate train commuters stranded at the Nallasopara station in Mumbai due to flooding of railway tracks between Nallasopara and Vasai Road stations, officials said on Wednesday.

Following a request from the Western Railway, the Western Naval Command deployed high-chassis vehicles that could traverse the flooded areas and reach the stranded commuters, a Defence spokesperson said this morning. Mumbai has been experiencing heavy rains for the past 48 hours resulting in water-logging in several areas which has severely hit road and rail transport also.

The Western Naval Command has been maintaining rescue teams and emergency equipment to provide assistance to Mumbaikars in emergent situations, the spokesperson said.

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It's been a grim one week for residents of Vasai-Virar. Situated in Palghar district, 30 km north of Mumbai, the city — Maharashtra's fifth largest — has been fighting a tough battle against torrential downpour, which left several areas under water for nearly five days.

The situation was so deplorable that, for the first time in its history, the Western Railway was forced to collectively summon the National Disaster Response Force (NDRF), Indian Navy, Army, the Coast Guard along with the Railway Protection Force to rescue over 2,000 passengers stranded in trains mid-way due to waterlogging on July 10 — the day the region received 240 mm rainfall.

On Thursday, two days after rain stopped, several areas continued to be severely waterlogged and had no electricity supply. Meanwhile, three people lost their lives after drowning, and hundreds of residents were forced to remain home bound.

Residents wade through knee-high water near H Colony, Vasai West, on Friday. Pics/Hanif Patel

Far from the hubbub of Mumbai, this fast-developing region, which comes under the Vasai-Virar City Municipal Corporation (VVMC), was drowning and any attempt to save it, appeared foolhardy. For old-time residents, who've witnessed the transformation of this green land into concrete, the flooding situation is new and alarming.

Local experts and environmentalists, however, blame unchecked dumping of sand in wetlands, and haphazard construction activities for residential and commercial spaces in Vasai-Virar — the new address for the up and coming middle-class — as the reason behind the slow crumble the city witnessed this monsoon.

Satish Lokhande, commissioner, VVMC vs Sameer Vartak, activist

How residents suffered
Before Vasai-Virar got its own municipal corporation in July 2009, it was already a chosen destination for real estate sharks due to its proximity to the Maximum City. Located along the banks of Vasai creek, which separates the region from Mumbai and Mira-Bhayandar, the agrarian belt, comprising Vasai, Nalasopara, Naigaon and Virar, soon transformed into a residential hub. This change is evident in the four-fold increase of the population in the short span of 20 years — from three lakh in 1991 to over 12 lakh as per the 2011 Census.

On July 9, Vasai-Virar witnessed the first heavy downpour of the season. Several parts of Vasai and Nalasopara unexpectedly began flooding with low-lying areas along the creek facing the biggest risk. In Vasai, Suncity, Gass, 100 Feet Road, Samta Nagar, Evershine City were waterlogged, while Achole Road, Chheda Nagar and Samta Nagar in Nalasopara were also inundated with flood water. For Sameer Dudhwani, who resides on the second floor of DG Nagar Housing Society in Vasai West, where water levels had reached four feet, the heavy showers brought with it unexpected tragedy.

Sameer Dudhwani (right) shows a photograph of his ailing 65-year-old mother, Dilshad, who died on her way to the hospital on July 10, as he was unable to get her out of their waterlogged residential colony, DG Nagar Housing Society in Vasai West, in time for her dialysis appointment. Pics/Hanif Patel

Dudhwani, who resides with his wife and parents, lost his ailing 65-year-old mother, Dilshad, because he could not take her to the hospital on time. "My mother was on dialysis, and would get it done thrice a week.

She had an appointment for July 10, and we were supposed to take her to the hospital, but couldn't step out. As her condition became worse, my neighbours and I decided to lift her on our shoulders and wade out of the colony," Dudhwani recalled. Outside, they struggled to find transport. "Finally, a tempo driver helped us take her to the hospital. But, she died before reaching the hospital," he said.

Sameer Dudhwani

What made it worse was the fact that they could not bury her immediately due to lack of transport on the waterlogged roads. "We managed to bury the body only the following day," recounted a grief-stricken Dudhwani. Rosario D'Souza, a resident of 100 Feet Road, said the fire brigade officials from VVMC were a godsend, as they helped him drop his nine month-pregnant wife, who was in labour, to the hospital in an inflatable boat.

Rosario D'Souza, a resident of 100 Feet Road, said fire brigade officials from VVMC helped him drop his wife, who was in labour, to the hospital in an inflatable boat

The Vasai-Nalasopara-Virar rail stretch on WR was also severely affected with 400 mm water on the tracks by Tuesday morning. Passenger trains had to be stopped as water levels increased. Several outstation trains, including the Vadodara, Bhuj Bandra, Lokshakti and Jamnagar express trains, were halted. Passengers remained stuck for hours together without food, water or any help.

As the situation continued to get worse, AK Gupta, general manager, WR, rallied for help from all possible quarters. By late afternoon, teams from the NDRF started rescuing stranded local train passengers in inflatable boats. "Meanwhile, RPF teams reached out to passengers on the express trains. They had formed a human chain and taken out many passengers, but we also sought the help of the Navy for transport vehicles that could run in water," said Ravinder Bhakar, WR's chief public relations officer.

WR on Tuesday called the NDRF to help rescue passengers stranded in local trains, after the tracks were submerged in 400 mm water 

Poor town planning
According to bird enthusiast and Vasai resident Amol Lopes, the Vasai-Virar belt has always received heavy rainfall. "It rains a lot in this region every year, but it's the first time that we have witnessed flooding to such an extent," said Lopes, who has been living in Vasai for the last 37 years.

"The main reason is that a lot of construction bodies have recently started dumping sand and debris in the wetland areas. We have a lot of lakes and small ponds in Vasai and Virar, which serve as important channels to carry rain water to the nullahs and the sea. Due to the unchecked dumping, there is no natural reservoir for the rain water, causing townships to choke. In fact, several residents have reclaimed these wetlands and built houses over them," Lopes said, citing areas such as Gogte and Umela salt pans, and Vasai Suncity Road that are at risk due to this activity.

Fasle Hoque Qureshi, 33, (fourth from right) is a resident of Ambali Nagar. On July 10, he arranged biscuit packets for the stranded passengers of the Rajkot Trivandrum Express. The next day, Hoque, who also owns a restaurant, had food cooked and delivered to residents of Sant Jalaram Bapu Nagar. Among those who helped him were Farukh Pathan, a retired government official, advocate Ashok Mishra and local residents Usman Khan, Sandip Shukla and Jaiprakash

Environmentalist Stalin D from NGO Vanashakti raised similar concerns. "Check the maps of Vasai and Virar and you will realise why it is going underwater. Vasai and Virar are natural floodplains and not at all fit for townships, built on raised, reclaimed land. Yet, authorities continue to plan newer projects; due to this, illegal reclamation of land, and destruction of ecologically important wetlands and mangrove forests are rampant. No wetland has been spared and those un-built are also earmarked. Citizens don't have a choice as they cannot afford housing elsewhere," he said.

According to local activist Dominica Dabrey, at present, there are two major colonies under construction in Vasai West, which are blocking the path of the rain water that flows through a nullah. "The local corporation built a boundary wall near the nullah, narrowing its width, and causing excess rain water to overflow," said Dabrey.

Another local activist Sameer Vertak also showed mid-day several spots in Nalasopara where construction next to nullahs was rampant. He also pointed out a spot where debris had been dumped in a narrow gutter. Part of the Ulhas river, locally known as Sopara river, which starts from the hills in the eastern part of Vasai and ends in the Vasai creek, has also been encroached, and diverted, Vertak said.

"Also, while the population in these areas has increased manifold, the drainage system is as it was 15 years ago. The corporation has to increase the width of the drainage culvert, and clean them regularly," he said.

'Blame the rain gods'
Father Francis D'Britto, who first rang the alarm bells in 1989, when he approached the local tehsildar office of Vasai, demanding that they chart out a plan for the township, said, "At the time, I had warned them that if they did not tackle the situation soon, this place would drown. Look what's happening now."

 
Stalin D

Local MLA Hitendra Thakur said that Vasai recorded the highest rainfall till July 10, this season. "Last year, we recorded a total of 1,000 mm rainfall from the beginning of the monsoon season till July 10. But, this year we received around 1,700 mm rainfall," he said.

When contacted, Satish Lokhande, commissioner of VVMC also claimed that Vasai-Virar had received "abnormal rainfall" this year. "Also, due to the high tide, the water levels increased in Vasai creek, causing flooding in low-lying areas like Tulinj, Central Park and Deen Dayal Nagar," he said. Lokhande admitted that the drainage capacity in these areas was poor.

He, however, denied that unauthorised construction and encroachment in the Vasai area was responsible for the flood-like situation. "The drainage culvert carrying water from the city is very narrow. It needs to be enlarged and two new culverts need to be built. But, the culvert is on railway land. Our corporation is working on getting requisite permissions."

Chulna villagers rescue orphans

Over the last one week, residents of Chulna village in Vasai West, have come to the rescue of girls from a nearby hostel, Fatima Mata Convent. The hostel is home to 75 girls, most of whom are orphans. During the heavy showers that crippled Vasai, the area around the ashram was severely waterlogged, and the girls were forced to stay indoors. The residents, however, decided to make room for them in their own houses. Each villager adopted three to four girls. "We have kept them at our homes, where we are taking care of them. We have even arranged bus services for them so that they can go to school as usual. They will be with us till the situation gets better," said Asmita D'Costa.

With inputs by Rajendra B Aklekar

Also Read: Mumbai Rains: Vasai-Virar limp back to normalcy after deluge

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October may not have arrived in the city, but the heat that marks the month preceding the faux winter most certainly has. Admittedly, the temperature at Peru Baug is at least a couple of degrees lesser than elsewhere in the city at 3 pm. Still, it's an arduous task to sit down 20 young children, most with little interest in being here, and teaching them the basics of arithmetic and Devnagri script (reading and writing) for two hours a day, six days a week.

Yet, for 43-year-old Jyoti Dode it's more of a mission. Even with the odds stacked against her. After all, for a teacher in a campus that produces some of the world's, best minds - with state-of -the-art teaching and research facilities - the only tools at her disposal are a few paper cutouts where a 'Ka' in Devnagri helps the student identify that it denotes a Kangaroo (an animal that s/he would be very unlikely to know or possibly identify). But, for Dode, who often has to drag the kids to the small space outside her home - the village is in shambles - an education may help them stand up against the institution bent on robbing them of their land.

"We have lived here since the British period and, because we are not educated enough, we had no idea when the government handed the land over to IIT Bombay," she says, adding, "We hope that our children can change that."

Maali Rano Urade with the day's catch of dandavat fish which she cooks with bamboo shoot picked from the forest Pics/Arita Sarkar

Against the might of IIT
The IIT campus in Powai is spread over an area of 550 acres. On the northern fringe, closer to Vihar lake and near the National Institute of Industrial Engineering lies Peru Baug, which 260 adivasi families - some of whom are from the Warli tribe and some of whom are Malhar Kolis - call home. The families claim that they have lived here for at least four generations, while IIT was established here only in 1958.

For decades the two have had a symbiotic relationship. The adivasi men would have odd jobs on the campus, their children have access to the on-campus Kendriya Vidyalaya (which they don't attend regularly enough) and the tribals continue to live as before.

Prakash Bhoir, Adivasi from Kelti Pada, Aarey Colony

A few years ago, however, trouble started brewing. In 2012, the adivasis staged a "morcha" after conversations with the institute regarding installation of two water connections didn't yield results, says Dode, the representative of the village committee. Having grown up in Saki Naka and married into Peru Baug, Dode having studied till Std IX, is one of the few residents here to have received even primary education. She adds, that the water connection came in 2015.

Earlier this month, there were reports that the IIT management has now asked the adivasis to move out of the campus entirely, and the MMRDA has been tasked with acquiring accommodation for them at Qureshi Nagar in Kurla.

Prabhu, a resident of Peru Baug shows off his catch for the day. Most of the tribe's men are employed on the IIT campus and earn around Rs 8,000 a day. In the evening, they catch fish, which sustains their livelihood. Pics/Arita Sarkar

Dode puts the IIT move down to the 2012 protests. It was only after that, she says, that IIT officials started talks about moving them out. "Initially, they asked us to leave our village and offered accommodation in Kanjur Marg. Some of us agreed since it would still be close to the campus. The men in our village could still keep their housekeeping jobs and the women could still come to fish in the lake. But then they changed their mind and said that we would have to go to Kurla instead, which is too far for us," she says.

And even while they live on campus, some residents say, having IIT for a neighbour isn't easy. Maali Rano Urade, 70, says, "Earlier we could grow a lot of vegetables, which was enough for us to eat and then sell in the market. But, over the years, IIT officials have forced us to reduce the amount of vegetables we grow. They have made our lives difficult." Not just that, she adds that they are not allowed to repair houses or cover their huts with plastic sheets during the monsoon months. She alleges that IIT officials and guards visit their village every day to ensure that they haven't made any extensions.

The world ends at IIT
Kanjur Marg would have been a compromise, but Kurla is almost like another country to the residents of Peru Baug, some of whom have barely stepped outside of the boundaries that define the IIT campus.

Laadki Barap, 70, is one of them. In the last 10 years, she says, her life has been confined to her home and the Vihar lake, where she fishes. "My life involves going to the lake to fish and tending to chores at home. I haven't gone out of the village in a very long time and I have no idea what the area outside looks like. If they send us to Kurla, many of us won't be able to figure our way around the city," she adds.

But, life inside Per Baug is both busy and self-sustained. Urade's day for instance begins at the crack of dawn. By 7 am when we met her, she was already seated on the shore of the lake throwing her fish line into the water. Her catch usually comprises small fish called 'dandavat'. On a lucky day, she will catch rohu, or even black pomfret. When she has enough for a meal for herself and her family, which is usually by afternoon, she returns home to cook it with tender bamboo shoots picked from the forest area around the lake.

The women from Peru Baug seen with amla that they collected from trees in the forest. The tribals grow some of the vegetables they eat in small patches of land near their homes. Wild vegetables are grown only during the monsoon months.

The homes here don't have gas cylinders. They cook their food on wood which is found neatly stacked in sheds outside their huts. "Since the wood gets wet during the rains, we collect enough wood to last the three months of monsoon. Once the rain stops, we go out to look for more wood," Urade adds.

The tribals grow some of the vegetables they eat in small patches of land near their homes. Wild vegetables which are not available in the market are grown only during the monsoon months. "For the rest of the year we collect the tender shoots of bamboo plant, flowers of the Kurdu plant or leaves of Takla plant and make a vegetable out of it. This way we can save money," says 28-year-old Depenti Urade, who we meet while she is tending to the vegetable patch near her house. She adds that during the monsoon months, they are able to sell the vegetables they grow when they have more than they can consume. The women sell bananas, amla and colocasia leaves used to make aaloo vadi, a popular Maharashtrian dish, in the market to make some extra money.

"For the rest of the year we collect the tender shoots of bamboo plant, flowers of the Kurdu plant or leaves of Takla plant and make a vegetable out of it. This way we can save money," says 28-year-old Depenti Urade

The village's men are not around. They spend the day at work as housekeeping staff at the student hostels on campus and then go fishing in the evening. Some of the women work there too, even though the pay isn't great. "We work in the canteen where we cook, serve and clean dishes. We work eight-hour shifts and the contractor pays us around Rs 8,000 every month. But since we don't have to purchase food, we can manage for now," says 45-year-old Sevanti Urade, Depenti's mother-in-law, who hails from another adivasi pada in Aarey colony.

Tribals, not slumdwellers
The community here feels it's the lack of education that's doing them in. They say they had allowed the Slum Rehabilitation Authority officials to conduct a survey in their village only because they were promised an alternate accommodation nearby. "We were here long before IIT even existed. But the government is kicking us out of our land just because we aren't educated enough to understand our rights. If we can't grow our vegetables and catch fish, how will we survive in a tiny flat in Kurla?" asks Dode, adding that they even suggested that they be moved to another part of the IIT campus, instead of being ousted out of premises altogether. But, that was not considered.

Firewood used by villagers to cook food

The residents accompanied by members of Shramik Mukti Sangathna, an NGO advocating rights of tribal communities had approached Rajendra Gavit, an MP of BJP from the Palghar Lok Sabha constituency last month. During a visit conducted two weeks ago, Gavit had reassured them that he would take up the issue with Chief Minister Devendra Fadnavis and IIT administration last week. Despite several calls and messages, Gavit could not be reached for a comment.

Tribals from other parts of the city advise the Peru Baug residents not to budge from their current space, especially under SRA laws. Prakash Bhoir, a resident of Kelti Pada in Aarey Colony feels that that government's solution of shifting adivasis to SRA flats is short-sighted. "Why should the SRA rehabilitate us? We're not slum residents who have a village to go back to. We belong here and this is the only home we know. We have been paying taxes for the land we grow our crops on and we have papers to prove it. Then why should we just accept a small flat?" he asks. He argues that it's not the SRA, rather the tribal department that ought to conduct surveys on their land. "People don't want to move out because it's not just about the house. It's about land, our animals and the trees that we have taken care of for several generations," he adds.

Prakash Bhoir, a resident of Kelti Pada in Aarey Colony

Those who have been advocating tribal rights feel the government has long tried to silence the voice of the tribal community across the country and they are yet to come across a case where tribals were rehabilitated in an appropriate manner. Adivasis everywhere, they say, are deliberately being harassed by various government agencies by not allowing them to set up electricity connections or not granting permission to construct toilets.

Graphic/Uday Mohite

Cassandra Nazareth, a social worker, who has been working with adivasis living in 12 padas in Aarey Colony says the government was disconnecting them from the earth they worship by shifting them to SRA flats. "How will they grow their vegetables in a 225 sq ft tenement? What the government needs to do is engage with the adivasis and come up with a solution from within the community," she adds.
- with inputs from Pallavi Smart

The fight for land
IIT Bombay officials stated that the adivasis are being moved to make way for the Research Park that is currently under construction. Based on their website, the research centre aims to bring IIT Bombay and the industry together and promote research and development collaborations. When asked about the tribals being displaced from their land, KP Unnithan, the superintendent engineer of IIT Bombay administration had only one response for all questions. "The land belongs to IIT Bombay," he says repeatedly.

The adivasis however don't have tribal certificates and thus, are unable to prove that they have lived on the land for the past several decades. It was only a few years ago, with the help of Shramik Muki Sangathna and political involvement that they were able to get their Aadhaar cards and election IDs.

What the authorities say
'The accommodation will be in Kurla, but the SRA is yet to handover the tenements to us. We are currently unaware of the number of adivasis who will be resettled'
Dilip Kavatkar, joint project director of MMRDA.

Once tribal homes, now slums
Nitin Kubal, who has been a field officer with TISS in the M-East Ward Project for the past three years stated that the survey conducted by Pune-based Tribal Research Institute in 2003, which was published two years later is the only comprehensive data available on the number of tribal settlements in Mumbai. "Based on the survey, there were 222 adivasi padas in Mumbai of which 159 converted into slums and only 63 are still isolated padas, which are located largely in western suburbs. No other recent surveys have been conducted," he said.

Also Read - Section 377: IIT-Bombay Students Celebrate Supreme Court's Judgement

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Girgaum Chowpatty in South Mumbai is set to undergo a major transformation. The beach will be declared Mumbai's first Clean Street Hub by the Food Safety Standards of India(FSSI) and the Food and Drugs Administration(FDA) on February 28.

The shop vendors will wear uniforms which have logos of their individual brands and swachhata ambassadors will pick up litter and educate citizens about public hygiene. The beach will also have live performances by street artists.

Mumbai Mirror quoted Vishwas Mote, assistant commissioner D ward as saying, We received FDA and FSSI guidelines from Delhi under the Swachh Bharat Abhiyan on maintaining hygiene at Bhel Plaza. We had audited the stalls in December and completed their training in January."

He also added that the trees around the stalls will have tree guards and seating arrangements will be made for people to sit and enjoy live performances on the beach.

"This is being revamped to international standards. There will more lights for the stalls. And to inculcate a sense of responsibility in keeping the stalls clean, the stall owners will hire two swachhta ambassadors. They will pick up any thrown litter, and will educate people on civic sense, to make them responsible for their own garbage."

Mote also mentioned that the Swachhata ambassadors will be given white uniforms and white caps. He said, "It is a multi-directional approach, where even helpers and chefs will sport branded uniforms for each stall, and the boards and nameplates will have a uniform design. The common hand-washing area for patrons will also be spruced up."

A vendor, Atul Gupta said that they had received training for four hours from the BMC.

He added, "We were told that if we had any vices like chewing tobacco or smoking, we should do it outside the beach, and not while serving customers. We were given minute details about washing hands and serving customers. We were instructed not just to clean the work stations, but also the inside of refrigerators. If we keep our surroundings clean, it will also keep rats and roaches at bay."

Indrani Malkani who is the member of the high-powered committee appointed by Bombay High Court said, "Hygiene is an all-encompassing aspect. Not just cooking part, but even when they are washing up. Street food is a great attraction in South East Asian countries, and Girgaum Chowpatty is synonymous with bhelpuri. The idea of inculcating hygiene habits among those who make and serve food is the prime focus."

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Rajendra Jadhav, a traffic constable who remained in a comatose state for the last eleven months died on Sunday night at his residence in Worli. Jadhav, who was posted at Tardeo Traffic Division, had collapsed while on duty in April 2018 after suffering a stroke.

After treatment in Bhatia Hospital, he was shifted back to his home as per doctor's instructions as there was no improvement in his health. He passed away in his residence, his last rites were performed at the Worli Crematorium on Monday afternoon.

A batchmate on condition of anonymity said, "Jadhav's family was receiving his salary up until now. But the worry is what happens to his 7-year-old son, who suffers from rare congenital heart disease and needs an injection every alternate day for the same? We are currently trying to collect funds in order to aid his family," he added.

The fateful day
On 2nd April 2018, Rajendra Jadhav was walking towards a traffic chowky at Nana Chowk, Tardeo, when he suffered a stroke and collapsed on the ground. He was rushed to Bhatia Hospital, where it was revealed that he suffered a cardiac arrest due to which his brain was deprived of oxygen supply. After a month’s treatment, he slipped into a coma.

After being treated at Bhatia Hospital, which is not on the panel of the Mumbai Police Health scheme, he was shifted to Bombay Hospital followed by JJ Hospital. "Due to cardiac arrest, Jadhav went into a vegetative state," informed a colleague of Jadhav on condition of anonymity.

Babasaheb Dhangar, the constable in-charge at Tardeo Traffic said, "I worked with Jadhav for almost 4 years. He was very loyal and always ready to lend a helping hand. From the day he fell ill, we tried our best to help him and his family. We collected around Rs 4 lakh through contribution and his batch mates, too, contributed as much as they could," he added.

After initial treatment at Bhatia Hospital, Jadhav was shifted to Bombay Hospital. After a brief stay for a month, Jadhav was taken home as per instructions by the doctors. Another surgery was performed on him at JJ Hospital but it was not successful. 

Also Read: Mumbai: 25-year-old constable risks life to save family from blaze in Girgaum

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A Bandra boy is bringing back the music from the streets of Mumbai in a new avatar, with the debut of the ensemble Bombay Brass this Friday. And who better to combine the essence of Bombay and jazz than Rhys Sebastian, who was brought up by his musician mother Merlin D'Souza and grandfather, cello maestro Sebastian D'Souza? "It was inspiring to watch my mother work and provide for the family. The possibility of doing something apart from music — writing about football, for example — was there, but this is where I belong," the 30-year-old Manchester United fan shares.

Rhys Sebastian

His new ensemble, comprising Robin Fargose (trumpet), ID Rao (tenor sax), Ramon Ibrahim (trombone), Jehangir Jehangir (drums), Saurabh Suman (bass), Zohran Miranda (guitar) and Rahul Wadhwani (keys), is a result of his quest for his own sound and is more about experiencing the music than about just being a collective, Sebastian says. "It's about bringing the musical experience from the streets to the stage and giving it back to the audience. I love that energy and we tap into the same, making it inclusive for musicians as well as the audience," he adds.

In a way, their music will bring together Bombay and New Orleans, he points out. "I've always loved the hustle and bustle of Bombay, which I feel is a distant relative of New Orleans. Both have similar street music, with a lot of brass [like in wedding bands here]. I love the rawness of that sound. I love the freedom of expression in both these cities. What we are doing is not something that I have seen here," he adds.

Saurabh Suman

Besides doing Amy Winehouse and Stevie Wonder covers, the band will also have some Shankar Jaikishan songs that Sebastian's grandfather had originally rearranged. "I love Bollywood songs from the '60s and '70s, like Mera Naam Joker. I'm looking forward to bringing that back with a lot of brass," Sebastian informs. Their two originals for the evening promise to talk about the city, including about the traffic on the roads.

Sebastian is also working on a project called The Bartender with music director Mikey McLeary, where they will reinvent old songs from the '60s and '70s with a 10-piece band that will include three horn players and vocalists Shalmali Kholgade, Saba Azad, Rachel Varghese and Anjuli Sarvanaman.

ON March 15, 9 pm onwards
AT The Quarter, Royal Opera House, Mathew Road, Opera House, Girgaum.
LOG ON TO insider.in
CALL 83291 10638
COST Rs 749 onwards

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Maharashtra Chief Minister Devendra Fadnavis said he had asked BMC chief Ajoy Mehta to fix "primary responsibility" for Thursday's foot overbridge collapse by Friday evening. The deck of a foot overbridge on DN Road connected to CSMT station collapsed Thursday evening, killing six persons and injuring 31.

Fadnavis was speaking to reporters after meeting the injured in St George's Hospital nearby. "It is shocking that such an accident can take place even after a structural audit. Primary responsibility will be fixed by this evening. I have asked civic chief (Ajoy Mehta) to find out names of those responsible," Fadnavis said.

"A high-level probe into this incident has already been ordered. Those responsible (for the collapse) will be punished," he said. Earlier in the day, a Brihanmumbai Municipal Corporation official had said the FOB was found to be structurally safe when it was audited in August 2016, soon after a British-era bridge over Savitri River got washed away in monsoon downpour in Mahad in Raigad district.

During that audit, 354 bridges were checked for their structural soundness. The FOB that collapsed on Thursday was marked C2B. This means it needed minor repairs only. Tenders were floated for the repair but it got held up," the official had said on Friday morning.

Fadnavis also said he had ordered a re-visit of all earlier structural audits carried out on such structures. The Maharashtra CM visited the mishap site post the visit to the hospital.

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In Mumbai and all over India, today 6th April marks the traditional New Year for Maharashtrians which signifies the welcoming of the spring. As people welcome the New Year with much fervour and enthusiasm, thousands of men and women in Mumbai take to the streets and participate in Shobha Yatras. One such yatra is that of Girgaon Padwa Shobha Yatra, one of the biggest and oldest Shobha Yatras in Mumbai. Every year, the highlight of this Shobha yatra is Dr. Aparna Bandodkar, and her bike 'Bijli; together they have become the face of the Girgaon Padwa Shobha Yatra. Since 2013, Bandodkar has been actively participating in the Girgaon Padwa Shobha yatra and riding her motorcycle with varied themes, thereby promoting the Maharashtrian culture and ringing in the New Year in style.

Also Read: Gudi Padwa 2019: All you need to know about the festival

Just as the people welcome the New Year across Mumbai, Maharashtra, we had the opportunity to interact with Dr. Aparna Bandodkar who in a candid conversation talks about the Girgaon Padwa Shobha yatra and more.

Aparna Bandodkar and other women ride motorcycles during the Girgaon Padwa Shobha yatra

Here are the excerpts from the interview:

Since how long have you been taking part in the Girgaon Padwa Shobha yatra. How has the journey been so far?

I have been taking part in the Girgaon Padwa Shobha Yatra since 2013. After I had my own bike, the very first thing that I wanted to do was ride inter-state and complete a part of my bucket list i.e. wearing a nine-yard sari and going to Girgaon. The Girgaon padava celebration started in 2002 and back then I used to see pictures of ladies who used to take part in the yatra. That's how I went to girgaon and they wholeheartedly welcomed me with my bullet. Post that, it became a ritual and this will be my eight year at Girgaon padwa celebration.

I started riding bullet at the Girgaon Shobha yatra in 2013 but before me, there were other women with different types of scooters and bikes who took part in the rally. It was the media who hyped it as I was the first woman to ride a bullet at the Girgaon Shobha yatra. Back then, a woman on a bullet was something new and at the time there were very few women riders. Now, the number of women riders is ever increasing. Today women ride heavier and meaner machines.

 

 

 

View this post on Instagram

Chudiya pehenne ka samay, aa chuka hai ! We wear bangles & ride the mean machines , our motorcycles too! #new look #shobhayatra #happiness #bijli #ridingisthereason #happinessisachoice #happinessishere #royalenfield #bulletjournal #bullet #ladyrider #riderchick #sherides #bulletmania #shobhayatra #womenpower #powerfulwomen #bindi #tattoo #bangles #throttle #getenchanted #soon #keepcalm #bijli #iscomingsoon #ridemode🔛 #bharatmatakijai #svypgirgaon #jaibhavani #jaishivaji #girgoanchapadwa

A post shared by Aparna Bandodkar (@enfieldmaniac) onApr 4, 2019 at 9:13pm PDT

How has the Girgaum Padwa Shobha yatra changed since the time you took part back in 2013?

At that time, the Girgaon padwa was not so glamorous as it is now. It was a very low key affair but today it is celebrated on a grander scale.

When I joined in 2013 there were about 15 women bikers and slowly and steadily the number has increased over the years. Today the majority of the women are on geared motorcycles and then there are scooters, vintage bikes and much more. Last year there were about 80-to 85 women taking part in the Shobha yatra on the bike. Women come far off from Vasai, Mulund, New Bombay to take part in the Gudi padwa celebrations. People are willing to travel and come and take part in the rally. There are a couple of women who even ride Harley Davidson bikes for the rally", says Bandodkar when asked how the Girgaon Shobha yatra has evolved over the years.

Aparna Bandodkar dons biking shoes on her traditional attire during the Girgaon Shobha yatra

Can you share a funny incident that took place with you during one of the Shobha yatras?

The very first day I took part my slippers broke when I tried to kickstart the bike. I was left with no choice but to take out my biking shoes and wear them with the nine-yard sari.

What kind of impact do you feel the Girgaum Padava Shobha Yatra has created?

Once you take part in the Girgaon Padwa Shobha yatra, you get confidence and you are not the same person anymore. Many more women come to the rally and then they realise their potential. Taking part in the yatra also boosts your confidence as you see more women taking part and breaking stereotypes.

Also Read: Urmila Matondkar spotted at Gudi Padwa bike rally in Mumbai

Such is the impact that, Aparna had seen a video where Indians who are staying abroad are seen celebrating Gudi padwa and had trained themselves in dhol Tasha Pathak and even replicated the whole parade in the western country.

 

 

 

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#girgaonchapadwa itself gave me & my beloved bijli a golden opportunity on television in 2014,after @zeemarathiofficial noticed me in the #shobhayatra & wanted me in the lead to replicate the exact festive charm of #girgaon #gudipadwa #hindunavvarsh #yatra Organised by @svyp_girgaon since 2003. That was my ticket to fame that led to back to back ads that year like zee Marathi Geet & YouTube ad for margarita with a straw ! I owe my gratitude to my dear Girgaon which is also my birthplace ( purandare hospital @ #girgaumchowpatty ) #8daystogo #cantkeepcalm #2019 #girgaonchapadwa #yetoy #sanmaan Marathi #abhimaan #marathi #mimarathi #zeemarathi P.S. and that’s my wedding #nauvari of 2010 that I am wearing in the ad . Makes it truly special, isn’t it 😊 #bijli #throwback #bindi #tattoo #bangles #gajra #throttle #positivevibes #positivityisthekey #ridemode🔛 #royalenfield #bulletjournal #awesome

A post shared by Aparna Bandodkar (@enfieldmaniac) onMar 29, 2019 at 5:11am PDT

What has been your fondest memory till of Girgaon Padwa Shobha yatra?

Recalling it quite vividly, Dr, Bandodkar says, "My fondest memory is that of a girl coming to me during the 2015 padwa rally and was all in tears. She started thanking me and said that 'You don't know what have you done'. She revealed that her parents never wanted her to ride a motorcycle but after the saw Dr. Aparna Bandodkar's Shobha yatra video on National television, they allowed her to ride her motorcycle to her workplace and that she was really happy about it. While speaking to me she was in tears and this brought tears into my eyes as well."

View Photos: Gudi Padwa: 10 authentic Maharashtrian dishes to try out

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Chhatrapati Shivaji Maharaj Vastu Sanghralaya (CSMVS) will host the first-ever guided tour of its space and precincts led by eminent conservation architect Vikas Dilawari, who is also involved in the conservation of the museum, a Grade 1 building in the UNESCO World Heritage Precinct. Later in the evening, a panel discussion will be held on The Craft of Architecture.

Vikas Dilawari

Pop quiz

1) Originally called the Church of St John the Evangelist, its steeple was used as a landmark for ships entering Bombay harbour. Name this church.
2) Inside which building in Fort can you spot a splendid stained glass design of the 12 zodiac signs?
3) From which famous landmark did the last British troops leave India after Independence, in 1948?

Answers:

1) Afghan Church;
2) Convocation Hall inside University Library;
3) Gateway of India

ON Today, 11 am (guided tour); 6.15 pm (panel discussion)
AT Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mahatma Gandhi Road, Kala Ghoda.
CALL 22844484
FREE

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Captain Maria Zuberi was at the controls along with Captain P S Rajput, the pilot, with an engineer, identified as Surbhi, and a technician, identified as Manish, onboard when the chartered plane crashed.

One of the deceased brought into Rajawadi Hospital in Ghatkopar

When mid-day reached Zuberi's home in Mira Road, there was no one at home and the area wore a sombre look. Ivy Sarkar, a neighbour, said, "I can't believe she is no more. She was a wonderful woman, always ready with a helping hand. She had thrown a party at her home recently after her 17-year-old daughter cleared her HSC exams with excellent marks. "I am incredibly proud of her for using her presence of mind and manoeuvering the plane away from residential buildings, saving so many lives. I salute her."

The bungalow in Mira Road where Maria Zuberi staye

Zuberi stayed with her husband Prabhat Kasturia and daughter Charvi. Kasturia had messaged her around 1 pm for her whereabouts, but got no reply. Then he saw the crash on TV. He told the media, "My wife, along with Rajput, had earlier informed the company that the weather was not right for flying. The company insisted on the test flight." 

Her domestic help, Aarti Waghmare. Pics/Atul Kamble, Hanif Patel

The domestic help who worked at Zuberi's home, Aarti Waghmare, said, "I have been working there for three months now. Her husband is an advocate, who is in Delhi most of the time. She always addressed and spoke to me like a friend, never made me feel like a servant. I am unable to come to terms with the fact that she is no more. I keep thinking she will be back home in some time."

Also Read: Ghatkopar plane crash: Pilot's presence of mind saves hundreds

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The iconic R.K. Studios set in the eastern suburbs of Mumbai, Chembur is up for sale. The Studios was built by the late filmmaker-actor Raj Kapoor, the scion of the Kapoor family. Actress Kareena Kapoor Khan, her father Randhir Kapoor and uncle Rishi Kapoor have spoken about this huge "emotional loss". R.K. Studios was gutted in fire on September 16, 2017, which burnt the living memories of the late Raj Kapoor and films made under that banner.

Talking about the Studios's sale, Rishi Kapoor spoke to Mumbai Mirror about the strength they had to gather before taking this descision of letting go of their memories. "For a while, we did juggle with the idea of renovating the place with state-of-the-art technology. However, in reality it isn't always possible for a phoenix to rise from the ashes. We Kapoors are very emotional lot but then..."

"The investment in rebuilding the Studios would just not have yielded sufficient revenue to keep it going. Believe me, we had to take the larger picture into account and take a level-headed decision. Even before the fire, for years R. K. Studios had become a huge white elephant, toting up losses. The few bookings we would get from films, TV serials and ad shoots would expect free paR.K.ing space, air-conditioning and discounts," told Rishi Kapoor to the publication.

The report also states that the main reason behind selling the Studios is that it is located in Chembur and no longer favoured by the filmmakers, who mostly build their sets at Studios in Andheri and Goregaon's Film City.

"We brothers are strongly bonded. But who knows about our children and grand-children? What if differences crop up in the next generation? The Studios would only end up in litigation as so many industrial and textile estates have. There would be family differences and only lawyers would end up charging heavy sums of fee. Do you think my father would have liked to see his labour of love becoming the subject of courtroom proceedings?" elaborated Rishi Kapoor.

Reminiscing the memories of the famous R.K. omelette sandwich and ginger tea from the Studios, he said, "True, there are so many wonderful memories there. So much film history, but that would be like clutching on to straws in the wind."

When asked by the tabloid if there were any mixed feelings, he said "Not really. We had to place a stone on our hearts (Chhati pe patthar rakkhar, soch samajh kar decision liya hai)."

Films like Awara, Mera Naam Joker, Aa Ab Laut Chalein, Henna, Bobby, Boot Polish and many other films have been shot at the iconic R.K. Studios.

Also Read: Bollywood Celebs 'Heartbroken' Over Sale Of RK Studios

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I guess it happens to everyone at some point," remarks Ranjeet Adkar about mid-life crisis. The 45-year-old mechanical engineer quit his corporate job to pursue his passion for photography in April this year, after working in the profession for two decades. And in May, he started PhotoWorks, an organisation that conducts photography workshops and walks, and provides basic and advanced training to enthusiasts.

a photograph of schoolchildren from the village

This Saturday, Adkare will be conducting a walk around the colourful Asalpha village, a locality situated in Ghatkopar, which has often been compared to Positano, a popular holiday destination and quaint cliff-side village on southern Italy's Amalfi Coast. But Asalpha wasn't always Positano. Some time ago, it was much like any other slum in Mumbai, morbid with its crumbling walls, and homes as weathered as a book left out in the rain for too long. In 2017, an NGO started a campaign inviting volunteers to re-imagine the village and together, they painted close to 175 walls in the area, as well as murals, transforming the erstwhile slum into a vibrant village, and thereby making it an automatic option for photography.

Ranjeet Adkar

Resounding this, Adkare tells us, "I think there are two reasons why Asalpha attracts people. Firstly, the community is extremely open-minded and welcoming unlike some other places where people tend to say,'Please don't take our photograph.' They are chatty and forthcoming, so it's a fun place to be in.

And secondly, from a photography point of view, it's a place that allows you to truly explore street photography."
Elaborating on why Asalpha is a fertile ground for camera addicts, he shares, "There are narrow lanes, so it is apt for wide-angle photographs. The colours are simply brilliant despite being worn out a little. Then there are children on their way back from schools who are eager to pose, as is the rest of the community. So it's great for candid portraits as well."

On: September 22, 8 am
At: Asalpha village, Ghatkopar West.
Log on to: thephoto.works
Cost: Rs 750

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Officials of a school in Palghar in Maharashtra have been booked for allegedly threatening a student to give positive feedback about the institution, police said on Sunday. A student had complained that teachers at the school while distributing feedback forms, had told him that he would not be allowed to sit for the annual exams if he gave a poor review, a Virar police official said.

The 13-year-old student was also threatened with a beating by the teachers, the official said quoting the complainant. Palghar police spokesperson Hemant Kumar Katkar said Virar police on Saturday registered a case under sections of the Juvenile Justice (Care and Protection of Children) Act and section 506 (criminal intimidation) of the Indian Penal Code against the Yahswant Nagar-based school. The official said a probe was on and no arrests had been made so far. 

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

A woman's spirit is one of ability, perseverance, and courage no matter the situation or circumstance. This women's Day Viviana Mall in association with Nina Foundation is celebrating these abilities and perseverance of differently-abled women. The abilities of Women on wheelchairs.

A stand - up comedy act, a wheelchair acrobatic performance and a fashion show all by women on wheelchairs to celebrate the many abilities these women have that makes them just like us. In addition, there will be a special talk by Virali Modi and Dr. Ketna Mehta on the special occasion of Women's Day.

The event will kickstart a campaign to provide job opportunities and the required skills training to equip them with opportunities for the future by inviting organisations and institutes to make provision for these women!

When: March 7, 2019 at 5.30 pm onwards

Where: Viviana Mall, Thane

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Gauri Khan was spotted at Mumbai airport by the paparazzi, and once again, the interior designer has proved that she's got all the right fashion moves.

Gauri opted for a casual look - a black blazer, paired with a white top, basic blue denims, and thigh-high black boots for the outing. Doesn't she look gorgeous? If you're planning to upgrade your wardrobe with something similar, take a cue from Gauri to wear it in the best way possible and ace the airport look, or even a casual one, like a fashionista. 

Gauri Khan/picture courtesy: Yogen Shah

Black blazer: You can buy Ambrosial women single breasted formal blazer at the discounted price of Rs 649 only. Get Gauri Khan's airport look without burning a hole in your pocket. Shop here.

White top: Buy Acanthus Women's V Notch Front Scallop Trim Top at the discounted price of Rs 399 only. Shop here.

Blue denim: Raiter Super Skinny Jeans for Women and Girls Size will help you flaunt your legs! Get your pair at the discounted price of Rs 499 only. Shop here.

Black boots: Buy Kotak Sales Stylish Knee Length Boots at the discounted price of Rs 795 only. Shop here.

Tote bag: Get Kanvas Katha Women's Handbag at the discounted price of Rs 531 only. Shop here.

Also Read: Here's how you can get Malaika Arora's monochrome gym look right

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Representational picture

San Francisco: Global wearable brand Fitbit has announced to use Google's new Cloud Healthcare API to help the company integrate further into the healthcare system, such as by connecting user data with electronic medical records (EMR). Combining Fitbit data with EMRs can provide patients and clinicians a more comprehensive view of the patient profile, leading to more personalised care, the company said in a statement late Monday.

"Working with Google gives us an opportunity to transform how we scale our business, allowing us to reach more people around the world faster, while also enhancing the experience we offer to our users and the healthcare system," said James Park, co-founder and CEO of Fitbit.

"This collaboration will accelerate the pace of innovation to define the next generation of healthcare and wearables," he added.

The companies will also look to help better manage chronic conditions like diabetes and hypertension by using services such as Fitbit's recently acquired "Twine Health".

Using Google's Cloud Healthcare API, "Twine" can make it easier for clinicians and patients to collaborate on care, helping lead to better health outcomes and positive returns for employers, health plans and hospitals.

"At Google, our vision is to transform the way health information is organised and made useful. By enabling Fitbit to connect and manage key health and fitness data using our Google Cloud Healthcare API, we are getting one step closer to this goal," said Gregory Moore Vice President, Healthcare, Google Cloud.

"Together, we have the opportunity to deliver up-to-date information to providers, enhancing their ability to follow and manage the health of their patients and guide their treatment," he added.

Google Cloud will provide Fitbit with next-generation cloud services and engineering support, allowing Fitbit to scale faster.

Fitbit products are carried in over 45,000 retail stores and in 86 countries.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

If your grandparents are struggling with isolation, showing them how to use Facebook may help as researchers, including one of Indian-origin, have found that social networking sites offer tools and activities that may help older adults feel more empowered and less lonely.

Facebook and similar social networking sites could play a critical role in easing isolation and making them feel like they are part of a large community, said the study published in the journal New Media and Society.

"This is important, especially for older adults who might be aging in place, because they have mobility constraints that limit their ability to socialize," said study co-author S. Shyam Sundar, Professor at the Pennsylvania State University in the US.

For the study, the researchers recruited more than 200 participants who were 60 years and older and used Facebook for at least a year.

The researchers "friended" the participants on Facebook so they could count the number of times they used the various tools in the site during the past year.

The participants were also asked to respond to a questionnaire that captured the gratifications they obtained from Facebook.

Older adults who posted a lot of personal stories on Facebook felt a higher sense of community, and the more they customised their profiles, the more in control they felt, Sundar said.

The researchers also suggested that commenting on and responding to them gave older users a feeling of social interaction.

Sundar added that using social media is not a uniform experience that is either all bad, or all good, but offers multiple functions for diverse users.

Older adults are increasingly adopting social media, in general, and are a growing number of Facebook's total membership, said Eun Hwa Jung from National University of Singapore who worked with Sundar.

Facebook is considered the most popular social network among older adults, the researchers added.

The researcher also emphasised that developers of social media networks should consider the needs of this growing group of users.

For example, they should create features that enhance the identity of older adults while simultaneously protecting their privacy.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Illustration/Devdutt Pattanaik

It is common amongst Western scholars and their Westernised students to differentiate between the Vedic yagna and the Puranic puja, rituals that define the two major phases of Hinduism, one that flourished over 3,000 years ago and one that emerged 2,000 years ago. Of course, at the other extreme, we have the bhakta-Indologists who insist that Hinduism has no history, or phases, or evolution — that everything was homogenous and static, until Muslims came into the land 1,000 years ago. The truth is somewhere in between, as usual.

Vedic yagna is conventionally translated as 'sacrifice' and Puranic puja is translated as 'worship'. This translation is the basic problem. Both are based on Christian templates of religion where God of Abraham demands sacrifice (giving up something dear for the pleasure of God) and worship (adoration, veneration of God). Anyone who has actually performed the two rituals, or at least studied the two rituals carefully, will notice that the sacrifice and worship constitutes only part of the ritual, the first half — the second half is about asking for something in return, the fruit of the sacrifice or ritual known as phala-stuti, which is common to both yagna and puja. This makes yagna and puja essentially exchanges with the divine. There is the giving part (sacrifice, and worship, if one wants to call it that); this is followed by the receiving part, or at least the desire for something in exchange. Anyone who performs a yagna or puja knows that the ritual always ends with asking for something, material or spiritual, from the divine. This exchange makes it different from a prayer.

Yagna was designed by Brahmins 3,000 years ago as an elaborate ceremony to invite (avahan) celestial beings (deva) who rode celestial chariots (rathas). Communication was established using fire (agni) as medium, chants (mantra) and special offerings (soma). The yagna acknowledged through symbolic enactment and ritual role-playing the role the devas play in creating and sustaining and even destroying the universe. Having acknowledged the gods, and given them offerings to their satisfaction, a petition is made to them — for children, gold, grain, cattle, horses, power, fame, health — before they are allowed to go (visarjan).

But in yagna, the gods have no form. And they have no permanent residence. They come from the realm of the stars and so the yagna is performed in open air. Yagna could not be performed during rainy seasons, the four monsoon months (chatrumaas) which became linked to inauspiciousness. But, about 2,000 years ago, increasingly gods were seen as images and icons housed in caves and in temples. These sacred icons (archa) were venerated (archana). The ritual involved the same principles as the Vedic yagna – inviting the god to inhabit the image built, then bathing and decorating and feeding and praising and feeding and entertaining that image, before the petition is made. The devotee gives in order to get.  While humans were bound by debt (rinn), and had obligations, the gods were free of debt and so had no obligations. They were untouched by karma. And so what they gave was dependent on their grace! The devotee (bhakta) hence worshipped (bhaja) the divine being (bhagavan) and sought his grace (prasad). This is an exchange, a giving for receiving, unlike a covenant or a contract, which is about giving and taking and obligations that is cornerstone of Abrahmic religions. Exchange (yagna) connects (yoga) the world by establishing relationships (bandhu). Thus, through yagna and puja, we can theoretically connect with the infinite.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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Illustration/Devdutt Pattanaik

In the beginning, people said homosexuality is unnatural. Then scientists showed them that hundreds of species of animals do indulge in homosexuality. So people started saying homosexuality may be natural, but it is best restricted to animals. Amongst humans, it is a social disease. This unscientific understanding is popularised by many religious leaders, who are clueless about science, though they insist that the Vedas/Quran/Agama/Tripitaka/Talmud are essentially scientific.

These religious leaders fall into two categories. The first category is the 'liberal' guru who says sex is great for spirituality, provided it is heterosexual. The second category is the 'conservative' guru who says sex is not great for spirituality, and if you must indulge in it, do it for babies.

A gay man heard how a broad-minded Indian guru presented sexuality as an integral part of spirituality, and so decided to read a bit more of the guru's writings. He was suitably impressed, there was a lot of talk of how exploring sexual desires authentically enhances spiritual growth. But then came the horror! When the guru spoke of sexuality, he was referring only to heterosexuality and was essentially promoting orgies as a tool to liberate yourself. He saw homosexuality as a social disease resulting from heterosexuality being suppressed when men are locked with men in monasteries and prisons and women are locked with women in nunneries. This was his fantasy, which he marketed as mystical knowledge of the East!

A lesbian woman came upon a guru who gave her a sympathetic ear, and who confidently asserted that ancient mystical sages (all male, of course) had revealed to him that natural sexual activity is for making babies only, and that pleasure is just nature's way of incentivising you to make more babies. It is the human perversion to bypass the baby-making and focus on pleasure. Such value placed on pleasure comes from stress, hormones, and a lack of spiritual grounding. He insisted that homosexuality is a social pathology, not a natural physiology. She could stay a single woman if she did not wish to be a man's wife, but she had to engineer her life towards spirituality rather than sexuality if she sought fulfilment and happiness. Her libido, he insisted, was in dire need of fixing!

Most of these gurus do oppose the criminalising of homosexuality, and so appear to be modern. However, they do see homosexuality as a deviance (or its Sanskrit equivalent), or a 'fluidity' that needs explanation, management and re-alignment. They mirror the homophobia directed at queer people (pandakas, napunsakas) that we find in ancient monastic orders such as Buddhism and Jainism. Their discomfort with queerness is similar to their well-disguised discomfort with gender equality: 'Women are as good as men, provided they put the man's needs first.' Essentially, these gurus preach qualified equality, where their personal comfort zone (heterosexuality, celibacy, masculinity) remains privileged.

It is important to recognise gurus as political figures. They are today clearly political vote banks, with a vast number of followers who do whatever the guru tells them to do. Hence the power of their spiritual discourses to influence social and political direction needs to be acknowledged.

We must also recognise the power of followers over gurus. Gurus are expected to be superhuman, and 'pure and pious'. We don't mind them dancing to Bollywood songs or playing golf. But if they were to talk too much in favour of sex and pleasure, we will see them as less than spiritual. In our hearts, many of us are convinced spirituality is an adversary of sexuality. We see Shiva who burnt Kama to ash. We refuse to see Shiva who was enchanted by Kamakshi and Mohini.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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Illustration/ Devdutt Pattanaik

One of the unique features of Islam in South Asia is the veneration of five holy men, or saints (auliya), known collectively as pancha-pir. They are often represented by the palm of the hand, mounted on a mound. We find shrines of pancha-pir in Punjab, Rajasthan, Uttar Pradesh and Bengal. They are sometimes identified as the five pure ones of Shia Islam: the Prophet Muhammad, his daughter, his son-in-law, and his two grandsons. Other identify them as five Sufi saints, often the teacher with his five students. Still others say they refer to the Prophet Muhammad and the first four Caliphs. This veneration of five holy men in dargahs is however frowned upon by Islamic purists, who believe that veneration should be reserved for God, and none other.

In folklore, the pancha-pir often appear to bless heroes on quest, or to establish the greatness of a local king. In many Hindu temples, especially in Rajasthan, where folk-heroes are deified, as in the case of Ramdev baba, one finds pancha-pir endorsing their greatness, thus indicating syncretism of Hindu and Muslim ideas at the grass-root level. In Bengal, they are popular amongst sailors, who seek their protection before setting out into the sea, and thank them on their return.

Stories of pancha-pir often reveal much similarity with village gods and goddesses of India, who are known to help when appeased and harm when angry. So we learn how they gave their horse to a queen so that she could use the horse's blood to cure a husband. The queen later refuses to return the horse and so the pancha-pir destroy her kingdom. Sometimes the pancha-pir are paired with their five wives who disobey them and so are reduced to five piles of ash.

How did this idea emerge? It is possible that these five pirs were earlier the five tathagathas of Buddhism, found in Tantrik Buddhism, that flourished in eastern India during the Pala kingdom. There is the central Buddha, Vairochana, with four other Buddhas in the four directions, represented in four different colours, embodying four different principles, thus indicating universality. Such images are found in Buddhist shrines and Buddhist mandalas.

The idea of the five collective is found in Hinduism too: the Pandavas, for example. In Puri, Odisha, the five Pandavas take the form of five Shivas. There are images of Pancha-mukhi linga, where five faces, each in different mood, arise from a single pillar. There is also the concept of five chaste women: the pancha-kanya, which includes Sita, Draupadi, Ahalya, Mandodari and Kunti.

The most recurring concept in Indian mythology is that of a teacher with four students who take his knowledge in the four directions. One learns of Veda Vyasa and his four disciples, the Shaiva sage Lakulesha with his four disciples; the Jain saint Vajraswami who founded four orders (gaccha); the Sikh saint Sri Chand, the eldest son of Guru Nanak, who passed on the sacred fire (dhunni) of his order (akhara) of ascetics (udasin) to four disciples; the Vaishnava, Ramanuja also passed on his mantle to four disciples. This idea of the collective of five, best represented by the palm of the hand, clearly gave meaning and power to local faiths and also kept together various divisions that emerged in religious orders. Hence its enduring appeal.

Devdutt Pattanaik writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom. Pic Courtesy/CY Gopinath

In the house where i lived in Andheri Lokhandwala, I'd wipe a finger along the window sill in the morning, and a layer of dust would come away. The domestic help would wipe it clean every morning; 24 hours later, it would be grimy again.

But it was 1982, we were children then and had simple theories about things. Mine was that with so much crazy construction going on in Lokhandwala Complex, well, what would you expect if not clouds of dust? And thus, dust became another little thing we stopped questioning in Bombay. And then Bombay became Mumbai. But the dust remained dust.

I wouldn't be writing this today if I hadn't moved to Bangkok, on work first, but finally just to live. And the questions began coming. Bangkok and Mumbai are very similar, both urban, crowded and sleepless world cities with local life and culture richly woven into cosmopolitan sensibilities. Question 1 was why Bangkok didn't have swarms of flies despite being the world's street food capital. I wrote about that in this column on April 17.

The second question was why my window sills never got dusty in Bangkok — or more accurately, why nothing ever got dusty in Bangkok. After a hard day's toil, you could wash your hands clean without creating rivulets of grime.

I began paying special attention to public places where you'd normally expect dust. For example, on the outside of pedestrian overpasses across busy streets, large hexagonal rivets hold down steel barriers left and right of the walkway. If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom.

So I began checking Bangkok's outside rivets: they sparkled like freshly painted. And not because it had rained either. Next, I checked those ugly black nests of telephone and electricity cables that hang between lamp posts — another place where dust, cobwebs and pigeon s**t build up. In Bangkok, they were spotless. A week later, I saw several old women in municipal uniform with mops and swabs whose job apparently was to specifically clean dust and grime from all hard-to-reach places. Such as rivets on the outside.

I checked out one of Bangkok's many construction sites, which process the same materials as any Indian site — gravel, cement, bricks, concrete mixers. But miracle of miracles, no dust, thanks to the simplest of strategies. One worker on the site has just a single, simple task all day: he stands with a hose pipe watering the grounds every 15 minutes. Damp dust doesn't fly.

ON MY NEXT VISIT to Mumbai, I became a student of dust. Building construction sites are not the only dust devils. Major culprits are the mounds of debris that lie where utility companies have dug up the earth to lay cables. Since their job is not road cleaning, they leave the debris where it is when they're done.

By the time the department for debris-removal has slowly moved its creaky bones, passing winds have stirred the dirt and dust and blown it everywhere. The debris-removers finally come, but they do not fix the road, since that it is the roadworks department's job.

Meanwhile, more winds blow more dust around. In most cases, the roadworks people never show up. Mumbai has looked like a war zone as long as I've lived there, a bit like Aleppo after some barrel bombs.

And then I noticed another little dust-maker: the cute zig-zag paving tiles that give many Mumbai crossroads a faux European look. With just some basic geometry, you'd have seen the glaring mismatch between the kerb and the pavestones. The kerb is a straight edge, while the paisley tiles are curved.

When a curved object meets a straight one, gaps are guaranteed. A good road maker would know what to do about those gaps. He'd pack them tight with concrete cement, and they'd be gap-free when it dried. But Mumbai's heritage is of roads with beautiful tiles that are abandoned inches before they touch the pavement. Those are the tiles that go loose first, exposing dusty road. One by one, the rest follow.

Soon, the happy roadmaker has to be re-hired to repair his own work. Meanwhile, more and more dust flies around as more and more tiles come loose. I ASKED A ROADMAKER why his work was so shoddy. He shrugged and said, "It's how the system works. To win the contract, I have to pay someone in the municipality first, almost one-third of the amount. But after that, I don't have enough money left to deliver the job as I promised once I deduct the bribe and my profit. So I have to cut something somewhere. We just leaves the edges incomplete." And voila! Another cloud of dust.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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When the first State of Decay came out, it was unique in the way that it focused on the survival aspect of a zombie apocalypse rather than the all-out destruction and gore of killing countless zombies. With the new game, the developers have focused their attention on the community aspect of survival.

Right from the start, you get to choose two characters instead of one and each group and character has their own strengths, skills and background. Like the previous game, you can make your posse and build a base of operations complete with a farm and fortification. There are three open world maps — each the size of the map in the original game.

This huge world is littered with empty cabins, new places to build outposts and gather resources. Risky as it may be, the game forces you to explore resources simply because weapons break and you can run out of fuel, food and medical supplies. Venturing out also helps you meet new people to add to the community. State of Decay 2 really hits you home with all the death — losing a built-up human resource can be painful. You can die by getting killed in combat or by way of infection.

Dying in combat is also rare as the AI-controlled characters do a good job of handling themselves, while you take care of business. The only real time you are in danger is when you encounter morbidly obese super zombies that can tear you apart. These guys are tough, but they are the most fun combat you will face in the game, second only to running over zombies with a car, which could have been better if the cars handled better.

Plus, it pays to remember that fuel is a limited resource that you might want to save. Scavenging for resources is fairly simple — if you need fuel, you can raid a gas station; if you need food, find a convenience store or abandoned encampment. Gathered resources can be used to build up, upgrade and fortify your own camp. While there is a ton of stuff to do in the camp and in the surrounding areas, State of Decay 2 does have a main story.

The story mode is a great way to learn about the game and experience various situations as you search for plague hearts to destroy. Plague hearts are throbbing masses of flesh, and it is what produces the infectious plague zombies, identifiable with their glowing eyes. To reduce their numbers, you need to find and destroy the hearts. While the story mode is fulfilling, the camp building and exploring is where the game's strength lies.

We played an advanced copy of the game and the final game will be released on Tuesday. State of Decay 2 still has a lot of bugs, which hopefully will be ironed out soon. Some bugs we encountered on the PC version of the game were floating zombies, breaks in rendering and freezing. This is not a big issue and the developers are sure to patch this over time. And, while the game is very competitively priced, we would recommend waiting for a future bug-free version before jumping in.

State of Decay 2
Rating: 3.5/5
Developer: Undead Labs
Publisher: Microsoft
Platform: PC, XBOX
Price: Rs 1,924

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Photographer and graphic designer Anusha Yadav started the Indian Memory Project, an online, visual, narrative-based archive in 2010, to trace the history of the subcontinent via photographs and letters. Pic/Ashish Raje

EarLier this week, artist and oral historian Aanchal Malhotra, 28, travelled nearly 240 km to Chandigarh from Delhi, to meet a nonagenarian, who had lived through the Partition of 1947. As she speaks about it now, there's a lump in her throat. "I couldn't sleep that entire night," Malhotra confesses. "Even 70 years on, the woman is so afraid to talk about it. It had everything, from gun fire, to fleeing from her home in Pakistan, to her brother and mother being taken as prisoners, and to giving birth in a forest on her way to India. When she first delivered the baby, her immediate response was to throw it away. You can imagine what trauma she was experiencing." What surprised Malhotra most was when the 90-year-old asked her what she would do with her story. "I said that I wanted to publish it. The woman's immediate response was, 'who will read this?'. They really think that nobody cares. But, this is the story that has shaped the future of contemporary India."

The jewellery Aanchal Malhotra is wearing, was made in the North-West Frontier Province and was given to her great-grandmother, Lajvanti Gulyani, by her in-laws on her wedding to Hari Chand Gulyani in the year 1919. But it could have been in the Gulyani family before that as well. Since she became a widow quite young and was a single mother at the time of Partition, it was carried by her to India in 1947 because she thought she would be able to sell it and earn money to put her children through school. She then gave it to Malhotra’s grandmother, who has now given it to her. Pic/Nishad Alam

Malhotra is the author of Remnants of Separation (HarperCollins India), a book that revisited the Partition through objects carried across the border, and the co-founder — along with Navdha Malhotra — of The Museum of Material Memory, a digital repository of material culture of the Indian subcontinent, tracing family histories and ethnography through heirlooms and objects of antiquity. Since the launch of the archive last year, the founders have put together over 35 heartwarming object stories. Closer home, photographer and graphic designer Anusha Yadav's Indian Memory Project — an online, visual, narrative-based archive, founded in 2010, which traces the history of the subcontinent via photographs and letters — has helped us see history in another light. There is also Paris-based perfumer Jahnvi Lakhota Nandan, whose recently-published book, Pukka Indian: 100 objects that Define India (Roli Books), documents the most coveted symbols and designs representing our culture, by tracing its origin and significance in our lives. All three projects while different in essence and form, have one common intent — to record untold stories from our history and preserve them for posterity. But, as Malhotra's subject asked her, why should anyone be curious?

The chakla and belan originated in 7,500 – 6,000 BCE in Punjab. At the time, this region was cultivating wheat and barley extensively. Rather than using the flatness of the chakla and the pressure of the belan to what we might expect to be used around the country to make flatbread, whatever the ingredient might be, it is only in this region of north India that the chakla and belan were used simply because wheat and barley lend themselves to kneading. What must have been perceived as a high-technology kitchen tool then, the chakla and belan soon spread to other parts of the country. Text courtesy/Pukka India by Jahnvi Lakhota Nanda, Roli books; Pic/Shivani Gupta

Celebrating the mundane
Nandan, an alumnus of the School of Art and Design at Tsukuba University, Japan, admits that her project stemmed out of her curiosity to find out about the designs that define us an Indian. "Design is a mirror of our attitudes and habits. Through the course of writing this book on Indian design, I found that uniquely Indian gestures like churning, combing and calculating were reflected in it," she writes in the book. From the dabba, agarbatti, and kulhad, to Babuline gripe water, most of the objects Nandan chose for the book, have "either been made or originated in India, or have an element that is very Indian, or are being used in a very Indian context".

This picture is of Purvi Sanghvi’s grandfather Dwarkadas Jivanlal Sanghvi (extreme right in a black coat) and his brother Vallabhdas Jivanlal Sanghvi with their business partners at a Pen Exhibition in Bombay around 1951. The family ran Wilson Pens that quickly rose to huge fame and became a preferred choice of pens across the country. All government offices, law court, used the Wilson pens. The Wilson Pen Family made the orange, thick-nibbed pen that wrote the most fundamental document that defines the state of India: The Constitution of India written by Dr Babasaheb Ambedkar. Pic, Text Courtesy/Indian Memory Project/Contributed by Purvi Sanghvi, Mumbai

It's while working on the book that Nandan realised how "our own homes are a repository of history". Here, she relays an incident when Shivani Gupta, the photographer for Pukka Indian, had been anxious about finding a mandira — a butter churner — that Nandan had mentioned in the book. "She went home, and realised that she had five of them in her kitchen. She didn't even know she was sitting on so much wealth." Nandan adds, "We don't tend to celebrate the mundane. What we celebrate are things that have obvious value, like jewellery, the beautification of the body or the exotic."

Paris-based perfumer Jahnvi Lakhota Nandan's recent book, Pukka Indian, documents the most coveted symbols and designs representing Indian culture, by tracing its origin and significance in the lives of its users. Pic/Suresh Karkera

Object as a catalyst
Malhotra's interest in people's histories began while working on Remnants of Separation, which was an extension of her Master of Fine Arts thesis project for Concordia University, Canada. Malhotra's research began after she came across a gaz (a measuring device) and ghara (a pot), which belonged to her nana's family, and had crossed the border. "Sometimes the Partition is too traumatic to speak about. When I started my research, I didn't know where to begin or what I could ask, without sounding frivolous. The object became a catalyst to enter into that conversation. So, rather than me saying 'Oh! You lived through the Partition, that must be awful,' I was now asking relevant questions, like 'why did you choose to take this gold bangle with you?'. The object then, didn't become something that recessed into the background, but something around which the entire background was arranged."

That's when she and Navdha decided to start The Museum of Material Memory. The duo encourages everyone to contribute, provided the object is from or before the 1970s. The archive comprises everything from a 5-inch-long, mottled sewing needle to a chaddar with traditional baagh and phulkari embroidery and a former Class II Income-Tax officer's diary filled up with the repeated words 'Sri Rama Jayam', meaning Jai Sri Ram. Each post is accompanied with the story behind the object. "Material ethnography is so vastly explored in the West, especially when it comes to events of trauma and crisis. What we are recording here, will never be found in any textbook. We need active memoralisation, not just of traumatic events, but of our tradition and culture, which is primarily oral."

Not just for nostalgia's sake
The indianmemoryproject.com, says Yadav, started off as a book idea, where she wanted to collect old, wedding photographs. "I wanted to document the idea of weddings in different cultures, and explore the entire phenomena behind the crew that makes it possible," she says. "While the book didn't happen, the pictures stayed with me." That's how, her archive, a first-of-its-kind in India, took off. "If you are fascinated with history, you will know that India really is a melting pot. Every civilisation has passed through it. And so we have all kinds of DNA in us. And considering photography was discovered two centuries ago, we did have a lot of content to discuss," says Yadav.

She admits that it wasn't as easy to get people to share their photographs or talk about their stories. "But, there needs to be integrity, transparency and you need to earn the trust of your subject. When you have these value systems in place, people are more open. I always thought of the archive as an institution." Funding for the project has been tough, says the archivist. "When I began, I was very clear that I didn't want to become a trust. Unfortunately, that's the channel through which most of the money comes from. But, there's a server and maintenance cost and the site constantly needs to be upgraded. Now, I have started putting in requests for honorariums. The only way I will get money is through a private funder, who is fascinated with the idea, and wants to back it as well. Sometimes, when a good sum comes from my own work as a photographer, part of the profits go to it. At the end of the day, it is an unofficial record of history, and I'm doing my best to sustain it."

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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There is nothing like a blind tasting to make you realise how your senses need an overhaul. But when there is chocolate involved, then it's a worthwhile endeavour. Especially when the chocolate-maker that invites you is the 140-year old Du Rhone Chocolatier from Geneva, which is a Swiss handmade chocolate brand. After I tasted a few chocolates at the new Du Rhone Chocolatier store that opened this week at Peddar Road (our favourite was the Coline which is a dark ganache with 70 per cent cocoa beans from Brazil and Papua New Guinea), we were treated to a fun game of blind chocolate tasting. We liked what CEO and owner Frederico Marangoni had to say, when he said he never wants Du Rhone to be a mass produced chocolate. "It's as old school as it gets. Every flavour is taken directly from the root. When you taste raspberry, that's real raspberry jelly," said Marangoni, and we have to agree, especially after tasting the richness of the chocolates.

The game was simple — smell a flavour, taste a chocolate and then write down what we experienced. The first one was our lucky one, as it's the only one we got right. We took in a whiff of orange, and bit into a delicate slab of chocolate. And then what Marangoni said suddenly made sense to us. "Most factory made chocolates have thick outer crusts and barely any chocolate inside. Here, the exterior is thin and fine, and full of rich chocolate inside. You can't have more than two at a time." And he was right.

Pic/Sneha Kharabe

I then tasted lemon (which I identified as peppermint), raspberry (which I called strawberry) and passionfruit (which I felt was kiwi). If you are dying to eye roll right about now, know that I am already doing it. The best part of this experiment was that I got to try these ultra fine, luxurious chocolates that made me feel like we were getting a taste of Swiss tradition. It also made me sure of the fact that we would be visiting the store again soon, to try out the Mocca Glacé, whose ingredients are a well-kept secret. But when you make chocolate as good as Du Rhone, it makes sense to guard with your life.

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Without access to modern technology like refrigeration, people in developing countries often have to throw away a significant proportion of the fish they catch. EU-funded researchers have delivered innovative, low-cost solutions to help such communities around the world make their fish stocks go further.

Shades of red, bordeaux, pink and yellow are the key emanating colours this summer. Along with these colours, core summer essentials like white and blue also build foundations of the wardrobe. Prernaa Lohiya, Marketing Manager, French Connection, and Samantha Chilton, Head of Design KOOVS, have listed seven best summer fashion trends you must look out for. 

1. Fun and message-driven slogan T-shirts: Fun and message-driven slogan T-shirts that speak your mind, some core checkered shirts and athleisure inspired look for men are big this season. For women, soft florals and fashion infused athleisure is here to stay.

2. Side-striped bottoms and popper pants: Some of the other trends this season include side striped bottoms and popper pants.

3. Summer dresses in pastel shades: For a more ethereal look, you can choose pretty summer dresses in pastel hues as well.

4. Florals, solids, and patterns in green: The new hot colour for the summer is green and this can be seen in the form of florals, solids and patterns.

5. Bohemian grunge: It is also that time of the season when Bohemian grunge and festival dressing is popular including details like studding, lace inserts and broderie.

6. Neon camo and digital oversized sleeveless shirts for men: Men can add an element of exploration, with utility and military accents. Also this season it's all about the prints; from contrasting resort florals to neon camo and digital oversized sleeveless shirts.

7. Embroidered denim jacket: For layering, denim works wonders in summer and one can pick an embroidered denim jacket to layer a look with clean slip ons.

This summer, let your clothes speak your mind and add bright hues to your wardrobe to make a fashionable statement, say experts.

(Edited by mid-day online desk, with inputs from IANS)

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50,000
The approximate books in the library of what used to be Mahatma Gandhi's Bombay headquarters during the freedom struggle

360
Books read by Gandhi that are housed in the museum

45
Books written by Gandhi that are part of the collection log on to gandhi-manibhavan.org

Six
The number of double decker tram models in the collection, which ran in the city from 1920 to 1964. Two of them are still functional

One
A trolley bus model that ran on an electric route between Gowalia Tank and Mazgaon from 1962 to 1971

Five
The total types of ticket-issuing machines in the museum log on to bestundertaking.com

82,795
Total documents (the oldest being from 1830s; with papers revealing the genesis of the company, and architectural and technical drawings including those of typewriter keyboards in regional languages)

52,006
Photographs (oldest being from 1880s with some taken by well-known industrial photographer Mitter Bedi in 1970s) in the archives

1,266
Memorabilia (including the ballot box made for the first election of independent India, along with models of typewriters, that of a refrigerator from 1958, steel cupboard from 1930s, safes, etc.)
Log on to: archives.godrej.com

780
Clay models in the collection of the oldest museum in the city

92
Miniature paintings

230
Total metal objects including artefacts in brass, bronze, copper, bell metal, koftagiri, bidri and photographs on metal
Log on to: bdlmuseum.org

60,000
Total exhibits, which include paintings, sculptures and numismatic

5,000
Natural history specimens in the collection of which 430 are currently on display

2,000
Chinese and Japanese art exhibits in the collection of which 1,100 are on display

4,000
Indian and non-Indian paintings and prints
Log on to: csmvs.in

10,000
Total exhibits of Indian coinage, paper currency, financial instruments and monetary curiosities

1,500
Exhibits that provide a ringside view of the birth of currencies
Log on to: rbi.org.in

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The opening scene of Aladdin

We are caught in this familiar tussle between a perfect past and a future of possibilities as the curtains for the Disney Broadway-style musical Aladdin open. As 90s kids, for some of us who just adored Aladdin and his entourage, there was trepidation in our hearts last week — will this musical live up to the 1992 animation film?

As the first scene unfolds on stage, we were not disappointed, not in the least bit. A resplendent multi-level market scene in Agrabah, reminiscent of souks that spell 'Middle Eastern' with projected skies overheard, becomes the playground for a chase during which our daring street rat, Aladdin, enters. Directed by Shruti Sharma, who had formerly assisted in Disney's Beauty and the Beast, the re-imagined production with an all-Indian cast begins on a power-packed note, which is sustained through the course of the evening. Watch out for scenes in The Cave of Wonders and the flying carpet. Simply magical.

Mantra excels as Genie

Aladdin, played by Taaruk Raina in the production we saw, ably captures the complex range of human emotions scripted for the part, from flirtatious lover to contrite prisoner. His triad of friends, especially Keith Sequeira as Kassim, is an energetic foil to the character. And, the role of Iago, villain Jafar's sidekick, brings in the much-needed cheekiness and irreverence to this romance. But, the character that will truly steal your hearts is, as always, Genie, played by Puranjit Dasgupta, who goes by the name Mantra. Through him, the musical conveys a local flavour in an international production, the spicy tang of bhel puri amidst clean hummus and pita. It may seem more Bollywood than Broadway at times, also thanks to a heavy dose of melodrama, but, it got the security guards breaking into chuckles as much as the kids in the front row, so that can only be a good thing.

So, what of Jasmine, played by the beautiful Kira Narayanan? The musical does its best to push gender norms, and its stress on themes of personal freedom, especially through this character and Genie, come as gentle reminders to the audiences. Despite this, Aladdin doesn't pass the Bechdel test, and we wish Jasmine and her friends had half as much fun as Aladdin and his bawdy bunch. Jasmine's character is poorly scripted, and it doesn't match up to the original film's feisty, smouldering princess.

It's impossible not to comment on the songs, for this is a musical after all. Some are entertaining, while some, occasionally moving — Aladdin's got the right mix. What may happen for the adults, if not with the kids, is that you may be left wanting a quiet moment in between songs, for there is just far too much excitement on stage. You need to cool off from all that Genie energy.

Aladdin verges on PG at times, though it says suitable for 4+, with lip-locks and some spirited filmi jhatkas. Nothing that should stop your kid, niece or nephew from watching, but we are just putting it out there. Oh, and did we mention that the actors wear shiny sneakers? The kids will want those for school, and that's a conversation you will need to have with them.

WHERE: Jamshed Bhabha Theatre, NCPA, Nariman Point
WHEN: Till May 13. 7.30 PM
ENTRY: Rs 1,250 - Rs 8,250
CALL: 66223737

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Smeetha Bhaumik

The poet-artist, for whom this is the second Glo/NaPoWriMo attempt, says, "Platforms like these are precious to a poet, because of the sense of community and writing in unison that they offer. Writing to new prompts every day is a challenge in itself, and an exciting one; I say this because I have seen unexpected beautiful verses emerge out of my pen [or mouse]." For Bhoumik, it's tough to pinpoint where her tryst with poetry began, "I have grown up with poetry as a background motif in an environment of science and engineering that dominated my Bengali household. So, its aesthetics have been with me all along. Though I took up writing much later, it was as if I had written it all my life. It just flowed," she says.

Moonlit haibun writes itself,
silver crescents that speak to silence
often.
On the walls trellises of poetry,
On the night:
Shadows
Of poems
To come

Ritu Poddar

A NaPoWriMo novice, Poddar says for her, the takeaways are many. "This has been the most productive and creative month of my life so far. I learnt that passion alone cannot take you anywhere but, passion combined with discipline can," she shares. Speaking of the challenges she faced, Poddar says, "There were days when I would easily find inspiration or an idea to write about. But on others, even the prompts could not help. I have stayed up all night to ensure I don't break the chain of writing continuously."

Collecting from every corner of my body
Debris of past heartbreaks,
Stench of hoarded guilt,
Leftovers of repeated mistakes,
Scraps of untreated anguish
Digging hard to pull out weeds of hurt
Rooted deep into the memory bed.
Cutting cobwebs of relations I weaved,
Which had turned into fetters.

When Washington-based poet and publisher, Maureen Thorson began the National Poetry Writing Month (NaPoWriMo) in 2003, little did she realise that it was going to turn April into the busiest month for poets across the world? The objective is to pen down 30 poems in 30 days — spurred on by prompts (available on the official NaPoWriMo blog) and a general camaraderie that allows you to find the much sought-after inspiration writers are constantly pining for. Today, this has become a global community, with most preferring to call it Glo/NaPoWriMo. It has found its way into the lives of many Indian poets.  We speak to four of them as the month comes to an end.

Rakhee Panth

Panth quit her job as a school teacher to pursue writing full time. This was her first NaPoWriMo attempt and she says the experience was exhilarating. She began writing when she was 11 and published her first short story at 14 in Children's World Magazine. "Writing is a lonely profession. This forum encourages writers across the world to stay inspired and motivated as a community [albeit virtual]. It is believed that creativity often follows its own graph but NaPoWriMo pushes you to harness your creative energy every day and expand your horizon in a guided manner — something that many writers are hungry for in our country. It helps inculcate discipline and is a creative and fun alternative to structure your writing process," she says.

When rain finally falls
And takes with it
The earth's sorrow,
Winnows its way
Into her heart
And stays,
I will call to you then

When eternity stops
And time stands still
I shall have dissolved you in me

Aashish Vaidya

The blog, which is maintained by Thorson features a participant every day. Aashish Vaidya was one of the few Indians to be named. Originally from Vadodara, Gujarat, Vaidya says that his foray into poetry was encouraged by his grandfather, and began with their affinity for Hindi ghazals. "Ghazal singing is that beautiful confluence of good poetry, good singing and good music. I wrote poems and articles sporadically in high school, and in college, for newsletters and community magazines. But, I can relate to Picasso's quote 'Every child is an artist. The problem is how to remain an artist once we grow up.' So for many years, the desire to write lay dormant, as the proverbial life happened," he says. Vaidya, who is participating in the challenge for the fourth time, believes its significance is manifold. "It provides this huge nudge to write. And if you tap into the NaPoWriMo blog community, you can also find other individuals around the globe, who are writing. And in many cases, they are struggling to write, like you, at this maddening pace." he says.

But, talking anything rational with them is more
Like 'burning daylight,' or 'whistling up the wind.'
I mean it takes a special someone with,
'Too many cobwebs in the attic,' to believe someone who is
'Slicker than a slop jar or a boiled onion.'
I mean, come on y'all, howdayya believe someone who,
'Knows more ways to take your money than a roomful of lawyers.'

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Taking care of leather shoes in summer is not so cumbersome. Just keep them away from direct sunlight and water, say experts. Kanika Bhatia, Chief Experience Officer, Egoss, and Ambud Sharma, Founder, Escaro Royale Luxury (Escaro.in), tell how to maintain your leather shoes:

1. Keep them away from direct sunlight: Leather fades faster when exposed to sunlight. If it is kept out of direct sunlight, it will fade naturally over time. Sunlight can lead to drying and cracking. Ideal places to store leather footwear are darker places with some humidity, with slight ventilation to avoid formation of mildew.

2. Avoid keeping socks in shoes: Shoes wear off faster if socks are kept inside the shoes as they leave a pungent smell leading to bad odour that transpires into the socks worn with the shoes.

3. Don't store shoes in plastic/grocery bags: Leather shoes need some ventilation. Air should be able to pass through leather. For this, shoes should never be stored in plastic or grocery bags. Use bags made of breathable fabric and pillow cases to keep the shoes.

4. Do not wear the same pair daily: Leather shoes need time to dry up naturally as they have a tendency to soak water from your feet. Wearing the same pair everyday will not help the shoe to dry up leading to a faster wear down.

5. Use shoe tree: Keeping shoe tree in the shoe would enable it to maintain its shape, reduce creases and also to soak in excess moisture and odour.

6. Cleaning is important: Regular cleaning, polishing and conditioning play an important role in taking care of leather shoes. You should clean, polish and condition your leather pieces regularly with high quality cleaners and sprays to increase its lifespan. Always clean your leather shoes with a soft cloth before applying special shoe cream on the soft leather handcrafted products.

7. Stay away from water: Don't put water on your leather products especially hand-painted products.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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Representational picture

Are you someone that likes living life on the edge, from salary to salary, buying something as and when you set eyes on it, without worrying about your savings, and a "dekha jayega" attitude? That may seem cool -- but it's also a short cut to financial disaster. Walnut App CEO and Co-Founder Patanjali Somayaji lists five ways to ensure you don't go broke. Ever.

Download a money management app to track your expenses
If you have never been the type to track your expenses, now is a good time to start. You can download an app that tracks your spends and set a budget, keep a watch on your upcoming credit card and utility bill payments, as well as see how much you owe or have to get from others. This is the first step to getting your finances streamlined.

Make a plan and set goals for yourself
Set short-term (a few months ahead) and long-term (a year and beyond) goals. It could be anything from taking up a new hobby like learning the guitar, to buying a new phone/laptop/camera, getting married, buying a new house or being debt-free by a certain date, and so on. Based on the plan, break it down into quarterly and monthly goals so you know how much to save, how much is safe to spend and so on. Having a plan will give you an overview and much better control of your finances.

Set up an emergency fund
Once you're tracking your spends and have set goals, you know how much money you need to allocate to each of them. You would also get an estimate of your spending pattern and expenses for each month. Based on this, have an emergency fund in place that will take care of at least 6-8 months' worth of living expenses so that in case of a mishap or a loss of job, you don't go broke, and have something to fall back on. You can set it up so that a certain percentage of your salary/income each month is automatically transferred to this fund. It could be in a different bank account, a fixed deposit, or even a liquid fund -- and most importantly, it should be accessible easily and quickly when needed urgently.

Set limits for your spend categories
Take a look at your spends in greater detail to understand where the money goes each month. Assign limits to each of these categories for the month and see how you're doing at the end of the month. This will give you an idea of your lifestyle and if you're spending more than you earn, as well as where you can cut down on unnecessary spends.

Stay debt-free
Credit cards can be extremely useful -- for regular spends as well as during emergencies, and over time, with a good payment history, can boost your credit score too. However, if you're the type of person who cannot pay off credit card bills in full each month or who just pays the minimum amount due, stick to using your debit card or cash, or even a Line of Credit, which has a lower interest rate. Revolving credit on a credit card can be dangerous for your finances, and it can take you several years to repay the entire outstanding amount.

There will always be changes in situations, your current needs and requirements as well as your cash flow, so every 3-6 months, you should re-look at your plan and goals, and modify as needed to stay on top of your finances.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever